trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
one of the	2453
part of the	2357
of the church	2003
side of the	1627
of the nave	1327
end of the	1294
of the building	1226
to have been	1222
there is a	1198
of the cathedral	1037
as well as	1023
the church of	1022
that of the	961
of the choir	919
of the same	882
and in the	858
on the north	827
some of the	825
of the house	816
on the south	783
it is a	776
of the most	765
the time of	762
the end of	758
it is not	722
is to be	711
there is no	700
it may be	664
the work of	656
in which the	640
of the old	634
the north side	622
and it is	619
those of the	614
on each side	612
the south side	612
of the great	598
it will be	584
in order to	572
in the same	562
of the city	562
it has been	561
the history of	558
in the south	548
the east end	547
on the other	547
wall of the	547
of the north	544
church of st	539
but it is	529
portion of the	527
in the north	519
the use of	516
as in the	512
out of the	511
the top of	507
history of the	497
the same time	495
in the centre	487
is one of	487
at the same	486
of the south	476
of the tower	472
parts of the	469
the middle of	463
the rest of	460
of which the	456
it is the	456
said to have	453
that it is	452
of the first	447
must have been	445
and of the	445
the lady chapel	444
that it was	440
on either side	433
the name of	428
as it is	424
the form of	422
the west front	415
walls of the	412
the walls of	412
the fifteenth century	411
in the church	411
the west end	410
seems to have	408
at the end	407
according to the	403
the fourteenth century	399
the whole of	397
the thirteenth century	395
in the middle	395
the fact that	393
the centre of	392
so as to	392
of the whole	391
middle of the	390
rest of the	388
of the original	385
and on the	380
of the two	378
top of the	376
at the top	373
is said to	370
the cathedral of	370
up to the	362
church of the	361
the memory of	360
at the time	360
are to be	359
of the transept	359
work of the	357
to the north	355
of the present	355
many of the	355
of the work	353
of all the	352
to be found	351
to be seen	350
so that the	350
most of the	350
the south transept	347
windows of the	347
a series of	347
the head of	346
the reign of	345
in the cathedral	343
in the year	342
account of the	341
of the wall	341
in the first	340
known as the	340
front of the	339
is in the	337
to be the	334
north and south	333
as far as	332
the remains of	331
the church was	330
the beginning of	326
it would be	325
the north transept	324
of the west	324
be found in	322
the site of	322
found in the	320
which it is	320
the height of	318
plan of the	317
and that the	313
may have been	313
the south aisle	312
of the palace	311
north side of	309
character of the	309
of the monastery	305
more or less	302
of the early	300
as to the	298
to the memory	298
of the roof	294
to the south	294
that in the	294
at the east	293
view of the	293
and at the	293
at the west	292
to the church	292
height of the	292
the chapel of	291
centre of the	290
by means of	289
south side of	288
of the new	286
sides of the	285
east end of	285
each side of	283
to the east	283
on account of	282
of the central	282
the building of	278
in the nave	277
connected with the	277
may be seen	276
in the choir	275
in front of	274
beginning of the	273
the north aisle	273
church of s	271
a kind of	271
it should be	270
of the arch	269
the body of	269
it was a	267
seen in the	265
of the thirteenth	265
on the west	265
of the holy	265
of which is	264
the north and	263
this is the	263
would have been	263
to the west	263
well as the	262
the other hand	262
the ducal palace	262
the central tower	261
and the other	260
the death of	260
the architecture of	260
the character of	260
used as a	260
of the fourteenth	259
and it was	258
that is to	258
on the east	257
on the right	257
the upper part	257
of the abbey	256
roof of the	256
of the time	255
of the main	255
the tomb of	255
it was not	255
entrance to the	252
of the fifteenth	250
there was a	250
to be a	249
whole of the	246
not to be	245
the sixteenth century	245
time of the	245
of the other	245
but in the	244
the middle ages	244
the interior of	243
of the chancel	242
the side of	242
it was the	241
appears to have	241
use of the	240
of one of	240
and a half	240
which had been	240
half of the	240
the hands of	239
be seen in	238
interior of the	238
of the best	237
it is to	237
of the walls	237
the roof of	237
the nave and	236
and there is	236
it is said	236
of the windows	236
it must be	233
much of the	233
is to say	232
the place of	231
have been the	231
the house of	231
in the early	230
the early english	230
for the most	229
the high altar	228
building of the	228
is of the	227
the church is	227
who died in	227
the twelfth century	226
was one of	226
the date of	226
which has been	225
the erection of	224
so far as	224
from the south	224
the south wall	224
the base of	223
that he was	223
this is a	223
the plan of	222
of the upper	222
in the time	221
i do not	221
portions of the	221
in spite of	220
which may be	219
will be found	219
in the world	219
that there is	219
the case of	219
each of the	219
the seventeenth century	218
the level of	218
level of the	217
architecture of the	217
of the town	217
but there is	217
of the norman	217
the effect of	215
a number of	214
to that of	214
the course of	214
owing to the	213
and to the	213
one of these	212
in the form	212
remains of the	212
the subject of	211
