quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
the end of the	546
one of the most	487
on the south side	470
on the north side	462
at the same time	418
is one of the	393
the rest of the	386
the middle of the	386
the top of the	353
at the end of	349
is said to have	301
to the memory of	296
the centre of the	275
the north side of	272
the history of the	270
north side of the	262
on the other hand	261
as well as the	260
the beginning of the	258
the south side of	254
at the east end	246
the whole of the	245
the east end of	245
the walls of the	244
south side of the	240
of the church of	236
the time of the	234
on each side of	233
the church of st	231
of the thirteenth century	231
that is to say	231
at the west end	226
of the fifteenth century	226
seems to have been	226
east end of the	225
said to have been	219
of the fourteenth century	218
in the time of	217
the height of the	206
for the most part	205
each side of the	204
in the case of	201
in the form of	195
the north and south	194
the level of the	193
in the centre of	189
to be found in	188
the site of the	186
the roof of the	184
on either side of	183
was one of the	183
at the time of	181
the church of the	175
the upper part of	175
the interior of the	175
the head of the	172
the west end of	169
in the middle of	168
this part of the	166
for the sake of	164
the building of the	164
the windows of the	160
in the church of	159
west end of the	158
appears to have been	158
the use of the	156
in the midst of	155
with the exception of	155
in the reign of	154
the church of s	154
the name of the	153
the character of the	153
in front of the	152
the close of the	151
the side of the	149
part of the church	148
in the history of	148
the body of the	148
the base of the	148
it is to be	147
the form of a	147
of the sixteenth century	146
of one of the	146
the greater part of	146
the lower part of	142
be found in the	141
of the middle ages	140
the entrance to the	140
upper part of the	140
of the twelfth century	139
the work of the	139
be seen in the	139
in the course of	137
the architecture of the	137
of the ducal palace	134
on account of the	134
the back of the	134
the capitals of the	133
the fact that the	132
the exterior of the	129
either side of the	128
of the lady chapel	128
the floor of the	127
of the west front	127
on the east side	124
lower part of the	123
the sides of the	123
for the use of	123
a part of the	122
the position of the	122
side of the nave	122
in the fourteenth century	121
it is said that	118
in the fifteenth century	117
the dean and chapter	117
for the purpose of	117
at the top of	117
of the eighteenth century	116
of the north transept	116
the ends of the	115
the hands of the	115
photo by alain dermigny	114
the form of the	114
on the site of	113
of the south transept	113
side of the choir	113
the plan of the	113
to that of the	111
on the other side	111
the remains of the	109
the face of the	109
than that of the	108
the date of the	108
the part of the	108
the wall of the	108
to have been the	108
the chapel of st	108
it is probable that	107
a portion of the	107
of the nave and	107
the early part of	107
the arms of the	105
was buried in the	105
in the way of	105
the size of the	105
ecclesiastical architecture of scotland	104
to be seen in	104
the south wall of	104
there can be no	104
the foundation of the	103
it will be seen	103
the bottom of the	103
in one of the	102
the erection of the	101
it is one of	101
early part of the	101
end of the church	100
of the seventeenth century	100
the line of the	98
the front of the	97
the chapel of the	97
part of the building	97
seem to have been	97
the beauty of the	97
on the top of	97
the thickness of the	96
is to be found	96
south wall of the	96
of the same date	95
it is difficult to	95
of the church is	95
in the thirteenth century	95
on the th of	95
one side of the	94
as far as the	94
in the south aisle	94
it is impossible to	94
the foot of the	94
on the west side	94
the east side of	93
for the first time	93
the south aisle of	93
the style of the	93
in the same way	92
to the east of	92
side of the church	91
greater part of the	91
the design of the	91
the arrangement of the	90
the restoration of the	90
the arches of the	90
at the beginning of	90
in the hands of	90
are to be found	89
of the north aisle	89
as well as in	89
in some of the	89
as one of the	89
of the house of	89
on the opposite side	88
the width of the	88
a great deal of	88
with that of the	88
at the foot of	88
the effect of the	87
in proportion to the	87
the length of the	87
the north choir aisle	87
on the part of	87
the exception of the	86
the nature of the	86
south aisle of the	86
the east of the	86
the place of the	86
one of the finest	86
the course of the	85
is to be seen	85
the case of the	84
the north of the	84
in the south transept	84
east side of the	83
the lines of the	83
one of the best	82
to the west of	82
in spite of the	82
about the middle of	82
the surface of the	81
of the cathedral of	81
the west of the	81
the fall of the	80
end of the nave	80
of the nineteenth century	80
the angles of the	80
the construction of the	80
on the second floor	79
to the north of	79
to have been a	79
from time to time	79
in the south wall	78
and at the same	78
in the shape of	78
the other side of	78
of the south aisle	78
of the central tower	77
the influence of the	77
the south choir aisle	77
the manner in which	77
at the head of	77
the east wall of	77
the subject of the	77
the south of the	76
in the days of	76
and one of the	76
of the holy trinity	76
with regard to the	76
at the back of	76
during the reign of	76
wall of the nave	75
the north wall of	75
appear to have been	75
in the first place	75
on the north and	75
in the seventeenth century	75
of the building is	74
at right angles to	74
to the top of	74
in the north aisle	74
it will be noticed	74
and was buried in	73
part of the house	73
the nave of the	72
end of the north	72
the space between the	72
to the church of	72
is not to be	72
the north aisle of	72
of the time of	72
the rear of the	72
in addition to the	71
the west front of	71
of the church was	71
as we have seen	71
north wall of the	70
in the north wall	70
the outside of the	70
north aisle of the	70
other parts of the	69
the latter part of	69
in the same manner	69
on the first floor	69
to the end of	69
the cathedral church of	69
by the name of	69
the edge of the	69
of some of the	69
towards the end of	68
that part of the	68
the west side of	68
to the south of	68
as that of the	68
may be seen in	68
in connection with the	68
in the presence of	68
will be seen that	68
the right and left	67
east wall of the	67
aisle of the nave	67
will be found in	67
side of the house	66
is of the same	66
