This is a table of authors, titles, dates and other bibliographic information; it is a list metadata describing the content of your study carrel. Think of it as your library.
id | author | title | date | words | sentences | pages | cache | text |
---|---|---|---|---|---|---|---|---|
work_naabgn6aujg3dd2lsn63lwchji | (:Unkn) Unknown | The Girl Gang: Women Writers of the New York City Beat Community | 2020 | 99155 | 6224 | 322.0 | ./cache/work_naabgn6aujg3dd2lsn63lwchji.pdf | ./txt/work_naabgn6aujg3dd2lsn63lwchji.txt |
work_liud7tkplbabjku3d6qh7i4fnm | Alan Bradshaw | Exiled Music Herself, Pushed to the Edge of Existence: The Experience Of Musicians Who Perform Background Music | 2005 | 11048 | 698 | 21.0 | ./cache/work_liud7tkplbabjku3d6qh7i4fnm.pdf | ./txt/work_liud7tkplbabjku3d6qh7i4fnm.txt |
work_ukxdgneatbhmzin4vjoqgafwhi | Andrea Vocaturo | Exploring a Modified Fifths Tuning as a Vehicle for Composition for Jazz Guitar | 2018 | 44849 | 2567 | 260.0 | ./cache/work_ukxdgneatbhmzin4vjoqgafwhi.pdf | ./txt/work_ukxdgneatbhmzin4vjoqgafwhi.txt |
work_45wy3fczjvc5fj53ll2knwbjv4 | Andrew Scott | I See the Fretboard in Diagrams: An Examination of the Improvisatory Style of Herbert Lawrence "Sonny" Greenwich | 2003 | 6933 | 586 | 18.0 | ./cache/work_45wy3fczjvc5fj53ll2knwbjv4.pdf | ./txt/work_45wy3fczjvc5fj53ll2knwbjv4.txt |
work_snruknwrzbaupasn7skiaqlh4i | Catherine Russell | Archiveology: Walter Benjamin and Archival Film Practices | 2020 | 8650 | 693 | 22.0 | ./cache/work_snruknwrzbaupasn7skiaqlh4i.pdf | ./txt/work_snruknwrzbaupasn7skiaqlh4i.txt |
work_7shefhbpyvf7pabtdlj52nvgaa | D. Egan | Authentic Ecological Restoration | 2006 | 1971 | 109 | 2.0 | ./cache/work_7shefhbpyvf7pabtdlj52nvgaa.pdf | ./txt/work_7shefhbpyvf7pabtdlj52nvgaa.txt |
work_nelbnukmyvcdtefv2mhbqaouga | David J. Hellerstein | The City of the Hospital: On Teaching Medical Students to Write | 2015 | 11978 | 901 | 21.0 | ./cache/work_nelbnukmyvcdtefv2mhbqaouga.pdf | ./txt/work_nelbnukmyvcdtefv2mhbqaouga.txt |
work_xmwqoqkdhvhafjd3iibwtv4hbe | David Sager | Richard M. Sudhalter. Lost Chords: White Musicians and Their Contributions to Jazz, 1915-1945. New York: Oxford University Press, 1999. xxii, 890 pp | 2020 | 3954 | 222 | 9.0 | ./cache/work_xmwqoqkdhvhafjd3iibwtv4hbe.pdf | ./txt/work_xmwqoqkdhvhafjd3iibwtv4hbe.txt |
work_hcnsckvh2bfjdp7sjhdkehu5na | Derek T. Smith | Development and Validation of a Rating Scale for Wind Jazz Improvisation Performance | 2009 | 9286 | 942 | 20.0 | ./cache/work_hcnsckvh2bfjdp7sjhdkehu5na.pdf | ./txt/work_hcnsckvh2bfjdp7sjhdkehu5na.txt |
