This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
early english books online | 72 |
in as much as | 51 |
in order to the | 49 |
there is not any | 47 |
the motions of the | 44 |
that there is a | 40 |
is not to be | 36 |
the motion of the | 35 |
the art how to | 35 |
art how to know | 35 |
how to know men | 35 |
represented either as utf | 30 |
characters represented either as | 30 |
it is to be | 27 |
it is not to | 26 |
parts of the body | 24 |
conformation of the parts | 24 |
the conformation of the | 23 |
motions of the soul | 23 |
the government of the | 22 |
in the midst of | 22 |
and that it is | 21 |
in the first place | 20 |
and are to be | 20 |
as we have shewn | 20 |
as much as the | 20 |
the parts of the | 20 |
institutions providing financial support | 19 |
and markup reviewed and | 19 |
keyed and coded from | 19 |
by the institutions providing | 19 |
books online text creation | 19 |
edition of the work | 19 |
encoded edition of the | 19 |
coded from proquest page | 19 |
images scanned from microfilm | 19 |
even for commercial purposes | 19 |
the institutions providing financial | 19 |
encoded text transcribed from | 19 |
according to the terms | 19 |
from proquest page images | 19 |
work described above is | 19 |
assigned for keying and | 19 |
support to the early | 19 |
on the other side | 19 |
markup reviewed and edited | 19 |
of the work described | 19 |
providing financial support to | 19 |
by reason of the | 19 |
the early english books | 19 |
text and markup reviewed | 19 |
terms of creative commons | 19 |
phase i text is | 19 |
and encoded edition of | 19 |
for keying and markup | 19 |
english books online text | 19 |
online text creation partnership | 19 |
all without asking permission | 19 |
text can be copied | 19 |
financial support to the | 19 |
and coded from proquest | 19 |
this phase i text | 19 |
iv tiff page images | 19 |
the work described above | 19 |
as we shall shew | 19 |
the terms of creative | 19 |
is available for reuse | 19 |
to the terms of | 19 |
owned by the institutions | 19 |
keyboarded and encoded edition | 19 |
described above is co | 19 |
i text is available | 19 |
to the early english | 19 |
tcp assigned for keying | 19 |
the text can be | 19 |
text is available for | 19 |
this keyboarded and encoded | 19 |
as well as the | 18 |
of the sensitive appetite | 18 |
are to be sold | 18 |
is one of the | 18 |
the nature of the | 18 |
after the same manner | 17 |
there is a necessity | 17 |
eng characters and characteristics | 17 |
it may be said | 17 |
to the discovery of | 16 |
was divided into two | 16 |
hath the government of | 16 |
that there are some | 16 |
proquest via their early | 15 |
with level of the | 15 |
corrected and characters marked | 15 |
to simplify the filling | 15 |
did not meet qa | 15 |
project was divided into | 15 |
second or later edition | 15 |
work was chosen if | 15 |
be marked as illegible | 15 |
to tei p using | 15 |
companies for transcription and | 15 |
and attribution is given | 15 |
there was a compelling | 15 |
all likelihood such instances | 15 |
been transformed into placeholder | 15 |
text strings within braces | 15 |
in of gaps by | 15 |
tcp files to tei | 15 |
not meet qa standards | 15 |
new cambridge bibliography of | 15 |
assumptions that can be | 15 |
of each text was | 15 |
a limit of instances | 15 |
copies of the texts | 15 |
been looked at by | 15 |
was based on the | 15 |
were corrected where possible | 15 |
in oxford and michigan | 15 |
to reflect the true | 15 |
were returned to the | 15 |
accordance with level of | 15 |
errors will remain and | 15 |
is given to their | 15 |
external keying companies for | 15 |
and use these texts | 15 |
of a works in | 15 |
processes should make clear | 15 |
the tei in libraries | 15 |
a works in english | 15 |
and those which did | 15 |
understanding these processes should | 15 |
were sent to external | 15 |
project restraints of time | 15 |
these processes should make | 15 |
divided into two phases | 15 |
makes use of the | 15 |
that can be made | 15 |
wide variety of subject | 15 |
for transcription and basic | 15 |
based on the new | 15 |
the keyers to be | 15 |
chose to create diplomatic | 15 |
the overall quality of | 15 |
by proquest via their | 15 |
carried out by editorial | 15 |
to create diplomatic transcriptions | 15 |
filling in of gaps | 15 |
other parts of the | 15 |
the texts were encoded | 15 |
the universities of michigan | 15 |
be aware of the | 15 |
then carried out by | 15 |
created by converting tcp | 15 |
marked as illegible were | 15 |
general aim of eebo | 15 |
enhanced and or corrected | 15 |
which did not meet | 15 |
to produce large quantities | 15 |
likelihood such instances will | 15 |
of the texts have | 15 |
unicode or text strings | 15 |
take and use these | 15 |
request that due credit | 15 |
or corrected and characters | 15 |
and characters marked as | 15 |
the process of creating | 15 |
structural encoding based on | 15 |
domain as of january | 15 |
quality assurance was then | 15 |
create accurately transcribed and | 15 |
changes to facilitate morpho | 15 |
was enhanced and or | 15 |
process of creating the | 15 |
in accordance with level | 15 |
and the publisher proquest | 15 |
qa standards were returned | 15 |
teams in oxford and | 15 |
the public domain as | 15 |
images in accordance with | 15 |
while the overall quality | 15 |
to external keying companies | 15 |
published by proquest via | 15 |
tcp is to encode | 15 |
any remaining illegibles were | 15 |
of works in other | 15 |
should make clear that | 15 |
bibliography of english literature | 15 |
are a number of | 15 |
keying companies for transcription | 15 |
a work was chosen | 15 |
the filling in of | 15 |
guidelines are available at | 15 |
been issued variously as | 15 |
created during phase of | 15 |
edition of a work | 15 |
is a partnership between | 15 |
meet qa standards were | 15 |
text selection was based | 15 |
to the keyers to | 15 |
use these texts for | 15 |
then their works are | 15 |
on the text encoding | 15 |
there are a number | 15 |
encoded as gap s | 15 |
quality of tcp data | 15 |
attribution is given to | 15 |
to encode one copy | 15 |
overall quality of tcp | 15 |
looked at by a | 15 |
later edition of a | 15 |
the text creation partnership | 15 |
is to encode one | 15 |
markup guidelines are available | 15 |
released into the public | 15 |
texts created during phase | 15 |
to range over a | 15 |
on the image sets | 15 |
placeholder characters or elements | 15 |
and linked to page | 15 |
some errors will remain | 15 |
have been released into | 15 |
there is between the | 15 |
sets were sent to | 15 |
possible up to a | 15 |
usual project restraints of | 15 |
transcribed and encoded texts | 15 |
mnemonic sdata character entities | 15 |
by converting tcp files | 15 |
should be aware of | 15 |
encoding based on the | 15 |
for accuracy and those | 15 |
works in other languages | 15 |
aimed to produce large | 15 |
tcp aimed to produce | 15 |
aware of the process | 15 |
limit of instances per | 15 |
and sometimes a second | 15 |
accuracy and those which | 15 |
or text strings within | 15 |
corrected where possible up | 15 |
that in all likelihood | 15 |
for an anonymous work | 15 |
textual data within the | 15 |
tcp project was divided | 15 |
therefore of any assumptions | 15 |
public domain as of | 15 |
a second or later | 15 |
although there are a | 15 |
language title published between | 15 |
instances will never have | 15 |
as illegible were corrected | 15 |
level of the tei | 15 |
opposed to critical editions | 15 |
image sets were sent | 15 |
the print record of | 15 |
at by a tcp | 15 |
of textual data within | 15 |
texts for their own | 15 |
have been looked at | 15 |
characters or elements to | 15 |
oxford and the publisher | 15 |
elements to simplify the | 15 |
accurately transcribed and encoded | 15 |
have been transformed into | 15 |
print record of the | 15 |
tei in libraries guidelines | 15 |
the project have been | 15 |
publisher proquest to create | 15 |
of time and funding | 15 |
a partnership between the | 15 |
range over a wide | 15 |
and available in eebo | 15 |
of the project have | 15 |
were encoded and linked | 15 |