and there is a	66
in the style of	66
of the early english	66
part of the original	65
a member of the	65
the period of the	65
the foundations of the	65
the completion of the	65
other side of the	64
the treatment of the	64
the right of the	64
bays of the nave	64
in the north transept	64
it was in the	64
after the death of	64
by means of a	64
but there is no	64
from east to west	63
a good example of	63
a large number of	63
with those of the	63
of the choir and	63
west side of the	63
the east and west	63
it may have been	63
the reign of henry	63
the heads of the	62
church of the holy	62
in the early part	62
to those of the	62
it must have been	62
to make room for	62
to the fact that	62
the way in which	62
he is said to	62
body of the church	62
the details of the	62
the cost of the	62
is by no means	62
may still be seen	62
but it is not	61
the left of the	61
of the architecture of	61
the ruins of the	61
latter part of the	61
parts of the building	61
there is also a	60
the first half of	60
will be noticed that	60
supposed to have been	60
saviour in the chora	60
it would have been	60
from the fact that	60
the shrine of st	60
in the sixteenth century	60
of the nave is	60
the early english style	60
the capital of the	60
first half of the	60
aisle of the choir	59
it is in the	59
rest of the building	59
on the grand canal	59
on the side of	59
the removal of the	59
in the th century	59
the center of the	59
in which it is	59
of the east end	59
the palace of the	59
may be said to	58
a good deal of	58
at the close of	58
in the construction of	58
the memory of the	58
the appearance of the	58
from the time of	58
there is no doubt	58
of a series of	58
the vaulting of the	58
that there is a	58
as a matter of	58
at the time when	58
height first floor approximately	57
with the rest of	57
first floor approximately ft	57
to the height of	57
the commencement of the	57
in accordance with the	57
now used as a	57
about the same time	57
of the most interesting	57
the piers of the	57
ceiling height first floor	57
and part of the	56
of the history of	56
the names of the	56
the spirit of the	56
as far as possible	56
the weight of the	56
one of the first	56
the opposite side of	56
of the rest of	56
is the work of	56
an account of the	56
into the hands of	56
in the lady chapel	56
in the middle ages	55
year of his age	55
from north to south	55
at the bottom of	55
the tomb of the	55
the founder of the	55
the same date as	55
the time when the	55
by the addition of	55
of the choir is	55
as well as to	54
the windows in the	54
a few of the	54
for a long time	54
it is evident that	54
one of the chief	54
the first of the	54
take the place of	54
of the same period	54
by the side of	54
of the work of	54
the west wall of	53
than those of the	53
the rebuilding of the	53
like that of the	53
between it and the	53
in the selling price	53
in the same year	53
for the reason that	53
specifications ceiling height first	53
of the high altar	53
the shape of a	53
under the direction of	53
included in the selling	53
of the eleventh century	52
west wall of the	52
arm of the transept	52
formed part of the	52
on account of its	52
from that of the	52
that it should be	52
of the church and	52
the shape of the	52
he was translated to	52
as in the case	52
are of the same	52
it is true that	52
the tracery of the	52
as well as a	52
like those of the	51
it seems to me	51
to the level of	51
the aisles of the	51
are to be seen	51
the cathedral from the	51
of the nave are	51
the mind of the	51
opposite side of the	51
of the th century	51
be one of the	51
in the chapel of	51
is supposed to have	51
the hall of the	50
as those of the	50
and that of the	50
to the see of	50
at the hands of	50
the destruction of the	50
by sir gilbert scott	50
the midst of the	50
to the time of	50
is the tomb of	50
in keeping with the	50
the mouldings of the	50
the buildings of the	50
at the age of	50
in the united states	49
to do with the	49
of which it is	49
the inside of the	49
and those of the	49
the power of the	49
the direction of the	49
rest of the church	49
can be no doubt	49
photo by claude rayon	49
of the same character	49
of the united states	49
is known as the	49
the eastern end of	49
by the fact that	49
in the eighteenth century	49
at the base of	49
part of the nave	49
the presence of the	48
it is possible that	48
the last of the	48
way in which the	48
of the most important	48
the slope of the	48
in the twelfth century	48
as high as the	48
glazed with clear glass	48
it is necessary to	48
of the xii century	48
is that of the	48
of the order of	48
the head of a	48
the works of the	48
the disposition of the	48
the parish church of	48
of the most beautiful	48
eastern part of the	47
the south end of	47
part of the cathedral	47
the decoration of the	47
the eastern part of	47
the great east window	47
must have been a	47
history of the cathedral	47
by the use of	47
be noticed that the	47
the banks of the	47
the bases of the	47
is probable that the	47
on the one hand	47
of the monastery of	47
of the church in	47
of the xiii century	47
this portion of the	47
bay of the nave	47
with a view to	47
of light and shade	47
portion of the building	46
on the ground floor	46
is found in the	46
be seen from the	46
that it may be	46
of the cathedral is	46
at the side of	46
the breadth of the	46
are the remains of	46
the diameter of the	46
of the holy cross	46
end of the south	46
and there is no	46
he was one of	45
to have been built	45
he was buried in	45
from a photograph by	45
eastern end of the	45
the days of the	45
it is well to	45
of the duke of	45
end of the choir	45
that there is no	45
is now used as	45
it must be remembered	45
the life of the	45
of the last century	45
be said to have	45
from the top of	45
at the south end	44
was built in the	44
but there is a	44
the corners of the	44
the vault of the	44
as well as of	44
one of the earliest	44
manner in which the	44
from the west end	44
does not seem to	44
end of the transept	44
on a large scale	44
is divided into two	44
the time of henry	44
as may be seen	44
and some of the	44
interior of the church	44
the site of a	44
in order that the	44
end of the fifteenth	44
is said to be	44
the figure of the	43
at the battle of	43
under the name of	43
is surmounted by a	43
in a state of	43
two and a half	43
the remains of a	43
the story of the	43
at the eastern end	43
a level with the	43
in the work of	43
of the city of	43
the origin of the	43
walls of the church	43
the dissolution of the	43
so as to form	43
similar to that of	43
from end to end	43
the same time as	43
is a monument to	43
and it is not	43
on one side of	43
in each of the	43
is shown in the	43
was at one time	43
above the level of	43
