This is a table of authors, titles, dates and other bibliographic information; it is a list metadata describing the content of your study carrel. Think of it as your library.
id | author | title | date | words | sentences | pages | cache | text |
---|---|---|---|---|---|---|---|---|
work_s366qv3rr5fyvptkbwuqob5fsq | (:Unkn) Unknown | When the People are the Context. Putting the "Minor" Picasso-Arias Collection and Its "Major" Context onto the Web | 2015 | 2436 | 511 | 3.0 | ./cache/work_s366qv3rr5fyvptkbwuqob5fsq.pdf | ./txt/work_s366qv3rr5fyvptkbwuqob5fsq.txt |
work_5afqy7hflbg7bodhnnw3zbccem | A Koziczak | THE FORM OF PAINTER''S SIGNATURE AND ITS SUITABILITY FOR THE ASSESSMENT OF THE AUTHENTICITY OF PAINTINGS | 2017 | 3061 | 230 | 8.0 | ./cache/work_5afqy7hflbg7bodhnnw3zbccem.pdf | ./txt/work_5afqy7hflbg7bodhnnw3zbccem.txt |
work_3z72acm7rfejdhsqoszi5krx5i | A. Daniel Yarmey | I recognize your face but I can''t remember your name: Further evidence on the tip-of-the-tongue phenomenon | 1973 | 3184 | 231 | 4.0 | ./cache/work_3z72acm7rfejdhsqoszi5krx5i.pdf | ./txt/work_3z72acm7rfejdhsqoszi5krx5i.txt |
work_blqd4m5ncjb23gij5h6gabx66y | A. R. Marks | Repaving the Road to Biomedical Innovation Through Academia | 2011 | 144 | 28 | nan | ./cache/work_blqd4m5ncjb23gij5h6gabx66y.pdf | ./txt/work_blqd4m5ncjb23gij5h6gabx66y.txt |
work_t4al4kwsgnfthgjbtvrr7a3guq | Adrian Furnham | Personality and art preferences | 1988 | 4167 | 366 | 5.0 | ./cache/work_t4al4kwsgnfthgjbtvrr7a3guq.pdf | ./txt/work_t4al4kwsgnfthgjbtvrr7a3guq.txt |
work_npijvzrmsfg5th53aywfxjr6ti | Adrian-Silvan Ionescu | Vie scientifique | 2011 | 4709 | 739 | 8.0 | ./cache/work_npijvzrmsfg5th53aywfxjr6ti.pdf | ./txt/work_npijvzrmsfg5th53aywfxjr6ti.txt |
work_s7d4uiswozdezpjj73ghuwdogm | Adriana Petra | CULTURA COMUNISTA Y GUERRA FRÍA: LOS INTELECTUALES Y EL MOVIMIENTO POR LA PAZ EN LA ARGENTINA | 2013 | 14045 | 1667 | 32.0 | ./cache/work_s7d4uiswozdezpjj73ghuwdogm.pdf | ./txt/work_s7d4uiswozdezpjj73ghuwdogm.txt |
work_webh63j5gjeadjof62pcfg6syi | Ahmet F SEYMEN | CUMHURİYET DÖNEMİ ŞEHİRCİLİK ÇALIŞMALARI, ALTYAPI VE KENTSEL YAPILAŞMA SORUNLARI | 2018 | 5411 | 998 | 12.0 | ./cache/work_webh63j5gjeadjof62pcfg6syi.pdf | ./txt/work_webh63j5gjeadjof62pcfg6syi.txt |
work_bq4wh2vkuza6jlxtghx5b45sry | Alaattin KARACA | The Second New and Painting | 2010 | 7881 | 1503 | 32.0 | ./cache/work_bq4wh2vkuza6jlxtghx5b45sry.pdf | ./txt/work_bq4wh2vkuza6jlxtghx5b45sry.txt |
work_3p2ettibkvcq3mm5kvl25a6a34 | Alex Forsythe | What paint can tell us: A fractal analysis of neurological changes in seven artists | 2017 | 1167 | 249 | nan | ./cache/work_3p2ettibkvcq3mm5kvl25a6a34.pdf | ./txt/work_3p2ettibkvcq3mm5kvl25a6a34.txt |
work_lbbspmqeqjapdcd6mzk76hgymm | Allison Langley | Scenes from the life of Picasso''s Still Life (1922): history, materials, and conservation | 2020 | 3607 | 281 | 7.0 | ./cache/work_lbbspmqeqjapdcd6mzk76hgymm.pdf | ./txt/work_lbbspmqeqjapdcd6mzk76hgymm.txt |
work_i6322ydparc2bn4u637yhun6qi | Amir Muzur | Bioethics of handedness: from evolution to resolution? | 2009 | 1869 | 208 | 6.0 | ./cache/work_i6322ydparc2bn4u637yhun6qi.pdf | ./txt/work_i6322ydparc2bn4u637yhun6qi.txt |
work_q5i3igzm25hcbkfpunthck2xyy | Ana María Leyra-Soriano | Making images talk: Picasso''s Minotauromachy | 2019 | 6234 | 330 | 12.0 | ./cache/work_q5i3igzm25hcbkfpunthck2xyy.pdf | ./txt/work_q5i3igzm25hcbkfpunthck2xyy.txt |
work_psbukd5xjbbmhje4pnb3tbsbwi | Andreia Guerra | Teoria da relatividade restrita e geral no programa de mecânica do ensino médio: uma possível abordagem | 2007 | 5927 | 937 | 9.0 | ./cache/work_psbukd5xjbbmhje4pnb3tbsbwi.pdf | ./txt/work_psbukd5xjbbmhje4pnb3tbsbwi.txt |
work_4oo2jpu4dncpxn7wbspnukonge | Andrej Vanko | Preparation and Application of Mind Maps in Mathematics Teaching and Analysis of their Advantages in Relation to Classical Teaching Methods | 2018 | 3573 | 421 | 13.0 | ./cache/work_4oo2jpu4dncpxn7wbspnukonge.pdf | ./txt/work_4oo2jpu4dncpxn7wbspnukonge.txt |
work_ofns3rivfjfi3d3drcmemqisga | Andrew S. Chung | The Rationale for Endoscopic Spinal Surgery | 2020 | 1761 | 186 | 4.0 | ./cache/work_ofns3rivfjfi3d3drcmemqisga.pdf | ./txt/work_ofns3rivfjfi3d3drcmemqisga.txt |
work_zokasallzza2dogjika3fj4f3u | Anna Zhukova | Hedonic Pricing on the Fine Art Market | 2020 | 5122 | 734 | 12.0 | ./cache/work_zokasallzza2dogjika3fj4f3u.pdf | ./txt/work_zokasallzza2dogjika3fj4f3u.txt |
work_atq7e2le75evrg5gshtpk5k2ay | Anna-Leena Toivanen | Cartographies of Paris: Everyday mobilities in Michèle Rakotoson''s Elle, au printemps and Alain Mabanckou''s Tais-toi et meurs | 2019 | 11065 | 679 | 39.0 | ./cache/work_atq7e2le75evrg5gshtpk5k2ay.pdf | ./txt/work_atq7e2le75evrg5gshtpk5k2ay.txt |
work_kwrb6ccnd5b2blxdixh3w72ffq | Artur Freitas | A literalidade e os modos do moderno do início do século XX | 2016 | 7603 | 1034 | 17.0 | ./cache/work_kwrb6ccnd5b2blxdixh3w72ffq.pdf | ./txt/work_kwrb6ccnd5b2blxdixh3w72ffq.txt |
work_uq5nrtxyl5cp7a6waxicqn22tm | Arturo Colorado Castellary | Ojo móvil, dinamismo y montaje. El influjo cinematográfico en las primeras vanguardias artísticas | 2016 | 8645 | 1224 | 25.0 | ./cache/work_uq5nrtxyl5cp7a6waxicqn22tm.pdf | ./txt/work_uq5nrtxyl5cp7a6waxicqn22tm.txt |
work_c4m7dj54afentm3f2i2segh5ny | Asier Marzo | A Smart Phone Tool to Create Photo Collages | 2012 | 1835 | 156 | 4.0 | ./cache/work_c4m7dj54afentm3f2i2segh5ny.pdf | ./txt/work_c4m7dj54afentm3f2i2segh5ny.txt |
work_vel3hk57vbc5xcaw76v6vw6ty4 | Atul Goel | Basilar Invagination: Instability Is the Cause and Stabilization Is the Treatment | 2020 | 1260 | 113 | 3.0 | ./cache/work_vel3hk57vbc5xcaw76v6vw6ty4.pdf | ./txt/work_vel3hk57vbc5xcaw76v6vw6ty4.txt |
work_ro6wj5wx6rh2znf32yz74xyoqi | Ayhan ÇETIN | MODERNIST SÜREÇTE TUVAL RESMINE MALZEMEYLE MÜDAHALE | 2017 | 2327 | 320 | 6.0 | ./cache/work_ro6wj5wx6rh2znf32yz74xyoqi.pdf | ./txt/work_ro6wj5wx6rh2znf32yz74xyoqi.txt |
work_ex4ptkv24na4jcda55c37horue | B F Scharschmidt | Nurturing creativity: young Turks and young minds | 1993 | 3813 | 310 | 5.0 | ./cache/work_ex4ptkv24na4jcda55c37horue.pdf | ./txt/work_ex4ptkv24na4jcda55c37horue.txt |
work_ajo2gm5whvdxbjdsbxcq4nwhdy | B. Belke | When a Picasso is a "Picasso": The entry point in the identification of visual art | 2010 | 12325 | 992 | 12.0 | ./cache/work_ajo2gm5whvdxbjdsbxcq4nwhdy.pdf | ./txt/work_ajo2gm5whvdxbjdsbxcq4nwhdy.txt |
work_2rqzebt6erhspbnlqq2qb7g62e | B. L. Hay | Les Demoiselles d''Evanston: on the aesthetics of the Wigmore chart | 2008 | 6412 | 628 | 30.0 | ./cache/work_2rqzebt6erhspbnlqq2qb7g62e.pdf | ./txt/work_2rqzebt6erhspbnlqq2qb7g62e.txt |
work_4xbni7w5cjdppgb4ahdjj25klm | B. Sibbald | CMAJ''s Salon: lateral thinking about health | 2007 | 721 | 76 | 1.0 | ./cache/work_4xbni7w5cjdppgb4ahdjj25klm.pdf | ./txt/work_4xbni7w5cjdppgb4ahdjj25klm.txt |
work_fadihbuombhxtjvbld72dh6szm | Baingio Pinna | Perceptual Organization of Shape, Color, Shade, and Lighting in Visual and Pictorial Objects | 2012 | 11849 | 705 | 25.0 | ./cache/work_fadihbuombhxtjvbld72dh6szm.pdf | ./txt/work_fadihbuombhxtjvbld72dh6szm.txt |
work_pstcw23cdjbcddzev4qk3x7jnu | Banu Yucel | REFLECTIONS OF WASTE MATERIALS IN CONTEMPORARY ART | 2020 | 2957 | 454 | 10.0 | ./cache/work_pstcw23cdjbcddzev4qk3x7jnu.pdf | ./txt/work_pstcw23cdjbcddzev4qk3x7jnu.txt |
work_jl3ufvuuwzacbac4s4k4slx7mi | Barbara A. Tenenbaum | At the Crossroads: Diego Rivera and His Patrons at MoMA, Rockefeller Center, and the Palace of Fine Arts. By Catha Paquette. Austin: University of Texas Press, 2017. 130 photos. Pp. 342. $95.00 cloth; $29.95 paper | 2018 | 1523 | 91 | 3.0 | ./cache/work_jl3ufvuuwzacbac4s4k4slx7mi.pdf | ./txt/work_jl3ufvuuwzacbac4s4k4slx7mi.txt |
work_pgtewhhqxbdrfjm6zvibbvoy2e | Barbara Kiser | Life''s innovations, the enigma of gravity, and how to feed 8 billion: Books in brief | 2019 | 968 | 66 | 1.0 | ./cache/work_pgtewhhqxbdrfjm6zvibbvoy2e.pdf | ./txt/work_pgtewhhqxbdrfjm6zvibbvoy2e.txt |
work_e6bg65k22zgo5apvhvssjow42a | Barrie Damarell | ''Skin'' and Pigment: a glance back at the nature and use of the oil pastel | 2020 | 879 | 62 | 4.0 | ./cache/work_e6bg65k22zgo5apvhvssjow42a.pdf | ./txt/work_e6bg65k22zgo5apvhvssjow42a.txt |
work_2ombz7n2c5d4dffqvm3w57opwy | Başak BOĞDAY SAYĞILI | MODADA KÜBİZM ETKİLERİ | 2018 | 2319 | 443 | 10.0 | ./cache/work_2ombz7n2c5d4dffqvm3w57opwy.pdf | ./txt/work_2ombz7n2c5d4dffqvm3w57opwy.txt |
work_xjfmzh5jnreatf5x53lnzl6s2m | Beregovska Kh. | ICONOGRAPHY AND STYLISTICS IN THE SERIES OF ARTWORKS OF "PASSIONS OF THE CHRIST" BY VASYL KURELEK | 2018 | 4577 | 388 | 5.0 | ./cache/work_xjfmzh5jnreatf5x53lnzl6s2m.pdf | ./txt/work_xjfmzh5jnreatf5x53lnzl6s2m.txt |
work_52eulyy5wnburp7hgvaibu5sfy | Björn Sundmark | Editorial | 2018 | 909 | 69 | 3.0 | ./cache/work_52eulyy5wnburp7hgvaibu5sfy.pdf | ./txt/work_52eulyy5wnburp7hgvaibu5sfy.txt |
work_rqcn5dxc4jdmbj2wgqc7hrc2t4 | Buenaventura DELGADO | Los libros de texto como fuente para la Historia de la Educación | 2010 | 2791 | 337 | 6.0 | ./cache/work_rqcn5dxc4jdmbj2wgqc7hrc2t4.pdf | ./txt/work_rqcn5dxc4jdmbj2wgqc7hrc2t4.txt |
