This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
one of the | 311 |
out of the | 156 |
that he was | 130 |
there was a | 121 |
it was a | 120 |
i want to | 115 |
in the world | 112 |
it would be | 102 |
that he had | 100 |
the old man | 98 |
as well as | 97 |
he did not | 97 |
that it was | 94 |
and it was | 93 |
for a moment | 91 |
it was not | 91 |
of the violin | 89 |
there was no | 89 |
it was the | 86 |
the end of | 85 |
of the most | 84 |
what do you | 83 |
of the great | 82 |
in spite of | 81 |
to be a | 78 |
he was a | 78 |
that she was | 78 |
to go to | 77 |
the first time | 74 |
of his own | 73 |
a long time | 72 |
and he was | 71 |
i tell you | 70 |
he had been | 70 |
the age of | 69 |
some of the | 67 |
a few minutes | 67 |
that she had | 67 |
for the first | 66 |
she had been | 66 |
at the age | 63 |
to have been | 63 |
would have been | 63 |
as if he | 63 |
the rest of | 63 |
do you think | 62 |
in the forest | 62 |
of the roses | 62 |
back to the | 62 |
lady of the | 61 |
a lot of | 60 |
went to the | 60 |
end of the | 59 |
at the end | 59 |
of the room | 58 |
which he had | 57 |
for a long | 57 |
and in the | 57 |
for a few | 56 |
van der berg | 56 |
it is not | 56 |
she did not | 54 |
it is a | 54 |
was going to | 54 |
one of his | 54 |
he went to | 53 |
of his life | 53 |
a great deal | 53 |
there is no | 52 |
at the same | 52 |
of course i | 52 |
was one of | 52 |
on the violin | 52 |
was in the | 52 |
shook his head | 52 |
all the time | 51 |
she could not | 51 |
as soon as | 51 |
shook her head | 50 |
of the house | 50 |
he could not | 50 |
but it was | 50 |
to his feet | 50 |
must have been | 49 |
up to the | 49 |
what is it | 49 |
and there was | 48 |
when he was | 48 |
to the door | 48 |
of the day | 47 |
there is a | 47 |
kate van der | 47 |
go to the | 47 |
seems to have | 47 |
the sound of | 46 |
the united states | 46 |
a pupil of | 46 |
to be the | 45 |
and began to | 45 |
want you to | 45 |
on the floor | 45 |
now and then | 45 |
that i was | 45 |
the name of | 45 |
do you mean | 45 |
in the same | 45 |
i had to | 45 |
and at the | 44 |
in new york | 44 |
i was so | 44 |
of the greatest | 44 |
it may be | 43 |
of the world | 43 |
but it is | 43 |
was born at | 43 |
ought to be | 43 |
the same time | 42 |
to her feet | 42 |
to tell you | 42 |
part of the | 42 |
i am not | 42 |
it had been | 42 |
of the first | 41 |
was born in | 41 |
in front of | 41 |
as long as | 41 |
to have a | 41 |
said to have | 41 |
for the violin | 41 |
it will be | 40 |
a good deal | 40 |
i want you | 40 |
the story of | 40 |
that he could | 40 |
into the room | 40 |
be able to | 40 |
in a few | 40 |
he began to | 40 |
at the time | 39 |
as if i | 39 |
side of the | 39 |
go back to | 39 |
a little while | 39 |
is said to | 39 |
a man of | 39 |
for me to | 38 |
in order to | 38 |
on the other | 38 |
at that time | 38 |
it was only | 38 |
was the first | 38 |
i am sure | 38 |
he had a | 38 |
to do it | 37 |
if i had | 37 |
might have been | 37 |
at the door | 37 |
i do not | 37 |
he had not | 37 |
in which he | 37 |
on to the | 37 |
was about to | 37 |
the head of | 36 |
the art of | 36 |
she had not | 36 |
out into the | 36 |
and i am | 36 |
to say that | 36 |
out in the | 36 |
to look at | 36 |
as much as | 36 |
do you know | 36 |
the fact that | 36 |
looked at her | 36 |
where he was | 36 |
seemed to be | 36 |
had not been | 36 |
she would have | 36 |
the next morning | 35 |
of the man | 35 |
the musical world | 35 |
to speak to | 35 |
the next day | 35 |
at that moment | 35 |
one of those | 35 |
and it is | 35 |
as she had | 35 |
was to be | 35 |
and with a | 35 |
years of age | 35 |
as if she | 34 |
had come to | 34 |
in the morning | 34 |
in the hall | 34 |
not to be | 34 |
with a little | 34 |
came to the | 34 |
it is the | 34 |
did not know | 34 |
up and down | 34 |
he was the | 34 |
i told you | 34 |
the face of | 34 |
he went on | 34 |
to see you | 33 |
she was not | 33 |
and he had | 33 |
his eyes were | 33 |
that i am | 33 |
it has been | 33 |
you want to | 33 |
the violin and | 33 |
to go back | 33 |
if he were | 33 |
for some time | 33 |
in her eyes | 33 |
on account of | 33 |
to do with | 32 |
he was not | 32 |
opened the door | 32 |
a sort of | 32 |
would be a | 32 |
looked at him | 32 |
when she was | 32 |
it must be | 32 |
he is a | 32 |
when i was | 32 |
of the old | 32 |
the black forest | 32 |
and as she | 32 |
in love with | 32 |
to see her | 32 |
the history of | 31 |
i should have | 31 |
i ought to | 31 |
for a little | 31 |
in the first | 31 |
in one of | 31 |
there was something | 31 |
if she had | 31 |
said the master | 31 |
to the house | 31 |
said the doctor | 31 |
to the window | 31 |
a number of | 31 |
up in the | 31 |
and in a | 31 |
the little girl | 31 |
was not a | 31 |
i have been | 31 |
of the piano | 31 |
i did not | 31 |
the best of | 31 |
but he was | 31 |
as a composer | 31 |
and i have | 31 |
a short time | 30 |
as she was | 30 |
in his voice | 30 |
a series of | 30 |
of the best | 30 |
and she was | 30 |
he was so | 30 |
as he was | 30 |
not going to | 30 |
a few days | 30 |
and all the | 30 |
if it were | 30 |
in the house | 30 |
and then i | 30 |
on the table | 30 |
a pair of | 30 |
and i was | 30 |
what is the | 30 |
not at all | 30 |
and of course | 30 |
if he had | 30 |
the sight of | 30 |
of the music | 30 |
in the little | 29 |
down to the | 29 |
found in the | 29 |
the strad library | 29 |
you are a | 29 |
her voice was | 29 |
as it was | 29 |
i think it | 29 |
all the same | 29 |
he would have | 29 |
one of them | 29 |
in a low | 29 |
here and there | 29 |
of violin playing | 29 |
for a while | 29 |
in the way | 29 |
i am going | 29 |
which he was | 29 |
in which the | 28 |
it is only | 28 |
of course not | 28 |
as it is | 28 |
back of the | 28 |
and for a | 28 |
of her own | 28 |
i love you | 28 |
who had been | 28 |
he was in | 28 |
this is the | 28 |
account of the | 28 |
if i could | 28 |
it seemed to | 28 |
it was in | 28 |
director of the | 28 |
that i have | 28 |
and when i | 28 |
if i were | 28 |
out of her | 27 |
as a virtuoso | 27 |
and i will | 27 |
the edge of | 27 |
to think of | 27 |
