This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
do you know what | 68 |
at the same time | 62 |
i am going to | 52 |
what do you mean | 50 |
on the other hand | 48 |
do you know that | 47 |
for the sake of | 46 |
in front of the | 43 |
it seems to me | 41 |
in the middle of | 40 |
the middle of the | 39 |
do you think i | 38 |
as if i were | 36 |
i should like to | 35 |
what do you think | 34 |
what do you want | 29 |
that is to say | 29 |
and for that reason | 29 |
the end of the | 28 |
at the end of | 28 |
to be able to | 28 |
you want me to | 27 |
as if you were | 26 |
for the first time | 26 |
it is as if | 25 |
do you mean to | 23 |
as if i had | 22 |
as soon as i | 22 |
sits down at the | 22 |
it was i who | 21 |
is heard from the | 21 |
in the same way | 21 |
do you want to | 21 |
goes out to the | 21 |
all of a sudden | 21 |
goes to the door | 21 |
what am i to | 21 |
out to the right | 20 |
i am not going | 20 |
to me as if | 20 |
in a state of | 20 |
the door in the | 19 |
do you know who | 19 |
out to the left | 19 |
are to be pitied | 18 |
as if she were | 18 |
talk of something else | 18 |
goes over to the | 18 |
are crimes and crimes | 18 |
what do you say | 18 |
i have never seen | 18 |
i am afraid of | 18 |
to do with the | 18 |
do you think that | 17 |
as though he were | 17 |
in the midst of | 17 |
the fact that the | 17 |
what is the matter | 17 |
down at the table | 17 |
the name of the | 17 |
that i am not | 17 |
there are crimes and | 17 |
in the presence of | 17 |
enters from the left | 16 |
are you going to | 16 |
out of the window | 16 |
how do you know | 16 |
enters from the right | 16 |
have a look at | 16 |
as if he were | 16 |
as if it had | 16 |
that you are a | 16 |
in the name of | 16 |
a great deal of | 16 |
what can i do | 15 |
the door at the | 15 |
as a matter of | 15 |
in one of the | 15 |
for the last time | 15 |
the rest of the | 15 |
if it had been | 15 |
now i am going | 15 |
give me your hand | 15 |
so that i can | 15 |
on account of the | 15 |
the centre of the | 15 |
the life out of | 15 |
am not going to | 15 |
do you think he | 15 |
there can be no | 15 |
what does it matter | 15 |
what have you done | 14 |
go out to the | 14 |
there is only one | 14 |
in the case of | 14 |
you think i am | 14 |
there is nothing to | 14 |
how did you get | 14 |
the right of the | 14 |
in the course of | 13 |
on the second floor | 13 |
you know that i | 13 |
the part of a | 13 |
such a lot of | 13 |
anders persson and mons | 13 |
should be able to | 13 |
that kind of thing | 13 |
on the other side | 13 |
persson and mons nilsson | 13 |
but i am not | 13 |
let us talk of | 13 |
goes up to the | 13 |
in spite of all | 13 |
am i to do | 13 |
by the side of | 13 |
the edge of the | 13 |
do you believe that | 13 |
the door on the | 13 |
for a long time | 13 |
nothing to do with | 13 |
door in the rear | 13 |
in a low voice | 12 |
the other side of | 12 |
seems to me as | 12 |
in half an hour | 12 |
and now i am | 12 |
it was he who | 12 |
at the foot of | 12 |
to get rid of | 12 |
do you want me | 12 |
and i had to | 12 |
where did you get | 12 |
like that of a | 12 |
that i had to | 12 |
so much the better | 12 |
at the bottom of | 12 |
you may be sure | 12 |
i cannot do it | 12 |
if you only knew | 12 |
on the left side | 12 |
and do you know | 12 |
you know what i | 12 |
you ought to be | 12 |
do you know why | 12 |
it was as if | 12 |
get out of here | 12 |
that he could not | 11 |
with an expression of | 11 |
at the same moment | 11 |
door in the background | 11 |
and for this reason | 11 |
get away from here | 11 |
bear in mind that | 11 |
in order to get | 11 |
i have had to | 11 |
sits down on the | 11 |
it seems as if | 11 |
he goes to the | 11 |
in the habit of | 11 |
you mean to say | 11 |
you think i would | 11 |
on the following morning | 11 |
a matter of fact | 11 |
what are you doing | 11 |
it is true that | 11 |
in regard to the | 11 |
to take care of | 11 |
i have never been | 11 |
door on the right | 11 |
seems to me that | 11 |
sign of the cross | 11 |
to the right of | 11 |
as if it were | 11 |
i feel as if | 11 |
but do you know | 11 |
me as if i | 11 |
to tell the truth | 11 |
you know what that | 11 |
the left of the | 11 |
the sign of the | 11 |
down on the sofa | 11 |
in spite of the | 11 |
the head of the | 10 |
the door of the | 10 |
door at the right | 10 |
but now i am | 10 |
in the form of | 10 |
almost as if i | 10 |
what have i done | 10 |
get out of it | 10 |
at the age of | 10 |
enters from the background | 10 |
that i have been | 10 |
and i have never | 10 |
it is too late | 10 |
one of the most | 10 |
at the sight of | 10 |
it is to be | 10 |
have the right to | 10 |
to the door at | 10 |
in the shape of | 10 |
that i was not | 10 |
i could not help | 10 |
you think i can | 10 |
anything to do with | 10 |
to one of the | 10 |
if i could only | 10 |
a glass of wine | 10 |
do you think so | 10 |
and it is not | 10 |
to get out of | 10 |
that i am a | 10 |
i did not know | 10 |
the fact that i | 10 |
have no right to | 10 |
appears in the doorway | 10 |
other side of the | 10 |
what do i care | 10 |
you were when you | 10 |
from time to time | 10 |
i am to be | 10 |
as if she had | 10 |
as if he had | 10 |
do you think of | 10 |
and for that matter | 9 |
in spite of his | 9 |
to be in the | 9 |
on the point of | 9 |
and now you are | 9 |
in the company of | 9 |
a noise is heard | 9 |
to the door and | 9 |
is going to be | 9 |
you are thinking of | 9 |
do you know how | 9 |
the sun is shining | 9 |
did you ever see | 9 |
such an extent that | 9 |
that you have been | 9 |
the child in white | 9 |
at the edge of | 9 |
what do you see | 9 |
and that was the | 9 |
it looks as if | 9 |
the judge and the | 9 |
the eyes of the | 9 |
what does it mean | 9 |
the dance of death | 9 |
into the arms of | 9 |
the way it is | 9 |
the first time i | 9 |
what does that mean | 9 |
what kind of a | 9 |
to such an extent | 9 |
i shall have to | 9 |
to think of it | 9 |
you are a man | 9 |
the song of the | 9 |
for that reason i | 9 |
i want to go | 9 |
have a right to | 9 |
the same time he | 9 |
ought to be ashamed | 9 |
put an end to | 9 |
i said to myself | 9 |
i have nothing to | 9 |
with the help of | 9 |
do you think it | 9 |
i thank you for | 9 |
as far as i | 9 |
middle of the floor | 9 |
i have come to | 9 |
she goes to the | 9 |
to go to the | 9 |
once upon a time | 9 |
i see that you | 9 |
i have never heard | 9 |
and at the same | 9 |
in order to make | 9 |
where are you going | 9 |
on one of the | 9 |
and what do you | 9 |
have nothing to do | 9 |
stops in front of | 9 |
in the hands of | 9 |
and the old lady | 9 |
it seemed to me | 9 |
through the door in | 9 |
is one of the | 9 |
the corner of the | 9 |
to go to bed | 9 |
he went into the | 9 |
there are so many | 9 |
what did he say | 9 |
there is a door | 9 |
you know that the | 9 |
quarter of an hour | 9 |
on account of his | 9 |
anything of the kind | 9 |
that i had been | 9 |
seems to have been | 9 |
middle of the room | 9 |
do you think a | 9 |
what are you saying | 9 |
you know that you | 9 |
at the thought of | 9 |
but there is no | 9 |
come to an end | 9 |
but do you think | 9 |
front of the house | 9 |
as soon as the | 8 |
