Bibliographics

This is a table of authors, titles, dates and other bibliographic information; it is a list metadata describing the content of your study carrel. Think of it as your library.

id author title date words sentences pages cache text
work_s366qv3rr5fyvptkbwuqob5fsq(:Unkn) UnknownWhen the People are the Context. Putting the "Minor" Picasso-Arias Collection and Its "Major" Context onto the Web201524365113.0./cache/work_s366qv3rr5fyvptkbwuqob5fsq.pdf./txt/work_s366qv3rr5fyvptkbwuqob5fsq.txt
work_5afqy7hflbg7bodhnnw3zbccemA KoziczakTHE FORM OF PAINTER''S SIGNATURE AND ITS SUITABILITY FOR THE ASSESSMENT OF THE AUTHENTICITY OF PAINTINGS201730612308.0./cache/work_5afqy7hflbg7bodhnnw3zbccem.pdf./txt/work_5afqy7hflbg7bodhnnw3zbccem.txt
work_3z72acm7rfejdhsqoszi5krx5iA. Daniel YarmeyI recognize your face but I can''t remember your name: Further evidence on the tip-of-the-tongue phenomenon197331842314.0./cache/work_3z72acm7rfejdhsqoszi5krx5i.pdf./txt/work_3z72acm7rfejdhsqoszi5krx5i.txt
work_blqd4m5ncjb23gij5h6gabx66yA. R. MarksRepaving the Road to Biomedical Innovation Through Academia201114428nan./cache/work_blqd4m5ncjb23gij5h6gabx66y.pdf./txt/work_blqd4m5ncjb23gij5h6gabx66y.txt
work_t4al4kwsgnfthgjbtvrr7a3guqAdrian FurnhamPersonality and art preferences198841673665.0./cache/work_t4al4kwsgnfthgjbtvrr7a3guq.pdf./txt/work_t4al4kwsgnfthgjbtvrr7a3guq.txt
work_npijvzrmsfg5th53aywfxjr6tiAdrian-Silvan IonescuVie scientifique201147097398.0./cache/work_npijvzrmsfg5th53aywfxjr6ti.pdf./txt/work_npijvzrmsfg5th53aywfxjr6ti.txt
work_s7d4uiswozdezpjj73ghuwdogmAdriana PetraCULTURA COMUNISTA Y GUERRA FRÍA: LOS INTELECTUALES Y EL MOVIMIENTO POR LA PAZ EN LA ARGENTINA201314045166732.0./cache/work_s7d4uiswozdezpjj73ghuwdogm.pdf./txt/work_s7d4uiswozdezpjj73ghuwdogm.txt
work_webh63j5gjeadjof62pcfg6syiAhmet F SEYMENCUMHURİYET DÖNEMİ ŞEHİRCİLİK ÇALIŞMALARI, ALTYAPI VE KENTSEL YAPILAŞMA SORUNLARI2018541199812.0./cache/work_webh63j5gjeadjof62pcfg6syi.pdf./txt/work_webh63j5gjeadjof62pcfg6syi.txt
work_bq4wh2vkuza6jlxtghx5b45sryAlaattin KARACAThe Second New and Painting20107881150332.0./cache/work_bq4wh2vkuza6jlxtghx5b45sry.pdf./txt/work_bq4wh2vkuza6jlxtghx5b45sry.txt
work_3p2ettibkvcq3mm5kvl25a6a34Alex ForsytheWhat paint can tell us: A fractal analysis of neurological changes in seven artists20171167249nan./cache/work_3p2ettibkvcq3mm5kvl25a6a34.pdf./txt/work_3p2ettibkvcq3mm5kvl25a6a34.txt
work_lbbspmqeqjapdcd6mzk76hgymmAllison LangleyScenes from the life of Picasso''s Still Life (1922): history, materials, and conservation202036072817.0./cache/work_lbbspmqeqjapdcd6mzk76hgymm.pdf./txt/work_lbbspmqeqjapdcd6mzk76hgymm.txt
