This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
of the time of | 355 |
a man of the | 138 |
man of the time | 138 |
the end of the | 132 |
woman of the time | 127 |
a woman of the | 119 |
the time of henry | 101 |
of the fifteenth century | 83 |
in the case of | 76 |
at the same time | 75 |
simile of a miniature | 71 |
at the end of | 66 |
the middle of the | 62 |
on the other hand | 57 |
of a miniature in | 55 |
of the fourteenth century | 52 |
simile of a woodcut | 51 |
a miniature in the | 50 |
the back of the | 49 |
of the middle ages | 47 |
of the sixteenth century | 46 |
in the middle of | 46 |
of the thirteenth century | 46 |
the time of george | 45 |
the time of edward | 44 |
in the time of | 43 |
at the present day | 42 |
the case of the | 42 |
that is to say | 41 |
the time of the | 41 |
of a woodcut in | 40 |
the beginning of the | 38 |
the origin of the | 38 |
in the reign of | 38 |
the time of william | 38 |
national library of paris | 37 |
the front of the | 36 |
the top of the | 36 |
as well as the | 35 |
in the same way | 34 |
one of the most | 33 |
of the court of | 31 |
for the first time | 30 |
to be found in | 30 |
men of the time | 29 |
towards the end of | 29 |
a woodcut in the | 29 |
the philosophy of clothes | 29 |
under the name of | 28 |
from time to time | 28 |
the history of the | 27 |
in the form of | 27 |
for a long time | 27 |
in the th century | 27 |
it will be seen | 27 |
in the sixteenth century | 27 |
of the th century | 27 |
the time of charles | 27 |
the shape of the | 26 |
as early as the | 26 |
during the reign of | 26 |
the use of the | 26 |
the dress of the | 26 |
it is said that | 26 |
from a miniature in | 26 |
is one of the | 26 |
time of henry viii | 26 |
on the part of | 25 |
in the fourteenth century | 25 |
in the shape of | 25 |
of the present day | 25 |
miniature in the manuscript | 24 |
the rest of the | 24 |
of the corporation of | 24 |
the form of a | 24 |
to the end of | 24 |
in the way of | 24 |
be found in the | 23 |
on the back of | 23 |
a miniature in a | 23 |
to be seen in | 23 |
the centre of the | 23 |
in the manuscript of | 23 |
the name of the | 22 |
manuscript of the fifteenth | 22 |
upper part of the | 22 |
with regard to the | 22 |
on account of the | 22 |
the upper part of | 22 |
at the time of | 22 |
on the subject of | 21 |
in the first place | 21 |
library of the arsenal | 21 |
in the midst of | 21 |
the way in which | 21 |
the cosmographie universelle of | 21 |
in the thirteenth century | 21 |
livre du roy modus | 21 |
seems to have been | 20 |
time of henry vi | 20 |
the national library of | 20 |
in the middle ages | 20 |
the time of richard | 20 |
as we have seen | 20 |
is to be found | 20 |
the kings of france | 20 |
the bottom of the | 20 |
women of the time | 20 |
at the beginning of | 20 |
end of the reign | 20 |
by means of a | 20 |
the body of the | 19 |
of the eighteenth century | 19 |
cosmographie universelle of munster | 19 |
with the exception of | 19 |
time of george ii | 19 |
the greater part of | 19 |
the shape of a | 19 |
the time of james | 19 |
there is no doubt | 19 |
at the back of | 19 |
the time of elizabeth | 19 |
with a view to | 19 |
is to be seen | 19 |
at the court of | 19 |
as well as in | 19 |
be seen in the | 18 |
the members of the | 18 |
as if they were | 18 |
on the th of | 18 |
the part of the | 18 |
end of the fifteenth | 18 |
to the time of | 18 |
in the cosmographie universelle | 18 |
use of the corset | 18 |
in spite of the | 18 |
of the kings of | 18 |
during the middle ages | 18 |
by the courtesy of | 18 |
at the present time | 18 |
in the centre of | 18 |
end of the sixteenth | 17 |
the same way as | 17 |
the fact that the | 17 |
and at the same | 17 |
on either side of | 17 |
the parliament of paris | 17 |
in the history of | 17 |
the place of the | 17 |
at the age of | 17 |
in connection with the | 17 |
at the bottom of | 16 |
to the middle of | 16 |
the form of the | 16 |
at a later period | 16 |
there can be no | 16 |
for the purpose of | 16 |
time of charles ii | 16 |
the commencement of the | 16 |
the waist by a | 16 |
the council of ten | 16 |
such and such a | 16 |
a manuscript of the | 16 |
in spite of all | 16 |
in a state of | 16 |
punch and judy show | 16 |
on the top of | 15 |
the reign of louis | 15 |
two men of the | 15 |
in the course of | 15 |
will be seen that | 15 |
at the waist by | 15 |
a survival of the | 15 |
for the most part | 15 |
back of the head | 15 |
the length of the | 15 |
part of the body | 15 |
miniature in a manuscript | 15 |
the whole of the | 15 |
woodcut in the cosmographie | 15 |
in the fifteenth century | 15 |
the punch and judy | 15 |
the early part of | 15 |
the side of the | 15 |
it seems to me | 15 |
time of william and | 14 |
the officers of the | 14 |
a miniature of the | 14 |
of william and mary | 14 |
of the seventeenth century | 14 |
a great number of | 14 |
of the reign of | 14 |
either side of the | 14 |
the sides of the | 14 |
in the national library | 14 |
not so much as | 14 |
no doubt but that | 14 |
time of george i | 13 |
of the previous reign | 13 |
in the dress of | 13 |
the duke of burgundy | 13 |
a certain number of | 13 |
the livre du roy | 13 |
it is difficult to | 13 |
the head of the | 13 |
are to be found | 13 |
from the time of | 13 |
the hands of the | 13 |
of the dress of | 13 |
as in the case | 13 |
in the british museum | 13 |
to that of the | 13 |
back of the neck | 13 |
time of edward iii | 13 |
lady of the court | 13 |
on the one hand | 13 |
in a manuscript of | 13 |
than that of the | 13 |
on the left side | 13 |
by the side of | 13 |
two women of the | 13 |
in front of the | 13 |
time of henry iv | 13 |
under the title of | 13 |
it must not be | 12 |
the time of stephen | 12 |
with that of the | 12 |
the time of louis | 12 |
the king and the | 12 |
the abbey of st | 12 |
the costume of the | 12 |
the back of a | 12 |
the evolution of the | 12 |
to be met with | 12 |
the end of this | 12 |
the reign of henry | 12 |
history of the world | 12 |
the lower part of | 12 |
the church of st | 12 |
three men of the | 12 |
the spirit of the | 12 |
it is not a | 12 |
of a lady of | 12 |
lower part of the | 12 |
as if it were | 12 |
in the library of | 12 |
still to be seen | 12 |
part of the dress | 12 |
were it never so | 12 |
in consequence of the | 12 |
as we have already | 12 |
time of edward iv | 12 |
is no doubt but | 12 |
we shall find that | 11 |
at the expense of | 11 |
end of the thirteenth | 11 |
the power of the | 11 |
is that of the | 11 |
we must not forget | 11 |
it is easy to | 11 |
a more or less | 11 |
for the sake of | 11 |
but it is not | 11 |
the beauty of the | 11 |
of the nineteenth century | 11 |
early part of the | 11 |
it must have been | 11 |
we have seen that | 11 |
as a matter of | 11 |
the forerunner of the | 11 |
in the matter of | 11 |
of the council of | 11 |
to say nothing of | 11 |
a lady of the | 11 |
must have been a | 11 |
one or the other | 11 |
the men and women | 11 |
is said to have | 11 |
a part of the | 11 |
appears to have been | 11 |
of things in general | 11 |
tied under the chin | 11 |
of the national library | 11 |
as may be seen | 11 |
we have already mentioned | 11 |
in the eyes of | 11 |
time of george iii | 11 |
the collar of the | 11 |
as well as to | 11 |
to a certain extent | 10 |
the library of the | 10 |
a miniature from the | 10 |
of the roman empire | 10 |
of the same material | 10 |
the arms of the | 10 |
well as in the | 10 |
the size of the | 10 |
we find that the | 10 |
time of william i | 10 |
the formation of the | 10 |
appear to have been | 10 |
to the th century | 10 |
of the abbey of | 10 |
in the early part | 10 |
will be seen on | 10 |