for a moment i | 8 |
at the beginning of | 8 |
are you so sure | 8 |
in love with me | 8 |
you mean that i | 8 |
in order to be | 8 |
i have not been | 8 |
of the same kind | 8 |
if i only knew | 8 |
us talk of something | 8 |
it would have been | 8 |
am i to get | 8 |
it was you who | 8 |
every now and then | 8 |
in love with her | 8 |
goes out through the | 8 |
have a feeling that | 8 |
to get away from | 8 |
why are you so | 8 |
the way in which | 8 |
to have a look | 8 |
a look at the | 8 |
i went to the | 8 |
the side of the | 8 |
i am beginning to | 8 |
you want to be | 8 |
look as if you | 8 |
that he did not | 8 |
on board the boat | 8 |
you are to be | 8 |
let me tell you | 8 |
you will have to | 8 |
i felt as if | 8 |
as though he had | 8 |
this is not the | 8 |
for a few moments | 8 |
falls on her knees | 8 |
all the rest of | 8 |
did not know what | 8 |
and this is the | 8 |
is the matter with | 8 |
the beginning of the | 8 |
the top of the | 8 |
is it possible that | 8 |
if i had been | 8 |
he did not know | 8 |
what have you to | 8 |
as well as in | 8 |
more than i can | 8 |
but it is not | 8 |
out through the door | 8 |
but i have not | 8 |
in the centre of | 8 |
we are going to | 8 |
i am jealous of | 8 |
on the top of | 8 |
you think it is | 8 |
if it were a | 8 |
a good deal of | 8 |
but first of all | 8 |
that it was not | 8 |
the auberge des adrets | 8 |
and it was not | 8 |
but he could not | 8 |
under the influence of | 8 |
to be afraid of | 8 |
at the head of | 8 |
in spite of my | 8 |
stupid you were when | 8 |
the baron and the | 8 |
seems almost as if | 8 |
and there is a | 8 |
as i am not | 8 |
do you remember when | 8 |
when i first met | 8 |
a part of the | 8 |
in the way of | 8 |
the sake of the | 8 |
that is just what | 8 |
the life of the | 8 |
that it was a | 8 |
you seem to be | 8 |
is not to be | 8 |
it seems almost as | 8 |
what have you got | 8 |
at a time when | 7 |
up and down the | 7 |
do you think she | 7 |
i was going to | 7 |
men are to be | 7 |
and hands it to | 7 |
if i can only | 7 |
that you have a | 7 |
baron and the baroness | 7 |
but i did not | 7 |
if i am not | 7 |
it is possible that | 7 |
it will soon be | 7 |
you had better not | 7 |
know that you are | 7 |
here we have the | 7 |
how am i to | 7 |
there is nothing left | 7 |
you wish me to | 7 |
as i have already | 7 |
to play the part | 7 |
he sits down at | 7 |
and i am not | 7 |
it looks like a | 7 |
plays by august strindberg | 7 |
i do not know | 7 |
is it true that | 7 |
and it seems to | 7 |
you think that i | 7 |
the worst of it | 7 |
never been able to | 7 |
and goes up to | 7 |
the form of a | 7 |
with the exception of | 7 |
why do you ask | 7 |
without being able to | 7 |
in front of it | 7 |
when i think of | 7 |
i want to be | 7 |
the bottom of the | 7 |
you were too cowardly | 7 |
i want you to | 7 |
to me that i | 7 |
what did you say | 7 |
you know what you | 7 |
it is not the | 7 |
in a sort of | 7 |
on the following day | 7 |
i can tell you | 7 |
as soon as we | 7 |
as long as i | 7 |
i have no right | 7 |
the hands of the | 7 |
goes straight up to | 7 |
i think it would | 7 |
the back of the | 7 |
do you realise that | 7 |
it is just as | 7 |
a couple of hours | 7 |
up to the table | 7 |
as long as the | 7 |
there was not a | 7 |
and now it is | 7 |
with the result that | 7 |
can you see that | 7 |
are you afraid of | 7 |
face to face with | 7 |
to the left of | 7 |
the picture of a | 7 |
it was impossible to | 7 |
as though it were | 7 |
of a woman who | 7 |
heard from the outside | 7 |
if he had been | 7 |
where have you been | 7 |
can i be of | 7 |
in order not to | 7 |
put the blame on | 7 |
if i were a | 7 |
on the edge of | 7 |
feel as if i | 7 |
edge of the sea | 7 |
he goes out to | 7 |
and you are not | 7 |
the presence of the | 7 |
and i have been | 7 |
i think you are | 7 |
know what it is | 7 |
in so far as | 7 |
do you see now | 7 |
i hope you will | 7 |
might just as well | 7 |
out through the window | 7 |
there was only one | 7 |
a glass of water | 7 |
the branches of the | 7 |
as far as the | 7 |
not been able to | 7 |
to the end of | 7 |
would you like to | 7 |
i am sorry for | 7 |
on the lake of | 7 |
there will be no | 7 |
made up my mind | 7 |
the reason why i | 7 |
it ought to be | 7 |
what is it you | 7 |
looked at me with | 7 |
the foot of the | 7 |
god have mercy on | 7 |
going to have a | 7 |
that he had been | 7 |
to be ashamed of | 7 |
take care of yourself | 7 |
kisses him on the | 7 |
her in his arms | 7 |
would have been a | 7 |
did not wish to | 7 |
in connection with the | 7 |
what you are doing | 7 |
the hand of the | 7 |
at the time of | 7 |
as well as the | 7 |
out of the room | 7 |
in one of his | 7 |
what can be done | 7 |
you ought to have | 7 |
face in her hands | 6 |
in order to go | 6 |
if you want to | 6 |
the body of the | 6 |
i first met you | 6 |
as if you had | 6 |
that my redeemer still | 6 |
you are a thief | 6 |
it will not be | 6 |
am afraid of you | 6 |
so far as to | 6 |
am jealous of your | 6 |
you not going to | 6 |
nothing of that kind | 6 |
in the face of | 6 |
i was afraid of | 6 |
if she had been | 6 |
know nothing about it | 6 |
were when you thought | 6 |
you are in the | 6 |
you know what is | 6 |
the walls of the | 6 |
i think it is | 6 |
i am glad to | 6 |
it is not easy | 6 |
is nothing but a | 6 |
just as if i | 6 |
it is impossible to | 6 |
they go toward the | 6 |
enters from the rear | 6 |
on top of the | 6 |
when i was young | 6 |
the heart of the | 6 |
what you always say | 6 |
you are going to | 6 |
in spite of everything | 6 |
it is not for | 6 |
i am compelled to | 6 |
know who i am | 6 |
take care of your | 6 |
and you have never | 6 |
that it is a | 6 |
comes out of the | 6 |
got to do with | 6 |
get out of this | 6 |
her face in her | 6 |
so far as i | 6 |
and sits down on | 6 |
should like to have | 6 |
the simple reason that | 6 |
in order to find | 6 |
do you think we | 6 |
to put an end | 6 |
the same time the | 6 |
by one of the | 6 |
to the door on | 6 |
it must be a | 6 |
a little while ago | 6 |
door at the left | 6 |
the thought of the | 6 |
what was i to | 6 |
wrack of the storm | 6 |
as though they were | 6 |
what are you going | 6 |
the joy of life | 6 |
so that i might | 6 |
was seized with a | 6 |
there is no reason | 6 |
i am too old | 6 |
are you not going | 6 |
going to be a | 6 |
keep an eye on | 6 |
to the old lady | 6 |
name of the lord | 6 |
to look at it | 6 |
the three of us | 6 |
the arms of the | 6 |
you are my friend | 6 |
you know who i | 6 |
had a right to | 6 |
but as soon as | 6 |
his arm around her | 6 |
it was nothing but | 6 |
at the left of | 6 |
you ever see such | 6 |
you must listen to | 6 |
it seems as though | 6 |
and in the end | 6 |
my redeemer still liveth | 6 |
let me have a | 6 |
in the world of | 6 |
when he came to | 6 |
the case of the | 6 |
it feels as if | 6 |
that was the reason | 6 |
so much for that | 6 |
are you sure that | 6 |
he felt as though | 6 |
the direction of the | 6 |
on both sides of | 6 |
up my mind to | 6 |
the kingdom of heaven | 6 |
in a lunatic asylum | 6 |
on the verge of | 6 |
the daughter of the | 6 |
on the way to | 6 |
i have only to | 6 |
it looked as if | 6 |
