quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
of the time of	355
a man of the	138
man of the time	138
the end of the	132
woman of the time	127
a woman of the	119
the time of henry	101
of the fifteenth century	83
in the case of	76
at the same time	75
simile of a miniature	71
at the end of	66
the middle of the	62
on the other hand	57
of a miniature in	55
of the fourteenth century	52
simile of a woodcut	51
a miniature in the	50
the back of the	49
of the middle ages	47
of the sixteenth century	46
in the middle of	46
of the thirteenth century	46
the time of george	45
the time of edward	44
in the time of	43
at the present day	42
the case of the	42
that is to say	41
the time of the	41
of a woodcut in	40
the beginning of the	38
the origin of the	38
in the reign of	38
the time of william	38
national library of paris	37
the front of the	36
the top of the	36
as well as the	35
in the same way	34
one of the most	33
of the court of	31
for the first time	30
to be found in	30
men of the time	29
towards the end of	29
a woodcut in the	29
the philosophy of clothes	29
under the name of	28
from time to time	28
the history of the	27
in the form of	27
for a long time	27
in the th century	27
it will be seen	27
in the sixteenth century	27
of the th century	27
the time of charles	27
the shape of the	26
as early as the	26
during the reign of	26
the use of the	26
the dress of the	26
it is said that	26
from a miniature in	26
is one of the	26
time of henry viii	26
on the part of	25
in the fourteenth century	25
in the shape of	25
of the present day	25
miniature in the manuscript	24
the rest of the	24
of the corporation of	24
the form of a	24
to the end of	24
in the way of	24
be found in the	23
on the back of	23
a miniature in a	23
to be seen in	23
the centre of the	23
in the manuscript of	23
the name of the	22
manuscript of the fifteenth	22
upper part of the	22
with regard to the	22
on account of the	22
the upper part of	22
at the time of	22
on the subject of	21
in the first place	21
library of the arsenal	21
in the midst of	21
the way in which	21
the cosmographie universelle of	21
in the thirteenth century	21
livre du roy modus	21
seems to have been	20
time of henry vi	20
the national library of	20
in the middle ages	20
the time of richard	20
as we have seen	20
is to be found	20
the kings of france	20
the bottom of the	20
women of the time	20
at the beginning of	20
end of the reign	20
by means of a	20
the body of the	19
of the eighteenth century	19
cosmographie universelle of munster	19
with the exception of	19
time of george ii	19
the greater part of	19
the shape of a	19
the time of james	19
there is no doubt	19
at the back of	19
the time of elizabeth	19
with a view to	19
is to be seen	19
at the court of	19
as well as in	19
be seen in the	18
the members of the	18
as if they were	18
on the th of	18
the part of the	18
end of the fifteenth	18
to the time of	18
in the cosmographie universelle	18
use of the corset	18
in spite of the	18
of the kings of	18
during the middle ages	18
by the courtesy of	18
at the present time	18
in the centre of	18
end of the sixteenth	17
the same way as	17
the fact that the	17
and at the same	17
on either side of	17
the parliament of paris	17
in the history of	17
the place of the	17
at the age of	17
in connection with the	17
at the bottom of	16
to the middle of	16
the form of the	16
at a later period	16
there can be no	16
for the purpose of	16
time of charles ii	16
the commencement of the	16
the waist by a	16
the council of ten	16
such and such a	16
a manuscript of the	16
in spite of all	16
in a state of	16
punch and judy show	16
on the top of	15
the reign of louis	15
two men of the	15
in the course of	15
will be seen that	15
at the waist by	15
a survival of the	15
for the most part	15
back of the head	15
the length of the	15
part of the body	15
miniature in a manuscript	15
the whole of the	15
woodcut in the cosmographie	15
in the fifteenth century	15
the punch and judy	15
the early part of	15
the side of the	15
it seems to me	15
time of william and	14
the officers of the	14
a miniature of the	14
of william and mary	14
of the seventeenth century	14
a great number of	14
of the reign of	14
either side of the	14
the sides of the	14
in the national library	14
not so much as	14
no doubt but that	14
time of george i	13
of the previous reign	13
in the dress of	13
the duke of burgundy	13
a certain number of	13
the livre du roy	13
it is difficult to	13
the head of the	13
are to be found	13
from the time of	13
the hands of the	13
of the dress of	13
as in the case	13
in the british museum	13
to that of the	13
back of the neck	13
time of edward iii	13
lady of the court	13
on the one hand	13
in a manuscript of	13
than that of the	13
on the left side	13
by the side of	13
two women of the	13
in front of the	13
time of henry iv	13
under the title of	13
it must not be	12
the time of stephen	12
with that of the	12
the time of louis	12
the king and the	12
the abbey of st	12
the costume of the	12
the back of a	12
the evolution of the	12
to be met with	12
the end of this	12
the reign of henry	12
history of the world	12
the lower part of	12
the church of st	12
three men of the	12
the spirit of the	12
it is not a	12
of a lady of	12
lower part of the	12
as if it were	12
in the library of	12
still to be seen	12
part of the dress	12
were it never so	12
in consequence of the	12
as we have already	12
time of edward iv	12
is no doubt but	12
we shall find that	11
at the expense of	11
end of the thirteenth	11
the power of the	11
is that of the	11
we must not forget	11
it is easy to	11
a more or less	11
for the sake of	11
but it is not	11
the beauty of the	11
of the nineteenth century	11
early part of the	11
it must have been	11
we have seen that	11
as a matter of	11
the forerunner of the	11
in the matter of	11
of the council of	11
to say nothing of	11
a lady of the	11
must have been a	11
one or the other	11
the men and women	11
is said to have	11
a part of the	11
appears to have been	11
of things in general	11
tied under the chin	11
of the national library	11
as may be seen	11
we have already mentioned	11
in the eyes of	11
time of george iii	11
the collar of the	11
as well as to	11
to a certain extent	10
the library of the	10
a miniature from the	10
of the roman empire	10
of the same material	10
the arms of the	10
well as in the	10
the size of the	10
we find that the	10
time of william i	10
the formation of the	10
appear to have been	10
to the th century	10
of the abbey of	10
in the early part	10