work_i6322ydparc2bn4u637yhun6qiAmir MuzurBioethics of handedness: from evolution to resolution?200918692086.0./cache/work_i6322ydparc2bn4u637yhun6qi.pdf./txt/work_i6322ydparc2bn4u637yhun6qi.txt
work_q5i3igzm25hcbkfpunthck2xyyAna María Leyra-SorianoMaking images talk: Picasso''s Minotauromachy2019623433012.0./cache/work_q5i3igzm25hcbkfpunthck2xyy.pdf./txt/work_q5i3igzm25hcbkfpunthck2xyy.txt
work_psbukd5xjbbmhje4pnb3tbsbwiAndreia GuerraTeoria da relatividade restrita e geral no programa de mecânica do ensino médio: uma possível abordagem200759279379.0./cache/work_psbukd5xjbbmhje4pnb3tbsbwi.pdf./txt/work_psbukd5xjbbmhje4pnb3tbsbwi.txt
work_4oo2jpu4dncpxn7wbspnukongeAndrej VankoPreparation and Application of Mind Maps in Mathematics Teaching and Analysis of their Advantages in Relation to Classical Teaching Methods2018357342113.0./cache/work_4oo2jpu4dncpxn7wbspnukonge.pdf./txt/work_4oo2jpu4dncpxn7wbspnukonge.txt
work_ofns3rivfjfi3d3drcmemqisgaAndrew S. ChungThe Rationale for Endoscopic Spinal Surgery202017611864.0./cache/work_ofns3rivfjfi3d3drcmemqisga.pdf./txt/work_ofns3rivfjfi3d3drcmemqisga.txt
work_zokasallzza2dogjika3fj4f3uAnna ZhukovaHedonic Pricing on the Fine Art Market2020512273412.0./cache/work_zokasallzza2dogjika3fj4f3u.pdf./txt/work_zokasallzza2dogjika3fj4f3u.txt
work_atq7e2le75evrg5gshtpk5k2ayAnna-Leena ToivanenCartographies of Paris: Everyday mobilities in Michèle Rakotoson''s Elle, au printemps and Alain Mabanckou''s Tais-toi et meurs20191106567939.0./cache/work_atq7e2le75evrg5gshtpk5k2ay.pdf./txt/work_atq7e2le75evrg5gshtpk5k2ay.txt
work_kwrb6ccnd5b2blxdixh3w72ffqArtur FreitasA literalidade e os modos do moderno do início do século XX20167603103417.0./cache/work_kwrb6ccnd5b2blxdixh3w72ffq.pdf./txt/work_kwrb6ccnd5b2blxdixh3w72ffq.txt
work_uq5nrtxyl5cp7a6waxicqn22tmArturo Colorado CastellaryOjo móvil, dinamismo y montaje. El influjo cinematográfico en las primeras vanguardias artísticas20168645122425.0./cache/work_uq5nrtxyl5cp7a6waxicqn22tm.pdf./txt/work_uq5nrtxyl5cp7a6waxicqn22tm.txt
work_c4m7dj54afentm3f2i2segh5nyAsier MarzoA Smart Phone Tool to Create Photo Collages201218351564.0./cache/work_c4m7dj54afentm3f2i2segh5ny.pdf./txt/work_c4m7dj54afentm3f2i2segh5ny.txt
work_vel3hk57vbc5xcaw76v6vw6ty4Atul GoelBasilar Invagination: Instability Is the Cause and Stabilization Is the Treatment202012601133.0./cache/work_vel3hk57vbc5xcaw76v6vw6ty4.pdf./txt/work_vel3hk57vbc5xcaw76v6vw6ty4.txt