two or three | 27 |
what are you | 27 |
the back of | 27 |
the house of | 27 |
to see him | 27 |
in the musical | 27 |
ought to have | 27 |
it is said | 27 |
the top of | 27 |
of the young | 27 |
at the head | 27 |
him with a | 27 |
at this time | 27 |
i wanted to | 27 |
that he would | 27 |
going to be | 27 |
is one of | 27 |
to play the | 27 |
looked up at | 27 |
that i had | 26 |
all at once | 26 |
on his face | 26 |
on the street | 26 |
a bit of | 26 |
out of his | 26 |
i could see | 26 |
back into the | 26 |
after a while | 26 |
way to the | 26 |
away from the | 26 |
the greatest of | 26 |
in the black | 26 |
were in the | 26 |
the thought of | 26 |
you see i | 26 |
into the house | 26 |
he made a | 26 |
she said to | 26 |
to the other | 26 |
in his eyes | 26 |
i know you | 26 |
the middle of | 26 |
was a little | 26 |
many of the | 26 |
in the room | 26 |
began to play | 26 |
that there was | 26 |
that you are | 26 |
i wish i | 26 |
in the midst | 26 |
for the piano | 26 |
the midst of | 26 |
of the two | 26 |
and looked at | 26 |
as if it | 26 |
want to know | 26 |
from the first | 26 |
for the moment | 26 |
would like to | 26 |
the young man | 25 |
and that he | 25 |
to see me | 25 |
but there was | 25 |
there had been | 25 |
the very first | 25 |
to make a | 25 |
but she was | 25 |
to speak of | 25 |
she was going | 25 |
as he spoke | 25 |
he has been | 25 |
of which he | 25 |
to see the | 25 |
to the man | 25 |
with a smile | 25 |
had been a | 25 |
had gone to | 25 |
i think i | 25 |
i was in | 25 |
in his arms | 25 |
the window and | 25 |
in her arms | 25 |
head of the | 25 |
that he might | 25 |
the following year | 25 |
the son of | 25 |
he had to | 25 |
story of the | 25 |
he had the | 25 |
she had never | 25 |
come to the | 25 |
in such a | 25 |
you going to | 25 |
as to the | 25 |
i have never | 24 |
of his playing | 24 |
if she were | 24 |
rest of the | 24 |
his violin and | 24 |
of all the | 24 |
he was very | 24 |
and his wife | 24 |
that i would | 24 |
and the little | 24 |
was a very | 24 |
i have a | 24 |
him in the | 24 |
for him to | 24 |
for you to | 24 |
at a concert | 24 |
interest in the | 24 |
by and by | 24 |
what to do | 24 |
and when she | 24 |
the great violinist | 24 |
the idea of | 24 |
i told her | 24 |
her to the | 24 |
the point of | 24 |
of a man | 24 |
a look of | 24 |
if i can | 24 |
was only a | 24 |
and then he | 24 |
to live with | 24 |
that he did | 24 |
that would be | 24 |
spite of the | 24 |
as a player | 24 |
sight of the | 24 |
i will not | 24 |
in answer to | 24 |
said to herself | 24 |
want to see | 24 |
the words of | 24 |
go to bed | 24 |
was in a | 24 |
it would have | 24 |
and when the | 23 |
to the point | 23 |
to make the | 23 |
down on the | 23 |
he looked at | 23 |
on the piano | 23 |
he had seen | 23 |
he was born | 23 |
he came to | 23 |
she was a | 23 |
she knew that | 23 |
she looked at | 23 |
to find out | 23 |
for many years | 23 |
i shall be | 23 |
i must go | 23 |
might as well | 23 |
i have not | 23 |
of the orchestra | 23 |
a few moments | 23 |
in all the | 23 |
the first to | 23 |
is the matter | 23 |
you ought to | 23 |
to the floor | 23 |
was obliged to | 23 |
i had a | 23 |
a man who | 23 |
in the woods | 23 |
which she had | 23 |
she would be | 23 |
are going to | 23 |
in his own | 22 |
could not have | 22 |
tell me about | 22 |
which had been | 22 |
was the only | 22 |
the man was | 22 |
the man who | 22 |
in the least | 22 |
in the year | 22 |
as he had | 22 |
a matter of | 22 |
the memory of | 22 |
but he had | 22 |
member of the | 22 |
of such a | 22 |
over and over | 22 |
the other side | 22 |
into a chair | 22 |
the time of | 22 |
more than a | 22 |
are you going | 22 |
over to the | 22 |
happy in spite | 22 |
i wonder if | 22 |
that of a | 22 |
to the kitchen | 22 |
he would be | 22 |
some of his | 22 |
she went to | 22 |
to tell him | 22 |
that it is | 22 |
and went to | 22 |
i would have | 22 |
he said to | 22 |
of the instrument | 22 |
was full of | 22 |
he must be | 22 |
thought of the | 22 |
in the middle | 22 |
have been a | 22 |
the same as | 21 |
a sense of | 21 |
and the next | 21 |
violin at the | 21 |
he was appointed | 21 |
that she would | 21 |
the old lady | 21 |
at the very | 21 |
was such a | 21 |
and then the | 21 |
there was nothing | 21 |
the night before | 21 |
corner of the | 21 |
want to go | 21 |
the room and | 21 |
want me to | 21 |
we were all | 21 |
he would not | 21 |
it was so | 21 |
i was a | 21 |
if he could | 21 |
of one of | 21 |
with the greatest | 21 |
the lady of | 21 |
the foot of | 21 |
in the doorway | 21 |
down in the | 21 |
closed the door | 21 |
as if in | 21 |
in the country | 21 |
alone in the | 21 |
for a minute | 21 |
was a man | 21 |
at her with | 21 |
that of the | 21 |
know what to | 21 |
and that the | 21 |
and all that | 20 |
she sat down | 20 |
on the stage | 20 |
when she had | 20 |
it in the | 20 |
he used to | 20 |
the hands of | 20 |
the power of | 20 |
for he was | 20 |
up in bed | 20 |
to leave the | 20 |
as she spoke | 20 |
she went on | 20 |
you think i | 20 |
tell me what | 20 |
the other day | 20 |
his face was | 20 |
you are not | 20 |
the side of | 20 |
place in the | 20 |
the life of | 20 |
she shook her | 20 |
to talk to | 20 |
molly the merry | 20 |
do you want | 20 |
of the little | 20 |
face of the | 20 |
in this way | 20 |
to go out | 20 |
as a man | 20 |
he had never | 20 |
you have been | 20 |
the door and | 20 |
going to have | 20 |
i know it | 20 |
it to you | 20 |
he told me | 20 |
to the end | 20 |
to see that | 20 |
is going to | 20 |
as if to | 20 |
i have heard | 20 |
to play at | 20 |
that you were | 20 |
the result of | 20 |
whom he had | 20 |
for her to | 20 |
with all the | 20 |
i thought i | 20 |
i should think | 20 |
the heart of | 20 |
and she had | 20 |
his voice was | 20 |
it was to | 20 |
felt as if | 20 |
had been in | 20 |
to hear the | 20 |
her eyes were | 20 |
that is the | 20 |
face to face | 20 |
at the conservatoire | 20 |
the young violinist | 20 |
was able to | 20 |
a member of | 20 |
up the stairs | 19 |
and the girl | 19 |
a couple of | 19 |
going to do | 19 |
i suppose i | 19 |