will be seen on	10
the author of the	10
the court of the	10
in consequence of this	10
the waist to the	10
imperial library of paris	10
the edges of the	10
the middle of a	10
time of henry vii	10
old man of the	10
the practice of tight	10
time of james i	10
on the backs of	10
in order that the	10
and there is a	10
and there is no	10
took the place of	10
time of henry v	10
francs of present money	10
this and the other	10
the presence of the	10
by the name of	10
simile of an engraving	10
the arsenal of paris	10
in the name of	10
the latter part of	10
may be seen in	10
and it is said	10
it is interesting to	10
of the king of	10
manuscript of the fourteenth	10
side of the face	10
the eyes of the	10
time of richard ii	10
the greater number of	10
in addition to the	10
in at the waist	10
in the neighbourhood of	10
on each side of	10
the kings of the	10
to be looked for	10
the reign of charles	10
of the arsenal of	10
the manuscript of the	10
in the church of	10
which we have already	10
of the twelfth century	10
that there is a	10
the time of queen	10
the nature of the	10
in the month of	10
as will be seen	10
on the front of	10
are still to be	10
end of the fourteenth	10
time of henry i	9
the waist of the	9
the reign of queen	9
we find in the	9
of the castle of	9
we have already seen	9
of the duke of	9
from a photograph by	9
this or the other	9
greater part of the	9
as well as a	9
the authority of the	9
of a woodcut of	9
the court of france	9
the time of charlemagne	9
it is to be	9
kind permission of messrs	9
but it was not	9
if it were not	9
on the right side	9
as far as the	9
on the other side	9
from the fact that	9
time of james ii	9
the ends of the	9
of one of the	9
during the reigns of	9
the eye of the	9
man of the mountain	9
of the last century	9
in order to be	9
twelfth and thirteenth centuries	9
so much as a	9
of the livre du	9
the head of a	9
on the occasion of	9
is interesting to note	9
to the present day	9
proportions of the figure	9
an engraving of the	9
from the waist to	9
on the same subject	9
the sleeve of the	9
that it was a	9
sewn on to the	9
it is not so	9
the figure of the	9
the same kind of	9
the courtesy of messrs	9
the provost of paris	9
the king of the	9
top of the head	9
in the collection of	9
as a kind of	9
the shows of things	9
arrangement of the hair	9
it is one of	9
the wife of a	9
open at the neck	9
the property of the	9
in the heart of	9
was a kind of	9
a woodcut of the	9
time of william ii	9
time of charles i	9
to the length of	9
is a kind of	9
francs of present currency	9
victoria and albert museum	8
of the same kind	8
over the top of	8
into the heart of	8
into the hands of	8
was one of those	8
the knights of the	8
of the lower orders	8
just below the knee	8
the twelfth and thirteenth	8
of a miniature from	8
and in order to	8
the fall of the	8
costumes of the fifteenth	8
moniteur de la mode	8
be seen that the	8
of philippe le bel	8
body of the dress	8
end of the seventeenth	8
all the way down	8
the inhabitants of the	8
in our own country	8
from that of the	8
manners and customs of	8
was one of the	8
in the direction of	8
from the neck to	8
time of the cromwells	8
the editor of these	8
manuscript of the livre	8
man and woman of	8
the heart of the	8
so as to make	8
by kind permission of	8
it was the custom	8
the old man of	8
the sound of the	8
from an engraving of	8
the most important of	8
it is here that	8
in favour of the	8
put an end to	8
is shown by the	8
the heads of the	8
he was a man	8
which must have been	8
size of the waist	8
from the reign of	8
the last of the	8
of the king and	8
that he was a	8
from the punch and	8
to the reign of	8
was the origin of	8
back to the time	8
the arrangement of the	8
and woman of the	8
doubt but that the	8
one of the first	8
can be no doubt	8
yeomen of the guard	8
fourteenth and fifteenth centuries	8
as well as of	8
it was in the	8
the cut of the	8
the skirts of the	8
end of the th	8
with the help of	8
the beginning of all	8
it seems as if	8
of some of the	8
it is of the	8
there is a tendency	8
the crown of the	8
in order to show	8
the exception of the	8
parted in the centre	8
it is true that	8
by means of the	8
it may be said	8
a man and woman	8
banner of the corporation	8
from the back of	8
of an engraving on	8
the neck of the	8
what we can call	8
to the use of	8
the clothes of the	8
to have been the	8
the sleeves of the	8
it would be difficult	8
the reign of the	8
of the ladies of	8
the reign of edward	8
is as good as	8
and customs of the	8
shape of the foot	8
take the place of	8
the midst of the	8
it is in this	8
in the presence of	8
that it is not	8
would be difficult to	8
in the evolution of	8
le moniteur de la	8
the king of france	8
in the book of	7
was worn over the	7
the manuscript of phoebus	7
in all parts of	7
sir isaac pitman sons	7
the middle ages and	7
manuscript of livre du	7
a relic of the	7
for the amusement of	7
the essence of all	7
on account of its	7
and it will be	7
the same material as	7
the border of the	7
seems to be a	7
as that of the	7
in the latter part	7
a manuscript in the	7
as if he were	7
to the front of	7
same way as the	7
been handed down to	7
corporation of carpenters of	7
that he is a	7
so much so that	7
may be said that	7
so far as to	7
both men and women	7
time of henry ii	7
to have been a	7
the church of the	7
the time of anne	7
on account of their	7
at the head of	7
in the mean while	7
it may be mentioned	7
the death of the	7
the skirt of the	7
after a miniature in	7
more closely to the	7
the dress of a	7
buttons on the back	7
and it may be	7
an account of the	7
to a very great	7
the sixteenth century the	7
the neck to the	7
by the fact that	7
a matter of fact	7
an article of dress	7
in the event of	7
the condition of the	7
reign of charles vi	7
the hair was now	7
a certain amount of	7
the hem of the	7
i know not what	7
we shall have to	7
a little while ago	7
in the days of	7
the subject of the	7
same material as the	7
face to face with	7
the ladies of the	7
handed down to us	7
the effect of the	7
the feet of the	7
the development of the	7
the fashions of the	7
there is not a	7
seem to have been	7
each side of the	7
peak of the hood	7
is by no means	7
consecration of the kings	7
of the entry of	7
the editor of the	7
to such an extent	7
a few of the	7
a picture of the	7
the divine idea of	7
the manners and customs	7
mention is made of	7
the manuscript of livre	7
the houses of the	7
just below the elbow	7
is a survival of	7
for which they were	7
over the left shoulder	7
of livre du roy	7