work_ticexmmmjfff5pxtsxdgogthsi | C.B Viner | The Formal Deviant: The Innovative Features of E. E. Cummings''s ''next to of course god america i'' | 2019 | 2734 | 278 | 5.0 | ./cache/work_ticexmmmjfff5pxtsxdgogthsi.pdf | ./txt/work_ticexmmmjfff5pxtsxdgogthsi.txt |
work_6xj45dxwavcbjj3xxyyi2vkmny | Camila Loureiro | Extensão rural e desenvolvimento com sustentabilidade cultural: o Ponto de Cultura no Sertão Pernambucano (Brasil) | 2007 | 5986 | 764 | 9.0 | ./cache/work_6xj45dxwavcbjj3xxyyi2vkmny.pdf | ./txt/work_6xj45dxwavcbjj3xxyyi2vkmny.txt |
work_dpukmp5hp5fgzcjtodasq7fjxm | Camilla Smith | Was Nicht im "Baedeker" Steht | 2018 | 13420 | 1086 | 36.0 | ./cache/work_dpukmp5hp5fgzcjtodasq7fjxm.pdf | ./txt/work_dpukmp5hp5fgzcjtodasq7fjxm.txt |
work_v5ohivjvkrfnzhbocbkpbb7ixy | Camille Paglia | The North American Intellectual Tradition | 2002 | 5399 | 352 | 14.0 | ./cache/work_v5ohivjvkrfnzhbocbkpbb7ixy.pdf | ./txt/work_v5ohivjvkrfnzhbocbkpbb7ixy.txt |
work_uz6luitbwjg53hwcmp537lv4cy | Carl Snyderman | North American Skull Base Society 26th Annual Meeting: Innovation and Creativity in Skull Base Surgery | 2016 | 144 | 25 | nan | ./cache/work_uz6luitbwjg53hwcmp537lv4cy.pdf | ./txt/work_uz6luitbwjg53hwcmp537lv4cy.txt |
work_w7hcambwjrhhfoj7rphjtajpu4 | Carlo Lisotto | O002. Did Picasso and De Chirico really suffer from migraine auras? | 2015 | 666 | 62 | 1.0 | ./cache/work_w7hcambwjrhhfoj7rphjtajpu4.pdf | ./txt/work_w7hcambwjrhhfoj7rphjtajpu4.txt |
work_vmwzwwe3pnhetddg7hlp7325ra | Carlos M González Fischer | Regional and local determinants of rodent assemblages in agroecosystems of the Argentine Pampas | 2017 | 6666 | 607 | 8.0 | ./cache/work_vmwzwwe3pnhetddg7hlp7325ra.pdf | ./txt/work_vmwzwwe3pnhetddg7hlp7325ra.txt |
work_le2gtb6gwffelgdy4qgdcik3em | Carlos Salas González | Sombras amenazantes y personajes-sombra. Del cine a la pintura | 2010 | 4344 | 505 | 9.0 | ./cache/work_le2gtb6gwffelgdy4qgdcik3em.pdf | ./txt/work_le2gtb6gwffelgdy4qgdcik3em.txt |
work_iwopkjv2ubgnrlu3l3ndreqefm | Channing J Paller | Youth has no age: cancer treatment for older Americans | 2010 | 144 | 25 | nan | ./cache/work_iwopkjv2ubgnrlu3l3ndreqefm.pdf | ./txt/work_iwopkjv2ubgnrlu3l3ndreqefm.txt |
work_2f3mobevijdorp5vk6lreipuie | Charlotte Heath-Kelly | Picasso at the Bombsite: Whither Resilient Place? | 2015 | 2553 | 171 | 7.0 | ./cache/work_2f3mobevijdorp5vk6lreipuie.pdf | ./txt/work_2f3mobevijdorp5vk6lreipuie.txt |
work_wzdtbyuk75cnvaacbixfx5tb2y | Chiara Ambrosio | Cubism and the Fourth Dimension | 2016 | 10409 | 610 | 19.0 | ./cache/work_wzdtbyuk75cnvaacbixfx5tb2y.pdf | ./txt/work_wzdtbyuk75cnvaacbixfx5tb2y.txt |
work_idzolz5mkneuzdpmtw2ebkqdcm | Chih-Chang Chang | The Nuances of Occipitocervical Instability and Stenosis in Patients With Basilar Invagination and Atlantoaxial Dislocation | 2019 | 908 | 91 | 2.0 | ./cache/work_idzolz5mkneuzdpmtw2ebkqdcm.pdf | ./txt/work_idzolz5mkneuzdpmtw2ebkqdcm.txt |
work_mfod347e5bbr5kx5qvnxg6j47i | Chris Turney | Radiocarbon revolution: the story of an isotope | 2019 | 1654 | 130 | 2.0 | ./cache/work_mfod347e5bbr5kx5qvnxg6j47i.pdf | ./txt/work_mfod347e5bbr5kx5qvnxg6j47i.txt |
work_ft5wuzvif5brrpx6vltficy2qm | Christiane Hellmanzik | Location matters: Estimating cluster premiums for prominent modern artists | 2010 | 1030 | 224 | nan | ./cache/work_ft5wuzvif5brrpx6vltficy2qm.pdf | ./txt/work_ft5wuzvif5brrpx6vltficy2qm.txt |
work_mthflpex4rfyzbeheb45z6pl3m | Christopher E. Arcadia | Multicomponent molecular memory | 2020 | 7558 | 1002 | 8.0 | ./cache/work_mthflpex4rfyzbeheb45z6pl3m.pdf | ./txt/work_mthflpex4rfyzbeheb45z6pl3m.txt |
work_6deeimjrfve7bpjcc77u45bode | Chua Yan Piaw | Establishing a Brain Styles Test: The YBRAINS Test | 2011 | 5791 | 513 | 9.0 | ./cache/work_6deeimjrfve7bpjcc77u45bode.pdf | ./txt/work_6deeimjrfve7bpjcc77u45bode.txt |
work_4r4bfhb4dngefilqgf2rxvbkym | Chua Yan Piaw | Hindrances to Internal Creative Thinking and Thinking Styles of Malaysian Teacher Trainees in the Specialist Teachers'' Training Institute | 2011 | 3721 | 299 | 6.0 | ./cache/work_4r4bfhb4dngefilqgf2rxvbkym.pdf | ./txt/work_4r4bfhb4dngefilqgf2rxvbkym.txt |
work_7zuvrdfg7vbbtkyhu3lttiqjjq | Chun-Kun Park | Inside-Out and Outside-In Techniques in Endoscopic Spine Surgery: Are These Techniques Efficient Even for Pathology Irrelevant to the Intervertebral Foramen? | 2020 | 1308 | 111 | 3.0 | ./cache/work_7zuvrdfg7vbbtkyhu3lttiqjjq.pdf | ./txt/work_7zuvrdfg7vbbtkyhu3lttiqjjq.txt |
work_tunrihlei5fexe5hczy6dyr7ki | Claudia Muth | Give Me Gestalt! Preference for Cubist Artworks Revealing High Detectability of Objects | 2013 | 2052 | 194 | 2.0 | ./cache/work_tunrihlei5fexe5hczy6dyr7ki.pdf | ./txt/work_tunrihlei5fexe5hczy6dyr7ki.txt |
work_bgonyn4hdveepn7cogumhhxfjq | Clifton O. Dummett | Consumer-Provider Conflict in Health Service Recommendations | 1973 | 144 | 26 | nan | ./cache/work_bgonyn4hdveepn7cogumhhxfjq.pdf | ./txt/work_bgonyn4hdveepn7cogumhhxfjq.txt |
work_mevee444jbcu5j3f4ubuafejsm | Corinne Andersen | I Am Not Who "I" Pretend to Be: The Autobiography of Alice B. Toklas and its Photographic Frontispiece | 2005 | 5808 | 1038 | 13.0 | ./cache/work_mevee444jbcu5j3f4ubuafejsm.pdf | ./txt/work_mevee444jbcu5j3f4ubuafejsm.txt |
work_n5xdku3i3zhkdlw23cm5n7nu4y | Craig Wright | Live Theater and the Limits of Human Freedom | 2011 | 4062 | 196 | 5.0 | ./cache/work_n5xdku3i3zhkdlw23cm5n7nu4y.pdf | ./txt/work_n5xdku3i3zhkdlw23cm5n7nu4y.txt |
work_qstpugqrvzgaxdmw6pvyaqym6m | Cristina Elgue-Martini | American Space and European Theory. Dialogd in Literature and Painting | 2016 | 4052 | 517 | 8.0 | ./cache/work_qstpugqrvzgaxdmw6pvyaqym6m.pdf | ./txt/work_qstpugqrvzgaxdmw6pvyaqym6m.txt |
work_mahyskvdknbsxlvidiy2djjdeu | Cristina Elgue-Martini | Presentación | 2019 | 1624 | 190 | 3.0 | ./cache/work_mahyskvdknbsxlvidiy2djjdeu.pdf | ./txt/work_mahyskvdknbsxlvidiy2djjdeu.txt |
work_qva4px3zbvfelc4ojp7euslttm | Cristina Portalés | When Augmented Reality Met Art: Lessons Learned from Researcher–Artist Interdisciplinary Work | 2018 | 8490 | 638 | 11.0 | ./cache/work_qva4px3zbvfelc4ojp7euslttm.pdf | ./txt/work_qva4px3zbvfelc4ojp7euslttm.txt |
work_b4nytp5k35gqrjthqmywcrrctm | D. W. Zaidel | Braque and Kokoschka: Brain Tissue Injury and Preservation of Artistic Skill | 2017 | 4527 | 444 | 7.0 | ./cache/work_b4nytp5k35gqrjthqmywcrrctm.pdf | ./txt/work_b4nytp5k35gqrjthqmywcrrctm.txt |
work_frs2bdylpfhg5mpm2xkpmwapjy | D.D. Seligmann | Interactive and informative art | 2003 | 3824 | 424 | 7.0 | ./cache/work_frs2bdylpfhg5mpm2xkpmwapjy.pdf | ./txt/work_frs2bdylpfhg5mpm2xkpmwapjy.txt |
work_lmvwnf4ysvdznaywqou6yhu47m | Daniel Leary | Poetic Guard | 2011 | 2902 | 199 | 3.0 | ./cache/work_lmvwnf4ysvdznaywqou6yhu47m.pdf | ./txt/work_lmvwnf4ysvdznaywqou6yhu47m.txt |
work_wkrmox26ezflvcuurc7zx37l5q | Dariush Rahiminia | Nisbet R., Sociology as an art form | 2017 | 1756 | 264 | 3.0 | ./cache/work_wkrmox26ezflvcuurc7zx37l5q.pdf | ./txt/work_wkrmox26ezflvcuurc7zx37l5q.txt |
work_z6m6ionjdfev3d5xnaezqnhkee | David Buti | Picasso''s Acrobat Family in focus: an investigation of materials and techniques of an iconic work in the collection of the Gothenburg Museum of Art | 2020 | 4985 | 465 | 9.0 | ./cache/work_z6m6ionjdfev3d5xnaezqnhkee.pdf | ./txt/work_z6m6ionjdfev3d5xnaezqnhkee.txt |
work_ervfgxspazcm5gzpqcaqhlj7vm | David Chelazzi | Microemulsions, Micelles, and Functional Gels: How Colloids and Soft Matter Preserve Works of Art | 2018 | 10 | 3 | nan | ./cache/work_ervfgxspazcm5gzpqcaqhlj7vm.pdf | ./txt/work_ervfgxspazcm5gzpqcaqhlj7vm.txt |
work_m55vwg7z4zhsnkp4e3socuiut4 | David Gamella González | El acierto de las equivocaciones. Aportaciones de la neurociencia cognitiva al proceso de aprendizaje | 2019 | 5821 | 871 | 14.0 | ./cache/work_m55vwg7z4zhsnkp4e3socuiut4.pdf | ./txt/work_m55vwg7z4zhsnkp4e3socuiut4.txt |
work_esn2t2exvzcyjjc3wwil4pmmqq | David M. Coppola | Introduction to the special issue of the journal of bioenergetics and biomembranes: neural plasticity in developing and adult olfactory pathways | 2019 | 881 | 49 | 2.0 | ./cache/work_esn2t2exvzcyjjc3wwil4pmmqq.pdf | ./txt/work_esn2t2exvzcyjjc3wwil4pmmqq.txt |
work_e3gpzlqr7fhmpav3kao675k2qa | Deborah Rothschild | Picasso''s El Bobo | 2001 | 531 | 128 | nan | ./cache/work_e3gpzlqr7fhmpav3kao675k2qa.pdf | ./txt/work_e3gpzlqr7fhmpav3kao675k2qa.txt |
work_5qksph56ezgxlgkcyck3dpa4ue | Denise Hansen | European creativity and American experience | 2012 | 144 | 25 | nan | ./cache/work_5qksph56ezgxlgkcyck3dpa4ue.pdf | ./txt/work_5qksph56ezgxlgkcyck3dpa4ue.txt |
work_jum53bzee5e4hg6h6rxwidrbvy | Deniz GÖKDUMAN | RESİM SANATINDA 1940-1960 YILLARI ARASINDA SOYUT DIŞAVURUMCU AKIMLAR | 2018 | 8318 | 1410 | 22.0 | ./cache/work_jum53bzee5e4hg6h6rxwidrbvy.pdf | ./txt/work_jum53bzee5e4hg6h6rxwidrbvy.txt |
work_7nyvjiogy5a6xp2jp2zc7snwdm | Derya Can | İlköğretim Ders Kitaplarında Engellilik | 2017 | 5688 | 1203 | 15.0 | ./cache/work_7nyvjiogy5a6xp2jp2zc7snwdm.pdf | ./txt/work_7nyvjiogy5a6xp2jp2zc7snwdm.txt |
work_xqbf4ec6gzgxjperxfth4zz7gi | Dilek Acer | A Study on the Effect of Aesthetic Education on the Development of Aesthetic Judgment of Six-year-old Children | 2007 | 4137 | 421 | 6.0 | ./cache/work_xqbf4ec6gzgxjperxfth4zz7gi.pdf | ./txt/work_xqbf4ec6gzgxjperxfth4zz7gi.txt |