texts have been issued | 15 |
creating the tcp texts | 15 |
during phase of the | 15 |
and markup guidelines are | 15 |
where possible up to | 15 |
by editorial teams in | 15 |
works are eligible for | 15 |
encoding was enhanced and | 15 |
quantities of textual data | 15 |
tcp is a partnership | 15 |
or tei g elements | 15 |
not to be doubted | 15 |
the new cambridge bibliography | 15 |
and therefore of any | 15 |
can now take and | 15 |
was a compelling reason | 15 |
over a wide variety | 15 |
encoded texts based on | 15 |
to page images in | 15 |
record of the period | 15 |
have been issued variously | 15 |
to create accurately transcribed | 15 |
between the universities of | 15 |
characters will be marked | 15 |
some readable characters will | 15 |
credit and attribution is | 15 |
simplify the filling in | 15 |
can be made about | 15 |
with mnemonic sdata character | 15 |
processed by university of | 15 |
based on the text | 15 |
ascii text with mnemonic | 15 |
and therefore chose to | 15 |
published between and available | 15 |
out by editorial teams | 15 |
those which did not | 15 |
to a limit of | 15 |
been released into the | 15 |
notably latin and welsh | 15 |
extent have been transformed | 15 |
creation partnership web site | 15 |
based on the image | 15 |
given to their original | 15 |
of the print record | 15 |
into the public domain | 15 |
was chosen if there | 15 |
with changes to facilitate | 15 |
text creation partnership web | 15 |
by a tcp editor | 15 |
the general aim of | 15 |
elements of known extent | 15 |
sent to external keying | 15 |
into placeholder characters or | 15 |
now take and use | 15 |
transcription and basic encoding | 15 |
via their early english | 15 |
of known extent have | 15 |
the image sets published | 15 |
were encoded as gap | 15 |
at the text creation | 15 |
within the usual project | 15 |
remaining illegibles were encoded | 15 |
for their own purposes | 15 |
the texts have been | 15 |
usually the first edition | 15 |
was intended to range | 15 |
all the parts of | 15 |
we respectfully request that | 15 |
universities of michigan and | 15 |
made about the data | 15 |
will be marked as | 15 |
users should bear in | 15 |
a wide variety of | 15 |
a number of works | 15 |
remain and some readable | 15 |
the usual project restraints | 15 |
tcp data is very | 15 |
restraints of time and | 15 |
a compelling reason to | 15 |
issued variously as sgml | 15 |
the true nature of | 15 |
will never have been | 15 |
whichever is the greater | 15 |
as opposed to critical | 15 |
up to a limit | 15 |
variety of subject areas | 15 |
nature of the print | 15 |
number of works in | 15 |
or later edition of | 15 |
their works are eligible | 15 |
p using tcp tei | 15 |
known extent have been | 15 |
of the process of | 15 |
sometimes a second or | 15 |
that due credit and | 15 |
page images in accordance | 15 |
chosen if there was | 15 |
text with mnemonic sdata | 15 |
data within the usual | 15 |
should bear in mind | 15 |
on the new cambridge | 15 |
texts based on the | 15 |
michigan and oxford and | 15 |
are available at the | 15 |
therefore chose to create | 15 |
selection was based on | 15 |
produce large quantities of | 15 |
returned to the keyers | 15 |
files to tei p | 15 |
mainly structural encoding based | 15 |
are eligible for inclusion | 15 |
phase of the project | 15 |
readable characters will be | 15 |
and oxford and the | 15 |
of creating the tcp | 15 |
or for an anonymous | 15 |
assurance was then carried | 15 |
tei p using tcp | 15 |
of tcp data is | 15 |
texts were encoded and | 15 |
and some readable characters | 15 |
due credit and attribution | 15 |
anyone can now take | 15 |
illegibles were encoded as | 15 |
in english were prioritized | 15 |
or elements to simplify | 15 |
if there was a | 15 |
the publisher proquest to | 15 |
included and sometimes a | 15 |
of a work was | 15 |
respectfully request that due | 15 |
keyers to be redone | 15 |
was proofread for accuracy | 15 |
to their original source | 15 |
encoded and linked to | 15 |
the encoding was enhanced | 15 |
of every monographic english | 15 |
their early english books | 15 |
of michigan and oxford | 15 |
and encoded texts based | 15 |
of any assumptions that | 15 |
large quantities of textual | 15 |
project have been released | 15 |
keying and markup guidelines | 15 |
unicode or tei g | 15 |
true nature of the | 15 |
bear in mind that | 15 |
of instances per text | 15 |
image sets published by | 15 |
reflect the true nature | 15 |
of the tei in | 15 |
in mind that in | 15 |
linked to page images | 15 |
proquest to create accurately | 15 |
never have been looked | 15 |
standards were returned to | 15 |
of gaps by user | 15 |
selection was intended to | 15 |
these texts for their | 15 |
title published between and | 15 |
users should be aware | 15 |
in all likelihood such | 15 |
was then carried out | 15 |
but we respectfully request | 15 |
between and available in | 15 |
compelling reason to do | 15 |
gaps by user contributors | 15 |
editorial teams in oxford | 15 |
and or corrected and | 15 |
works in english were | 15 |
converting tcp files to | 15 |
available at the text | 15 |
editions of a works | 15 |
sets published by proquest | 15 |
proofread for accuracy and | 15 |
be made about the | 15 |
partnership between the universities | 15 |
text was proofread for | 15 |
by university of nebraska | 15 |
any assumptions that can | 15 |
mind that in all | 15 |
intended to range over | 15 |
data is very good | 15 |
cambridge bibliography of english | 15 |
illegible were corrected where | 15 |
gap elements of known | 15 |
reason to do so | 15 |
such instances will never | 15 |
first editions of a | 15 |
the text encoding initiative | 15 |
transformed into placeholder characters | 15 |
each text was proofread | 15 |
characters marked as illegible | 15 |
will remain and some | 15 |
notes for div a | 14 |
there is a sympathy | 14 |
that there is not | 14 |
is a kind of | 14 |
the figure of the | 13 |
which is in the | 13 |
that it is not | 13 |
to the nature of | 13 |
and so of the | 13 |
there are two kinds | 13 |
that there are two | 13 |
that it may be | 13 |
is a man of | 12 |
which ought to be | 12 |
so of the rest | 12 |
which are in the | 12 |
the air of the | 12 |
the rest of the | 12 |
in the sensitive appetite | 12 |
part of the soul | 12 |
motion of the heart | 12 |
it is a thing | 12 |
he is a man | 12 |
the other parts of | 12 |
the passions of the | 12 |
air of the countenance | 12 |
parts of the face | 12 |
one from the other | 12 |
of the heart and | 12 |
estc s this keyboarded | 11 |
he is one that | 11 |
if there be any | 11 |
and by the consequent | 11 |
the discovery of the | 11 |
motion of the appetite | 11 |
reproduction of the original | 11 |
of the original in | 11 |
that there is no | 11 |
s this keyboarded and | 11 |
yet is it not | 11 |
a stc estc s | 11 |
is the cause of | 11 |
the actions of the | 11 |
on the right side | 11 |
is a sympathy between | 11 |
there are not any | 11 |
of the soul are | 11 |
is a kinde of | 11 |
as we said before | 11 |
hee is a great | 11 |
stc estc s this | 11 |
the excellency of the | 10 |
he is a great | 10 |
as much as it | 10 |
as if they were | 10 |
part of the body | 10 |
spi global keyed and | 10 |
into all the parts | 10 |
case is the same | 10 |
at his shop in | 10 |
one place to another | 10 |
for the most part | 10 |
of the nature of | 10 |
that it is a | 10 |
the natural perfection of | 10 |
the case is the | 10 |
whence it may be | 10 |
in reference to the | 10 |
from one place to | 10 |
in the nature of | 10 |
the beating of the | 10 |
the heart and spirits | 10 |
in the meane time | 10 |
the sun and moon | 10 |
global keyed and coded | 10 |
we shall shew more | 9 |
so that it is | 9 |
motions of the will | 9 |
he is like a | 9 |
as if he were | 9 |
beating of the heart | 9 |
the seat of the | 9 |
rather then he will | 9 |
is the same with | 9 |
a motion of the | 9 |
he is a very | 9 |
be sure to be | 9 |
to be sold at | 9 |
to be sold by | 9 |
figure of the parts | 9 |
in the mean time | 9 |
have the government of | 9 |
if at any time | 9 |
are two kinds of | 9 |
of the parts is | 9 |
the original in the | 9 |
will be sure to | 9 |