the proportions of the	43
front of the house	43
the nave and aisles	43
one above the other	43
same date as the	43
of the nave was	43
the death of the	42
the abbey church of	42
is no doubt that	42
the possession of the	42
in which it was	42
to the present day	42
on the walls of	42
plan of the church	42
the springing of the	42
the art of the	42
abbey church of st	42
of the see of	42
it may be well	42
the residence of the	42
the fabric of the	41
in the interior of	41
the value of the	41
the fact that it	41
at the present day	41
the church of england	41
arms of the see	41
one of the principal	41
the heart of the	41
east corner of the	41
to be one of	41
any part of the	41
the western end of	41
the choir of the	41
it is easy to	41
at the western end	41
it will be remembered	40
for the benefit of	40
not seem to have	40
it is interesting to	40
the east window of	40
history of the building	40
wall of the south	40
of the same size	40
the time of bishop	40
we come to the	40
of the house is	40
end of the cathedral	40
of the abbey church	40
of the same kind	40
filled with stained glass	40
history of the church	40
the north transept is	40
to be seen at	40
as early as the	40
in regard to the	40
in the possession of	40
ought not to be	39
by means of the	39
on the eastern side	39
sacred to the memory	39
side of the chancel	39
is divided into three	39
the progress of the	39
of many of the	39
the order of the	39
the western part of	39
of the reign of	39
that it is not	39
at the present time	39
the junction of the	39
a fine example of	39
of this part of	39
the curve of the	39
south end of the	39
by one of the	39
that on the north	39
of the interior of	39
in the arrangement of	39
wall of the chancel	39
the nave from the	39
and it has been	39
the nave and transepts	39
the seat of the	39
it is possible to	39
with respect to the	39
be seen on the	39
the east end is	39
in the center of	39
there is a large	39
in the use of	39
the development of the	38
the first bishop of	38
in the east wall	38
the door of the	38
parts of the church	38
in the beginning of	38
so as to be	38
on the subject of	38
some of the most	38
one of the few	38
of the bishops of	38
in the nave of	38
this is one of	38
the altar of st	38
known by the name	38
in which they are	38
the pillars of the	38
it will be found	38
in consequence of the	38
the author of the	38
of the present day	38
in the county of	38
there is a very	38
a few years ago	38
there is not a	38
the north end of	38
the case with the	38
a view of the	38
an example of the	38
of the walls of	38
side of the cathedral	38
in the cathedral of	38
one on each side	38
different parts of the	38
that there was a	38
the angle of the	38
as a memorial of	38
living room and dining	37
to the north and	37
and the church of	37
the nave and the	37
to a great extent	37
a great part of	37
the condition of the	37
that it is the	37
still to be seen	37
is a good example	37
the archbishop of canterbury	37
department of agricultural engineering	37
western end of the	37
be no doubt that	37
as a place of	37
the place where the	37
the second half of	37
on the outside of	37
the strength of the	37
the mouth of the	37
a certain amount of	37
room and dining room	37
the end of a	37
of the building was	37
it will not be	37
come down to us	37
every part of the	37
in the early english	37
at the expense of	37
of the royal society	37
to which it is	37
it seems to have	36
the glass in the	36
the general effect of	36
as if it were	36
is seen in the	36
the support of the	36
the choir and the	36
of the building of	36
towards the close of	36
and medicine cabinet included	36
the south transept is	36
the south side is	36
of the choir was	36
the church of san	36
the nave and choir	36
in this part of	36
second half of the	36
the early years of	36
in memory of the	36
that it was a	36
there is a small	36
on the banks of	36
the whole length of	36
a representation of the	36
the sake of the	36
it is said to	36
known to have been	36
and on the north	36
aisles of the nave	36
at the entrance to	36
was used as a	36
monument to the memory	36
the property of the	36
medicine cabinet included in	36
in the habit of	36
the first and second	36
a few years later	36
is lighted by a	36
he seems to have	36
it has been suggested	36
where there is a	36
north and south sides	36
the same time the	36
to the right and	36
there is a curious	36
he was succeeded by	36
in order to make	35
that it was the	35
in favour of the	35
those of the nave	35
it is hard to	35
could not have been	35
the expression of the	35
of the cathedral church	35
in the british museum	35
it consists of a	35
as far as i	35
to be able to	35
to one of the	35
the same kind of	35
of the body of	35
western part of the	35
but it is a	35
they are to be	35
cathedral from the south	35
of the abbey of	35
on the death of	35
of the tower is	35
on a level with	35
as we have said	35
to have been erected	35
erected to the memory	35
portion of the church	35
in the thickness of	35
the time of his	35
at one side of	35
of the arch is	35
at the ends of	35
and was buried at	35
may be taken as	35
west corner of the	35
of the exterior of	35
the view of the	35
are said to have	35
in the matter of	35
first floor plan illustration	34
of the parish church	34
same time as the	34
in the perpendicular style	34
that on the south	34
over all rooms and	34
the altar of the	34
as soon as the	34
so far as the	34
a large part of	34
in place of the	34
the addition of a	34
second floor joists in	34
west front of the	34
may be well to	34
well as in the	34
after the manner of	34
the apse of the	34
is due to the	34
at the rear of	34
of the same height	34
buried in the cathedral	34
part of the old	34
that it is a	34
of the south wall	34
all rooms and bath	34
as time went on	34
there can be little	34
by a series of	34
as has been said	34
wall of the church	34
to be of the	34
in the south choir	34
in honour of the	34
of the cathedral was	34
are the work of	34
in the decorated style	33
whole length of the	33
in other parts of	33
by the help of	33
two bays of the	33
north end of the	33
the difference between the	33
the forms of the	33
of the earl of	33
the church from the	33
the whole of this	33
in the neighbourhood of	33
those on the north	33
thickness of the wall	33
in the treatment of	33
is that of a	33
a line with the	33
in the direction of	33
in such a way	33
of the national art	33
of the brochure series	33
i do not know	33
the opening of the	33
of the university of	33
in the upper part	33
errors have been corrected	33
on the right of	33
until the time of	33
the triforium and clerestory	33
the extremity of the	33
the brochure series of	33
with which it was	33
brochure series of architectural	33