work_fw5hn5vfkjbwfjszhpzvrlh7ry | Djordje Alfirevic | Visual expression in architecture | 2011 | 8450 | 1159 | 13.0 | ./cache/work_fw5hn5vfkjbwfjszhpzvrlh7ry.pdf | ./txt/work_fw5hn5vfkjbwfjszhpzvrlh7ry.txt |
work_6usyt4f6c5cmfa6tctfemo6bwy | Dominique Berthet | Montage and Assemblage: an Aesthetic Shock | 2019 | 4263 | 388 | 12.0 | ./cache/work_6usyt4f6c5cmfa6tctfemo6bwy.pdf | ./txt/work_6usyt4f6c5cmfa6tctfemo6bwy.txt |
work_putqykgvy5betdmg7jwak52hj4 | Dominique de Font-Réaulx | Carlo Ginzburg, Peur, révérence, terreur. Quatre essais d''iconographie politique | 2015 | 693 | 95 | 3.0 | ./cache/work_putqykgvy5betdmg7jwak52hj4.pdf | ./txt/work_putqykgvy5betdmg7jwak52hj4.txt |
work_hk57jvs5mjcx3e6ht26gqlpxlq | Eero Hyvönen | Publishing and Using Cultural Heritage Linked Data on the Semantic Web | 2012 | 13676 | 1771 | 48.0 | ./cache/work_hk57jvs5mjcx3e6ht26gqlpxlq.pdf | ./txt/work_hk57jvs5mjcx3e6ht26gqlpxlq.txt |
work_mbrastzd4raatneejkkyh7oini | Eftychia Stamkou | The art of influence: When and why deviant artists gain impact | 2018 | 25857 | 4062 | 29.0 | ./cache/work_mbrastzd4raatneejkkyh7oini.pdf | ./txt/work_mbrastzd4raatneejkkyh7oini.txt |
work_ehgnuefj2vax5alozv2g62fsbi | Elena GUARDIOLA | «Of the Doctor Who does not Know More than Medicine...» Or the Publication of Nonmedical Articles in Medical Journals | 2016 | 1975 | 341 | 3.0 | ./cache/work_ehgnuefj2vax5alozv2g62fsbi.pdf | ./txt/work_ehgnuefj2vax5alozv2g62fsbi.txt |
work_j5cjhr6jqvfyhpyr5ozh76wq4a | Elio Amilcar Farfan Torrelles | Criteria for Investing in the Market of Visual Arts | 2019 | 7321 | 585 | 10.0 | ./cache/work_j5cjhr6jqvfyhpyr5ozh76wq4a.pdf | ./txt/work_j5cjhr6jqvfyhpyr5ozh76wq4a.txt |
work_2xy4tpegbbc6xmxvx42ixfpqja | Ellen K. Levy | Repetition and the Scientific Model in Art | 1996 | 3195 | 229 | 9.0 | ./cache/work_2xy4tpegbbc6xmxvx42ixfpqja.pdf | ./txt/work_2xy4tpegbbc6xmxvx42ixfpqja.txt |
work_raqr2dgvyfeb7hnp6pn6tkek7u | Emeline Pouyet | New insights into Pablo Picasso''s La Miséreuse accroupie (Barcelona, 1902) using X-ray fluorescence imaging and reflectance spectroscopies combined with micro-analyses of samples | 2020 | 3769 | 293 | 6.0 | ./cache/work_raqr2dgvyfeb7hnp6pn6tkek7u.pdf | ./txt/work_raqr2dgvyfeb7hnp6pn6tkek7u.txt |
work_4vghkspkyjg73ei2l35dzsylqm | Emil Vlajic | Physicians in the eyes of artists | 2015 | 3762 | 760 | 9.0 | ./cache/work_4vghkspkyjg73ei2l35dzsylqm.pdf | ./txt/work_4vghkspkyjg73ei2l35dzsylqm.txt |
work_pkug7h2nyjdk5mlfhzrbmt4qyy | Emöke Simon | Colloque « Gertrude Stein et les Arts » | 2012 | 2270 | 378 | 6.0 | ./cache/work_pkug7h2nyjdk5mlfhzrbmt4qyy.pdf | ./txt/work_pkug7h2nyjdk5mlfhzrbmt4qyy.txt |
work_txnapspsjne5ffda4xohgvfeqi | Enrique Mallen | Adjoined Conceptual Domains in the Bilingual Poetry of Pablo Picasso | 2019 | 7234 | 657 | 24.0 | ./cache/work_txnapspsjne5ffda4xohgvfeqi.pdf | ./txt/work_txnapspsjne5ffda4xohgvfeqi.txt |
work_o6pvmd3rfveitkpkmngtbtprqm | Enrique Mallen | Reaching for Success: Picasso''s Rise in the Market (The First Two Decades) | 2017 | 14431 | 1198 | 21.0 | ./cache/work_o6pvmd3rfveitkpkmngtbtprqm.pdf | ./txt/work_o6pvmd3rfveitkpkmngtbtprqm.txt |
work_2unzkseei5efxg3szt3h6asvl4 | Enrique Robertson | Picasso y Neruda: Hechos y conjeturas en torno a una amistad | 2004 | 7166 | 1020 | 25.0 | ./cache/work_2unzkseei5efxg3szt3h6asvl4.pdf | ./txt/work_2unzkseei5efxg3szt3h6asvl4.txt |
work_oeovey4y7zbtfhtvvmpdl2nice | Enrique Solanich Sotomayor | Escultura pública y la cúpula de la Basílica de Lourdes de Santiago | 2006 | 2504 | 335 | 12.0 | ./cache/work_oeovey4y7zbtfhtvvmpdl2nice.pdf | ./txt/work_oeovey4y7zbtfhtvvmpdl2nice.txt |
work_asbekyygujcsbflm6xjclgg5qi | Ernesto Paya G | La consagración de la primavera y el nacimiento de la música contemporánea europea | 2009 | 608 | 90 | 1.0 | ./cache/work_asbekyygujcsbflm6xjclgg5qi.pdf | ./txt/work_asbekyygujcsbflm6xjclgg5qi.txt |
work_dahsj7f3qreqpf4wxbhqcgjpbe | Ernesto Payá | La pintura histórica | 2013 | 451 | 69 | 1.0 | ./cache/work_dahsj7f3qreqpf4wxbhqcgjpbe.pdf | ./txt/work_dahsj7f3qreqpf4wxbhqcgjpbe.txt |
work_zksgqxtqoffpjoe736e7lerjd4 | Esranur Kılınç | İNÖNÜ ÜNİVERSİTESİ SOSYAL BİLİMLERİ ENSTİTÜSÜ ÖZNE-NESNE İLİŞKİSİ BAĞLAMINDA PSİKODİNAMİK YAKLAŞIMLARIN İMGELEM YOLUYLA GERÇEKÜSTÜ RESİMSEL ANLAMLANDIRMALARI | 2019 | 35316 | 5639 | 169.0 | ./cache/work_zksgqxtqoffpjoe736e7lerjd4.pdf | ./txt/work_zksgqxtqoffpjoe736e7lerjd4.txt |
work_cdmwfeoywbentpsugpvzujatxe | Eugenio Barba | The Deep Order Called Turbulence The Three Faces of Dramaturgy | 2000 | 4516 | 253 | 11.0 | ./cache/work_cdmwfeoywbentpsugpvzujatxe.pdf | ./txt/work_cdmwfeoywbentpsugpvzujatxe.txt |
work_3a6yujs4djeibplbkwlxln3b7y | Fabio Galimberti | La vergogna della creazione | 2017 | 3456 | 500 | 6.0 | ./cache/work_3a6yujs4djeibplbkwlxln3b7y.pdf | ./txt/work_3a6yujs4djeibplbkwlxln3b7y.txt |
work_ybexhetugnf7rixjgb6z3dqmpq | Fahrettin GEÇEN | G%c3%9cZEL%20SANATLAR%20L%c4%b0SES%c4%b0%20%c3%96%c4%9eRENC%c4%b0LER%c4%b0%20%c4%b0LE%20ANADOLU%20L%c4%b0SES%c4%b0%20SON%20SINIF%20%c3%96%c4%9eRENC%c4%b0LER%c4%b0N%c4%b0N%20%c3%87A%c4%9eDA%c5%9e%20SANAT''A%20VE%20K%c4%b0TSCH%20%c3%87ALI%c5%9eMALARA%20BAKI%c5%9e%20A%c3%87ILARINDAK%c4%b0%20FARK | 2018 | 5834 | 910 | 17.0 | ./cache/work_ybexhetugnf7rixjgb6z3dqmpq.pdf | ./txt/work_ybexhetugnf7rixjgb6z3dqmpq.txt |
work_plm7kkgxvrbb3c4bdl3r5yobvm | Fahrettin GEÇEN | PABLO PICASSO''NUN SERAMİK ÇALIŞMALARINDA FİGÜR İMGELERİNİ ELE ALIŞ ŞEKLİ ve RESİ | 2019 | 3572 | 495 | 12.0 | ./cache/work_plm7kkgxvrbb3c4bdl3r5yobvm.pdf | ./txt/work_plm7kkgxvrbb3c4bdl3r5yobvm.txt |
work_zot3xkc5xbdl5nz2tctrzagh2u | Faye McCleery | Review of e-GP | 2009 | 606 | 53 | 1.0 | ./cache/work_zot3xkc5xbdl5nz2tctrzagh2u.pdf | ./txt/work_zot3xkc5xbdl5nz2tctrzagh2u.txt |
work_afvq3evub5di5amme7aycjh3je | Federico Fallavollita | La prospettiva. Una questione di punti di vista | 2018 | 5265 | 333 | 12.0 | ./cache/work_afvq3evub5di5amme7aycjh3je.pdf | ./txt/work_afvq3evub5di5amme7aycjh3je.txt |
work_vf2d3tobpza27pvprrqa6cvzwy | Ferhat KORKMAZ | The Eye Imagınary in the Poems of Edip Cansever | 2012 | 4475 | 773 | 13.0 | ./cache/work_vf2d3tobpza27pvprrqa6cvzwy.pdf | ./txt/work_vf2d3tobpza27pvprrqa6cvzwy.txt |
work_fmly3h4b5zf7xh2ik6p6tcyzcq | Fidan TONZA HELVACIKARA | AN INTERDISCIPLINARY APPROACH IN ART: CERAMICS AND ANIMATION | 2019 | 5194 | 671 | 15.0 | ./cache/work_fmly3h4b5zf7xh2ik6p6tcyzcq.pdf | ./txt/work_fmly3h4b5zf7xh2ik6p6tcyzcq.txt |
work_5witzl4u4reflgbcgze3py2ika | Florencia María Martini | Susana y los viejos en la pintura barroca y su resignificación desde una perspectiva de género en las expresiones artísticas de los siglos XX y XXI | 2019 | 4534 | 561 | 8.0 | ./cache/work_5witzl4u4reflgbcgze3py2ika.pdf | ./txt/work_5witzl4u4reflgbcgze3py2ika.txt |
work_6zmwsbf2ofgqzj4o3nh3gp6vce | Frances Buchanan | Distributed aggregation of heterogeneous Web-based Fine Art Information: enabling multi-source accessibility and curation | 2015 | 11171 | 749 | 17.0 | ./cache/work_6zmwsbf2ofgqzj4o3nh3gp6vce.pdf | ./txt/work_6zmwsbf2ofgqzj4o3nh3gp6vce.txt |
work_i7i4jsienzdctn4kuemqhvmccu | Francesco Cervellini | Art Is Thinking in Images | 2017 | 2999 | 216 | 7.0 | ./cache/work_i7i4jsienzdctn4kuemqhvmccu.pdf | ./txt/work_i7i4jsienzdctn4kuemqhvmccu.txt |
work_ktpw4hxc2bgeblqj5a6q5iihsi | Francisco Carlos Nather | Subjective time perception is affected by different durations of exposure to abstract paintings that represent human movement | 2014 | 10458 | 765 | 12.0 | ./cache/work_ktpw4hxc2bgeblqj5a6q5iihsi.pdf | ./txt/work_ktpw4hxc2bgeblqj5a6q5iihsi.txt |
work_onmcr3t7nba7hcsprrje7rc3n4 | Franz J. Monks | CREATIVITY: IDIOGRAPHIC VERSUS NOMOTHETIC APPROACH | 1995 | 3531 | 498 | 12.0 | ./cache/work_onmcr3t7nba7hcsprrje7rc3n4.pdf | ./txt/work_onmcr3t7nba7hcsprrje7rc3n4.txt |
work_yhxp7da7bfho7jij23vg5bwfdq | Frederic Fol Leymarie | Medialness and the Perception of Visual Art | 2017 | 19975 | 1512 | 64.0 | ./cache/work_yhxp7da7bfho7jij23vg5bwfdq.pdf | ./txt/work_yhxp7da7bfho7jij23vg5bwfdq.txt |
work_wwsszpocyfgjbhggml6i67pt4y | Frédéric Jimeno | Exhibition reviews | 2020 | 4589 | 512 | 6.0 | ./cache/work_wwsszpocyfgjbhggml6i67pt4y.pdf | ./txt/work_wwsszpocyfgjbhggml6i67pt4y.txt |
work_xpybsq6fgfg7vp2cnypcan2zw4 | G.-Fivos Sargentis | Aesthetical Issues of Leonardo Da Vinci''s and Pablo Picasso''s Paintings with Stochastic Evaluation | 2020 | 10475 | 1380 | 23.0 | ./cache/work_xpybsq6fgfg7vp2cnypcan2zw4.pdf | ./txt/work_xpybsq6fgfg7vp2cnypcan2zw4.txt |
work_bewbmanmg5exlod3rtc3ecmohq | G.-Fivos Sargentis | Stochastic Evaluation of Landscapes Transformed by Renewable Energy Installations and Civil Works | 2019 | 8664 | 924 | 13.0 | ./cache/work_bewbmanmg5exlod3rtc3ecmohq.pdf | ./txt/work_bewbmanmg5exlod3rtc3ecmohq.txt |
work_nytbtr3rtjbnxlzwcrzj7mzcse | G.I. | A la Recherche du Temps Perdu | 1976 | 5609 | 1375 | 10.0 | ./cache/work_nytbtr3rtjbnxlzwcrzj7mzcse.pdf | ./txt/work_nytbtr3rtjbnxlzwcrzj7mzcse.txt |