hee is a man | 9 |
that it is the | 9 |
parts of the hand | 9 |
that it should be | 9 |
between them and the | 8 |
that the blood is | 8 |
in regard it is | 8 |
are the effects of | 8 |
as it were the | 8 |
and the other parts | 8 |
and yet he is | 8 |
which are proper to | 8 |
of the good or | 8 |
which is a motion | 8 |
the qualities of the | 8 |
one to the other | 8 |
and that there is | 8 |
ought to be in | 8 |
such as may be | 8 |
and if he be | 8 |
himselfe to be a | 8 |
huntington library and art | 8 |
and he will answere | 8 |
causes of the inclinations | 8 |
and that it should | 8 |
what is in the | 8 |
there is a greater | 8 |
the exercise of this | 8 |
as if it were | 8 |
which is made by | 8 |
the heart and brain | 8 |
is a motion of | 8 |
is not any thing | 8 |
if he doth not | 8 |
sympathy there is between | 8 |
there is between them | 8 |
that there should be | 8 |
he is a good | 8 |
as to what concerns | 8 |
there is a correspondence | 8 |
at the same time | 8 |
a sympathy between the | 8 |
is the principle of | 8 |
the same thing is | 8 |
thing is to be | 8 |
is it to be | 8 |
library and art gallery | 8 |
of the face are | 7 |
order to the discovery | 7 |
at the second hand | 7 |
in the natural appetite | 7 |
the strength and weakness | 7 |
of the figure of | 7 |
an elegy upon the | 7 |
and that they are | 7 |
the sympathy there is | 7 |
one and the same | 7 |
faculties of the soul | 7 |
in the henry e | 7 |
strength and weakness of | 7 |
motions of the appetite | 7 |
he is but a | 7 |
art makes use of | 7 |
the matter of the | 7 |
is hot and dry | 7 |
that they are the | 7 |
proper and natural to | 7 |
of vertues and vices | 7 |
the faculties of the | 7 |
in regard they are | 7 |
the best part of | 7 |
we now come to | 7 |
the distribution of the | 7 |
may be made of | 7 |
that which is made | 7 |
is made by the | 7 |
that the motions of | 7 |
soever they may be | 7 |
sympathy between all the | 7 |
for it is certain | 7 |
exercise of this art | 7 |
no hard matter to | 7 |
hee is one that | 7 |
parts of the soul | 7 |
is so far from | 7 |
there is no doubt | 7 |
reproduction of original in | 7 |
by vertue of his | 7 |
the causes of the | 7 |
may be deduced from | 7 |
so much the more | 7 |
there is a certain | 7 |
same thing is to | 7 |
that they may be | 7 |
and therefore it is | 7 |
as if hee were | 7 |
excellency of the parts | 7 |
the effect of the | 7 |
to what concerns the | 7 |
the midst of the | 7 |
nor is there any | 7 |
the sign of the | 7 |
and then he is | 7 |
the lines of the | 7 |
he is the onely | 7 |
the good and evil | 7 |
every one of them | 7 |
that there are not | 7 |
he is a right | 7 |
the vertues and vices | 7 |
of the estimative faculty | 7 |
so that there is | 6 |
the language of the | 6 |
or at least the | 6 |
which nature observes in | 6 |
is not any one | 6 |
and that of the | 6 |
which they ought to | 6 |
that a man is | 6 |
he will be sure | 6 |
that there are three | 6 |
the conservation of the | 6 |
never makes an end | 6 |
a man hath to | 6 |
the original text notes | 6 |
original in the henry | 6 |
to the end they | 6 |
are of the same | 6 |
troubles her self with | 6 |
deuill to the collier | 6 |
it is impossible to | 6 |
and vnworthies of this | 6 |
and motions of the | 6 |
satyrical essayes characters and | 6 |
they ought to have | 6 |
is as good as | 6 |
knows not what to | 6 |
it is out of | 6 |
in essayes and characters | 6 |
the quality of the | 6 |
ought to be the | 6 |
which is proper to | 6 |
text notes for div | 6 |
the characters of the | 6 |
we have shewn in | 6 |
he is in the | 6 |
him in the way | 6 |
may be said of | 6 |
ocm this keyboarded and | 6 |
the rest of his | 6 |
to be made of | 6 |
as well as to | 6 |
the vices of his | 6 |
the perfection of the | 6 |
he is so well | 6 |
without the hazard of | 6 |
the said art makes | 6 |
of all the parts | 6 |
he is not so | 6 |
that the sun and | 6 |
between the heart and | 6 |
any of the other | 6 |
that the spirits are | 6 |
how the said art | 6 |
are the instruments of | 6 |
is a necessity of | 6 |
vnworthies of this age | 6 |
the heart and arteries | 6 |
the end of his | 6 |
it receives from the | 6 |
a cup of sacke | 6 |
of the second rule | 6 |
the nature of his | 6 |
so long as he | 6 |
to all the parts | 6 |
would take him for | 6 |
there is but one | 6 |
and the ioy of | 6 |
proposes to her self | 6 |
what part of the | 6 |
the heart and the | 6 |
there should be a | 6 |
the eyes of the | 6 |
to the performance of | 6 |
and that there are | 6 |
which makes him so | 6 |
the credit of a | 6 |
from the original text | 6 |
and this is the | 6 |
not so much as | 6 |
of one who troubles | 6 |
they ought to be | 6 |
it may be easily | 6 |
several parts of the | 6 |
essayes characters and others | 6 |
the cause of the | 6 |
and that the appetite | 6 |
there should be some | 6 |
is the life of | 6 |
were it not for | 6 |
which proceeds from the | 6 |
the name of a | 6 |
we are to observe | 6 |
are proper to the | 6 |
and that is all | 6 |
the arms and leggs | 6 |
the hazard of a | 6 |
this may be added | 6 |
it not to be | 6 |
is as it were | 6 |
discovery of the inclinations | 6 |
as that of the | 6 |
and the conformation of | 6 |
the principles of life | 6 |
said art makes use | 6 |
they are to be | 6 |
the deuill to the | 6 |
original text notes for | 6 |
is it not to | 6 |
the same with the | 6 |
which is between the | 6 |
and the nobler parts | 6 |
a predominancy over the | 6 |
no doubt to be | 5 |
and all the other | 5 |
into the composition of | 5 |
it is not the | 5 |
now come to examine | 5 |
we have shewn elsewhere | 5 |
he knowes not how | 5 |
hee is a true | 5 |
nature observes in her | 5 |
yet it is not | 5 |
quoth the deuill to | 5 |
the good or evil | 5 |
doubt to be made | 5 |
that the sensitive appetite | 5 |
will not sticke to | 5 |
the nature of a | 5 |
to be a man | 5 |
it may be affirmed | 5 |
the light of the | 5 |
that the inclinations of | 5 |
for want of a | 5 |
the title of a | 5 |
it is accordingly requisite | 5 |
is that which is | 5 |
for he is a | 5 |
government of the forehead | 5 |
from that of the | 5 |
but eight simple passions | 5 |
and as it were | 5 |
so much as the | 5 |
which is common to | 5 |
good or bad disposition | 5 |
the ioy of the | 5 |
betwixt him and a | 5 |
as much as they | 5 |
a great part of | 5 |
under the name of | 5 |
for there is not | 5 |
covantage keyed and coded | 5 |
when he comes to | 5 |
but it is not | 5 |
which enter into the | 5 |
to the making of | 5 |
every part of the | 5 |
qualities of the mind | 5 |
is the seat of | 5 |
would make you beleeve | 5 |
in respect of his | 5 |
that they should be | 5 |
causes the spirits to | 5 |
estc r ocm this | 5 |
is out of all | 5 |
whether they will or | 5 |
of the nobler parts | 5 |
to the sensitive appetite | 5 |
then that which is | 5 |
have each of them | 5 |
so as that the | 5 |
is to be said | 5 |
which it receives from | 5 |
that they do not | 5 |
we shall shew hereafter | 5 |
the strength or weakness | 5 |
as those of the | 5 |
the other planets have | 5 |
the blood is not | 5 |
he be of a | 5 |
all the exteriour parts | 5 |
that the planets have | 5 |
for as much as | 5 |
deserve the name of | 5 |
which is the cause | 5 |
on the same side | 5 |
of the will and | 5 |
as well as in | 5 |
to be in a | 5 |
the vertue of the | 5 |
goes against his conscience | 5 |
in regard there are | 5 |
there are some parts | 5 |
description of the pot | 5 |
a correspondence and sympathy | 5 |
for it is a | 5 |
the hearts of the | 5 |
the excess and defect | 5 |
whereby it may be | 5 |
the sight of a | 5 |
of the sensitive soul | 5 |
in the same manner | 5 |
characters of the passions | 5 |
is nothing else but | 5 |
between the spleen and | 5 |
the mercy of the | 5 |
the lower part of | 5 |
the right honourable the | 5 |
of the other parts | 5 |
in those of the | 5 |
from what hath been | 5 |
which have been made | 5 |
the spleen and the | 5 |
order to the exercise | 5 |
he loues not to | 5 |
in the least degree | 5 |
to be of the | 5 |
that which is most | 5 |
of that which is | 5 |
and that the said | 5 |
in respect of the | 5 |
much as it is | 5 |
to find out the | 5 |