most important of all	7
to the fact that	7
this part of the	7
of the merchants of	7
the order of the	7
worn in the reign	7
there seems to be	7
that he was not	7
after the manner of	7
be looked upon as	7
the laws of the	7
in use in the	7
the position of the	7
the people of the	7
in the twelfth century	7
this point of view	7
time of queen anne	7
two types of head	7
from age to age	7
in one of the	7
of the use of	7
of the parliament of	7
in which they were	7
of the eleventh century	7
in the place of	7
the shoulder to the	7
by the use of	7
the tables of the	7
is not to be	7
the muscles of the	7
and it is not	7
us back to the	7
of the free judges	7
at a subsequent period	7
it is well known	7
latter part of the	7
in the same manner	7
the court of louis	7
in speaking of the	7
in the act of	7
in order that they	7
not seem to have	7
the waist with a	7
to a great extent	7
the study of the	7
of the christian religion	7
the reign of george	7
on the head of	7
the bosom of the	6
of the human figure	6
took the name of	6
of a man who	6
to such a degree	6
in the next reign	6
time of edward ii	6
in the streets of	6
hair at the sides	6
a survival from the	6
round the neck and	6
there not lie the	6
to have been of	6
the corporation of carpenters	6
it is evident that	6
was used as a	6
to which we have	6
were worn by the	6
there is also a	6
the fourteenth and fifteenth	6
goes on to say	6
queen isabel of bavaria	6
to the editor of	6
it may be that	6
steel worn in the	6
to the extent of	6
of the same dress	6
the custom of wearing	6
preserved in the archives	6
of the reign the	6
in order to make	6
and the hair was	6
reign of queen elizabeth	6
of the end of	6
to the top of	6
at the same period	6
bow at the back	6
as well as for	6
this philosophy of clothes	6
the time of john	6
the thing to be	6
on the right shoulder	6
way in which the	6
with a pair of	6
the court of charles	6
editor of these sheets	6
in the archives of	6
cover of steel worn	6
middle of the fourteenth	6
of cloth of gold	6
when i look back	6
so as to show	6
still in use in	6
time of henry iii	6
of the th hussars	6
in many cases the	6
the peak of the	6
it may be well	6
i said to myself	6
if we look at	6
were of the same	6
so much as the	6
an engraving on wood	6
one or other of	6
now when i look	6
until the reign of	6
from the shoulder to	6
of the laws of	6
the survival of a	6
and one of the	6
was derived from the	6
a glance at the	6
since the time of	6
made in one piece	6
the title of the	6
you will allow me	6
it was at this	6
the women of the	6
were not allowed to	6
the victoria and albert	6
the same shape as	6
the practice of wearing	6
so as to be	6
the courts of love	6
seems to me the	6
the consecration of the	6
the appearance of the	6
up to the end	6
of the tenth century	6
readers of these pages	6
the private life of	6
seal of the corporation	6
with all manner of	6
in the art journal	6
of a miniature of	6
of steel worn in	6
the following extract from	6
as much as possible	6
from day to day	6
the archives of that	6
at the commencement of	6
in all kinds of	6
the opening of the	6
the following letter from	6
it would have been	6
be this as it	6
of the black prince	6
the times of the	6
in the cathedral of	6
to the shape of	6
calf of the leg	6
in the depths of	6
as shown in no	6
from the elbow to	6
at a time when	6
the calf of the	6
every part of the	6
it is impossible to	6
time of richard i	6
the base of the	6
as shown in the	6
than those of the	6
to be seen on	6
under the protection of	6
of which it is	6
width of the shoulders	6
and as it were	6
miniature in the chroniques	6
the infinite nature of	6
is supposed to have	6
stretch forth my hand	6
does up a button	6
that we have no	6
queen catherine de medici	6
the style of dress	6
are to be seen	6
the character of the	6
the first of the	6
one after the other	6
on the death of	6
the th of november	6
the elbow to the	6
the influence of the	6
to see that the	6
of the face and	6
as to show the	6
waist by a belt	6
the minds of the	6
of a different colour	6
the wearing of a	6
the jurisdiction of the	6
a good deal of	6
and it was only	6
a piece of the	6
during the whole of	6
front of the dress	6
from one of the	6
i quite agree with	6
divine idea of the	6
of the church of	6
it was thus that	6
that worn by the	6
and all manner of	6
gave rise to the	6
it is possible that	6
is to be looked	6
for the benefit of	6
what we may call	6
it is curious to	6
from the time when	6
the time of mary	6
the folds of the	6
idea of the world	6
of the order of	6
from a miniature of	6
on the day of	6
of the ninth century	6
the life of a	6
the courtesy of mr	6
so that it was	6
it is possible to	6
back from the forehead	6
the inside of the	6
to the sound of	6
in one of his	6
and the ladies of	6
like a sort of	6
may be said to	6
as man of letters	6
archives of that town	6
the fact that they	6
hero as man of	6
of the welsh fusiliers	6
to be able to	6
the whole of europe	6
there was also a	6
the inner man of	6
time of edward vi	6
to show that the	6
of the nature of	6
in the costume of	6
in conjunction with the	6
as well as on	6
a very great extent	6
put on over the	6
varied according to the	6
the hair was worn	6
those worn by the	6
of the knights of	6
the use of stays	6
as in the last	6
of the members of	6
down the front of	6
with the aid of	6
until the end of	6
was to be had	6
incident in modern history	6
in the times of	6
for the use of	6
we have already stated	6
with a band of	6
to the conclusion that	6
a son of time	6
may be called the	6
gathered in at the	6
in the front of	6
the proportions of the	6
that it may be	6
can so much as	6
the laws of nature	6
in the upper part	6
to the thirteenth century	6
the part of a	6
no other than the	6
in all manner of	6
when speaking of the	6
supposed to have been	6
the economy of the	5
if they were not	5
and it would be	5
or at least of	5
so much were to	5
the early th century	5
reign of francis i	5
early part of this	5
on one side of	5
it seems to be	5
looked upon as the	5
that is in him	5
the heart of him	5
the duke of orleans	5
in a great measure	5
in such a way	5
in use among the	5
and many of the	5
the venus de medici	5
over the head and	5
in connection with this	5
it has been said	5
the borders of the	5
on the st of	5
much were to be	5
in the art of	5
and down to the	5
at that period the	5
so far as it	5
the accompanying illustration represents	5
on the verge of	5
in one or the	5
it is not the	5
and there can be	5
from side to side	5
rise and fall of	5
do not seem to	5