she began to | 19 |
the old woman | 19 |
foot of the | 19 |
had been so | 19 |
at each other | 19 |
but i was | 19 |
at the first | 19 |
of course he | 19 |
was on the | 19 |
turned to the | 19 |
it to me | 19 |
glad to see | 19 |
i think he | 19 |
came into the | 19 |
of his career | 19 |
was not until | 19 |
i can tell | 19 |
it must have | 19 |
the close of | 19 |
him to the | 19 |
cents a bunch | 19 |
as i was | 19 |
seemed as if | 19 |
i was afraid | 19 |
she would not | 19 |
it seemed as | 19 |
to tell me | 19 |
back and forth | 19 |
for an instant | 19 |
it was at | 19 |
by the way | 19 |
in his chair | 19 |
give it to | 19 |
he had heard | 19 |
been able to | 19 |
in the face | 19 |
in a little | 19 |
she said in | 19 |
to play on | 19 |
the door of | 19 |
he returned to | 19 |
on the edge | 19 |
she looked up | 19 |
it is all | 19 |
an air of | 19 |
he thought of | 19 |
but i have | 19 |
an expression of | 19 |
was the most | 19 |
to come to | 19 |
on the mountain | 19 |
but i had | 19 |
am going to | 19 |
if you had | 19 |
one or two | 19 |
is said that | 19 |
was not the | 19 |
one of her | 19 |
her to go | 18 |
who was born | 18 |
she was so | 18 |
any of the | 18 |
i have no | 18 |
i knew that | 18 |
went into the | 18 |
i know i | 18 |
up at the | 18 |
had to be | 18 |
in the kitchen | 18 |
all about it | 18 |
to ask you | 18 |
in his hand | 18 |
his return to | 18 |
the death of | 18 |
was in his | 18 |
seems to me | 18 |
kind of a | 18 |
she wanted to | 18 |
first appearance in | 18 |
as i could | 18 |
and as he | 18 |
he was still | 18 |
but in the | 18 |
but i am | 18 |
of the opera | 18 |
out his hand | 18 |
of the other | 18 |
for the last | 18 |
of the same | 18 |
the habit of | 18 |
as he could | 18 |
he knew that | 18 |
there was the | 18 |
some of them | 18 |
on the ground | 18 |
the beauty of | 18 |
have been the | 18 |
she said she | 18 |
is to be | 18 |
her hand on | 18 |
there is nothing | 18 |
for violin and | 18 |
to say to | 18 |
in the schoolroom | 18 |
the way he | 18 |
the last of | 18 |
became a pupil | 18 |
only a few | 18 |
if you will | 18 |
when he had | 18 |
to be in | 18 |
you do not | 18 |
there were no | 18 |
to be sure | 18 |
her in the | 18 |
in the evening | 18 |
in her hand | 18 |
if it had | 18 |
and that she | 18 |
in his hands | 18 |
the whole thing | 18 |
great deal of | 18 |
ten cents a | 18 |
of the child | 18 |
and when he | 18 |
where he had | 18 |
in the art | 18 |
tell you that | 18 |
such a thing | 18 |
as an artist | 18 |
i suppose you | 18 |
and with the | 18 |
of his time | 18 |
think it is | 18 |
what he had | 18 |
edge of the | 18 |
him on the | 18 |
think of it | 18 |
and the other | 18 |
if she could | 18 |
a few years | 18 |
he was going | 18 |
that was the | 18 |
when he played | 17 |
of his age | 17 |
close to the | 17 |
in the garden | 17 |
in regard to | 17 |
to believe that | 17 |
and sat down | 17 |
on his way | 17 |
with the most | 17 |
to take the | 17 |
in the great | 17 |
in a minute | 17 |
back to her | 17 |
for the time | 17 |
in the afternoon | 17 |
of the evening | 17 |
to me that | 17 |
as far as | 17 |
and as the | 17 |
the philharmonic society | 17 |
what she had | 17 |
the young lady | 17 |
of the window | 17 |
if you can | 17 |
she was the | 17 |
ole bull was | 17 |
she turned and | 17 |
in the drawing | 17 |
was thinking of | 17 |
there was an | 17 |
of the audience | 17 |
at the last | 17 |
as one of | 17 |
of the boy | 17 |
to the study | 17 |
they were all | 17 |
given to the | 17 |
father and mother | 17 |
the matter with | 17 |
his first concert | 17 |
the man and | 17 |
the bed and | 17 |
the blind child | 17 |
i thought you | 17 |
and the boy | 17 |
get out of | 17 |
nothing but a | 17 |
the way to | 17 |
of the bow | 17 |
the first part | 17 |
david did not | 17 |
he gave a | 17 |
in the history | 17 |
at the house | 17 |
a concert at | 17 |
i have seen | 17 |
in the most | 17 |
of the highest | 17 |
for a time | 17 |
to tell her | 17 |
i should say | 17 |
was out of | 17 |
the voice of | 17 |
leader of the | 17 |
his head and | 17 |
do something for | 17 |
is it not | 17 |
one in the | 17 |
going to the | 17 |
out on the | 17 |
he took the | 17 |
he might have | 17 |
that is all | 17 |
he turned to | 17 |
he ought to | 17 |
at the top | 17 |
this was the | 17 |
when he came | 17 |
in his life | 17 |
is not a | 17 |
and out of | 17 |
as if the | 17 |
the beginning of | 17 |
a kind of | 17 |
i think she | 17 |
one of us | 17 |
not one of | 17 |
i am glad | 17 |
the holly farmhouse | 17 |
he had gone | 17 |
was at the | 17 |
he left the | 17 |
on the th | 17 |
would have to | 17 |
about the room | 17 |
the way of | 17 |
his father had | 17 |
for it was | 17 |
that i could | 17 |
as i do | 17 |
you will be | 17 |
the bottom of | 17 |
the use of | 17 |
in her own | 17 |
and his eyes | 17 |
the whole of | 17 |
by no means | 17 |
to his own | 17 |
why do you | 17 |
when she came | 17 |
would not have | 17 |
on his return | 16 |
i might have | 16 |
the boy had | 16 |
he entered the | 16 |
them in the | 16 |
his way to | 16 |
caught sight of | 16 |
to make him | 16 |
a minute or | 16 |
but if you | 16 |
laid her hand | 16 |
in the habit | 16 |
had been the | 16 |
he said he | 16 |
up on the | 16 |
take care of | 16 |
you like to | 16 |
her head and | 16 |
in my life | 16 |
one of my | 16 |
if you do | 16 |
if you want | 16 |
and i had | 16 |
and that was | 16 |
the string of | 16 |
came to her | 16 |
one of these | 16 |
of the time | 16 |
and to the | 16 |
in the meantime | 16 |
once or twice | 16 |
the direction of | 16 |
career as a | 16 |
she tried to | 16 |
tell you what | 16 |
up at her | 16 |
that he is | 16 |
said to her | 16 |
just the same | 16 |
in the shop | 16 |
she was in | 16 |
down into the | 16 |
a piece of | 16 |
i am afraid | 16 |
at this moment | 16 |
and i do | 16 |
with the violin | 16 |
top of the | 16 |
as if you | 16 |
good deal of | 16 |
a few weeks | 16 |
with a sigh | 16 |
the first place | 16 |
but at the | 16 |
rest of us | 16 |
the blind boy | 16 |
we are told | 16 |
i can see | 16 |
the music of | 16 |
of the girls | 16 |
as i did | 16 |