the author of the | 10 |
the court of the | 10 |
in consequence of this | 10 |
the waist to the | 10 |
imperial library of paris | 10 |
the edges of the | 10 |
the middle of a | 10 |
time of henry vii | 10 |
old man of the | 10 |
the practice of tight | 10 |
time of james i | 10 |
on the backs of | 10 |
in order that the | 10 |
and there is a | 10 |
and there is no | 10 |
took the place of | 10 |
time of henry v | 10 |
francs of present money | 10 |
this and the other | 10 |
the presence of the | 10 |
by the name of | 10 |
simile of an engraving | 10 |
the arsenal of paris | 10 |
in the name of | 10 |
the latter part of | 10 |
may be seen in | 10 |
and it is said | 10 |
it is interesting to | 10 |
of the king of | 10 |
manuscript of the fourteenth | 10 |
side of the face | 10 |
the eyes of the | 10 |
time of richard ii | 10 |
the greater number of | 10 |
in addition to the | 10 |
in at the waist | 10 |
in the neighbourhood of | 10 |
on each side of | 10 |
the kings of the | 10 |
to be looked for | 10 |
the reign of charles | 10 |
of the arsenal of | 10 |
the manuscript of the | 10 |
in the church of | 10 |
which we have already | 10 |
of the twelfth century | 10 |
that there is a | 10 |
the time of queen | 10 |
the nature of the | 10 |
in the month of | 10 |
as will be seen | 10 |
on the front of | 10 |
are still to be | 10 |
end of the fourteenth | 10 |
time of henry i | 9 |
the waist of the | 9 |
the reign of queen | 9 |
we find in the | 9 |
of the castle of | 9 |
we have already seen | 9 |
of the duke of | 9 |
from a photograph by | 9 |
this or the other | 9 |
greater part of the | 9 |
as well as a | 9 |
the authority of the | 9 |
of a woodcut of | 9 |
the court of france | 9 |
the time of charlemagne | 9 |
it is to be | 9 |
kind permission of messrs | 9 |
but it was not | 9 |
if it were not | 9 |
on the right side | 9 |
as far as the | 9 |
on the other side | 9 |
from the fact that | 9 |
time of james ii | 9 |
the ends of the | 9 |
of one of the | 9 |
during the reigns of | 9 |
the eye of the | 9 |
man of the mountain | 9 |
of the last century | 9 |
in order to be | 9 |
twelfth and thirteenth centuries | 9 |
so much as a | 9 |
of the livre du | 9 |
the head of a | 9 |
on the occasion of | 9 |
is interesting to note | 9 |
to the present day | 9 |
proportions of the figure | 9 |
an engraving of the | 9 |
from the waist to | 9 |
on the same subject | 9 |
the sleeve of the | 9 |
that it was a | 9 |
sewn on to the | 9 |
it is not so | 9 |
the figure of the | 9 |
the same kind of | 9 |
the courtesy of messrs | 9 |
the provost of paris | 9 |
the king of the | 9 |
top of the head | 9 |
in the collection of | 9 |
as a kind of | 9 |
the shows of things | 9 |
arrangement of the hair | 9 |
it is one of | 9 |
the wife of a | 9 |
open at the neck | 9 |
the property of the | 9 |
in the heart of | 9 |
was a kind of | 9 |
a woodcut of the | 9 |
time of william ii | 9 |
time of charles i | 9 |
to the length of | 9 |
is a kind of | 9 |
francs of present currency | 9 |
victoria and albert museum | 8 |
of the same kind | 8 |
over the top of | 8 |
into the heart of | 8 |
into the hands of | 8 |
was one of those | 8 |
the knights of the | 8 |
of the lower orders | 8 |
just below the knee | 8 |
the twelfth and thirteenth | 8 |
of a miniature from | 8 |
and in order to | 8 |
the fall of the | 8 |
costumes of the fifteenth | 8 |
moniteur de la mode | 8 |
be seen that the | 8 |
of philippe le bel | 8 |
body of the dress | 8 |
end of the seventeenth | 8 |
all the way down | 8 |
the inhabitants of the | 8 |
in our own country | 8 |
from that of the | 8 |
manners and customs of | 8 |
was one of the | 8 |
in the direction of | 8 |
from the neck to | 8 |
time of the cromwells | 8 |
the editor of these | 8 |
manuscript of the livre | 8 |
man and woman of | 8 |
the heart of the | 8 |
so as to make | 8 |
by kind permission of | 8 |
it was the custom | 8 |
the old man of | 8 |
the sound of the | 8 |
from an engraving of | 8 |
the most important of | 8 |
it is here that | 8 |
in favour of the | 8 |
put an end to | 8 |
is shown by the | 8 |
the heads of the | 8 |
he was a man | 8 |
which must have been | 8 |
size of the waist | 8 |
from the reign of | 8 |
the last of the | 8 |
of the king and | 8 |
that he was a | 8 |
from the punch and | 8 |
to the reign of | 8 |
was the origin of | 8 |
back to the time | 8 |
the arrangement of the | 8 |
and woman of the | 8 |
doubt but that the | 8 |
one of the first | 8 |
can be no doubt | 8 |
yeomen of the guard | 8 |
fourteenth and fifteenth centuries | 8 |
as well as of | 8 |
it was in the | 8 |
the cut of the | 8 |
the skirts of the | 8 |
end of the th | 8 |
with the help of | 8 |
the beginning of all | 8 |
it seems as if | 8 |
of some of the | 8 |
it is of the | 8 |
there is a tendency | 8 |
the crown of the | 8 |
in order to show | 8 |
the exception of the | 8 |
parted in the centre | 8 |
it is true that | 8 |
by means of the | 8 |
it may be said | 8 |
a man and woman | 8 |
banner of the corporation | 8 |
from the back of | 8 |
of an engraving on | 8 |
the neck of the | 8 |
what we can call | 8 |
to the use of | 8 |
the clothes of the | 8 |
to have been the | 8 |
the sleeves of the | 8 |
it would be difficult | 8 |
the reign of the | 8 |
of the ladies of | 8 |
the reign of edward | 8 |
is as good as | 8 |
and customs of the | 8 |
shape of the foot | 8 |
take the place of | 8 |
the midst of the | 8 |
it is in this | 8 |
in the presence of | 8 |
that it is not | 8 |
would be difficult to | 8 |
in the evolution of | 8 |
le moniteur de la | 8 |
the king of france | 8 |
in the book of | 7 |
was worn over the | 7 |
the manuscript of phoebus | 7 |
in all parts of | 7 |
sir isaac pitman sons | 7 |
the middle ages and | 7 |
manuscript of livre du | 7 |
a relic of the | 7 |
for the amusement of | 7 |
the essence of all | 7 |
on account of its | 7 |
and it will be | 7 |
the same material as | 7 |
the border of the | 7 |
seems to be a | 7 |
as that of the | 7 |
in the latter part | 7 |
a manuscript in the | 7 |
as if he were | 7 |
to the front of | 7 |
same way as the | 7 |
been handed down to | 7 |
corporation of carpenters of | 7 |
that he is a | 7 |
so much so that | 7 |
may be said that | 7 |
so far as to | 7 |
both men and women | 7 |
time of henry ii | 7 |
to have been a | 7 |
the church of the | 7 |
the time of anne | 7 |
on account of their | 7 |
at the head of | 7 |
in the mean while | 7 |
it may be mentioned | 7 |
the death of the | 7 |
the skirt of the | 7 |
after a miniature in | 7 |
more closely to the | 7 |
the dress of a | 7 |
buttons on the back | 7 |
and it may be | 7 |
an account of the | 7 |
to a very great | 7 |
the sixteenth century the | 7 |
the neck to the | 7 |
by the fact that | 7 |
a matter of fact | 7 |
an article of dress | 7 |
in the event of | 7 |
the condition of the | 7 |
reign of charles vi | 7 |
the hair was now | 7 |
a certain amount of | 7 |
the hem of the | 7 |
i know not what | 7 |
we shall have to | 7 |
a little while ago | 7 |
in the days of | 7 |
the subject of the | 7 |
same material as the | 7 |
face to face with | 7 |
the ladies of the | 7 |
handed down to us | 7 |
the effect of the | 7 |
the feet of the | 7 |
the development of the | 7 |
the fashions of the | 7 |
there is not a | 7 |
seem to have been | 7 |
each side of the | 7 |
peak of the hood | 7 |
is by no means | 7 |
consecration of the kings | 7 |
of the entry of | 7 |
the editor of the | 7 |
to such an extent | 7 |
a few of the | 7 |
a picture of the | 7 |
the divine idea of | 7 |
the manners and customs | 7 |
mention is made of | 7 |
the manuscript of livre | 7 |
the houses of the | 7 |
just below the elbow | 7 |
is a survival of | 7 |
for which they were | 7 |
over the left shoulder | 7 |
of livre du roy | 7 |
