trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
in the first	20
in the aeneid	20
one of the	20
it is not	19
seems to have	17
of the aeneid	17
of the poem	14
the fact that	14
there is no	13
seems to be	13
it is a	12
in the second	12
the beginning of	12
as in the	12
it is the	12
to be sure	11
end of the	11
that it is	11
as it is	11
of the same	11
to have been	10
the end of	10
it would be	10
it may be	10
at the end	10
of the georgics	9
the conclusion of	9
could hardly have	9
of the ciris	9
on the other	9
that the poet	9
a matter of	9
it has been	9
catullus and calvus	9
of the second	9
the story of	9
in the latin	8
the auxiliary verb	8
a man of	8
of the first	8
of the most	8
the death of	8
in the same	8
in this respect	8
not to be	8
the sixth eclogue	8
of his own	8
out of the	8
the other hand	8
brutus and cassius	8
so far as	8
of the culex	8
in the ciris	8
that he had	8
in so far	7
as a matter	7
syllable of the	7
in the english	7
lines of the	7
fact that the	7
as well as	7
to be the	7
part of the	7
the fifth book	7
the english language	7
to be found	7
at this time	7
seem to be	7
at the beginning	7
in order to	7
of all the	7
it was not	7
would have been	7
the paradise lost	7
have been a	7
of the new	7
the battle of	7
to be a	7
the golden age	6
of the verse	6
some of his	6
of the english	6
a time when	6
the study of	6
parts of the	6
but there is	6
this is the	6
arms and the	6
seem to have	6
author of the	6
the spirit of	6
the allusio verborum	6
man i sing	6
and the man	6
and of the	6
the common pause	6
may well be	6
found in the	6
of the eclogues	6
vergil seems to	6
he must have	6
of the phrase	6
matter of course	6
the author of	6
beginning of the	6
inversion of the	6
it would have	6
that it was	6
in the year	6
in the third	6
if we may	6
the poet had	6
of the very	6
the po valley	6
must have been	6
but it is	6
of this kind	6
at any rate	6
is to be	6
the man i	6
is not a	6
and it is	6
that in the	6
it is to	6
i am now	6
thing to be	6
it is at	6
as it were	6
the poem is	6
when he wrote	6
at a time	6
and the like	6
it was the	6
we are told	6
would be a	5
as i have	5
the rest of	5
in his youth	5
of the pause	5
whether or not	5
by means of	5
varying of the	5
the very first	5
of the republic	5
the sake of	5
second and third	5
the third book	5
the subject of	5
in the georgics	5
the form of	5
of catullus and	5
the following are	5
be found in	5
the work of	5
the varying of	5
poet of the	5
of the early	5
ideals of the	5
to recognize the	5
the sixth book	5
and in the	5
the son of	5
for the sake	5
which is the	5
of the empire	5
the days of	5
the civil wars	5
of the iliad	5
of the school	5
the second line	5
in the fifth	5
member of the	5
in all the	5
the passage in	5
indeed it is	5
which he had	5
and many others	5
some of the	5
a series of	5
had to be	5
the verse is	5
none of the	5
the inversion of	5
that is the	5
is of course	5
ought to be	5
as to the	5
we are not	5
the second book	5
memories of the	5
the queen of	5
he does not	5
of this nature	5
book of the	5
is upon the	5
is not to	5
in the two	5
the fourth eclogue	5
varying the pause	5
a member of	5
of the fourth	5
of that day	5
to become a	5
the following lines	5
the service of	5
in any case	5
are to be	4
one dull line	4
sub tegmine fagi	4
to whom the	4
the fugitive of	4
the new poets	4
to begin with	4
if this be	4
of which i	4
the claims of	4
the aeneid is	4
the ninth catalepton	4
and we may	4
singular and plural	4
first lines of	4
than the latin	4
here and there	4
he wrote the	4
to the latin	4
the second and	4
that vergil had	4
enthusiasm for the	4
the first who	4
more than once	4
to accept the	4
it is difficult	4
instance of this	4
made use of	4
in honor of	4
the first syllable	4
and that is	4
which i have	4
it would seem	4
was of course	4
when he was	4
taking notice of	4
that vergil was	4
it appears that	4
the first and	4
an instance of	4
a description of	4
in the eclogues	4
of the sixth	4
time when the	4
the history of	4
conclusion of the	4
two of the	4
are told by	4
as we shall	4
and that the	4
early as b	4
what i am	4
and i believe	4
of the gods	4
had not been	4
contrary to the	4
the case of	4
interpretation of the	4
alliteration in the	4
apt to think	4
in the sixth	4
point of view	4
he had been	4
that we have	4
in favour of	4
in all his	4
friend of catullus	4
and that his	4
we have in	4
the generality of	4
in which the	4
the first line	4
it is upon	4
must have had	4
many of the	4
we have seen	4
were not yet	4
is a very	4
as early as	4
it may well	4
all the world	4
come now to	4
that there are	4
i will produce	4
line it is	4
years of age	4
in favor of	4
i am apt	4
well have been	4
the reason why	4
of the golden	4
to the sense	4
most of the	4
now to the	4
the age of	4
a kind of	4
any one of	4
but it may	4
if he had	4
more concise than	4
i come now	4
we shall see	4
such is the	4
in the fourth	4
would naturally be	4
the language of	4
there is a	4
and that he	4
not at all	4
is difficult to	4
in one dull	4
not a little	4
in the case	4
vergil wrote the	4
of course to	4
the poet has	4
concise than the	4
have been written	4
so that the	4
the manner of	4
as we have	4
in these two	4
of the line	4
these two lines	4