and that it may | 5 |
is made in the | 5 |
first subject of the | 5 |
you would thinke him | 5 |
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the actions and motions | 5 |
not any one of | 5 |
the good or bad | 5 |
it ought to be | 5 |
to the knowledge of | 5 |
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in regard there is | 5 |
the blood and humours | 5 |
apex covantage keyed and | 5 |
an account of the | 5 |
it may well be | 5 |
knowes not how to | 5 |
that he is not | 5 |
what we have said | 5 |
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enter into the composition | 5 |
the direction of the | 5 |
whether there be any | 5 |
that the rational soul | 5 |
what order soever it | 5 |
of an honest man | 5 |
he is a fellow | 5 |
any one of them | 5 |
as if he had | 5 |
begins on the right | 5 |
of a valiant man | 5 |
of the same nature | 5 |
when it shall be | 5 |
there is no necessity | 5 |
for one of the | 5 |
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is one that hath | 5 |
apparent in the head | 5 |
the character of the | 5 |
i know not whether | 5 |
be no hard matter | 5 |
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if hee bee a | 5 |
which is the source | 5 |
there is nothing so | 5 |
best part of his | 5 |
the signe of the | 5 |
it is requisite that | 5 |
in his heart to | 5 |
take him for a | 5 |
which is made in | 5 |
the effects of the | 5 |
for there is no | 5 |
and those of the | 5 |
in order to its | 5 |
to the exercise of | 5 |
that jupiter hath the | 5 |
for the seruice of | 5 |
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be of the same | 5 |
and there is not | 5 |
r ocm this keyboarded | 5 |
order of the planets | 5 |
the opening of the | 5 |
not to be found | 5 |
this is all the | 5 |
hee railes against the | 5 |
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which is natural to | 5 |
there are two sorts | 5 |
the end of the | 5 |
of the motion of | 5 |
actions and motions of | 5 |
as well as they | 5 |
that the other planets | 5 |
of the natural appetite | 5 |
that there are many | 5 |
be sold at his | 5 |
lines of the forehead | 5 |
that it is impossible | 5 |
which are to be | 5 |
out of all dispute | 5 |
standardized format that preserves | 4 |
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are which serve for | 4 |
no more then the | 4 |
r in the english | 4 |
thing out of all | 4 |
hee will seeme to | 4 |
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text has been tokenized | 4 |
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are communicated to the | 4 |
a character of the | 4 |
to be admitted into | 4 |
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jupiter hath the government | 4 |
the display of a | 4 |
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to judge of the | 4 |
to be the first | 4 |
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the disposition of the | 4 |
the object of the | 4 |
the number of his | 4 |
text is an enriched | 4 |
shall shew more at | 4 |
nothing so much as | 4 |
the founder of all | 4 |
as they are of | 4 |
at the mercy of | 4 |
users from many walks | 4 |
not what to say | 4 |
a treatise of the | 4 |
ought to be made | 4 |
of the rest of | 4 |
of the strength and | 4 |
to the examination of | 4 |
habits may be known | 4 |
to be the more | 4 |
the spirits of the | 4 |
he would make you | 4 |
not confound the vertues | 4 |
good for nothing but | 4 |
display of a text | 4 |
andrew kuster text and | 4 |
direction of the soul | 4 |
a mixture of grief | 4 |
in a standardized format | 4 |
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lower part of the | 4 |
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shew more at large | 4 |
the advantage they bring | 4 |
nothing makes him so | 4 |
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base and libellous pamphlets | 4 |
text more computationally tractable | 4 |
it is therefore requisite | 4 |
curation by amateur and | 4 |
that the excellency of | 4 |
a pot of ale | 4 |
with putting on her | 4 |
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a respect to the | 4 |
all the interiour parts | 4 |
will be no hard | 4 |
been tokenized and linguistically | 4 |
to bee a man | 4 |
one part to another | 4 |
restoring the text the | 4 |
it more noble to | 4 |
alteration in the body | 4 |
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actions may be foreseen | 4 |
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the last of all | 4 |
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in its proper place | 4 |
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the day of payment | 4 |
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find out some other | 4 |
spleen and the middle | 4 |
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this text has not | 4 |
of the rules of | 4 |
standard spellings that support | 4 |
and metadata enrichments aim | 4 |
of all the base | 4 |
by his owne practise | 4 |
based collaborative curation by | 4 |
the spirits are the | 4 |
perplexed with questions of | 4 |
that this may be | 4 |
that the hands have | 4 |
how the soul causes | 4 |
the vpshot of a | 4 |
text r in the | 4 |
what is the seat | 4 |
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that which is proper | 4 |
for the same reason | 4 |
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between which and them | 4 |
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digital transcription a of | 4 |
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the nature of those | 4 |
changes and metadata enrichments | 4 |
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one of the causes | 4 |
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strange metamorphosis of man | 4 |
hee would make a | 4 |
government of the cheeks | 4 |
natural perfection of the | 4 |
transportation of the humours | 4 |
format that preserves archaic | 4 |
puts this text in | 4 |
it is the soul | 4 |
taken to the life | 4 |
motion of the spirits | 4 |
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then any of the | 4 |
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heart and brain are | 4 |
the nature of man | 4 |
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epitome of all the | 4 |
be admitted into the | 4 |
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then in any other | 4 |
to that which is | 4 |
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of vertue and vice | 4 |
to be tempted with | 4 |
it is a wonder | 4 |
by the vse of | 4 |
that the right hand | 4 |
rina kor sampled and | 4 |
collaborative curation by amateur | 4 |
of those which are | 4 |
by so much as | 4 |
fitter to behold one | 4 |
upon the accompt of | 4 |
he is a kinde | 4 |
most apparent in the | 4 |
for the reasons we | 4 |
they may be the | 4 |
no longer then he | 4 |
as being the most | 4 |
subject of the appetite | 4 |
aptara keyed and coded | 4 |
enriched version of the | 4 |
and not to be | 4 |
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the face of man | 4 |
the rules of physiognomy | 4 |
finde in his heart | 4 |
from many walks of | 4 |
by reason of their | 4 |
regulated by right reason | 4 |
to be carried away | 4 |
mixt with reproofe against | 4 |
hear him talk of | 4 |
is on the right | 4 |
which is had of | 4 |
him now and then | 4 |
the face of the | 4 |
text has not been | 4 |
if there be a | 4 |
what to make of | 4 |
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the practise of our | 4 |
that the sun hath | 4 |
that the heart and | 4 |
is grounded on the | 4 |
the art we treat | 4 |
the transportation of the | 4 |
will bee sure to | 4 |
hath an inclination to | 4 |
includes standard spellings that | 4 |
but his desire to | 4 |
all the other parts | 4 |
so long as hee | 4 |
contribute to the discovery | 4 |
between the liver and | 4 |
strength or weakness of | 4 |
government of the lips | 4 |
if she be not | 4 |
i am of opinion | 4 |
the fleshiness of the | 4 |
the several parts of | 4 |
but when he is | 4 |
the regularity which nature | 4 |
is the disgrace of | 4 |
that they should have | 4 |
proper to the woman | 4 |
stationer meant to publish | 4 |