work_ro6wj5wx6rh2znf32yz74xyoqiAyhan ÇETINMODERNIST SÜREÇTE TUVAL RESMINE MALZEMEYLE MÜDAHALE201723273206.0./cache/work_ro6wj5wx6rh2znf32yz74xyoqi.pdf./txt/work_ro6wj5wx6rh2znf32yz74xyoqi.txt
work_ex4ptkv24na4jcda55c37horueB F ScharschmidtNurturing creativity: young Turks and young minds199338133105.0./cache/work_ex4ptkv24na4jcda55c37horue.pdf./txt/work_ex4ptkv24na4jcda55c37horue.txt
work_ajo2gm5whvdxbjdsbxcq4nwhdyB. BelkeWhen a Picasso is a "Picasso": The entry point in the identification of visual art20101232599212.0./cache/work_ajo2gm5whvdxbjdsbxcq4nwhdy.pdf./txt/work_ajo2gm5whvdxbjdsbxcq4nwhdy.txt
work_2rqzebt6erhspbnlqq2qb7g62eB. L. HayLes Demoiselles d''Evanston: on the aesthetics of the Wigmore chart2008641262830.0./cache/work_2rqzebt6erhspbnlqq2qb7g62e.pdf./txt/work_2rqzebt6erhspbnlqq2qb7g62e.txt
work_4xbni7w5cjdppgb4ahdjj25klmB. SibbaldCMAJ''s Salon: lateral thinking about health2007721761.0./cache/work_4xbni7w5cjdppgb4ahdjj25klm.pdf./txt/work_4xbni7w5cjdppgb4ahdjj25klm.txt
work_fadihbuombhxtjvbld72dh6szmBaingio PinnaPerceptual Organization of Shape, Color, Shade, and Lighting in Visual and Pictorial Objects20121184970525.0./cache/work_fadihbuombhxtjvbld72dh6szm.pdf./txt/work_fadihbuombhxtjvbld72dh6szm.txt
work_pstcw23cdjbcddzev4qk3x7jnuBanu YucelREFLECTIONS OF WASTE MATERIALS IN CONTEMPORARY ART2020295745410.0./cache/work_pstcw23cdjbcddzev4qk3x7jnu.pdf./txt/work_pstcw23cdjbcddzev4qk3x7jnu.txt
work_jl3ufvuuwzacbac4s4k4slx7miBarbara A. TenenbaumAt the Crossroads: Diego Rivera and His Patrons at MoMA, Rockefeller Center, and the Palace of Fine Arts. By Catha Paquette. Austin: University of Texas Press, 2017. 130 photos. Pp. 342. $95.00 cloth; $29.95 paper20181523913.0./cache/work_jl3ufvuuwzacbac4s4k4slx7mi.pdf./txt/work_jl3ufvuuwzacbac4s4k4slx7mi.txt
work_pgtewhhqxbdrfjm6zvibbvoy2eBarbara KiserLife''s innovations, the enigma of gravity, and how to feed 8 billion: Books in brief2019968661.0./cache/work_pgtewhhqxbdrfjm6zvibbvoy2e.pdf./txt/work_pgtewhhqxbdrfjm6zvibbvoy2e.txt
work_e6bg65k22zgo5apvhvssjow42aBarrie Damarell''Skin'' and Pigment: a glance back at the nature and use of the oil pastel2020879624.0./cache/work_e6bg65k22zgo5apvhvssjow42a.pdf./txt/work_e6bg65k22zgo5apvhvssjow42a.txt
work_2ombz7n2c5d4dffqvm3w57opwyBaşak BOĞDAY SAYĞILIMODADA KÜBİZM ETKİLERİ2018231944310.0./cache/work_2ombz7n2c5d4dffqvm3w57opwy.pdf./txt/work_2ombz7n2c5d4dffqvm3w57opwy.txt
work_xjfmzh5jnreatf5x53lnzl6s2mBeregovska Kh.ICONOGRAPHY AND STYLISTICS IN THE SERIES OF ARTWORKS OF "PASSIONS OF THE CHRIST" BY VASYL KURELEK201845773885.0./cache/work_xjfmzh5jnreatf5x53lnzl6s2m.pdf./txt/work_xjfmzh5jnreatf5x53lnzl6s2m.txt