to play a | 16 |
appears to have | 16 |
more than i | 16 |
and a little | 16 |
at one of | 16 |
the two men | 16 |
without a word | 16 |
it was as | 16 |
way in which | 16 |
up at him | 16 |
man who had | 16 |
i know what | 16 |
i must have | 16 |
appeared in the | 16 |
me to do | 16 |
but they were | 16 |
me about it | 16 |
and of the | 16 |
again and again | 16 |
was not to | 16 |
her hand upon | 16 |
had told her | 16 |
it might be | 16 |
with the exception | 16 |
is the only | 16 |
the presence of | 16 |
i hate to | 16 |
to new york | 16 |
hand on the | 16 |
of her head | 16 |
that he should | 16 |
with a great | 16 |
with an air | 16 |
sat on the | 16 |
he was at | 16 |
in the other | 16 |
toward the door | 16 |
would not be | 16 |
of the night | 16 |
was a good | 16 |
to do that | 16 |
words of the | 16 |
phil and felix | 16 |
enabled him to | 15 |
the door opened | 15 |
could not be | 15 |
into the drawing | 15 |
a friend of | 15 |
the child of | 15 |
want to be | 15 |
turning to the | 15 |
figure of the | 15 |
i love him | 15 |
down the stairs | 15 |
little brown book | 15 |
to help you | 15 |
the love of | 15 |
can tell you | 15 |
have come to | 15 |
you are the | 15 |
a few months | 15 |
of the way | 15 |
and i were | 15 |
the king of | 15 |
feel as if | 15 |
in her chair | 15 |
the charge of | 15 |
before he could | 15 |
it was very | 15 |
came from the | 15 |
to take her | 15 |
of the past | 15 |
close of the | 15 |
other side of | 15 |
and then she | 15 |
the exception of | 15 |
the daughter of | 15 |
the light of | 15 |
she had a | 15 |
he made his | 15 |
that it would | 15 |
said that he | 15 |
gave it to | 15 |
violin and bow | 15 |
all sorts of | 15 |
he looked up | 15 |
her with a | 15 |
had never been | 15 |
looking at the | 15 |
him to play | 15 |
if they were | 15 |
how do you | 15 |
appeared at the | 15 |
to pay for | 15 |
the child was | 15 |
on one of | 15 |
as if they | 15 |
a word of | 15 |
but i do | 15 |
be a great | 15 |
out of my | 15 |
he shook his | 15 |
may have been | 15 |
her father had | 15 |
a concert tour | 15 |
he saw the | 15 |
he had found | 15 |
in east lancaster | 15 |
by this time | 15 |
the other hand | 15 |
going to take | 15 |
at the close | 15 |
returned to paris | 15 |
in a very | 15 |
the father of | 15 |
of the concert | 15 |
what it is | 15 |
and for the | 15 |
she had made | 15 |
in the air | 15 |
by way of | 15 |
at the sight | 15 |
this is a | 15 |
and i know | 15 |
to think that | 15 |
like to see | 15 |
so that the | 15 |
i went to | 15 |
he was able | 15 |
said it was | 15 |
expression on his | 15 |
the first movement | 15 |
that sort of | 15 |
as a musician | 15 |
down upon her | 15 |
so full of | 15 |
at a time | 15 |
walked to the | 15 |
know how to | 15 |
by the time | 15 |
of his compositions | 15 |
i knew you | 15 |
i have done | 15 |
in some way | 15 |
asked me to | 15 |
she could see | 15 |
i dare say | 15 |
i thought of | 15 |
it was with | 15 |
it to the | 15 |
sat up in | 15 |
with all his | 15 |
have been very | 15 |
part of his | 15 |
and as a | 15 |
to be found | 15 |
day in the | 15 |
in a voice | 15 |
him to go | 15 |
to go with | 15 |
was a new | 15 |
a letter from | 15 |
to do something | 15 |
that i should | 15 |
more than once | 15 |
with a quick | 15 |
was a great | 15 |
but he did | 15 |
into the hall | 15 |
the hand of | 15 |
down the hall | 15 |
what i was | 15 |
while he was | 15 |
would you like | 15 |
to go on | 15 |
and there is | 15 |
the day of | 15 |
but all the | 15 |
to return to | 15 |
him of the | 15 |
he raised his | 15 |
sort of thing | 15 |
she had heard | 15 |
i think you | 15 |
the center of | 15 |
and on the | 15 |
how can you | 15 |
and the man | 15 |
i thought it | 15 |
said in a | 15 |
the only one | 15 |
he wanted to | 15 |
and that it | 14 |
the way you | 14 |
minute or two | 14 |
you are going | 14 |
of a few | 14 |
to the last | 14 |
you and i | 14 |
and made a | 14 |
if you are | 14 |
all the world | 14 |
he sat down | 14 |
with which he | 14 |
looked at the | 14 |
for a short | 14 |
it was said | 14 |
so that he | 14 |
half an hour | 14 |
be all right | 14 |
the fourth string | 14 |
gave her a | 14 |
but i will | 14 |
in that way | 14 |
she sat up | 14 |
to the public | 14 |
up the hill | 14 |
have to be | 14 |
out of a | 14 |
fell upon the | 14 |
i can get | 14 |
for the rest | 14 |
toward the house | 14 |
in a way | 14 |
you and your | 14 |
was not only | 14 |
i think that | 14 |
you are so | 14 |
the position of | 14 |
at the theatre | 14 |
of the town | 14 |
only a little | 14 |
all these years | 14 |
the most important | 14 |
as a pianist | 14 |
i can not | 14 |
know that you | 14 |
to go away | 14 |
in he was | 14 |
that we have | 14 |
as she did | 14 |
she thought of | 14 |
you will not | 14 |
he seems to | 14 |
in e flat | 14 |
for some years | 14 |
of his father | 14 |
and i shall | 14 |
very fond of | 14 |
as a violinist | 14 |
but that was | 14 |
and there were | 14 |
made a great | 14 |
led the way | 14 |
his hand on | 14 |
the day before | 14 |
i could not | 14 |
he was too | 14 |
should have been | 14 |
for a walk | 14 |
of you to | 14 |
she had to | 14 |
to see if | 14 |
of the whole | 14 |
with all my | 14 |
something in the | 14 |
that they were | 14 |
down upon the | 14 |
the acquaintance of | 14 |
it was all | 14 |
to each other | 14 |
to her own | 14 |
was more than | 14 |
go to college | 14 |
not have been | 14 |
to begin with | 14 |
he had already | 14 |
what it was | 14 |
to find the | 14 |
of the people | 14 |
up my mind | 14 |
the dear god | 14 |
of the city | 14 |
the benefit of | 14 |
the works of | 14 |
of the french | 14 |
in the united | 14 |
had she been | 14 |
on the way | 14 |
to play in | 14 |
shut the door | 14 |
to take up | 14 |
of the bed | 14 |
his feet and | 14 |
the appearance of | 14 |
come back to | 14 |
seemed to have | 14 |
any one else | 14 |
middle of the | 14 |
in the corner | 14 |
him to be | 14 |
of course we | 14 |
it was an | 14 |
i shall have | 14 |
i used to | 14 |
not seem to | 14 |
all kinds of | 14 |
but as she | 14 |
of his face | 14 |
at the beginning | 14 |
for one of | 14 |
got up and | 14 |
