trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
one of the	150
pall mall gazette	118
lord alfred douglas	108
that he was	105
it is not	102
there is no	97
that he had	93
i do not	88
it is a	84
he did not	80
of the world	79
work of art	75
it is the	75
that it is	73
as soon as	71
i could not	71
sir edward clarke	70
there is a	70
he had been	69
as well as	67
in the world	66
in spite of	65
that it was	65
it would be	63
out of the	62
he was a	59
some of the	58
the fact that	58
would have been	58
i did not	56
a work of	55
of his own	54
but it is	54
a sort of	54
the end of	54
if he had	52
again and again	51
to be a	51
of oscar wilde	51
is to be	50
be able to	50
a man of	50
at the time	48
the first time	47
it was a	47
ballad of reading	47
part of the	46
of the most	45
point of view	45
of reading gaol	44
in order to	44
the man who	43
of the play	43
the case of	43
to say that	43
at the same	41
a man who	41
of the book	41
for the first	41
that he is	40
it may be	39
on the other	39
oscar wilde was	39
a young man	38
it was not	38
he could not	38
the importance of	38
and it is	38
of all the	37
of the man	37
in which he	37
seemed to me	37
at the end	36
in the case	36
he had not	36
of his life	36
as to the	36
at any rate	36
the same time	36
of dorian gray	35
the spirit of	35
the ballad of	35
for a moment	35
importance of being	35
i am not	35
that there is	35
the soul of	35
he would have	34
that oscar wilde	34
of a man	34
that there was	34
it will be	33
is one of	33
a great deal	33
to do with	33
he was not	33
the life of	33
the value of	33
he had a	32
the name of	32
that i have	32
the work of	32
seems to me	32
when he was	32
the picture of	32
and in the	32
of the artist	32
there was no	32
to me to	31
of de profundis	31
is not a	31
a piece of	31
not to be	31
that he would	31
did not know	31
the secret of	31
in the same	31
to go to	30
of those who	30
sir william wilde	30
of being earnest	30
the story of	30
it is true	30
of the great	30
as it is	29
i had to	29
and of the	29
that he could	29
the author of	29
it was the	29
i told him	28
and all the	28
the hands of	28
do not think	28
which is the	28
which he had	28
i have been	28
to be found	28
he would not	28
be found in	28
it should be	28
it seemed to	27
do not know	27
he went on	27
the art of	27
but he was	27
two or three	27
a matter of	27
in the first	27
it has been	27
i want to	27
to see him	27
was in the	27
to have been	26
that is the	26
the editor of	26
picture of dorian	26
the use of	26
that of the	26
as regards the	26
the house of	26
the history of	26
and i was	26
here and there	26
it is impossible	26
which i have	26
and he was	26
the other hand	26
oscar wilde had	26
it is only	26
we do not	25
it must be	25
is in the	25
one of his	25
is the only	25
editor of the	25
of the old	25
i have no	25
he told me	24
the sphere of	24
i think it	24
soul of man	24
that he has	24
the duchess of	24
to the world	24
as he had	24
could not be	24
of the best	24
the result of	24
the beauty of	24
told me that	24
that i was	24
of course i	24
there is nothing	24
is not the	24
i should be	24
in his own	24
of a great	24
to see the	24
the influence of	24
a good deal	24
with regard to	24
but in the	23
and that the	23
as far as	23
there was a	23
no less than	23
the whole of	23
those who have	23
i have not	23
that i am	23
to look at	23
the part of	23
at that time	23
of no importance	23
of the young	23
to be the	23
so far as	23
to lord alfred	23
one of those	23
duchess of padua	23
a little later	23
it would have	23
he would be	23
i should have	22
of the english	22
for the sake	22
sir robert chiltern	22
to make a	22
end of the	22
the character of	22
should not be	22
it is to	22
he was the	22
the sake of	22
he does not	22
and it was	22
was to be	21
more than a	21
would not be	21
i said to	21
to me that	21
as it was	21
as if he	21
the love of	21
it is for	21
to those who	21
when i was	21
but there is	21
one of them	21
that i had	21
the first act	21
more or less	21
was not a	21
the nature of	21
the play was	20
as much as	20
of such a	20
it is in	20
story of the	20
in which the	20
a couple of	20
this is the	20
view of the	20
i used to	20
in any way	20
in one of	20
as they are	20
had to be	20
but it was	20
the time of	20
that he should	20
went to the	20
on the part	20
to do so	20
of which he	20
to me in	20
the works of	20
might have been	20
could not help	20
sense of the	20
allow me to	20
in favour of	20
the head of	20
i have already	20
of the day	19
the idea of	19
of one of	19
character of the	19
i asked him	19
account of the	19
in the matter	19
should have been	19
i was not	19
have been a	19
he was in	19