most important of all | 7 |
to the fact that | 7 |
this part of the | 7 |
of the merchants of | 7 |
the order of the | 7 |
worn in the reign | 7 |
there seems to be | 7 |
that he was not | 7 |
after the manner of | 7 |
be looked upon as | 7 |
the laws of the | 7 |
in use in the | 7 |
the position of the | 7 |
the people of the | 7 |
in the twelfth century | 7 |
this point of view | 7 |
time of queen anne | 7 |
two types of head | 7 |
from age to age | 7 |
in one of the | 7 |
of the use of | 7 |
of the parliament of | 7 |
in which they were | 7 |
of the eleventh century | 7 |
in the place of | 7 |
the shoulder to the | 7 |
by the use of | 7 |
the tables of the | 7 |
is not to be | 7 |
the muscles of the | 7 |
and it is not | 7 |
us back to the | 7 |
of the free judges | 7 |
at a subsequent period | 7 |
it is well known | 7 |
latter part of the | 7 |
in the same manner | 7 |
the court of louis | 7 |
in speaking of the | 7 |
in the act of | 7 |
in order that they | 7 |
not seem to have | 7 |
the waist with a | 7 |
to a great extent | 7 |
the study of the | 7 |
of the christian religion | 7 |
the reign of george | 7 |
on the head of | 7 |
the bosom of the | 6 |
of the human figure | 6 |
took the name of | 6 |
of a man who | 6 |
to such a degree | 6 |
in the next reign | 6 |
time of edward ii | 6 |
in the streets of | 6 |
hair at the sides | 6 |
a survival from the | 6 |
round the neck and | 6 |
there not lie the | 6 |
to have been of | 6 |
the corporation of carpenters | 6 |
it is evident that | 6 |
was used as a | 6 |
to which we have | 6 |
were worn by the | 6 |
there is also a | 6 |
the fourteenth and fifteenth | 6 |
goes on to say | 6 |
queen isabel of bavaria | 6 |
to the editor of | 6 |
it may be that | 6 |
steel worn in the | 6 |
to the extent of | 6 |
of the same dress | 6 |
the custom of wearing | 6 |
preserved in the archives | 6 |
of the reign the | 6 |
in order to make | 6 |
and the hair was | 6 |
reign of queen elizabeth | 6 |
of the end of | 6 |
to the top of | 6 |
at the same period | 6 |
bow at the back | 6 |
as well as for | 6 |
this philosophy of clothes | 6 |
the time of john | 6 |
the thing to be | 6 |
on the right shoulder | 6 |
way in which the | 6 |
with a pair of | 6 |
the court of charles | 6 |
editor of these sheets | 6 |
in the archives of | 6 |
cover of steel worn | 6 |
middle of the fourteenth | 6 |
of cloth of gold | 6 |
when i look back | 6 |
so as to show | 6 |
still in use in | 6 |
time of henry iii | 6 |
of the th hussars | 6 |
in many cases the | 6 |
the peak of the | 6 |
it may be well | 6 |
i said to myself | 6 |
if we look at | 6 |
were of the same | 6 |
so much as the | 6 |
an engraving on wood | 6 |
one or other of | 6 |
now when i look | 6 |
until the reign of | 6 |
from the shoulder to | 6 |
of the laws of | 6 |
the survival of a | 6 |
and one of the | 6 |
was derived from the | 6 |
a glance at the | 6 |
since the time of | 6 |
made in one piece | 6 |
the title of the | 6 |
you will allow me | 6 |
it was at this | 6 |
the women of the | 6 |
were not allowed to | 6 |
the victoria and albert | 6 |
the same shape as | 6 |
the practice of wearing | 6 |
so as to be | 6 |
the courts of love | 6 |
seems to me the | 6 |
the consecration of the | 6 |
the appearance of the | 6 |
up to the end | 6 |
of the tenth century | 6 |
readers of these pages | 6 |
the private life of | 6 |
seal of the corporation | 6 |
with all manner of | 6 |
in the art journal | 6 |
of a miniature of | 6 |
of steel worn in | 6 |
the following extract from | 6 |
as much as possible | 6 |
from day to day | 6 |
the archives of that | 6 |
at the commencement of | 6 |
in all kinds of | 6 |
the opening of the | 6 |
the following letter from | 6 |
it would have been | 6 |
be this as it | 6 |
of the black prince | 6 |
the times of the | 6 |
in the cathedral of | 6 |
to the shape of | 6 |
calf of the leg | 6 |
in the depths of | 6 |
as shown in no | 6 |
from the elbow to | 6 |
at a time when | 6 |
the calf of the | 6 |
every part of the | 6 |
it is impossible to | 6 |
time of richard i | 6 |
the base of the | 6 |
as shown in the | 6 |
than those of the | 6 |
to be seen on | 6 |
under the protection of | 6 |
of which it is | 6 |
width of the shoulders | 6 |
and as it were | 6 |
miniature in the chroniques | 6 |
the infinite nature of | 6 |
is supposed to have | 6 |
stretch forth my hand | 6 |
does up a button | 6 |
that we have no | 6 |
queen catherine de medici | 6 |
the style of dress | 6 |
are to be seen | 6 |
the character of the | 6 |
the first of the | 6 |
one after the other | 6 |
on the death of | 6 |
the th of november | 6 |
the elbow to the | 6 |
the influence of the | 6 |
to see that the | 6 |
of the face and | 6 |
as to show the | 6 |
waist by a belt | 6 |
the minds of the | 6 |
of a different colour | 6 |
the wearing of a | 6 |
the jurisdiction of the | 6 |
a good deal of | 6 |
and it was only | 6 |
a piece of the | 6 |
during the whole of | 6 |
front of the dress | 6 |
from one of the | 6 |
i quite agree with | 6 |
divine idea of the | 6 |
of the church of | 6 |
it was thus that | 6 |
that worn by the | 6 |
and all manner of | 6 |
gave rise to the | 6 |
it is possible that | 6 |
is to be looked | 6 |
for the benefit of | 6 |
what we may call | 6 |
it is curious to | 6 |
from the time when | 6 |
the time of mary | 6 |
the folds of the | 6 |
idea of the world | 6 |
of the order of | 6 |
from a miniature of | 6 |
on the day of | 6 |
of the ninth century | 6 |
the life of a | 6 |
the courtesy of mr | 6 |
so that it was | 6 |
it is possible to | 6 |
back from the forehead | 6 |
the inside of the | 6 |
to the sound of | 6 |
in one of his | 6 |
and the ladies of | 6 |
like a sort of | 6 |
may be said to | 6 |
as man of letters | 6 |
archives of that town | 6 |
the fact that they | 6 |
hero as man of | 6 |
of the welsh fusiliers | 6 |
to be able to | 6 |
the whole of europe | 6 |
there was also a | 6 |
the inner man of | 6 |
time of edward vi | 6 |
to show that the | 6 |
of the nature of | 6 |
in the costume of | 6 |
in conjunction with the | 6 |
as well as on | 6 |
a very great extent | 6 |
put on over the | 6 |
varied according to the | 6 |
the hair was worn | 6 |
those worn by the | 6 |
of the knights of | 6 |
the use of stays | 6 |
as in the last | 6 |
of the members of | 6 |
down the front of | 6 |
with the aid of | 6 |
until the end of | 6 |
was to be had | 6 |
incident in modern history | 6 |
in the times of | 6 |
for the use of | 6 |
we have already stated | 6 |
with a band of | 6 |
to the conclusion that | 6 |
a son of time | 6 |
may be called the | 6 |
gathered in at the | 6 |
in the front of | 6 |
the proportions of the | 6 |
that it may be | 6 |
can so much as | 6 |
the laws of nature | 6 |
in the upper part | 6 |
to the thirteenth century | 6 |
the part of a | 6 |
no other than the | 6 |
in all manner of | 6 |
when speaking of the | 6 |
supposed to have been | 6 |
the economy of the | 5 |
if they were not | 5 |
and it would be | 5 |
or at least of | 5 |
so much were to | 5 |
the early th century | 5 |
reign of francis i | 5 |
early part of this | 5 |
on one side of | 5 |
it seems to be | 5 |
looked upon as the | 5 |
that is in him | 5 |
the heart of him | 5 |
the duke of orleans | 5 |
in a great measure | 5 |
in such a way | 5 |
in use among the | 5 |
and many of the | 5 |
the venus de medici | 5 |
over the head and | 5 |
in connection with this | 5 |
it has been said | 5 |
the borders of the | 5 |
on the st of | 5 |
much were to be | 5 |
in the art of | 5 |
and down to the | 5 |
at that period the | 5 |
so far as it | 5 |
the accompanying illustration represents | 5 |
on the verge of | 5 |
in one or the | 5 |
it is not the | 5 |
and there can be | 5 |
from side to side | 5 |
