Bibliographics

This is a table of authors, titles, dates and other bibliographic information; it is a list metadata describing the content of your study carrel. Think of it as your library.

id author title date words sentences pages cache text
work_naabgn6aujg3dd2lsn63lwchji(:Unkn) UnknownThe Girl Gang: Women Writers of the New York City Beat Community2020991556224322.0./cache/work_naabgn6aujg3dd2lsn63lwchji.pdf./txt/work_naabgn6aujg3dd2lsn63lwchji.txt
work_liud7tkplbabjku3d6qh7i4fnmAlan BradshawExiled Music Herself, Pushed to the Edge of Existence: The Experience Of Musicians Who Perform Background Music20051104869821.0./cache/work_liud7tkplbabjku3d6qh7i4fnm.pdf./txt/work_liud7tkplbabjku3d6qh7i4fnm.txt
work_ukxdgneatbhmzin4vjoqgafwhiAndrea VocaturoExploring a Modified Fifths Tuning as a Vehicle for Composition for Jazz Guitar2018448492567260.0./cache/work_ukxdgneatbhmzin4vjoqgafwhi.pdf./txt/work_ukxdgneatbhmzin4vjoqgafwhi.txt
work_45wy3fczjvc5fj53ll2knwbjv4Andrew ScottI See the Fretboard in Diagrams: An Examination of the Improvisatory Style of Herbert Lawrence "Sonny" Greenwich2003693358618.0./cache/work_45wy3fczjvc5fj53ll2knwbjv4.pdf./txt/work_45wy3fczjvc5fj53ll2knwbjv4.txt
work_snruknwrzbaupasn7skiaqlh4iCatherine RussellArchiveology: Walter Benjamin and Archival Film Practices2020865069322.0./cache/work_snruknwrzbaupasn7skiaqlh4i.pdf./txt/work_snruknwrzbaupasn7skiaqlh4i.txt
work_7shefhbpyvf7pabtdlj52nvgaaD. EganAuthentic Ecological Restoration200619711092.0./cache/work_7shefhbpyvf7pabtdlj52nvgaa.pdf./txt/work_7shefhbpyvf7pabtdlj52nvgaa.txt
work_nelbnukmyvcdtefv2mhbqaougaDavid J. HellersteinThe City of the Hospital: On Teaching Medical Students to Write20151197890121.0./cache/work_nelbnukmyvcdtefv2mhbqaouga.pdf./txt/work_nelbnukmyvcdtefv2mhbqaouga.txt
work_xmwqoqkdhvhafjd3iibwtv4hbeDavid SagerRichard M. Sudhalter. Lost Chords: White Musicians and Their Contributions to Jazz, 1915-1945. New York: Oxford University Press, 1999. xxii, 890 pp202039542229.0./cache/work_xmwqoqkdhvhafjd3iibwtv4hbe.pdf./txt/work_xmwqoqkdhvhafjd3iibwtv4hbe.txt
work_hcnsckvh2bfjdp7sjhdkehu5naDerek T. SmithDevelopment and Validation of a Rating Scale for Wind Jazz Improvisation Performance2009928694220.0./cache/work_hcnsckvh2bfjdp7sjhdkehu5na.pdf./txt/work_hcnsckvh2bfjdp7sjhdkehu5na.txt
work_6r5fds5lfbdzfilb4szygi5gyqDiana Maree TolmieMy Life as a Musician: Designing a Vocational Preparation Strand to Create Industry-Prepared Musicians201816893913754492.0./cache/work_6r5fds5lfbdzfilb4szygi5gyq.pdf./txt/work_6r5fds5lfbdzfilb4szygi5gyq.txt
work_qauxvqzy35eszi54ysadvjqyjqElvira BratticoMusical scale properties are automatically processed in the human auditory cortex2006993479613.0./cache/work_qauxvqzy35eszi54ysadvjqyjq.pdf./txt/work_qauxvqzy35eszi54ysadvjqyjq.txt
work_jeaea5yzlnbyvnymnnngmzvjtiEva CeulemansDetecting intra- and inter-categorical structure in semantic concepts using HICLAS201088327139.0./cache/work_jeaea5yzlnbyvnymnnngmzvjti.pdf./txt/work_jeaea5yzlnbyvnymnnngmzvjti.txt