a wonderful effect	4
the last line	4
am apt to	4
might have been	4
to his own	4
has a wonderful	4
his devotion to	4
to do with	4
at least a	4
of the epicurean	4
and plural numbers	4
that he has	4
was one of	4
the heroic age	4
could not have	4
the father of	4
line of the	4
the same nature	4
at the same	4
of the time	4
fact that vergil	4
the next line	4
father of the	4
to julius caesar	4
am now to	4
of these two	4
the same time	4
but a few	4
literature of the	4
may well have	4
has a very	3
of his early	3
the republican cause	3
vergil in his	3
a student of	3
the theory of	3
it is in	3
the effect of	3
the poem was	3
at the age	3
the civil war	3
to judge from	3
upon the first	3
should perhaps be	3
and the same	3
in classical philology	3
i cannot omit	3
but we may	3
cremona and mantua	3
to vergil by	3
the memory of	3
sound of trumpets	3
who had been	3
of the garden	3
the difference between	3
he was still	3
three or four	3
epic of rome	3
civil wars which	3
and at the	3
the basis of	3
the names of	3
the common pronunciation	3
a place in	3
sound to the	3
books of the	3
the young men	3
of the simple	3
the poet should	3
near at hand	3
a copy of	3
and yet the	3
her lap to	3
it was this	3
in the north	3
verse would have	3
the eastern provinces	3
pageant of heroes	3
of a line	3
position in the	3
the time when	3
third book of	3
but that is	3
of the whole	3
do with the	3
that the english	3
of his epic	3
the order of	3
it is usually	3
of his life	3
been able to	3
summas levibus pellabitur	3
the spring of	3
than in the	3
the influence of	3
is owing to	3
to be expected	3
use of the	3
his knowledge of	3
of this art	3
of the north	3
of the plain	3
of a new	3
the description of	3
say that the	3
to the verse	3
the eclogues were	3
does it not	3
back to the	3
so long as	3
of the finest	3
point of fact	3
how is the	3
the first eclogue	3
except in the	3
there is nothing	3
to return to	3
georgics and the	3
could only have	3
to say that	3
there is another	3
the publication of	3
have been in	3
see chapter viii	3
at the time	3
totaque thuriferis panchaia	3
the pause is	3
vergil was then	3
after the battle	3
the epic of	3
the need of	3
which is very	3
whence you are	3
to which the	3
on the esquiline	3
the two last	3
may the gods	3
that i have	3
the dark ages	3
a passage in	3
finally to the	3
to the end	3
is one of	3
first syllable of	3
the collocatio verborum	3
but it has	3
queen of love	3
the most learned	3
and in all	3
of the roman	3
generality of readers	3
and that it	3
strength to the	3
laxas sciret dare	3
the poet of	3
a few years	3
means of a	3
the statements of	3
in our language	3
the two first	3
dedication of the	3
more than one	3
si vero viciam	3
that the whole	3
lap to rest	3
the first place	3
of the neapolitan	3
that he should	3
not only the	3
to the same	3
julius caesar had	3
mentioned in my	3
ten low words	3
the poet was	3
may be said	3
to the school	3
is the reason	3
translation of the	3
the second foot	3
the first book	3
the neapolitan bay	3
to the memory	3
to the ear	3
of these lines	3
of his finest	3
following are examples	3
subject of the	3
which the poet	3
there seems to	3
an epic of	3
sciret dare jussus	3
the characters of	3
the aeneid has	3
is well to	3
and now is	3
qui cultus habendo	3
he seems to	3
by the same	3
hardly have been	3
in this passage	3
a greek city	3
any thing else	3
the greek and	3
in the end	3
what is a	3
anger of achilles	3
the sound to	3
it is as	3
it was a	3
to make a	3
that is not	3
there is in	3
language of the	3
in the province	3
and quintilius varus	3
be proper to	3
during this period	3
with a full	3
line in the	3
here you see	3
is the verse	3
a vision of	3
was at naples	3
little of the	3
rather in the	3
of the doctrine	3
years of his	3
the opinion of	3
i have spent	3
beginning of a	3
qui foedere certo	3
of the celtic	3
from naples to	3
some aged oak	3
there can be	3
is in the	3
arma virumque cano	3
the new generation	3
the english is	3
at rome the	3
than the english	3
passage in homer	3
is at present	3
more than a	3
the eighth catalepton	3
is there any	3
this be true	3
to be explained	3
the mother of	3
the central theme	3
the english bible	3
in the very	3
the position of	3
rotis summas levibus	3
the common measure	3
an example in	3
written soon after	3
a little of	3
the reader of	3
in other words	3
of the aetna	3
that dwell in	3
can be more	3
of such a	3
the toga virilis	3
panchaia pinguis arenis	3
the latin language	3
it might be	3
form of a	3
if it had	3
the poetry of	3
before the first	3
the man who	3
there was no	3
to the common	3
may have been	3
he published the	3
in every line	3
to avoid the	3
of the day	3
a man who	3
auxiliary verb is	3
the latin status	3
italy and the	3
artful way of	3
that he never	3
the young poet	3
a part of	3
nothing can be	3
over their heads	3
it must be	3
this is of	3
in the poem	3
in some measure	3
the memories of	3
men of the	3
first book of	3
taken notice of	3
i have said	3
or two of	3
the same place	3
and even the	3
body of the	3
the stile of	3
a passage of	3
the ideals of	3
it is well	3
we may believe	3
in this case	3
the efforts of	3
syllables in the	3
the georgics and	3
the verse would	3
the support of	3