arches of the	211
the arms of	211
than that of	210
the bishop of	210
body of the	210
to which the	210
the most part	209
which is the	208
the style of	208
of the east	208
on the left	208
in the case	207
in the second	207
aisle of the	206
is a very	206
a part of	205
form of the	205
of which are	205
of the chapel	204
the construction of	203
in the upper	202
the position of	202
of the ancient	202
windows in the	202
the eighteenth century	201
the windows of	201
the see of	201
the nature of	200
ought to be	199
between the two	199
as it was	199
at the bottom	199
which have been	199
of the middle	199
head of the	199
he was a	198
the number of	198
site of the	198
buried in the	198
a piece of	198
the choir and	197
which we have	197
and the whole	197
the cost of	196
of the gothic	195
in memory of	195
it is in	195
placed in the	195
the building is	195
of the last	194
face of the	194
either side of	194
the lower part	192
seem to have	192
one or two	192
is that of	192
of the country	192
east of the	191
of the renaissance	191
here and there	190
by no means	190
the beauty of	190
upper part of	189
in the country	189
of the three	189
there are two	189
the back of	188
he died in	188
have been a	188
at this time	187
any of the	187
of the lower	187
there is an	187
in one of	187
of the world	186
of the interior	185
as we have	185
of the period	185
ends of the	185
west end of	184
of the window	184
it is of	184
example of the	184
and all the	184
to make the	183
length of the	183
the close of	183
this part of	182
floor of the	182
used in the	182
of this kind	182
chapel of the	182
on the same	182
the entrance to	182
in the east	181
of the capital	181
corner of the	181
in which it	180
of the see	180
the idea of	180
was to be	180
name of the	179
the exterior of	179
more than a	179
of the twelfth	178
given to the	178
attached to the	178
the most important	178
of the second	178
capitals of the	178
which it was	177
of the roman	176
the purpose of	176
chapel of st	176
it had been	176
of the western	175
when it was	175
window in the	175
on the ground	175
the days of	175
was in the	174
bay of the	174
base of the	174
of the aisles	174
west of the	174
a matter of	174
it is now	174
the capitals of	174
on the th	173
of the king	173
a portion of	173
of the lady	173
the th century	173
effect of the	173
the influence of	173
to the same	172
the figure of	172
the midst of	171
which is a	171
with the exception	171
the city of	171
are of the	170
for the purpose	170
bays of the	170
to the cathedral	169
of the aisle	169
the arrangement of	169
the foundation of	169
in the midst	169
surmounted by a	169
those in the	169
is divided into	168
the life of	168
the north wall	168
at the south	168
in the old	168
that they were	167
in the wall	167
of the sixteenth	167
feature of the	166
the east side	166
for the sake	166
line of the	166
as they are	166
the greater part	166
the part of	166
from the west	166
with that of	166
of the apse	166
was buried in	166
idea of the	165
the appearance of	165
back of the	165
the sides of	165
the sake of	164
of the eastern	164
the presence of	164
the design of	164
lines of the	164
the nave of	164
form of a	163
in the city	163
two of the	162
of the virgin	162
the east window	162
it was in	162
the result of	162
from which the	161
of those who	161
the floor of	161
the east wall	161
in the lower	161
two or three	161
one of them	161
the size of	160
the choir of	160
position of the	160
in the west	160
of the hall	159
belonging to the	159
in addition to	159
there can be	159
is a large	159
window of the	159
the most beautiful	158
the art of	158
as that of	158
that on the	158
from the north	158
buildings of the	158
but it was	157
we have seen	157
in all the	156
at any rate	156
arrangement of the	156
down to the	156
place of the	156
to be of	155
the line of	155
the exception of	155
the monastery of	155
in the following	155
in the reign	155
width of the	154
it does not	154
there is nothing	154
the shape of	153
close of the	153
when it is	153
he had been	152
will be seen	152
of the english	152
at one time	152
they may be	152
a few years	152
built in the	152
leading to the	151
lower part of	151
exterior of the	151
of the principal	151
beauty of the	151
of the four	151
which they are	150
seems to be	150
size of the	150
to the right	150
arms of the	150
the face of	150
in the history	150
on the top	149
is not a	149
the north of	149
on the second	149
the other side	149
the duke of	149
of the royal	149
in the other	149
a row of	149
the ends of	148
on the site	148
in the great	148
the first floor	148
together with the	148
at the back	148
belong to the	147
that of a	147
said to be	147
part of a	147
on which the	147
greater part of	147
the same as	147
of the chapter	147
consists of a	147
south of the	147
features of the	146
that they are	146
of the triforium	146
of the finest	146
the reader will	146
belongs to the	146
members of the	146
there are no	146
in the fourteenth	146
work in the	145
should not be	145
added to the	145
the abbey of	145
close to the	144
fact that the	144
in connection with	144
on one side	144
of the room	144
regard to the	143
the nave is	143
is the most	143
have been made	143
the power of	143
the second floor	143
and from the	143
had to be	143
there was no	142
in the house	142
the addition of	142
the works of	142
at the north	142
of the latter	142
of the cloister	141
it is an	141
