trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
the time of	484
of the time	406
one of the	207
as well as	190
part of the	186
a man of	175
the end of	169
in order to	160
man of the	154
end of the	151
woman of the	132
simile of a	129
the reign of	128
a kind of	126
a woman of	124
that of the	120
of the world	118
of the same	113
it is a	113
there is a	110
the fifteenth century	110
there is no	107
it is not	107
is to be	105
time of henry	101
as in the	99
the middle ages	96
to have been	96
the name of	95
it is the	95
the th century	93
according to the	91
on the other	90
the fourteenth century	90
the middle of	90
and it is	90
the use of	89
of the fifteenth	89
a miniature in	88
at the back	87
the sixteenth century	87
it may be	86
the present day	85
the back of	84
the case of	82
the thirteenth century	81
at the same	81
in the same	80
dress of the	79
in the case	79
at the waist	79
the origin of	78
a sort of	78
the same time	77
that it is	75
worn by the	74
more or less	74
it will be	74
in the middle	74
and in the	73
that it was	72
as it were	71
so as to	71
the dress of	71
to be a	71
of a miniature	71
at the end	70
of the most	70
the court of	69
in which the	69
in the world	68
manuscript of the	67
it was a	66
by means of	65
so much as	64
the history of	64
out of the	64
some of the	64
the form of	63
and of the	62
the shape of	62
middle of the	62
of the dress	62
of the corset	61
the fact that	61
it was the	61
at the present	61
to be seen	61
it has been	60
of the head	59
of the king	59
with regard to	59
the right of	58
of the body	58
to be found	58
the other hand	58
the beginning of	58
the top of	57
as we have	57
side of the	56
of the court	55
there was a	55
here and there	54
of the fourteenth	54
of a man	54
of a woodcut	54
miniature in the	54
in spite of	54
front of the	54
a number of	53
we have already	53
back of the	53
those of the	53
which we have	53
the centre of	52
of the middle	52
the hair was	52
as it is	51
that they were	51
up to the	51
on the subject	51
origin of the	51
in connection with	51
a piece of	51
philosophy of clothes	50
of his own	50
is it not	50
as to the	50
that he was	50
but it is	49
of the sixteenth	49
in the first	49
of the present	49
of the figure	49
it is said	49
the front of	48
on account of	48
must have been	48
use of the	48
library of paris	47
will be seen	47
the subject of	47
of the thirteenth	46
all manner of	46
point of view	46
it was not	45
we find that	45
the heart of	45
time of george	45
of all the	44
time of edward	44
a woodcut in	44
and it was	44
history of the	44
case of the	44
in the time	43
down to the	43
the costume of	43
of the reign	43
time of the	43
in the reign	43
in this country	43
in this way	43
we have seen	43
the place of	43
it would be	42
in the centre	42
are to be	42
that is to	42
seems to have	42
on the whole	42
of the coat	42
and the other	42
the whole of	42
many of the	42
the art of	42
is to say	42
of which the	41
of the th	41
seems to be	41
at the sides	41
men and women	41
that in the	40
in those days	40
seen in the	40
the rest of	40
the wearing of	40
the age of	40
be seen in	40
such as the	40
of the waist	40
the same way	39
for the first	39
found in the	39
in this world	39
to be the	39
beginning of the	39
of the church	39
men of the	39
a pair of	39
and at the	39
of the great	39
account of the	39
so far as	38
top of the	38
is one of	38
to show the	38
time of william	38
at the top	38
in consequence of	38
on to the	38
of the man	38
the ladies of	38
national library of	37
there was no	37
it must be	37
of the first	37
the duke of	37
the king of	37
which is the	37
not to be	37
to the waist	37
of the people	37
at the neck	37
is not a	37
which they were	37
the upper part	36
at that time	36
of the whole	36
and that the	36
in the way	36
more and more	36
so that the	36
by way of	36
at this time	36
worn in the	36
costumes of the	36
the part of	36
to the figure	36
be found in	35
of the old	35
on the contrary	35
as it was	35
shape of the	35
in such a	35
in the most	35
the head of	35
of the corporation	35
this is the	35
that there is	35
well as the	35
of the universe	35
the kings of	35
the spirit of	34
of the french	34
form of the	34
of this time	34
what we call	34
the power of	34
on the head	34
two or three	33
costume of the	33
from a miniature	33
the appearance of	33
of the two	33
of the period	33
in the sixteenth	33
not so much	33
the laws of	33
is that of	33
members of the	33
down the front	33
the first time	32
and on the	32
the body of	32
the nature of	32
at the time	32
to the king	32
in order that	32
of the kingdom	32
back to the	32
and there is	32
attached to the	32
as early as	32
it is true	32
a lady of	32
the bottom of	32
all sorts of	32
but it was	32
woodcut in the	31
which had been	31
it was in	31
we do not	31
one of his	31
william and mary	31
it is in	31
such a man	31
in the fourteenth	31