and on the other	33
to the use of	33
part of the wall	33
end of the twelfth	33
was the first to	33
the choir and presbytery	33
series of architectural illustration	33
the relics of the	33
with which it is	33
it may be that	33
at a time when	33
is part of the	33
part of the work	33
in many of the	33
the addition of the	33
various parts of the	33
to the right of	33
roof of the nave	33
is the monument of	33
during the time of	32
in the act of	32
is a row of	32
in the following year	32
it was not until	32
been one of the	32
one and the same	32
east window of the	32
both sides of the	32
took place in the	32
of the chapel of	32
of the bishop of	32
is a matter of	32
on each side are	32
in a line with	32
the eastern side of	32
was a man of	32
it is not a	32
in the early days	32
the builder of the	32
the apex of the	32
the master of the	32
height second floor approximately	32
it may be said	32
on the right and	32
in harmony with the	32
second floor approximately ft	32
beginning of the thirteenth	32
the figures of the	32
the main body of	32
walls of the nave	32
than in any other	32
ceiling height second floor	32
end of the thirteenth	32
that some of the	32
from west to east	32
one of which is	32
middle of the fourteenth	32
the house of the	32
lighted by a window	32
the erection of a	32
a certain number of	32
each side of it	32
there is a fine	32
it would seem that	32
and on the south	32
it is certain that	32
the account of the	32
the idea of the	32
cabinet included in the	32
the latter half of	32
must be remembered that	32
the reign of edward	31
a great number of	31
of the choir are	31
the west front is	31
history of the see	31
the top of a	31
the best examples of	31
and the rest of	31
as part of the	31
the masonry of the	31
of the capitals of	31
part of the tower	31
as will be seen	31
from the life of	31
of the transept is	31
as well as for	31
the members of the	31
it is of the	31
that it has been	31
to be met with	31
i do not mean	31
it has been said	31
of edward the confessor	31
and it is a	31
at the north end	31
which is to be	31
the north side is	31
no doubt that the	31
the great west window	31
mary queen of scots	31
of the church at	31
the requirements of the	31
the study of the	31
was found to be	31
site of the present	31
of which we have	31
that of the nave	31
the isle of ely	31
the spaces between the	31
be used as a	31
it is known that	31
of the windows of	31
the same as that	31
the cathedral of st	31
of the dean and	31
of the present cathedral	31
has been suggested that	31
the ceiling of the	30
of the church to	30
the description of the	30
behind the high altar	30
and one or two	30
have been one of	30
the light of the	30
first and second floor	30
one end of the	30
and is said to	30
latter half of the	30
the execution of the	30
and it is to	30
by the bishop of	30
it would be a	30
as much as possible	30
during the civil war	30
at the angles of	30
on the sides of	30
side of the cloister	30
the pavement of the	30
of the south church	30
in the eleventh century	30
the dignity of the	30
of the palace of	30
was the work of	30
on one of the	30
the lady chapel and	30
the abbey of st	30
in the body of	30
right angles to the	30
a monument to the	30
is supposed to be	30
as an example of	30
there is a good	30
as it is now	30
on the right hand	30
north and south aisles	30
is not easy to	30
it is divided into	30
in the west wall	30
and second floor joists	30
the feet of the	30
of the fact that	30
the shafts of the	30
the corner of the	30
the service of the	30
wall of the transept	30
it is not necessary	30
can be little doubt	30
in the centre is	30
on the south of	30
the work of bishop	30
front of the cathedral	30
may be considered as	30
was built by bishop	29
middle of the thirteenth	29
the outline of the	29
of the building to	29
part of the walls	29
is covered by a	29
the second and third	29
if it had been	29
upper and lower sashes	29
the lady chapel was	29
of each of the	29
as if it had	29
one of the great	29
the north aisle is	29
is formed by a	29
later date than the	29
early years of the	29
some idea of the	29
the establishment of the	29
the tops of the	29
believed to have been	29
nave of the church	29
the same character as	29
and a half stories	29
it is not easy	29
the attention of the	29
nothing to do with	29
of the works of	29
we do not know	29
said to be the	29
from the th century	29
the work of a	29
in the latter part	29
the church in the	29
parts of the country	29
north and south walls	29
of the upper part	29
from one of the	29
the arch of the	29
under the influence of	29
to show that the	29
of bath and wells	29
not far from the	29
end of the fourteenth	29
on the occasion of	29
in the year of	29
the ribs of the	29
in the churches of	29
our kitchen cupboard no	29
it appears to have	29
the same height as	28
the rule of the	28
in his left hand	28
the same time that	28
wall of the choir	28
the hand of the	28
of the churches of	28
the axis of the	28
of the house and	28
the point of the	28
of the north side	28
of the original norman	28
within the walls of	28
the figure of a	28
it might have been	28
the eye of the	28
with the result that	28
part of the city	28
of the art of	28
in the life of	28
from the rest of	28
in the nature of	28
that one of the	28
is given in the	28
the tower and spire	28
was the son of	28
out of the way	28
is made up of	28
the lady chapel is	28
figure of our lord	28
we are told that	28
for the reception of	28
it was not till	28
a great variety of	28
wall of the north	28
a door in the	28
the introduction of the	28
as a general rule	28
in order to give	28
which it has been	28
is shown by the	28
a flight of steps	28
in the mind of	28
of the pointed arch	28
part of the north	28
the taste of the	28
in the heart of	28
of the nature of	28
in the vicinity of	28
the house of commons	28
it is the most	28
the builders of the	28
the columns of the	28
but it was not	28
at one end of	28
about the end of	28
be seen that the	28
the limits of the	27
side of the transept	27
of the casa de	27
made use of in	27
the virgin and child	27
the cornice of the	27
in a kind of	27
is known to have	27
as compared with the	27
of the foundation of	27
the memory of sir	27
so far as to	27
paned upper and lower	27
to a height of	27
face of the wall	27
in the same style	27
but it must be	27
to the dignity of	27
on account of their	27
the aspect of the	27
first floor joists in	27
with reference to the	27
on either side are	27
the parts of the	27
was given to the	27
for the department of	27
the revenues of the	27
of the nave were	27
is connected with the	27
to the dean and	27
that they may be	27
the upper and lower	27
to have been used	27
to the abbey of	27