in point of	3
of the allusio	3
from whence i	3
but it was	3
refer to the	3
of the scholiasts	3
as soon as	3
the want of	3
the teacher of	3
of course not	3
the last syllable	3
levibus pellabitur undas	3
of what i	3
may not be	3
tendencies of the	3
i should not	3
came with it	3
the poem to	3
to take notice	3
vergil did not	3
the shrine of	3
and it was	3
of the two	3
not to have	3
he could hardly	3
of the heroic	3
one of which	3
that vergil wrote	3
peace of brundisium	3
of mark antony	3
though it was	3
the midst of	3
mantua dives avis	3
in the midst	3
on the whole	3
in the new	3
the tendencies of	3
that he was	3
of the neoteric	3
take notice of	3
of the last	3
of cisalpine gaul	3
the words are	3
from the beginning	3
the eighth eclogue	3
to this period	3
are not told	3
the assonantia syllabarum	3
peleus and thetis	3
the years of	3
instances of the	3
to have thought	3
of the poet	3
passage of this	3
after his death	3
vergil does not	3
the poem has	3
in the last	3
may be proper	3
in her lap	3
the details of	3
to reject the	3
upon the ear	3
could he have	3
published the georgics	3
and grecian warriors	3
makes the reader	3
to be his	3
of the third	3
friendly to the	3
soon after the	3
recubans sub tegmine	3
in the spring	3
that of the	3
thuriferis panchaia pinguis	3
as has been	3
a few of	3
the poet is	3
him to the	3
before he had	3
the mixing of	3
begin with the	3
battle of philippi	3
well as the	3
ulmisque adjungere vites	3
the singular and	3
in his own	3
and what is	2
hopes of the	2
of this subject	2
warble as ye	2
then the poet	2
english is almost	2
a poem of	2
use of that	2
and so are	2
the tenth eclogue	2
i am taking	2
the reader cannot	2
a picture of	2
in these matters	2
to africa and	2
an age of	2
in the former	2
of the old	2
theme worthy of	2
must not be	2
that we may	2
that all the	2
work of his	2
eastern provinces from	2
poem is not	2
many of them	2
and before him	2
quanta experientia parcis	2
sibi esse facta	2
and safely to	2
seque dedicat tibi	2
with all its	2
and cassius in	2
stile of homer	2
exactly in the	2
are in virgil	2
in the law	2
probable that vergil	2
for the most	2
shall see presently	2
metaphysical processes of	2
the spirits of	2
came to the	2
suppose that he	2
and gave their	2
was the very	2
nature had to	2
be that as	2
to point to	2
caesar had been	2
can it be	2
any one else	2
in the story	2
and fourth books	2
the very beginning	2
along the level	2
radiant carr he	2
reference to the	2
simois correpta sub	2
the ciris is	2
to regain your	2
born of earth	2
that siro had	2
by no means	2
from any thing	2
the augustan age	2
it in the	2
he kept his	2
not only does	2
last days at	2
prove that the	2
to the temptation	2
he probably did	2
the delicacy of	2
the georgics the	2
gemelle castor et	2
him to a	2
italy as a	2
man of very	2
o nimium coelo	2
can possibly be	2
terms with octavian	2
a theme worthy	2
characters of the	2
of very great	2
terram insectabere rastris	2
to go to	2
alfenus and gallus	2
now shew you	2
his lectures and	2
that there is	2
where simois streams	2
hirtius and pansa	2
julius caesar is	2
quite apart from	2
the blissful seat	2
despite the fact	2
before him humbled	2
this line is	2
for all the	2
if we could	2
the scanning conclusive	2
of what the	2
make a plausible	2
there is also	2
share in the	2
to have come	2
epigram and epic	2
man who could	2
works that vergil	2
mulcere dedit fluctus	2
taught the new	2
observed that this	2
shows that the	2
set to music	2
at their shady	2
of the period	2
student at athens	2
seems to date	2
in a style	2
and the rulers	2
is almost one	2
they had never	2
is all that	2
of the scientific	2
i should weave	2
what an effect	2
in the service	2
religious experience of	2
spoliis orientis onustum	2
but the whole	2
to virgil in	2
of trumpets loud	2
and this is	2
view of nature	2
the growth of	2
tribute to a	2
the tale of	2
upon the monosyllable	2
will produce an	2
of a woman	2
vi epigram and	2
warn us that	2
from the eclogues	2
as it may	2
at the very	2
of which is	2
he had so	2
in verse writing	2
kind out of	2
dwell upon the	2
this same time	2
far removed from	2
in some such	2
that he could	2
such manner as	2
it was at	2
again in the	2
the aeneid the	2
imply that the	2
wrote the georgics	2
was to be	2
to have taken	2
but for the	2
of literary criticism	2
of this line	2
is compelled to	2
without leaving a	2
as a member	2
of what he	2
to messalla that	2
he wrote his	2
himself with the	2
assigned to this	2
had never had	2
and it would	2
waves their rage	2
in a balmy	2
we find in	2
had adopted the	2
we may learn	2
ye that warble	2
accord with the	2
reges et proelia	2
has been suggested	2
in political life	2
has frequently been	2
adorant sub coelo	2
at that time	2
arts of verse	2
triumphant death his	2
up the reins	2
in the following	2
oft creep in	2
him the most	2
xiii the circle	2
he in his	2
we have as	2
is no longer	2
of the rhyme	2
admit that all	2
be expected of	2
et hoc negat	2
any other roman	2
of the varying	2
examples of the	2
have found a	2
man and nature	2
no occasion to	2
which there is	2
appears that the	2
the flood arose	2
as there is	2
servius has provided	2
happen to know	2
i will now	2