work_4zym37jx4jfhzm2c5o7gcjfgjuFelicia Nafeeza PersaudIn Search of Computer Music Analysis: Music Information Retrieval, Optimization, and Machine Learning from 2000-20162018264662000102.0./cache/work_4zym37jx4jfhzm2c5o7gcjfgju.pdf./txt/work_4zym37jx4jfhzm2c5o7gcjfgju.txt
work_ehzscqefgndlzb4imawdl6krumFrance FledderusI write what I hear : subtitle genre in selected songs by Jane Siberry2002826677635319.0./cache/work_ehzscqefgndlzb4imawdl6krum.pdf./txt/work_ehzscqefgndlzb4imawdl6krum.txt
work_hva5pdphhrbydk3nvicjlouzgaGary L. DavisGary L. Davis, MD: A Conversation with the Editor200314425nan./cache/work_hva5pdphhrbydk3nvicjlouzga.pdf./txt/work_hva5pdphhrbydk3nvicjlouzga.txt
work_7cgwg2vh6fdkdmgm2mqp5ykvjiGraham CaldersmithDesigning a guitar family1995432035815.0./cache/work_7cgwg2vh6fdkdmgm2mqp5ykvji.pdf./txt/work_7cgwg2vh6fdkdmgm2mqp5ykvji.txt
work_b7qrowue6naevdorm5cfvertoiGregory P. ScandalisPhysical modeling of musical instruments on handheld mobile devices20135436107383.0./cache/work_b7qrowue6naevdorm5cfvertoi.pdf./txt/work_b7qrowue6naevdorm5cfvertoi.txt
work_cxoqb4uja5ctrhdxq764cqjxuqHANS WEISETHAUNETIs there such a thing as the ''blue note''?20011067767718.0./cache/work_cxoqb4uja5ctrhdxq764cqjxuq.pdf./txt/work_cxoqb4uja5ctrhdxq764cqjxuq.txt
work_7bbjlq5xyfaglhzelefr2g7ismIan D. DunkleThe Competition Account of Achievement‐Value20191419590829.0./cache/work_7bbjlq5xyfaglhzelefr2g7ism.pdf./txt/work_7bbjlq5xyfaglhzelefr2g7ism.txt
work_cagg2iehrvacpijnsx55uocajeJohn MandelThe Statistical Analysis of Experimental Data1965412432733.0./cache/work_cagg2iehrvacpijnsx55uocaje.pdf./txt/work_cagg2iehrvacpijnsx55uocaje.txt
work_d3f7mu4mfvf27lv2p7esonhttqJohn W. MaxwellTracing the Dynabook : a study of technocultural transformations200613780714764312.0./cache/work_d3f7mu4mfvf27lv2p7esonhttq.pdf./txt/work_d3f7mu4mfvf27lv2p7esonhttq.txt
work_dqbaol2l6nfrlmygths4vqk47mKaren R. LittleBooks Recently Published201011671346323.0./cache/work_dqbaol2l6nfrlmygths4vqk47m.pdf./txt/work_dqbaol2l6nfrlmygths4vqk47m.txt
work_lrrbivovsbbrnpvkf2jtxxpvgiMarc GidalContemporary "Latin American" Composers of Art Music in the United States: Cosmopolitans Navigating Multiculturalism and Universalism201018221139640.0./cache/work_lrrbivovsbbrnpvkf2jtxxpvgi.pdf./txt/work_lrrbivovsbbrnpvkf2jtxxpvgi.txt
work_qjjc6yhjvzevtjxnb7zmhhog2aMarcus DanielJazz Education in India: A Case Study2020313202965107.0./cache/work_qjjc6yhjvzevtjxnb7zmhhog2a.pdf./txt/work_qjjc6yhjvzevtjxnb7zmhhog2a.txt
work_lj4morx7efgh3k6u7fksenrtt4Michael J. PrerauTracking the Sleep Onset Process: An Empirical Model of Behavioral and Physiological Dynamics201441nan./cache/work_lj4morx7efgh3k6u7fksenrtt4.pdf./txt/work_lj4morx7efgh3k6u7fksenrtt4.txt
work_sqtz6bndpff3za5medjcaubcnyMichael TothExplorations in intuition : breaking boundaries and reclaiming voice through A/r/tographic process200718313547084174.0./cache/work_sqtz6bndpff3za5medjcaubcny.pdf./txt/work_sqtz6bndpff3za5medjcaubcny.txt