this side of the	27
be little doubt that	27
under the rule of	27
the use of a	27
on his way to	27
of most of the	27
to a certain extent	27
as a kind of	27
may be found in	27
in the character of	27
the appearance of a	27
the importance of the	27
to the beauty of	27
have come down to	27
in the house of	27
side of the south	27
general view of the	27
in imitation of the	27
was made in the	27
on the day of	27
little more than a	27
as we shall see	27
of the north and	27
may have been the	27
can be seen in	27
so as to give	27
and a half feet	27
the simplicity of the	27
it will be observed	27
on both sides of	27
on the back of	27
of the roman empire	27
end of the building	27
is a fine example	27
is a tablet to	27
was converted into a	27
and it will be	27
the cause of the	27
the affairs of the	27
in the minds of	27
one of the noblest	27
in spite of its	27
the mode in which	27
the spot where the	27
one of the largest	27
the precincts of the	27
each of the four	27
tablet to the memory	27
of the life of	27
a foot and a	27
it would be difficult	27
in any of the	27
a figure of the	26
of the church are	26
the suppression of the	26
the spandrels of the	26
in the north choir	26
than the rest of	26
and the lady chapel	26
north and south transepts	26
in the works of	26
one of the three	26
of the remains of	26
was added to the	26
the greater number of	26
in the diocese of	26
of the south side	26
the entrance of the	26
to the left of	26
and it may be	26
been added to the	26
part of the south	26
in the days when	26
to the same period	26
of the chancel arch	26
in that of the	26
some of the best	26
end of the hall	26
of the choir of	26
on account of his	26
exactly in proportion to	26
what is known as	26
is separated from the	26
is covered with a	26
be borne in mind	26
from top to bottom	26
second floor plan illustration	26
great part of the	26
as to form a	26
capitals of the columns	26
the crown of the	26
to the bishop of	26
other part of the	26
that it was not	26
after the battle of	26
of the civil war	26
in common with the	26
it is necessary that	26
side by side with	26
of the living room	26
at a later period	26
main body of the	26
not only in the	26
it is not possible	26
be said to be	26
the projection of the	26
chapel of the holy	26
here and there a	26
of the xi century	26
the state of the	26
of which is a	26
in the choir of	26
of one of these	26
the early history of	26
of the city and	26
the life of st	26
the result of the	26
it is clear that	26
of the height of	26
in the city of	26
the northern and southern	26
first quarter of the	26
there is no reason	26
of the nave of	26
between the years and	26
on a small scale	25
the first of these	25
was used in the	25
in the second bay	25
for the erection of	25
are found in the	25
shafts of purbeck marble	25
the summit of the	25
the upper portion of	25
on the inner side	25
when the church was	25
are still to be	25
it is not the	25
i do not say	25
beginning of the sixteenth	25
the front part of	25
the sculpture of the	25
a little to the	25
in the nineteenth century	25
the top of it	25
referred to in the	25
for the building of	25
the porta della carta	25
the portion of the	25
and it was not	25
after the fire of	25
so that it is	25
the end of this	25
a matter of fact	25
in the xii century	25
the old and new	25
as is the case	25
in the design of	25
it is not so	25
the transept and the	25
half of the thirteenth	25
general effect of the	25
part of the fourteenth	25
the best and most	25
if the reader will	25
with the arms of	25
one hundred and fifty	25
on the surface of	25
it must not be	25
it is a very	25
about the beginning of	25
one of them is	25
the east window is	25
good example of the	25
is believed to have	25
as a memorial to	25
the choir of st	25
between nave and chancel	25
the hospital of st	25
the glory of the	25
the remainder of the	25
from the designs of	25
so far as it	25
from the history of	25
the inhabitants of the	25
consists of a nave	25
have been corrected without	25
the thrust of the	25
bishop of bath and	25
and many of the	25
in the building of	25
is used as a	25
the spring of the	25
a more or less	25
part of the thirteenth	25
than any of the	25
the department of agricultural	25
by the late mr	25
at the council of	25
on the face of	25
the time of edward	25
of the cathedral at	25
in the face of	25
all parts of the	25
the first quarter of	25
be of the same	25
one and a half	25
of the building and	25
outer wall of the	25
one or two of	25
in the architecture of	25
to the second floor	25
arms of the cross	25
bays of the choir	25
of the xiv century	25
in the lower part	25
such a way that	25
the sill of the	25
eastern side of the	25
the same way as	25
of sir christopher wren	25
the action of the	25
to say nothing of	25
at a cost of	25
the university of cambridge	25
there is nothing to	25
it is thought that	25
in the art of	25
in the rear of	25
feet from the ground	25
as the church of	24
in the last century	24
the doors of the	24
of the same name	24
the consideration of the	24
which seems to have	24
is in memory of	24
of the beauty of	24
up and down the	24
of the original building	24
the last quarter of	24
of the church by	24
the fourteenth and fifteenth	24
in the walls of	24
the richness of the	24
exterior of the church	24
of which there are	24
be said of the	24
the house was built	24
the bishop of lincoln	24
on a larger scale	24
of the old testament	24
of the whole building	24
in the place of	24
which are to be	24
a work of art	24
the early english period	24
scenes from the life	24
in the name of	24
of the main arches	24
a series of small	24
that they should be	24
now used as the	24
in every part of	24
of the temple of	24
hundred and fifty years	24
of the monastic buildings	24
floor plan illustration sidenote	24
the roofs of the	24
in front of it	24
some of which are	24
in any part of	24
the first floor of	24
the presence of a	24
as long as the	24
of the building in	24
of the tower and	24
of the king of	24
the manner of the	24
part of the whole	24
of the holy apostles	24
been corrected without note	24
from the end of	24
he was a man	24
in spite of all	24
as a piece of	24
the management of the	24
the year of the	24
the reader will find	24
the early days of	24
the architect of the	24
the first part of	24
in proportion to its	24
must have been the	24
on the same level	24
at a distance of	24
similar to those of	24
to the period of	24
in the absence of	24
the upper parts of	24
it was built by	24
been placed in the	24
one of the oldest	24
on the left is	24
the following is a	24
by the erection of	24
on the one side	24
the church and the	24
it is better to	24
of the roof is	24
the window in the	24
on the north wall	24