and was buried	141
a great deal	141
made in the	141
connection with the	141
of his own	141
in the new	141
in proportion to	141
the fall of	141
for it is	140
is a small	140
the windows are	140
of the arches	140
a man of	140
in such a	140
as may be	140
in which they	140
the present day	140
date of the	139
of the ducal	139
and that of	139
the dean and	139
in the last	139
the spirit of	139
of the bishop	139
to the great	139
style of the	139
be able to	139
to make a	138
a sort of	138
of the minster	138
so that it	138
of the stone	137
the most interesting	137
early in the	137
due to the	137
the same date	137
and for the	137
the front of	137
archbishop of canterbury	137
in the course	137
and there are	137
the house is	136
at right angles	136
the west side	136
the wall of	136
there are many	136
was built by	136
from the east	136
of its own	136
such as the	136
the palace of	135
the choir is	135
divided into two	135
and with the	135
the foundations of	135
to do with	135
of the front	135
the bottom of	134
the introduction of	134
which he had	134
dean and chapter	134
of the architecture	134
occupied by the	134
the restoration of	134
the parish church	134
one of which	133
treatment of the	133
the churches of	133
the lines of	133
of the earlier	133
description of the	133
the ruins of	133
at that time	133
of gothic architecture	133
it is only	133
like that of	132
for the first	132
are in the	132
north of the	132
place in the	132
design of the	132
the th of	132
the names of	132
they are not	132
it to the	131
the length of	131
the right of	131
of the people	131
used for the	131
is a fine	131
the thickness of	130
of the exterior	130
some of them	130
of the transepts	130
nature of the	130
far as the	130
of the cross	130
in the way	130
the first of	130
one side of	130
it to be	129
in the fifteenth	129
and by the	129
examples of the	129
the church and	129
we do not	129
reference to the	129
there is not	129
arch of the	129
in some of	129
was the first	128
of the ground	128
the east of	128
in this country	128
the foot of	128
the south of	128
it is impossible	128
restoration of the	128
of the venetian	128
surface of the	128
of the later	128
those on the	127
for the use	127
appear to have	127
the cathedral was	127
the west of	127
of the eighteenth	126
the choir was	126
the pointed arch	126
the period of	126
it can be	126
and one of	126
shown in the	126
as soon as	126
of the columns	125
angle of the	125
on the contrary	125
as it were	125
of our lord	125
the nave was	125
the way of	125
at the angles	124
to be made	124
on the first	124
by the same	124
but they are	124
the heads of	124
characteristic of the	124
on to the	124
the absence of	123
of such a	123
on the outside	123
as much as	123
about the same	123
of the structure	123
it seems to	123
of a church	123
of the design	123
at the side	122
can be seen	122
of the late	122
is not the	122
to have a	122
is a good	122
of the french	121
foundation of the	121
it was built	121
that there was	120
in the most	120
east and west	120
it is probable	120
of the monks	120
the time when	119
is the only	119
it is one	119
in the present	119
seen from the	119
the nineteenth century	119
access to the	119
to the eye	119
in the latter	119
the work was	118
where it is	118
one of his	118
master of the	118
will not be	118
the study of	118
is said that	118
in the interior	118
hands of the	118
figure of the	117
more than one	117
and the two	117
part in the	117
than in the	117
the united states	117
of the place	117
to the end	117
of the seventeenth	117
of the presbytery	117
be said to	117
there is also	117
to be used	117
details of the	117
the story of	117
on the opposite	117
were to be	117
on the side	116
dedicated to st	116
the west wall	116
from the ground	116
a group of	116
there is the	116
in accordance with	115
the abbey church	115
south aisle of	115
the space between	115
thickness of the	115
by alain dermigny	115
bottom of the	115
the roof is	115
in the building	115
is on the	115
of the diocese	114
the order of	114
it has a	114
member of the	114
of the capitals	114
the tower of	114
the same period	114
in the next	114
included in the	114
they have been	114
of a building	114
to the king	114
photo by alain	114
to the top	114
with which the	114
it is possible	113
was built in	113
it in the	113
to this day	113
in order that	113
with regard to	113
of the buildings	113
the arches of	113
covered with a	113
erection of the	113
to the left	113
the same way	113
even in the	113
it is very	112
in this way	112
the direction of	112
the cathedral church	112
of the temple	112
appearance of the	112
of the day	112
it is well	112
as a rule	112
by which the	112
on the walls	112
and the church	111
to form a	111
of the former	111
construction of the	111
on the subject	111
one hundred and	111
of it is	111
the width of	111
early part of	111
is covered with	111
of the northern	111
with those of	111
architecture of scotland	111
could not be	111
in the tower	111
the living room	110
this is not	110
the walls and	110
of the clerestory	110
a good deal	110
in which he	110
in the thirteenth	110
it is difficult	110
with all the	110
may not be	110
the building was	110
period of the	110
to the present	110
the value of	110
in the chapel	110
of which we	110
which i have	110
may be said	110
the first time	109
in the days	109
the development of	109
in the western	109
left of the	109
the battle of	109