rise and fall of | 5 |
do not seem to | 5 |
be gathered from the | 5 |
in the first instance | 5 |
so much as believe | 5 |
it consisted of a | 5 |
in a kind of | 5 |
the annexed illustration represents | 5 |
was parted in the | 5 |
it is not surprising | 5 |
is still to be | 5 |
royal library of brussels | 5 |
dress worn by the | 5 |
the fullness of the | 5 |
also worn by the | 5 |
by far the most | 5 |
the history of these | 5 |
there is no more | 5 |
into a kind of | 5 |
in the height of | 5 |
a bow of ribbon | 5 |
upon the subject of | 5 |
the yeomen of the | 5 |
the material of which | 5 |
organic filaments of the | 5 |
illustration represents a lady | 5 |
may be well to | 5 |
their origin and influence | 5 |
not be confounded with | 5 |
part of our subject | 5 |
paris and in the | 5 |
that was in him | 5 |
as is shown by | 5 |
as to the origin | 5 |
of the town of | 5 |
to the bottom of | 5 |
to the fifteenth century | 5 |
at the door of | 5 |
one to the other | 5 |
no matter what the | 5 |
to those of the | 5 |
it is from the | 5 |
is it not the | 5 |
of the city of | 5 |
till the th century | 5 |
to the adoption of | 5 |
time of francis i | 5 |
here and there with | 5 |
with a sort of | 5 |
had been in the | 5 |
is all this but | 5 |
for them to be | 5 |
was made for the | 5 |
takes the form of | 5 |
of a great man | 5 |
and by this means | 5 |
from a drawing by | 5 |
it was not until | 5 |
games of the circus | 5 |
the whole of which | 5 |
of the dress was | 5 |
which seems to be | 5 |
at the top and | 5 |
on to the back | 5 |
end of the last | 5 |
down to the time | 5 |
you will see the | 5 |
such as those of | 5 |
the heart of every | 5 |
it is all a | 5 |
from the middle of | 5 |
important part in the | 5 |
be confounded with the | 5 |
infinite nature of duty | 5 |
were a kind of | 5 |
creation of the world | 5 |
what is to be | 5 |
the sake of the | 5 |
throughout the whole of | 5 |
he was forced to | 5 |
what is all this | 5 |
that there is no | 5 |
round the hem of | 5 |
must not forget the | 5 |
the sleeves of which | 5 |
until the present day | 5 |
of the sixth dynasty | 5 |
the body of man | 5 |
a knowledge of the | 5 |
a few years ago | 5 |
the foot of the | 5 |
the nobles of the | 5 |
that there was no | 5 |
may we not say | 5 |
to the number of | 5 |
bodice of the gown | 5 |
from elbow to wrist | 5 |
in order to protect | 5 |
may be considered as | 5 |
to be held in | 5 |
high in the neck | 5 |
the king of england | 5 |
was not at all | 5 |
at the foot of | 5 |
list of illustrations has | 5 |
at the rate of | 5 |
lady of the time | 5 |
from father to son | 5 |
be of interest to | 5 |
the mystery of the | 5 |
on the bosom of | 5 |
the face of the | 5 |
and as it is | 5 |
in a similar way | 5 |
received the name of | 5 |
the hand of the | 5 |
and the like of | 5 |
that it is the | 5 |
thirty or forty years | 5 |
were to be found | 5 |
be seen from the | 5 |
as a means of | 5 |
the absence of any | 5 |
from the sleeve of | 5 |
the edge of the | 5 |
there is little doubt | 5 |
in the last reign | 5 |
the month of may | 5 |
or it may be | 5 |
at the top of | 5 |
in this way the | 5 |
a feature of the | 5 |
were not slow in | 5 |
were made in the | 5 |
in order to obtain | 5 |
compression of the waist | 5 |
in praise of the | 5 |
for their own behoof | 5 |
were not so much | 5 |
by one of the | 5 |
from head to foot | 5 |
in the earlier part | 5 |
was worn by the | 5 |
is said that the | 5 |
the illustrated london news | 5 |
of the second dynasty | 5 |
of which they were | 5 |
in china and japan | 5 |
that part of the | 5 |
the bones of the | 5 |
from those of the | 5 |
in imitation of the | 5 |
the sixth to the | 5 |
the subject of dress | 5 |
will be able to | 5 |
in regard to the | 5 |
the outside of the | 5 |
of fashion in the | 5 |
interesting to note that | 5 |
on over the head | 5 |
have been able to | 5 |
to a considerable extent | 5 |
and the author of | 5 |
in the nature of | 5 |
in the abbey of | 5 |
in the centre and | 5 |
be no doubt that | 5 |
it was composed of | 5 |
for the last time | 5 |
and you will see | 5 |
up to that time | 5 |
on the authority of | 5 |
edward vi and mary | 5 |
it is probable that | 5 |
in the holy land | 5 |
of sir joshua reynolds | 5 |
the waist may be | 5 |
in various parts of | 5 |
of the history of | 5 |
it may be asserted | 5 |
it is in the | 5 |
for the first few | 5 |
of fashion in france | 5 |
a man who had | 5 |
still to be found | 5 |
will one day be | 5 |
middle of the back | 5 |
it was to be | 5 |
the rise and fall | 5 |
by those who have | 5 |
in common with the | 5 |
science of things in | 5 |
the queen of hearts | 5 |
the windows of the | 5 |
the reign of francis | 5 |
the outline of the | 5 |
fashion in the reign | 5 |
buttoned up to the | 5 |
the limits of the | 5 |
an example of the | 5 |
to the tenth century | 5 |
it is recorded that | 5 |
the higher walks of | 5 |
the servants of the | 5 |
of good and evil | 5 |
and it is interesting | 5 |
not one of the | 5 |
the court of queen | 5 |
here and there we | 5 |
by no means the | 5 |
to the back of | 5 |
may be mentioned the | 5 |
color of the hair | 5 |
the book of the | 5 |
the knee with a | 5 |
takes its name from | 5 |
with each other in | 5 |
was at that time | 5 |
an important part in | 5 |
the other side of | 5 |
in paris and in | 5 |
and here and there | 5 |
there was not a | 5 |
the vagaries of fashion | 5 |
the light of a | 5 |
a large number of | 5 |
to the sixteenth centuries | 5 |
to the practice of | 5 |
may be mentioned that | 5 |
to say that the | 5 |
come down to us | 5 |
the fashion of the | 5 |
be seen on the | 5 |
in the former case | 5 |
the direction of the | 5 |
is the beginning of | 5 |
on some of the | 5 |
and the rest of | 5 |
dress of the french | 5 |
as far as possible | 5 |
you will find it | 5 |
the names of the | 5 |
in the interior of | 5 |
as well as by | 5 |
a great deal of | 5 |
the wings of the | 5 |
the benefit of the | 5 |
here and there a | 5 |
one of the best | 5 |
of clothes upon the | 5 |
over the heads of | 5 |
the fancy of the | 5 |
the costumes of the | 5 |
by the nature of | 5 |
whose duty it was | 5 |
for the last three | 5 |
sleeve of the same | 5 |
the fourth of june | 5 |
daughter of edward iii | 5 |
down the back of | 5 |
the width of the | 5 |
general use of the | 5 |
fifteenth and sixteenth centuries | 5 |
the service of the | 5 |
be said to have | 5 |
was not to be | 5 |
from top to bottom | 5 |
him to be a | 5 |
in the bodleian library | 5 |
where there is no | 5 |
which consisted of a | 5 |
seems to me a | 5 |
the emperors of germany | 5 |
in the hearts of | 5 |
at the celebration of | 5 |
there is in the | 5 |
the owner of the | 5 |
in most of the | 5 |
it was necessary to | 5 |
as the time of | 5 |
of the spirit of | 5 |
in the minds of | 5 |
the shoes of the | 5 |
written on the subject | 5 |
enough for us to | 5 |
in the eighteenth century | 5 |
of such a man | 5 |
despite the fact that | 5 |
both corset and stomacher | 5 |
to the eye of | 5 |
to the formation of | 5 |
and of which we | 5 |
it is obvious that | 5 |
the rest of it | 5 |
the lines of the | 5 |
of the queen of | 5 |
of the chiefs of | 5 |
the man of letters | 5 |
the establishment of a | 5 |
in the south of | 5 |
from the centre of | 5 |
with gold and silver | 5 |
side of the head | 5 |
was this the case | 5 |
is that of a | 5 |
on the side of | 5 |
it was the fashion | 5 |
what we are to | 5 |
by the members of | 5 |
the great empire of | 5 |
in a world of | 5 |
a man of genius | 5 |
centre to revolve round | 5 |
and that of the | 5 |
confined at the waist | 5 |
the contour of the | 5 |
from the rest of | 5 |
to be clothed with | 5 |
the soul of the | 5 |