in the old days | 6 |
you had better go | 6 |
in order to see | 6 |
the expression of her | 6 |
in order that the | 6 |
when i tried to | 6 |
in front of me | 6 |
you have never seen | 6 |
that i know of | 6 |
and now you want | 6 |
the spot of light | 6 |
when i look at | 6 |
tell me one thing | 6 |
by the fact that | 6 |
on the ground that | 6 |
get out of the | 6 |
those of other people | 6 |
the part of the | 6 |
on the table and | 6 |
for me to do | 6 |
i returned to my | 6 |
the same way as | 6 |
i have a feeling | 6 |
the top of a | 6 |
me out of the | 6 |
seemed to me as | 6 |
if you are not | 6 |
you have given me | 6 |
at the right is | 6 |
sits down on a | 6 |
as if they were | 6 |
you have refused to | 6 |
but i have a | 6 |
have not been able | 6 |
i wonder if it | 6 |
seemed to me that | 6 |
so sure of that | 6 |
in the power of | 6 |
i beg your pardon | 6 |
that he had to | 6 |
of being able to | 6 |
look at each other | 6 |
and in the meantime | 6 |
one after the other | 6 |
pacing back and forth | 6 |
the matter with you | 6 |
walking back and forth | 6 |
it is he who | 6 |
bye for a while | 6 |
there are moments when | 6 |
of the fact that | 6 |
was one of the | 6 |
but it is a | 6 |
he must have been | 6 |
for the simple reason | 6 |
mean to say that | 6 |
looked out of the | 6 |
if it is so | 6 |
the sound of a | 6 |
that he had not | 6 |
out of the question | 6 |
i sit here and | 6 |
he was an idiot | 6 |
did not want to | 6 |
must listen to me | 6 |
what was it you | 6 |
out of the way | 6 |
now that i have | 6 |
and i have to | 6 |
where am i to | 6 |
and bear in mind | 6 |
how much do you | 6 |
the lake of geneva | 6 |
want to do that | 6 |
is no reason why | 6 |
do you think you | 6 |
we shall have to | 6 |
was by no means | 6 |
be ashamed of yourself | 6 |
the church of st | 6 |
let us get away | 6 |
be angry with me | 6 |
down on a chair | 6 |
in the doorway at | 6 |
have never been able | 6 |
a lot of people | 6 |
i had come to | 6 |
the same kind of | 6 |
it must be because | 6 |
do you mean by | 6 |
i can hear the | 6 |
the confession of a | 6 |
and i know that | 6 |
the man who has | 6 |
do you see how | 6 |
plans for the future | 6 |
on top of it | 6 |
i wanted to see | 6 |
the point of death | 6 |
in the direction of | 6 |
know that it is | 6 |
how did it happen | 6 |
came to an end | 6 |
i said to her | 6 |
to me like a | 6 |
do you really think | 6 |
i was compelled to | 6 |
at the very moment | 6 |
it seemed to him | 6 |
not wish to be | 6 |
i am sorry to | 6 |
do you intend to | 6 |
what are we to | 6 |
to speak of it | 6 |
forgive me that you | 6 |
would you care to | 6 |
but it does not | 6 |
in the next room | 6 |
play the part of | 6 |
and there was a | 6 |
proposed that we should | 6 |
not allowed to be | 6 |
had come to the | 6 |
the wrack of the | 6 |
where did you learn | 6 |
that there is no | 6 |
i am not a | 6 |
is the only one | 6 |
anders persson of rankhyttan | 6 |
should like to see | 6 |
with a kind of | 6 |
to get into the | 6 |
sits down in the | 6 |
judge and the old | 6 |
there is no other | 6 |
but i want to | 6 |
but you are a | 6 |
think it would be | 6 |
you so sure of | 6 |
have never seen him | 6 |
what shall we do | 6 |
i am a man | 6 |
would it not be | 6 |
to such a degree | 6 |
and in order to | 6 |
and there is no | 6 |
what a lot of | 6 |
at the table and | 6 |
of course i do | 6 |
what have you been | 6 |
but in order to | 6 |
the first time in | 6 |
is a door leading | 6 |
i had to be | 6 |
it was only a | 6 |
the left side of | 6 |
know that i am | 6 |
a good deal more | 6 |
there ought to be | 6 |
that it was i | 6 |
is not easy to | 6 |
to a certain extent | 6 |
in front of her | 6 |
have anything to do | 6 |
for the same reason | 6 |
and goes to the | 6 |
but i could not | 6 |
one who has been | 5 |
had a friend who | 5 |
you see that i | 5 |
a glimpse of the | 5 |
are you thinking of | 5 |
a chair and sits | 5 |
be found in the | 5 |
that i was a | 5 |
what did you do | 5 |
the course of the | 5 |
it used to be | 5 |
as if they had | 5 |
as soon as they | 5 |
as much as you | 5 |
if you want me | 5 |
to make use of | 5 |
the reflection of the | 5 |
you have a way | 5 |
on the part of | 5 |
of the kind that | 5 |
that i did not | 5 |
walks up and down | 5 |
in from the left | 5 |
up in order to | 5 |
wanted to run away | 5 |
now you can go | 5 |
i am no longer | 5 |
that you love me | 5 |
in the eyes of | 5 |
i may as well | 5 |
i have been a | 5 |
the attention of the | 5 |
in a few days | 5 |
ever see such a | 5 |
or what do you | 5 |
as soon as he | 5 |
you want to go | 5 |
god be with you | 5 |
i know that you | 5 |
have you been up | 5 |
to live in the | 5 |
the way to the | 5 |
the face of a | 5 |
door leading to the | 5 |
what have you there | 5 |
so that i could | 5 |
now i want to | 5 |
as if speaking to | 5 |
that you will be | 5 |
it has to be | 5 |
in keeping with the | 5 |
in front of him | 5 |
as long as we | 5 |
the lake of constance | 5 |
the mother of the | 5 |
her arms round me | 5 |
of the criminal code | 5 |
the members of the | 5 |
and you ought to | 5 |
at one of the | 5 |
i am convinced that | 5 |
in which you have | 5 |
fire in the stove | 5 |
down at the writing | 5 |
give me a glass | 5 |
come back to me | 5 |
at the same table | 5 |
one of her hands | 5 |
so that i may | 5 |
that i do not | 5 |
she was afraid of | 5 |
when i woke up | 5 |
the presence of a | 5 |
a gesture as if | 5 |
of the play is | 5 |
of his first marriage | 5 |
and now i must | 5 |
the bois de boulogne | 5 |
the sight of the | 5 |
i had to make | 5 |
the young lady is | 5 |
goes to the balustrade | 5 |
on the same side | 5 |
for the time being | 5 |
do you know where | 5 |
am sorry for you | 5 |
but it will be | 5 |
his hand as if | 5 |
towards the end of | 5 |
thure and his wife | 5 |
know what to believe | 5 |
be good enough to | 5 |
and then there is | 5 |
and now i have | 5 |
the story of the | 5 |
is sitting at the | 5 |
i want to get | 5 |
she accused me of | 5 |
have a way of | 5 |
and goes over to | 5 |
i can see that | 5 |
to the conclusion that | 5 |
the right is a | 5 |
you look like a | 5 |
us get away from | 5 |
realise that you are | 5 |
how do you like | 5 |
see that you have | 5 |
the like of it | 5 |
and that is why | 5 |
how can you see | 5 |
then he sits down | 5 |
sat down on a | 5 |
it will be a | 5 |
with a gesture of | 5 |
can hardly be called | 5 |
but you must not | 5 |
it is enough to | 5 |
you believe that i | 5 |
to listen to you | 5 |
great deal of attention | 5 |
i must admit that | 5 |
straight up to the | 5 |
to become a mother | 5 |
enter from the left | 5 |
have you ever felt | 5 |
which was to be | 5 |
in such a manner | 5 |
looks at his watch | 5 |
and i was to | 5 |
but this is not | 5 |
since then i have | 5 |
i can see the | 5 |
to run away from | 5 |
know what you are | 5 |
the art of living | 5 |
is the use of | 5 |
i cannot deny that | 5 |
i begin to see | 5 |
she seems to be | 5 |
not be able to | 5 |
the work of man | 5 |
you have never been | 5 |
treasure of the humble | 5 |
noise is heard from | 5 |
confession of a fool | 5 |
on the side of | 5 |
the roar of the | 5 |
i can do what | 5 |
to live any longer | 5 |