can be no	108
the shrine of	108
might have been	108
ecclesiastical architecture of	108
of some of	108
it is true	108
because it is	108
is not so	108
is difficult to	108
devoted to the	108
figures of the	108
angles of the	108
of the side	108
the early part	107
back to the	107
the capital of	107
is probable that	107
as has been	107
development of the	107
the expression of	107
this was the	107
south wall of	107
the king of	107
foot of the	107
the walls are	107
which can be	107
there should be	106
point of view	106
the manner of	106
at each end	106
one of those	106
side by side	106
to the other	106
nave and aisles	106
supposed to be	106
addition to the	106
the treatment of	106
divided into three	106
piers of the	106
the earl of	106
though it is	105
of the altar	105
the age of	105
formed by the	105
as one of	105
for many years	105
the point of	105
story of the	105
to those of	105
at the foot	105
belonged to the	105
east side of	105
the best of	105
of the dome	105
of a great	105
to those who	104
proportion to the	104
taken from the	104
the details of	104
supposed to have	104
edge of the	104
the eleventh century	104
churches of the	104
of the tomb	103
to which it	103
those who have	103
course of the	103
the opposite side	103
at the beginning	103
as a whole	103
with the same	103
on both sides	103
it would have	103
of notre dame	103
the son of	103
all of the	103
that he had	102
is that the	102
of this church	102
the church in	102
in the rear	102
the monks of	102
the weight of	102
is composed of	102
of this period	102
the destruction of	102
house in the	102
with respect to	102
in the original	102
higher than the	101
not in the	101
up in the	101
the temple of	101
part of it	101
the surface of	100
years of the	100
memory of the	100
of the various	100
many of them	100
they are of	100
and the great	100
the civil war	100
expression of the	100
sir gilbert scott	100
abbey church of	100
by way of	100
than any other	100
because of the	100
the whole building	100
is not to	99
a place of	99
of the greek	99
in his own	99
separated from the	99
at the base	99
but there are	99
have been built	99
of henry viii	99
at the head	99
the outside of	99
of a house	99
one in the	99
south choir aisle	99
in the eastern	99
has been said	98
the holy trinity	98
the clerestory windows	98
in this case	98
the completion of	98
that it may	98
the xiii century	98
son of the	98
there will be	98
and in a	98
that of st	98
only in the	98
the east and	98
the altar of	98
that the whole	98
the tower is	98
of a single	98
north choir aisle	98
than those of	98
the ground floor	98
as to be	98
the buildings of	98
no doubt that	98
of the family	98
next to the	98
the amount of	98
instead of the	98
of the door	98
in many cases	98
little more than	98
of early english	97
and the same	97
we see the	97
the xii century	97
the whole is	97
he was the	97
quarter of the	97
possession of the	97
dedicated to the	97
of the fabric	97
an account of	97
has already been	97
of the chief	97
of which it	96
the general effect	96
to the building	96
later than the	96
who had been	96
where there is	96
given in the	96
the bishops of	96
is the same	96
at the corners	96
so that they	96
that which is	96
space between the	96
of the earth	96
which is not	96
the angles of	96
the arches are	96
away from the	96
it is also	96
is impossible to	96
of the style	95
a pair of	95
is supposed to	95
and that it	95
the house was	95
to the see	95
the grand canal	95
there are some	95
manner in which	95
and this is	95
as those of	95
they do not	95
of which he	95
from that of	94
of the architect	94
in the two	94
the possession of	94
on the whole	94
is of a	94
the heart of	94
a figure of	94
founder of the	94
power of the	94
to face page	94
the forms of	94
of the edifice	94
made up of	94
it may have	94
like those of	94
of the churches	94
hall of the	94
of his life	93
with which it	93
in any other	93
or in the	93
of the sea	93
now in the	93
to take the	93
other parts of	93
exception of the	93
at the sides	93
than the rest	93
the west door	93
way in which	93
the north choir	93
to be in	93
in the hands	93
all that is	93
may be made	92
we have no	92
the monument of	92
they should be	92
similar to that	92
john the baptist	92
open to the	92
was translated to	92
in most cases	92
the west window	92
and may be	92
capital of the	92
at the ends	92
will be noticed	92
which we are	92
that we have	92
one of its	92
about the year	92
representation of the	92
the brochure series	92
there are also	92
of their own	92
to support the	91
in the chapter	91
the cathedral is	91
influence of the	91
north aisle of	91
the tower was	91
more than the	91
which they were	91
style of architecture	91
used as the	91
each of these	91
of the parish	91
the cause of	91
days of the	91
has been made	91
he was buried	91
the church at	91
of the piers	91
are covered with	91
and some of	90
to see the	90
forms of the	90
used by the	90
well as in	90
door of the	90
the archbishop of	90
glass in the	90
tower of the	90
the origin of	90
it is necessary	90
must not be	90
but this is	90
in a very	90
life of the	90
of an old	90
and those of	90
appears to be	90
of the vaulting	90
the relics of	90
fall of the	89
floor approximately ft	89
it from the	89
in the whole	89
at the present	89
cathedral church of	89
the edge of	89
of the kind	89
made use of	89
at all events	89
order of the	89
decoration of the	89
which he was	89