from the th century | 5 |
in the fourteenth and | 5 |
back of the coat | 5 |
in use at the | 5 |
worn by the men | 5 |
of the work is | 5 |
to the dress of | 5 |
does not seem to | 5 |
the castle of alamond | 5 |
token of the corporation | 5 |
the bishop of paris | 5 |
and engraved by j | 5 |
some of which are | 5 |
is the use of | 5 |
all of whom were | 5 |
must not be forgotten | 5 |
on the shoulder of | 5 |
as far back as | 5 |
the present day the | 5 |
the face of a | 5 |
to a certain degree | 5 |
a long time the | 4 |
of the kingdom of | 4 |
parts of the body | 4 |
we can answer that | 4 |
by the servants of | 4 |
to have been made | 4 |
with which it was | 4 |
of time and space | 4 |
if it is not | 4 |
as it is called | 4 |
at the consecration of | 4 |
do we not see | 4 |
the occasion of the | 4 |
was set with a | 4 |
survival of the chaperon | 4 |
of the tribunal of | 4 |
knights of the garter | 4 |
wherein whoso will not | 4 |
time of edward i | 4 |
revelation in the flesh | 4 |
reaching to the calf | 4 |
the age of twenty | 4 |
little doubt but that | 4 |
so scathed and thunder | 4 |
the world in clothes | 4 |
but where it is | 4 |
is a thing aeriform | 4 |
mother of henry iv | 4 |
of bavaria into paris | 4 |
as soon as he | 4 |
caught here and there | 4 |
of the collar of | 4 |
by the girls at | 4 |
must not be supposed | 4 |
all the way up | 4 |
a gallon of ale | 4 |
it is needless to | 4 |
out into the world | 4 |
in his sleeve at | 4 |
the blood of the | 4 |
of the dress is | 4 |
with the art of | 4 |
how could a man | 4 |
very similar to that | 4 |
all the rest were | 4 |
it is not to | 4 |
to remark that the | 4 |
all the four winds | 4 |
sirius and the pleiades | 4 |
be met with in | 4 |
as those of the | 4 |
gallon of ale at | 4 |
dreams are made of | 4 |
as if this were | 4 |
what seems to be | 4 |
on this portion of | 4 |
is not easy to | 4 |
is a picture of | 4 |
but it does not | 4 |
to the origin of | 4 |
duty it was to | 4 |
the hair at the | 4 |
was not until the | 4 |
ghastly affectation of life | 4 |
the cours des miracles | 4 |
after viollet le duc | 4 |
a woodcut in j | 4 |
kingdom it has thus | 4 |
in the chronicles of | 4 |
of the world was | 4 |
by the pressure of | 4 |
in the imperial library | 4 |
hawked in the streets | 4 |
the lord of the | 4 |
sides of the coat | 4 |
since the beginning of | 4 |
in the guise of | 4 |
in consequence of which | 4 |
i look back on | 4 |
the artistic crafts series | 4 |
is its baphometic baptism | 4 |
in a way that | 4 |
so had it lasted | 4 |
material of which the | 4 |
on the produce of | 4 |
in very deed a | 4 |
jerkin of embroidered linen | 4 |
impression preserved in the | 4 |
james ii and william | 4 |
the close of the | 4 |
the topography of paris | 4 |
time of richard iii | 4 |
the heart of it | 4 |
of the merovingian kings | 4 |
at a distance from | 4 |
it does not appear | 4 |
consisted of a large | 4 |
at a period when | 4 |
the hood from the | 4 |
though it must be | 4 |
what is it that | 4 |
is the body of | 4 |
in the laws of | 4 |
the remains of the | 4 |
middle of the fifteenth | 4 |
isabel of bavaria into | 4 |
the middle of this | 4 |
write his sorrows of | 4 |
in this our life | 4 |
the collection of the | 4 |
in so wide a | 4 |
wishing that you were | 4 |
went by the name | 4 |
round the neck of | 4 |
from the sixth to | 4 |
supposed to be a | 4 |
the corporation of pastrycooks | 4 |
back view of a | 4 |
for us to understand | 4 |
doubtless by degrees be | 4 |
if thou wilt have | 4 |
with nothing but a | 4 |
of the work before | 4 |
reign of philip augustus | 4 |
and for the present | 4 |
as a man of | 4 |
which the remaining dominions | 4 |
may there not lie | 4 |
of what sort soever | 4 |
took advantage of the | 4 |
rational dress for women | 4 |
thrown out of doors | 4 |
was not a man | 4 |
by wishing that you | 4 |
unhappy if we are | 4 |
there is the most | 4 |
of the life guards | 4 |
of the officers of | 4 |
but in any case | 4 |
the subject of clothes | 4 |
down to the waist | 4 |
to the development of | 4 |
it was impossible to | 4 |
the young men and | 4 |
formed the basis of | 4 |
officers of the crown | 4 |
has come down to | 4 |
in the house of | 4 |
one of two things | 4 |
it has been the | 4 |
the origin of this | 4 |
the first characteristic of | 4 |
in a psychological point | 4 |
of the cathedral of | 4 |
infant of genius is | 4 |
that the tailor is | 4 |
in consequence of their | 4 |
of the last reign | 4 |
and the love of | 4 |
head of the family | 4 |
as i have understood | 4 |
what is man himself | 4 |
in the bosom of | 4 |
this was the origin | 4 |
a communion of saints | 4 |
a stage in the | 4 |
which took place at | 4 |
by the modern greeks | 4 |
was it not to | 4 |
types of hat for | 4 |
god the garment thou | 4 |
the origin of which | 4 |
in the world of | 4 |
will allow me to | 4 |
the men of this | 4 |
is it not strange | 4 |
of the hood to | 4 |
the first half of | 4 |
the whole length of | 4 |
beginning of the fifteenth | 4 |
the great libraries of | 4 |
new order of things | 4 |
in the life of | 4 |
look as if they | 4 |
is covered with a | 4 |
and size of the | 4 |
waist of the venus | 4 |
of gold and silver | 4 |
there is in each | 4 |
a man is a | 4 |
and it has been | 4 |
takes us back to | 4 |
many a british reader | 4 |
in which it is | 4 |
the same manner as | 4 |
it was the first | 4 |
skirt of the dress | 4 |
roll of gold friedrichs | 4 |
it can easily be | 4 |
the tribunal of the | 4 |
those who have written | 4 |
what to do with | 4 |
were hawked in the | 4 |
which is the best | 4 |
carried on a baldric | 4 |
those who were not | 4 |
over the shoulders and | 4 |
fownes brothers and co | 4 |
the work before us | 4 |
greater number of the | 4 |
like that of a | 4 |
end of the eleventh | 4 |
the reign of philip | 4 |
citadel of its whole | 4 |
the resources of the | 4 |
and it is possible | 4 |
the verge of the | 4 |
dress of the time | 4 |
at the tables of | 4 |
in france and england | 4 |
and i know not | 4 |
the illustrated magazine of | 4 |
symbol of the godlike | 4 |
to show the under | 4 |
of our own english | 4 |
similar to that of | 4 |
a survival of a | 4 |
that it was the | 4 |
similar to that figured | 4 |
the sanction of the | 4 |
much to do with | 4 |
a picture in the | 4 |
in order that he | 4 |
reflections as the following | 4 |
from the illustrated magazine | 4 |
the words of the | 4 |
it was one of | 4 |
that they are not | 4 |
it has thus gained | 4 |
the heavens and the | 4 |
on the face of | 4 |
in the days when | 4 |
in the length of | 4 |
and on all hands | 4 |
me with a certain | 4 |
in this remarkable volume | 4 |
became the property of | 4 |
dates from the reign | 4 |
looked in his face | 4 |
looked upon as a | 4 |
by what you have | 4 |
to the testimony of | 4 |
not indeed without hard | 4 |
degrees be conquered and | 4 |
the ninth to the | 4 |
side by side with | 4 |
choose my own king | 4 |
the art of writing | 4 |
temptations in the wilderness | 4 |
length of the waist | 4 |
and tied about the | 4 |
mystery of the universe | 4 |
ladies of fashion in | 4 |
which of the two | 4 |
it was not to | 4 |
in this world of | 4 |
tight at the wrist | 4 |
is not dead and | 4 |
in those days the | 4 |
the gentlemen of the | 4 |
its whole kingdom it | 4 |
view and plan of | 4 |
of the yeomen of | 4 |
only at rare intervals | 4 |
this was the general | 4 |
a description of the | 4 |
to all intents and | 4 |
primitive method of carrying | 4 |
what make ye of | 4 |
lady of ancient greece | 4 |
the south of spain | 4 |
and this was the | 4 |
be seen by the | 4 |
costume of this reign | 4 |
is well known that | 4 |
at this period that | 4 |
the development of costume | 4 |