in the passions of | 4 |
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is a correspondence between | 4 |
then that of the | 4 |
the knowledge of the | 4 |
from the nobler parts | 4 |
wherein the inclination consists | 4 |
and xml conversion the | 4 |
him to be a | 4 |
the sensitive appetite is | 4 |
annotation includes standard spellings | 4 |
the soul causes the | 4 |
honourable the earle of | 4 |
of them to good | 4 |
out of their way | 4 |
tokenized and linguistically annotated | 4 |
we are now to | 4 |
elegy upon the right | 4 |
wherein the beauty of | 4 |
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is fit for nothing | 4 |
and thinkes it a | 4 |
them to good purpose | 4 |
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the office of a | 4 |
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man is hot and | 4 |
he is able to | 4 |
kuster text and markup | 4 |
right honourable the earle | 4 |
of right and left | 4 |
at the signe of | 4 |
that it should have | 4 |
the understanding and the | 4 |
by means of the | 4 |
linguistically annotated with morphadorner | 4 |
enrichments aim at making | 4 |
may as well be | 4 |
he is apt to | 4 |
not been fully proofread | 4 |
you shall see him | 4 |
shall treat of the | 4 |
may be seen in | 4 |
text in a standardized | 4 |
or bad disposition of | 4 |
but the case is | 4 |
is not the same | 4 |
that the motion of | 4 |
rina kor text and | 4 |
ou il y a | 4 |
that not only the | 4 |
is as much difference | 4 |
in the knowledge of | 4 |
the beauty of the | 4 |
in the face of | 4 |
trve description of the | 4 |
aim at making the | 4 |
words puts this text | 4 |
the rate of defects | 4 |
the eye of the | 4 |
been fully proofread approx | 4 |
from one part to | 4 |
and them there is | 4 |
of all the exteriour | 4 |
he is a meere | 4 |
the principal parts of | 4 |
in the english short | 4 |
a part of his | 4 |
of the causes of | 4 |
it self into the | 4 |
which is the most | 4 |
order soever it be | 4 |
is one who hath | 4 |
him to bee a | 4 |
a thing out of | 4 |
are not to be | 4 |
the good and the | 4 |
and the motions of | 4 |
cause of the inclination | 4 |
the violence of the | 4 |
to the tune of | 4 |
who is the founder | 4 |
transcription a of text | 4 |
now it is certain | 4 |
the appetite is the | 4 |
textual changes aim at | 4 |
in the power of | 4 |
and libellous pamphlets lately | 4 |
by amateur and professional | 4 |
and when hee hath | 4 |
nature does not confound | 4 |
as soon as the | 4 |
there is nothing that | 4 |
the master of the | 4 |
in the treatise of | 4 |
the base and libellous | 4 |
there is as much | 4 |
which serve for signs | 4 |
are in the memory | 4 |
and xml conversion characters | 4 |
professional end users from | 4 |
of the tcp digital | 4 |
there being not any | 4 |
is so great a | 4 |
is the figure of | 4 |
regard there is a | 4 |
in the way to | 4 |
be said of the | 4 |
are answerable to the | 4 |
upon the right honourable | 4 |
is a greater communication | 4 |
is the language of | 4 |
the more excellent parts | 4 |
shewes the nature of | 4 |
to the conservation of | 4 |
passions of the soul | 4 |
for he is no | 4 |
there be not any | 4 |
all the base and | 4 |
or stationer meant to | 4 |
that part of the | 4 |
to find out some | 4 |
the composition of the | 4 |
is more familiar with | 4 |
the midst of all | 4 |
he is a notable | 4 |
predominancy over the heart | 4 |
a of text r | 4 |
she knows not what | 4 |
kuster sampled and proofread | 4 |
pamphlets lately spread abroad | 4 |
a trve description of | 4 |
of the mixt passions | 4 |
for nothing but to | 4 |
all taken to the | 4 |
that which is the | 4 |
the first rule of | 4 |
of the vital heat | 4 |
the other interiour parts | 4 |
andrew kuster sampled and | 4 |
they are the more | 4 |
be sold at the | 4 |
different from that of | 4 |
his life is a | 4 |
erre in the same | 4 |
good and the badde | 4 |
two kinds of actions | 4 |
the blood into the | 4 |
they will or no | 4 |
there is no hope | 4 |
the scriuener and the | 4 |
the temperament of man | 4 |
of the first rule | 4 |
the author or stationer | 4 |
it ought to do | 4 |
the planets have a | 4 |
out of all controversie | 4 |
distribution of the veins | 4 |
and if there be | 4 |
and suitable for network | 4 |
requisite there should be | 4 |
so much as that | 4 |
vse of them to | 4 |
in the hearts of | 4 |
the case is not | 4 |
that the inclinations are | 4 |
they bring along with | 4 |
may be the more | 4 |
it is further requisite | 4 |
blood is not attracted | 4 |
is the griefe of | 4 |
is an enriched version | 4 |
in the resolution of | 4 |
which proceed from the | 4 |
she never makes an | 4 |
has not been fully | 4 |
but according to the | 4 |
because he hath no | 4 |
kor text and markup | 4 |
the tcp digital transcription | 4 |
end of the table | 4 |
to hear her talk | 4 |
drawne forth in characters | 4 |
the matter of disinheritance | 4 |
into the secrets of | 4 |
beauty of the woman | 4 |
the annotation includes standard | 4 |
seat of the inclinations | 4 |
which is proper and | 4 |
a text in a | 4 |
in a higher degree | 4 |
lies in her power | 4 |
a strange metamorphosis of | 4 |
no further then the | 4 |
he is of a | 4 |
for it may be | 4 |
between all the parts | 4 |
move in the passions | 4 |
before we come to | 4 |
head in pauls church | 4 |
an enriched version of | 4 |
that mercury hath the | 4 |
in the same kinde | 4 |
common to all the | 4 |
and that all the | 4 |
regularity which nature observes | 4 |
is an argument of | 4 |
but it is to | 4 |
it is one of | 4 |
in the way of | 4 |
those of the sensitive | 4 |
and when he dyes | 4 |
of all the rest | 4 |
the design of nature | 4 |
motion of the blood | 4 |
the spirits to move | 4 |
is sensible of the | 4 |
that preserves archaic forms | 4 |
the embleme of one | 4 |
order to the performance | 4 |
and then it is | 4 |
the same degree of | 4 |
the english short title | 4 |
the spirit of man | 4 |
the text more computationally | 4 |
that the conformation of | 4 |
as good as a | 4 |
if he be a | 4 |
it will be no | 4 |
metadata enrichments aim at | 4 |
and will not be | 4 |
amateur and professional end | 4 |
seemes to be a | 4 |
characters of vertues and | 4 |
direction and government of | 4 |
a peece of the | 4 |
are most apparent in | 4 |
in the iudgement of | 4 |
of its own nature | 4 |
founder of all the | 4 |
many walks of life | 4 |
upon the principles of | 4 |
he is his owne | 4 |
bring along with them | 4 |
he will not be | 4 |
and ought to be | 4 |
no more then a | 4 |
we find by experience | 4 |
making the text more | 4 |
the order of the | 4 |
stand in need of | 4 |
is like to be | 4 |
use of the second | 4 |
of text r in | 4 |
as we have already | 4 |
this text in the | 4 |
matter of the spirits | 4 |
the text the author | 4 |
and there is no | 4 |
has been tokenized and | 4 |
such as are those | 4 |
and is ready to | 4 |
textual changes and metadata | 4 |
she troubles her self | 4 |
him by his arguments | 4 |
in the course of | 4 |
it will be found | 4 |
to descend to the | 4 |
of all the other | 4 |
version of the tcp | 4 |
vnder the title of | 4 |
from which they proceed | 4 |
kor sampled and proofread | 4 |
him to be the | 4 |
and according to the | 4 |
of what order soever | 4 |
art we treat of | 4 |
self to be carried | 4 |
which a man hath | 4 |
shall shew more particularly | 4 |
category of texts with | 4 |
be seen in the | 4 |
he is like the | 4 |
shall be sure to | 4 |
to hear him talk | 4 |
not what to make | 4 |
them talk of the | 4 |
the charge of his | 4 |
libellous pamphlets lately spread | 4 |
this text is an | 4 |
english short title catalog | 4 |
take it for a | 4 |
he is fit for | 4 |
in the dayes of | 4 |
is out of his | 4 |
cannot chuse but be | 4 |
is a mixture of | 4 |
give an account of | 4 |
and this is that | 4 |
to the art how | 4 |
those of the will | 4 |
scornes to bee a | 4 |
cannot proceed from any | 4 |
is one that has | 4 |
hee is a very | 4 |
whereby they are to | 4 |
author or stationer meant | 4 |
she differs from the | 4 |
is to be made | 4 |
there is nothing more | 4 |
from the advantage they | 4 |
is a correspondence and | 4 |
part of the face | 4 |
rate of defects per | 4 |