work_f2vnr4iplva3zihzjrrgavei4a | Geon-Ho Bahn | ADHD, New Developed or Newly Found : Historical Review | 2011 | 4391 | 1072 | 10.0 | ./cache/work_f2vnr4iplva3zihzjrrgavei4a.pdf | ./txt/work_f2vnr4iplva3zihzjrrgavei4a.txt |
work_vx2jxvfm5reghib3pydctzoqfq | George E. Newman | Kinds of Authenticity | 2016 | 820 | 185 | nan | ./cache/work_vx2jxvfm5reghib3pydctzoqfq.pdf | ./txt/work_vx2jxvfm5reghib3pydctzoqfq.txt |
work_gfkqjgisvzavfhm46wm4an4feq | George John | Volatility and fluctuations in preferences for Red, Yellow and Blue colours are indicators of personality traits and biological status | 2019 | 4437 | 515 | 5.0 | ./cache/work_gfkqjgisvzavfhm46wm4an4feq.pdf | ./txt/work_gfkqjgisvzavfhm46wm4an4feq.txt |
work_7hwd3gqirzbu5n2pvk7maimsve | Gerald Keaney | A New Avant-Garde? | 2011 | 5072 | 729 | 10.0 | ./cache/work_7hwd3gqirzbu5n2pvk7maimsve.pdf | ./txt/work_7hwd3gqirzbu5n2pvk7maimsve.txt |
work_yk37cduk4fexpneedscyp5bh2i | Gregorio Vicente Nicolás | Comunicar en Danza | 2020 | 1090 | 161 | 4.0 | ./cache/work_yk37cduk4fexpneedscyp5bh2i.pdf | ./txt/work_yk37cduk4fexpneedscyp5bh2i.txt |
work_7o5vcdq4frblpbcmzvgvtuh5nq | Gul ERBAY ASLITURK | 20. YÜZYIL RESİM VE HEYKELLERİNİN YUNAN MİTOLOJİSİ VE İKİCİLİK KAVRAMI AÇISINDAN DEĞERLENDİRİLMESİNE YÖNELİK BİR ARAŞTIRMA | 2016 | 7787 | 1362 | 36.0 | ./cache/work_7o5vcdq4frblpbcmzvgvtuh5nq.pdf | ./txt/work_7o5vcdq4frblpbcmzvgvtuh5nq.txt |
work_kirjr3gvlvctddfxgljqnuabaa | Gurkan Topaloglu | Teaching/Learning Strategies Through Art: Theatre and Basic Design Education | 2015 | 2874 | 243 | 7.0 | ./cache/work_kirjr3gvlvctddfxgljqnuabaa.pdf | ./txt/work_kirjr3gvlvctddfxgljqnuabaa.txt |
work_fkvz7epx5ja2ldt7i3izxt7bh4 | Guus Schreiber | Semantic Annotation and Search of Cultural-Heritage Collections: The Multimedian E-Culture Demonstrator | 2008 | 5634 | 516 | 7.0 | ./cache/work_fkvz7epx5ja2ldt7i3izxt7bh4.pdf | ./txt/work_fkvz7epx5ja2ldt7i3izxt7bh4.txt |
work_cejwynuejrck7ewoii7hr5u3fq | Guus Schreiber | Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture demonstrator | 2008 | 5634 | 516 | 7.0 | ./cache/work_cejwynuejrck7ewoii7hr5u3fq.pdf | ./txt/work_cejwynuejrck7ewoii7hr5u3fq.txt |
work_6rn6kpxr7rexpjaebjvzy3srjq | György Darvas | Perspective as a Symmetry Transformation | 2003 | 4852 | 462 | 13.0 | ./cache/work_6rn6kpxr7rexpjaebjvzy3srjq.pdf | ./txt/work_6rn6kpxr7rexpjaebjvzy3srjq.txt |
work_pgbyrtel4fbubhglbnokwwoxbm | GÜLDEREN GÖRENEK | MODERN SANAT | 2020 | 4998 | 845 | 13.0 | ./cache/work_pgbyrtel4fbubhglbnokwwoxbm.pdf | ./txt/work_pgbyrtel4fbubhglbnokwwoxbm.txt |
work_d7r5hqxejbfzxgrzluzmapzqve | Gökçen Şahmaran CAN | GÖRSEL SANATLARDA AVANGARD VE KİÇ OLGUSU | 2017 | 4100 | 595 | 12.0 | ./cache/work_d7r5hqxejbfzxgrzluzmapzqve.pdf | ./txt/work_d7r5hqxejbfzxgrzluzmapzqve.txt |
work_3evkrwvmenazrkl6fa2zlhoecm | Gökçen Şahmaran CAN | ŞİDDET VE SANATSAL YARATI | 2018 | 4061 | 637 | 12.0 | ./cache/work_3evkrwvmenazrkl6fa2zlhoecm.pdf | ./txt/work_3evkrwvmenazrkl6fa2zlhoecm.txt |
work_mx3ruyzhjbfjdlmnht3u3gdurm | Gülser AKTAN | DADA VE POP SANAT ARASINDAKİ TEKNİK VE FELSEFİ İLİŞKİ | 2018 | 3541 | 544 | 10.0 | ./cache/work_mx3ruyzhjbfjdlmnht3u3gdurm.pdf | ./txt/work_mx3ruyzhjbfjdlmnht3u3gdurm.txt |
work_xzjcutuotnerdklf4h3cmbhrau | HAROLD VALENCIA LÓPEZ | LA POLÍTICA Y LA DEMOCRACIA COMO CREACIONES IMAGINARIAS: DE LOS GRIEGOS A NOSOTROS | 2016 | 4638 | 613 | 12.0 | ./cache/work_xzjcutuotnerdklf4h3cmbhrau.pdf | ./txt/work_xzjcutuotnerdklf4h3cmbhrau.txt |
work_alm4rbnm3nbl5btsezm7k36qmi | Ha-Yub Song | New Museum for New Forms of Art - Focused on "Museum without Walls", and the relationship between art and architecture - | 2011 | 5702 | 454 | 7.0 | ./cache/work_alm4rbnm3nbl5btsezm7k36qmi.pdf | ./txt/work_alm4rbnm3nbl5btsezm7k36qmi.txt |
work_mhks7theu5ejbjtf7ybjmrdwmy | Hanneri Borstlap | From crayons to canvas: the enlightenment of children at an arts festival | 2019 | 6691 | 590 | 12.0 | ./cache/work_mhks7theu5ejbjtf7ybjmrdwmy.pdf | ./txt/work_mhks7theu5ejbjtf7ybjmrdwmy.txt |
work_ws6tnlupwfdfxlxpjpypsgpc5i | Hanns Stein | Immer auch ein politischer Impuls | 2019 | 4812 | 652 | 6.0 | ./cache/work_ws6tnlupwfdfxlxpjpypsgpc5i.pdf | ./txt/work_ws6tnlupwfdfxlxpjpypsgpc5i.txt |
work_7qkrrpxgdfevncbo2wkxsowiau | Hasan SUNGUR | ORTAÖĞRETİM ÖĞRENCİLERİNİN MİLLİYETÇİLİK VE KAHRAMANLIK ALGILARININ CİNSİYETE VE OKUL TÜRÜNE BAĞLI DEĞİŞİMİNİN SOSYOLOJİK ANALİZİ | 2013 | 6234 | 1150 | 27.0 | ./cache/work_7qkrrpxgdfevncbo2wkxsowiau.pdf | ./txt/work_7qkrrpxgdfevncbo2wkxsowiau.txt |
work_wk6ezdjaefg47fgxly5556km4q | Helen Gonçalves | Aproveitar a vida, juventude e gravidez | 2006 | 5680 | 645 | 19.0 | ./cache/work_wk6ezdjaefg47fgxly5556km4q.pdf | ./txt/work_wk6ezdjaefg47fgxly5556km4q.txt |
work_2np4qtdcozbe7dfwcl5ifmderi | Hugo Keith Weihe | Licit International Traffic in Cultural Objects for Art''s Sake | 1995 | 5104 | 316 | 10.0 | ./cache/work_2np4qtdcozbe7dfwcl5ifmderi.pdf | ./txt/work_2np4qtdcozbe7dfwcl5ifmderi.txt |
work_jpml57ohnbc2ldl5x5v5voxtre | Hyangja Kim | Costume Code Analysis Placed Mise-en-abyme in the Movie - Focused on the Lucien Dällenbach''s theory and the film - | 2017 | 6496 | 1901 | 17.0 | ./cache/work_jpml57ohnbc2ldl5x5v5voxtre.pdf | ./txt/work_jpml57ohnbc2ldl5x5v5voxtre.txt |
work_efwj4bfogvfmpmkvb46xfmczpa | Hyeun Sung Kim | Development of Endoscopic Spine Surgery for Healthy Life: To Provide Spine Care for Better, for Worse, for Richer, for Poorer, in Sickness and in Health | 2020 | 2957 | 286 | 6.0 | ./cache/work_efwj4bfogvfmpmkvb46xfmczpa.pdf | ./txt/work_efwj4bfogvfmpmkvb46xfmczpa.txt |
work_ycz7lhy3jrd5bjb7y4sb6suuem | Inmaculada Serramito-Gómez | Unconventional autophagy mediated by the WD40 domain of ATG16L1 is derailed by the T300A Crohn disease risk polymorphism | 2016 | 1931 | 221 | 5.0 | ./cache/work_ycz7lhy3jrd5bjb7y4sb6suuem.pdf | ./txt/work_ycz7lhy3jrd5bjb7y4sb6suuem.txt |
work_pifu2x7fhjanlfb6oc2bmxikpu | J M Cotton | Problems of older people: forced idleness, impoverishment, ill health, isolation. Opening statement | 1973 | 144 | 26 | nan | ./cache/work_pifu2x7fhjanlfb6oc2bmxikpu.pdf | ./txt/work_pifu2x7fhjanlfb6oc2bmxikpu.txt |
work_wzyo5vynnjerjd3zfnsiovtyw4 | J S Jenkins | Prodigies of nature | 2005 | 144 | 25 | nan | ./cache/work_wzyo5vynnjerjd3zfnsiovtyw4.pdf | ./txt/work_wzyo5vynnjerjd3zfnsiovtyw4.txt |
work_pjkdlpouvbbthisfmlqx7emv6i | J W Douglas | The under-achieving intelligent child. Other social factors | 1973 | 144 | 28 | nan | ./cache/work_pjkdlpouvbbthisfmlqx7emv6i.pdf | ./txt/work_pjkdlpouvbbthisfmlqx7emv6i.txt |
work_cichnl6usrfy3hohcv75qvk3ty | J. Allan Tucker | Diagnostic Art: A Tribute to Professor Gérard Simon | 2014 | 823 | 68 | 2.0 | ./cache/work_cichnl6usrfy3hohcv75qvk3ty.pdf | ./txt/work_cichnl6usrfy3hohcv75qvk3ty.txt |
work_dbwq3dz3anfjflwo5s36pxljky | J. Dequeker | Arthritis in the paintings of Sandro Botticelli | 1984 | 3530 | 244 | 6.0 | ./cache/work_dbwq3dz3anfjflwo5s36pxljky.pdf | ./txt/work_dbwq3dz3anfjflwo5s36pxljky.txt |
work_kuaoa5c4sfctlhk7bmh43nbq6i | J.-B. Michel | Quantitative Analysis of Culture Using Millions of Digitized Books | 2010 | 6393 | 1064 | 8.0 | ./cache/work_kuaoa5c4sfctlhk7bmh43nbq6i.pdf | ./txt/work_kuaoa5c4sfctlhk7bmh43nbq6i.txt |
work_zazrv4zhefcq3g772konheryvi | J.C. Le Huec | Epidemics over the centuries | 2020 | 1687 | 156 | 3.0 | ./cache/work_zazrv4zhefcq3g772konheryvi.pdf | ./txt/work_zazrv4zhefcq3g772konheryvi.txt |
work_4wm36y6rcnhuzaczthak4gmcmu | Jack Carlson | A symbol — but of what? Iron Age daggers, Alessi corkscrews and anthropoid embellishment reconsidered | 2011 | 5638 | 476 | 13.0 | ./cache/work_4wm36y6rcnhuzaczthak4gmcmu.pdf | ./txt/work_4wm36y6rcnhuzaczthak4gmcmu.txt |
work_cr4klrboxbdnfbqwjjdqhgztpa | Jae Taek Hong | Human Craniovertebral Alignment as a "Tertiary Curvature" | 2019 | 2021 | 204 | 4.0 | ./cache/work_cr4klrboxbdnfbqwjjdqhgztpa.pdf | ./txt/work_cr4klrboxbdnfbqwjjdqhgztpa.txt |
work_i6wyhdtt2rfztm27clqz7t7uc4 | Jae-Cheol Moon | Modernist painting style in Disney animation | 2013 | 4784 | 1299 | 23.0 | ./cache/work_i6wyhdtt2rfztm27clqz7t7uc4.pdf | ./txt/work_i6wyhdtt2rfztm27clqz7t7uc4.txt |
work_4cvlwyhtojemxkf2vpg4yhg5rm | James Archer Abbott | Russian Art & Design in the Evergreen Museum & Library | 2010 | 4155 | 659 | 20.0 | ./cache/work_4cvlwyhtojemxkf2vpg4yhg5rm.pdf | ./txt/work_4cvlwyhtojemxkf2vpg4yhg5rm.txt |
work_o5yeboc24bak7cdl35o54b6eju | James D. Kang | Commentary on "Gene Therapy Approach for Intervertebral Disc Degeneration: An Update" | 2020 | 969 | 61 | 2.0 | ./cache/work_o5yeboc24bak7cdl35o54b6eju.pdf | ./txt/work_o5yeboc24bak7cdl35o54b6eju.txt |
work_67ccld5oc5fplkqnncgdr72b4a | James G. Ravin | Representations of Blindness in Picasso''s Blue Period | 2004 | 2651 | 259 | 4.0 | ./cache/work_67ccld5oc5fplkqnncgdr72b4a.pdf | ./txt/work_67ccld5oc5fplkqnncgdr72b4a.txt |
work_twiu7rmrnbh75e7vgqg4fmfdua | Jan van Veen | The Cultural Heritage of Europe | 1991 | 4214 | 248 | 8.0 | ./cache/work_twiu7rmrnbh75e7vgqg4fmfdua.pdf | ./txt/work_twiu7rmrnbh75e7vgqg4fmfdua.txt |
work_atyd6nwgdjf6ja4fsan6pzkt2u | Jana Rozehnalova | Hedonic Eating: How the Pleasure of Food Affects our Brains and Behaviour | 2017 | 618 | 114 | nan | ./cache/work_atyd6nwgdjf6ja4fsan6pzkt2u.pdf | ./txt/work_atyd6nwgdjf6ja4fsan6pzkt2u.txt |