case of the	89
the removal of	89
in the style	89
the founder of	89
in the palace	88
to the general	88
in the central	88
that it has	88
works of the	88
it must have	88
of the art	88
of the italian	88
the figures of	88
of a large	88
compared with the	88
the people of	88
to the whole	88
great deal of	88
there is one	88
and they are	88
is also a	87
to be done	87
may still be	87
attention to the	87
of the sun	87
the hand of	87
led to the	87
the first place	87
of the rest	87
the tower and	87
on the part	87
the mind of	87
in the main	87
arm of the	87
the side walls	87
in consequence of	87
in the seventeenth	87
in the third	86
west front of	86
come to the	86
to the new	86
east wall of	86
now used as	86
be of the	86
of which was	86
that it should	86
seem to be	86
the eastern end	86
that the church	86
in the th	86
of the greatest	86
surrounded by a	86
the rule of	86
of the court	86
to say that	86
is found in	86
i have not	86
was erected by	85
to the ground	85
side of it	85
at the rear	85
church in the	85
if it be	85
in some cases	85
there is little	85
shrine of st	85
that part of	85
about the middle	85
is a monument	85
in the work	85
on the wall	85
palace of the	85
of the nineteenth	85
the diocese of	85
as they were	84
on the exterior	84
large number of	84
some of these	84
are filled with	84
the chapter house	84
the last of	84
of the th	84
at one side	84
and it has	84
subject of the	84
cathedral from the	84
to show that	84
in all its	84
the rear of	84
the right and	84
side of this	84
room for the	84
in favour of	84
tracery of the	84
no less than	84
archbishop of york	84
leads to the	84
of the earliest	84
the seat of	84
be considered as	83
a work of	83
and his wife	83
it consists of	83
outside of the	83
the question of	83
to the house	83
section of the	83
a few of	83
of the octagon	83
of the fourth	83
of the order	83
of a very	83
from the time	83
is at the	83
to have the	83
so long as	83
of the vault	83
of the bishops	83
by the rev	83
the strength of	83
lighted by a	83
the south choir	83
the office of	83
of a new	83
of the more	83
spite of the	83
of the plan	83
a long time	83
intended to be	83
if it were	83
of the third	82
of the entrance	82
and part of	82
as early as	82
to build a	82
and the most	82
that there are	82
of this work	82
of the stalls	82
if it is	82
a member of	82
said that the	82
has not been	82
right and left	82
nave of the	82
that can be	82
of what is	82
the center of	82
of the year	82
of the body	82
of the high	82
that has been	81
the first to	81
when he was	81
for some time	81
and with a	81
the south end	81
the commencement of	81
the abbot of	81
be noticed that	81
of the byzantine	81
of purbeck marble	81
of the shaft	81
they had been	81
that we are	81
knowledge of the	81
to receive the	81
aisles of the	80
of the works	80
from the nave	80
the last century	80
rear of the	80
found to be	80
to be considered	80
placed on the	80
heads of the	80
when they are	80
nave and choir	80
of the doorway	80
of the past	80
on the one	80
west side of	80
would not be	80
by the king	80
and when the	80
the title of	80
on the eastern	80
to the abbey	80
the same year	80
division of the	80
study of the	80
in the shape	80
the expense of	80
william the conqueror	80
the cathedrals of	80
to each other	80
to the old	80
we have to	80
covered by a	80
converted into a	80
by the great	79
the dining room	79
residence of the	79
was a great	79
of the porch	79
early english style	79
an example of	79
the cathedral at	79
the upper story	79
with the rest	79
while in the	79
in regard to	79
should be made	79
on the floor	79
the dignity of	79
to give the	79
mouldings of the	79
as if it	79
be seen that	79
with the most	79
spirit of the	79
there may be	79
from time to	79
of the castle	79
there are three	79
formed part of	79
of the human	79
light and shade	79
not so much	79
time to time	79
which is of	79
feet from the	78
in the roof	78
upper and lower	78
it is quite	78
the tracery of	78
as long as	78
was succeeded by	78
is to the	78
we have the	78
in honour of	78
the place where	78
a mass of	78
took place in	78
north wall of	78
for this purpose	78
the rebuilding of	78
at one end	78
other side of	78
by the name	78
in the neighbourhood	78
the man who	78
the gift of	78
to the nave	78
from the choir	77
the state of	77
door in the	77
one on the	77
still be seen	77
the author of	77
ruins of the	77
the same in	77
the north porch	77
proportions of the	77
in the chora	77
an arcade of	77
have been in	77
vault of the	77
we come to	77
of his age	77
to the first	77
the proportions of	77
the court of	77
from the same	77
weight of the	77
to be built	77
in the chancel	77
first and second	77
at the entrance	77
the manner in	77
and has a	77
good example of	77
in the walls	77
disposition of the	77
it is so	77
of the pillars	77
sir christopher wren	77
in the lady	77
is a curious	77
of them are	76
to show the	76
and the old	76
to the wall	76
year of his	76
the existence of	76
and we have	76
the monastic buildings	76
the first and	76
probable that the	76
the isle of	76
as if the	76
not have been	76
by the late	76
house of the	76
it would seem	76
during the reign	76
tomb of the	76
of light and	76
in all probability	76
a good example	76
the progress of	76
we find the	76
do not know	76
in each of	75
is known as	75
of the general	75
for a time	75
be seen from	75
it will not	75
imitation of the	75
distance from the	75
may be used	75