i have never thought | 5 |
made available by the | 5 |
when i saw you | 5 |
you know what the | 5 |
at the back of | 5 |
the shape of a | 5 |
and on the other | 5 |
not the work of | 5 |
in the present volume | 5 |
have a talk with | 5 |
there must be some | 5 |
did you get your | 5 |
for this reason i | 5 |
know what that means | 5 |
may be sure that | 5 |
windows in the background | 5 |
that he has been | 5 |
think that i am | 5 |
you know that it | 5 |
how can i tell | 5 |
end of the table | 5 |
why do you think | 5 |
table and begins to | 5 |
go out into the | 5 |
going on in this | 5 |
sit down at the | 5 |
what makes you think | 5 |
one and the same | 5 |
because i love you | 5 |
i pulled myself together | 5 |
too much of a | 5 |
a gust of wind | 5 |
let myself be fooled | 5 |
there is a difference | 5 |
both sides of the | 5 |
of our own day | 5 |
the best of all | 5 |
not telling the truth | 5 |
are said to be | 5 |
you seem to have | 5 |
it was not the | 5 |
what we are saying | 5 |
the light of the | 5 |
in the hope of | 5 |
at the feet of | 5 |
you look as if | 5 |
have a chance to | 5 |
around the neck of | 5 |
be here in a | 5 |
to me that you | 5 |
it is easy to | 5 |
you see that he | 5 |
see that he is | 5 |
for that very reason | 5 |
believe that you are | 5 |
became more and more | 5 |
and if i have | 5 |
you have said it | 5 |
he is going to | 5 |
has a right to | 5 |
in the rear and | 5 |
at the point of | 5 |
was nothing but a | 5 |
the effect of the | 5 |
i can no longer | 5 |
in a different way | 5 |
i am tired of | 5 |
comes in from the | 5 |
three hundred and sixty | 5 |
which i have been | 5 |
i told her that | 5 |
seems as if i | 5 |
to speak of the | 5 |
expression of her face | 5 |
felt as if i | 5 |
then i had to | 5 |
me that i was | 5 |
what does this mean | 5 |
it was not so | 5 |
that i have never | 5 |
so that he can | 5 |
of the lake of | 5 |
are we to do | 5 |
could never have believed | 5 |
as a man of | 5 |
goes toward the door | 5 |
think i am going | 5 |
i grew tired of | 5 |
whose is the fault | 5 |
heard in the distance | 5 |
take care of the | 5 |
door on the left | 5 |
i was able to | 5 |
that it is the | 5 |
i could never have | 5 |
three hundred and fifty | 5 |
a man of honour | 5 |
i have been in | 5 |
you can see the | 5 |
far as i can | 5 |
the victim of an | 5 |
i am not the | 5 |
did not venture to | 5 |
i can feel it | 5 |
you would like to | 5 |
to go with you | 5 |
at the expense of | 5 |
then there will be | 5 |
one of the main | 5 |
in the light of | 5 |
see that you are | 5 |
to be the first | 5 |
more than i know | 5 |
hand up to his | 5 |
down on the floor | 5 |
as one of the | 5 |
put a stop to | 5 |
i should have to | 5 |
his hand to his | 5 |
arm around her waist | 5 |
he did not understand | 5 |
that it must be | 5 |
you are afraid of | 5 |
a door leading to | 5 |
i must have been | 5 |
how do you mean | 5 |
that i was the | 5 |
at that moment the | 5 |
which led to the | 5 |
all this i have | 5 |
generously made available by | 5 |
i could no longer | 5 |
i think i am | 5 |
what in the world | 5 |
you tell me what | 5 |
the rays of the | 5 |
i thought i heard | 5 |
the door with the | 5 |
i go to the | 5 |
i was left alone | 5 |
falls to the ground | 5 |
you been up to | 5 |
not know what to | 5 |
as a result of | 5 |
takes hold of his | 5 |
left side of the | 5 |
you only knew how | 5 |
to do was to | 5 |
told me that she | 5 |
the upper part of | 5 |
can you tell me | 5 |
i must confess that | 5 |
my love for you | 5 |
and you had to | 5 |
it is possible to | 5 |
reminds me of the | 5 |
the treasure of the | 5 |
i should say so | 5 |
i know you are | 5 |
i know nothing about | 5 |
you think of it | 5 |
and was about to | 5 |
on the eve of | 5 |
very kind of you | 5 |
the woman whom i | 5 |
by august strindberg translated | 5 |
but it seems to | 5 |
i begged her to | 5 |
the result was that | 5 |
for this reason the | 5 |
not for me to | 5 |
quatre liards la botte | 5 |
are you up to | 5 |
have mercy on us | 5 |
that has to be | 5 |
told her that she | 5 |
have you done to | 5 |
it is a question | 5 |
but all of a | 5 |
you ought to know | 5 |
out into the world | 5 |
there is no one | 5 |
and a pair of | 5 |
that you are not | 5 |
catches sight of the | 5 |
do you believe in | 5 |
it is not a | 5 |
know nothing at all | 5 |
you are trying to | 5 |
in that way i | 5 |
as the curtain rises | 5 |
as if we had | 5 |
was at an end | 5 |
i shall not be | 5 |
go back to your | 5 |
know what you mean | 5 |
in the round room | 5 |
and there is the | 5 |
i should be able | 5 |
i feel that i | 5 |
you realise that you | 5 |
on in this house | 5 |
middle of the night | 5 |
but it was not | 5 |
what i wanted to | 5 |
doorway leading to the | 5 |
that it would be | 5 |
know anything at all | 5 |
the secret of the | 5 |
felt as though he | 5 |
but in spite of | 5 |
you always say when | 5 |
i am ashamed of | 5 |
to make his acquaintance | 5 |
i beg of you | 5 |
at home in the | 5 |
know what to do | 5 |
takes hold of the | 5 |
i want to see | 5 |
you see now that | 5 |
as i have been | 5 |
it appears to me | 5 |
in accordance with the | 5 |
the last time i | 5 |
but why do you | 5 |
am glad to hear | 5 |
lie down on the | 5 |
but i am also | 5 |
and what are you | 5 |
be angry with you | 5 |
so that we might | 5 |
in the evening i | 5 |
and at the edge | 5 |
it possible that you | 5 |
if you could only | 5 |
let us have a | 5 |
i be of any | 5 |
i have already said | 5 |
i do not understand | 5 |
goes toward the left | 5 |
in the first place | 5 |
in the next moment | 5 |
was the cause of | 5 |
feel at home in | 5 |
i have always been | 5 |
you are not the | 5 |
sure that you are | 5 |
goes toward the right | 5 |
free city of luebeck | 5 |
you think i have | 5 |
what are you talking | 5 |
suggested that we should | 5 |
now it is the | 5 |
one of the windows | 5 |
the bottom of it | 5 |
to make sure that | 5 |
it would be better | 4 |
i set you to | 4 |
you are an idiot | 4 |
i used to have | 4 |
the death of the | 4 |
what sort of a | 4 |
i know how to | 4 |
come to see that | 4 |
on account of that | 4 |
for a moment the | 4 |
around her waist you | 4 |
perhaps it is the | 4 |
enters from behind the | 4 |
in charge of the | 4 |
the morning of the | 4 |
there are people who | 4 |
kiss my hand first | 4 |
it looks to me | 4 |
in the cloth factory | 4 |
feel sure that the | 4 |
and in such a | 4 |
the doorway leading to | 4 |
you have written my | 4 |
on the basis of | 4 |
from the adjoining room | 4 |
seats himself at the | 4 |
ask you to forgive | 4 |
on the sofa and | 4 |
more than anything else | 4 |
for half an hour | 4 |
not in that way | 4 |
and a few chairs | 4 |
the pastor and the | 4 |
a little too much | 4 |
makes the sign of | 4 |
every bit of it | 4 |
that i should be | 4 |
forgot all about it | 4 |
i never thought of | 4 |
and then you can | 4 |
will be the end | 4 |
go over to the | 4 |
to the bottom of | 4 |
for your own sake | 4 |
that it should be | 4 |
far away from here | 4 |
for what has happened | 4 |
i think i know | 4 |
of it any more | 4 |
but as long as | 4 |
carried away by the | 4 |
the solution of the | 4 |
she sits down on | 4 |
which there was no | 4 |