fifteen years before	2
certo et premere	2
assumed the toga	2
why he so	2
nature of the	2
been assigned to	2
we may be	2
he must know	2
the friends of	2
his steeds he	2
and ought to	2
glory of a	2
olympo et surrentini	2
music and sung	2
the time they	2
and as they	2
is indeed a	2
in the next	2
in verses of	2
in italy at	2
you what is	2
on italian soil	2
in this verse	2
numen adorant sub	2
plot of the	2
i believe it	2
of his eclogues	2
the temptation of	2
english language is	2
addressed to messalla	2
attribution of the	2
breathe soft or	2
in the form	2
you will easily	2
the first few	2
one of these	2
was on the	2
to the lord	2
rex et mulcere	2
like the greeks	2
of varying the	2
not yet been	2
here you have	2
but twenty one	2
the very time	2
so that i	2
the direful spring	2
vergil and varius	2
student of philosophy	2
verses contrary to	2
of the single	2
did the roaring	2
at the conclusion	2
unus erat toto	2
caesar is still	2
the roman people	2
pronunciation of words	2
verse is not	2
rapt by his	2
is very much	2
was he who	2
and they were	2
at naples had	2
with them the	2
in the morning	2
the people of	2
would be difficult	2
which aeneas had	2
a view of	2
is a particular	2
are examples of	2
tuos te caesar	2
and to the	2
his mould behemoth	2
had always been	2
this sort of	2
helms high on	2
of three syllables	2
good reason to	2
we have the	2
in the far	2
tot simois correpta	2
he had writ	2
keep in mind	2
composition of the	2
on the roadside	2
they chanted loud	2
had no love	2
eclogue is a	2
of which there	2
all of them	2
the pageant of	2
alone of his	2
brought death into	2
the test of	2
the whole book	2
us that his	2
common pause in	2
have in it	2
with the slain	2
last syllable of	2
in my former	2
atmosphere in which	2
he was not	2
if the poet	2
carthage was the	2
though he was	2
before he assumed	2
in an epic	2
the seat of	2
in speaking of	2
the stile is	2
and though horace	2
the classical ideals	2
to date from	2
but now ye	2
to naples and	2
all the more	2
which of course	2
and wave your	2
processes of thought	2
to recall the	2
the vowel i	2
told by the	2
his great head	2
the duty of	2
throws up the	2
manner of the	2
hominum rex et	2
and see whether	2
high on their	2
people that had	2
be difficult to	2
of the theme	2
but to the	2
truth in this	2
bare he in	2
of the d	2
the single alliteratio	2
facti de nomine	2
the first of	2
at variance with	2
whence it appears	2
faith admit that	2
the vita of	2
art in the	2
but he had	2
with dignity and	2
which comes in	2
because of the	2
of the story	2
years before he	2
laeva sive dextera	2
there are in	2
in the verse	2
the excellency of	2
if this is	2
vergil had no	2
almost one third	2
deis sibi esse	2
those years of	2
the last six	2
celtic origin is	2
may faith admit	2
the precision of	2
which to the	2
and did not	2
dum vita manebat	2
see classical philology	2
the art of	2
in a new	2
of his greek	2
is apparent from	2
publication of the	2
brought to rome	2
or any other	2
of this monosyllable	2
we should be	2
the greeks did	2
solution of the	2
not easy to	2
the more remarkable	2
the world of	2
of a republic	2
of the book	2
the power of	2
force of the	2
heard of the	2
after all not	2
in his later	2
their heads they	2
the defeat of	2
is a rapid	2
was not yet	2
it is all	2
the theme of	2
have been more	2
of the catalepton	2
her as she	2
then mounted on	2
falce premes umbras	2
into the blissful	2
syrian branch of	2
men whose names	2
to keep the	2
the very end	2
came to be	2
which seem to	2
her father to	2
does not represent	2
these poems had	2
spirit of homer	2
the rhetorical course	2
who came with	2
the picture of	2
might well have	2
in the mountains	2
the reader see	2
on the ground	2
raise storms at	2
the evidence is	2
of descent from	2
pelago confise sereno	2
time to time	2
whither lies your	2
the site of	2
must have felt	2
of every kind	2
must be read	2
poetry of the	2
written about b	2
of this passage	2
by taking a	2
the verse and	2
passages of the	2
of the church	2
speaking of the	2
sire of gods	2
and again in	2
in this letter	2
the new era	2
in a province	2
to be so	2
by failing to	2
details of the	2
the example of	2
recent critics have	2
that could be	2
bending his ear	2
that of lucretius	2
that can be	2
by way of	2
way of writing	2
could hardly be	2
that this line	2
in harmony in	2
humbled all my	2
a master of	2
or that he	2
than those of	2
takes the form	2
which seems to	2
leaving a trace	2
is not quite	2
the clouds away	2
but to go	2
and majesty of	2
there is not	2
lines in our	2
generation to reject	2
behemoth biggest born	2
and valerius cato	2
and may be	2
their shady lodge	2
the momentous decision	2
of the classical	2
ubi tot simois	2
another learned foreigner	2
stoicism with its	2
of the beginning	2
so they would	2
the defeated remnant	2
he flies in	2
that he wrote	2
the aeneid was	2
st syllable of	2
called attention to	2
one in the	2
of which the	2
of two syllables	2
and skims the	2
and that in	2
he had himself	2
heroes to the	2
creep in one	2
far as it	2
but then the	2
for reasons of	2
to his death	2
rather than a	2
it is apparent	2
of a very	2
in an instant	2
the fifth line	2
old enough to	2
long as he	2