not in the | 14 |
do you suppose | 14 |
looking at her | 14 |
the most difficult | 14 |
the new york | 14 |
and entered the | 14 |
was placed under | 14 |
on the hill | 14 |
returned to the | 14 |
to get up | 14 |
that in the | 14 |
that seemed to | 14 |
there was only | 14 |
the place where | 14 |
the g string | 14 |
front of the | 14 |
of those who | 14 |
as she said | 14 |
devoted himself to | 14 |
in her heart | 14 |
you want me | 14 |
every now and | 14 |
was it possible | 14 |
be glad to | 14 |
the front door | 14 |
said to be | 14 |
to the world | 14 |
let me see | 14 |
i shall not | 14 |
son of a | 14 |
out of doors | 14 |
if you were | 14 |
and just as | 14 |
account of his | 14 |
and he is | 14 |
back in the | 14 |
of the philharmonic | 14 |
who was a | 14 |
say a word | 14 |
the little room | 14 |
school of violin | 14 |
said the old | 14 |
and some of | 14 |
and if i | 14 |
think it was | 13 |
to the table | 13 |
the last time | 13 |
his face in | 13 |
she is a | 13 |
she was very | 13 |
were to be | 13 |
to give a | 13 |
it was this | 13 |
there must be | 13 |
look at the | 13 |
even if he | 13 |
of the forest | 13 |
more and more | 13 |
he does not | 13 |
violin in the | 13 |
is a good | 13 |
the schoolroom table | 13 |
the air of | 13 |
that you had | 13 |
you think it | 13 |
in the study | 13 |
be a good | 13 |
glance at the | 13 |
me to be | 13 |
at the piano | 13 |
if you please | 13 |
to hear you | 13 |
had not the | 13 |
because it was | 13 |
and if you | 13 |
knew that the | 13 |
and he began | 13 |
must be a | 13 |
he could have | 13 |
pointing to the | 13 |
good to me | 13 |
asked her to | 13 |
in the hands | 13 |
the room was | 13 |
i do believe | 13 |
view of the | 13 |
the far country | 13 |
just what i | 13 |
and the woman | 13 |
at him with | 13 |
i was going | 13 |
he turned his | 13 |
he found the | 13 |
talk to you | 13 |
on his own | 13 |
with the great | 13 |
to which he | 13 |
she could have | 13 |
i shall never | 13 |
and that i | 13 |
violinists of the | 13 |
the shadow of | 13 |
not a little | 13 |
for all the | 13 |
after a few | 13 |
which was to | 13 |
was just as | 13 |
to an end | 13 |
out of your | 13 |
he could be | 13 |
had made a | 13 |
to do so | 13 |
there in the | 13 |
of his instrument | 13 |
that he has | 13 |
when the door | 13 |
she turned to | 13 |
he will be | 13 |
he had come | 13 |
i know that | 13 |
and tell me | 13 |
the beautiful world | 13 |
want him to | 13 |
and he said | 13 |
i would like | 13 |
and her eyes | 13 |
lots of things | 13 |
to be happy | 13 |
master of the | 13 |
have to go | 13 |
of a great | 13 |
it is true | 13 |
she came to | 13 |
and i thought | 13 |
picked up the | 13 |
that if he | 13 |
i will go | 13 |
a long breath | 13 |
left the room | 13 |
speak of it | 13 |
a little later | 13 |
in his mind | 13 |
it on the | 13 |
be in the | 13 |
that i shall | 13 |
and this is | 13 |
the influence of | 13 |
and they were | 13 |
have been more | 13 |
sound of a | 13 |
that she might | 13 |
and together they | 13 |
conductor of the | 13 |
he became a | 13 |
did you ever | 13 |
i began to | 13 |
of a violin | 13 |
so far as | 13 |
the door closed | 13 |
he could see | 13 |
many of his | 13 |
a very good | 13 |
how did you | 13 |
the young artist | 13 |
and as i | 13 |
to give it | 13 |
a child of | 13 |
the vision of | 13 |
according to the | 13 |
they had been | 13 |
in connection with | 13 |
well as the | 13 |
you to go | 13 |
character of the | 13 |
something of the | 13 |
she had seen | 13 |
i assure you | 13 |
is in the | 13 |
part in the | 13 |
a low voice | 13 |
to the ground | 13 |
you love me | 13 |
in the following | 13 |
said to me | 13 |
she turned her | 13 |
the picture of | 13 |
as that of | 13 |
told her that | 13 |
but of course | 13 |
from the other | 13 |
her into the | 13 |
of the wood | 13 |
the spirit of | 13 |
any of us | 13 |
ask you to | 13 |
he had just | 13 |
play the violin | 13 |
the boy was | 13 |
come to live | 13 |
as they were | 13 |
in a tone | 13 |
the other girls | 13 |
come to you | 13 |
out of sight | 13 |
he was to | 13 |
and the old | 13 |
the brookside station | 13 |
into the shop | 13 |
and his mother | 13 |
and became a | 13 |
i saw you | 13 |
history of the | 13 |
in the last | 13 |
play at the | 13 |
have had a | 13 |
door of the | 13 |
was looking at | 13 |
most of the | 13 |
that you have | 13 |
in the summer | 13 |
rose to her | 13 |
heart of the | 13 |
of my own | 13 |
at one time | 13 |
as fast as | 13 |
at the moment | 13 |
to have had | 12 |
this time he | 12 |
at the little | 12 |
seemed to me | 12 |
of the last | 12 |
she was about | 12 |
and looked down | 12 |
the audience was | 12 |
he had no | 12 |
that paganini was | 12 |
to know how | 12 |
on the bed | 12 |
play on the | 12 |
time to time | 12 |
was made to | 12 |
the style of | 12 |
of a new | 12 |
to make you | 12 |
was the reply | 12 |
of the girl | 12 |
to try to | 12 |
the present day | 12 |
how could she | 12 |
it is to | 12 |
it with a | 12 |
look at him | 12 |
you know that | 12 |
and down the | 12 |
of the concerto | 12 |
it was his | 12 |
and had been | 12 |
to make her | 12 |
would be so | 12 |
i never thought | 12 |
would never have | 12 |
and let me | 12 |
him by the | 12 |
he was always | 12 |
and by the | 12 |
was too much | 12 |
the effect that | 12 |
going to ask | 12 |
to know that | 12 |
of the road | 12 |
as i can | 12 |
she had no | 12 |
a few words | 12 |
was a child | 12 |
it to him | 12 |
to play it | 12 |
got to go | 12 |
the kind of | 12 |
on this occasion | 12 |
and she is | 12 |
of his musical | 12 |
the loss of | 12 |
the house and | 12 |
smile upon her | 12 |
why did you | 12 |
for the benefit | 12 |
and no one | 12 |
the title of | 12 |
be found in | 12 |
of the artist | 12 |
and at last | 12 |
knew that i | 12 |
the performance of | 12 |
in his heart | 12 |
we have to | 12 |
the th of | 12 |
the floor and | 12 |
girl in the | 12 |
the work of | 12 |
though he was | 12 |
than he had | 12 |
when i am | 12 |
more than ever | 12 |
i am so | 12 |
seems to be | 12 |
could see the | 12 |
think you are | 12 |
it was no | 12 |
i have come | 12 |