the imperial library of | 4 |
will be seen by | 4 |
in the making of | 4 |
was the fashion to | 4 |
at the battle of | 4 |
by the laws of | 4 |
such stuff as dreams | 4 |
in the higher walks | 4 |
a great amount of | 4 |
opponents of the corset | 4 |
not seem to be | 4 |
not work except in | 4 |
embroidered with gold and | 4 |
ale at the buttery | 4 |
in the earlier reigns | 4 |
use his own words | 4 |
ladies of the court | 4 |
article of female dress | 4 |
a certain degree of | 4 |
the same form of | 4 |
is dressed in a | 4 |
for a man of | 4 |
and in this way | 4 |
costume to the tenth | 4 |
of edward vi and | 4 |
forth my hand and | 4 |
a state of nakedness | 4 |
from le moniteur de | 4 |
pearls and precious stones | 4 |
and can handle this | 4 |
round the waist with | 4 |
reigns of edward vi | 4 |
the colours of the | 4 |
taming of the shrew | 4 |
to the beauty of | 4 |
whole duty of man | 4 |
on his way to | 4 |
large sums of money | 4 |
a bishop of the | 4 |
of an extinct volcano | 4 |
at the neck and | 4 |
by order of the | 4 |
corsets worn by gentlemen | 4 |
as part of the | 4 |
and a sort of | 4 |
first years of the | 4 |
the corporation of the | 4 |
and william and mary | 4 |
of its whole kingdom | 4 |
square at the toes | 4 |
that this was the | 4 |
shown in sketch no | 4 |
that one of the | 4 |
tenth to the fifteenth | 4 |
that lives and loves | 4 |
why should i speak | 4 |
of the dandiacal body | 4 |
that they should be | 4 |
little or nothing of | 4 |
to the eyes of | 4 |
cap on his head | 4 |
at the waist with | 4 |
all times and in | 4 |
the diet of worms | 4 |
being one of the | 4 |
heart of the matter | 4 |
this too is a | 4 |
in such a case | 4 |
look back on it | 4 |
weave for god the | 4 |
those who have been | 4 |
dress showing buttons on | 4 |
in order to carry | 4 |
worse is it with | 4 |
the conquest of the | 4 |
in matters of dress | 4 |
in the kingdom of | 4 |
it is known that | 4 |
an engraving on copper | 4 |
showing buttons on the | 4 |
the house of the | 4 |
formed part of the | 4 |
may be caught with | 4 |
of the costumes of | 4 |
the village of entepfuhl | 4 |
the aspect of the | 4 |
is part of the | 4 |
much is to be | 4 |
the consequence of this | 4 |
many of them were | 4 |
of the discovery of | 4 |
the fashion of wearing | 4 |
in which they are | 4 |
the reigns of edward | 4 |
be pointed out that | 4 |
with pearls and precious | 4 |
a man of this | 4 |
round hat with a | 4 |
outwards from which the | 4 |
after a miniature of | 4 |
would otherwise have been | 4 |
so far as the | 4 |
the slit in the | 4 |
we have still to | 4 |
in the sixteenth and | 4 |
in answer to a | 4 |
the creation of a | 4 |
the age of fourteen | 4 |
under the names of | 4 |
and it was also | 4 |
of queen isabel of | 4 |
ladies of the present | 4 |
from the breviary of | 4 |
psychological point of view | 4 |
and on the other | 4 |
years of the sixteenth | 4 |
roaring loom of time | 4 |
other parts of the | 4 |
to look fixedly on | 4 |
a man who was | 4 |
working at a trial | 4 |
for a short distance | 4 |
lives and loves in | 4 |
we find that in | 4 |
how much has been | 4 |
and no pillar of | 4 |
the reign of charlemagne | 4 |
boots of soft leather | 4 |
what can be called | 4 |
the descendants of the | 4 |
that the use of | 4 |
be conquered and pacificated | 4 |
the truth of it | 4 |
as time went on | 4 |
redresseur corset of vienna | 4 |
well acquainted with the | 4 |
it must be acknowledged | 4 |
it must be remarked | 4 |
part of the book | 4 |
without the german empire | 4 |
diagram showing how a | 4 |
of the gown is | 4 |
that he is naked | 4 |
during the tenth century | 4 |
in vain did the | 4 |
a few of these | 4 |
and it is easy | 4 |
from all the four | 4 |
if you consider it | 4 |
he goes on to | 4 |
one knows not what | 4 |
have we not seen | 4 |
the length of sixpence | 4 |
just above the knee | 4 |
be mentioned that the | 4 |
gleams of an ethereal | 4 |
you will notice that | 4 |
at the heart of | 4 |
the days of the | 4 |
if it were a | 4 |
one side of the | 4 |
the pressure of the | 4 |
the roaring loom of | 4 |
miniature from the breviary | 4 |
beginning of the world | 4 |
of ale at the | 4 |
parts of the kingdom | 4 |
this part of our | 4 |
men and women illustration | 4 |
neck of the gown | 4 |
be more or less | 4 |
in the face of | 4 |
the thirteenth century the | 4 |
of the stuart period | 4 |
if we are to | 4 |
the mother of henry | 4 |
be thrown to the | 4 |
fancy that thou deservest | 4 |
of the bishop of | 4 |
from which the remaining | 4 |
in the light of | 4 |
in the manner of | 4 |
chapter on private life | 4 |
same may be said | 4 |
that of the other | 4 |
fall of the roman | 4 |
of a series of | 4 |
daughter of the king | 4 |
of the head and | 4 |
those afflicted with the | 4 |
do we live in | 4 |
is not a man | 4 |
of the terraqueous globe | 4 |
of it in the | 4 |
the schools of design | 4 |
the wife of bath | 4 |
dress of the clergy | 4 |
to take up the | 4 |
front of the coat | 4 |
illustrated magazine of art | 4 |
there is a great | 4 |
aspect of the world | 4 |
for the defence of | 4 |
the back and front | 4 |
as if by miracle | 4 |
which they had been | 4 |
of a bishop of | 4 |
some of the most | 4 |
of the royal domains | 4 |
th and th centuries | 4 |
the soul of it | 4 |
were little better than | 4 |
of the house of | 4 |
to think that the | 4 |
put a stop to | 4 |
in which he was | 4 |
on account of this | 4 |
the personality of its | 4 |
in the romance of | 4 |
the middle of their | 4 |
ordinary dress of the | 4 |
it will be observed | 4 |
in le moniteur de | 4 |
as it is a | 4 |
down to the end | 4 |
of the world is | 4 |
in and without the | 4 |
to look at the | 4 |
it must be remembered | 4 |
the chief of the | 4 |
which is attributed to | 4 |
as to be able | 4 |
it was a strange | 4 |
as dreams are made | 4 |
of the calf of | 4 |
which was a kind | 4 |
if he were a | 4 |
four women of the | 4 |
with or without sleeves | 4 |
to the costume of | 4 |
far from being the | 4 |
a young man of | 4 |
costume of the time | 4 |
to which it is | 4 |
through the shows of | 4 |
be borne in mind | 4 |
came to the throne | 4 |
what i call a | 4 |
in the formation of | 4 |
the same character as | 4 |
the amusement of the | 4 |
is to be inferred | 4 |
king of the romans | 4 |
thus at the roaring | 4 |
were worn during the | 4 |
naked house of lords | 4 |
from the head of | 4 |
knight of the garter | 4 |
it was to the | 4 |
the question of the | 4 |
in spite of this | 4 |
loom of time i | 4 |
the man who cannot | 4 |
was supposed to be | 4 |
early as the twelfth | 4 |
wend to and fro | 4 |
the court of burgundy | 4 |
to me as if | 4 |
we find that it | 4 |
go back to the | 4 |
after the th century | 4 |
the church and the | 4 |
worn by the women | 4 |
a whole world of | 4 |
which is to be | 4 |
the hero as man | 4 |
at coombe hill school | 4 |
soul of the man | 4 |
great libraries of europe | 4 |
an english horse amulet | 4 |
end of this reign | 4 |
and of a lady | 4 |
the duke of norfolk | 4 |
in his hand a | 4 |
are such stuff as | 4 |
what strange chances do | 4 |
of the women of | 4 |
same as in the | 4 |
the wearer of the | 4 |
was beginning to be | 4 |
times and in all | 4 |
the cost of the | 4 |
to him by the | 4 |
together into one huge | 4 |
the rules of the | 4 |
to which they were | 4 |
in the punch and | 4 |
do but look at | 4 |
it seemed as if | 4 |
of the emperors of | 4 |
for my own part | 4 |
till the whole were | 4 |
that thou deservest to | 4 |
of a more or | 4 |
it might have been | 4 |
of the lower classes | 4 |
a whole satanic school | 4 |
say nothing of the | 4 |
in that of the | 4 |
to have been printed | 4 |
there is no need | 4 |
by some of the | 4 |