he had written	19
i would not	19
of the story	19
of the people	19
i will not	19
with all the	19
of art is	19
beauty of the	19
of his work	19
a picture of	19
he had no	19
the sort of	19
the evidence of	19
i am going	19
the son of	19
and that he	19
of the soul	19
of the first	19
the face of	19
at this time	19
of the case	19
a copy of	18
had been a	18
house of pomegranates	18
one or two	18
are to be	18
i am sure	18
is not so	18
is full of	18
as long as	18
the young man	18
was able to	18
it in the	18
seems to have	18
would be a	18
been able to	18
a friend of	18
there is not	18
to the editor	18
that they were	18
was the first	18
it seems to	18
him in the	18
do you think	18
of its own	18
must have been	18
down to the	18
up to the	18
had not been	18
that is all	18
is a great	18
could have been	18
for me to	18
the best of	18
me that he	18
am going to	18
the eyes of	18
that in the	18
in the morning	18
the song of	18
the sense of	18
that you are	18
to believe that	17
of the other	17
it is too	17
that they are	17
me in the	17
i have said	17
and there is	17
to make the	17
i tried to	17
the rest of	17
spite of the	17
that i should	17
in the sphere	17
the nineteenth century	17
and the like	17
and i am	17
idea of the	17
of a young	17
from time to	17
have been the	17
attention to the	17
he is to	17
went on to	17
nothing to do	17
time to time	17
of which i	17
the subject of	17
what is the	17
more than the	17
the writer of	17
the question of	17
which he was	17
he has been	17
the power of	17
as it were	16
by means of	16
he used to	16
your obedient servant	16
in the middle	16
out of prison	16
the philosophy of	16
nature of the	16
and for the	16
if i had	16
and when i	16
use of the	16
and when he	16
place in the	16
of art in	16
on the subject	16
is not to	16
on the whole	16
he had to	16
i had no	16
in tite street	16
for the most	16
and that is	16
of life and	16
at the moment	16
the course of	16
on account of	16
oscar wilde and	16
and on the	16
he seemed to	16
but i am	16
it is an	16
at the savoy	16
and when the	16
i need not	16
the beginning of	16
ought to have	16
i went to	16
no doubt that	16
i should not	16
of the modern	16
knowledge of the	16
woman of no	16
for those who	16
of the greek	16
in all the	16
and did not	16
soon as he	16
it was in	15
he is a	15
out of his	15
go to the	15
he pointed out	15
and i have	15
it is all	15
me to be	15
and so on	15
what he had	15
it in a	15
an example of	15
good deal of	15
marquis of queensberry	15
for oscar wilde	15
of his time	15
in a few	15
i have ever	15
picture of the	15
to the jury	15
the point of	15
i think that	15
in de profundis	15
may be said	15
of the author	15
he is the	15
to whom he	15
of the same	15
that he might	15
man who had	15
it had been	15
it was only	15
it was written	15
the pleasure of	15
the artistic life	15
men and women	15
philosophy of history	15
of the gods	15
of historical criticism	15
he is not	15
of art and	15
the jury to	15
would not have	15
it is no	15
there is something	15
of the word	15
but he would	15
the only thing	15
or in the	15
the book is	15
as a rule	15
i wish to	15
may not be	15
art of the	15
the marquis of	15
it is possible	15
of the prison	14
it is quite	14
of the work	14
wilde was a	14
portrait of mr	14
have no doubt	14
the joy of	14
to him in	14
those who are	14
as an artist	14
may have been	14
to a man	14
a house of	14
was one of	14
what do you	14
end of his	14
pointed out that	14
a sense of	14
this is a	14
he may have	14
works of art	14
the presence of	14
of a new	14
of the spirit	14
of the age	14
as he was	14
by the way	14
of the whole	14
the laws of	14
at once to	14
i wanted to	14
the cathedrals of	14
of him as	14
all the while	14
for some time	14
to think of	14
on the stage	14
the artist is	14
of the new	14
of a certain	14
to the artist	14
of my life	14
of the trial	14
asked him to	14
i think i	14
of life is	14
wanted to know	14
the world is	14
hands of the	14
the pall mall	14
the object of	14
the grosvenor gallery	14
you will be	14
came out of	14
the world of	14
the daughter of	14
that he did	14
the success of	14
as i have	14
a kind of	14
in dorian gray	14
to see you	14
it does not	14
i shall be	14
in his life	14
by his own	14
the case was	14
now and then	14
of one who	14
the happy prince	14
to me as	13
to whom the	13
in the house	13
because it is	13
in love with	13
i want you	13
his attitude towards	13
a letter from	13
is a very	13
of my own	13
a woman of	13
of the fact	13
seemed to him	13
years of age	13
result of the	13
that he will	13
is going to	13
you know that	13
you have been	13
you did not	13
the perfection of	13
by the author	13