work_52eulyy5wnburp7hgvaibu5sfyBjörn SundmarkEditorial2018909693.0./cache/work_52eulyy5wnburp7hgvaibu5sfy.pdf./txt/work_52eulyy5wnburp7hgvaibu5sfy.txt
work_rqcn5dxc4jdmbj2wgqc7hrc2t4Buenaventura DELGADOLos libros de texto como fuente para la Historia de la Educación201027913376.0./cache/work_rqcn5dxc4jdmbj2wgqc7hrc2t4.pdf./txt/work_rqcn5dxc4jdmbj2wgqc7hrc2t4.txt
work_ticexmmmjfff5pxtsxdgogthsiC.B VinerThe Formal Deviant: The Innovative Features of E. E. Cummings''s ''next to of course god america i''201927342785.0./cache/work_ticexmmmjfff5pxtsxdgogthsi.pdf./txt/work_ticexmmmjfff5pxtsxdgogthsi.txt
work_6xj45dxwavcbjj3xxyyi2vkmnyCamila LoureiroExtensão rural e desenvolvimento com sustentabilidade cultural: o Ponto de Cultura no Sertão Pernambucano (Brasil)200759867649.0./cache/work_6xj45dxwavcbjj3xxyyi2vkmny.pdf./txt/work_6xj45dxwavcbjj3xxyyi2vkmny.txt
work_dpukmp5hp5fgzcjtodasq7fjxmCamilla SmithWas Nicht im "Baedeker" Steht201813420108636.0./cache/work_dpukmp5hp5fgzcjtodasq7fjxm.pdf./txt/work_dpukmp5hp5fgzcjtodasq7fjxm.txt
work_v5ohivjvkrfnzhbocbkpbb7ixyCamille PagliaThe North American Intellectual Tradition2002539935214.0./cache/work_v5ohivjvkrfnzhbocbkpbb7ixy.pdf./txt/work_v5ohivjvkrfnzhbocbkpbb7ixy.txt
work_uz6luitbwjg53hwcmp537lv4cyCarl SnydermanNorth American Skull Base Society 26th Annual Meeting: Innovation and Creativity in Skull Base Surgery201614425nan./cache/work_uz6luitbwjg53hwcmp537lv4cy.pdf./txt/work_uz6luitbwjg53hwcmp537lv4cy.txt
work_w7hcambwjrhhfoj7rphjtajpu4Carlo LisottoO002. Did Picasso and De Chirico really suffer from migraine auras?2015666621.0./cache/work_w7hcambwjrhhfoj7rphjtajpu4.pdf./txt/work_w7hcambwjrhhfoj7rphjtajpu4.txt
work_vmwzwwe3pnhetddg7hlp7325raCarlos M González FischerRegional and local determinants of rodent assemblages in agroecosystems of the Argentine Pampas201766666078.0./cache/work_vmwzwwe3pnhetddg7hlp7325ra.pdf./txt/work_vmwzwwe3pnhetddg7hlp7325ra.txt
work_le2gtb6gwffelgdy4qgdcik3emCarlos Salas GonzálezSombras amenazantes y personajes-sombra. Del cine a la pintura201043445059.0./cache/work_le2gtb6gwffelgdy4qgdcik3em.pdf./txt/work_le2gtb6gwffelgdy4qgdcik3em.txt
work_iwopkjv2ubgnrlu3l3ndreqefmChanning J PallerYouth has no age: cancer treatment for older Americans201014425nan./cache/work_iwopkjv2ubgnrlu3l3ndreqefm.pdf./txt/work_iwopkjv2ubgnrlu3l3ndreqefm.txt
work_2f3mobevijdorp5vk6lreipuieCharlotte Heath-KellyPicasso at the Bombsite: Whither Resilient Place?201525531717.0./cache/work_2f3mobevijdorp5vk6lreipuie.pdf./txt/work_2f3mobevijdorp5vk6lreipuie.txt