use of paint by | 4 |
the time of francis | 4 |
thou wilt have it | 4 |
beginning of all wisdom | 4 |
the point of the | 4 |
in looking at the | 4 |
it seems to have | 4 |
of the grand coesre | 4 |
the games of the | 4 |
the celebration of the | 4 |
to the laws of | 4 |
or at any rate | 4 |
of which i have | 4 |
may be said of | 4 |
afflicted with the like | 4 |
the princess of wales | 4 |
in eton college museum | 4 |
they were obliged to | 4 |
they were not allowed | 4 |
the business of the | 4 |
the attention of the | 4 |
thus gained by assault | 4 |
take a piece of | 4 |
world out of clothes | 4 |
feels its own freedom | 4 |
as we shall see | 4 |
but with regard to | 4 |
the great majority of | 4 |
carried on the person | 4 |
the survival of the | 4 |
paint by women in | 4 |
the same as in | 4 |
with gold and pearls | 4 |
see chapter on private | 4 |
in an account of | 4 |
which are to be | 4 |
down to the reign | 4 |
into the mystery of | 4 |
except as appended to | 4 |
buttoned down the front | 4 |
dress is very similar | 4 |
were used in the | 4 |
or else a diabolic | 4 |
of a piece of | 4 |
the doges of venice | 4 |
end of the tenth | 4 |
from the days of | 4 |
the extent of three | 4 |
wouldst thou plant for | 4 |
the tools a little | 4 |
of those who have | 4 |
and says to them | 4 |
in a very short | 4 |
the basis of worship | 4 |
and from age to | 4 |
you will see that | 4 |
in the arrangement of | 4 |
or what we call | 4 |
is in man a | 4 |
in order to prevent | 4 |
it is not easy | 4 |
the weight of the | 4 |
of time i ply | 4 |
in the figure of | 4 |
from country to country | 4 |
tower of the castle | 4 |
is here that the | 4 |
all parts of the | 4 |
is not so much | 4 |
in the uniform of | 4 |
to the feet of | 4 |
manuscript of the thirteenth | 4 |
the earth is but | 4 |
in the right direction | 4 |
wide as the world | 4 |
the last few years | 4 |
of which i give | 4 |
the top of their | 4 |
of money and of | 4 |
of both men and | 4 |
nothing can act but | 4 |
published at lyons in | 4 |
die a natural death | 4 |
at the mercy of | 4 |
the main street of | 4 |
what we must call | 4 |
the whole of this | 4 |
of the same period | 4 |
there seems no doubt | 4 |
annexed illustration represents a | 4 |
we do not find | 4 |
stuff as dreams are | 4 |
the figure of a | 4 |
as in the illustration | 4 |
through the th century | 4 |
to carry out the | 4 |
simply by wishing that | 4 |
the sixteenth century that | 4 |
with an air of | 4 |
was looked upon as | 4 |
at the waist and | 4 |
of the two sexes | 4 |
of isabel of bavaria | 4 |
at that time the | 4 |
the office of the | 4 |
became a sort of | 4 |
form of the waist | 4 |
look fixedly on clothes | 4 |
those who do not | 4 |
of the great world | 4 |
of the most notable | 4 |
was at this time | 4 |
on the score of | 4 |
the fifteenth and sixteenth | 4 |
the material of the | 4 |
and the heroic in | 4 |
a little at the | 4 |
made to fit the | 4 |
young men and maidens | 4 |
have been subjected to | 4 |
a philosophy of clothes | 4 |
from the earliest times | 4 |
on things in general | 4 |
under the jurisdiction of | 4 |
of a small waist | 4 |
from the illustrated london | 4 |
went so far as | 4 |
the interior parts of | 4 |
for eyes set too | 4 |
at the close of | 4 |
the art of venery | 4 |
of a similar shape | 4 |
of louis le gros | 4 |
present the glory of | 4 |
took place in the | 4 |
not without some touch | 4 |
which was divided into | 4 |
men of this time | 4 |
of the middle classes | 4 |
which dates from the | 4 |
a view to the | 4 |
from an impression preserved | 4 |
is not at all | 4 |
close to the head | 4 |
and knows not what | 4 |
the form of an | 4 |
only a kind of | 4 |
in the island of | 4 |
it appears that the | 4 |
of the time when | 4 |
is worn on the | 4 |
one of the principal | 4 |
of the people of | 4 |
him whom they name | 4 |
the wearing of the | 4 |
by all manner of | 4 |
are by no means | 4 |
the first years of | 4 |
the reign of wonder | 4 |
the th century we | 4 |
the administration of justice | 4 |
a row of buttons | 4 |
the princes of the | 4 |
an infant of genius | 4 |
bearings of the corporation | 4 |
is one of those | 4 |
the hero as divinity | 4 |
all intents and purposes | 4 |
in the open air | 4 |
vassals of the crown | 4 |
under the eye of | 4 |
a knight of the | 4 |
a work of art | 4 |
with one or two | 4 |
from the pantry bar | 4 |
the mind of the | 4 |
ii and william and | 4 |
the door of the | 4 |
from a woodcut in | 4 |
of two or three | 4 |
of love in provence | 4 |
thou deservest to be | 4 |
going on in the | 4 |
at the buttery bar | 4 |
it not conceivable that | 4 |
a quarter of a | 4 |
tunic reaching to the | 4 |
in a sort of | 4 |
in times of peace | 4 |
to the age of | 4 |
in the north of | 4 |
seems it not conceivable | 4 |
you will see how | 4 |
but a piece of | 4 |
and without the german | 4 |
the streets of paris | 4 |
low in the neck | 4 |
how happens it that | 4 |
to use his own | 4 |
it is unnecessary to | 4 |
the empire of the | 4 |
in honour of the | 4 |
the one thing needful | 4 |
the fire of living | 4 |
weaving for herself new | 4 |
of love and of | 4 |
leather boots and shoes | 4 |
king was obliged to | 4 |
hast thou not a | 4 |
back of the collar | 4 |
will doubtless by degrees | 4 |
the same may be | 4 |
on the fourth of | 4 |
the idea of the | 4 |
it was customary for | 4 |
picture of these university | 4 |
all miracles have been | 4 |
part of this reign | 4 |
at an early age | 4 |
we should like to | 4 |
and in the other | 4 |
takes the place of | 4 |
the manner of the | 4 |
the intellect of the | 4 |
the dutch skeleton dress | 4 |
for god the garment | 4 |
a window in the | 4 |
as one of the | 4 |
in presence of the | 4 |
was made in the | 4 |
the king was obliged | 4 |
reign of wonder is | 4 |
and opinions of herr | 4 |
carried on to the | 4 |
in consequence of a | 4 |
that they should have | 4 |
is very similar to | 4 |
first spun and woven | 4 |
in the records of | 4 |
of curls at the | 4 |
that small waists are | 4 |
which feeling is its | 4 |
both sides of the | 4 |
what hadst thou been | 4 |
we come upon the | 4 |
be the place to | 4 |
of which we shall | 4 |
in the dead of | 4 |
with which they were | 4 |
forming both corset and | 4 |
development of costume to | 4 |
can act but where | 4 |
of the waist by | 4 |
here and there some | 4 |
when dealing with the | 4 |
the value of the | 4 |
were it not that | 4 |
the emperor charles iv | 4 |
looking at the fair | 4 |
as there is no | 4 |
to be a man | 4 |
on the heart of | 4 |
are first spun and | 4 |
in this point of | 4 |
to put an end | 4 |
as soon as the | 4 |
the city of paris | 4 |
i trust you will | 4 |
revelation of the godlike | 4 |
nothing could be more | 4 |
evidence in support of | 4 |
whole kingdom it has | 4 |
by the arrangement of | 4 |
at least as much | 4 |
of which is attributed | 4 |
the drapery in the | 4 |
that are to be | 4 |
be caught with a | 4 |
which are worn by | 4 |
of those of the | 4 |
of what we call | 4 |
of the origin of | 4 |
seen on reference to | 4 |
did not prevent the | 4 |
in order to see | 4 |
engraved in the art | 4 |
by the ladies of | 4 |
the basis of all | 4 |
so that he might | 4 |
in the possession of | 4 |
there has been a | 4 |
as if the earth | 4 |
was no longer a | 4 |
order that he might | 4 |
an impression preserved in | 4 |
at this point we | 4 |
the generic name of | 4 |
at the roaring loom | 4 |
drawn and engraved by | 4 |
went out of fashion | 4 |
a psychological point of | 4 |
one day evolve itself | 4 |
of the present century | 4 |
and the borders of | 4 |
of the drapery in | 4 |
began to take a | 4 |
must be acknowledged that | 4 |
which we have described | 4 |