work_mydjujgllng67g2brahacanary | Jean Marie Carey | Modigliani | 2018 | 937 | 52 | 4.0 | ./cache/work_mydjujgllng67g2brahacanary.pdf | ./txt/work_mydjujgllng67g2brahacanary.txt |
work_r4snsamedncdre4fldvz5bbb6i | Jennifer Mass | SR-FTIR imaging of the altered cadmium sulfide yellow paints in Henri Matisse''s Le Bonheur de vivre (1905–6) – examination of visually distinct degradation regions | 2013 | 10924 | 1581 | 12.0 | ./cache/work_r4snsamedncdre4fldvz5bbb6i.pdf | ./txt/work_r4snsamedncdre4fldvz5bbb6i.txt |
work_f4jqsxjau5gsniiwzvp24vv5ue | Jenny Anger | Meeting On A Bridge. An Approach To Klee An Japan | 2018 | 6001 | 550 | 10.0 | ./cache/work_f4jqsxjau5gsniiwzvp24vv5ue.pdf | ./txt/work_f4jqsxjau5gsniiwzvp24vv5ue.txt |
work_6a5zhocbxzfk7nv7e6iop27vb4 | Jeroen van Dongen | Mistaken Identity and Mirror Images: Albert and Carl Einstein, Leiden and Berlin, Relativity and Revolution | 2012 | 22014 | 1684 | 52.0 | ./cache/work_6a5zhocbxzfk7nv7e6iop27vb4.pdf | ./txt/work_6a5zhocbxzfk7nv7e6iop27vb4.txt |
work_33dhrzsubndb5eojbmpio7ad4u | Joanna Rządkowska | Niestymulująca tradycja: wpływ temperamentu na preferencje w sztuce | 2010 | 2610 | 480 | 12.0 | ./cache/work_33dhrzsubndb5eojbmpio7ad4u.pdf | ./txt/work_33dhrzsubndb5eojbmpio7ad4u.txt |
work_iakafyecwje6lludod7d4pmfz4 | Joanna Rządkowska | Non-stimulating tradition: The Effect of Temperament on Painting Art Preferences | 2010 | 4250 | 358 | 16.0 | ./cache/work_iakafyecwje6lludod7d4pmfz4.pdf | ./txt/work_iakafyecwje6lludod7d4pmfz4.txt |
work_lvffpmrkxre5boitqso26z5fda | Joel T. Katz | Picasso''sScience and Charity: Paternalism Versus Humanism in Medical Practice | 2016 | 1315 | 133 | 3.0 | ./cache/work_lvffpmrkxre5boitqso26z5fda.pdf | ./txt/work_lvffpmrkxre5boitqso26z5fda.txt |
work_a4abbpbgbffh7fq4yrnamnf2hm | John E. Bowlt | Natalia Goncharova and Futurist Theater | 1990 | 5977 | 492 | 9.0 | ./cache/work_a4abbpbgbffh7fq4yrnamnf2hm.pdf | ./txt/work_a4abbpbgbffh7fq4yrnamnf2hm.txt |
work_aexde55a3vc75pp7mznajqeg7a | John Launer | Frida Kahlo and her doctors | 2018 | 2128 | 355 | 2.0 | ./cache/work_aexde55a3vc75pp7mznajqeg7a.pdf | ./txt/work_aexde55a3vc75pp7mznajqeg7a.txt |
work_f2anakxsardipbr2jtwoblgcfa | Jonny Anomaly | Personal Identity and Practical Reason: The Failure of Kantian Replies to Parfit | 2008 | 300 | 48 | nan | ./cache/work_f2anakxsardipbr2jtwoblgcfa.pdf | ./txt/work_f2anakxsardipbr2jtwoblgcfa.txt |
work_x3ok32zpifb37gmefeafg53xai | Joshua T. Vogelstein | To the Cloud! A Grassroots Proposal to Accelerate Brain Science Discovery | 2016 | 6039 | 520 | 9.0 | ./cache/work_x3ok32zpifb37gmefeafg53xai.pdf | ./txt/work_x3ok32zpifb37gmefeafg53xai.txt |
work_pbpm5kpnune7rd3itf42ouibwe | José Enrique Rodríguez Ibañez | Variaciones sobre el concepto de cultura | 2019 | 3404 | 397 | 7.0 | ./cache/work_pbpm5kpnune7rd3itf42ouibwe.pdf | ./txt/work_pbpm5kpnune7rd3itf42ouibwe.txt |
work_wpeiqwd7yfdsrlmube7ice6ub4 | José Javier Moreno Arnedillo | IF LIFE GIVES YOU LEMONS, MAKE LEMONADE. GIVING MEANING TO LIFE WHEN STRESS AND ANXIETY COMPLICATE IT López, E. y Costa, M | 2017 | 1917 | 115 | 2.0 | ./cache/work_wpeiqwd7yfdsrlmube7ice6ub4.pdf | ./txt/work_wpeiqwd7yfdsrlmube7ice6ub4.txt |
work_p7f4lsofgvcu3jt6zqpnn3pf2y | Juan Luis Gallardo Pirovano | La belleza: anotaciones para apuntar a una visión más unitaria de Gabriel Dondo | 2013 | 2684 | 357 | 8.0 | ./cache/work_p7f4lsofgvcu3jt6zqpnn3pf2y.pdf | ./txt/work_p7f4lsofgvcu3jt6zqpnn3pf2y.txt |
work_x6ggkoqzjjftblnouzsmsfx6ki | Judith Lee | Scientific investigation into the water sensitivity of twentieth century oil paints | 2018 | 11962 | 1277 | 15.0 | ./cache/work_x6ggkoqzjjftblnouzsmsfx6ki.pdf | ./txt/work_x6ggkoqzjjftblnouzsmsfx6ki.txt |
work_mpl4z7trijbkrc7o63pvaq5edy | Juliana Soares de Jesus | Development of attention: acting in special classes | 2018 | 5913 | 819 | 9.0 | ./cache/work_mpl4z7trijbkrc7o63pvaq5edy.pdf | ./txt/work_mpl4z7trijbkrc7o63pvaq5edy.txt |
work_4djqugl6ojga7ajykijkegfwca | K Siehr | Chronicles | 1998 | 3362 | 295 | 9.0 | ./cache/work_4djqugl6ojga7ajykijkegfwca.pdf | ./txt/work_4djqugl6ojga7ajykijkegfwca.txt |
work_fleg652s6jgwzcv6guvc4zznym | K. Daniel Riew | The Role of Atlantoaxial Instability on Chiari, Ossification of the Posterior Longitudinal Ligament, Spondylosis and Stenosis | 2019 | 1244 | 85 | 2.0 | ./cache/work_fleg652s6jgwzcv6guvc4zznym.pdf | ./txt/work_fleg652s6jgwzcv6guvc4zznym.txt |
work_c5danpwdkvb2zlb4kpflghwg7a | K. M. Pattison | Factors Influencing Physical Therapists'' Use of Standardized Measures of Walking Capacity Poststroke Across the Care Continuum | 2015 | 1141 | 201 | nan | ./cache/work_c5danpwdkvb2zlb4kpflghwg7a.pdf | ./txt/work_c5danpwdkvb2zlb4kpflghwg7a.txt |
work_azsquoo4ybddhh7wob4bwhhqhy | Kader AYDIN | MODERN SANAT SÜRECİNDE KADIN İMGESİNİN RESİMSEL VE TOPLUMSAL AÇIDAN İNCELENMESİ | 2019 | 7349 | 1100 | 13.0 | ./cache/work_azsquoo4ybddhh7wob4bwhhqhy.pdf | ./txt/work_azsquoo4ybddhh7wob4bwhhqhy.txt |
work_w6wgq25c2vdqvecc5ltnd2oy6y | Katja Kozjek Varl | KNOWLEDGE AND IDENTIFICATION OF DIFFERENT ARTISTIC PRACTICES | 2018 | 7479 | 846 | 17.0 | ./cache/work_w6wgq25c2vdqvecc5ltnd2oy6y.pdf | ./txt/work_w6wgq25c2vdqvecc5ltnd2oy6y.txt |
work_fhlgvcotqng6vo3fho2tdxzeoi | Kazuya Yokota | Acidic Fibroblast Growth Factor in Spinal Cord Injury: A Potential Therapy Which Merits Further Investigation | 2019 | 144 | 28 | nan | ./cache/work_fhlgvcotqng6vo3fho2tdxzeoi.pdf | ./txt/work_fhlgvcotqng6vo3fho2tdxzeoi.txt |
work_kmp266tpejeczk3s7mu3zxqsue | Kee B. Park | Global Neurosurgery in the Time of COVID-19 | 2020 | 144 | 27 | nan | ./cache/work_kmp266tpejeczk3s7mu3zxqsue.pdf | ./txt/work_kmp266tpejeczk3s7mu3zxqsue.txt |
work_efxvmz7njvhulken3xhwaaz3uy | Keiko Imai | Pablo Picasso''s Mother and Child by the Sea (1902): report on the hyperspectral near-infrared reflectance imaging survey of Picasso''s newspaper use | 2020 | 4653 | 397 | 9.0 | ./cache/work_efxvmz7njvhulken3xhwaaz3uy.pdf | ./txt/work_efxvmz7njvhulken3xhwaaz3uy.txt |
work_vodcbm7gn5brlbi53xrlu6awja | Keith Clifton | Mots cachés: Autobiography in Cocteau''s and Poulenc''s La Voix humaine | 2001 | 8917 | 633 | 19.0 | ./cache/work_vodcbm7gn5brlbi53xrlu6awja.pdf | ./txt/work_vodcbm7gn5brlbi53xrlu6awja.txt |
work_572ibxtd35ftrdrco2v6bkbgpy | Kevin A. Roth | A Beautiful Science | 2006 | 144 | 24 | nan | ./cache/work_572ibxtd35ftrdrco2v6bkbgpy.pdf | ./txt/work_572ibxtd35ftrdrco2v6bkbgpy.txt |
work_jiiwel4tgbgt3ehagzr3wdxhvu | Kezban SÖNMEZ | ART DECO STYLE REFLECTIONS ON TEXTILE DESIGNS | 2019 | 5875 | 929 | 17.0 | ./cache/work_jiiwel4tgbgt3ehagzr3wdxhvu.pdf | ./txt/work_jiiwel4tgbgt3ehagzr3wdxhvu.txt |
work_nxdulugj7vdk3jnsbwlapf7p54 | Kimberly A. Francis | Review of Maureen Carr, Multiple Masks: Neoclassicism in Stravinsky''s Works on Greek Subjects (University of Nebraska Press, 2002) | 2007 | 2817 | 192 | 6.0 | ./cache/work_nxdulugj7vdk3jnsbwlapf7p54.pdf | ./txt/work_nxdulugj7vdk3jnsbwlapf7p54.txt |
work_dt5lpkr3zrgsvhuvb4ouu72zji | Koreen Ramessar | Trace and traceability—a call for regulatory harmony | 2008 | 3712 | 484 | 4.0 | ./cache/work_dt5lpkr3zrgsvhuvb4ouu72zji.pdf | ./txt/work_dt5lpkr3zrgsvhuvb4ouu72zji.txt |
work_tukiz4v4jva35j3rdly37alpnm | Kristýna Kysilková | Homenaje a Pavel Štěpánek en su septuagésimo quinto aniversario (2016) | 2018 | 755 | 211 | nan | ./cache/work_tukiz4v4jva35j3rdly37alpnm.pdf | ./txt/work_tukiz4v4jva35j3rdly37alpnm.txt |
work_4jhqdkodsjckxizg53wwrgacfe | Kurt G. Siehr | CHRONICLES: (January 1, 2004––December 31, 2004) | 2005 | 19072 | 1729 | 56.0 | ./cache/work_4jhqdkodsjckxizg53wwrgacfe.pdf | ./txt/work_4jhqdkodsjckxizg53wwrgacfe.txt |
work_tyj4mpmb4zbntikhl5eeffesii | Kurt Siehr | CHRONICLES 2010 | 2011 | 18814 | 1625 | 57.0 | ./cache/work_tyj4mpmb4zbntikhl5eeffesii.pdf | ./txt/work_tyj4mpmb4zbntikhl5eeffesii.txt |
work_6oof4fi6bfdgtpotybxcm6pbhu | Kátia Rodrigues Paranhos | Folha de Rosto | 2016 | 664 | 167 | 2.0 | ./cache/work_6oof4fi6bfdgtpotybxcm6pbhu.pdf | ./txt/work_6oof4fi6bfdgtpotybxcm6pbhu.txt |
work_dqud2adhprei3jnj4zdro365pa | Laura Giacopetti | First principles study of the optical emission of cadmium yellow: Role of cadmium vacancies | 2018 | 4058 | 373 | 8.0 | ./cache/work_dqud2adhprei3jnj4zdro365pa.pdf | ./txt/work_dqud2adhprei3jnj4zdro365pa.txt |
work_buvggge5uffi7o7mdbpk6oxbgu | Lawrence G. Lenke | Commentary: Artificial Intelligence for Adult Spinal Deformity | 2019 | 1193 | 69 | 2.0 | ./cache/work_buvggge5uffi7o7mdbpk6oxbgu.pdf | ./txt/work_buvggge5uffi7o7mdbpk6oxbgu.txt |
work_pg3id7st2baafambphu7s3ainy | Leila Tahmasebi | Stylistic approach to teaching poetry in ESL classrooms | 2019 | 5027 | 353 | 10.0 | ./cache/work_pg3id7st2baafambphu7s3ainy.pdf | ./txt/work_pg3id7st2baafambphu7s3ainy.txt |
work_wyiy3rj7jjcv3jf2ttvyjkn7gm | Leonardo Baglioni | La teoria dei punti di concorso nella scenografia di Guidobaldo del Monte | 2018 | 4470 | 362 | 12.0 | ./cache/work_wyiy3rj7jjcv3jf2ttvyjkn7gm.pdf | ./txt/work_wyiy3rj7jjcv3jf2ttvyjkn7gm.txt |