work_wzdtbyuk75cnvaacbixfx5tb2yChiara AmbrosioCubism and the Fourth Dimension20161040961019.0./cache/work_wzdtbyuk75cnvaacbixfx5tb2y.pdf./txt/work_wzdtbyuk75cnvaacbixfx5tb2y.txt
work_idzolz5mkneuzdpmtw2ebkqdcmChih-Chang ChangThe Nuances of Occipitocervical Instability and Stenosis in Patients With Basilar Invagination and Atlantoaxial Dislocation2019908912.0./cache/work_idzolz5mkneuzdpmtw2ebkqdcm.pdf./txt/work_idzolz5mkneuzdpmtw2ebkqdcm.txt
work_mfod347e5bbr5kx5qvnxg6j47iChris TurneyRadiocarbon revolution: the story of an isotope201916541302.0./cache/work_mfod347e5bbr5kx5qvnxg6j47i.pdf./txt/work_mfod347e5bbr5kx5qvnxg6j47i.txt
work_ft5wuzvif5brrpx6vltficy2qmChristiane HellmanzikLocation matters: Estimating cluster premiums for prominent modern artists20101030224nan./cache/work_ft5wuzvif5brrpx6vltficy2qm.pdf./txt/work_ft5wuzvif5brrpx6vltficy2qm.txt
work_mthflpex4rfyzbeheb45z6pl3mChristopher E. ArcadiaMulticomponent molecular memory2020755810028.0./cache/work_mthflpex4rfyzbeheb45z6pl3m.pdf./txt/work_mthflpex4rfyzbeheb45z6pl3m.txt
work_6deeimjrfve7bpjcc77u45bodeChua Yan PiawEstablishing a Brain Styles Test: The YBRAINS Test201157915139.0./cache/work_6deeimjrfve7bpjcc77u45bode.pdf./txt/work_6deeimjrfve7bpjcc77u45bode.txt
work_4r4bfhb4dngefilqgf2rxvbkymChua Yan PiawHindrances to Internal Creative Thinking and Thinking Styles of Malaysian Teacher Trainees in the Specialist Teachers'' Training Institute201137212996.0./cache/work_4r4bfhb4dngefilqgf2rxvbkym.pdf./txt/work_4r4bfhb4dngefilqgf2rxvbkym.txt
work_7zuvrdfg7vbbtkyhu3lttiqjjqChun-Kun ParkInside-Out and Outside-In Techniques in Endoscopic Spine Surgery: Are These Techniques Efficient Even for Pathology Irrelevant to the Intervertebral Foramen?202013081113.0./cache/work_7zuvrdfg7vbbtkyhu3lttiqjjq.pdf./txt/work_7zuvrdfg7vbbtkyhu3lttiqjjq.txt
work_tunrihlei5fexe5hczy6dyr7kiClaudia MuthGive Me Gestalt! Preference for Cubist Artworks Revealing High Detectability of Objects201320521942.0./cache/work_tunrihlei5fexe5hczy6dyr7ki.pdf./txt/work_tunrihlei5fexe5hczy6dyr7ki.txt
work_bgonyn4hdveepn7cogumhhxfjqClifton O. DummettConsumer-Provider Conflict in Health Service Recommendations197314426nan./cache/work_bgonyn4hdveepn7cogumhhxfjq.pdf./txt/work_bgonyn4hdveepn7cogumhhxfjq.txt
work_mevee444jbcu5j3f4ubuafejsmCorinne AndersenI Am Not Who "I" Pretend to Be: The Autobiography of Alice B. Toklas and its Photographic Frontispiece20055808103813.0./cache/work_mevee444jbcu5j3f4ubuafejsm.pdf./txt/work_mevee444jbcu5j3f4ubuafejsm.txt