looked down upon | 12 |
closed her eyes | 12 |
to the effect | 12 |
he is not | 12 |
what he was | 12 |
to the little | 12 |
and one of | 12 |
i could have | 12 |
hands of the | 12 |
but no one | 12 |
a state of | 12 |
was no answer | 12 |
those who have | 12 |
sort of a | 12 |
she saw that | 12 |
at the foot | 12 |
i wish you | 12 |
said he was | 12 |
wish i could | 12 |
be an artist | 12 |
of the stairs | 12 |
with his father | 12 |
took up the | 12 |
hand upon his | 12 |
to give him | 12 |
in the old | 12 |
the most distinguished | 12 |
have thought of | 12 |
and the doctor | 12 |
it was that | 12 |
the corner of | 12 |
after which he | 12 |
and a few | 12 |
at the window | 12 |
of the hill | 12 |
if you could | 12 |
come to me | 12 |
it for me | 12 |
across the room | 12 |
with the same | 12 |
think i am | 12 |
to the cottage | 12 |
and i can | 12 |
of which the | 12 |
to accept the | 12 |
than any other | 12 |
made up my | 12 |
been in the | 12 |
want to tell | 12 |
art of violin | 12 |
tell you about | 12 |
want to do | 12 |
there would be | 12 |
that she is | 12 |
i tried to | 12 |
so it was | 12 |
beauty of the | 12 |
after he had | 12 |
the other room | 12 |
him as a | 12 |
as the girl | 12 |
that had been | 12 |
he threw his | 12 |
the van der | 12 |
the little brown | 12 |
him at the | 12 |
on his feet | 12 |
what was the | 12 |
to do the | 12 |
his career as | 12 |
the whole story | 12 |
and i want | 12 |
he seemed to | 12 |
must not be | 12 |
i cannot bear | 12 |
the room with | 12 |
it is too | 12 |
looked at each | 12 |
and from the | 12 |
on the back | 12 |
where she was | 12 |
she used to | 12 |
the days of | 12 |
but i know | 12 |
on her face | 12 |
of his hand | 12 |
of the player | 12 |
as to be | 12 |
made a mistake | 12 |
on the porch | 12 |
at her feet | 12 |
upon her lips | 12 |
that the girl | 12 |
supposed to be | 12 |
you not to | 12 |
of the poor | 12 |
i have to | 12 |
from time to | 12 |
the cause of | 12 |
father was a | 12 |
and she would | 12 |
i knew it | 12 |
the most eminent | 12 |
he died in | 12 |
to be able | 12 |
there was one | 12 |
to hear her | 12 |
were on the | 12 |
that she could | 12 |
had begun to | 12 |
his first appearance | 12 |
she held out | 12 |
connection with the | 12 |
to the present | 12 |
you would not | 12 |
told by jack | 12 |
music of the | 12 |
could see that | 12 |
to any one | 12 |
you must be | 12 |
raised his head | 12 |
he has no | 12 |
she did so | 12 |
how could i | 12 |
of the work | 12 |
of some of | 12 |
the sort of | 12 |
at her side | 12 |
was trying to | 12 |
think of that | 12 |
it seems that | 12 |
to and fro | 12 |
to the king | 12 |
but she had | 12 |
of the royal | 12 |
up the river | 12 |
the table and | 12 |
she was sure | 12 |
just as i | 12 |
he reached the | 12 |
of one who | 12 |
would be better | 12 |
rose to his | 12 |
visited the united | 12 |
looked up into | 12 |
song of the | 12 |
in a most | 12 |
if you like | 12 |
to be very | 12 |
made a tour | 12 |
is it that | 12 |
going to make | 12 |
i was just | 12 |
him with the | 12 |
lot of money | 12 |
by the most | 12 |
of her hair | 12 |
the study of | 12 |
that you will | 12 |
to help me | 12 |
from the house | 12 |
when it was | 12 |
look at her | 11 |
movement of the | 11 |
the little ones | 11 |
wanted to go | 11 |
to the united | 11 |
people in the | 11 |
it possible that | 11 |
head with a | 11 |
but you must | 11 |
in her throat | 11 |
in the early | 11 |
down upon him | 11 |
at the thought | 11 |
in the city | 11 |
he bent over | 11 |
concert at the | 11 |
the little fiddle | 11 |
in the street | 11 |
time she had | 11 |
from the window | 11 |
i thank you | 11 |
did not speak | 11 |
thank you for | 11 |
for three years | 11 |
you are to | 11 |
woman in the | 11 |
tell you how | 11 |
her to be | 11 |
to give the | 11 |
his face and | 11 |
to listen to | 11 |
let him go | 11 |
at the concert | 11 |
to play with | 11 |
variations on the | 11 |
an account of | 11 |
soon as i | 11 |
one hundred and | 11 |
in her life | 11 |
from the very | 11 |
at the holly | 11 |
i am sorry | 11 |
used to be | 11 |
how can i | 11 |
study the violin | 11 |
seem to be | 11 |
the most beautiful | 11 |
the only thing | 11 |
and then to | 11 |
to be an | 11 |
that you would | 11 |
the very best | 11 |
he is said | 11 |
with his face | 11 |
and the pauper | 11 |
she had gone | 11 |
to come and | 11 |
as good as | 11 |
give a concert | 11 |
what kind of | 11 |
the same year | 11 |
in her mind | 11 |
by the author | 11 |
him for the | 11 |
she had said | 11 |
knowledge of the | 11 |
if you knew | 11 |
it was from | 11 |
history of music | 11 |
and went on | 11 |
to her room | 11 |
a cup of | 11 |
went back to | 11 |
in the young | 11 |
all that was | 11 |
a feeling of | 11 |
friends in the | 11 |
you let me | 11 |
the whole world | 11 |
when they were | 11 |
as she looked | 11 |
he rose to | 11 |
the court of | 11 |
is a great | 11 |
the pleasure of | 11 |
there came a | 11 |
more than one | 11 |
do you do | 11 |
thing to do | 11 |
and after a | 11 |
thought of it | 11 |
the last few | 11 |
play upon it | 11 |
it seems to | 11 |
the girl was | 11 |
to be so | 11 |
to take a | 11 |
years of his | 11 |
was like a | 11 |
may be said | 11 |
hesitated a moment | 11 |
all these things | 11 |
from one of | 11 |
i could do | 11 |
so that i | 11 |
but the boy | 11 |
going to say | 11 |
come with me | 11 |
me that i | 11 |
to me to | 11 |
the first concert | 11 |
a part of | 11 |
took up his | 11 |
up to her | 11 |
back with a | 11 |
it was after | 11 |
a little more | 11 |
how to play | 11 |
to have the | 11 |
a little boy | 11 |
must go to | 11 |
to help him | 11 |
you told me | 11 |
me for a | 11 |
could not understand | 11 |
to give you | 11 |
to find that | 11 |
down the steps | 11 |
the little house | 11 |
when the boy | 11 |
set out for | 11 |
thinking of the | 11 |
to have you | 11 |
he had made | 11 |
with a sudden | 11 |
the way in | 11 |
to get out | 11 |
of the book | 11 |
to help her | 11 |
me when i | 11 |
entered the room | 11 |
to the shop | 11 |
i was not | 11 |
back to me | 11 |
i heard a | 11 |
simeon holly and | 11 |
to the city | 11 |