work_6r5fds5lfbdzfilb4szygi5gyq | Diana Maree Tolmie | My Life as a Musician: Designing a Vocational Preparation Strand to Create Industry-Prepared Musicians | 2018 | 168939 | 13754 | 492.0 | ./cache/work_6r5fds5lfbdzfilb4szygi5gyq.pdf | ./txt/work_6r5fds5lfbdzfilb4szygi5gyq.txt |
work_qauxvqzy35eszi54ysadvjqyjq | Elvira Brattico | Musical scale properties are automatically processed in the human auditory cortex | 2006 | 9934 | 796 | 13.0 | ./cache/work_qauxvqzy35eszi54ysadvjqyjq.pdf | ./txt/work_qauxvqzy35eszi54ysadvjqyjq.txt |
work_jeaea5yzlnbyvnymnnngmzvjti | Eva Ceulemans | Detecting intra- and inter-categorical structure in semantic concepts using HICLAS | 2010 | 8832 | 713 | 9.0 | ./cache/work_jeaea5yzlnbyvnymnnngmzvjti.pdf | ./txt/work_jeaea5yzlnbyvnymnnngmzvjti.txt |
work_4zym37jx4jfhzm2c5o7gcjfgju | Felicia Nafeeza Persaud | In Search of Computer Music Analysis: Music Information Retrieval, Optimization, and Machine Learning from 2000-2016 | 2018 | 26466 | 2000 | 102.0 | ./cache/work_4zym37jx4jfhzm2c5o7gcjfgju.pdf | ./txt/work_4zym37jx4jfhzm2c5o7gcjfgju.txt |
work_ehzscqefgndlzb4imawdl6krum | France Fledderus | I write what I hear : subtitle genre in selected songs by Jane Siberry | 2002 | 82667 | 7635 | 319.0 | ./cache/work_ehzscqefgndlzb4imawdl6krum.pdf | ./txt/work_ehzscqefgndlzb4imawdl6krum.txt |
work_hva5pdphhrbydk3nvicjlouzga | Gary L. Davis | Gary L. Davis, MD: A Conversation with the Editor | 2003 | 144 | 25 | nan | ./cache/work_hva5pdphhrbydk3nvicjlouzga.pdf | ./txt/work_hva5pdphhrbydk3nvicjlouzga.txt |
work_7cgwg2vh6fdkdmgm2mqp5ykvji | Graham Caldersmith | Designing a guitar family | 1995 | 4320 | 358 | 15.0 | ./cache/work_7cgwg2vh6fdkdmgm2mqp5ykvji.pdf | ./txt/work_7cgwg2vh6fdkdmgm2mqp5ykvji.txt |
work_b7qrowue6naevdorm5cfvertoi | Gregory P. Scandalis | Physical modeling of musical instruments on handheld mobile devices | 2013 | 5436 | 1073 | 83.0 | ./cache/work_b7qrowue6naevdorm5cfvertoi.pdf | ./txt/work_b7qrowue6naevdorm5cfvertoi.txt |
work_cxoqb4uja5ctrhdxq764cqjxuq | HANS WEISETHAUNET | Is there such a thing as the ''blue note''? | 2001 | 10677 | 677 | 18.0 | ./cache/work_cxoqb4uja5ctrhdxq764cqjxuq.pdf | ./txt/work_cxoqb4uja5ctrhdxq764cqjxuq.txt |
work_7bbjlq5xyfaglhzelefr2g7ism | Ian D. Dunkle | The Competition Account of Achievement‐Value | 2019 | 14195 | 908 | 29.0 | ./cache/work_7bbjlq5xyfaglhzelefr2g7ism.pdf | ./txt/work_7bbjlq5xyfaglhzelefr2g7ism.txt |