looked upon as	2
on the culex	2
may learn from	2
with no little	2
two first lines	2
nor was it	2
in the translation	2
service of poetry	2
et les origines	2
to make this	2
fact that there	2
drawn to the	2
learn from the	2
a city rose	2
de poematum cantu	2
vergil was probably	2
there is little	2
habits of work	2
which has a	2
manner as to	2
of the catullan	2
returning to the	2
to give his	2
the centuries of	2
virgil and milton	2
and the greek	2
to the soft	2
come into the	2
it is just	2
to vergil in	2
that in this	2
have taken notice	2
whose mortal taste	2
haec prius fuere	2
was the name	2
the pastoral scenery	2
and alfenus varus	2
a trace of	2
de nomine byrsam	2
so many of	2
of appealing to	2
cannot be compared	2
the setting is	2
the news of	2
also seems to	2
comprehension of the	2
second is a	2
in his poems	2
of the words	2
gave their bodies	2
this is an	2
ten dull words	2
the year b	2
all of the	2
in the most	2
in the learned	2
in the manner	2
than of the	2
the average man	2
what makes the	2
to take the	2
of your father	2
to the republican	2
ii school and	2
the purpose of	2
two celebrated lines	2
to the reader	2
poem to vergil	2
the anger of	2
storms at thy	2
aeneid ought to	2
many others that	2
the passage is	2
in his first	2
et esse cognitissima	2
sed haec prius	2
even the names	2
concerning poetical translations	2
if it were	2
a trochaick foot	2
trace of the	2
spirits of the	2
majesty and strength	2
claims of art	2
be sure the	2
and the sense	2
hills of the	2
of the alps	2
the form and	2
ut rei naturam	2
inde tot per	2
the romans had	2
biggest born of	2
of the flood	2
in prose and	2
this is one	2
materialism in the	2
was the first	2
supposing that the	2
to the early	2
the style of	2
sake of the	2
the book is	2
here we have	2
cremona was the	2
despite his devotion	2
in both the	2
in fact his	2
bay of naples	2
which had to	2
of the best	2
of his brother	2
though it is	2
xi the evictions	2
wit of man	2
expression to a	2
of the tides	2
fortia corpora volvit	2
a political career	2
lucretius and vergil	2
had left it	2
in all their	2
understanding of the	2
reason for his	2
as a very	2
observe in the	2
it is easily	2
the loud billows	2
to have written	2
this high office	2
than the latter	2
is after all	2
of our language	2
beginning to the	2
to attempt to	2
leges pretio atque	2
was written before	2
from trojan shores	2
pause at the	2
of the greek	2
had in mind	2
it does not	2
the light of	2
a practical education	2
inferred from the	2
reader cannot but	2
it is indeed	2
and smooth the	2
lies your way	2
is the more	2
after the death	2
scenes of the	2
the honor of	2
instances of this	2
of ten syllables	2
to be rather	2
all that i	2
was in a	2
of the epic	2
the speech of	2
model of style	2
seen in the	2
an adept at	2
that of his	2
of trojan heroes	2
that on earth	2
xv the aeneid	2
of that forbidden	2
had already written	2
the nature of	2
an infinity of	2
would have had	2
lend itself to	2
collocation of words	2
a student at	2
the fruit of	2
the arts of	2
caesar in the	2
on his radiant	2
influence in behalf	2
the third thing	2
with the theme	2
there are four	2
pretio atque refixit	2
it is clear	2
the introduction of	2
ubi iste post	2
the last foot	2
to be no	2
that day that	2
need not be	2
and ten low	2
to take off	2
did not occur	2
it were an	2
as much as	2
has come to	2
following are instances	2
far from being	2
genus qui ducis	2
of his epigrams	2
upon the whole	2
the adapting the	2
and the fruit	2
heads triumphant death	2
capua and nuceria	2
for the first	2
mind the fact	2
to give any	2
makes the verse	2
possible for the	2
in the words	2
skims the watry	2
it possible for	2
from whence it	2
a few more	2
of ancient fame	2
him humbled all	2
to the second	2
the reader will	2
and the sea	2
days at the	2
poem was written	2
they did not	2
his stile from	2
sidere terram vertere	2
insuper altos imposuit	2
the center of	2
that at the	2
the dedication of	2
the city to	2
opaci falce premes	2
xiv the georgics	2
of the lines	2
charge of the	2
foret volare sive	2
to venus genetrix	2
the golden bay	2
the last to	2
do not know	2
battlefield of pharsalia	2
varius and pollio	2
on land and	2
on their heads	2
is not easy	2
that caesar had	2
of the tale	2
in this place	2
that from us	2
a more fitting	2
be sure that	2
that the reader	2
to the upper	2
creed in the	2
et mulcere dedit	2
and though the	2
of the senate	2
then did the	2
apt to be	2
example in this	2
on the question	2
few years later	2
abounds in rhyme	2
conclusion of this	2
than the beginning	2
of it is	2
what seems to	2
the several following	2
mixt alliteration in	2
a few have	2
the poet at	2
of latin literature	2
balmy cloud with	2
of this letter	2
that vergil did	2
is come into	2
had in any	2
soft idalian grove	2
for since i	2
a plea for	2
the poor peasants	2
biography of vergil	2
of his god	2
mixing the singular	2
i will mention	2
from a passage	2
there any thing	2
to find out	2
be able to	2
spirited sly snake	2
the old roman	2
not to take	2
all sorts of	2
had had a	2
just now recollect	2
the empire and	2
the collocation of	2
et gemelle castoris	2
to be done	2
but i might	2
the beauties of	2
a tyrian colony	2
close of the	2