the west coast of | 4 |
long so scathed and | 4 |
his whole heart and | 4 |
the simple fact that | 4 |
act but where it | 4 |
not very long ago | 4 |
this kind of sport | 4 |
to be hatched into | 4 |
will see that the | 4 |
one day to be | 4 |
we can call a | 4 |
not only to the | 4 |
and one day to | 4 |
hats of the time | 4 |
but for him also | 4 |
of the topography of | 4 |
that he feels himself | 4 |
open all the way | 4 |
fastened by a brooch | 4 |
figure of the sixth | 4 |
to look upon with | 4 |
away the illusion of | 4 |
chances do we live | 4 |
worn by the girls | 4 |
of the coat and | 4 |
coat of arms of | 4 |
the water in which | 4 |
must not be confounded | 4 |
crown of the head | 4 |
which the scientific head | 4 |
engraving of the topography | 4 |
to that figured in | 4 |
the necks of the | 4 |
in the habit of | 4 |
the dukes of burgundy | 4 |
in spite of his | 4 |
only to the knees | 4 |
from the wrist to | 4 |
a letter from a | 4 |
in this case it | 4 |
on the point of | 4 |
of the hair was | 4 |
crest and surcoat of | 4 |
which indeed are but | 4 |
be seen on reference | 4 |
of the royal blood | 4 |
is what i call | 4 |
and even in the | 4 |
apprentice working at a | 4 |
the defence of the | 4 |
is not he too | 4 |
without some touch of | 4 |
the chroniques of froissart | 4 |
practice of tight lacing | 4 |
the liber chronicarum mundi | 4 |
a book of hours | 4 |
the king that the | 4 |
of the society of | 4 |
the effect of clothes | 4 |
of the same colour | 4 |
make ye of your | 4 |
the backs of the | 4 |
part of the face | 4 |
could not fail to | 4 |
but it is a | 4 |
the world out of | 4 |
the kingdom of france | 4 |
heavens and the earth | 4 |
will not work except | 4 |
the aid of the | 4 |
we look at the | 4 |
it may be interesting | 4 |
feeling is its baphometic | 4 |
to the fashions of | 4 |
of france and the | 4 |
the wearing of clothes | 4 |
as well as with | 4 |
the most celebrated of | 4 |
in all times and | 4 |
sleeves to the elbow | 4 |
of france in the | 4 |
the manner in which | 4 |
the interests of the | 4 |
the course of the | 4 |
of the corset as | 4 |
of the muscles of | 4 |
has thus gained by | 4 |
i have understood it | 4 |
with their own eyes | 4 |
the ravages of time | 4 |
seems to be the | 4 |
bronze stage of culture | 4 |
did not fail to | 4 |
on more than one | 4 |
deservest to be hanged | 4 |
here for the first | 4 |
a naked house of | 4 |
and those of the | 4 |
him to have been | 4 |
and will keep inexpugnable | 4 |
cannot do better than | 4 |
we find that a | 4 |
to my own knowledge | 4 |
for the good of | 4 |
this work on clothes | 4 |
and weave for god | 4 |
electors of the empire | 4 |
there is always a | 4 |
middle of the th | 4 |
court of charles viii | 4 |
made men of us | 4 |
has been said that | 4 |
by the death of | 4 |
of the figure and | 4 |
strange chances do we | 4 |
it to have been | 4 |
and through all manner | 4 |
have been in use | 4 |
through all manner of | 4 |
the collar of his | 4 |
fashion of wearing the | 4 |
and they do it | 4 |
about the same period | 4 |
border of the same | 4 |
time of louis xiv | 4 |
liripipe of the chaperon | 4 |
of paint by women | 4 |
a hole in the | 4 |
in the old days | 4 |
of one of these | 4 |
prompt nature of hunger | 4 |
the top of a | 4 |
to them by the | 4 |
from a painted window | 4 |
bottom of the skirt | 4 |
of a sort of | 4 |
have been handed down | 4 |
the establishment of the | 4 |
the university of paris | 4 |
of costume to the | 4 |
this type of face | 4 |
were he but a | 4 |
part of the reign | 4 |
worn by the gentlemen | 4 |
this as it may | 4 |
about the middle of | 4 |
by degrees be conquered | 4 |
the illusion of time | 4 |
article of dress which | 4 |
nature of the man | 4 |
the height of fashion | 4 |
we may add that | 4 |
of those afflicted with | 4 |
the victory of rossbach | 4 |
which must not be | 4 |
it is a most | 4 |
in the liber chronicarum | 4 |
the ladies of her | 4 |
of the frank kings | 4 |
were also in use | 4 |
of this lower world | 4 |
here feels its own | 4 |
if we do not | 4 |
there is no such | 4 |
of a manuscript in | 4 |
of doing the hair | 4 |
had the right of | 4 |
the wig of a | 4 |
the taste of the | 4 |
every one of us | 4 |
may be worn with | 4 |
run the risk of | 4 |
we not see a | 4 |
have made men of | 4 |
professor of things in | 4 |
as shown in sketch | 4 |
it not clear that | 4 |
and in spite of | 4 |
the earlier part of | 4 |
god in the world | 4 |
said to have been | 4 |
of which we have | 4 |
the dress is very | 4 |
were worn with the | 4 |
during the time of | 4 |
to the study of | 4 |
evidence in favour of | 4 |
middle of the thirteenth | 4 |
the costume of this | 4 |
we can trace the | 4 |
two or three buttons | 4 |
seen in the case | 4 |
at the right place | 4 |
in the most parched | 4 |
of the waist is | 4 |
the citadel of its | 4 |
that an infant of | 4 |
in the latter case | 4 |
as well as he | 4 |
till they become transparent | 4 |
were more or less | 4 |
the origin of dress | 4 |
in the work of | 4 |
which was as much | 4 |
the expense of the | 4 |
we may call a | 4 |
another case in point | 4 |
the glory of british | 4 |
of the most remarkable | 4 |
a member of the | 4 |
until the time of | 4 |
the court of francis | 3 |
the entry of queen | 3 |
and could not last | 3 |
but a symbol of | 3 |
a man who will | 3 |
the same time a | 3 |
to the effect that | 3 |
fewest have the key | 3 |
is true that the | 3 |
to which they belonged | 3 |
which were worn by | 3 |
was a mark of | 3 |
our men of letters | 3 |
but what i do | 3 |
itself could not doom | 3 |
seems to be no | 3 |
the most important transaction | 3 |
to the level of | 3 |
v shape at the | 3 |
were removed from the | 3 |
to which it was | 3 |
of the work are | 3 |
radish with a head | 3 |
the sixteenth and seventeenth | 3 |
simple version of the | 3 |
of the infinite in | 3 |
at the nape of | 3 |
woodcut of the cosmographie | 3 |
is the same as | 3 |
the same way that | 3 |
we live in history | 3 |
order that they might | 3 |
gregory the great with | 3 |
in the evening dress | 3 |
death of his father | 3 |
the privileges of the | 3 |
though they may not | 3 |
right side of the | 3 |
refer our readers to | 3 |
similar to those which | 3 |
entry of charles v | 3 |
it was customary to | 3 |
application of the corset | 3 |
portrait of jan steen | 3 |
kings of the second | 3 |
is not he a | 3 |
be taken as a | 3 |
it seems likely that | 3 |
bordering on the impalpable | 3 |
the land of oz | 3 |
is supposed to be | 3 |
it would be a | 3 |
on the left shoulder | 3 |
of its own accord | 3 |
preferences of girls for | 3 |
of which they are | 3 |
the opponents of the | 3 |
the th of october | 3 |
a prophet to his | 3 |
is the greatest of | 3 |
maids of honour of | 3 |
pressure of his task | 3 |
over the right shoulder | 3 |
that they do not | 3 |
is due to the | 3 |
also we have a | 3 |
come now to the | 3 |
dog in the book | 3 |
of the venus de | 3 |
the daily life of | 3 |
back over the wrist | 3 |
seen in our streets | 3 |
face and features of | 3 |
the first two years | 3 |
are few in number | 3 |
ages and the renaissance | 3 |
shown by the fact | 3 |
the fifteenth to the | 3 |
it is made of | 3 |
waist to the feet | 3 |
the sleeves were very | 3 |
as if they had | 3 |
it was destined to | 3 |
the long hanging sleeves | 3 |
that it was impossible | 3 |
in the fact that | 3 |
the rising generation of | 3 |
the back of their | 3 |
to all the world | 3 |
the cathedral of tournai | 3 |
front of the bodice | 3 |
which have descended to | 3 |
the ashes of the | 3 |
is not only a | 3 |
for the woman with | 3 |
the reason for this | 3 |
as late as the | 3 |
the most of them | 3 |
games of the ancient | 3 |