work_fob6cvfp5jfddciyatjracx5pa | Li-La Park | Art Mask Converged Design Based on an Expression Method of Cubism | 2017 | 2726 | 747 | 6.0 | ./cache/work_fob6cvfp5jfddciyatjracx5pa.pdf | ./txt/work_fob6cvfp5jfddciyatjracx5pa.txt |
work_bqtjrjgjyrhfpe4y2deciwefwe | Lindsay Oakley | Improved spectral imaging microscopy for cultural heritage through oblique illumination | 2020 | 7427 | 668 | 11.0 | ./cache/work_bqtjrjgjyrhfpe4y2deciwefwe.pdf | ./txt/work_bqtjrjgjyrhfpe4y2deciwefwe.txt |
work_46wmz2hmybd3bp23vpzkxqofpi | Luc Renneboog | Buying Beauty: On Prices and Returns in the Art Market | 2013 | 13846 | 1380 | 32.0 | ./cache/work_46wmz2hmybd3bp23vpzkxqofpi.pdf | ./txt/work_46wmz2hmybd3bp23vpzkxqofpi.txt |
work_sonjg3qvqrbxrb7gvt6d4b5c34 | Lucia Salvato | An Interdisciplinary Approach to Texts as a Model for a Truthful Approach to Reality | 2015 | 4841 | 323 | 7.0 | ./cache/work_sonjg3qvqrbxrb7gvt6d4b5c34.pdf | ./txt/work_sonjg3qvqrbxrb7gvt6d4b5c34.txt |
work_bdgouxk4a5fqve3cmyifkucwra | Luciano Floridi | Artificial Intelligence, Deepfakes and a Future of Ectypes | 2018 | 2225 | 162 | 5.0 | ./cache/work_bdgouxk4a5fqve3cmyifkucwra.pdf | ./txt/work_bdgouxk4a5fqve3cmyifkucwra.txt |
work_dcrzpqbnajhntbziepkctbmvhi | Lynn D. Dierking | A Comprehensive Approach to Fostering the Next Generation of Science, Technology, Engineering, and Mathematics (STEM) Education Leaders | 2010 | 6136 | 252 | 13.0 | ./cache/work_dcrzpqbnajhntbziepkctbmvhi.pdf | ./txt/work_dcrzpqbnajhntbziepkctbmvhi.txt |
work_sst6jdwyorg5dao6x6q35sfnt4 | M. Ashraful Kabir | Most Beautiful Pigeons of Bangladesh | 2015 | 2451 | 267 | 4.0 | ./cache/work_sst6jdwyorg5dao6x6q35sfnt4.pdf | ./txt/work_sst6jdwyorg5dao6x6q35sfnt4.txt |
work_bmexjj4vujemdjpthmsprsijoy | M. Eekhout | Transparent Cubical Glass Building in Madrid | 2018 | 3270 | 237 | 10.0 | ./cache/work_bmexjj4vujemdjpthmsprsijoy.pdf | ./txt/work_bmexjj4vujemdjpthmsprsijoy.txt |
work_77b2fbbsl5abdno4o2bg2jzyiq | MARTIN M. WINBURY | Muscarinic Action of Murexine and Some Related Choline Esters | 1957 | 3264 | 399 | 9.0 | ./cache/work_77b2fbbsl5abdno4o2bg2jzyiq.pdf | ./txt/work_77b2fbbsl5abdno4o2bg2jzyiq.txt |
work_65fzfakr5bdbxg6g7pi5zpvnfu | MIKE SAVAGE | Cosmopolitan nationalism and the cultural reach of the white British | 2010 | 8632 | 668 | 33.0 | ./cache/work_65fzfakr5bdbxg6g7pi5zpvnfu.pdf | ./txt/work_65fzfakr5bdbxg6g7pi5zpvnfu.txt |
work_2ffhhcdw4nfovfpyso4tssfrwm | Maimouna Sankhé | The importance of Spanish for emigration to Spain: Spanish as a language of opportunity | 2014 | 2291 | 374 | 6.0 | ./cache/work_2ffhhcdw4nfovfpyso4tssfrwm.pdf | ./txt/work_2ffhhcdw4nfovfpyso4tssfrwm.txt |
work_j52g66khljas5apbqzejujmomm | Marcelo Miranda | Paul Cézanne, el solitario padre de la pintura moderna | 2017 | 3744 | 541 | 6.0 | ./cache/work_j52g66khljas5apbqzejujmomm.pdf | ./txt/work_j52g66khljas5apbqzejujmomm.txt |
work_zqz5e5cbdbb6zcwd6zptc7aaum | Maria Kokkori | Synergistic use of Py–THM–GCMS, DTMS, and ESI–MS for the characterization of the organic fraction of modern enamel paints | 2015 | 9502 | 717 | 14.0 | ./cache/work_zqz5e5cbdbb6zcwd6zptc7aaum.pdf | ./txt/work_zqz5e5cbdbb6zcwd6zptc7aaum.txt |
work_diomb2b5bbd2pdxmgmq53tz5zq | Maria Mohammad | Art via Architecture ''Lukisan Kajian'' Style in Hybrid Model ''A+AGPD'': Observation ''Garisan stroke line'' (gSLine) | 2015 | 3574 | 370 | 7.0 | ./cache/work_diomb2b5bbd2pdxmgmq53tz5zq.pdf | ./txt/work_diomb2b5bbd2pdxmgmq53tz5zq.txt |
work_cmopimwcyracvctyn5t5huws34 | Marija Đekić | Corporate universities as a contemporary paradigm of the employees professional development | 2018 | 5588 | 1001 | 17.0 | ./cache/work_cmopimwcyracvctyn5t5huws34.pdf | ./txt/work_cmopimwcyracvctyn5t5huws34.txt |
work_icywckx4abdipdz4f5t67x7ipu | Mark A. Runco | Simplifying Theories of Creativity and Revisiting the Criterion Problem: A Comment on Simonton''s (2009) Hierarchical Model of Domain-Specific Disposition, Development, and Achievement | 2009 | 2939 | 185 | 11.0 | ./cache/work_icywckx4abdipdz4f5t67x7ipu.pdf | ./txt/work_icywckx4abdipdz4f5t67x7ipu.txt |
work_4g7zetwrizfqtahkklqmkewdhe | Marko Pavlovski | Culture in the Media: the Representation of Culture in "Jutarnji List" | 2015 | 3681 | 202 | 8.0 | ./cache/work_4g7zetwrizfqtahkklqmkewdhe.pdf | ./txt/work_4g7zetwrizfqtahkklqmkewdhe.txt |
work_x2i2r63z65gl5i2oqz5c2n2lc4 | Marta Oriola | Collections care scenario appraisal for painting canvases at Museu Nacional d''Art de Catalunya, Barcelona, Spain | 2015 | 5374 | 439 | 11.0 | ./cache/work_x2i2r63z65gl5i2oqz5c2n2lc4.pdf | ./txt/work_x2i2r63z65gl5i2oqz5c2n2lc4.txt |
work_4ezsixik4rekrmu7jpeosgixu4 | Mary O''Neill | Ephemeral Art: Telling Stories to the Dead | 2011 | 5338 | 382 | 15.0 | ./cache/work_4ezsixik4rekrmu7jpeosgixu4.pdf | ./txt/work_4ezsixik4rekrmu7jpeosgixu4.txt |
work_k6v4p7jllfg7bkvix366euunza | Mathias Rithel | Be Tasteful! Be Kitsch! A Critical Analysis of Social Standards of Beauty | 2019 | 5062 | 294 | 13.0 | ./cache/work_k6v4p7jllfg7bkvix366euunza.pdf | ./txt/work_k6v4p7jllfg7bkvix366euunza.txt |
work_lf4f5p6uijdwpkz2rhdosgb4ce | Mehmet Ali GÖKDEMİR | MUSTAFA TUNÇALP VE TUFAN DAĞISTANLI SERAMİKLERİNDEKİ KUŞ HEYKELLERİNİN FORM, REN | 2018 | 5896 | 930 | 16.0 | ./cache/work_lf4f5p6uijdwpkz2rhdosgb4ce.pdf | ./txt/work_lf4f5p6uijdwpkz2rhdosgb4ce.txt |
work_2jdetzhswrah5gn7t7k6s65vuq | Mi-Kyung Lee | Study on Relationship between the Aesthetics of Disappearance and Contemporary Architectural Space | 2014 | 4443 | 1196 | 9.0 | ./cache/work_2jdetzhswrah5gn7t7k6s65vuq.pdf | ./txt/work_2jdetzhswrah5gn7t7k6s65vuq.txt |
work_4zhhjnhvgzc7hil6njyeq6ma7y | Michael L.J. Apuzzo | THE ALCHEMY OF IDEAS | 2008 | 6267 | 687 | 10.0 | ./cache/work_4zhhjnhvgzc7hil6njyeq6ma7y.pdf | ./txt/work_4zhhjnhvgzc7hil6njyeq6ma7y.txt |
work_mkpr3g5edbalhh3vgk63lcrkc4 | Michael Mayer | Neurospine Endoscopic Spinal Surgery, 2nd Issue | 2020 | 722 | 59 | 2.0 | ./cache/work_mkpr3g5edbalhh3vgk63lcrkc4.pdf | ./txt/work_mkpr3g5edbalhh3vgk63lcrkc4.txt |
work_obwgvhwgkvfynlhskbyucbcacq | Michalis Mountantonakis | LODsyndesis: Global Scale Knowledge Services | 2018 | 8291 | 716 | 14.0 | ./cache/work_obwgvhwgkvfynlhskbyucbcacq.pdf | ./txt/work_obwgvhwgkvfynlhskbyucbcacq.txt |
work_qv4pqnjnpzgcfgcytsrwllu46y | Michela Cigola | Robotic systems for architectural survey and conservation of Cultural Heritage | 2015 | 4746 | 938 | 6.0 | ./cache/work_qv4pqnjnpzgcfgcytsrwllu46y.pdf | ./txt/work_qv4pqnjnpzgcfgcytsrwllu46y.txt |
work_qqlqdxgsgbhepi3z6uhq33ra5y | Michele Valentino | Shaping identities through Street Art. Iconography of social claims in Orgosolo''s Murales | 2020 | 7373 | 896 | 10.0 | ./cache/work_qqlqdxgsgbhepi3z6uhq33ra5y.pdf | ./txt/work_qqlqdxgsgbhepi3z6uhq33ra5y.txt |
work_z2a7yo6a4nbyrgkk4h7j4aq5w4 | Miguel-Héctor Fernández-Carrión | No-violencia, conflicto, guerra y paz | 2014 | 6666 | 903 | 20.0 | ./cache/work_z2a7yo6a4nbyrgkk4h7j4aq5w4.pdf | ./txt/work_z2a7yo6a4nbyrgkk4h7j4aq5w4.txt |
work_6ztm3ktxi5aazbuuov4mo2k2ty | Mihai OLARIU | COPYRIGHT PROTECTED PLASTIC ARTWORK IN THE LIGHT OF THE EUROPEAN AND ROMANIAN LAWS AND THE ARTWORK VALUE RELEVANCE | 2018 | 98 | 14 | nan | ./cache/work_6ztm3ktxi5aazbuuov4mo2k2ty.pdf | ./txt/work_6ztm3ktxi5aazbuuov4mo2k2ty.txt |
work_7pad5lddgndwzevwoxmpx4ys74 | Monica Guerra | Finished and Unfinished Objects: Supporting Children''s Creativity Through Materials | 2012 | 4829 | 256 | 7.0 | ./cache/work_7pad5lddgndwzevwoxmpx4ys74.pdf | ./txt/work_7pad5lddgndwzevwoxmpx4ys74.txt |
work_vdigdiq3bfh7ngrcjlwcluk7wm | Muhammet Tatar | Resim Sanatında Parodi, Pastiş ve İntihal | 2017 | 72 | 9 | nan | ./cache/work_vdigdiq3bfh7ngrcjlwcluk7wm.pdf | ./txt/work_vdigdiq3bfh7ngrcjlwcluk7wm.txt |
work_yrpwjvnrknfwvcjx7malbhbxc4 | Mutlu SEVEN | KAVRAMSAL YAPITLARIN OLUŞTURDUĞU SANAT PAZARI VE DAMIEN HIRST | 2018 | 3970 | 550 | 12.0 | ./cache/work_yrpwjvnrknfwvcjx7malbhbxc4.pdf | ./txt/work_yrpwjvnrknfwvcjx7malbhbxc4.txt |
work_zgp3uxbaungevjyucwh7pbduoy | Nancy Ross | Digital Art History for Beginners: The Spreadsheet | 2020 | 1560 | 128 | 7.0 | ./cache/work_zgp3uxbaungevjyucwh7pbduoy.pdf | ./txt/work_zgp3uxbaungevjyucwh7pbduoy.txt |
work_7oy6qtwe5bgpxhwjtomienlixy | Neil Versel | Making an impression on biotech development | 2007 | 144 | 26 | nan | ./cache/work_7oy6qtwe5bgpxhwjtomienlixy.pdf | ./txt/work_7oy6qtwe5bgpxhwjtomienlixy.txt |
work_npxvevzt5rdwdkxyqgrzaxxsym | Nicholas Katsanis | The continuum of causality in human genetic disorders | 2016 | 4573 | 431 | 5.0 | ./cache/work_npxvevzt5rdwdkxyqgrzaxxsym.pdf | ./txt/work_npxvevzt5rdwdkxyqgrzaxxsym.txt |
work_b47i4e7syfbkxmt4tmw7enfmfq | Nickul S Jain | COVID-19 and the Role of Spine Surgeons | 2020 | 1270 | 94 | 3.0 | ./cache/work_b47i4e7syfbkxmt4tmw7enfmfq.pdf | ./txt/work_b47i4e7syfbkxmt4tmw7enfmfq.txt |
work_vip5yxo4zvhyvlyif4ujxkmnpm | Nicola Ashmore | Guernica Remakings: Action, Collaboration and Thread | 2017 | 242 | 29 | nan | ./cache/work_vip5yxo4zvhyvlyif4ujxkmnpm.pdf | ./txt/work_vip5yxo4zvhyvlyif4ujxkmnpm.txt |
work_wctnc7ot2bdu7hl3fux2wp7jw4 | Nicolai Maldaner | Improving the Patient-Physician Relationship in The Digital Era - Transformation From Subjective Questionnaires Into Objective Real-Time and Patient-Specific Data Reporting Tools | 2019 | 1384 | 119 | 4.0 | ./cache/work_wctnc7ot2bdu7hl3fux2wp7jw4.pdf | ./txt/work_wctnc7ot2bdu7hl3fux2wp7jw4.txt |