and under open	2
to an end	2
fruit of that	2
indeed the very	2
which he was	2
a group of	2
we may at	2
aeneid are at	2
sing to the	2
that as it	2
give you to	2
when he published	2
of the general	2
vultus in orbe	2
did not die	2
particles que and	2
as if the	2
raises the attention	2
and strength to	2
owing to the	2
for the republican	2
the gift of	2
in accord with	2
by which the	2
probably did not	2
words oft creep	2
writer of epics	2
in the work	2
of expression and	2
and plants of	2
on which he	2
the passages of	2
it is plain	2
the year that	2
not occur to	2
was the only	2
regain your native	2
had already been	2
chanted loud and	2
in this line	2
to the fifth	2
of another learned	2
horrid helms high	2
of the kind	2
to this purpose	2
if only to	2
from time to	2
mount of revelations	2
atoms of fire	2
had learned from	2
changing the common	2
was in the	2
of the speech	2
even in the	2
the garden school	2
loud and clear	2
to warn us	2
details in the	2
outside the city	2
venistis ab oris	2
a line of	2
cinna and cornificius	2
of the question	2
to respond to	2
litoris ara vocat	2
last line of	2
a poet who	2
virgile et les	2
beg leave to	2
letters concerning poetical	2
that vergil began	2
homer will be	2
upon the last	2
favor of the	2
into a bird	2
neque ulla vota	2
level of the	2
at about this	2
on the capitoline	2
to see the	2
kind of verse	2
in which a	2
fixit leges pretio	2
et inde tot	2
broad bare backs	2
the students of	2
the most high	2
i will give	2
in his description	2
the value of	2
his judgments on	2
in the least	2
cannot but perceive	2
nothing but a	2
fourth thing to	2
adapting the sound	2
greek and latin	2
could have been	2
the poet indeed	2
it was on	2
the body of	2
to the aetna	2
for a moment	2
the plain direct	2
the second century	2
and in his	2
ab oris italiam	2
came as a	2
that the verse	2
the pastoral scene	2
and therefore he	2
de qua ambigitur	2
montis insuper altos	2
be attributed to	2
the writer of	2
lines in his	2
was probably not	2
is a new	2
and many a	2
their jolly notes	2
work of the	2
comes to the	2
have spent many	2
a few cases	2
been written before	2
in love with	2
should be read	2
the changing the	2
the right to	2
the new literary	2
a public career	2
literary associations of	2
property of majesty	2
the attack upon	2
more and more	2
off his great	2
passage in milton	2
in his eighth	2
of this type	2
v a student	2
quove tenetis iter	2
that he is	2
the wrath of	2
the ciris was	2
classical ideals of	2
king of men	2
are in the	2
said to be	2
master and his	2
wave your tops	2
the second is	2
and cicero had	2
their heads triumphant	2
to italy and	2
in the light	2
as he has	2
plain direct rhyme	2
temple to venus	2
in a few	2
much more concise	2
to the main	2
the privilege of	2
the romans of	2
in gloomy caves	2
that he preferred	2
when the great	2
cum canerem reges	2
was a student	2
preface to his	2
catullus and the	2
the aeneid are	2
last six books	2
while he was	2
the first lines	2
tibi haec fuisse	2
when i was	2
reason why he	2
illi inter sese	2
himself in the	2
maxima taurus victima	2
to support brutus	2
most of them	2
an example of	2
it from the	2
so strange a	2
haec fuisse et	2
pages of the	2
of the liberators	2
and of a	2
in the spirit	2
first and ninth	2
now ye strangers	2
his own people	2
surrentini litoris ara	2
had of course	2
sir philip sidney	2
reason why their	2
it not appear	2
what is the	2
than the roman	2
messianic hopes of	2
a fragment of	2
and which i	2
which is a	2
the myths of	2
cultus habendo sit	2
auctor ad herennium	2
to be vergilian	2
that forbidden tree	2
was then twenty	2
than the first	2
and beyond the	2
carried with them	2
we happen to	2
to assume that	2
the whole passage	2
gardens on the	2
might be produced	2
oak uprears his	2
syllabarum or rhyme	2
the training of	2
to catch the	2
edition of the	2
in all its	2
it is evident	2
because of its	2
descent from venus	2
of italy and	2
the reason for	2
the city of	2
he was probably	2
the dignity of	2
latin language is	2
the trojan shore	2
that on the	2
well be a	2
had not yet	2
it did not	2
had good reason	2
more than the	2
iii the culex	2
in all probability	2
was of the	2
very probable that	2
the strength of	2
direful spring of	2
tyrii tenuere coloni	2
whom the poem	2
essay on criticism	2
of the sea	2
a descendant of	2
steeds he flies	2
lies in the	2
illustrated in the	2
i would suggest	2
to be as	2
at the first	2
to the very	2
of the particles	2
i might have	2
beginning of it	2
that sort of	2
seems to point	2
provided him with	2
iv the ciris	2
to speak of	2
and why he	2
is nothing in	2
apibus quanta experientia	2
as fast as	2
qui ducis olympo	2
was an important	2
son of jove	2
the most significant	2
displayed by the	2
of action in	2
it was he	2
some time in	2
if i had	2
what it is	2
sing heavenly muse	2
part in the	2
the doctrines of	2
as ye flow	2
with which it	2
it is only	2
et sonitu terrebis	2
vergil had himself	2
of a master	2
nor does it	2
now in the	2
the aid of	2
studiisque asperrima belli	2
death his dart	2
it has the	2
we have now	2
generation of the	2
this respect than	2
the hands of	2
are told that	2
italian and lavinian	2
with the first	2
in such a	2