to the great | 11 |
on the continent | 11 |
spite of her | 11 |
for the door | 11 |
his own compositions | 11 |
if they had | 11 |
had long been | 11 |
you know how | 11 |
reputation as a | 11 |
life of the | 11 |
you can do | 11 |
to come back | 11 |
what to say | 11 |
herself in the | 11 |
but i think | 11 |
i could hear | 11 |
what he said | 11 |
the attention of | 11 |
he had ever | 11 |
as she stood | 11 |
they reached the | 11 |
wait a minute | 11 |
went to paris | 11 |
as you have | 11 |
go with you | 11 |
of the violinist | 11 |
it was just | 11 |
a low tone | 11 |
the next moment | 11 |
his lady of | 11 |
until he was | 11 |
the thought that | 11 |
he turned and | 11 |
did she say | 11 |
the outcome of | 11 |
many a time | 11 |
such a lot | 11 |
than i do | 11 |
and the long | 11 |
state of mind | 11 |
of the cremona | 11 |
where she had | 11 |
so long as | 11 |
you must have | 11 |
he may be | 11 |
out her hand | 11 |
much to the | 11 |
him from the | 11 |
and i told | 11 |
daughter of the | 11 |
in a moment | 11 |
to see them | 11 |
returned to his | 11 |
just as he | 11 |
to her as | 11 |
knelt down by | 11 |
in addition to | 11 |
in he went | 11 |
she took the | 11 |
to know what | 11 |
in the shadow | 11 |
to marry him | 11 |
me in the | 11 |
his eyes and | 11 |
the song of | 11 |
the old house | 11 |
the first of | 11 |
know what i | 11 |
i never have | 11 |
do you remember | 11 |
and it would | 11 |
if i should | 11 |
gave him a | 11 |
if you would | 11 |
the choice of | 11 |
was only the | 11 |
on the door | 11 |
the house is | 11 |
will tell you | 11 |
style of playing | 11 |
for he had | 11 |
and took the | 11 |
at any rate | 11 |
in this world | 11 |
like to have | 11 |
his playing was | 11 |
sitting on the | 11 |
me if i | 11 |
to the young | 11 |
it to be | 11 |
but he is | 11 |
in the attic | 11 |
the nineteenth century | 11 |
to his lips | 11 |
across the strings | 11 |
at this period | 11 |
you must go | 11 |
about her shoulders | 11 |
of the stage | 11 |
her face was | 11 |
first time in | 11 |
did not like | 11 |
he might be | 11 |
up in a | 11 |
of the italian | 11 |
to be seen | 11 |
the violin in | 11 |
before the public | 11 |
that was a | 11 |
sat down beside | 11 |
the service of | 11 |
she had left | 11 |
with the other | 11 |
the course of | 11 |
upon her face | 11 |
me to play | 11 |
of his art | 11 |
to whom he | 11 |
she will be | 11 |
was no longer | 11 |
drew a long | 11 |
i heard him | 11 |
you were a | 11 |
hand on his | 11 |
stood in the | 11 |
in the whole | 11 |
her hand and | 11 |
the hall and | 11 |
and he has | 11 |
played at the | 11 |
that had come | 11 |
lived in the | 11 |
bottom of the | 11 |
are you doing | 11 |
what he did | 11 |
him into the | 10 |
was at once | 10 |
the most celebrated | 10 |
but you are | 10 |
of the country | 10 |
there is an | 10 |
as he looked | 10 |
and then a | 10 |
was fond of | 10 |
with such a | 10 |
you to take | 10 |
where did you | 10 |
for an hour | 10 |
the coming of | 10 |
would be the | 10 |
when i got | 10 |
went up the | 10 |
looked at me | 10 |
i ask you | 10 |
then with a | 10 |
him that he | 10 |
no one in | 10 |
she seemed to | 10 |
is not the | 10 |
you call it | 10 |
see if we | 10 |
it does not | 10 |
came back to | 10 |
the conclusion of | 10 |
it had not | 10 |
to study the | 10 |
but what was | 10 |
the expression of | 10 |
held out her | 10 |
time he was | 10 |
center of the | 10 |
standing in the | 10 |
will be a | 10 |
the poor little | 10 |
if you have | 10 |
in the next | 10 |
became one of | 10 |
it in his | 10 |
going to happen | 10 |
she has been | 10 |
beside the bed | 10 |
know all about | 10 |
before i could | 10 |
speak to him | 10 |
to take you | 10 |
you know i | 10 |
of the trees | 10 |
each other in | 10 |
i never saw | 10 |
and so it | 10 |
told me that | 10 |
direction of the | 10 |
in her hands | 10 |
that she must | 10 |
out upon the | 10 |
to him to | 10 |
and you must | 10 |
in the end | 10 |
as a matter | 10 |
was the same | 10 |
back to his | 10 |
face of a | 10 |
not of the | 10 |
she went away | 10 |
her with the | 10 |
like a flash | 10 |
peter van loon | 10 |
anything in the | 10 |
as it had | 10 |
the career of | 10 |
you do it | 10 |
her in her | 10 |
that i must | 10 |
he was received | 10 |
you were not | 10 |
was also a | 10 |
on the wall | 10 |
by the great | 10 |
not more than | 10 |
it is very | 10 |
so do i | 10 |
going to stay | 10 |
for the occasion | 10 |
not to say | 10 |
i have made | 10 |
he is in | 10 |
be sure to | 10 |
over his face | 10 |
was something in | 10 |
upon his lips | 10 |
you if you | 10 |
she was still | 10 |
up his violin | 10 |
child found in | 10 |
but a few | 10 |
his hand and | 10 |
i had been | 10 |
who was then | 10 |
all over the | 10 |
up into the | 10 |
the violin is | 10 |
and was the | 10 |
is a most | 10 |
the most remarkable | 10 |
she had told | 10 |
was received with | 10 |
long as i | 10 |
house of the | 10 |
and then with | 10 |
to buy it | 10 |
her own way | 10 |
i had no | 10 |
face in the | 10 |
of it all | 10 |
of the art | 10 |
to play for | 10 |
you may be | 10 |
the left hand | 10 |
i have always | 10 |
the herr doctor | 10 |
to see what | 10 |
his hat and | 10 |
the same thing | 10 |
the duke of | 10 |
whom she had | 10 |
enough to be | 10 |
to his mother | 10 |
at the back | 10 |
for two years | 10 |
could not help | 10 |
it was too | 10 |
her own room | 10 |
to become a | 10 |
the violin to | 10 |
she had had | 10 |
thought i was | 10 |
on the stoop | 10 |
the emperor of | 10 |
the world to | 10 |
angels charge over | 10 |
the remainder of | 10 |
it is my | 10 |
as she turned | 10 |
a moment later | 10 |
and on his | 10 |
of the latter | 10 |
was said to | 10 |
for several years | 10 |
the only person | 10 |
himself to the | 10 |
than anything else | 10 |
for the most | 10 |
of a small | 10 |
thought it was | 10 |
soon as he | 10 |
on the g | 10 |
good little fiddle | 10 |
was invited to | 10 |
though it was | 10 |
going to tell | 10 |
the admiration of | 10 |
made the acquaintance | 10 |
after the first | 10 |
the time being | 10 |
the first prize | 10 |