work_hhmgq7d6erdfxp6yp57yemznby | Nicole E. Pal | Life on the ground floor: letters from the edge of emergency medicine | 2017 | 306 | 35 | nan | ./cache/work_hhmgq7d6erdfxp6yp57yemznby.pdf | ./txt/work_hhmgq7d6erdfxp6yp57yemznby.txt |
work_7b6553qcubbwrotiug55rlunuq | Nina Getashvili | Alexander Burganov. In the depths above reality. (Antique motifs in the context of creative work) | 2020 | 3836 | 531 | 10.0 | ./cache/work_7b6553qcubbwrotiug55rlunuq.pdf | ./txt/work_7b6553qcubbwrotiug55rlunuq.txt |
work_hphnzm6u2bbjfasv2tvzayqhkm | Olivia C. Adkins | The Visual Aesthetics of Snowflakes | 2016 | 810 | 173 | nan | ./cache/work_hphnzm6u2bbjfasv2tvzayqhkm.pdf | ./txt/work_hphnzm6u2bbjfasv2tvzayqhkm.txt |
work_ro7sjoel4bcqzglrjqoud66jnu | Osa D Egonwa | Masquerade and "What Comes Behind Six Is More Than Seven": Thoughts on Art History and Visual Culture Research Methods | 2019 | 2318 | 342 | 4.0 | ./cache/work_ro7sjoel4bcqzglrjqoud66jnu.pdf | ./txt/work_ro7sjoel4bcqzglrjqoud66jnu.txt |
work_xtjrvfjxvrbwdhzfn2d7r5txgm | P Ravi Shankar | Student feedback on the use of paintings in Sparshanam, the Medical Humanities module at KIST Medical College, Nepal | 2011 | 1045 | 201 | nan | ./cache/work_xtjrvfjxvrbwdhzfn2d7r5txgm.pdf | ./txt/work_xtjrvfjxvrbwdhzfn2d7r5txgm.txt |
work_3pw5b7cyzrg3tmmr4cxandl7oe | P. Baglioni | Nanorestart: Nanomaterials for the restoration of works of art | 2021 | 2617 | 193 | 5.0 | ./cache/work_3pw5b7cyzrg3tmmr4cxandl7oe.pdf | ./txt/work_3pw5b7cyzrg3tmmr4cxandl7oe.txt |
work_ei2yosg36jalpgn2ovojz2rg6y | P. V. Minorsky | On the Inside | 2006 | 2200 | 193 | 3.0 | ./cache/work_ei2yosg36jalpgn2ovojz2rg6y.pdf | ./txt/work_ei2yosg36jalpgn2ovojz2rg6y.txt |
work_swygyom6zzgazoovwyxhv5r7ri | Paolo Giandebiaggi | Livio Sacchi. Metropoli il disegno delle città 2. Roma: Gangemi Editore International 2018 | 2019 | 6066 | 622 | 12.0 | ./cache/work_swygyom6zzgazoovwyxhv5r7ri.pdf | ./txt/work_swygyom6zzgazoovwyxhv5r7ri.txt |
work_ynav7roqqnglbizhvc5ihhjlx4 | Patricia A. Favero | Reflectance imaging spectroscopy and synchrotron radiation X-ray fluorescence mapping used in a technical study of The Blue Room by Pablo Picasso | 2017 | 9694 | 835 | 18.0 | ./cache/work_ynav7roqqnglbizhvc5ihhjlx4.pdf | ./txt/work_ynav7roqqnglbizhvc5ihhjlx4.txt |
work_64mefivdsnd2fdcupis3z7bt3a | Patricio Lizama A | SARA MALVAR!: UNA PROPUESTA DE POEMA EN PROSA | 2016 | 3765 | 547 | 12.0 | ./cache/work_64mefivdsnd2fdcupis3z7bt3a.pdf | ./txt/work_64mefivdsnd2fdcupis3z7bt3a.txt |
work_3qaqer4itbdtdl3ffs4mm3ixxe | Patricio Lizama A | Wanda Morla en París de los años veinte: una experiencia de la modernidad | 2016 | 6491 | 844 | 11.0 | ./cache/work_3qaqer4itbdtdl3ffs4mm3ixxe.pdf | ./txt/work_3qaqer4itbdtdl3ffs4mm3ixxe.txt |
work_zjihesfr2bfh3l3bkvsnqiciuq | Patrick H. Alexander | Publisher''s Note | 2012 | 18946 | 3732 | 84.0 | ./cache/work_zjihesfr2bfh3l3bkvsnqiciuq.pdf | ./txt/work_zjihesfr2bfh3l3bkvsnqiciuq.txt |
work_t6x5u35c4zdtbeh3qba54nm57m | Pavel Stepanek | PEDRO FLORES EN PRAGA, EN 1946 | 1986 | 5058 | 1001 | 20.0 | ./cache/work_t6x5u35c4zdtbeh3qba54nm57m.pdf | ./txt/work_t6x5u35c4zdtbeh3qba54nm57m.txt |
work_mk2gagjjbrb3vpvkpjwglc6rve | Pedro Emilio Zamorano | Artes visuales en Chile durante la primera mitad del siglo xx: Una mirada al campo teórico | 2011 | 7914 | 1010 | 20.0 | ./cache/work_mk2gagjjbrb3vpvkpjwglc6rve.pdf | ./txt/work_mk2gagjjbrb3vpvkpjwglc6rve.txt |
work_tr5t72prb5bppfe2js55hbip6m | Pelin AVŞAR KARABAŞ | THE CONTEMPRORIES AND THE UNIQUE STYLE OF AMEDEO MODIGLIANI | 2016 | 22312 | 3777 | 28.0 | ./cache/work_tr5t72prb5bppfe2js55hbip6m.pdf | ./txt/work_tr5t72prb5bppfe2js55hbip6m.txt |
work_xlgfcpsefbewzmqdu7wazxennq | Pelin AVŞAR KARABAŞ | THE RISE AND THE LEADING ARTISTS OF ABSTRACT EXPRESSIONISM | 2016 | 3313 | 525 | 16.0 | ./cache/work_xlgfcpsefbewzmqdu7wazxennq.pdf | ./txt/work_xlgfcpsefbewzmqdu7wazxennq.txt |
work_6srpggk7v5ctjhtlystxgu6xey | Phillip Deery∗ | A blot upon liberty: McCarthyism, Dr. Barsky and the Joint Anti-Fascist Refugee Committee | 2009 | 16202 | 1003 | 24.0 | ./cache/work_6srpggk7v5ctjhtlystxgu6xey.pdf | ./txt/work_6srpggk7v5ctjhtlystxgu6xey.txt |
work_enjndnzo7fbc7a3yebetl66bvy | Phyllis Rosenzweig | Drawings and Prints by Slavic and Slavic-Born Artists in the Collection of the Smithsonian Institution, Hirshhorn Museum and Sculpture Garden | 2010 | 4769 | 255 | 12.0 | ./cache/work_enjndnzo7fbc7a3yebetl66bvy.pdf | ./txt/work_enjndnzo7fbc7a3yebetl66bvy.txt |
work_kbynbakkqvc5lpt7tck42wkh7y | Piera Capranzano | Tailoring P2Y 12 Inhibiting Therapy in Elderly Patients With Myocardial Infarction Undergoing Primary Percutaneous Coronary Intervention | 2019 | 144 | 26 | nan | ./cache/work_kbynbakkqvc5lpt7tck42wkh7y.pdf | ./txt/work_kbynbakkqvc5lpt7tck42wkh7y.txt |
work_4bzjdcs6d5hltlptglymzcadby | R Illingworth | Under-achieving children destined for fame | 1973 | 144 | 26 | nan | ./cache/work_4bzjdcs6d5hltlptglymzcadby.pdf | ./txt/work_4bzjdcs6d5hltlptglymzcadby.txt |
work_rbdpha2rzvfbvdecyrhqfnlcle | R S Morton | Syphilis in art: an entertainment in four parts. Part 4 | 1990 | 144 | 26 | nan | ./cache/work_rbdpha2rzvfbvdecyrhqfnlcle.pdf | ./txt/work_rbdpha2rzvfbvdecyrhqfnlcle.txt |
work_pzk4qcmwfjfq7muzhddjjgwqay | ROBERT HIRSCH | World In a Jar: War & Trauma | 2009 | 6260 | 429 | 21.0 | ./cache/work_pzk4qcmwfjfq7muzhddjjgwqay.pdf | ./txt/work_pzk4qcmwfjfq7muzhddjjgwqay.txt |
work_ayimb26c6rc33jzuioo3i4fmim | Rachel Hajar | Despair and Hope | 2017 | 194 | 36 | nan | ./cache/work_ayimb26c6rc33jzuioo3i4fmim.pdf | ./txt/work_ayimb26c6rc33jzuioo3i4fmim.txt |
work_ajmbjncxtjef3nro377lbzpggy | Rania Fawzy | Weak #Preemies are #MIRACLES #FIGHTERS: Hashtaged Coupling-Metaphors as Instantiations of Bonding Affiliation | 2021 | 5088 | 475 | 19.0 | ./cache/work_ajmbjncxtjef3nro377lbzpggy.pdf | ./txt/work_ajmbjncxtjef3nro377lbzpggy.txt |
work_srrxgknqoja6xf62kidcnkgmlq | Rasim SOYLU | CHIRICO AND METAPHISICAL ART | 2018 | 3037 | 566 | 16.0 | ./cache/work_srrxgknqoja6xf62kidcnkgmlq.pdf | ./txt/work_srrxgknqoja6xf62kidcnkgmlq.txt |
work_7c2ri3cecverld743zahbx5obe | Reva Wolf | Homer Simpson as Outsider Artist, or How I Learned to Accept Ambivalence (Maybe) | 2006 | 6885 | 683 | 13.0 | ./cache/work_7c2ri3cecverld743zahbx5obe.pdf | ./txt/work_7c2ri3cecverld743zahbx5obe.txt |
work_dzmsk45m5jceng2tmjddueulkm | Ricardo López P | Crear o copiar... ¿Cuál es la diferencia? | 2009 | 3677 | 560 | 6.0 | ./cache/work_dzmsk45m5jceng2tmjddueulkm.pdf | ./txt/work_dzmsk45m5jceng2tmjddueulkm.txt |
work_allww2nryncrbi5vriu4kn7upm | Richard B. Gunderman | How Art Can Educate the Radiologist''s Eye | 2018 | 1812 | 114 | 7.0 | ./cache/work_allww2nryncrbi5vriu4kn7upm.pdf | ./txt/work_allww2nryncrbi5vriu4kn7upm.txt |
work_lnr722a3cfea7kj5vb4ui3kjiq | Richard Stevens | Exhibition review | 2011 | 915 | 99 | 1.0 | ./cache/work_lnr722a3cfea7kj5vb4ui3kjiq.pdf | ./txt/work_lnr722a3cfea7kj5vb4ui3kjiq.txt |
work_qcqqdk6ctnge5mukldipq4ujpy | Robert A. Ketch | Art appreciation for veterans with severe mental illness in a VA Psychosocial Rehabilitation and Recovery Center | 2015 | 5493 | 684 | 13.0 | ./cache/work_qcqqdk6ctnge5mukldipq4ujpy.pdf | ./txt/work_qcqqdk6ctnge5mukldipq4ujpy.txt |
work_5ouska6aqjhjrjynq5zfw5jr6q | Robert Myers | An East/West Pas De Deux: The Ballets Russes and the Orient in the Modern Western Imagination | 2011 | 5387 | 322 | 21.0 | ./cache/work_5ouska6aqjhjrjynq5zfw5jr6q.pdf | ./txt/work_5ouska6aqjhjrjynq5zfw5jr6q.txt |
work_xi3fiq7w6rbnnhr7znkzuslw7u | Rong-Ding He | To perceive a perfect Dora Maar in peripheral vision | 2016 | 2077 | 170 | 3.0 | ./cache/work_xi3fiq7w6rbnnhr7znkzuslw7u.pdf | ./txt/work_xi3fiq7w6rbnnhr7znkzuslw7u.txt |
work_5ryeoeznbnbppecnak4yvlxntq | Rossana Damiano | Exploring cultural heritage repositories with creative intelligence. The Labyrinth 3D system | 2016 | 10614 | 672 | 27.0 | ./cache/work_5ryeoeznbnbppecnak4yvlxntq.pdf | ./txt/work_5ryeoeznbnbppecnak4yvlxntq.txt |
work_ihzbus5cebgbjhglsduyqy3t6q | Rossana Damiano | Labyrinth 3D. Cultural archetypes for exploring media archives | 2016 | 11625 | 2819 | 42.0 | ./cache/work_ihzbus5cebgbjhglsduyqy3t6q.pdf | ./txt/work_ihzbus5cebgbjhglsduyqy3t6q.txt |
work_sklmn5i3qvh3re3dgagmjmedfy | Russell Kennedy | Looking Back to Move Forward: The Dymaxion Revisited | 2015 | 4321 | 342 | 9.0 | ./cache/work_sklmn5i3qvh3re3dgagmjmedfy.pdf | ./txt/work_sklmn5i3qvh3re3dgagmjmedfy.txt |
work_k2mgugqiorgfdjzpg4ipsnmi3m | Sami Arpa | Perceptual 3D rendering based on principles of analytical cubism | 2012 | 11288 | 1096 | 14.0 | ./cache/work_k2mgugqiorgfdjzpg4ipsnmi3m.pdf | ./txt/work_k2mgugqiorgfdjzpg4ipsnmi3m.txt |
work_me5bvbyqkve6dpmffyoj5hq3gy | Samyel Lee | The Power Of Cinema On The Korean Peninsula | 2015 | 5135 | 340 | 12.0 | ./cache/work_me5bvbyqkve6dpmffyoj5hq3gy.pdf | ./txt/work_me5bvbyqkve6dpmffyoj5hq3gy.txt |
work_eyurqkl6ozecxa6npxelcricxy | Sang Gu Lee | Why Should We Perform Endoscopic Spine Surgery? | 2020 | 1094 | 92 | 2.0 | ./cache/work_eyurqkl6ozecxa6npxelcricxy.pdf | ./txt/work_eyurqkl6ozecxa6npxelcricxy.txt |