work_n5xdku3i3zhkdlw23cm5n7nu4yCraig WrightLive Theater and the Limits of Human Freedom201140621965.0./cache/work_n5xdku3i3zhkdlw23cm5n7nu4y.pdf./txt/work_n5xdku3i3zhkdlw23cm5n7nu4y.txt
work_qstpugqrvzgaxdmw6pvyaqym6mCristina Elgue-MartiniAmerican Space and European Theory. Dialogd in Literature and Painting201640525178.0./cache/work_qstpugqrvzgaxdmw6pvyaqym6m.pdf./txt/work_qstpugqrvzgaxdmw6pvyaqym6m.txt
work_mahyskvdknbsxlvidiy2djjdeuCristina Elgue-MartiniPresentación201916241903.0./cache/work_mahyskvdknbsxlvidiy2djjdeu.pdf./txt/work_mahyskvdknbsxlvidiy2djjdeu.txt
work_qva4px3zbvfelc4ojp7euslttmCristina PortalésWhen Augmented Reality Met Art: Lessons Learned from Researcher–Artist Interdisciplinary Work2018849063811.0./cache/work_qva4px3zbvfelc4ojp7euslttm.pdf./txt/work_qva4px3zbvfelc4ojp7euslttm.txt
work_b4nytp5k35gqrjthqmywcrrctmD. W. ZaidelBraque and Kokoschka: Brain Tissue Injury and Preservation of Artistic Skill201745274447.0./cache/work_b4nytp5k35gqrjthqmywcrrctm.pdf./txt/work_b4nytp5k35gqrjthqmywcrrctm.txt
work_frs2bdylpfhg5mpm2xkpmwapjyD.D. SeligmannInteractive and informative art200338244247.0./cache/work_frs2bdylpfhg5mpm2xkpmwapjy.pdf./txt/work_frs2bdylpfhg5mpm2xkpmwapjy.txt
work_lmvwnf4ysvdznaywqou6yhu47mDaniel LearyPoetic Guard201129021993.0./cache/work_lmvwnf4ysvdznaywqou6yhu47m.pdf./txt/work_lmvwnf4ysvdznaywqou6yhu47m.txt
work_wkrmox26ezflvcuurc7zx37l5qDariush RahiminiaNisbet R., Sociology as an art form201717562643.0./cache/work_wkrmox26ezflvcuurc7zx37l5q.pdf./txt/work_wkrmox26ezflvcuurc7zx37l5q.txt
work_z6m6ionjdfev3d5xnaezqnhkeeDavid ButiPicasso''s Acrobat Family in focus: an investigation of materials and techniques of an iconic work in the collection of the Gothenburg Museum of Art202049854659.0./cache/work_z6m6ionjdfev3d5xnaezqnhkee.pdf./txt/work_z6m6ionjdfev3d5xnaezqnhkee.txt
work_ervfgxspazcm5gzpqcaqhlj7vmDavid ChelazziMicroemulsions, Micelles, and Functional Gels: How Colloids and Soft Matter Preserve Works of Art2018103nan./cache/work_ervfgxspazcm5gzpqcaqhlj7vm.pdf./txt/work_ervfgxspazcm5gzpqcaqhlj7vm.txt
work_m55vwg7z4zhsnkp4e3socuiut4David Gamella GonzálezEl acierto de las equivocaciones. Aportaciones de la neurociencia cognitiva al proceso de aprendizaje2019582187114.0./cache/work_m55vwg7z4zhsnkp4e3socuiut4.pdf./txt/work_m55vwg7z4zhsnkp4e3socuiut4.txt
work_esn2t2exvzcyjjc3wwil4pmmqqDavid M. CoppolaIntroduction to the special issue of the journal of bioenergetics and biomembranes: neural plasticity in developing and adult olfactory pathways2019881492.0./cache/work_esn2t2exvzcyjjc3wwil4pmmqq.pdf./txt/work_esn2t2exvzcyjjc3wwil4pmmqq.txt