do you really believe | 4 |
that i am the | 4 |
the master of ceremonies | 4 |
either side of the | 4 |
me a glass of | 4 |
i was a child | 4 |
almost as if you | 4 |
go and see the | 4 |
to sit here and | 4 |
and your eyes have | 4 |
this is the way | 4 |
they go out to | 4 |
taken the place of | 4 |
bread in the house | 4 |
to me with a | 4 |
have a taste for | 4 |
was the first to | 4 |
it was difficult to | 4 |
in the meantime the | 4 |
i know that i | 4 |
is that you have | 4 |
for you to say | 4 |
that i could not | 4 |
for a moment in | 4 |
go to the theatre | 4 |
you go to the | 4 |
want to go home | 4 |
to teach me how | 4 |
me to take a | 4 |
and falls on her | 4 |
give up the keys | 4 |
a member of the | 4 |
than i can tell | 4 |
you were stupid when | 4 |
the happiness of my | 4 |
but this time i | 4 |
it hurts me to | 4 |
to the verge of | 4 |
to hide his emotion | 4 |
that she was a | 4 |
be of any help | 4 |
had committed no crime | 4 |
you going to do | 4 |
i asked her to | 4 |
talked so long about | 4 |
my nature and the | 4 |
what i am saying | 4 |
a little thing like | 4 |
centre of the room | 4 |
you would leave me | 4 |
the sake of your | 4 |
but i cannot understand | 4 |
the only thing i | 4 |
and it looked as | 4 |
now you must go | 4 |
the reason is that | 4 |
in the belief that | 4 |
that i have not | 4 |
it seemed as if | 4 |
put her arms round | 4 |
but now i have | 4 |
me on the table | 4 |
for that kind of | 4 |
must ask you to | 4 |
and then we can | 4 |
if i only had | 4 |
leaps to his feet | 4 |
believe what i say | 4 |
she burst into tears | 4 |
not my fault that | 4 |
had to make myself | 4 |
as i was concerned | 4 |
let it go at | 4 |
it is a pity | 4 |
a friend of the | 4 |
when we get to | 4 |
more and more into | 4 |
there is plenty of | 4 |
you know that this | 4 |
to look at them | 4 |
it was a very | 4 |
the smell of the | 4 |
and then i thought | 4 |
to you as i | 4 |
the law of life | 4 |
i used to be | 4 |
there is room in | 4 |
i will tell you | 4 |
you happen to be | 4 |
when i had finished | 4 |
that you are my | 4 |
come with me to | 4 |
are going to have | 4 |
the beginning of our | 4 |
were nothing but a | 4 |
are you willing to | 4 |
the great secret of | 4 |
into the hands of | 4 |
simple reason that he | 4 |
she goes out to | 4 |
daughter of the house | 4 |
in the long run | 4 |
who is going to | 4 |
when the curtain rises | 4 |
who have behaved like | 4 |
you are angry with | 4 |
may be sure i | 4 |
the peace of old | 4 |
he is to be | 4 |
and puts it in | 4 |
at the top of | 4 |
is not telling the | 4 |
leading to the veranda | 4 |
and then it is | 4 |
as you seem to | 4 |
of the whole story | 4 |
in order that he | 4 |
trying to figure out | 4 |
we had arrived at | 4 |
is said to have | 4 |
there was nothing to | 4 |
you know that she | 4 |
that she had been | 4 |
the stage is darkened | 4 |
is to be a | 4 |
as you used to | 4 |
i know what to | 4 |
what did it mean | 4 |
at the other end | 4 |
do you like her | 4 |
but i cannot help | 4 |
do you say to | 4 |
such a manner that | 4 |
have been told that | 4 |
but why should you | 4 |
if you were to | 4 |
what he was doing | 4 |
the memories of the | 4 |
you know how to | 4 |
i am on the | 4 |
to go into the | 4 |
be sure of that | 4 |
you have to be | 4 |
the chestnuts to the | 4 |
the way it happened | 4 |
have written my books | 4 |
a visit to the | 4 |
behind one of the | 4 |
that can never be | 4 |
on account of my | 4 |
am to be pitied | 4 |
and one and two | 4 |
and i wanted to | 4 |
up there in the | 4 |
the shores of the | 4 |
time in my life | 4 |
for two years i | 4 |
but you have never | 4 |
to do the same | 4 |
because he had been | 4 |
to be rid of | 4 |
i can tell that | 4 |
appears in the hallway | 4 |
him on the forehead | 4 |
out into the street | 4 |
noise is heard outside | 4 |
the one i wanted | 4 |
see that i am | 4 |
a thousand times no | 4 |
to sleep on the | 4 |
hold of his head | 4 |
and the result was | 4 |
he was a man | 4 |
i have promised to | 4 |
and have a look | 4 |
and by and by | 4 |
the midst of the | 4 |
we get to the | 4 |
i was unable to | 4 |
know what i mean | 4 |
what is there to | 4 |
me as if you | 4 |
at a table in | 4 |
when you wanted to | 4 |
that she had never | 4 |
one ought not to | 4 |
on the ground and | 4 |
the son of the | 4 |
to the effect that | 4 |
why did you not | 4 |
what kind of people | 4 |
palms of his hands | 4 |
made the sign of | 4 |
tell me what it | 4 |
the garden of the | 4 |
at last i have | 4 |
with all sorts of | 4 |
i know the people | 4 |
get the better of | 4 |
have never loved me | 4 |
up to her and | 4 |
and is it not | 4 |
was left alone with | 4 |
must go back to | 4 |
i went to bed | 4 |
what is your name | 4 |
the light of a | 4 |
and goes out to | 4 |
if they had been | 4 |
me to see you | 4 |
how can i be | 4 |
he thought he saw | 4 |
the same moment the | 4 |
i am not afraid | 4 |
of course it is | 4 |
his wife and children | 4 |
is it all right | 4 |
that you have written | 4 |
that sort of thing | 4 |
a woman who is | 4 |
i get out of | 4 |
i have had a | 4 |
seated at the table | 4 |
shall i tell you | 4 |
through the rear door | 4 |
it is better to | 4 |
fell in love with | 4 |
up to the old | 4 |
the end of a | 4 |
she went to the | 4 |
chair on the left | 4 |
that the thought of | 4 |
used to be my | 4 |
flashed into my mind | 4 |
does not love you | 4 |
such a degree that | 4 |
if you care to | 4 |
let me help you | 4 |
i had never seen | 4 |
is he who has | 4 |
takes her by the | 4 |
in the arms of | 4 |
used to be a | 4 |
as if all the | 4 |
you will soon see | 4 |
what is the meaning | 4 |
at this very moment | 4 |
you have had enough | 4 |
years of hard labor | 4 |
a few minutes later | 4 |
you think you are | 4 |
time you have refused | 4 |
as though they had | 4 |
barbro and the children | 4 |
and if you feel | 4 |
i want her to | 4 |
has an independent nature | 4 |
am going to tell | 4 |
thank you for it | 4 |
not a word of | 4 |
ought to be the | 4 |
she goes up to | 4 |
you may well ask | 4 |
for want of a | 4 |
years i have been | 4 |
under the name of | 4 |
but i can do | 4 |
was written for the | 4 |
convinced that i have | 4 |
i had been dreaming | 4 |
and that i am | 4 |
she had never taken | 4 |
had to pay for | 4 |
as long as you | 4 |
do you hear how | 4 |
was dressed in a | 4 |
the end of my | 4 |
sat down on the | 4 |
how could you know | 4 |
but i think it | 4 |
and you have to | 4 |
but you had better | 4 |
there is one thing | 4 |
able to make a | 4 |
has never loved you | 4 |
to close the door | 4 |
how can i help | 4 |
it was like a | 4 |
lady of the house | 4 |
if i were looking | 4 |
was a man of | 4 |
but if you are | 4 |
to me that the | 4 |
then you will be | 4 |
have the one i | 4 |
in from the orchard | 4 |
against the palms of | 4 |
is as if i | 4 |
the will to live | 4 |
and his wife were | 4 |
heard from the adjoining | 4 |
at this moment the | 4 |
i believe you are | 4 |
it is she who | 4 |
do you dare to | 4 |
to drive away the | 4 |
he seemed to be | 4 |
is seated at the | 4 |
i pretended to be | 4 |
then she goes to | 4 |
like to see your | 4 |
in a position to | 4 |
are a lot of | 4 |
so that you may | 4 |