is the founder of | 4 |
with as great facility | 4 |
the nature of it | 4 |
it happens in the | 4 |
the place of a | 4 |
according as they are | 4 |
the height of his | 4 |
that the appetite hath | 4 |
tcp digital transcription a | 4 |
it must of necessity | 4 |
and no man is | 4 |
end users from many | 4 |
and the ruine of | 4 |
he is indeed a | 4 |
the influence of the | 4 |
sympathy between the heart | 4 |
case is not the | 4 |
that the moon hath | 4 |
speaks the language of | 4 |
the definitions of the | 4 |
one of the first | 4 |
as much difference betwixt | 4 |
of good and evil | 4 |
text the author or | 4 |
all the motions of | 4 |
at restoring the text | 4 |
late lord bishop of | 3 |
in the loue of | 3 |
that the face is | 3 |
all these kinds of | 3 |
not where to have | 3 |
but also the other | 3 |
for fear of a | 3 |
of a good conscience | 3 |
though he doth not | 3 |
the left to the | 3 |
which is not to | 3 |
the functions of the | 3 |
the house of correction | 3 |
that all of them | 3 |
if any of his | 3 |
perfection of her sex | 3 |
rendred into english by | 3 |
hath an inclination for | 3 |
all in good part | 3 |
and so he is | 3 |
may well say of | 3 |
there are some faculties | 3 |
had of the inclinations | 3 |
is to be observed | 3 |
are but eight simple | 3 |
a necessity of having | 3 |
which may not be | 3 |
in loue with his | 3 |
heart and the ring | 3 |
of a miserable old | 3 |
for the more excellent | 3 |
the patron of his | 3 |
like those of a | 3 |
he is a certain | 3 |
a boxe by an | 3 |
is not the cause | 3 |
persons of the wise | 3 |
say of him as | 3 |
is ready to fall | 3 |
characters vpon essaies morall | 3 |
consists the natural perfection | 3 |
is still the same | 3 |
or descriptions of the | 3 |
at least hee will | 3 |
into the same places | 3 |
the good or ill | 3 |
bottum sampled and proofread | 3 |
nobler parts are not | 3 |
the beginning of his | 3 |
the soul a bent | 3 |
could finde in his | 3 |
necessary in order to | 3 |
as there is no | 3 |
they are only the | 3 |
is a figure of | 3 |
by how much more | 3 |
stands in need of | 3 |
hee scornes to bee | 3 |
with him in his | 3 |
that hee may see | 3 |
that are in the | 3 |
him for a very | 3 |
peece of the world | 3 |
rather then hee will | 3 |
from a treatise of | 3 |
made by the effects | 3 |
he desires to be | 3 |
any thing makes him | 3 |
i will in these | 3 |
first leaf is blank | 3 |
the life of their | 3 |
but if he be | 3 |
in the order of | 3 |
as it is commonly | 3 |
of saint pauls church | 3 |
with questions of another | 3 |
is the first motion | 3 |
of the forehead proceed | 3 |
the bent of his | 3 |
the vanity of the | 3 |
is the strength of | 3 |
the strength of a | 3 |
you shall perceiue him | 3 |
the study of this | 3 |
treatise of the temperaments | 3 |
most apt to motion | 3 |
borne for the seruice | 3 |
which they are to | 3 |
with the passion of | 3 |
is the second part | 3 |
a school of young | 3 |
face of the earth | 3 |
but if it be | 3 |
sieur de la chambre | 3 |
heat to all the | 3 |
proceeds the regularity which | 3 |
tame beares and lyons | 3 |
west end of saint | 3 |
motion of the body | 3 |
to the view of | 3 |
the very name of | 3 |
and these are the | 3 |
all the others were | 3 |
the will and sensitive | 3 |
to put it in | 3 |
rather a new work | 3 |
or accurate and quick | 3 |
meet him in the | 3 |
the nobler situations are | 3 |
take him for some | 3 |
some secret vertues are | 3 |
he is now admitted | 3 |
and those who are | 3 |
be not able to | 3 |
yet is there not | 3 |
that which is commonly | 3 |
that the temperament is | 3 |
may see their graces | 3 |
of a boxe by | 3 |
during the time of | 3 |
her in the same | 3 |
at the name of | 3 |
to a man of | 3 |
the head of a | 3 |
in inflammations of the | 3 |
and that hee hath | 3 |
in the fruit of | 3 |
the regularity of the | 3 |
the impetuosity of the | 3 |
is one that is | 3 |
neither the first nor | 3 |
as much as he | 3 |
for though it may | 3 |
on the left side | 3 |
the inclination he hath | 3 |
the good of the | 3 |
he is the true | 3 |
whose work it is | 3 |
that the heart is | 3 |
so much as to | 3 |
to bee his owne | 3 |
the sieur de la | 3 |
them there is a | 3 |
and whereas there are | 3 |
be laid down as | 3 |
constitution of the body | 3 |
he is of the | 3 |
questions of another science | 3 |
are three orders of | 3 |
great part of his | 3 |
consonant to the nature | 3 |
as long as he | 3 |
of the remote causes | 3 |
tour a la mode | 3 |
the curse of the | 3 |
he sends them forth | 3 |
to any of the | 3 |
half of the body | 3 |
which is most convenient | 3 |
doubtful things in chiromancy | 3 |
is not troubled with | 3 |
of a talkative lady | 3 |
he is indeed the | 3 |
principal parts of the | 3 |
it to be the | 3 |
the extremities of the | 3 |
is good for nothing | 3 |
to its union with | 3 |
the first day of | 3 |
iohn stephens the yonger | 3 |
this may be the | 3 |
that motion begins on | 3 |
rule and measure of | 3 |
is the pillar of | 3 |
frames to it self | 3 |
hee is a good | 3 |
the judgments of the | 3 |
the soul and body | 3 |
is the picture of | 3 |
the temperament of the | 3 |
be separated one from | 3 |
the clearing up of | 3 |
the animation of the | 3 |
no otherwise then a | 3 |
of the simple passions | 3 |
there is a connexion | 3 |
best may see their | 3 |
to get the start | 3 |
at his first entrance | 3 |
there is yet another | 3 |
when he has done | 3 |
the breast and shoulders | 3 |
the impression of the | 3 |
face are to be | 3 |
the nobler parts are | 3 |
it must needs be | 3 |
which the appetite hath | 3 |
in the raigne of | 3 |
disposal of the planets | 3 |
the worst discerne their | 3 |
impossible to make any | 3 |
pay the tribute of | 3 |
grief and heat are | 3 |
proof of this truth | 3 |
vertues and vices are | 3 |
the persons of the | 3 |
the purchase of a | 3 |
good and evil are | 3 |
in the like kinde | 3 |
some one of them | 3 |
a thing to be | 3 |
to pay for his | 3 |
we have given an | 3 |
disposition of the planets | 3 |
there may be in | 3 |
there are yet others | 3 |
we are here to | 3 |
so much as in | 3 |
to let you vnderstand | 3 |
in other parts of | 3 |
have the greatest portion | 3 |
you will or no | 3 |
he is so far | 3 |
i know not how | 3 |
she should not be | 3 |
certain parts of the | 3 |
as we have said | 3 |
order to the prosecution | 3 |
he hath wit enough | 3 |
which and it there | 3 |
the spirits and the | 3 |
is to be noted | 3 |
be able to make | 3 |
the same principles with | 3 |
a man of this | 3 |
we have laid down | 3 |
the hands have the | 3 |
be brought into dispute | 3 |
naturally have the same | 3 |
and the motion of | 3 |
there are many passions | 3 |
is a like sympathy | 3 |
of the whole body | 3 |
that he could not | 3 |
government of the nose | 3 |
the terror of the | 3 |
to such as are | 3 |
men haue no difference | 3 |
the presence of the | 3 |
in so much that | 3 |
those things which are | 3 |
passions of one appetite | 3 |
he is the life | 3 |
a particular account of | 3 |
and which is worse | 3 |
of his braine is | 3 |
hands and the nobler | 3 |
is the spring of | 3 |
from that which is | 3 |
the same nature with | 3 |
may be regulated by | 3 |
the vital heat to | 3 |
he hopes to saue | 3 |
to enter into the | 3 |
some one or other | 3 |
understood either by aristotle | 3 |
against their common enemy | 3 |
of a lady of | 3 |
side to the left | 3 |
he walks with his | 3 |
that the lines of | 3 |
fitted to the life | 3 |
the marks of the | 3 |
one who troubles her | 3 |
is no doubt to | 3 |
are there not some | 3 |
of an excellent companion | 3 |
to be subject to | 3 |
how is it to | 3 |
a new satyre in | 3 |
if he can but | 3 |
this i am sure | 3 |
in asmuch as the | 3 |
good of the common | 3 |
and moon have the | 3 |
the burden of his | 3 |
the full necessity of | 3 |
it is commonly said | 3 |
it is therefore more | 3 |
of texts with between | 3 |
passions of the sensitive | 3 |
proceed from the same | 3 |
the members of the | 3 |
who naturally have the | 3 |
be made of the | 3 |
her life is a | 3 |
and soundness of judgment | 3 |
the cause of that | 3 |
that all the faculties | 3 |
be sure to have | 3 |
it may be concluded | 3 |