common pronunciation of	2
at the garden	2
several of the	2
the fourth thing	2
those of the	2
this monosyllable collocation	2
of a few	2
and regain the	2
julius caesar in	2
that the ciris	2
the triumvirate was	2
was tall and	2
to be much	2
his home at	2
gallus had been	2
the most beautiful	2
strength of the	2
and carthage was	2
those who were	2
the mixt alliteration	2
he might have	2
the words of	2
et sola in	2
wheels along the	2
their verse is	2
had demonstrated that	2
examples of this	2
and the reason	2
virgil in this	2
realize that gallus	2
all my heart	2
as can possibly	2
and what an	2
death into the	2
his verse with	2
and there were	2
indeed one of	2
opus foret volare	2
be used in	2
te caesar olympo	2
the winter of	2
this may be	2
dare jussus habenas	2
of the oriental	2
for they had	2
more instances of	2
hinc canere incipiam	2
the autumn of	2
the experience of	2
be assigned to	2
the composition of	2
he could not	2
of literary art	2
i beg leave	2
of the villa	2
words of anchises	2
an opportunity to	2
am taking notice	2
is careful to	2
scanning conclusive rhyme	2
that the poem	2
all the hurry	2
any other language	2
to all the	2
in terms that	2
the close of	2
it is possible	2
the same difference	2
death of caesar	2
quibus aut venistis	2
example or two	2
in the youthful	2
bide here and	2
both in the	2
a migrating group	2
to write the	2
provinces from the	2
in september b	2
that followed the	2
just the same	2
which we have	2
the masters of	2
give way to	2
as they are	2
sort of rhyme	2
will now shew	2
to keep his	2
with respect to	2
of the several	2
the conviction that	2
the same manner	2
that it may	2
the souls of	2
treatment of the	2
souls of many	2
two first words	2
to the romans	2
from the ciris	2
and the poet	2
his mighty standard	2
all parts of	2
the bay of	2
and there i	2
an example from	2
the view of	2
mounted on his	2
castor et gemelle	2
take off his	2
in such manner	2
capable of it	2
relegated to a	2
behalf of vergil	2
his farewell to	2
this has a	2
not much later	2
become a poet	2
a variety of	2
to reveal the	2
as that of	2
illa levem fugiens	2
to the present	2
the blissful field	2
in which he	2
be called a	2
little patience with	2
in behalf of	2
has been overlooked	2
the eclogues in	2
the level of	2
confession that his	2
of the year	2
from the greek	2
way of varying	2
the mysteries of	2
that vergil could	2
words are composed	2
the first word	2
and the senate	2
a restoration of	2
is an example	2
and ye that	2
back to his	2
the ancient aristocracy	2
the length of	2
is a good	2
his description of	2
heads they bear	2
is the first	2
your native shores	2
you will meet	2
from tyber far	2
of his new	2
is not merely	2
we do not	2
is no occasion	2
the great father	2
in the court	2
poets of the	2
which octavian had	2
in the east	2
the whole poem	2
and innumerable others	2
their rage compose	2
the soft idalian	2
in the aetna	2
and wheels along	2
the majesty of	2
the fourth book	2
order of composition	2
find a more	2
properly called the	2
to appreciate the	2
mind that the	2
his human characters	2
the treatment of	2
away from his	2
be expected from	2
of rhyme in	2
as his own	2
that gallus was	2
we have a	2
and all the	2
under open sky	2
i found milton	2
had grown up	2
role of a	2
for the same	2
would be to	2
and lavinian coast	2
the syrian branch	2
than they knew	2
had been chosen	2
foedere certo et	2
safely to regain	2
me perdidit iste	2
the mount of	2
the first time	2
difference between the	2
the beginning to	2
of them a	2
him for the	2
more or less	2
and heroes to	2
was addressed to	2
the property of	2
the same kind	2
that the romans	2
of civil war	2
warlike sound of	2
the gods in	2
on the road	2
which vergil had	2
the praises of	2
the society of	2
for the young	2
and you will	2
during the civil	2
phoebo digna locuti	2
uprears his reverend	2
the governor of	2
to the alliteratio	2
first eclogue and	2
these two eclogues	2
the watry way	2
be said to	2
like that of	2
the roman and	2
of the syrian	2
and of course	2
but if the	2
of one of	2
the roaring waves	2
low words oft	2
at once that	2
experience of the	2
the leader of	2
passage in the	2
assonantia syllabarum or	2
the lord with	2
in three or	2
quod tegit omnia	2
of the middle	2
his radiant carr	2
had received the	2
into the world	2
that they had	2
caesar olympo et	2
in the paradise	2
the leaders of	2
he have been	2
both of these	2
mortal taste brought	2
to the greeks	2
urbs antiqua fuit	2
in the autumn	2
the supposition that	2
arts of versification	2
dequa saepe tibi	2
branch of the	2
the third line	2
in mind that	2
the latin or	2
i mantua dives	2
in those days	2
by the author	2
of the universe	2
that alfenus had	2
people that on	2
to the stoic	2
to the latter	2
epics and tragedies	2
roaring waves their	2
a syncretism of	2
old habit of	2
in which aeneas	2
in the state	2
used the greek	2
verse and the	2
and mantua were	2
sonitu terrebis aves	2
vii epicurean politics	2
true of all	2
to adapt the	2
i mean the	2
study of the	2
contact with the	2
to music and	2
fuisse et esse	2
many years later	2
this was the	2
his lot with	2
endless sorrows bring	2
caecilius of caleacte	2
a recognition of	2
supported by a	2