that had been	13
look at the	13
that is to	13
to come to	13
some of them	13
and i will	13
as in the	13
i have a	13
it is more	13
if he were	13
on the ground	13
was going to	13
it as a	13
him to the	13
must not be	13
the portrait of	13
they are not	13
no more than	13
the lives of	13
was in a	13
regard to the	13
the production of	13
be said to	13
was not the	13
as that of	13
which i am	13
of lord alfred	13
i was in	13
of their own	13
of a work	13
the only one	13
a life of	13
to be able	13
the age of	13
to which he	13
of the poem	13
to oscar wilde	13
and not a	13
i have never	13
in this way	13
i have had	13
of the artistic	13
came to me	13
the effect of	13
the daily chronicle	13
the savoy hotel	13
of the very	13
at the very	13
should not have	13
i should like	13
as a mere	13
side of the	13
of the poet	13
but there was	13
is to say	13
the meaning of	13
the midst of	13
with the same	13
not think that	13
so to speak	12
as a whole	12
that is not	12
i went on	12
after his release	12
of any kind	12
i had not	12
example of the	12
towards the end	12
to him and	12
in the whole	12
alfred douglas and	12
you do not	12
full of the	12
about this time	12
as an example	12
one who is	12
and that it	12
and to the	12
was full of	12
there should be	12
the most part	12
to show that	12
he went to	12
if it were	12
any of the	12
that oscar was	12
is true that	12
away from the	12
of the moon	12
the saturday review	12
and he is	12
of it is	12
as a man	12
of the future	12
of it in	12
as i had	12
to write a	12
of which the	12
but he had	12
is the most	12
to the end	12
appeared in the	12
said to myself	12
friend of mine	12
a book of	12
to think that	12
of the two	12
that all the	12
of which is	12
i think you	12
i am glad	12
said that he	12
the other side	12
that is a	12
in answer to	12
i can do	12
the quality of	12
he said that	12
of the french	12
to see me	12
you must not	12
of the one	12
first of all	12
not one of	12
in any case	12
why did you	12
the middle ages	12
soon as the	12
more and more	12
with which he	12
for it is	12
on to say	12
such as the	12
he was at	12
to my astonishment	12
the difference between	12
the people who	12
life of the	12
as if it	12
it to the	12
the garden of	12
and in a	12
the voice of	12
and out of	12
he will not	12
as a matter	12
that she was	12
which had been	12
he tells us	12
goes on to	12
that wilde was	12
the place of	12
the majority of	12
it was his	12
the wonder of	12
in the old	12
and that i	12
in the course	12
could not have	12
at once and	12
i began to	12
and that his	12
art is not	12
poems in prose	12
the aim of	12
well as the	12
and not to	12
of the poor	12
great deal of	12
i had been	12
just as the	12
that does not	12
an ideal husband	11
of the greatest	11
he was an	11
what he was	11
to point out	11
and so i	11
one of these	11
to be an	11
was not in	11
tells us that	11
that i would	11
of the kind	11
and so forth	11
if you will	11
as they were	11
was published in	11
he should have	11
alfred douglas had	11
to take the	11
this is not	11
decay of lying	11
art and the	11
many of the	11
that you have	11
by saying that	11
most of the	11
in the most	11
if i could	11
and with the	11
had no idea	11
it is said	11
men of letters	11
his life and	11
the home secretary	11
reference to the	11
that we have	11
over and over	11
there can be	11
he is in	11
more than once	11
you would have	11
the development of	11
of the beautiful	11
to me at	11
do you mean	11
regarded as a	11
the man of	11
i ought to	11
the names of	11
that it would	11
in which it	11
went into the	11
after he had	11
the school of	11
is the secret	11
him to write	11
and the other	11
from the beginning	11
me as a	11
he was always	11
expression of the	11
so that i	11
in the hands	11
writer of the	11
of the jury	11
say that he	11
i was at	11
a series of	11
to him the	11
of the house	11
and above all	11
three or four	11
he had never	11
to see that	11
description of the	11
as for the	11
and what is	11
out in the	11
the study of	11
he came to	11
by oscar wilde	11
in this book	11
do with the	11
in the next	11
that if he	11
not have been	11
a few days	11
action of the	11
should be made	11
that would have	11
for the artist	11
said to him	11
him that he	11
there is an	11
nothing of the	11
it is as	11
is not for	11
do you know	11
i am quite	11
on one occasion	11
said to have	11
to me the	11
with lord alfred	11
of the room	11
to talk of	11
something of the	11
in the very	11
spirit of the	11
that oscar had	11
of the time	11
of this book	11
there was nothing	11
be allowed to	11
i was a	11
of the sun	11
as i am	11
was not his	11
the first of	11
and at the	11
work of the	11