work_e3gpzlqr7fhmpav3kao675k2qaDeborah RothschildPicasso''s El Bobo2001531128nan./cache/work_e3gpzlqr7fhmpav3kao675k2qa.pdf./txt/work_e3gpzlqr7fhmpav3kao675k2qa.txt
work_5qksph56ezgxlgkcyck3dpa4ueDenise HansenEuropean creativity and American experience201214425nan./cache/work_5qksph56ezgxlgkcyck3dpa4ue.pdf./txt/work_5qksph56ezgxlgkcyck3dpa4ue.txt
work_jum53bzee5e4hg6h6rxwidrbvyDeniz GÖKDUMANRESİM SANATINDA 1940-1960 YILLARI ARASINDA SOYUT DIŞAVURUMCU AKIMLAR20188318141022.0./cache/work_jum53bzee5e4hg6h6rxwidrbvy.pdf./txt/work_jum53bzee5e4hg6h6rxwidrbvy.txt
work_7nyvjiogy5a6xp2jp2zc7snwdmDerya Canİlköğretim Ders Kitaplarında Engellilik20175688120315.0./cache/work_7nyvjiogy5a6xp2jp2zc7snwdm.pdf./txt/work_7nyvjiogy5a6xp2jp2zc7snwdm.txt
work_xqbf4ec6gzgxjperxfth4zz7giDilek AcerA Study on the Effect of Aesthetic Education on the Development of Aesthetic Judgment of Six-year-old Children200741374216.0./cache/work_xqbf4ec6gzgxjperxfth4zz7gi.pdf./txt/work_xqbf4ec6gzgxjperxfth4zz7gi.txt
work_fw5hn5vfkjbwfjszhpzvrlh7ryDjordje AlfirevicVisual expression in architecture20118450115913.0./cache/work_fw5hn5vfkjbwfjszhpzvrlh7ry.pdf./txt/work_fw5hn5vfkjbwfjszhpzvrlh7ry.txt
work_6usyt4f6c5cmfa6tctfemo6bwyDominique BerthetMontage and Assemblage: an Aesthetic Shock2019426338812.0./cache/work_6usyt4f6c5cmfa6tctfemo6bwy.pdf./txt/work_6usyt4f6c5cmfa6tctfemo6bwy.txt
work_putqykgvy5betdmg7jwak52hj4Dominique de Font-RéaulxCarlo Ginzburg, Peur, révérence, terreur. Quatre essais d''iconographie politique2015693953.0./cache/work_putqykgvy5betdmg7jwak52hj4.pdf./txt/work_putqykgvy5betdmg7jwak52hj4.txt
work_hk57jvs5mjcx3e6ht26gqlpxlqEero HyvönenPublishing and Using Cultural Heritage Linked Data on the Semantic Web201213676177148.0./cache/work_hk57jvs5mjcx3e6ht26gqlpxlq.pdf./txt/work_hk57jvs5mjcx3e6ht26gqlpxlq.txt
work_mbrastzd4raatneejkkyh7oiniEftychia StamkouThe art of influence: When and why deviant artists gain impact201825857406229.0./cache/work_mbrastzd4raatneejkkyh7oini.pdf./txt/work_mbrastzd4raatneejkkyh7oini.txt
work_ehgnuefj2vax5alozv2g62fsbiElena GUARDIOLA«Of the Doctor Who does not Know More than Medicine...» Or the Publication of Nonmedical Articles in Medical Journals201619753413.0./cache/work_ehgnuefj2vax5alozv2g62fsbi.pdf./txt/work_ehgnuefj2vax5alozv2g62fsbi.txt
work_j5cjhr6jqvfyhpyr5ozh76wq4aElio Amilcar Farfan TorrellesCriteria for Investing in the Market of Visual Arts2019732158510.0./cache/work_j5cjhr6jqvfyhpyr5ozh76wq4a.pdf./txt/work_j5cjhr6jqvfyhpyr5ozh76wq4a.txt
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