to raise storms	2
not unlikely that	2
purpose of the	2
of the young	2
before his death	2
had decided to	2
the very few	2
new meaning in	2
on the bay	2
now is come	2
sensible of this	2
and whither lies	2
is not unlikely	2
the new poetry	2
phrase de qua	2
the early augustans	2
in his lectures	2
to think mr	2
day in the	2
carr he rides	2
the corny reed	2
who in the	2
sicily and the	2
the most part	2
taste brought death	2
the poet seems	2
his taste in	2
the fourth line	2
produce more examples	2
the hypotheses of	2
laws of causality	2
has been lost	2
two years before	2
made it possible	2
to them a	2
a catalogue of	2
seen at rome	2
to produce more	2
first in the	2
which julius caesar	2
you to level	2
naples was the	2
appears that virgil	2
aged oak uprears	2
epicurean scorn for	2
from which he	2
cisalpine gaul had	2
at cremona and	2
to hide his	2
at the warlike	2
a balmy cloud	2
of the dark	2
to win his	2
of so many	2
did not have	2
now learned to	2
both by the	2
his first book	2
the alexandrian poets	2
the interpretation of	2
a full rhyme	2
a later day	2
flies in open	2
respect for the	2
viii last days	2
et surrentini litoris	2
is merely a	2
the pathetic fallacy	2
aut venistis ab	2
school and war	2
we need not	2
nothing of the	2
twenty years later	2
for which he	2
the circle of	2
ultima ex origine	2
molemque montis insuper	2
his translation of	2
even after the	2
in an english	2
this kind of	2
concerned about the	2
would suggest that	2
in this particular	2
by any means	2
to the study	2
que and et	2
customs of the	2
he assumed the	2
been written at	2
and all our	2
his reverend head	2
would be in	2
been one of	2
turned to the	2
was apt to	2
be much more	2
on the ides	2
that the auxiliary	2
latin or greek	2
his dart shook	2
the student of	2
of vergil have	2
de rerum natura	2
even to have	2
is indeed one	2
quo sidere terram	2
from the time	2
see what is	2
is the most	2
in his hose	2
to be more	2
for his own	2
his insight into	2
i would observe	2
to understand the	2
we have no	2
of vergil should	2
find a new	2
seems not to	2
hills and the	2
must have seen	2
of the circle	2
or four lines	2
how does the	2
and horrid helms	2
several sorts of	2
in the days	2
to search for	2
and the aeneid	2
ante mare tellus	2
fast as possible	2
ruris opaci falce	2
of these poems	2
some fifteen years	2
did endless sorrows	2
the wit of	2
an english line	2
soft or loud	2
of the word	2
bear in mind	2
appear to be	2
in many other	2
we may then	2
picture of the	2
after the peace	2
shrine at sorrento	2
except in so	2
of fact the	2
his love for	2
has shown that	2
of the passage	2
was not till	2
they were of	2
atque hominum rex	2
an explanation of	2
who knew the	2
with as much	2
in several places	2
illustrated by the	2
a new meaning	2
i have shewn	2
i think we	2
esse cognitissima ait	2
in so many	2
in mind the	2
nothing to do	2
land and sea	2
regain the blissful	2
all the beauties	2
it is certain	2
the st syllable	2
full of personal	2
devotion to his	2
poem in the	2
the will of	2
by his steeds	2
i think the	2
in this instance	2
all our woe	2
in any one	2
an effect this	2
the question of	2
strikes the ear	2
that vergil favored	2
in the preface	2
during those years	2
the first in	2
the senate in	2
vergil by the	2
the battlefield of	2
that warble as	2
was forced to	2
he has no	2
not by any	2
he was a	2
student of vergil	2
circle of maecenas	2
no reason for	2
vero viciam que	2
will meet with	2
the literature of	2
occurred in the	2
many of his	2
of the dead	2
in a long	2
from the same	2
to prepare for	2
written in b	2
of his day	2
a province that	2
young men of	2
much of the	2
fair and good	2
few have accepted	2
for there is	2
be the more	2
there are many	2
studies of the	2
the second eclogue	2
had drawn him	2
of brutus and	2
a career in	2
told that he	2
seemed natural to	2
who was a	2
who does not	2
in the household	2
that for the	2
the rules of	2
the name of	2
which of these	2
for the year	2
that the body	2
may be seen	2
the following is	2
each of the	2
have in this	2
may be very	2
x recubans sub	2
of the stoic	2
question of authenticity	2
has always been	2
the best teachers	2
is no reason	2
on this subject	2
in the ninth	2
this will prayer	2
great father of	2
secat aethera pennis	2
habendo sit pecori	2
him with a	2
the sixteenth epode	2
greeks did endless	2
found in all	2
the atoms of	2
in one of	2
is a kind	2
in open day	2
when he says	2
shall we say	2
written many years	2
viciam que seres	2
revelation of his	2
of the four	2
ought to warn	2
able to make	2
the exigencies of	2
the fear of	2
for the great	2
some of its	2
had it not	2
canerem reges et	2
assiduis terram insectabere	2
fact that he	2
still recognized as	2
ix materialism in	2
the founder of	2
to varus the	2
the warlike sound	2
whereas in the	2
in which milton	2
that i can	2
with the matter	2
he had found	2
he entered the	2
written probably in	2
here for the	2
is also a	2
of those who	2
atque rotis summas	2
in cisalpine gaul	2
of a later	2
an allusion to	2
founder of the	2
by the civil	2
who in their	2
through this period	2
sympathy for the	2
had apparently been	2
smooth the seas	2
to level priam	2
the peace of	2
the road to	2
to be taken	2