work_vc4xr63hcrbzdmtaua4ein2g2q | Sarah Zylinski | Fun and play in invertebrates | 2015 | 2854 | 247 | 3.0 | ./cache/work_vc4xr63hcrbzdmtaua4ein2g2q.pdf | ./txt/work_vc4xr63hcrbzdmtaua4ein2g2q.txt |
work_jqkxghsxcvfrvniurk27t4wp4e | Savine Faupin | Auguste Forestier''s unbroken wanderlust | 2016 | 1317 | 107 | 3.0 | ./cache/work_jqkxghsxcvfrvniurk27t4wp4e.pdf | ./txt/work_jqkxghsxcvfrvniurk27t4wp4e.txt |
work_eh7e33pcbzcfbljxotmv25qb4q | Sebastian de Haro | J.R. Leibowitz: Hidden Harmony. The Connected Worlds of Physics and Art | 2009 | 2142 | 282 | 4.0 | ./cache/work_eh7e33pcbzcfbljxotmv25qb4q.pdf | ./txt/work_eh7e33pcbzcfbljxotmv25qb4q.txt |
work_zvufxd3ygne6raqcqlv77dzgsu | Seda Dural | Imagine a mouse and an elephant: Hemispheric asymmetries of imagination | 2016 | 648 | 130 | nan | ./cache/work_zvufxd3ygne6raqcqlv77dzgsu.pdf | ./txt/work_zvufxd3ygne6raqcqlv77dzgsu.txt |
work_ndpuahayjffehcbvy6ozv37wvy | Sedat BALKIR | SANAT-SANATÇI VE BİR META NESNESİ OLARAK SANAT ESERİ | 2020 | 4543 | 616 | 14.0 | ./cache/work_ndpuahayjffehcbvy6ozv37wvy.pdf | ./txt/work_ndpuahayjffehcbvy6ozv37wvy.txt |
work_ztbmh3tmarfpbmyhgxb56dczmy | Sergey Lebedev | Drawing Movements as an Outcome of the Principle of Least Action | 2001 | 3360 | 450 | 10.0 | ./cache/work_ztbmh3tmarfpbmyhgxb56dczmy.pdf | ./txt/work_ztbmh3tmarfpbmyhgxb56dczmy.txt |
work_qomcok57tna2zgwxrkorfku7ru | Seung-Hee Suh | Inherent Properties of Fashion Accepted as Art through Expansion of Contemporary Art | 2013 | 5938 | 1689 | 13.0 | ./cache/work_qomcok57tna2zgwxrkorfku7ru.pdf | ./txt/work_qomcok57tna2zgwxrkorfku7ru.txt |
work_cebqso4esbfixbar6ogmmkv6a4 | Sheila Naghshineh | Formal Art Observation Training Improves Medical Students'' Visual Diagnostic Skills | 2008 | 144 | 25 | nan | ./cache/work_cebqso4esbfixbar6ogmmkv6a4.pdf | ./txt/work_cebqso4esbfixbar6ogmmkv6a4.txt |
work_ifos2pkg2ngqdk7jnymk2xuvra | Soleni Biscouto Fressato | Tênues limites entre o cinema documentário e ficcional. O exemplo de O Mistério de Picasso | 2011 | 3546 | 478 | 12.0 | ./cache/work_ifos2pkg2ngqdk7jnymk2xuvra.pdf | ./txt/work_ifos2pkg2ngqdk7jnymk2xuvra.txt |
work_tblc4nnchbhi7agg5qyj3klm6a | Stephen P. Dunn | A Bulgakov Anthology. By Sergius Bulgakov. Edited by James Pain and Nicolas Zernov. Introduction by James Pain. Memoir by Lev Zander. Philadelphia: The Westminster Press, 1976. xxvi, 191 pp. $12.50 | 1978 | 1328 | 74 | 2.0 | ./cache/work_tblc4nnchbhi7agg5qyj3klm6a.pdf | ./txt/work_tblc4nnchbhi7agg5qyj3klm6a.txt |
work_vb45xvux2fdd3haco5h2nwwxci | Steve Kempster | The "Finger Puppets" | 2014 | 2488 | 210 | 7.0 | ./cache/work_vb45xvux2fdd3haco5h2nwwxci.pdf | ./txt/work_vb45xvux2fdd3haco5h2nwwxci.txt |
work_fwpygjl5sjgubcwonytnssqlka | Stuart G. Baker | Development Tracks for Cancer Prevention Markers | 2004 | 4781 | 360 | 7.0 | ./cache/work_fwpygjl5sjgubcwonytnssqlka.pdf | ./txt/work_fwpygjl5sjgubcwonytnssqlka.txt |
work_lse663omxjdw7h6woe6hmbdz3e | Sumardianshah Silah | Practice Based Research in Craft Education: Approaches to Research Work Book | 2013 | 4009 | 360 | 10.0 | ./cache/work_lse663omxjdw7h6woe6hmbdz3e.pdf | ./txt/work_lse663omxjdw7h6woe6hmbdz3e.txt |
work_6az73qbhh5bo7bkurfgeispjrm | Sun-Young Kim | A Study on the Environmental Color of New Genre Public Art in Luzinterruptus'' Work | 2016 | 4968 | 1789 | 9.0 | ./cache/work_6az73qbhh5bo7bkurfgeispjrm.pdf | ./txt/work_6az73qbhh5bo7bkurfgeispjrm.txt |
work_rc6lhlcx45gzfmy267uc5kngsq | Svitlana Smolenska | Avant-garde architecture and art of the 1920s–1930s in Ukraine and European modernism: interpenetration methods | 2019 | 3971 | 360 | 8.0 | ./cache/work_rc6lhlcx45gzfmy267uc5kngsq.pdf | ./txt/work_rc6lhlcx45gzfmy267uc5kngsq.txt |
work_gfjqb3y3mjcana5tam6yntxtpi | Swathi Eluri | IMportance of an Irregular Z Line: Is Barrett''s in the Eye of the Beholder? | 2018 | 2074 | 160 | 3.0 | ./cache/work_gfjqb3y3mjcana5tam6yntxtpi.pdf | ./txt/work_gfjqb3y3mjcana5tam6yntxtpi.txt |
work_oqs444cepja5leqqoxhf5zhmoa | Sylvain Bureau | Entrepreneurship as an art of subversion | 2014 | 13759 | 1064 | 26.0 | ./cache/work_oqs444cepja5leqqoxhf5zhmoa.pdf | ./txt/work_oqs444cepja5leqqoxhf5zhmoa.txt |
work_nqlksuqcwjfedlttcvqw7cagve | THADDEUS METZ | Fundamental conditions of human existence as the ground of life''s meaning: reply to Landau | 2014 | 6308 | 313 | 23.0 | ./cache/work_nqlksuqcwjfedlttcvqw7cagve.pdf | ./txt/work_nqlksuqcwjfedlttcvqw7cagve.txt |
work_levhsenu5fh35hcdkevy55tdgq | The Lancet | Alcohol and cancer | 2017 | 772 | 57 | 1.0 | ./cache/work_levhsenu5fh35hcdkevy55tdgq.pdf | ./txt/work_levhsenu5fh35hcdkevy55tdgq.txt |
work_yysmmqftrfcl5irddrjvdhcqxy | Tolga AKALIN | THE EFFECT OF THE PLASTIC ART WORKS TO THE MODERN CITY CONCEPTS | 2014 | 3066 | 594 | 12.0 | ./cache/work_yysmmqftrfcl5irddrjvdhcqxy.pdf | ./txt/work_yysmmqftrfcl5irddrjvdhcqxy.txt |
work_dqxbod6vcjfupilxcqnvzdeamu | Valentina Beretta | Truth selection for truth discovery models exploiting ordering relationship among values | 2018 | 13663 | 2467 | 36.0 | ./cache/work_dqxbod6vcjfupilxcqnvzdeamu.pdf | ./txt/work_dqxbod6vcjfupilxcqnvzdeamu.txt |
work_pow3yod6ebhmnnrg3nvmf6k2xe | Vesna Mikic | Different shapes of modernism/neoclassicism: Case study of Dušan Radić''s creative output | 2006 | 4615 | 890 | 14.0 | ./cache/work_pow3yod6ebhmnnrg3nvmf6k2xe.pdf | ./txt/work_pow3yod6ebhmnnrg3nvmf6k2xe.txt |
work_7l3qfqdo5ze2zlbrkyy723wyo4 | Vida Demarin | Arts, Brain and Cognition | 2016 | 4839 | 475 | 6.0 | ./cache/work_7l3qfqdo5ze2zlbrkyy723wyo4.pdf | ./txt/work_7l3qfqdo5ze2zlbrkyy723wyo4.txt |
work_yf7rhvygurgdnl7dqj64375qze | Viktor F. Petrenko | Metaphor as a Basic Mechanism of Art (Painting) | 2012 | 9937 | 838 | 37.0 | ./cache/work_yf7rhvygurgdnl7dqj64375qze.pdf | ./txt/work_yf7rhvygurgdnl7dqj64375qze.txt |
work_y3rblzqbj5cpxnolqt3tklrtsa | Viktor de Boer | Extracting historical time periods from the Web | 2010 | 4974 | 520 | 12.0 | ./cache/work_y3rblzqbj5cpxnolqt3tklrtsa.pdf | ./txt/work_y3rblzqbj5cpxnolqt3tklrtsa.txt |
work_nzmfhpmfrra37htfobo2omtznm | Violeta Bakalchev | Lines and Frames: Architecture in a Period of Migration | 2017 | 5277 | 445 | 21.0 | ./cache/work_nzmfhpmfrra37htfobo2omtznm.pdf | ./txt/work_nzmfhpmfrra37htfobo2omtznm.txt |
work_skej3jc4uzbyhc4wvptg4rayju | X. Antón Castro | Journalism, Caricature and Satirical Drawings in Early Picasso (1891–1895): The Awakening of Pablo Ruiz''s Critical Consciousness | 2017 | 14253 | 896 | 19.0 | ./cache/work_skej3jc4uzbyhc4wvptg4rayju.pdf | ./txt/work_skej3jc4uzbyhc4wvptg4rayju.txt |
work_kkez6le2mzdzfdu7fjhtd6cnzi | Yoon Ha | War, Peace, and Neurospine | 2018 | 1119 | 78 | 2.0 | ./cache/work_kkez6le2mzdzfdu7fjhtd6cnzi.pdf | ./txt/work_kkez6le2mzdzfdu7fjhtd6cnzi.txt |
work_zevsqc3i5vfptlkhhpzztyrxhm | Young-Beam Yoon | A Study on Dadaism and Photomontage | 2013 | 4710 | 1587 | 10.0 | ./cache/work_zevsqc3i5vfptlkhhpzztyrxhm.pdf | ./txt/work_zevsqc3i5vfptlkhhpzztyrxhm.txt |
work_gr5i3thbdrc2fflsmoj37iiwem | Zeina Elcheikh | Nizar Sabour. Places and Memories, War and Love | 2019 | 1614 | 181 | 5.0 | ./cache/work_gr5i3thbdrc2fflsmoj37iiwem.pdf | ./txt/work_gr5i3thbdrc2fflsmoj37iiwem.txt |
work_whhvxrkap5hjfccw7lrjrwvmha | Zeina Elcheikh | Remembering 10 June. Curating Memory in Lidice und Oradour | 2020 | 1881 | 192 | 8.0 | ./cache/work_whhvxrkap5hjfccw7lrjrwvmha.pdf | ./txt/work_whhvxrkap5hjfccw7lrjrwvmha.txt |
work_vgggzbjynzeppb5ziuxpcjgwwq | Zhanli Sun | Simple or complicated agent-based models? A complicated issue | 2016 | 12403 | 992 | 32.0 | ./cache/work_vgggzbjynzeppb5ziuxpcjgwwq.pdf | ./txt/work_vgggzbjynzeppb5ziuxpcjgwwq.txt |
work_z7cd2swfefcphjsbu62fnexlyu | Zhenqi Ding | Cervical ossification of the posterior longitudinal ligament: Anterior versus posterior approach | 2012 | 2381 | 230 | 4.0 | ./cache/work_z7cd2swfefcphjsbu62fnexlyu.pdf | ./txt/work_z7cd2swfefcphjsbu62fnexlyu.txt |
work_eas6axtsbjhfljsqjnpedinjg4 | Zülfikar Sayın | Sanatçı Göstergesi Olarak Ekslibris | 2017 | 4453 | 708 | 14.0 | ./cache/work_eas6axtsbjhfljsqjnpedinjg4.pdf | ./txt/work_eas6axtsbjhfljsqjnpedinjg4.txt |
work_z4gvkva5pvf2tkm5ssuhe4k7g4 | Özgür CENGİZ | An Evaluation of the Effects of Fractal Geometry on Contemporary Artworks | 2020 | 3205 | 516 | 14.0 | ./cache/work_z4gvkva5pvf2tkm5ssuhe4k7g4.pdf | ./txt/work_z4gvkva5pvf2tkm5ssuhe4k7g4.txt |
work_5t3fcd4q7rbdbalywgezqd3bqm | Özlem Uzundemir | REFRAMING PABLO PICASSO AND DORA MAAR IN GRACE NICHOLS S "WEEPING WOMAN" | 2018 | 3488 | 233 | 7.0 | ./cache/work_5t3fcd4q7rbdbalywgezqd3bqm.pdf | ./txt/work_5t3fcd4q7rbdbalywgezqd3bqm.txt |
work_3i2x5r65rfbb5amel53owj7zxq | Şemsettin DAĞLI | İslam Plastik Sanatlarında Soyutlayıcı Yaklaşımlar ve Batı Sanatı Üzerindeki Yan | 2018 | 6017 | 860 | 20.0 | ./cache/work_3i2x5r65rfbb5amel53owj7zxq.pdf | ./txt/work_3i2x5r65rfbb5amel53owj7zxq.txt |
work_qfc4fhuqe5crvpzjzrmkngq4na | 이종애 | A Study on the Make-up Works Applying Feature of Cubism | 2016 | 1164 | 273 | 2.0 | ./cache/work_qfc4fhuqe5crvpzjzrmkngq4na.pdf | ./txt/work_qfc4fhuqe5crvpzjzrmkngq4na.txt |