work_wi5cuuu54nejjhcn7pduan4cgqNanako SatoJuxtaposition20116399922022268.0./cache/work_wi5cuuu54nejjhcn7pduan4cgq.pdf./txt/work_wi5cuuu54nejjhcn7pduan4cgq.txt
work_v6xbsimt7ngf5a53ch3akhhzoyPatricia Joan SouthworthBeyond band : perspectives on the high school jam session2008614774720239.0./cache/work_v6xbsimt7ngf5a53ch3akhhzoy.pdf./txt/work_v6xbsimt7ngf5a53ch3akhhzoy.txt
work_2wjesbfzfnh2ho7fa5l64wnk4ePeter J. AppsChemical signals in terrestrial vertebrates: search for design features20151038206nan./cache/work_2wjesbfzfnh2ho7fa5l64wnk4e.pdf./txt/work_2wjesbfzfnh2ho7fa5l64wnk4e.txt
work_53x2t22auffgxhyvfxvcwrttguRobert Heinze''Men Between'': The Role of Zambian Broadcasters in Decolonisation20141153264432.0./cache/work_53x2t22auffgxhyvfxvcwrttgu.pdf./txt/work_53x2t22auffgxhyvfxvcwrttgu.txt
work_lzcrk6hbjbhdtdgn6megkb77ayRobert MoresAre replicas of Nicolás del Valle''s pear-shaped guitar from 1850 acoustically matching the original? Son las guitarras en forma de pera de Nicolás del Valle replicas acústicas a las originales de 1850?2021605651516.0./cache/work_lzcrk6hbjbhdtdgn6megkb77ay.pdf./txt/work_lzcrk6hbjbhdtdgn6megkb77ay.txt
work_2ip4tri33vfdbfxs5spwnrl2jiSebastian StreichAutomatic Characterization of Music Complexity a multi-faceted approach200524939207782.0./cache/work_2ip4tri33vfdbfxs5spwnrl2ji.pdf./txt/work_2ip4tri33vfdbfxs5spwnrl2ji.txt
work_4wowkjn36rfnrfnsjdqnwgxdeqStephane VaiedelichSome aspects of the research in the Laboratory of the Musée de la Musique, Paris Cité de la musique201931601885.0./cache/work_4wowkjn36rfnrfnsjdqnwgxdeq.pdf./txt/work_4wowkjn36rfnrfnsjdqnwgxdeq.txt
work_jjcsitw7trfdtk4gsf6unluy2uStéphane VaiedelichPerception of old musical instruments2017603940013.0./cache/work_jjcsitw7trfdtk4gsf6unluy2u.pdf./txt/work_jjcsitw7trfdtk4gsf6unluy2u.txt
work_oj3i6sisevakrbeq5alp5zzshaStéphane VaiedelichSOME ASPECTS OF THE RESEARCH IN THE LABORATORY OF THE MUSÉE DE LA MUSIQUE, PARIS CITÉ DE LA MUSIQUE201331631814.0./cache/work_oj3i6sisevakrbeq5alp5zzsha.pdf./txt/work_oj3i6sisevakrbeq5alp5zzsha.txt
work_kfjoci7bjndhbjd2duhx3qx4n4Victor von BrunnObituaries200135961624.0./cache/work_kfjoci7bjndhbjd2duhx3qx4n4.pdf./txt/work_kfjoci7bjndhbjd2duhx3qx4n4.txt
work_5u3r7cajqbbivoevkhhea6ncgyVsevolod EremenkoAutomatic Harmony Analysis Of Jazz Audio Recordings201815403170970.0./cache/work_5u3r7cajqbbivoevkhhea6ncgy.pdf./txt/work_5u3r7cajqbbivoevkhhea6ncgy.txt
work_l6yr6hunf5atnl3tqjan3dvy64Warren BrodskyThe mental representation of music notation: Notational audiation200817506118519.0./cache/work_l6yr6hunf5atnl3tqjan3dvy64.pdf./txt/work_l6yr6hunf5atnl3tqjan3dvy64.txt
work_kjij7pfoonfqzc3h2zbgjvbfpqYongqin XianLearning from limited labeled data - Zero-Shot and Few-Shot Learning2020805978390197.0./cache/work_kjij7pfoonfqzc3h2zbgjvbfpq.pdf./txt/work_kjij7pfoonfqzc3h2zbgjvbfpq.txt
work_rua4bqbs7bagzh3e26qn2rmjeaБернат Ф.Перекладення Класичних Творів Для Оркестру «100 Гітар»: Від Аналізу До Інтерпретації201850394078.0./cache/work_rua4bqbs7bagzh3e26qn2rmjea.pdf./txt/work_rua4bqbs7bagzh3e26qn2rmjea.txt