ought to be	11
of what is	11
in the midst	11
in the court	11
to him to	11
were in the	11
was a great	11
matter of fact	11
for the purpose	11
to me a	11
name of the	11
who had been	11
is that of	11
whom i have	11
and lord alfred	11
the trial of	11
him to be	11
is that the	11
soon as i	11
the poetry of	10
the essence of	10
secret of the	10
is no longer	10
to ask you	10
the purpose of	10
for you to	10
has not been	10
i gave him	10
to speak of	10
to one of	10
the play is	10
it at the	10
is impossible to	10
due to the	10
to tell me	10
much of the	10
have had a	10
wilde had been	10
all that was	10
i wish i	10
i would rather	10
it is always	10
the necessity of	10
the mouth of	10
it to be	10
the habit of	10
on the contrary	10
in england and	10
you want to	10
the introduction of	10
written in the	10
that of a	10
though he was	10
the world has	10
i can only	10
believe that the	10
copy of the	10
i would have	10
the close of	10
some of his	10
the burden of	10
value of the	10
all the world	10
that this is	10
the world and	10
a long time	10
rest of the	10
with his own	10
that a man	10
and if you	10
had already been	10
whom he had	10
that we are	10
the old days	10
the music of	10
do you remember	10
little college street	10
one who has	10
from the point	10
not for the	10
as he is	10
ask you to	10
i have written	10
when it was	10
us of the	10
the strength of	10
that the man	10
by robert ross	10
to his friend	10
he might have	10
not like to	10
if it had	10
used to say	10
the first to	10
of the words	10
the death of	10
you have not	10
seemed to be	10
shall be able	10
is the best	10
at the hotel	10
not going to	10
the world was	10
as a young	10
man of letters	10
as i was	10
the fortnightly review	10
you have no	10
according to the	10
should be the	10
me that the	10
at his best	10
the charge of	10
during the last	10
to tell him	10
for a few	10
on large paper	10
him in his	10
and the most	10
happened to be	10
had been in	10
and had a	10
in my life	10
was at the	10
if i were	10
the day of	10
from the first	10
and the whole	10
supposed to be	10
they would have	10
a man is	10
not wish to	10
we have a	10
think of it	10
seemed to have	10
to deal with	10
the method of	10
been in the	10
himself as a	10
i wrote to	10
spite of his	10
i was so	10
by which we	10
by the same	10
the writing of	10
back to the	10
of some of	10
to his own	10
and he had	10
the heart of	10
to the last	10
of the highest	10
asked me to	10
of the ballad	10
it is really	10
not in the	10
one who had	10
to the very	10
had never been	10
the basis of	10
all of them	10
and some of	10
of the last	10
i had never	10
which he has	10
on the one	10
the memory of	10
man who was	10
is no less	10
the man and	10
to me and	10
in no way	10
in the presence	10
is of course	10
did not think	10
had begun to	10
the court of	10
which he is	10
nothing could be	10
in the garden	10
all day long	10
it is that	10
i ask you	10
is a little	9
the truth of	9
that the artist	9
in the habit	9
that the only	9
when he said	9
he left prison	9
ought not to	9
said that the	9
with him and	9
there had been	9
to the door	9
a large sum	9
opinion of the	9
in his mind	9
he said he	9
the title of	9
for the prosecution	9
him with the	9
as one of	9
he had done	9
declared that he	9
i know that	9
as i could	9
the young king	9
i could have	9
our own day	9
is quite true	9
seems to be	9
lord henry wotton	9
have you ever	9
into the room	9
i am afraid	9
influence of the	9
was written in	9
think it is	9
to make him	9
to the fact	9
to remember that	9
of the hotel	9
in new york	9
told him i	9
the hand of	9
is of the	9
which i had	9
it is better	9
the opportunity of	9
you are not	9
the ideal husband	9
and his wife	9
all the arts	9
i am told	9
not to have	9
in the best	9
i was going	9
but i think	9
sins of the	9
if you like	9
it is interesting	9
which it was	9
of the intellect	9
is no more	9
case of the	9
more than one	9
give me the	9
to his wife	9
spoke of the	9
critic as artist	9
couple of years	9
we did not	9
of the roman	9
that this was	9
in which they	9
he came out	9
he was very	9
has all the	9
a set of	9
on which the	9
which it is	9
sir ruggles brise	9
half a dozen	9
the progress of	9
not at all	9
out into the	9
and it would	9
first time in	9
he was able	9
that no one	9
of the picture	9
what it is	9
was that the	9
to give him	9
in order that	9
as to his	9
criticisms by robert	9
of the pre	9
in connection with	9
on the english	9
the artist in	9
say that i	9
to be done	9
you have heard	9
it was all	9
to leave the	9
and told him	9
may be a	9
of an artist	9
there are two	9
found in the	9
to him that	9
it was to	9