after his death	75
seems to me	75
a representation of	75
the perpendicular style	75
in place of	75
completion of the	75
cost of the	75
of a small	75
be remembered that	75
tower and spire	75
is shown in	75
the left of	75
the vaulting of	75
is called the	75
and if the	75
vaulting of the	75
the work is	75
to the tower	74
three or four	74
condition of the	74
few of the	74
to give a	74
the main building	74
he did not	74
of the century	74
than the others	74
in this respect	74
from the top	74
to make it	74
the same manner	74
level with the	74
to the time	74
the original norman	74
interest in the	74
this may be	74
and as the	74
preserved in the	74
the case with	74
right angles to	74
the town of	74
in the sixteenth	74
is made of	74
would be a	74
out in the	74
to the throne	73
the architect of	73
associated with the	73
from the first	73
hundred and fifty	73
much the same	73
the chancel arch	73
especially in the	73
the condition of	73
edward the confessor	73
not at all	73
the builders of	73
the lower story	73
value of the	73
of the rooms	73
the words of	73
it as a	73
we have already	72
the method of	72
in the construction	72
the decoration of	72
the university of	72
he was not	72
out of place	72
may be a	72
which will be	72
as high as	72
a band of	72
each of which	72
breadth of the	72
them in the	72
will be the	72
more and more	72
but it has	72
removed from the	72
floor plan illustration	72
came to the	72
number of the	72
and in some	72
was able to	72
applied to the	72
not only the	72
the front door	72
of the large	72
latter part of	72
we shall have	72
destroyed by the	72
except in the	71
the disposition of	71
room in the	71
of the water	71
of the living	71
the mouldings of	71
to the monastery	71
work on the	71
is filled with	71
removal of the	71
slope of the	71
was begun in	71
the difference between	71
of the entire	71
way to the	71
of the lantern	71
to the choir	71
of the one	71
it is evident	71
the arch is	71
in keeping with	71
had not been	71
it and the	71
earlier than the	71
none of the	71
the breadth of	71
the residence of	71
can hardly be	71
we shall find	71
of the saint	71
the glory of	71
of the base	71
or at least	71
inserted in the	71
foundations of the	71
from the church	71
the king and	71
from the old	70
of the foundation	70
had been a	70
built by the	70
in the center	70
of the cloisters	70
of the gable	70
nave and chancel	70
in the northern	70
of a man	70
made by the	70
be seen at	70
off from the	70
in a few	70
the same kind	70
in the later	70
perhaps the most	70
end of this	70
part of this	70
and the upper	70
towards the end	70
the hot rooms	70
are those of	70
we have a	70
for a moment	70
it was at	70
in the front	70
the decorated style	70
of the shafts	70
houses of the	70
the right hand	70
the piers of	70
in the kingdom	70
the latter part	70
center of the	69
be made to	69
seen on the	69
on the spot	69
of the romanesque	69
the western end	69
in the presence	69
the light of	69
it might be	69
in those days	69
derived from the	69
the bases of	69
it is more	69
the council of	69
this kind of	69
is lighted by	69
as is the	69
of the university	69
is a great	69
the builder of	69
is no doubt	69
at a time	69
can be made	69
time when the	69
a state of	69
in the place	69
the cathedral and	69
was erected in	69
in his time	69
right of the	69
to the second	69
feet in diameter	69
he died at	69
the windows in	69
it was found	69
can only be	68
the property of	68
is full of	68
of the square	68
feet above the	68
to the original	68
in its place	68
given by the	68
all of them	68
to the fact	68
to which they	68
be used for	68
similar to the	68
from the fact	68
the second story	68
in the general	68
which it has	68
the feet of	68
on the inside	68
corners of the	68
a large number	68
which was the	68
of the modern	68
instead of being	68
that all the	68
the other two	68
of house no	68
point of the	67
need not be	67
of the highest	67
the attention of	67
the means of	67
is not only	67
divided by a	67
the requirements of	67
means of a	67
a hundred years	67
the system of	67
to a certain	67
in bulletin monumental	67
he is said	67
in the design	67
the first bishop	67
which forms the	67
may be of	67
on this side	67
it cannot be	67
the most remarkable	67
the help of	67
relation to the	67
shafts of the	67
have been used	67
author of the	67
in our own	67
the house and	67
art of the	67
of the history	67
of the christian	67
the reader may	67
with a small	66
in imitation of	66
as regards the	66
and the new	66
the capitals are	66
for a long	66
of which were	66
the importance of	66
has been the	66
the scene of	66
the side aisles	66
was founded by	66
of the floor	66
the benefit of	66
was designed by	66
some of which	66
was born in	66
of the towers	66
is given in	66
early english work	66
are found in	66
the habit of	66
the latter is	66
most of them	66
architect of the	66
of the empire	66
may be found	66
to the height	66
of the outer	66
shown by the	66
from the kitchen	66
which there is	66
his death in	66
the loss of	66
at the right	66
at the western	66
employed in the	66
to be an	66
type of the	66
the kitchen and	66
was buried at	65
of the dead	65
de la france	65
that they have	65
and as a	65
the following year	65
the south porch	65
a short time	65
in the town	65
on the sides	65
a monument to	65
of the national	65
the slope of	65
rebuilding of the	65
and has been	65
of the very	65
all the other	65
and the south	65