be gathered from the	5
in the first instance	5
so much as believe	5
it consisted of a	5
in a kind of	5
the annexed illustration represents	5
was parted in the	5
it is not surprising	5
is still to be	5
royal library of brussels	5
dress worn by the	5
the fullness of the	5
also worn by the	5
by far the most	5
the history of these	5
there is no more	5
into a kind of	5
in the height of	5
a bow of ribbon	5
upon the subject of	5
the yeomen of the	5
the material of which	5
organic filaments of the	5
illustration represents a lady	5
may be well to	5
their origin and influence	5
not be confounded with	5
part of our subject	5
paris and in the	5
that was in him	5
as is shown by	5
as to the origin	5
of the town of	5
to the bottom of	5
to the fifteenth century	5
at the door of	5
one to the other	5
no matter what the	5
to those of the	5
it is from the	5
is it not the	5
of the city of	5
till the th century	5
to the adoption of	5
time of francis i	5
here and there with	5
with a sort of	5
had been in the	5
is all this but	5
for them to be	5
was made for the	5
takes the form of	5
of a great man	5
and by this means	5
from a drawing by	5
it was not until	5
games of the circus	5
the whole of which	5
of the dress was	5
which seems to be	5
at the top and	5
on to the back	5
end of the last	5
down to the time	5
you will see the	5
such as those of	5
the heart of every	5
it is all a	5
from the middle of	5
important part in the	5
be confounded with the	5
infinite nature of duty	5
were a kind of	5
creation of the world	5
what is to be	5
the sake of the	5
throughout the whole of	5
he was forced to	5
what is all this	5
that there is no	5
round the hem of	5
must not forget the	5
the sleeves of which	5
until the present day	5
of the sixth dynasty	5
the body of man	5
a knowledge of the	5
a few years ago	5
the foot of the	5
the nobles of the	5
that there was no	5
may we not say	5
to the number of	5
bodice of the gown	5
from elbow to wrist	5
in order to protect	5
may be considered as	5
to be held in	5
high in the neck	5
the king of england	5
was not at all	5
at the foot of	5
list of illustrations has	5
at the rate of	5
lady of the time	5
from father to son	5
be of interest to	5
the mystery of the	5
on the bosom of	5
the face of the	5
and as it is	5
in a similar way	5
received the name of	5
the hand of the	5
and the like of	5
that it is the	5
thirty or forty years	5
were to be found	5
be seen from the	5
as a means of	5
the absence of any	5
from the sleeve of	5
the edge of the	5
there is little doubt	5
in the last reign	5
the month of may	5
or it may be	5
at the top of	5
in this way the	5
a feature of the	5
were not slow in	5
were made in the	5
in order to obtain	5
compression of the waist	5
in praise of the	5
for their own behoof	5
were not so much	5
by one of the	5
from head to foot	5
in the earlier part	5
was worn by the	5
is said that the	5
the illustrated london news	5
of the second dynasty	5
of which they were	5
in china and japan	5
that part of the	5
the bones of the	5
from those of the	5
in imitation of the	5
the sixth to the	5
the subject of dress	5
will be able to	5
in regard to the	5
the outside of the	5
of fashion in the	5
interesting to note that	5
on over the head	5
have been able to	5
to a considerable extent	5
and the author of	5
in the nature of	5
in the abbey of	5
in the centre and	5
be no doubt that	5
it was composed of	5
for the last time	5
and you will see	5
up to that time	5
on the authority of	5
edward vi and mary	5
it is probable that	5
in the holy land	5
of sir joshua reynolds	5
the waist may be	5
in various parts of	5
of the history of	5
it may be asserted	5
it is in the	5
for the first few	5
of fashion in france	5
a man who had	5
still to be found	5
will one day be	5
middle of the back	5
it was to be	5
the rise and fall	5
by those who have	5
in common with the	5
science of things in	5
the queen of hearts	5
the windows of the	5
the reign of francis	5
the outline of the	5
fashion in the reign	5
buttoned up to the	5
the limits of the	5
an example of the	5
to the tenth century	5
it is recorded that	5
the higher walks of	5
the servants of the	5
of good and evil	5
and it is interesting	5
not one of the	5
the court of queen	5
here and there we	5
by no means the	5
to the back of	5
may be mentioned the	5
color of the hair	5
the book of the	5
the knee with a	5
takes its name from	5
with each other in	5
was at that time	5
an important part in	5
the other side of	5
in paris and in	5
and here and there	5
there was not a	5
the vagaries of fashion	5
the light of a	5
a large number of	5
to the sixteenth centuries	5
to the practice of	5
may be mentioned that	5
to say that the	5
come down to us	5
the fashion of the	5
be seen on the	5
in the former case	5
the direction of the	5
is the beginning of	5
on some of the	5
and the rest of	5
dress of the french	5
as far as possible	5
you will find it	5
the names of the	5
in the interior of	5
as well as by	5
a great deal of	5
the wings of the	5
the benefit of the	5
here and there a	5
one of the best	5
of clothes upon the	5
over the heads of	5
the fancy of the	5
the costumes of the	5
by the nature of	5
whose duty it was	5
for the last three	5
sleeve of the same	5
the fourth of june	5
daughter of edward iii	5
down the back of	5
the width of the	5
general use of the	5
fifteenth and sixteenth centuries	5
the service of the	5
be said to have	5
was not to be	5
from top to bottom	5
him to be a	5
in the bodleian library	5
where there is no	5
which consisted of a	5
seems to me a	5
the emperors of germany	5
in the hearts of	5
at the celebration of	5
there is in the	5
the owner of the	5
in most of the	5
it was necessary to	5
as the time of	5
of the spirit of	5
in the minds of	5
the shoes of the	5
written on the subject	5
enough for us to	5
in the eighteenth century	5
of such a man	5
despite the fact that	5
both corset and stomacher	5
to the eye of	5
to the formation of	5
and of which we	5
it is obvious that	5
the rest of it	5
the lines of the	5
of the queen of	5
of the chiefs of	5
the man of letters	5
the establishment of a	5
in the south of	5
from the centre of	5
with gold and silver	5
side of the head	5
was this the case	5
is that of a	5
on the side of	5
it was the fashion	5
what we are to	5
by the members of	5
the great empire of	5
in a world of	5
a man of genius	5
centre to revolve round	5
and that of the	5
confined at the waist	5
the contour of the	5
from the rest of	5
to be clothed with	5
the soul of the	5
from the th century	5
in the fourteenth and	5
back of the coat	5