the lips of	9
of the earth	9
say that the	9
of man under	9
a few years	9
the action of	9
to a certain	9
great romantic passion	9
to do it	9
friend of his	9
the tone of	9
between the two	9
that is why	9
of beauty and	9
should like to	9
and that if	9
apart from the	9
in the evening	9
glad to see	9
him and his	9
and you will	9
of a life	9
not know what	9
he had in	9
want you to	9
of the dialogue	9
me that i	9
strange to say	9
but i do	9
only thing that	9
i hope to	9
art in the	9
and a half	9
to be in	9
mode of life	9
at the beginning	9
had nothing to	9
i am in	9
but after all	9
the choice of	9
he had an	9
young man who	9
the feet of	9
where there is	9
that i may	9
of the public	9
he had had	9
of the stage	9
edition of the	9
the old bailey	9
not think it	9
for a long	9
he must have	9
that it should	9
in the last	9
he began to	9
the state of	9
that you should	9
that it has	9
had given him	9
and said that	9
of the sonnets	9
all the time	9
and this is	9
the pages of	9
is the first	9
the middle of	9
did not care	9
and then he	9
and there are	9
the moment of	9
worth while to	9
said to me	9
part of his	9
and he did	9
had had a	9
all that is	9
the tomb of	9
impossible not to	9
in the dock	9
the truth is	9
to the other	9
a touch of	9
he wanted to	9
and over again	9
the fact of	9
him as a	9
what i have	9
in the book	9
the possibility of	9
have made a	9
too much to	9
so long as	9
to see a	9
to say so	9
of a child	9
the book was	9
i have to	9
is a matter	9
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by way of	9
seem to be	9
to the present	9
man and his	9
and with a	9
you will not	9
that such a	9
in reference to	9
was not so	9
on his own	9
that was the	9
what is beautiful	8
me at the	8
see that the	8
it is just	8
and so the	8
before and after	8
letter to the	8
it with the	8
can be no	8
did you not	8
they were not	8
he knew that	8
if you are	8
deal with the	8
a poet and	8
he wished to	8
if it is	8
to take a	8
not so much	8
because it was	8
in the box	8
a critic of	8
that you had	8
case of a	8
the sins of	8
on the day	8
to tite street	8
by the fact	8
to go into	8
it is very	8
i never saw	8
question of the	8
in my heart	8
when did you	8
of the church	8
the mind of	8
there is only	8
is nothing in	8
to find in	8
a word of	8
man of genius	8
son of the	8
the hero of	8
relation to the	8
it could be	8
that the first	8
i have got	8
a point of	8
nothing in the	8
the world to	8
the lack of	8
little later i	8
a little of	8
covered with jewels	8
in the early	8
that those who	8
in other words	8
of the prosecution	8
in the english	8
to live with	8
and his own	8
not allowed to	8
and those who	8
and i believe	8
think it was	8
of his mind	8
he might be	8
book is not	8
it with a	8
have been written	8
we had a	8
nothing but the	8
the personality of	8
go into the	8
i have seen	8
of the three	8
in the daily	8
he tries to	8
man who has	8
his life in	8
up his mind	8
to which the	8
me to have	8
never have been	8
in his eyes	8
must always be	8
attitude of the	8
in the long	8
is like a	8
critic of the	8
for him to	8
of the british	8
the attitude of	8
it was an	8
he gave me	8
they do not	8
only to be	8
in the art	8
had to go	8
court and society	8
to give a	8
the florentine tragedy	8
said he was	8
in comparison with	8
the law of	8
have said that	8
life in the	8
conduct of the	8
be regarded as	8
she did not	8
which you have	8
dorian gray was	8
in the work	8
as a sort	8
will not be	8
will give you	8
and he laughed	8
if a man	8
to face the	8
come to the	8
trial of oscar	8
i shall never	8
in the fortnightly	8
to help him	8
do not wish	8
and there was	8
i will give	8
of your own	8
me to my	8
the present moment	8
think that the	8
that has been	8
is only one	8
happy prince and	8
we have seen	8
much that is	8
and when we	8
he wrote to	8
proprietor of the	8
i feel sure	8
him to do	8
and the value	8
the change in	8
there have been	8
nor is it	8
view of life	8
it was so	8
it might be	8
you ought to	8
of the drama	8
of the romantic	8
a portrait of	8
to enter the	8
sense of humour	8
at the old	8
would have to	8
am glad to	8
that you were	8
it is with	8
which is not	8
a great romantic	8
of the evidence	8
the facts of	8
to talk to	8
only a few	8
if i can	8
in the appendix	8
we have to	8
a great man	8
the world with	8
out of my	8
that would be	8
him at the	8
of the past	8
to be given	8
man in the	8
the romantic movement	8
to be said	8
but i have	8
that if i	8
to the public	8
i thought you	8
in the play	8
tell me that	8
a letter of	8
a man whose	8
is not that	8
the reason of	8
so far from	8
the delight of	8
of the mind	8
made by the	8
but it has	8
the one hand	8