difference between the	65
cut in the	65
of the column	65
of the cornice	65
it is that	65
is the best	65
of many of	65
aspect of the	65
windows on the	65
be divided into	65
the day of	65
in the end	65
was at the	65
by one of	65
there has been	65
of this is	65
a view of	65
of the subject	65
names of the	65
of the eleventh	65
the south and	65
and also the	64
with a large	64
doorway in the	64
erected in the	64
examination of the	64
up and down	64
after the death	64
the daughter of	64
into the church	64
to make room	64
the tombs of	64
could not have	64
the new building	64
the same height	64
the city and	64
the same character	64
to do so	64
the reader to	64
that have been	64
cathedral of st	64
the north end	64
reign of henry	64
if they are	64
east to west	64
and to have	64
the law of	64
instance of the	64
to the roof	64
of a few	64
in by the	64
of the book	64
as a memorial	64
within the walls	64
the sense of	64
the mass of	64
also in the	64
outline of the	64
be in the	64
account of its	64
we are not	64
is now the	64
flight of steps	63
the men who	63
has been a	63
in the hall	63
similar to those	63
shape of the	63
is a most	63
we are to	63
it is by	63
of the figures	63
we shall see	63
we know that	63
the present time	63
the following inscription	63
to the city	63
of the site	63
the dissolution of	63
to the last	63
to keep the	63
detail of the	63
of the river	63
not far from	63
the great hall	63
of the larger	63
is due to	63
in which a	63
the home of	63
built by bishop	63
from east to	63
the church to	63
of the bath	63
of the screen	63
the castle of	63
king of the	63
the county of	63
between it and	63
the crown of	63
bishop of london	63
likely to be	63
in point of	63
at the restoration	63
and that he	63
of the arcade	63
and is a	63
the door of	63
show that the	63
in the twelfth	63
of his work	63
the plans of	63
many of these	63
have been added	63
doubt that the	63
not only in	63
is by no	62
which was to	62
sense of the	62
in the side	62
first of the	62
it was probably	62
buildings in the	62
placed in a	62
the wife of	62
the practice of	62
a flight of	62
gate of the	62
as shown in	62
out of a	62
of a series	62
of christ church	62
it was to	62
filled in with	62
with reference to	62
first half of	62
the object of	62
date than the	62
sculpture of the	62
floor joists in	62
will be a	62
the xiv century	62
make room for	62
of the small	62
with a view	62
it with the	62
commencement of the	62
in that of	62
the way in	62
is necessary to	62
the hall of	62
and that in	62
to a great	61
the aid of	61
in he was	61
the support of	61
that the first	61
example of a	61
all over the	61
of the different	61
we are told	61
and in this	61
which in the	61
the bishopric of	61
bishop of winchester	61
should have been	61
the establishment of	61
change in the	61
as i have	61
by a large	61
known to have	61
that they may	61
at a distance	61
is the first	61
at the close	61
that at the	61
may be taken	61
is not in	61
the choice of	61
done in the	61
the nave are	61
by far the	61
of the beautiful	61
through which the	61
they will be	61
the streets of	61
the cathedral from	61
of the older	61
was made in	61
there are several	61
from the main	61
west wall of	61
on the grand	61
rebuilt in the	61
stood in the	60
of the age	60
was on the	60
all of which	60
there is another	60
all the rest	60
was given to	60
in the best	60
direction of the	60
parish church of	60
is worthy of	60
destruction of the	60
there are a	60
a variety of	60
are said to	60
he was translated	60
the arch of	60
in his hand	60
the account of	60
there is in	60
accordance with the	60
add to the	60
doors and windows	60
which is now	60
of the inner	60
of any kind	60
the first half	60
of this building	60
it is no	60
for this reason	60
be used as	60
has been much	60
should be noticed	60
saviour in the	60
every part of	60
to the chapter	60
the houses of	60
be one of	60
were in the	60
the fire of	60
in the abbey	59
of the british	59
as he was	59
and the rest	59
was not the	59
the eastern side	59
at this period	59
of the architectural	59
in it was	59
in the windows	59
years after the	59
the aisles of	59
appear to be	59
the royal society	59
when they were	59
of the close	59
one to the	59
with the church	59
state of the	59
to represent the	59
remains of a	59
is the work	59
they were not	59
of the college	59
the eastern part	59
new york city	59
the execution of	59
to the main	59
strength of the	59
the principle of	59
the most perfect	59
at first sight	59
in the gable	59
to the holy	59
of the southern	59
to the best	59
of the little	59
to mark the	59
those who are	59
of that period	59
and a large	59
the vault of	59
keeping with the	59
that there were	59
the reason that	59
it is always	59
as a matter	59
eastern part of	59
from the floor	59
even to the	59
with which they	59
bishop of lincoln	59
by the monks	59
the city was	59
in the triforium	59
if they were	59
but on the	59
which has a	59
the kind of	58
extremity of the	58
leading into the	58
of these is	58
one or more	58
for the building	58
or of the	58
removed to the	58
the love of	58
this has been	58
bishop of ely	58
where they are	58
but it must	58
views of the	58
of which there	58
with the other	58
and the first	58
there is much	58
first bishop of	58
they can be	58
or to the	58
head of a	58
the minds of	58
of the perpendicular	58
to the very	58
to believe that	58
mind of the	58
that this is	58