the image of the | 3 |
study of this art | 3 |
be the cause of | 3 |
by an ignis fatuus | 3 |
we had as good | 3 |
question to be made | 3 |
the parts on the | 3 |
de connoistre les hommes | 3 |
have shewn in the | 3 |
and if they be | 3 |
sun hath the like | 3 |
to be considered in | 3 |
not the nature of | 3 |
with between and defects | 3 |
the powers of the | 3 |
the reasons we have | 3 |
every one in particular | 3 |
since it may be | 3 |
be done in the | 3 |
which happen in the | 3 |
the power of the | 3 |
contraction of the spirits | 3 |
and if hee be | 3 |
it not enough to | 3 |
at the face of | 3 |
of common law and | 3 |
not understood either by | 3 |
liues in the world | 3 |
same places of the | 3 |
to give a reason | 3 |
but i should think | 3 |
for the conduct of | 3 |
but in regard the | 3 |
it is either the | 3 |
which is begotten by | 3 |
the appetite hath its | 3 |
for if there be | 3 |
the end they might | 3 |
that he hath an | 3 |
with any thing but | 3 |
is a permanent disposition | 3 |
in the discharge of | 3 |
order to the conservation | 3 |
no other then the | 3 |
there is no question | 3 |
to the eye of | 3 |
is a master of | 3 |
with many new characters | 3 |
of the motions of | 3 |
and in all the | 3 |
with reproofe against their | 3 |
in defence of common | 3 |
all those things which | 3 |
hath for opposites the | 3 |
if it be not | 3 |
much as they are | 3 |
nobler parts into the | 3 |
into english by john | 3 |
the same manner as | 3 |
the other shall be | 3 |
diuers other things added | 3 |
the blood into all | 3 |
in the title of | 3 |
it can never be | 3 |
in order to a | 3 |
out of the pulpit | 3 |
one who troubles himself | 3 |
for the good of | 3 |
english by john davies | 3 |
hands have the greatest | 3 |
from the corruption of | 3 |
the internal causes are | 3 |
which contribute to the | 3 |
the study of the | 3 |
two bookes of characters | 3 |
proceeds from the same | 3 |
a drunkard is a | 3 |
written for those good | 3 |
within the compasse of | 3 |
not in need of | 3 |
according to the nature | 3 |
of an ordinary french | 3 |
for hee is alwayes | 3 |
and as to the | 3 |
the temperament and the | 3 |
his discourse is all | 3 |
for want of better | 3 |
the rule and measure | 3 |
hath the same principles | 3 |
a like sympathy between | 3 |
well as the other | 3 |
when he is gone | 3 |
the laughter of the | 3 |
have the same inclinations | 3 |
and now hee is | 3 |
is the exercise of | 3 |
the truth of these | 3 |
is a man now | 3 |
whence proceeds the regularity | 3 |
what are the causes | 3 |
most need of it | 3 |
all her care is | 3 |
the inclinations of man | 3 |
hee is in a | 3 |
so much as his | 3 |
in a condition to | 3 |
be considered in metoposcopy | 3 |
natural order of the | 3 |
the face are to | 3 |
the same order with | 3 |
that we are not | 3 |
it may not be | 3 |
be deduced from them | 3 |
to wash away all | 3 |
minde is just like | 3 |
proceed from the temperament | 3 |
to do the like | 3 |
if it be true | 3 |
the heart and liver | 3 |
it is impossible therefore | 3 |
a distance from the | 3 |
for a man to | 3 |
and the paradise of | 3 |
to be seen on | 3 |
the noblest and most | 3 |
the thing it self | 3 |
the rational soul hath | 3 |
with the blood and | 3 |
hand is more noble | 3 |
the nobler parts into | 3 |
whether you will or | 3 |
of a petty french | 3 |
in all the rest | 3 |
judgment of the inclinations | 3 |
but there is a | 3 |
mutual sympathy between all | 3 |
he doth not therefore | 3 |
i will not name | 3 |
are three sorts of | 3 |
put it to the | 3 |
it is a question | 3 |
powers of the soul | 3 |
not any thing in | 3 |
are of that order | 3 |
out of his owne | 3 |
too much of the | 3 |
the course of nature | 3 |
any one in particular | 3 |
which he will not | 3 |
hee is content to | 3 |
shoppe at the west | 3 |
the right side to | 3 |
good companion another way | 3 |
at any time hee | 3 |
is the shame of | 3 |
over the interiour parts | 3 |
lord have mercy upon | 3 |
of the will are | 3 |
some parts of the | 3 |
the things which are | 3 |
is the foyle of | 3 |
treatise of the reverend | 3 |
where he hopes to | 3 |
as the sea is | 3 |
there is no truth | 3 |
at his shoppe at | 3 |
of the vertues and | 3 |
he is a stranger | 3 |
hee is an enemy | 3 |
convey the blood into | 3 |
it will not be | 3 |
you would take him | 3 |
marks of the face | 3 |
according to right reason | 3 |
will and sensitive appetite | 3 |
imitates the good companion | 3 |
ought to be between | 3 |
is vnwilling to be | 3 |
contents himselfe with a | 3 |
and make vse of | 3 |
the direction and government | 3 |
effects which they produce | 3 |
things are good or | 3 |
of all the passions | 3 |
a miserable old gentlewoman | 3 |
and thinks you would | 3 |
patron of his order | 3 |
a correspondence between all | 3 |
under the particular direction | 3 |
observes in her evacuations | 3 |
know him by his | 3 |
the name of passions | 3 |
they are in the | 3 |
which may be called | 3 |
knowledge had of the | 3 |
the right hand is | 3 |
because they were not | 3 |
that the nobler situations | 3 |
in a time of | 3 |
the seruice of the | 3 |
t is the language | 3 |
hee is a right | 3 |
the lord of the | 3 |
as if they had | 3 |
of nature in the | 3 |
the inns of court | 3 |
in the quest of | 3 |
the first leaf is | 3 |
the figure of a | 3 |
the performance of the | 3 |
the inclinations of the | 3 |
all the rest of | 3 |
that will take them | 3 |
after the emotion of | 3 |
neuer before written on | 3 |
as if there were | 3 |
is as much as | 3 |
characters of vertue and | 3 |
temperament of man is | 3 |
end of saint pauls | 3 |
in the actions of | 3 |
which are natural to | 3 |
what particular planet hath | 3 |
is more conuersant with | 3 |
how the soul is | 3 |
of his head and | 3 |
planets have the government | 3 |
hee is of a | 3 |
sun and moon have | 3 |
troubles himself with nothing | 3 |
such a one as | 3 |
in need of organs | 3 |
the second part of | 3 |
yet for all those | 3 |
that the figure of | 3 |
light of the sun | 3 |
of the excellency of | 3 |
deduced from the hands | 3 |
of edward the fourth | 3 |
as appeares by the | 3 |
and the light of | 3 |
have given an account | 3 |
and that he be | 3 |
the cause of his | 3 |
the treatise of the | 3 |
they are capable of | 3 |
sympathy between the spleen | 3 |
make you beleeve he | 3 |
hath no leasure to | 3 |
is one that will | 3 |
according to the constitution | 3 |
to take notice of | 3 |
also the other parts | 3 |
and if he have | 3 |
spread themselves into the | 3 |
take him by the | 3 |
not yet fully known | 3 |
to be found in | 3 |
he is worse then | 3 |
the moon hath such | 3 |
but if we consider | 3 |
a higher degree then | 3 |
the first place to | 3 |
and though it be | 3 |
between which and it | 3 |
reasons of all these | 3 |
between and defects per | 3 |
it is an argument | 3 |
shall have occasion to | 3 |
and so becomes a | 3 |
such motions as are | 3 |
particular planet hath the | 3 |
motion begins on the | 3 |
liver and the fore | 3 |
happens in the passions | 3 |
quality of the skin | 3 |
expressed in essayes and | 3 |
at the first sight | 3 |
to be guided by | 3 |
it may be also | 3 |
as to hear him | 3 |
move conformably to the | 3 |
it should be so | 3 |
mars hath the government | 3 |
is nothing but a | 3 |
that of those which | 3 |
the character of his | 3 |
god be with him | 3 |
of the natural faculty | 3 |
planets have a certain | 3 |
proceeds from the defect | 3 |
of the veins made | 3 |
that all these parts | 3 |
and the prerogatiue of | 3 |
betwixt himselfe and his | 3 |
knowledge of the inclinations | 3 |
hath the like predominancy | 3 |
that the instinct is | 3 |
to the framing of | 3 |
the west end of | 3 |
the passions may be | 3 |
all the parts are | 3 |
that of the woman | 3 |
and natural to them | 3 |
when it is said | 3 |
that those parts are | 3 |
contraction of the fibres | 3 |
he takes it for | 3 |
if he have any | 3 |
get the start of | 3 |
the cause of those | 3 |
between all the marks | 3 |
the malice of her | 3 |
wherein consists the natural | 3 |
go out of the | 3 |
from the right side | 3 |
the punishment of sinne | 3 |
venus hath the government | 3 |
temperament is the cause | 3 |