in use at the	5
worn by the men	5
of the work is	5
to the dress of	5
does not seem to	5
the castle of alamond	5
token of the corporation	5
the bishop of paris	5
and engraved by j	5
some of which are	5
is the use of	5
all of whom were	5
must not be forgotten	5
on the shoulder of	5
as far back as	5
the present day the	5
the face of a	5
to a certain degree	5
a long time the	4
of the kingdom of	4
parts of the body	4
we can answer that	4
by the servants of	4
to have been made	4
with which it was	4
of time and space	4
if it is not	4
as it is called	4
at the consecration of	4
do we not see	4
the occasion of the	4
was set with a	4
survival of the chaperon	4
of the tribunal of	4
knights of the garter	4
wherein whoso will not	4
time of edward i	4
revelation in the flesh	4
reaching to the calf	4
the age of twenty	4
little doubt but that	4
so scathed and thunder	4
the world in clothes	4
but where it is	4
is a thing aeriform	4
mother of henry iv	4
of bavaria into paris	4
as soon as he	4
caught here and there	4
of the collar of	4
by the girls at	4
must not be supposed	4
all the way up	4
a gallon of ale	4
it is needless to	4
out into the world	4
in his sleeve at	4
the blood of the	4
of the dress is	4
with the art of	4
how could a man	4
very similar to that	4
all the rest were	4
it is not to	4
to remark that the	4
all the four winds	4
sirius and the pleiades	4
be met with in	4
as those of the	4
gallon of ale at	4
dreams are made of	4
as if this were	4
what seems to be	4
on this portion of	4
is not easy to	4
is a picture of	4
but it does not	4
to the origin of	4
duty it was to	4
the hair at the	4
was not until the	4
ghastly affectation of life	4
the cours des miracles	4
after viollet le duc	4
a woodcut in j	4
kingdom it has thus	4
in the chronicles of	4
of the world was	4
by the pressure of	4
in the imperial library	4
hawked in the streets	4
the lord of the	4
sides of the coat	4
since the beginning of	4
in the guise of	4
in consequence of which	4
i look back on	4
the artistic crafts series	4
is its baphometic baptism	4
in a way that	4
so had it lasted	4
material of which the	4
on the produce of	4
in very deed a	4
jerkin of embroidered linen	4
impression preserved in the	4
james ii and william	4
the close of the	4
the topography of paris	4
time of richard iii	4
the heart of it	4
of the merovingian kings	4
at a distance from	4
it does not appear	4
consisted of a large	4
at a period when	4
the hood from the	4
though it must be	4
what is it that	4
is the body of	4
in the laws of	4
the remains of the	4
middle of the fifteenth	4
isabel of bavaria into	4
the middle of this	4
write his sorrows of	4
in this our life	4
the collection of the	4
in so wide a	4
wishing that you were	4
went by the name	4
round the neck of	4
from the sixth to	4
supposed to be a	4
the corporation of pastrycooks	4
back view of a	4
for us to understand	4
doubtless by degrees be	4
if thou wilt have	4
with nothing but a	4
of the work before	4
reign of philip augustus	4
and for the present	4
as a man of	4
which the remaining dominions	4
may there not lie	4
of what sort soever	4
took advantage of the	4
rational dress for women	4
thrown out of doors	4
was not a man	4
by wishing that you	4
unhappy if we are	4
there is the most	4
of the life guards	4
of the officers of	4
but in any case	4
the subject of clothes	4
down to the waist	4
to the development of	4
it was impossible to	4
the young men and	4
formed the basis of	4
officers of the crown	4
has come down to	4
in the house of	4
one of two things	4
it has been the	4
the origin of this	4
the first characteristic of	4
in a psychological point	4
of the cathedral of	4
infant of genius is	4
that the tailor is	4
in consequence of their	4
of the last reign	4
and the love of	4
head of the family	4
as i have understood	4
what is man himself	4
in the bosom of	4
this was the origin	4
a communion of saints	4
a stage in the	4
which took place at	4
by the modern greeks	4
was it not to	4
types of hat for	4
god the garment thou	4
the origin of which	4
in the world of	4
will allow me to	4
the men of this	4
is it not strange	4
of the hood to	4
the first half of	4
the whole length of	4
beginning of the fifteenth	4
the great libraries of	4
new order of things	4
in the life of	4
look as if they	4
is covered with a	4
and size of the	4
waist of the venus	4
of gold and silver	4
there is in each	4
a man is a	4
and it has been	4
takes us back to	4
many a british reader	4
in which it is	4
the same manner as	4
it was the first	4
skirt of the dress	4
roll of gold friedrichs	4
it can easily be	4
the tribunal of the	4
those who have written	4
what to do with	4
were hawked in the	4
which is the best	4
carried on a baldric	4
those who were not	4
over the shoulders and	4
fownes brothers and co	4
the work before us	4
greater number of the	4
like that of a	4
end of the eleventh	4
the reign of philip	4
citadel of its whole	4
the resources of the	4
and it is possible	4
the verge of the	4
dress of the time	4
at the tables of	4
in france and england	4
and i know not	4
the illustrated magazine of	4
symbol of the godlike	4
to show the under	4
of our own english	4
similar to that of	4
a survival of a	4
that it was the	4
similar to that figured	4
the sanction of the	4
much to do with	4
a picture in the	4
in order that he	4
reflections as the following	4
from the illustrated magazine	4
the words of the	4
it was one of	4
that they are not	4
it has thus gained	4
the heavens and the	4
on the face of	4
in the days when	4
in the length of	4
and on all hands	4
me with a certain	4
in this remarkable volume	4
became the property of	4
dates from the reign	4
looked in his face	4
looked upon as a	4
by what you have	4
to the testimony of	4
not indeed without hard	4
degrees be conquered and	4
the ninth to the	4
side by side with	4
choose my own king	4
the art of writing	4
temptations in the wilderness	4
length of the waist	4
and tied about the	4
mystery of the universe	4
ladies of fashion in	4
which of the two	4
it was not to	4
in this world of	4
tight at the wrist	4
is not dead and	4
in those days the	4
the gentlemen of the	4
its whole kingdom it	4
view and plan of	4
of the yeomen of	4
only at rare intervals	4
this was the general	4
a description of the	4
to all intents and	4
primitive method of carrying	4
what make ye of	4
lady of ancient greece	4
the south of spain	4
and this was the	4
be seen by the	4
costume of this reign	4
is well known that	4
at this period that	4
the development of costume	4
the imperial library of	4