have you heard anything | 4 |
to blame for the | 4 |
puts his hand to | 4 |
the time when the | 4 |
on the right and | 4 |
come to the end | 4 |
the three hundred and | 4 |
it is said that | 4 |
who was it that | 4 |
you have had a | 4 |
know that you have | 4 |
looking at his watch | 4 |
the entry of the | 4 |
never be able to | 4 |
go out for a | 4 |
you to do with | 4 |
you know who the | 4 |
and so i am | 4 |
puts her arms around | 4 |
a quarter of an | 4 |
not being able to | 4 |
that you are unhappy | 4 |
a seat on the | 4 |
in a moment of | 4 |
he had to be | 4 |
go away from me | 4 |
when you were not | 4 |
when he had finished | 4 |
thought i heard the | 4 |
it had been the | 4 |
so that i had | 4 |
enters and goes up | 4 |
i want to have | 4 |
to be angry with | 4 |
as i can see | 4 |
is one of those | 4 |
of the vestry board | 4 |
to put the blame | 4 |
the presence of her | 4 |
you used to do | 4 |
i have noticed that | 4 |
with a suggestion of | 4 |
a chest of drawers | 4 |
in order to drive | 4 |
the company of a | 4 |
to the sheriff call | 4 |
life out of me | 4 |
seemed to have been | 4 |
the problem of life | 4 |
you were not present | 4 |
a knock at the | 4 |
with an introduction by | 4 |
look at yourself in | 4 |
had to do with | 4 |
if i wanted to | 4 |
let me see if | 4 |
early in the morning | 4 |
and you will see | 4 |
the first part of | 4 |
to come and play | 4 |
it may be that | 4 |
i thought i was | 4 |
i know at least | 4 |
it is hard to | 4 |
have behaved like a | 4 |
will be able to | 4 |
the windows in the | 4 |
he picks up the | 4 |
up his mind to | 4 |
and asked her to | 4 |
peace of old age | 4 |
but they did not | 4 |
are moments when i | 4 |
goes up to her | 4 |
a man of my | 4 |
you get out of | 4 |
taste for chaste young | 4 |
of her hand and | 4 |
when i came in | 4 |
and listen to me | 4 |
to look at you | 4 |
as you are now | 4 |
what have i to | 4 |
door and opens it | 4 |
the mistress of the | 4 |
surface of the water | 4 |
the boat at the | 4 |
is the meaning of | 4 |
played the part of | 4 |
i suppose i must | 4 |
would have none of | 4 |
of life in the | 4 |
i am sure that | 4 |
and yet it is | 4 |
has nothing to do | 4 |
is the fact that | 4 |
teach me how to | 4 |
you are the only | 4 |
that there was a | 4 |
are you beginning to | 4 |
i had to choose | 4 |
want to listen to | 4 |
that the dead man | 4 |
looks as if it | 4 |
as i sit here | 4 |
i can feel the | 4 |
i left her to | 4 |
behaved like a man | 4 |
did you have to | 4 |
much the better for | 4 |
did you get that | 4 |
as has already been | 4 |
to see that the | 4 |
had no objection to | 4 |
i suppose it is | 4 |
i wish to see | 4 |
give it to me | 4 |
i to get them | 4 |
feel as if you | 4 |
and there was not | 4 |
get a glimpse of | 4 |
but i believe it | 4 |
to the fact that | 4 |
the first time that | 4 |
there must be a | 4 |
if it were not | 4 |
just think of it | 4 |
can you imagine anything | 4 |
to the master of | 4 |
hands it to the | 4 |
the cause of the | 4 |
now i must go | 4 |
i had to pay | 4 |
i think i have | 4 |
that would be a | 4 |
i looked at her | 4 |
because it is the | 4 |
although i do not | 4 |
i was seized with | 4 |
why do you hate | 4 |
one of the casks | 4 |
talk of it any | 4 |
so shall ye reap | 4 |
but perhaps i am | 4 |
come and play with | 4 |
a letter in his | 4 |
then i shall be | 4 |
do you know the | 4 |
you sure of that | 4 |
deal of attention to | 4 |
they say it is | 4 |
had been accustomed to | 4 |
images generously made available | 4 |
first of all i | 4 |
to tell me all | 4 |
enter from the right | 4 |
first time in my | 4 |
the mother of my | 4 |
want to go to | 4 |
a number of times | 4 |
the edge of a | 4 |
and i am sure | 4 |
the development of the | 4 |
has been turned into | 4 |
and for a moment | 4 |
go to the city | 4 |
there is a knock | 4 |
put out the fire | 4 |
want to become a | 4 |
only get hold of | 4 |
and you had a | 4 |
was not in the | 4 |
you are going away | 4 |
and while you are | 4 |
if i had not | 4 |
plenty of time to | 4 |
we have not been | 4 |
i had to sit | 4 |
just as you were | 4 |
in such a way | 4 |
are you sure of | 4 |
am beginning to suspect | 4 |
you are looking for | 4 |
it is nothing but | 4 |
the day after our | 4 |
the way you are | 4 |
you know that he | 4 |
kisses her on the | 4 |
is lying on the | 4 |
will you give me | 4 |
i thought you had | 4 |
what do you hear | 4 |
wonder if it is | 4 |
as a sort of | 4 |
just as good as | 4 |
but that does not | 4 |
on the floor with | 4 |
seats at the table | 4 |
young men on board | 4 |
at yourself in the | 4 |
the convent of vreta | 4 |
tell you what i | 4 |
in the writings of | 4 |
rays of the sun | 4 |
the portrait of the | 4 |
me more than anything | 4 |
want to live any | 4 |
are you going out | 4 |
no sooner had i | 4 |
me what it is | 4 |
the mark of the | 4 |
his mother and sisters | 4 |
that would not be | 4 |
is to be seen | 4 |
like the rest of | 4 |
you must have a | 4 |
at this time of | 4 |
but i know that | 4 |
to do with me | 4 |
they are to be | 4 |
love me any more | 4 |
do you know him | 4 |
in order to have | 4 |
mons nilsson of aspeboda | 4 |
august strindberg translated by | 4 |
chair and sits down | 4 |
one has to be | 4 |
can you see it | 4 |
the surface of the | 4 |
nothing for me to | 4 |
on the ground floor | 4 |
putting his arm around | 4 |
so that he was | 4 |
of the man who | 4 |
you seen anything of | 4 |
and there you have | 4 |
i cannot live without | 4 |
the doors of the | 4 |
for half a year | 4 |
up and begins to | 4 |
comes in with a | 4 |
for the purpose of | 4 |
for this reason you | 4 |
can it be possible | 4 |
in front of kersti | 4 |
little thing like that | 4 |
none of my concern | 4 |
it is one of | 4 |
one of the three | 4 |
if you wish it | 4 |
i think i can | 4 |
if it be true | 4 |
and i am to | 4 |
then she takes out | 4 |
a right to be | 4 |
was not to be | 4 |
but you are not | 4 |
of course i will | 4 |
there was a time | 4 |
her to forgive me | 4 |
you are at once | 4 |
she has never loved | 4 |
to be brought up | 4 |
as it had been | 4 |
that there was anything | 4 |
i have tried to | 4 |
you up to now | 4 |
in the first scene | 4 |
to tell you the | 4 |
have i got to | 4 |
reminded me of the | 4 |
took no notice of | 4 |
in the same manner | 4 |
that i was too | 4 |
now when you are | 4 |
how can it be | 4 |
all i can do | 4 |
if he belonged to | 4 |
from which i had | 4 |
at the church of | 4 |
know that i have | 4 |
a look at you | 4 |
and said that he | 4 |
you have never loved | 4 |
knock at the door | 4 |
i do not think | 4 |
olof andersson of wik | 4 |
why should it be | 4 |
one of the tables | 4 |
could not have been | 4 |
take a look at | 4 |
to speak to you | 4 |
by the rear door | 4 |
were stupid when you | 4 |
i can hardly be | 4 |
he goes toward the | 4 |
did she ever take | 4 |
the only one who | 4 |
know what will happen | 4 |
i return to the | 4 |
in the meantime i | 4 |
not that i know | 4 |
the whole thing is | 4 |
at the intimate theatre | 4 |
now and then one | 4 |
you talk like that | 4 |
you believe that you | 4 |
who is coming there | 4 |
i was to be | 4 |
to hear any more | 4 |
for a little while | 4 |
i made up my | 4 |