went to paris	8
a form of	8
i need hardly	8
i had heard	8
as good as	8
told him that	8
you should have	8
in every way	8
in regard to	8
of the court	8
have not yet	8
and society review	8
a great many	8
face to face	8
the proprietor of	8
the shadow of	8
the evolution of	8
in the past	8
a volume of	8
not want to	8
it was said	8
attitude towards life	8
is a mere	8
find in the	8
to live in	8
as opposed to	8
and the same	8
in a word	8
for the moment	8
but that is	8
he had gone	8
is only the	8
in my opinion	8
made up his	8
had a certain	8
interest in the	8
that he must	8
a number of	8
prince and other	8
the queensberry trial	8
lord queensberry had	8
and in his	8
in which i	8
there are no	8
daughter of the	8
i know of	8
a thing that	8
there was an	8
they have no	8
and asked him	8
success of the	8
it is like	8
sense of beauty	8
to look for	8
now for the	8
beginning of the	8
things that are	8
study of the	8
life and the	8
seem to me	8
on the walls	8
of young men	8
with me to	8
to have the	8
even in the	8
i saw him	8
his power of	8
history of the	8
and went to	8
the existence of	8
is no such	8
man under socialism	8
that i could	8
this was the	8
him on the	8
he has to	8
to give me	8
and of course	8
my friendship with	8
of art should	8
in our own	8
that i knew	8
brought him to	8
the way to	8
the attention of	8
to begin with	8
it is also	8
art should be	8
because he was	8
fact that the	8
in his work	8
when he had	8
i may have	8
no need to	8
is for the	8
in this case	8
wrote to me	8
of course he	8
to her husband	8
the sight of	8
to know the	8
i had the	8
to return to	8
he should be	8
because of his	8
there is another	8
and other tales	8
i knew that	7
one has to	7
notre dame de	7
to be no	7
he no longer	7
oscar wilde in	7
far as i	7
at one of	7
his life was	7
he felt that	7
he took the	7
have given him	7
in the chameleon	7
at the st	7
remember that the	7
those who were	7
characteristic of the	7
at the door	7
than in the	7
is impossible not	7
in the story	7
may be that	7
of the field	7
only in the	7
to the art	7
worthy of the	7
whole of the	7
in the darkness	7
it was quite	7
in his favour	7
of which are	7
the british public	7
who does not	7
a source of	7
the most important	7
it is so	7
on japanese vellum	7
in his heart	7
there is some	7
he had the	7
it was very	7
arts and crafts	7
the young men	7
an artist in	7
john the baptist	7
he said to	7
of opinion that	7
to try and	7
they did not	7
those of the	7
a letter to	7
but from the	7
with him at	7
should be a	7
a very different	7
wrong and unjust	7
i know it	7
would be impossible	7
of view of	7
francis of assisi	7
he declared that	7
of a few	7
has nothing to	7
to be made	7
i dare not	7
life as a	7
but do not	7
which he wrote	7
development of the	7
published in the	7
what seemed to	7
there is none	7
at least a	7
with that of	7
to listen to	7
he had come	7
here is a	7
knew nothing about	7
gave it to	7
to state that	7
not that the	7
oscar wilde at	7
is interesting to	7
as to be	7
art and life	7
to find that	7
they were the	7
but on the	7
he could have	7
wish i could	7
kind to me	7
which i was	7
to me with	7
they have been	7
in the face	7
of the ideal	7
on the matter	7
of the poems	7
the conditions of	7
that she had	7
he took a	7
in the year	7
into the witness	7
is not an	7
of form and	7
he has made	7
part of a	7
i might have	7
to london and	7
the minds of	7
to the house	7
it was impossible	7
imprisonment with hard	7
not merely the	7
of art to	7
be given to	7
as it should	7
was allowed to	7
the manuscript of	7
on the way	7
taken from the	7
have been in	7
to know what	7
of the nature	7
to my surprise	7
but i was	7
i have done	7
a few words	7
cathedrals of northern	7
though it is	7
it is because	7
the newdigate prize	7
to get to	7
of which were	7
came to see	7
that some of	7
but he could	7
he is so	7
in his cell	7
priest and the	7
the worst of	7
the principle of	7
knew nothing of	7
will always be	7
who was the	7
it to me	7
one should be	7
with him in	7
yet he was	7
a fair trial	7
the whole world	7
so as to	7
things in the	7
he goes on	7
a new and	7
the science of	7
he told the	7
the principles of	7
it to him	7
no one could	7
by sir edward	7
no idea that	7
i noticed that	7
will be able	7
and it will	7
you are a	7
know nothing of	7
to him as	7
that wilde had	7
i have made	7
of the question	7
of the year	7
a review of	7
was the only	7
to him a	7
he seems to	7
have nothing to	7
in front of	7
between art and	7
came to him	7
because he had	7
head of the	7
had gone to	7
is always a	7
picture is a	7
was proud of	7
the scots observer	7
all these things	7
in the drawing	7
in the second	7
had a great	7