will be seen by	4
in the making of	4
was the fashion to	4
at the battle of	4
by the laws of	4
such stuff as dreams	4
in the higher walks	4
a great amount of	4
opponents of the corset	4
not seem to be	4
not work except in	4
embroidered with gold and	4
ale at the buttery	4
in the earlier reigns	4
use his own words	4
ladies of the court	4
article of female dress	4
a certain degree of	4
the same form of	4
is dressed in a	4
for a man of	4
and in this way	4
costume to the tenth	4
of edward vi and	4
forth my hand and	4
a state of nakedness	4
from le moniteur de	4
pearls and precious stones	4
and can handle this	4
round the waist with	4
reigns of edward vi	4
the colours of the	4
taming of the shrew	4
to the beauty of	4
whole duty of man	4
on his way to	4
large sums of money	4
a bishop of the	4
of an extinct volcano	4
at the neck and	4
by order of the	4
corsets worn by gentlemen	4
as part of the	4
and a sort of	4
first years of the	4
the corporation of the	4
and william and mary	4
of its whole kingdom	4
square at the toes	4
that this was the	4
shown in sketch no	4
that one of the	4
tenth to the fifteenth	4
that lives and loves	4
why should i speak	4
of the dandiacal body	4
that they should be	4
little or nothing of	4
to the eyes of	4
cap on his head	4
at the waist with	4
all times and in	4
the diet of worms	4
being one of the	4
heart of the matter	4
this too is a	4
in such a case	4
look back on it	4
weave for god the	4
those who have been	4
dress showing buttons on	4
in order to carry	4
worse is it with	4
the conquest of the	4
in matters of dress	4
in the kingdom of	4
it is known that	4
an engraving on copper	4
showing buttons on the	4
the house of the	4
formed part of the	4
may be caught with	4
of the costumes of	4
the village of entepfuhl	4
the aspect of the	4
is part of the	4
much is to be	4
the consequence of this	4
many of them were	4
of the discovery of	4
the fashion of wearing	4
in which they are	4
the reigns of edward	4
be pointed out that	4
with pearls and precious	4
a man of this	4
round hat with a	4
outwards from which the	4
after a miniature of	4
would otherwise have been	4
so far as the	4
the slit in the	4
we have still to	4
in the sixteenth and	4
in answer to a	4
the creation of a	4
the age of fourteen	4
under the names of	4
and it was also	4
of queen isabel of	4
ladies of the present	4
from the breviary of	4
psychological point of view	4
and on the other	4
years of the sixteenth	4
roaring loom of time	4
other parts of the	4
to look fixedly on	4
a man who was	4
working at a trial	4
for a short distance	4
lives and loves in	4
we find that in	4
how much has been	4
and no pillar of	4
the reign of charlemagne	4
boots of soft leather	4
what can be called	4
the descendants of the	4
that the use of	4
be conquered and pacificated	4
the truth of it	4
as time went on	4
redresseur corset of vienna	4
well acquainted with the	4
it must be acknowledged	4
it must be remarked	4
part of the book	4
without the german empire	4
diagram showing how a	4
of the gown is	4
that he is naked	4
during the tenth century	4
in vain did the	4
a few of these	4
and it is easy	4
from all the four	4
if you consider it	4
he goes on to	4
one knows not what	4
have we not seen	4
the length of sixpence	4
just above the knee	4
be mentioned that the	4
gleams of an ethereal	4
you will notice that	4
at the heart of	4
the days of the	4
if it were a	4
one side of the	4
the pressure of the	4
the roaring loom of	4
miniature from the breviary	4
beginning of the world	4
of ale at the	4
parts of the kingdom	4
this part of our	4
men and women illustration	4
neck of the gown	4
be more or less	4
in the face of	4
the thirteenth century the	4
of the stuart period	4
if we are to	4
the mother of henry	4
be thrown to the	4
fancy that thou deservest	4
of the bishop of	4
from which the remaining	4
in the light of	4
in the manner of	4
chapter on private life	4
same may be said	4
that of the other	4
fall of the roman	4
of a series of	4
daughter of the king	4
of the head and	4
those afflicted with the	4
do we live in	4
is not a man	4
of the terraqueous globe	4
of it in the	4
the schools of design	4
the wife of bath	4
dress of the clergy	4
to take up the	4
front of the coat	4
illustrated magazine of art	4
there is a great	4
aspect of the world	4
for the defence of	4
the back and front	4
as if by miracle	4
which they had been	4
of a bishop of	4
some of the most	4
of the royal domains	4
th and th centuries	4
the soul of it	4
were little better than	4
of the house of	4
to think that the	4
put a stop to	4
in which he was	4
on account of this	4
the personality of its	4
in the romance of	4
the middle of their	4
ordinary dress of the	4
it will be observed	4
in le moniteur de	4
as it is a	4
down to the end	4
of the world is	4
in and without the	4
to look at the	4
it must be remembered	4
the chief of the	4
which is attributed to	4
as to be able	4
it was a strange	4
as dreams are made	4
of the calf of	4
which was a kind	4
if he were a	4
four women of the	4
with or without sleeves	4
to the costume of	4
far from being the	4
a young man of	4
costume of the time	4
to which it is	4
through the shows of	4
be borne in mind	4
came to the throne	4
what i call a	4
in the formation of	4
the same character as	4
the amusement of the	4
is to be inferred	4
king of the romans	4
thus at the roaring	4
were worn during the	4
naked house of lords	4
from the head of	4
knight of the garter	4
it was to the	4
the question of the	4
in spite of this	4
loom of time i	4
the man who cannot	4
was supposed to be	4
early as the twelfth	4
wend to and fro	4
the court of burgundy	4
to me as if	4
we find that it	4
go back to the	4
after the th century	4
the church and the	4
worn by the women	4
a whole world of	4
which is to be	4
the hero as man	4
at coombe hill school	4
soul of the man	4
great libraries of europe	4
an english horse amulet	4
end of this reign	4
and of a lady	4
the duke of norfolk	4
in his hand a	4
are such stuff as	4
what strange chances do	4
of the women of	4
same as in the	4
the wearer of the	4
was beginning to be	4
times and in all	4
the cost of the	4
to him by the	4
together into one huge	4
the rules of the	4
to which they were	4
in the punch and	4
do but look at	4
it seemed as if	4
of the emperors of	4
for my own part	4
till the whole were	4
that thou deservest to	4
of a more or	4
it might have been	4
of the lower classes	4
a whole satanic school	4
say nothing of the	4
in that of the	4
to have been printed	4
there is no need	4
by some of the	4
use of paint by	4