first of all a | 4 |
it has also been | 4 |
the first of these | 4 |
know what to say | 4 |
for me to say | 4 |
what do you know | 4 |
and how about the | 4 |
front of the door | 4 |
and the young lady | 4 |
so you have found | 4 |
of the house and | 4 |
and gone to the | 4 |
himself at the table | 4 |
light of the sun | 4 |
and i had been | 4 |
i cannot understand why | 4 |
in order to help | 4 |
the minutes of the | 4 |
two years of hard | 4 |
have you to say | 4 |
tell me why you | 4 |
have to tell you | 4 |
does he want me | 4 |
and then i shall | 4 |
that you are in | 4 |
i have figured out | 4 |
the end of our | 4 |
if there be any | 4 |
to love like a | 4 |
to which i have | 4 |
on the left and | 4 |
feel the need of | 4 |
he opens the door | 4 |
the sight of her | 4 |
why should i be | 4 |
as i have always | 4 |
i received a letter | 4 |
that i was in | 4 |
up to him and | 4 |
then you would leave | 4 |
you are waiting for | 4 |
at the side of | 4 |
to say that my | 4 |
going to get married | 4 |
wishing the life out | 4 |
each one of them | 4 |
the master of quarantine | 4 |
going to give you | 4 |
that this was a | 4 |
have been able to | 4 |
that i set you | 4 |
imagine that i am | 4 |
until at last i | 4 |
what is the use | 4 |
have nothing to say | 4 |
me into the water | 4 |
got hold of the | 4 |
entering from the rear | 4 |
she told me that | 4 |
the place of the | 4 |
are heard from the | 4 |
want to talk seriously | 4 |
in the doorway leading | 4 |
i have ever met | 4 |
that no one can | 4 |
that i am jealous | 4 |
the same time i | 4 |
can you tell what | 4 |
a man who has | 4 |
did you say anything | 4 |
they are going to | 4 |
and look at the | 4 |
far as i was | 4 |
went so far as | 4 |
in the same place | 4 |
you say is true | 4 |
over to the captain | 4 |
the noise of the | 4 |
how can you know | 4 |
entry of the boyars | 4 |
the name of christ | 4 |
glad to hear it | 4 |
the only one to | 4 |
how is it possible | 4 |
out of the box | 4 |
feels as if i | 4 |
been the cause of | 4 |
in order to keep | 4 |
a lot of money | 4 |
so that you can | 4 |
when you began to | 4 |
an old friend of | 4 |
and if he should | 4 |
the chest of drawers | 4 |
but i wanted to | 4 |
meet me at the | 4 |
i wanted to say | 4 |
cannot be called a | 4 |
be afraid of me | 4 |
of some of the | 4 |
tell me how it | 4 |
during all this time | 4 |
i am so tired | 4 |
may i go now | 4 |
do you think the | 4 |
the daughter of a | 4 |
then you can see | 4 |
lifts his hand as | 4 |
the only thing that | 4 |
a pair of gloves | 4 |
who has been here | 4 |
according to his own | 4 |
in the spring of | 4 |
do you wish to | 4 |
letter in his hand | 4 |
the action takes place | 4 |
is not the work | 4 |
have a lot of | 4 |
appears at the right | 4 |
are in the habit | 4 |
then i should have | 4 |
a man of about | 4 |
at the last moment | 4 |
am going to be | 4 |
is as if the | 4 |
am not afraid of | 4 |
arch of the doorway | 4 |
and takes out a | 4 |
and begins to play | 4 |
the free city of | 4 |
where the sun is | 4 |
for chaste young men | 4 |
you think she will | 4 |
there is not a | 4 |
i was in the | 4 |
the place de roquette | 4 |
mental and moral qualities | 4 |
makes you think so | 4 |
the daughter and the | 4 |
in which i had | 4 |
it be possible that | 4 |
and he began to | 4 |
a taste for chaste | 4 |
one hundred thousand francs | 4 |
and that in the | 4 |
up the memories of | 4 |
the help of the | 4 |
had the appearance of | 4 |
think we had better | 4 |
there will be an | 4 |
but why did you | 4 |
of a man is | 4 |
you are getting along | 4 |
out of his mind | 4 |
i see in the | 4 |
at me with eyes | 4 |
the key to the | 4 |
a little better than | 4 |
i had not the | 4 |
i know nothing at | 4 |
you are not a | 4 |
and i could not | 4 |
am going to give | 4 |
i have to take | 4 |
the appearance of a | 4 |
you have had to | 4 |
thank you for the | 4 |
to see that you | 4 |
i can feel that | 4 |
that you can get | 4 |
and yet i am | 4 |
i was on the | 4 |
it must have been | 4 |
are you a christian | 4 |
for the reason that | 4 |
were too cowardly to | 4 |
during the next few | 4 |
accused me of having | 4 |
the thought of a | 4 |
when the child was | 4 |
men on board the | 4 |
be so good as | 4 |
a door on the | 4 |
in order to hide | 4 |
do you hear the | 4 |
i have taken anything | 4 |
came into my mind | 4 |
i have taught her | 4 |
on either side of | 4 |
at each other in | 4 |
run away from me | 4 |
she had given me | 4 |
but for all that | 4 |
the wall of the | 4 |
he fell in love | 4 |
set you to rule | 4 |
dark grows the sky | 4 |
you are the most | 4 |
to the extent of | 4 |
down there in the | 4 |
a great number of | 4 |
how you are getting | 4 |
they look at each | 4 |
nature and the circumstances | 4 |
it was said that | 4 |
that it can be | 4 |
you must give me | 4 |
i had a friend | 4 |
my father was a | 4 |
the very moment when | 4 |
pure word of god | 4 |
as if your own | 4 |
all human beings are | 4 |
he want me to | 4 |
but i have no | 4 |
by means of the | 4 |
have had to do | 4 |
would like to see | 4 |
in order to avoid | 4 |
what does he want | 4 |
has no right to | 4 |
the kingdom of god | 4 |
the door and opens | 4 |
find it hard to | 4 |
the pure word of | 4 |
he puts his hand | 4 |
are you trying to | 4 |
the palms of his | 4 |
be called a merit | 4 |
of one of the | 4 |
why did you marry | 4 |
like a wild beast | 4 |
i have told you | 4 |
door in the floor | 4 |
to you at the | 4 |
the doorway at the | 4 |
myself out of the | 4 |
and as far as | 4 |
as if we were | 4 |
it is not to | 4 |
can i help it | 4 |
you mean to do | 4 |
to shake hands with | 4 |
do you think there | 3 |
i know what you | 3 |
that i have learned | 3 |
not to steal under | 3 |
mine has been turned | 3 |
why it was so | 3 |
may be regarded as | 3 |
it was almost as | 3 |
i am very much | 3 |
nothing more was needed | 3 |
are too old to | 3 |
up in the morning | 3 |
repeated again and again | 3 |
a quarter of a | 3 |
that his name was | 3 |
give my father a | 3 |
the vision of the | 3 |
was a matter of | 3 |
it on the table | 3 |
the best one of | 3 |
how could he know | 3 |
ask him to come | 3 |
but there is one | 3 |
a short time ago | 3 |
the two of you | 3 |
you think he will | 3 |
a play in i | 3 |
so much that i | 3 |
order to find a | 3 |
in the evolution of | 3 |
the carriage is waiting | 3 |
the meaning of all | 3 |
not understand one another | 3 |
rises and looks at | 3 |
not in the habit | 3 |
he has just been | 3 |
i could notice that | 3 |
to come back here | 3 |
and looked out of | 3 |
will be useful to | 3 |
you have suffered your | 3 |
and i am going | 3 |
left alone with my | 3 |
you must not be | 3 |
with which you have | 3 |
was to become a | 3 |
he had arrived at | 3 |
and all the rest | 3 |
that i was born | 3 |
let me look at | 3 |
goes out into the | 3 |
am going to die | 3 |
so much of an | 3 |
i pretended not to | 3 |
i have not a | 3 |
out of a trough | 3 |
have you not a | 3 |
and why should i | 3 |
say that i have | 3 |
to tell you what | 3 |
the reason why we | 3 |
in the fall of | 3 |
that remains to be | 3 |
shore of the lake | 3 |
the joy of living | 3 |
been living in the | 3 |
happiness of my parents | 3 |