out of a	7
he is quite	7
woman covered with	7
there are many	7
there is much	7
tell you that	7
it is worth	7
interest of the	7
i cannot say	7
the same thing	7
he was to	7
that when he	7
in a very	7
had written to	7
was not only	7
a delight in	7
judge of the	7
it could not	7
he spoke of	7
need hardly say	7
it is difficult	7
going to the	7
it at all	7
to some of	7
that the two	7
the other is	7
he was much	7
man of fashion	7
to speak to	7
not on the	7
he was still	7
on the table	7
that they might	7
him the money	7
connection with the	7
time of the	7
a question of	7
half an hour	7
to which i	7
dame de liesse	7
did you know	7
that i can	7
in reading gaol	7
for a new	7
to tell the	7
one of which	7
in the ballad	7
better than the	7
to bring the	7
and as a	7
wilde was not	7
of the little	7
used to be	7
let me say	7
when wilde was	7
he wrote a	7
his mind was	7
no right to	7
thought that the	7
all of us	7
is not only	7
there was not	7
letters to lord	7
your issue of	7
to get him	7
the conduct of	7
was eager to	7
you and burton	7
a single moment	7
had ever been	7
lying on the	7
one of my	7
there will be	7
the art and	7
now i am	7
you would be	7
oscar was not	7
lady wilde was	7
under which he	7
of our own	7
what he has	7
in the history	7
of the theatre	7
it in his	7
had made a	7
are going to	7
out of ten	7
in the nineteenth	7
if you want	7
my dear frank	7
i am the	7
set forth in	7
the witness box	7
soul of a	7
house of commons	7
him by the	7
that he can	7
i am a	7
that could be	7
some time before	7
of thought and	7
there were no	7
it as the	7
and how he	7
as has been	7
of the audience	7
as a poet	7
for an hour	7
going to be	7
not a single	7
of his writings	7
not seem to	7
on which i	7
of his art	7
none of them	7
is no need	7
and does not	7
a great artist	7
the spectacle of	7
wilde as a	7
we must not	7
the type and	7
the days of	7
do not see	7
in the light	7
had a good	7
she is a	7
to make it	7
the image of	7
at the close	7
in england is	7
each of them	7
that lord alfred	7
middle of the	7
of these things	7
of john the	7
for a season	7
i have received	7
as they do	7
at the present	7
sight of the	7
should be able	7
long as the	7
and not for	7
life and art	7
why should i	7
art is a	7
i think the	7
of beautiful things	7
it would not	7
not think of	7
a short time	7
returned to london	7
did not like	7
could be more	7
and i can	7
them in the	7
so much to	7
for more than	7
the genius of	7
they are the	7
he asked me	7
is no doubt	7
but no one	7
far as to	7
as a thing	7
and that of	7
the story is	7
secret of life	7
but all the	7
on one side	7
the very first	7
and again he	7
and in this	7
he had always	7
to the full	7
little more than	7
in his hands	7
the wings of	7
because they are	7
of nothing but	7
and i shall	7
more of the	7
to the young	7
to have to	7
the next day	7
artistic value of	7
with which the	7
of the critic	7
i must have	7
he had given	7
head of jokanaan	7
of the sphinx	7
come to me	7
dublin university magazine	7
to come and	7
the world in	7
in your issue	7
to have a	7
the critic as	7
of an hour	7
the land of	7
the bitterness of	7
the rise of	7
things of life	7
things as they	7
and the poor	7
that if the	7
shall not be	7
in which a	7
to the soul	7
him in a	7
which is so	7
they have not	7
image of the	7
you had been	7
the english renaissance	7
and so in	7
the door and	7
he was going	7
the colour of	7
the arts and	7
to see oscar	7
of the arts	7
of prison life	7
the most beautiful	7
translated into english	7
the worship of	7
and by the	7
the walls of	7
romantic movement in	7
and i think	7
it is our	7
of the nineteenth	7
work of a	7
there was something	7
there must be	7
we call the	7
movement in england	6
for all that	6
came in and	6
and the court	6
of the life	6
waiting for the	6
feet of the	6
the amount of	6
of the late	6
and if i	6
is the reason	6
a moment of	6
do not like	6
he thought it	6
the test of	6
if he could	6
was for the	6
is better than	6
to us by	6
in a room	6
the english stage	6
the sweet sage	6
poems in the	6
in the way	6
that can be	6
by the hands	6
given to me	6
as we read	6
they should be	6
i thought the	6
be possible to	6
charges of conspiracy	6
at tite street	6
to me by	6
i had done	6
the details of	6
but the most	6
production of the	6
came up to	6
knew to be	6
may be the	6
was to me	6
that they would	6
no such thing	6
he was never	6
that the world	6
scene of the	6
have not got	6
given to the	6
had been taken	6
and they are	6
a knowledge of	6
than he had	6
believe that he	6
and the acolyte	6
and the artist	6
i could see	6
the dress of	6
the children of	6
on behalf of	6
at him and	6
of the truth	6