the time of francis	4
thou wilt have it	4
beginning of all wisdom	4
the point of the	4
in looking at the	4
it seems to have	4
of the grand coesre	4
the games of the	4
the celebration of the	4
to the laws of	4
or at any rate	4
of which i have	4
may be said of	4
afflicted with the like	4
the princess of wales	4
in eton college museum	4
they were obliged to	4
they were not allowed	4
the business of the	4
the attention of the	4
thus gained by assault	4
take a piece of	4
world out of clothes	4
feels its own freedom	4
as we shall see	4
but with regard to	4
the great majority of	4
carried on the person	4
the survival of the	4
paint by women in	4
the same as in	4
with gold and pearls	4
see chapter on private	4
in an account of	4
which are to be	4
down to the reign	4
into the mystery of	4
except as appended to	4
buttoned down the front	4
dress is very similar	4
were used in the	4
or else a diabolic	4
of a piece of	4
the doges of venice	4
end of the tenth	4
from the days of	4
the extent of three	4
wouldst thou plant for	4
the tools a little	4
of those who have	4
and says to them	4
in a very short	4
the basis of worship	4
and from age to	4
you will see that	4
in the arrangement of	4
or what we call	4
is in man a	4
in order to prevent	4
it is not easy	4
the weight of the	4
of time i ply	4
in the figure of	4
from country to country	4
tower of the castle	4
is here that the	4
all parts of the	4
is not so much	4
in the uniform of	4
to the feet of	4
manuscript of the thirteenth	4
the earth is but	4
in the right direction	4
wide as the world	4
the last few years	4
of which i give	4
the top of their	4
of money and of	4
of both men and	4
nothing can act but	4
published at lyons in	4
die a natural death	4
at the mercy of	4
the main street of	4
what we must call	4
the whole of this	4
of the same period	4
there seems no doubt	4
annexed illustration represents a	4
we do not find	4
stuff as dreams are	4
the figure of a	4
as in the illustration	4
through the th century	4
to carry out the	4
simply by wishing that	4
the sixteenth century that	4
with an air of	4
was looked upon as	4
at the waist and	4
of the two sexes	4
of isabel of bavaria	4
at that time the	4
the office of the	4
became a sort of	4
form of the waist	4
look fixedly on clothes	4
those who do not	4
of the great world	4
of the most notable	4
was at this time	4
on the score of	4
the fifteenth and sixteenth	4
the material of the	4
and the heroic in	4
a little at the	4
made to fit the	4
young men and maidens	4
have been subjected to	4
a philosophy of clothes	4
from the earliest times	4
on things in general	4
under the jurisdiction of	4
of a small waist	4
from the illustrated london	4
went so far as	4
the interior parts of	4
for eyes set too	4
at the close of	4
the art of venery	4
of a similar shape	4
of louis le gros	4
present the glory of	4
took place in the	4
not without some touch	4
which was divided into	4
men of this time	4
of the middle classes	4
which dates from the	4
a view to the	4
from an impression preserved	4
is not at all	4
close to the head	4
and knows not what	4
the form of an	4
only a kind of	4
in the island of	4
it appears that the	4
of the time when	4
is worn on the	4
one of the principal	4
of the people of	4
him whom they name	4
the wearing of the	4
by all manner of	4
are by no means	4
the first years of	4
the reign of wonder	4
the th century we	4
the administration of justice	4
a row of buttons	4
the princes of the	4
an infant of genius	4
bearings of the corporation	4
is one of those	4
the hero as divinity	4
all intents and purposes	4
in the open air	4
vassals of the crown	4
under the eye of	4
a knight of the	4
a work of art	4
with one or two	4
from the pantry bar	4
the mind of the	4
ii and william and	4
the door of the	4
from a woodcut in	4
of two or three	4
of love in provence	4
thou deservest to be	4
going on in the	4
at the buttery bar	4
it not conceivable that	4
a quarter of a	4
tunic reaching to the	4
in a sort of	4
in times of peace	4
to the age of	4
in the north of	4
seems it not conceivable	4
you will see how	4
but a piece of	4
and without the german	4
the streets of paris	4
low in the neck	4
how happens it that	4
to use his own	4
it is unnecessary to	4
the empire of the	4
in honour of the	4
the one thing needful	4
the fire of living	4
weaving for herself new	4
of love and of	4
leather boots and shoes	4
king was obliged to	4
hast thou not a	4
back of the collar	4
will doubtless by degrees	4
the same may be	4
on the fourth of	4
the idea of the	4
it was customary for	4
picture of these university	4
all miracles have been	4
part of this reign	4
at an early age	4
we should like to	4
and in the other	4
takes the place of	4
the manner of the	4
the intellect of the	4
the dutch skeleton dress	4
for god the garment	4
a window in the	4
as one of the	4
in presence of the	4
was made in the	4
the king was obliged	4
reign of wonder is	4
and opinions of herr	4
carried on to the	4
in consequence of a	4
that they should have	4
is very similar to	4
first spun and woven	4
in the records of	4
of curls at the	4
that small waists are	4
which feeling is its	4
both sides of the	4
what hadst thou been	4
we come upon the	4
be the place to	4
of which we shall	4
in the dead of	4
with which they were	4
forming both corset and	4
development of costume to	4
can act but where	4
of the waist by	4
here and there some	4
when dealing with the	4
the value of the	4
were it not that	4
the emperor charles iv	4
looking at the fair	4
as there is no	4
to be a man	4
on the heart of	4
are first spun and	4
in this point of	4
to put an end	4
as soon as the	4
the city of paris	4
i trust you will	4
revelation of the godlike	4
nothing could be more	4
evidence in support of	4
whole kingdom it has	4
by the arrangement of	4
at least as much	4
of which is attributed	4
the drapery in the	4
that are to be	4
be caught with a	4
which are worn by	4
of those of the	4
of what we call	4
of the origin of	4
seen on reference to	4
did not prevent the	4
in order to see	4
engraved in the art	4
by the ladies of	4
the basis of all	4
so that he might	4
in the possession of	4
there has been a	4
as if the earth	4
was no longer a	4
order that he might	4
an impression preserved in	4
at this point we	4
the generic name of	4
at the roaring loom	4
drawn and engraved by	4
went out of fashion	4
a psychological point of	4
one day evolve itself	4
of the present century	4
and the borders of	4
of the drapery in	4
began to take a	4
must be acknowledged that	4
which we have described	4
the west coast of	4