know you are | 10 |
of the family | 10 |
was as if | 10 |
he is the | 10 |
the place of | 10 |
i am to | 10 |
van der bergs | 10 |
he has a | 10 |
to his wife | 10 |
him to do | 10 |
this is not | 10 |
set to work | 10 |
later in the | 10 |
for which he | 10 |
of a young | 10 |
known as the | 10 |
what had happened | 10 |
to the piano | 10 |
when she saw | 10 |
the little boy | 10 |
after a pause | 10 |
play at a | 10 |
composer for the | 10 |
sat down on | 10 |
to the far | 10 |
you see the | 10 |
no one else | 10 |
where is he | 10 |
and that you | 10 |
she raised her | 10 |
and then went | 10 |
he had done | 10 |
to the bed | 10 |
were full of | 10 |
to meet her | 10 |
the author of | 10 |
the time that | 10 |
man and the | 10 |
around the room | 10 |
as i have | 10 |
by the window | 10 |
he played a | 10 |
had not yet | 10 |
it might have | 10 |
to meet the | 10 |
of the musical | 10 |
want her to | 10 |
know what it | 10 |
so much that | 10 |
in every way | 10 |
princess and the | 10 |
i have ever | 10 |
that at the | 10 |
after she had | 10 |
look at me | 10 |
and i think | 10 |
one to the | 10 |
he began his | 10 |
her father was | 10 |
this is what | 10 |
something more than | 10 |
to be at | 10 |
i would not | 10 |
in her face | 10 |
a semitone higher | 10 |
professor of violin | 10 |
i was to | 10 |
the cobbler and | 10 |
under his breath | 10 |
i thought he | 10 |
the second subject | 10 |
and go to | 10 |
came out of | 10 |
tell you something | 10 |
in any way | 10 |
and i could | 10 |
a glimpse of | 10 |
it for a | 10 |
she might have | 10 |
for it is | 10 |
paganini was in | 10 |
is full of | 10 |
in the library | 10 |
it is so | 10 |
he was also | 10 |
said aunt peace | 10 |
the piano and | 10 |
had been made | 10 |
as he went | 10 |
live in the | 10 |
as i am | 10 |
seem to have | 10 |
out of it | 10 |
him to come | 10 |
the concert was | 10 |
of ole bull | 10 |
what i have | 10 |
thing in the | 10 |
even to the | 10 |
visit to the | 10 |
asked him to | 10 |
a musician of | 10 |
you to be | 10 |
to one of | 10 |
the most interesting | 10 |
was in her | 10 |
of their own | 10 |
first visit to | 10 |
i will tell | 10 |
of his works | 10 |
i had the | 10 |
gave me a | 10 |
of the principal | 10 |
a gesture of | 10 |
of course you | 10 |
i should like | 10 |
got to his | 10 |
and in his | 10 |
at her in | 10 |
man of the | 10 |
just as if | 10 |
but there is | 10 |
to hear him | 10 |
was ready to | 10 |
the object of | 10 |
she must be | 10 |
started for the | 10 |
it to her | 10 |
which she was | 10 |
to bring the | 10 |
a visit to | 10 |
than that of | 10 |
you know what | 10 |
into his pocket | 10 |
would have done | 10 |
going to play | 10 |
said to himself | 10 |
of the one | 10 |
he put his | 10 |
to the one | 10 |
as it were | 10 |
of east lancaster | 10 |
not hesitate to | 10 |
a chance to | 10 |
what did he | 10 |
by his father | 10 |
to see a | 10 |
jack and jill | 10 |
in the family | 10 |
the most brilliant | 10 |
me to go | 10 |
more than the | 10 |
into her eyes | 10 |
it was such | 10 |
the evening of | 10 |
to know the | 10 |
i was the | 10 |
and the child | 10 |
which enabled him | 10 |
in search of | 10 |
was a beautiful | 10 |
that the man | 10 |
i can do | 10 |
he played in | 10 |
was the son | 10 |
has been so | 10 |
as i said | 10 |
to the hospital | 10 |
gave a little | 10 |
of course she | 10 |
violin and orchestra | 10 |
he was now | 10 |
you know you | 10 |
and his son | 10 |
him when he | 10 |
of the kind | 10 |
and did not | 10 |
me a little | 9 |
holly and his | 9 |
you will find | 9 |
the proceeds of | 9 |
he said this | 9 |
a letter to | 9 |
and went out | 9 |
large number of | 9 |
of the table | 9 |
you see he | 9 |
i asked her | 9 |
on the bench | 9 |
asked the question | 9 |
the violin has | 9 |
the house was | 9 |
but this time | 9 |
of what he | 9 |
what i want | 9 |
going back to | 9 |
to wait for | 9 |
all about the | 9 |
to the forest | 9 |
the advice of | 9 |
day by day | 9 |
you in the | 9 |
out for a | 9 |
the whole family | 9 |
he had told | 9 |
as he said | 9 |
all this time | 9 |
his arms and | 9 |
received by the | 9 |
of the new | 9 |
and the young | 9 |
the instrument and | 9 |
was a long | 9 |
him for a | 9 |
was wont to | 9 |
it is for | 9 |
of the celebrated | 9 |
the violin at | 9 |
for the orchestra | 9 |
the shortwood strap | 9 |
the master of | 9 |
with a long | 9 |
upon his face | 9 |
when i found | 9 |
with a sharp | 9 |
went to her | 9 |
but one of | 9 |
it out of | 9 |
of the building | 9 |
it is most | 9 |
he tells us | 9 |
her if she | 9 |
give you a | 9 |
she was sitting | 9 |
and then you | 9 |
the next instant | 9 |
her heart was | 9 |
of the fetich | 9 |
the possessor of | 9 |
to whom she | 9 |
through the open | 9 |
so as to | 9 |
after a long | 9 |
from the time | 9 |
now he was | 9 |
say that i | 9 |
with the little | 9 |
admiration of the | 9 |
in after years | 9 |
so much to | 9 |
liszt as a | 9 |
and tried to | 9 |
would be an | 9 |
in the course | 9 |
came to a | 9 |
to the very | 9 |
of the beautiful | 9 |
the greatest violinists | 9 |
three or four | 9 |
to live in | 9 |
between the two | 9 |
after a time | 9 |
him at all | 9 |
he was made | 9 |
you must take | 9 |
given his angels | 9 |
to me the | 9 |
to buy the | 9 |
the names of | 9 |
you to the | 9 |
took hold of | 9 |
than ever before | 9 |
with his back | 9 |
under his arm | 9 |
of a boy | 9 |
was so much | 9 |
with him to | 9 |
was compelled to | 9 |
of the court | 9 |
of which was | 9 |
allow me to | 9 |
in bed and | 9 |
all of them | 9 |
the doctor said | 9 |
get hold of | 9 |
charge over thee | 9 |
glad to have | 9 |
play in public | 9 |
i got to | 9 |
who would have | 9 |
do you say | 9 |
to him in | 9 |
with a gesture | 9 |
had seen her | 9 |
i have had | 9 |
is the best | 9 |
of what i | 9 |
went out into | 9 |
in his art | 9 |
a good while | 9 |
it for you | 9 |
and though he | 9 |
speak of the | 9 |
did not hesitate | 9 |
on either side | 9 |
he said that | 9 |
expression of his | 9 |
of the various | 9 |
the eighteenth century | 9 |
was at this | 9 |
her a little | 9 |
of the modern | 9 |
the corners of | 9 |