placed at the	58
a range of	58
the old norman	58
good deal of	58
of henry vii	58
for the reason	58
of the lord	58
of them is	58
be regarded as	58
the chapel is	58
the growth of	58
in each bay	58
of the seven	58
these are the	58
of each of	58
which would be	58
specimen of the	58
by the side	58
the series of	58
of any other	58
in the earlier	58
of the spire	58
far from the	58
by the pope	58
of the convent	58
of the emperor	58
the banks of	57
opposite side of	57
are the most	57
eastern end of	57
built at the	57
of this type	57
only by the	57
of a column	57
exactly the same	57
of the way	57
an old house	57
was made to	57
of our own	57
death of the	57
the angle of	57
the men of	57
of all that	57
in the plan	57
of the houses	57
the gate of	57
the action of	57
of the fifth	57
of that of	57
the bones of	57
north to south	57
the inside of	57
the most striking	57
the kings of	57
occupied by a	57
the principles of	57
in the manner	57
daughter of the	57
or any other	57
stone of the	57
window on the	57
tells us that	57
it is almost	57
the first story	57
the junction of	57
in a great	57
list of the	57
is formed by	57
and then the	57
bases of the	57
of the state	57
ceiling height first	57
the case in	57
was given by	57
and he was	57
of the apostles	57
was dedicated to	57
is surmounted by	57
they are all	57
height first floor	57
which he has	57
of the xii	57
not seem to	57
into the hands	57
first floor approximately	57
be seen on	56
of the land	56
several of the	56
each of them	56
on one of	56
it is at	56
for general specifications	56
the outer walls	56
to his own	56
be placed in	56
in many of	56
of the existing	56
in the decorated	56
have been erected	56
of the crypt	56
the present cathedral	56
equal to the	56
of the farm	56
of which i	56
the service of	56
them to the	56
the western towers	56
the south church	56
of the duke	56
any part of	56
erected by the	56
and in many	56
to the early	56
a very fine	56
in its present	56
and the nave	56
if it had	56
there must be	56
ought not to	56
at the eastern	56
from north to	56
to meet the	56
diameter of the	56
is seen in	56
to one of	56
a house of	56
which are the	56
to the level	56
the hall is	56
far as possible	56
from the other	56
the representation of	56
fragments of the	56
the view of	56
a memorial of	56
in the perpendicular	56
pillars of the	56
at the point	56
take the place	56
opening into the	56
origin of the	56
had been the	55
on the roof	55
of the abacus	55
noticed that the	55
sergius and bacchus	55
is in a	55
it was only	55
held in the	55
the type of	55
at the reformation	55
as on the	55
last of the	55
stood on the	55
was destroyed by	55
traces of the	55
proportion of the	55
the extent of	55
and the work	55
both of the	55
at a later	55
of no importance	55
the western tower	55
have been removed	55
and the choir	55
than the other	55
consideration of the	55
but if the	55
for the same	55
by the addition	55
made to the	55
the wall is	55
on a large	55
same date as	55
he was born	55
view from the	55
it appears to	55
is supported by	55
should be of	55
to have had	55
record of the	55
the whole church	55
as compared with	55
as if they	55
have been of	55
simplicity of the	55
of the casa	55
apart from the	54
stands on the	54
it has no	54
have been so	54
if there is	54
men of the	54
they are the	54
by the fact	54
has been done	54
may be considered	54
of the garter	54
set in the	54
into which the	54
seat of the	54
only to be	54
end of a	54
the seven lamps	54
of the united	54
the building and	54
him in the	54
great part of	54
the conditions of	54
to the bishop	54
relics of the	54
of the fire	54
well as to	54
the feast of	54
where it was	54
in a house	54
of the province	54
to use the	54
chapel in the	54
time in the	54
the church has	54
and many other	54
in the morning	54
be well to	54
be seen the	54
does not seem	54
is occupied by	54
the left hand	54
is evident that	54
in the more	54
which are of	54
the apse of	54
only a few	54
the central one	54
the accession of	54
the transept is	54
and it will	54
it on the	54
have to be	54
from each other	54
are on the	54
elevation of the	54
of the decorated	54
have been found	54
side of a	54
the depth of	54
with which we	54
that he would	54
was used as	54
made for the	54
to be one	54
specifications ceiling height	54
on the western	54
be used in	54
that this was	54
choir of the	54
the building itself	54
from which it	54
in the selling	54
the designs of	54
high as the	54
the selling price	54
that they should	54
is a little	54
of the pillar	54
it is as	54
in the transept	54
was not a	54
in the text	54
under the direction	54
two rows of	54
the proportion of	54
a parish church	54
in the kitchen	53
to the front	53
and the west	53
among the most	53
in a small	53
with each other	53
he does not	53
the corner of	53
in common with	53
well as a	53
is the tomb	53
year of the	53
was in a	53
against the wall	53
of the long	53
the mouth of	53
illustration of the	53
that it had	53
and the roof	53
was occupied by	53
shape of a	53
a very beautiful	53
from a photograph	53
in the outer	53
feet in length	53
is of course	53
the monastery was	53
the church itself	53
the description of	53
be no doubt	53
of the usual	53
that to the	53
is the case	53
the church by	53
and they were	53
this portion of	53
and the walls	53
return to the	53
the necessity of	53
and dining room	53
east window of	53
the laws of	53
to be placed	53
the making of	53