parts into the hands | 3 |
and yet will not | 3 |
which may be the | 3 |
with an opinion of | 3 |
the images which are | 3 |
that of the liver | 3 |
and those which are | 3 |
and there is nothing | 3 |
hee is very charitable | 3 |
according to the principle | 3 |
is not attracted by | 3 |
midst of the forehead | 3 |
olivia bottum sampled and | 3 |
and yet the figure | 3 |
in the rest of | 3 |
the principles of metoposcopy | 3 |
that the vertues of | 3 |
and that the soul | 3 |
that they cannot be | 3 |
mercury hath the like | 3 |
as well as a | 3 |
hee would not else | 3 |
whereto they ought to | 3 |
diseases of the spleen | 3 |
and thence it comes | 3 |
but a cup of | 3 |
then they are in | 3 |
such as is that | 3 |
you may as well | 3 |
vital heat to all | 3 |
he is the more | 3 |
with a new satyre | 3 |
ought to have a | 3 |
of a wise man | 3 |
it is most certain | 3 |
in nothing but in | 3 |
credit of a good | 3 |
and the worst discerne | 3 |
of one appetite are | 3 |
how much it is | 3 |
by meanes of his | 3 |
with a meaning to | 3 |
they have not any | 3 |
in the delight of | 3 |
heart and spirits are | 3 |
issue out of the | 3 |
and the last leaf | 3 |
is requisite there should | 3 |
it makes use of | 3 |
i make no question | 3 |
of all these effects | 3 |
bad disposition of the | 3 |
all the marks of | 3 |
and they are much | 3 |
and in a manner | 3 |
that he is apt | 3 |
of the appetite are | 3 |
is a mutual sympathy | 3 |
we are taught by | 3 |
some faculties and inclinations | 3 |
the heart is made | 3 |
abate much of the | 3 |
the church is a | 3 |
there is a mutual | 3 |
to that of the | 3 |
a great deale of | 3 |
yet the figure of | 3 |
we are ignorant of | 3 |
the hands and the | 3 |
a mutual sympathy between | 3 |
and government of the | 3 |
the impulsion which it | 3 |
that of the other | 3 |
but rather then he | 3 |
entred into the world | 3 |
shew in its proper | 3 |
over the several parts | 3 |
but in his owne | 3 |
suffers it self to | 3 |
a poeme of a | 3 |
is a thing out | 3 |
which stand in need | 3 |
when he is out | 3 |
hath lost his voyce | 3 |
as in all things | 3 |
an ordinary french laquey | 3 |
and weakness of signs | 3 |
an effect of the | 3 |
not suffer him to | 3 |
t is impossible to | 3 |
of the natural heat | 3 |
order to its union | 3 |
will not suffer him | 3 |
the sense of touching | 3 |
reason they might have | 3 |
that metoposcopy hath the | 3 |
he knowes how to | 3 |
is content to be | 3 |
the plague of a | 3 |
for that time he | 3 |
the last leaf are | 3 |
by iohn stephens the | 3 |
of the heart is | 3 |
he knowes not what | 3 |
that there must be | 3 |
which may be made | 3 |
there is a god | 3 |
that there is some | 3 |
and so i leaue | 3 |
that some of them | 3 |
the particular direction of | 3 |
that it is an | 3 |
hath such a predominancy | 3 |
and first subject of | 3 |
enter into the heart | 3 |
more noble then others | 3 |
see the fall of | 3 |
how the passions of | 3 |
reproofe against their common | 3 |
this diversity of lines | 3 |
be more proper to | 3 |
correspondence between all the | 3 |
printed by bernard alsop | 3 |
defence of common law | 3 |
of man is hot | 3 |
the liver and the | 3 |
life of their subiects | 3 |
order to the making | 3 |
of one that is | 3 |
of chiromancy and metoposcopy | 3 |
in his way to | 3 |
the same thing may | 3 |
all those that are | 3 |
correspondence and sympathy between | 3 |
in the line of | 3 |
to be attributed to | 3 |
and is so full | 3 |
moon have the government | 3 |
and you may as | 3 |
she proposes to her | 3 |
can with as much | 3 |
being rather a new | 3 |
is so farre from | 3 |
to this may be | 3 |
by reason of his | 3 |
taylor to take measure | 3 |
we have already shewn | 3 |
that some secret vertues | 3 |
the upper part of | 3 |
is to haue a | 3 |
to the prosecution of | 3 |
being onely able to | 3 |
much as there is | 3 |
that the distribution of | 3 |
so he may seeme | 3 |
the passions of one | 3 |
since it is the | 3 |
the good companion another | 3 |
a man to be | 3 |
takes leaue of the | 3 |
the same inclinations as | 3 |
if it be so | 3 |
the soul are not | 3 |
to the life of | 3 |
it is requisite there | 3 |
the last of which | 3 |
thinke there is a | 3 |
the appetite hath to | 3 |
midst of all the | 3 |
by this time hee | 3 |
but it is also | 3 |
same thing may be | 3 |
of the species of | 3 |
hee will tell you | 3 |
his shoppe at the | 3 |
the lower end of | 3 |
for if he be | 3 |
her care is to | 3 |
that all the others | 3 |
his discourse is commonly | 3 |
hee must bee a | 3 |
the contraction of the | 3 |
if we consider the | 3 |
though it be the | 3 |
vertues of the nobler | 3 |
take notice of his | 3 |
in the election of | 3 |
by the name of | 3 |
who would apply himself | 3 |
master of the house | 3 |
to be seen in | 3 |
if you will vouchsafe | 3 |
in the persons of | 3 |
natural perfection of man | 3 |
because the one is | 3 |
that that which is | 3 |
the defect of the | 3 |
according to the quality | 3 |
of those that are | 3 |
of the soul considered | 3 |
accounting it more noble | 3 |
much as the other | 3 |
to be said of | 3 |
a man of his | 3 |
are to be considered | 3 |
there is a particular | 3 |
then to the next | 3 |
but it is requisite | 3 |
of a square figure | 3 |
then he is able | 3 |
for gods sake to | 3 |
be divided into two | 3 |
that the appetite is | 3 |
much as all the | 3 |
this communication is wrought | 3 |
and in that case | 3 |
be the rule and | 3 |
in the bottome of | 3 |
the veins and arteries | 3 |
in the execution of | 3 |
are the notes of | 3 |
with a few characters | 3 |
is an enemie to | 3 |
like sympathy between the | 3 |
gives the soul a | 3 |
predominancy over the brain | 3 |
in the concupiscible appetite | 3 |
be in a mediocrity | 3 |
advantages may be deduced | 3 |
the temperament is the | 3 |
the constitution of the | 3 |
that which is in | 3 |
right hand is more | 3 |
him so much as | 3 |
able to furnish a | 3 |
she is able to | 3 |
the weakness of the | 3 |
what parts of the | 3 |
transformed into a vvildernesse | 3 |
by the sieur de | 3 |
a stock of honour | 3 |
for feare of the | 3 |
the beginning of the | 3 |
he is good for | 3 |
her minde is just | 3 |
him with a new | 3 |
is a man in | 3 |
because hee would not | 3 |
the emotion of the | 3 |
hee takes leaue of | 3 |
it is not sufficient | 3 |
to make use of | 3 |
worst discerne their basenesse | 3 |
of the animal spirits | 3 |
for that which is | 3 |
satyre in defence of | 3 |
in the aduancement of | 3 |
the discharge of their | 3 |
new satyre in defence | 3 |
is one that would | 3 |
of a school of | 3 |
that venus hath the | 3 |
in a short time | 3 |
an idaea of the | 3 |
secret soever they may | 3 |
have a stricter connexion | 3 |
fleshiness of the parts | 3 |
the vertues of the | 3 |
it is like a | 3 |
planet hath the government | 3 |
humours from one place | 3 |
enough to make him | 3 |
in the mercy of | 3 |
the best may see | 3 |
that mars hath the | 3 |
will in these few | 3 |
common law and lawyers | 3 |
the natural order of | 3 |
not only the forehead | 3 |
and it is thought | 3 |
endowments of the mind | 3 |
verse from a treatise | 3 |
of a dutch waggoner | 3 |
he hath an inclination | 3 |
though it be but | 3 |
hee is so farre | 3 |
the honor of a | 3 |
to make an absolute | 3 |
much indebted to the | 3 |
and the abuse of | 3 |
there needes no better | 3 |
the same places of | 3 |
house in the countrey | 3 |
motions of the sensitive | 3 |
passions of the concupiscible | 3 |
the knowledge of things | 3 |
you shall find him | 3 |
sympathy between the liver | 3 |
because he will not | 3 |
this is that which | 3 |
that they are only | 3 |
all parts of the | 3 |
and will be sure | 3 |
the function of the | 3 |
animation of the spirits | 3 |
is a world of | 3 |
by how much it | 3 |
the name of lord | 3 |
the humours from one | 3 |
no man is so | 3 |
so taken vp with | 3 |
for if it be | 3 |
by the spirit of | 3 |
there is so great | 3 |
that he is a | 3 |
and it there is | 3 |
of the world discovered | 3 |
but also in the | 3 |
for those good spirits | 3 |
when it comes to | 3 |
of the parts of | 3 |
he is a true | 3 |
texts with between and | 3 |
impression of the old | 3 |