work_cagg2iehrvacpijnsx55uocaje | John Mandel | The Statistical Analysis of Experimental Data | 1965 | 4124 | 327 | 33.0 | ./cache/work_cagg2iehrvacpijnsx55uocaje.pdf | ./txt/work_cagg2iehrvacpijnsx55uocaje.txt |
work_d3f7mu4mfvf27lv2p7esonhttq | John W. Maxwell | Tracing the Dynabook : a study of technocultural transformations | 2006 | 137807 | 14764 | 312.0 | ./cache/work_d3f7mu4mfvf27lv2p7esonhttq.pdf | ./txt/work_d3f7mu4mfvf27lv2p7esonhttq.txt |
work_dqbaol2l6nfrlmygths4vqk47m | Karen R. Little | Books Recently Published | 2010 | 11671 | 3463 | 23.0 | ./cache/work_dqbaol2l6nfrlmygths4vqk47m.pdf | ./txt/work_dqbaol2l6nfrlmygths4vqk47m.txt |
work_lrrbivovsbbrnpvkf2jtxxpvgi | Marc Gidal | Contemporary "Latin American" Composers of Art Music in the United States: Cosmopolitans Navigating Multiculturalism and Universalism | 2010 | 18221 | 1396 | 40.0 | ./cache/work_lrrbivovsbbrnpvkf2jtxxpvgi.pdf | ./txt/work_lrrbivovsbbrnpvkf2jtxxpvgi.txt |
work_qjjc6yhjvzevtjxnb7zmhhog2a | Marcus Daniel | Jazz Education in India: A Case Study | 2020 | 31320 | 2965 | 107.0 | ./cache/work_qjjc6yhjvzevtjxnb7zmhhog2a.pdf | ./txt/work_qjjc6yhjvzevtjxnb7zmhhog2a.txt |
work_lj4morx7efgh3k6u7fksenrtt4 | Michael J. Prerau | Tracking the Sleep Onset Process: An Empirical Model of Behavioral and Physiological Dynamics | 2014 | 4 | 1 | nan | ./cache/work_lj4morx7efgh3k6u7fksenrtt4.pdf | ./txt/work_lj4morx7efgh3k6u7fksenrtt4.txt |
work_sqtz6bndpff3za5medjcaubcny | Michael Toth | Explorations in intuition : breaking boundaries and reclaiming voice through A/r/tographic process | 2007 | 183135 | 47084 | 174.0 | ./cache/work_sqtz6bndpff3za5medjcaubcny.pdf | ./txt/work_sqtz6bndpff3za5medjcaubcny.txt |
work_wi5cuuu54nejjhcn7pduan4cgq | Nanako Sato | Juxtaposition | 2011 | 63999 | 22022 | 268.0 | ./cache/work_wi5cuuu54nejjhcn7pduan4cgq.pdf | ./txt/work_wi5cuuu54nejjhcn7pduan4cgq.txt |
work_v6xbsimt7ngf5a53ch3akhhzoy | Patricia Joan Southworth | Beyond band : perspectives on the high school jam session | 2008 | 61477 | 4720 | 239.0 | ./cache/work_v6xbsimt7ngf5a53ch3akhhzoy.pdf | ./txt/work_v6xbsimt7ngf5a53ch3akhhzoy.txt |
work_2wjesbfzfnh2ho7fa5l64wnk4e | Peter J. Apps | Chemical signals in terrestrial vertebrates: search for design features | 2015 | 1038 | 206 | nan | ./cache/work_2wjesbfzfnh2ho7fa5l64wnk4e.pdf | ./txt/work_2wjesbfzfnh2ho7fa5l64wnk4e.txt |
work_53x2t22auffgxhyvfxvcwrttgu | Robert Heinze | ''Men Between'': The Role of Zambian Broadcasters in Decolonisation | 2014 | 11532 | 644 | 32.0 | ./cache/work_53x2t22auffgxhyvfxvcwrttgu.pdf | ./txt/work_53x2t22auffgxhyvfxvcwrttgu.txt |