the ringing of church | 3 |
me tell you that | 3 |
the writings of the | 3 |
that is not true | 3 |
fire on the hearth | 3 |
when you came home | 3 |
looked as though it | 3 |
gave it to me | 3 |
she replied that she | 3 |
to see the governor | 3 |
and in that way | 3 |
of king charles xv | 3 |
so long that at | 3 |
at the railway station | 3 |
it was enough to | 3 |
to see you with | 3 |
to do anything new | 3 |
there used to be | 3 |
me that he was | 3 |
have palpitation of the | 3 |
can you doubt it | 3 |
she had no intention | 3 |
to steal is just | 3 |
to free himself from | 3 |
you as i did | 3 |
become a child again | 3 |
that the fire was | 3 |
a table in the | 3 |
are seen in the | 3 |
there is not one | 3 |
entering from the right | 3 |
but the pure word | 3 |
the face of the | 3 |
but when one is | 3 |
to do with this | 3 |
in a newspaper about | 3 |
have you heard that | 3 |
is my task to | 3 |
she sat down on | 3 |
and went to church | 3 |
would not let me | 3 |
no reason why i | 3 |
and forth on the | 3 |
ought to have some | 3 |
they have not been | 3 |
close to one of | 3 |
nothing to be afraid | 3 |
was in love with | 3 |
with the face of | 3 |
bottom of the sea | 3 |
able to do so | 3 |
but she did not | 3 |
treated me as if | 3 |
will soon be here | 3 |
is just as well | 3 |
and go to bed | 3 |
me to do but | 3 |
to lie down on | 3 |
but there was always | 3 |
his face with his | 3 |
and when i met | 3 |
have had enough of | 3 |
me to go with | 3 |
not a single friend | 3 |
but now you are | 3 |
i thought i might | 3 |
three times as much | 3 |
why do you call | 3 |
rises and picks up | 3 |
about to become a | 3 |
that you are to | 3 |
it is a good | 3 |
witness my signature on | 3 |
you are looking at | 3 |
the result of a | 3 |
off a piece of | 3 |
what do you do | 3 |
think i am weak | 3 |
are you in earnest | 3 |
now you are my | 3 |
pretending not to notice | 3 |
to listen to me | 3 |
give you this ring | 3 |
that there was no | 3 |
i forgot all about | 3 |
shuts the door and | 3 |
there could be no | 3 |
perhaps that was the | 3 |
he was in a | 3 |
it be my own | 3 |
went to sleep again | 3 |
shadow picture of the | 3 |
it was impossible for | 3 |
you want to get | 3 |
the fiddlers were seated | 3 |
as if there were | 3 |
say that i am | 3 |
wanted me to obey | 3 |
intend to do now | 3 |
into the face of | 3 |
sometimes it seemed to | 3 |
that was the end | 3 |
that i am stupid | 3 |
in order to put | 3 |
found it impossible to | 3 |
two thieves instead of | 3 |
the bottom of a | 3 |
of marie and her | 3 |
will be here soon | 3 |
in the works of | 3 |
i thought of the | 3 |
would not be denied | 3 |
keep awake at night | 3 |
into which i have | 3 |
am sorry to say | 3 |
the wife of a | 3 |
have brought you two | 3 |
the difference between the | 3 |
the common title of | 3 |
artistic design was dimmed | 3 |
a few more steps | 3 |
what would you do | 3 |
cowardly to tell your | 3 |
is heard in the | 3 |
regions of the inner | 3 |
you are not angry | 3 |
to me in the | 3 |
so as not to | 3 |
toward the door on | 3 |
the gate of the | 3 |
am too old to | 3 |
wished the life out | 3 |
do you care to | 3 |
and out of the | 3 |
wife a thief for | 3 |
do you want a | 3 |
on a chair beside | 3 |
to pick up a | 3 |
ye have heard that | 3 |
you have never wanted | 3 |
how can you think | 3 |
fact that i have | 3 |
she is a little | 3 |
which i had been | 3 |
behind the curtain with | 3 |
on the road to | 3 |
what have you given | 3 |
a large number of | 3 |
for that reason we | 3 |
see that it is | 3 |
into a sort of | 3 |
so you have been | 3 |
brought up in the | 3 |
and then i was | 3 |
and he had a | 3 |
be sure i have | 3 |
interests of the family | 3 |
hope you will excuse | 3 |
face with his hands | 3 |
i must have said | 3 |
so many ways of | 3 |
on the right there | 3 |
fact that i was | 3 |
how are we to | 3 |
it was not without | 3 |
can be sure of | 3 |
the voice of the | 3 |
was not accustomed to | 3 |
reason to doubt the | 3 |
and could not understand | 3 |
to live with her | 3 |
out her hand to | 3 |
received in the course | 3 |
you were going to | 3 |
he went to the | 3 |
he is guilty of | 3 |
the sake of an | 3 |
and it is the | 3 |
it is not true | 3 |
this bracelet alone would | 3 |
you must be a | 3 |
me at the time | 3 |
hurts me to see | 3 |
heart every time i | 3 |
then you were a | 3 |
a woman for years | 3 |
but can you tell | 3 |
all at birth and | 3 |
as though i were | 3 |
ought to know that | 3 |
that there are two | 3 |
count it a great | 3 |
it was the same | 3 |
i have got to | 3 |
i have imagined that | 3 |
cannot deny that i | 3 |
think her capable of | 3 |
i suppose you have | 3 |
say that i was | 3 |
i have not committed | 3 |
regard it as a | 3 |
he been doing in | 3 |
turns his back on | 3 |
over there on the | 3 |
to the point where | 3 |
and think of it | 3 |
in order to gain | 3 |
afraid that she might | 3 |
a few days after | 3 |
of the sacred heart | 3 |
you came home late | 3 |
as it is possible | 3 |
whom i have never | 3 |
he was going to | 3 |
you know why you | 3 |
half a year at | 3 |
on the walls of | 3 |
you have changed a | 3 |
wish that you may | 3 |
have to thank you | 3 |
noticed that you have | 3 |
into the garden and | 3 |
in accordance with your | 3 |
for then he would | 3 |
that it is not | 3 |
she had to have | 3 |
birches nod in the | 3 |
a doctor of philosophy | 3 |
we should have to | 3 |
from the right and | 3 |
i wanted to know | 3 |
i can do is | 3 |
while all the time | 3 |
middle of the day | 3 |
if i had known | 3 |
now and then he | 3 |
full of meaningless words | 3 |
as they do in | 3 |
to think that i | 3 |
you see that the | 3 |
the rest of my | 3 |
are not jealous of | 3 |
had been made to | 3 |
the corners of her | 3 |
talk of that now | 3 |
remained for me to | 3 |
pardon me a question | 3 |
in which she had | 3 |
in my head and | 3 |
the waters of the | 3 |
me at the station | 3 |
arms around the neck | 3 |
at the table on | 3 |
as in the other | 3 |
me that i have | 3 |
the natural course of | 3 |
of the human heart | 3 |
so that he had | 3 |
you like me to | 3 |
and all of us | 3 |
a word to say | 3 |
would you like me | 3 |
the feeling of being | 3 |
take the next boat | 3 |
with a blue pencil | 3 |
but not without a | 3 |
design was dimmed by | 3 |
to readers of the | 3 |
i have palpitation of | 3 |
takes a chair and | 3 |
the better for you | 3 |
the right kind of | 3 |
and all i can | 3 |
what has become of | 3 |
at the corner of | 3 |
what is going on | 3 |
he did not wish | 3 |
i cannot make myself | 3 |
have to be in | 3 |
and went to the | 3 |
nothing to say to | 3 |
is about to happen | 3 |
you wish to be | 3 |
i wish i were | 3 |
was american prison life | 3 |
i rose to go | 3 |
want us to be | 3 |
by the ambition to | 3 |
enemies in order to | 3 |
the world has seen | 3 |
just as much as | 3 |
and it will be | 3 |
and when you leave | 3 |
he sat down on | 3 |
you will see that | 3 |
can you forgive me | 3 |
because he had made | 3 |
end my days in | 3 |
and let us have | 3 |
father of the child | 3 |
about myself and want | 3 |
you really think so | 3 |
do you know john | 3 |
from both of us | 3 |
good as anybody else | 3 |
what did i say | 3 |