of the fourth century	24
middle of the fifteenth	24
to make way for	24
of the decorated period	24
the south aisle is	24
the church has been	24
the advent of the	24
the first stone of	24
at the cost of	24
it is obvious that	24
there must have been	24
on some of the	23
will be found to	23
tower of the church	23
what is now the	23
which we have to	23
in the district of	23
the proportion of the	23
which is said to	23
so as to make	23
the dimensions of the	23
it may not be	23
notre dame of paris	23
of the main arcade	23
on the edge of	23
the expense of the	23
a man of great	23
will be found that	23
the relics of st	23
is left of the	23
the churches of the	23
the words of the	23
of the roof of	23
the structure of the	23
at the left of	23
each end of the	23
of the west end	23
but this is not	23
from those of the	23
is now in the	23
the coming of the	23
the authority of the	23
it is quite possible	23
he was the first	23
the union of the	23
in the ducal palace	23
the clerestory of the	23
of the building are	23
the point where the	23
the garden of the	23
the south wall is	23
foot and a half	23
may be said that	23
in the windows of	23
the choir from the	23
that it would be	23
the clerestory windows are	23
in which they were	23
was dedicated to st	23
will be remembered that	23
part of the choir	23
it would not be	23
on the west front	23
of the norman church	23
in the fact that	23
may be regarded as	23
in proportion to their	23
in the development of	23
to those who have	23
of the most remarkable	23
was by no means	23
to which they are	23
to the rest of	23
the fact that a	23
on the south wall	23
being one of the	23
by the introduction of	23
effect of the whole	23
of which may be	23
part of the fifteenth	23
on the western side	23
was rebuilt in the	23
of the north choir	23
the gable of the	23
as a means of	23
it will be well	23
at the extremity of	23
may be described as	23
there should be a	23
no part of the	23
on each of the	23
be given to the	23
the carving of the	23
of which is the	23
the expulsion of the	23
the gardens of the	23
by the dean and	23
the fact that they	23
and that in the	23
that the church was	23
parts of the house	23
at the corner of	23
foundation of the monastery	23
is a kind of	23
but it may be	23
i do not think	23
it was found that	23
of the east wall	23
which must have been	23
as a result of	23
of the cathedral and	23
the occasion of the	23
so that it may	23
on the left of	23
order of the garter	23
the walls of this	23
eastern bays of the	23
as if they were	23
entrance to the church	23
eastern portion of the	23
from the beginning of	23
church of notre dame	23
the shadow of the	23
piers of the nave	23
plan of the cathedral	23
upper portion of the	23
to that in the	23
the gift of the	23
beginning of the fourteenth	23
is occupied by the	23
in the upper story	23
with which we have	23
be placed in the	23
the tower of london	23
in most of the	23
the outer walls of	23
below the level of	23
width of the nave	23
of the end of	23
the west window of	22
hot and cold water	22
windows of the nave	22
the different parts of	22
side of the doorway	22
a continuation of the	22
before the high altar	22
more than a century	22
far as i know	22
the king of france	22
of the gothic period	22
fourteenth and fifteenth centuries	22
reign of henry viii	22
there has been a	22
so much of the	22
to the court of	22
to the beginning of	22
of the character of	22
to say that the	22
the form of an	22
oak floors and trim	22
in his history of	22
the time of its	22
the three western bays	22
be out of place	22
the division of the	22
of the erection of	22
in the north of	22
that there should be	22
the side walls of	22
of any of the	22
in his right hand	22
there seems to be	22
the centre of a	22
and on either side	22
it is recorded that	22
with the intention of	22
of the east window	22
windows of the aisles	22
restoration of the cathedral	22
it ought to be	22
and it is probable	22
side of the altar	22
of the most curious	22
of about the same	22
it was designed by	22
in addition to these	22
at the corners of	22
a considerable amount of	22
is not in the	22
is impossible to say	22
arches of the nave	22
is the chapel of	22
was built at the	22
would be difficult to	22
in the civil war	22
the effect of this	22
of that of the	22
is not necessary to	22
right and left of	22
to be used as	22
in the manner of	22
is entered by a	22
north arm of the	22
for the support of	22
portions of the building	22
to be used for	22
upper parts of the	22
for the purposes of	22
on the left hand	22
between them and the	22
the absence of the	22
in different parts of	22
in memory of bishop	22
the most beautiful of	22
of the most striking	22
of the transept and	22
side of the central	22
to be considered as	22
so that they may	22
it can hardly be	22
the north arm of	22
the order of christ	22
may be seen the	22
in the erection of	22
is the only one	22
of william the conqueror	22
a nave and aisles	22
there will be no	22
as late as the	22
throughout the whole of	22
is remarkable for its	22
parish church of st	22
if there be any	22
was used for the	22
master of the rolls	22
in the annals of	22
the same as the	22
was made bishop of	22
was the scene of	22
the outer wall of	22
the growth of the	22
the son of a	22
to the lady chapel	22
for the exhibition of	22
of which they are	22
which may be seen	22
it is composed of	22
a half stories high	22
is given to the	22
has been given to	21
the west front and	21
the death of his	21
the tomb of bishop	21
on the north of	21
are some of the	21
may be seen at	21
the transition from the	21
the walls of a	21
and most of the	21
to the monastery of	21
of the seven lamps	21
before the middle of	21
the western side of	21
is the same as	21
on the south is	21
on oak floors and	21
we have seen that	21
at each end of	21
the only part of	21
so as not to	21
for which it was	21
in the immediate vicinity	21
of the use of	21
prices on oak floors	21
as in the nave	21
the ridge of the	21
sense of the word	21
at the feet of	21
is not possible to	21
have been in the	21
the houses of the	21
front part of the	21
the depth of the	21
side of the door	21
the north and east	21
the meeting of the	21
there are traces of	21
on the exterior of	21
that he was a	21
to the student of	21
be remembered that the	21
last quarter of the	21
side walls of the	21
but it has been	21
the body of st	21
end of the century	21
a description of the	21
during the rule of	21
in the west front	21
time of henry viii	21
the tombs of the	21
is said that the	21
to take the place	21
it is curious that	21
the scene of the	21
at the height of	21
has been said that	21
not appear to have	21
view of the cathedral	21
the question of the	21