the peacock blue	6
and the only	6
want to see	6
no longer the	6
the relations of	6
so that the	6
gave him a	6
far as the	6
the play and	6
to pass into	6
as being the	6
but i should	6
of them as	6
in a short	6
the expense of	6
that i do	6
oscar wilde should	6
the reason why	6
three of the	6
of the plot	6
of the piece	6
i have suffered	6
with a man	6
he would never	6
for some years	6
in the least	6
look at her	6
appeal to the	6
and again in	6
man of the	6
to notice that	6
on the occasion	6
as he could	6
in book form	6
is a man	6
of the original	6
of the lecture	6
come back to	6
to do what	6
for whom the	6
but i could	6
in accordance with	6
is that there	6
of the things	6
felt that he	6
i know you	6
be a great	6
mind of the	6
as if i	6
which in the	6
anything of the	6
able to do	6
in the great	6
the society of	6
we must remember	6
a man named	6
his eyes were	6
and then the	6
if i may	6
produced at the	6
those who had	6
to call it	6
wilde was in	6
appeared to be	6
will not look	6
as you know	6
of the second	6
of the children	6
did not believe	6
one of our	6
the truth was	6
these things are	6
i am thinking	6
that lord queensberry	6
the opening of	6
it was merely	6
such thing as	6
i found him	6
the light of	6
for the jury	6
one in which	6
the back of	6
of his death	6
gave me a	6
knows nothing of	6
a mode of	6
more than that	6
by one of	6
said to be	6
i hope you	6
we know that	6
its own sake	6
the city of	6
the courage of	6
it were not	6
all through the	6
there was in	6
of the laws	6
is the spectator	6
man who is	6
on the right	6
his love of	6
the manner of	6
while he was	6
of no account	6
day and night	6
after the first	6
the publication of	6
a good many	6
of all men	6
in which to	6
his own soul	6
to face with	6
of all time	6
of modern life	6
the appearance of	6
of the times	6
house in tite	6
to some extent	6
of me to	6
for many years	6
evidence of the	6
said he could	6
the date of	6
how could i	6
what a great	6
the charm of	6
to the author	6
him into the	6
lives of others	6
that we should	6
owing to the	6
is a wonderful	6
la sainte courtisane	6
the form of	6
likely to be	6
the hearts of	6
the interest of	6
oscar did not	6
him a little	6
some of us	6
the honour of	6
was not even	6
had always been	6
much of his	6
up of the	6
the greater part	6
love of the	6
this book is	6
in the prison	6
sir john bridge	6
his best work	6
him more than	6
up to me	6
did not understand	6
talk to me	6
i returned to	6
that i did	6
such men as	6
tells me that	6
was no longer	6
i thought i	6
man who wrote	6
begged him to	6
of the state	6
in the gardens	6
i remember once	6
moment of his	6
but at the	6
him to come	6
the charges of	6
an artist is	6
i had written	6
in those days	6
is not true	6
it is full	6
than any other	6
which we call	6
of the real	6
that the latter	6
evidence of this	6
sum of money	6
many of them	6
that there were	6
his release from	6
seem to have	6
a telegram from	6
when they were	6
knew that he	6
through which the	6
us in the	6
going to do	6
himself and his	6
he had ever	6
consideration of the	6
out to him	6
it can be	6
nothing in it	6
and he who	6
we shall find	6
do is to	6
to go abroad	6
and yet the	6
and in spite	6
for it was	6
from the very	6
out of it	6
and a very	6
he was too	6
of the early	6
letter from him	6
the eighteenth century	6
to have done	6
for its own	6
did not see	6
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as we have	6
of my story	6
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me a little	6
himself in the	6
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many of his	6
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the attempt to	6
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mathews and john	6
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of wood and	6
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him in prison	6
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man of sorrows	6
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me more than	6
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elkin mathews and	6
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of the rich	6
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me again and	6
of the judge	6
touch of the	6
by the police	6
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sir edward sullivan	6
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light and shade	6
men of the	6
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oscar wilde to	6
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peacock blue has	6
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the joy and	6