long so scathed and	4
his whole heart and	4
the simple fact that	4
act but where it	4
not very long ago	4
this kind of sport	4
to be hatched into	4
will see that the	4
one day to be	4
we can call a	4
not only to the	4
and one day to	4
hats of the time	4
but for him also	4
of the topography of	4
that he feels himself	4
open all the way	4
fastened by a brooch	4
figure of the sixth	4
to look upon with	4
away the illusion of	4
chances do we live	4
worn by the girls	4
of the coat and	4
coat of arms of	4
the water in which	4
must not be confounded	4
crown of the head	4
which the scientific head	4
engraving of the topography	4
to that figured in	4
the necks of the	4
in the habit of	4
the dukes of burgundy	4
in spite of his	4
only to the knees	4
from the wrist to	4
a letter from a	4
in this case it	4
on the point of	4
of the hair was	4
crest and surcoat of	4
which indeed are but	4
be seen on reference	4
of the royal blood	4
is what i call	4
and even in the	4
apprentice working at a	4
the defence of the	4
is not he too	4
without some touch of	4
the chroniques of froissart	4
practice of tight lacing	4
the liber chronicarum mundi	4
a book of hours	4
the king that the	4
of the society of	4
the effect of clothes	4
of the same colour	4
make ye of your	4
the backs of the	4
part of the face	4
could not fail to	4
but it is a	4
the world out of	4
the kingdom of france	4
heavens and the earth	4
will not work except	4
the aid of the	4
we look at the	4
it may be interesting	4
feeling is its baphometic	4
to the fashions of	4
of france and the	4
the wearing of clothes	4
as well as with	4
the most celebrated of	4
in all times and	4
sleeves to the elbow	4
of france in the	4
the manner in which	4
the interests of the	4
the course of the	4
of the corset as	4
of the muscles of	4
has thus gained by	4
i have understood it	4
with their own eyes	4
the ravages of time	4
seems to be the	4
bronze stage of culture	4
did not fail to	4
on more than one	4
deservest to be hanged	4
here for the first	4
a naked house of	4
and those of the	4
him to have been	4
and will keep inexpugnable	4
cannot do better than	4
we find that a	4
to my own knowledge	4
for the good of	4
this work on clothes	4
and weave for god	4
electors of the empire	4
there is always a	4
middle of the th	4
court of charles viii	4
made men of us	4
has been said that	4
by the death of	4
of the figure and	4
strange chances do we	4
it to have been	4
and through all manner	4
have been in use	4
through all manner of	4
the collar of his	4
fashion of wearing the	4
and they do it	4
about the same period	4
border of the same	4
time of louis xiv	4
liripipe of the chaperon	4
of paint by women	4
a hole in the	4
in the old days	4
of one of these	4
prompt nature of hunger	4
the top of a	4
to them by the	4
from a painted window	4
bottom of the skirt	4
of a sort of	4
have been handed down	4
the establishment of the	4
the university of paris	4
of costume to the	4
this type of face	4
were he but a	4
part of the reign	4
worn by the gentlemen	4
this as it may	4
about the middle of	4
by degrees be conquered	4
the illusion of time	4
article of dress which	4
nature of the man	4
the height of fashion	4
we may add that	4
of those afflicted with	4
the victory of rossbach	4
which must not be	4
it is a most	4
in the liber chronicarum	4
the ladies of her	4
of the frank kings	4
were also in use	4
of this lower world	4
here feels its own	4
if we do not	4
there is no such	4
of a manuscript in	4
of doing the hair	4
had the right of	4
the wig of a	4
the taste of the	4
every one of us	4
may be worn with	4
run the risk of	4
we not see a	4
have made men of	4
professor of things in	4
as shown in sketch	4
it not clear that	4
and in spite of	4
the earlier part of	4
god in the world	4
said to have been	4
of which we have	4
the dress is very	4
were worn with the	4
during the time of	4
to the study of	4
evidence in favour of	4
middle of the thirteenth	4
the costume of this	4
we can trace the	4
two or three buttons	4
seen in the case	4
at the right place	4
in the most parched	4
of the waist is	4
the citadel of its	4
that an infant of	4
in the latter case	4
as well as he	4
till they become transparent	4
were more or less	4
the origin of dress	4
in the work of	4
which was as much	4
the expense of the	4
we may call a	4
another case in point	4
the glory of british	4
of the most remarkable	4
a member of the	4
until the time of	4
the court of francis	3
the entry of queen	3
and could not last	3
but a symbol of	3
a man who will	3
the same time a	3
to the effect that	3
fewest have the key	3
is true that the	3
to which they belonged	3
which were worn by	3
was a mark of	3
our men of letters	3
but what i do	3
itself could not doom	3
seems to be no	3
the most important transaction	3
to the level of	3
v shape at the	3
were removed from the	3
to which it was	3
of the work are	3
radish with a head	3
the sixteenth and seventeenth	3
simple version of the	3
of the infinite in	3
at the nape of	3
woodcut of the cosmographie	3
is the same as	3
the same way that	3
we live in history	3
order that they might	3
gregory the great with	3
in the evening dress	3
death of his father	3
the privileges of the	3
though they may not	3
right side of the	3
refer our readers to	3
similar to those which	3
entry of charles v	3
it was customary to	3
application of the corset	3
portrait of jan steen	3
kings of the second	3
is not he a	3
be taken as a	3
it seems likely that	3
bordering on the impalpable	3
the land of oz	3
is supposed to be	3
it would be a	3
on the left shoulder	3
of its own accord	3
preferences of girls for	3
of which they are	3
the opponents of the	3
the th of october	3
a prophet to his	3
is the greatest of	3
maids of honour of	3
pressure of his task	3
over the right shoulder	3
that they do not	3
is due to the	3
also we have a	3
come now to the	3
dog in the book	3
of the venus de	3
the daily life of	3
back over the wrist	3
seen in our streets	3
face and features of	3
the first two years	3
are few in number	3
ages and the renaissance	3
shown by the fact	3
the fifteenth to the	3
it is made of	3
waist to the feet	3
the sleeves were very	3
as if they had	3
it was destined to	3
the long hanging sleeves	3
that it was impossible	3
in the fact that	3
the rising generation of	3
the back of their	3
to all the world	3
the cathedral of tournai	3
front of the bodice	3
which have descended to	3
the ashes of the	3
is not only a	3
for the woman with	3
the reason for this	3
as late as the	3
the most of them	3
games of the ancient	3