work_lzcrk6hbjbhdtdgn6megkb77ay | Robert Mores | Are replicas of Nicolás del Valle''s pear-shaped guitar from 1850 acoustically matching the original? Son las guitarras en forma de pera de Nicolás del Valle replicas acústicas a las originales de 1850? | 2021 | 6056 | 515 | 16.0 | ./cache/work_lzcrk6hbjbhdtdgn6megkb77ay.pdf | ./txt/work_lzcrk6hbjbhdtdgn6megkb77ay.txt |
work_2ip4tri33vfdbfxs5spwnrl2ji | Sebastian Streich | Automatic Characterization of Music Complexity a multi-faceted approach | 2005 | 24939 | 2077 | 82.0 | ./cache/work_2ip4tri33vfdbfxs5spwnrl2ji.pdf | ./txt/work_2ip4tri33vfdbfxs5spwnrl2ji.txt |
work_4wowkjn36rfnrfnsjdqnwgxdeq | Stephane Vaiedelich | Some aspects of the research in the Laboratory of the Musée de la Musique, Paris Cité de la musique | 2019 | 3160 | 188 | 5.0 | ./cache/work_4wowkjn36rfnrfnsjdqnwgxdeq.pdf | ./txt/work_4wowkjn36rfnrfnsjdqnwgxdeq.txt |
work_jjcsitw7trfdtk4gsf6unluy2u | Stéphane Vaiedelich | Perception of old musical instruments | 2017 | 6039 | 400 | 13.0 | ./cache/work_jjcsitw7trfdtk4gsf6unluy2u.pdf | ./txt/work_jjcsitw7trfdtk4gsf6unluy2u.txt |
work_oj3i6sisevakrbeq5alp5zzsha | Stéphane Vaiedelich | SOME ASPECTS OF THE RESEARCH IN THE LABORATORY OF THE MUSÉE DE LA MUSIQUE, PARIS CITÉ DE LA MUSIQUE | 2013 | 3163 | 181 | 4.0 | ./cache/work_oj3i6sisevakrbeq5alp5zzsha.pdf | ./txt/work_oj3i6sisevakrbeq5alp5zzsha.txt |
work_kfjoci7bjndhbjd2duhx3qx4n4 | Victor von Brunn | Obituaries | 2001 | 3596 | 162 | 4.0 | ./cache/work_kfjoci7bjndhbjd2duhx3qx4n4.pdf | ./txt/work_kfjoci7bjndhbjd2duhx3qx4n4.txt |
work_5u3r7cajqbbivoevkhhea6ncgy | Vsevolod Eremenko | Automatic Harmony Analysis Of Jazz Audio Recordings | 2018 | 15403 | 1709 | 70.0 | ./cache/work_5u3r7cajqbbivoevkhhea6ncgy.pdf | ./txt/work_5u3r7cajqbbivoevkhhea6ncgy.txt |
work_l6yr6hunf5atnl3tqjan3dvy64 | Warren Brodsky | The mental representation of music notation: Notational audiation | 2008 | 17506 | 1185 | 19.0 | ./cache/work_l6yr6hunf5atnl3tqjan3dvy64.pdf | ./txt/work_l6yr6hunf5atnl3tqjan3dvy64.txt |
work_kjij7pfoonfqzc3h2zbgjvbfpq | Yongqin Xian | Learning from limited labeled data - Zero-Shot and Few-Shot Learning | 2020 | 80597 | 8390 | 197.0 | ./cache/work_kjij7pfoonfqzc3h2zbgjvbfpq.pdf | ./txt/work_kjij7pfoonfqzc3h2zbgjvbfpq.txt |
work_rua4bqbs7bagzh3e26qn2rmjea | Бернат Ф. | Перекладення Класичних Творів Для Оркестру «100 Гітар»: Від Аналізу До Інтерпретації | 2018 | 5039 | 407 | 8.0 | ./cache/work_rua4bqbs7bagzh3e26qn2rmjea.pdf | ./txt/work_rua4bqbs7bagzh3e26qn2rmjea.txt |