in reference to the	21
the west end is	21
was present at the	21
as the parish church	21
a door leads into	21
as it is in	21
which there is a	21
make room for the	21
to those in the	21
a fine specimen of	21
with the history of	21
it does not appear	21
of two or three	21
and the fact that	21
the care of the	21
with the church of	21
between the nave and	21
and it is said	21
that of the other	21
century and a half	21
to the character of	21
the see of canterbury	21
the finest in the	21
the bones of the	21
in the roof of	21
the idea of a	21
by the end of	21
side of the room	21
which it would be	21
at a later date	21
the minds of the	21
the proceedings of the	21
of the first floor	21
about the time of	21
is by far the	21
in such a manner	21
end of the room	21
after the fashion of	21
it is not to	21
the th day of	21
the result of a	21
the same manner as	21
have been surrounded by	21
by reason of the	21
of the main building	21
maple flooring in kitchen	21
the date of this	21
are those of the	21
in the words of	21
of the virgin and	21
a certain degree of	21
john of the studion	21
and in the same	21
in the preparation of	21
a quarter of a	21
abbey church of the	21
at the right of	21
is the case with	21
it is not in	21
well as of the	21
the charm of the	20
of the perpendicular style	20
one of the last	20
he was able to	20
at the point where	20
of the size of	20
a feature of the	20
for it is not	20
to the conclusion that	20
the building of a	20
the bishop of ely	20
had been bishop of	20
of the hot rooms	20
to have been of	20
and this is the	20
which was to be	20
interior of the building	20
west window of the	20
are said to be	20
a large amount of	20
those on the south	20
of the windows are	20
in one or two	20
the figure of christ	20
now known as the	20
is on the south	20
half of the fourteenth	20
part of the structure	20
there is in the	20
is one of those	20
to have been founded	20
in favor of the	20
is said that he	20
entrance to the choir	20
large part of the	20
with which we are	20
coronation of the virgin	20
have been placed in	20
to the effect that	20
cut out of the	20
the valley of the	20
two views of the	20
of the chapel is	20
to the bottom of	20
the stones of the	20
the church is a	20
are not to be	20
by a row of	20
to be the most	20
the benefit of the	20
on each side by	20
as shown in the	20
an imitation of the	20
house in the calle	20
of the original design	20
in the wall of	20
some part of the	20
and that there is	20
of the building as	20
he appears to have	20
side of the building	20
with the addition of	20
of the old work	20
wall of the aisle	20
he was born in	20
is evident that the	20
ground plan of the	20
fabric of the church	20
walk of the cloister	20
with which they are	20
and that it was	20
it was he who	20
it is a good	20
in relation to the	20
of the fall of	20
some distance from the	20
the same number of	20
that they have been	20
on the east and	20
the church of ss	20
the one on the	20
cut off from the	20
side of the north	20
the choice of the	20
a flight of stairs	20
the repair of the	20
of the hall is	20
during the episcopate of	20
became one of the	20
a list of the	20
of which there is	20
the woodwork of the	20
the patron saint of	20
and on each side	20
of the death of	20
the abbey of paisley	20
where there is no	20
there is a great	20
the church by the	20
the court of the	20
have been filled with	20
during the fifteenth century	20
the nave to the	20
the mass of the	20
it belongs to the	20
three quarters of a	20
same height as the	20
he was a great	20
is the result of	20
to the number of	20
are a number of	20
remains of the old	20
to have belonged to	20
fall of the tower	20
as those in the	20
is composed of a	20
part of the country	20
the under side of	20
of the north church	20
of the xv century	20
the best of the	20
the most beautiful in	20
the nave is a	20
to be used in	20
still be seen in	20
and in order to	20
the ground plan of	20
it was necessary to	20
at the other end	20
the enlargement of the	20
to the present time	20
to the requirements of	20
of the houses of	20
in the description of	20
the scuola di san	20
door leading to the	20
of part of the	20
side of the arch	20
first part of the	20
to the north aisle	20
by the aid of	20
the midst of a	20
of this kind of	20
there is nothing in	20
it is now used	20
to add to the	20
the stalls of the	20
in the nave and	20
of the angel choir	20
as per schedule b	20
the death of bishop	20
and it is the	20
from each other by	20
was erected in the	20
the cathedral of the	20
length of the building	20
was known as the	20
of the choir aisles	20
first floor of the	20
it is supposed that	20
western bays of the	20
was one of those	20
the parapet of the	20
when we come to	20
the representation of the	20
this is not the	20
we shall find that	20
to be seen on	20
work of the same	20
for the convenience of	20
character of the work	19
view of the interior	19
the case in the	19
the services of the	19
there is but one	19
by the fall of	19
in the first instance	19
of which i have	19
of the present choir	19
the east wall is	19
in the xiii century	19
of the building itself	19
as well as its	19
is entered from the	19
a hundred and fifty	19
some of the old	19
in those of the	19
was part of the	19
at the farther end	19
a century and a	19
scuola di san rocco	19
is the following inscription	19
on the accession of	19
in the wars of	19
only part of the	19
of the period of	19
the leaves of the	19
end to end of	19
in connexion with the	19
the rest of his	19
been used as a	19
the pointed arch was	19
of the church has	19
the object of the	19
was the gift of	19
one on either side	19
the thirteenth century the	19
the hands of a	19
the first time in	19
each bay of the	19
after the dissolution of	19
as far back as	19
and the work of	19
part of the palace	19
the number of the	19
of the fine arts	19
patio of the casa	19
of the sixth century	19
the water from the	19
it should not be	19
the archbishop of york	19
that of the choir	19
the great council chamber	19
as far as it	19
of the nave the	19
is buried in the	19
those of the other	19
by far the most	19
the purpose of the	19
of the western transept	19
the same as in	19
which is one of	19
of the present church	19
the tower of the	19
is the figure of	19
one bay of the	19
and the church was	19
roof of the choir	19
it is almost impossible	19
one of the greatest	19
on the west of	19
in course of time	19
it will be necessary	19
we know that the	19
has nothing to do	19
the date of its	19
or it may be	19
of the choir were	19
on the same site	19
of the great council	19
be part of the	19
the area of the	19
part of the edifice	19
form of a cross	19
from the church of	19
was occupied by the	19
that it will be	19
in various parts of	19
as opposed to the	19
may have been a	19
to make use of	19
may be seen by	19
the placing of the	19
is later than the	19
in contact with the	19
the oldest part of	19
a window in the	19
but at the same	19
as we see it	19
the features of the	19
the reign of charles	19
end of the aisle	19
but it does not	19
be the work of	19
of the transept was	19
is placed in the	19
character of the building	19
the inner side of	19
of the beginning of	19
to the middle of	19
it seems to be	19
casa de las conchas	19
the side of a	19
of the fifth century	19
is a figure of	19
institute of british architects	19
the dedication of the	19
as if they had	19
the joints of the	19
all the rest of	19
from the nave by	19
due to the fact	19
the fate of the	19
is not so much	19
the monastery of the	19
well as to the	19
the general effect is	19
as belonging to the	19
and was succeeded by	19
there is no record	19
at the request of	19
to have been made	19
of notre dame at	19
the cost of a	19
came to the throne	19
central portion of the	19
streets of the city	19
a tablet to the	19
of the house to	19
all of the same	19
as well as that	19
that it can be	19
so called from the	19
of those who have	19
the soffit of the	19
of the same type	19
part of the eighteenth	19
in the streets of	19
the abacus of the	19
so long as the	18
the records of the	18
not be able to	18
a copy of the	18
as it was in	18
when the house was	18
of the work is	18
the whole effect is	18
the most important of	18
the building has been	18
was placed in the	18
and in some cases	18
the faces of the	18
arches of the triforium	18
the construction of a	18
project gutenberg also has	18
the gate of the	18
in speaking of the	18
windows on each side	18
the arcading of the	18
an important part in	18
the living room the	18
years of his life	18
the buttresses of the	18
the annals of the	18
so many of the	18
the work in the	18
outer walls of the	18
by means of which	18
the finest examples of	18
of the side walls	18
of the convent of	18
in the second place	18
part of the west	18
the quality of the	18
are for the most	18
of the original church	18
interior of the cathedral	18
the feast of the	18
the use of an	18
dean and chapter of	18
the backs of the	18
in the front of	18
a type of the	18
the reconstruction of the	18
the adoption of the	18
it is pleasant to	18
has an html version	18
of the form of	18
little doubt that the	18
gutenberg also has an	18
that the church of	18
the jambs of the	18
of the tenth century	18
close of the thirteenth	18
open to the sky	18
of the cost of	18
in conjunction with the	18
of the date of	18
this monument was erected	18
all that has been	18
the extent of the	18
the eastern portion of	18
have been replaced by	18
may or may not	18
an html version of	18
with the building of	18
it is a large	18
in the account of	18
is the history of	18
borne in mind that	18
the east walk of	18
can be seen from	18
of the society of	18
oldest part of the	18
file which includes the	18
for the repair of	18
and the remains of	18
to the best of	18
for some of the	18
the high altar and	18
the city and the	18
the monks of the	18
of the nave aisles	18
in one of these	18
if they had been	18
it is stated that	18
html version of this	18
used in the construction	18
may be seen on	18
attempt was made to	18
the history of this	18
there should be no	18
north and south of	18
the church is the	18
at the level of	18
in memory of his	18
of the western towers	18
of the north wall	18
the consecration of the	18
used as a vestry	18
from the centre of	18
more than a hundred	18
next to this is	18
at a short distance	18
there is not one	18
the royal institute of	18
set to work to	18
is a representation of	18
the site of an	18
the translation of the	18
of the choir aisle	18
to the effect of	18
of brick and stone	18
by the insertion of	18
it would be well	18
of the first half	18
to the size of	18
the north wall is	18
the centre of each	18
the occupants of the	18
to such an extent	18
is a very beautiful	18
of the walls and	18
to be found at	18
is in the form	18
many of them are	18
of it in the	18
in the outer wall	18
was appointed to the	18
the conversion of the	18
aisles of the choir	18
side of the main	18
the discovery of the	18
which it is built	18
in the plan of	18
the earlier part of	18
all that remains of	18
the monastery of lips	18
the image of a	18
parts of the cathedral	18
at the top and	18
the elevation of the	18
the window of the	18
i am not sure	18
of this file which	18
of a nave and	18
it is made of	18
in the one case	18
one hundred and twenty	18
in the seven lamps	18
also has an html	18
the bridge of sighs	18
of the first story	18
stands on the site	18
the intersection of the	18
to the house of	18
with a series of	18
in the open air	18
have been made in	18
have been made to	18
royal institute of british	18
side of the tower	18
the northern side of	18
or two of the	18
in the south of	18
nothing can be more	18
chapel at the east	18
of the wall of	18
floor of the church	18
of the holy ghost	18
to the date of	18
to have been an	18
part of the present	18
the bays of the	18
the main part of	18
by some of the	18
in the choir and	18
to the consideration of	18
it was built in	18
of the clerestory windows	18
level of the floor	18
his way to the	18
for the display of	18
this file which includes	18
version of this file	18
and surmounted by a	18
to be part of	18
like those in the	18
as seen from the	18
have been used for	18
and some of them	18
the see of york	18
house of jacques coeur	18
of the domestic buildings	18
the eyes of the	18
side of the lady	18
it was decided to	18
window in the south	18
so much for the	18
the time of dom	18
top of the arch	18
as well as those	18
of the head of	18
fabric of the cathedral	18
the shores of the	18
western side of the	18
the following are the	18
top of the wall	18
western portion of the	18
the domestic architecture of	18
and it would be	18
to have been in	17
the tympanum of the	17
from the tomb of	17
the south aisle was	17
about the same date	17
one or other of	17
which have been made	17
will be observed that	17
to return to the	17
eastern wall of the	17
some of them are	17
one of these is	17
a house in the	17
did not live to	17
the north side are	17
there is a central	17
the whole of it	17
there is hardly a	17
entrance to the chapter	17
of the monks of	17
the contrast between the	17
of the man who	17
to be buried in	17
a considerable portion of	17
in the north and	17
on the east wall	17
cupboard and medicine cabinet	17
the lower portion of	17
the prince of wales	17
is thought to have	17
net cost of loan	17
in order to get	17
was destroyed by the	17
from the east end	17