as far as	31
the sleeves of	30
the number of	30
the fashion of	30
a long time	30
one of those	30
of those who	30
the custom of	30
for the present	30
and so forth	30
owing to the	30
under the name	30
the philosophy of	30
that he is	30
of henry viii	30
seems to me	30
punch and judy	30
that they are	30
of the last	30
to the end	30
at one time	29
of the face	29
of the hair	29
the soul of	29
women of the	29
he was a	29
the length of	29
of such a	29
on the back	29
for a time	29
and they were	29
it is to	29
the way of	29
is not the	29
towards the end	29
a survival of	29
of the roman	28
time to time	28
we find the	28
from time to	28
in this reign	28
for a long	28
the parliament of	28
this is a	28
derived from the	28
in the th	28
of the crown	28
in this case	28
at the wrist	28
the twelfth century	28
was to be	28
of the modern	28
on one side	28
the council of	28
to say that	28
as a rule	28
parts of the	28
centre of the	28
were to be	28
that of a	28
regard to the	27
on either side	27
of the hood	27
of the ladies	27
as if they	27
the sleeves were	27
consisted of a	27
or the other	27
time of charles	27
the corporation of	27
the members of	27
made in the	27
as they were	27
in the form	27
even in the	27
of the nobility	27
which have been	27
the whole world	27
of the foot	27
during the reign	27
by no means	26
there is in	26
the character of	26
development of the	26
the side of	26
if it were	26
lady of the	26
name of the	26
of the ancient	26
way in which	26
is said that	26
we are to	26
it is only	26
the eighteenth century	26
they were not	26
it was only	26
if they were	26
of the latter	26
in which they	26
the death of	26
which it is	26
a man who	26
to the knee	26
the effect of	26
of the royal	26
of the neck	26
officers of the	26
the author of	26
in the shape	26
the th of	26
in the country	26
to the elbow	26
to a certain	26
of their own	26
early as the	26
it is of	26
two types of	26
than that of	26
of the nobles	26
form of a	25
it seems to	25
on the part	25
to that of	25
for it is	25
to see the	25
have been a	25
the national library	25
that we have	25
the practice of	25
round the neck	25
the eyes of	25
the question of	25
is no doubt	25
with that of	25
of the town	25
in favour of	25
the manuscript of	25
in the year	25
is in the	25
looked upon as	25
in front of	25
philippe le bel	24
in the thirteenth	24
in the following	24
on the left	24
they are not	24
to the ground	24
could not be	24
a part of	24
gold and silver	24
there is the	24
of henry iv	24
the course of	24
was one of	24
the present time	24
we may say	24
is but a	24
in the great	24
we have no	24
in the manuscript	24
rest of the	24
which they had	24
in his own	24
and with the	24
upper part of	24
style of dress	24
as they are	24
sleeves of the	24
the law of	24
miniature in a	24
the king and	24
the church of	24
the manner of	24
for the purpose	23
of the other	23
some of them	23
were in use	23
of the gown	23
and to the	23
on the th	23
is of the	23
of the various	23
just below the	23
it does not	23
for the rest	23
the wife of	23
the basis of	23
gave rise to	23
at the bottom	23
he is the	23
of the work	23
the waist by	23
in any case	23
this was the	23
the title of	23
library of the	23
the cosmographie universelle	23
of which we	23
is not so	23
of the matter	23
the most important	23
all kinds of	23
a matter of	23
on the front	23
he did not	23
is said to	23
the face of	23
on the top	23
in the midst	23
one of these	23
it should be	23
of the human	23
adopted by the	23
the way in	22
to the time	22
the seventeenth century	22
it was to	22
the presence of	22
to which the	22
those who have	22
we will not	22
he was not	22
be able to	22
under the chin	22
length of the	22
of charles ii	22
survival of the	22
seem to have	22
over the shoulders	22
the clothes of	22
ladies of the	22
but in the	22
as in fig	22
it in the	22
of the jews	22
of this reign	22
of the new	22
the hands of	22
of george ii	22
to be made	22
to do so	22
the midst of	22
was in the	22
with or without	22
which it was	22
the first place	22
as in a	22
on the same	22
to make a	22
first of all	22
round the waist	22
a state of	22
in any way	22
of henry vi	22
body of the	22
of which were	22
of our own	22
of the country	22
we have a	22
in the latter	21
from the time	21
the abbey of	21
in the old	21
in the early	21
the evolution of	21
when it was	21
du roy modus	21
at all times	21
may have been	21
he is a	21
at the beginning	21
arms of the	21
the officers of	21
cloth of gold	21
fact that the	21
of the palace	21
livre du roy	21
you will see	21
of which was	21
to the feet	21
with the exception	21
is in a	21
as if it	21
and as the	21
in a word	21
connection with the	21
and the like	21
kings of france	21
even to the	21
bottom of the	21
much the same	21
of the arsenal	21
in a very	21
of this period	21
worn at the	21
cosmographie universelle of	21
head of the	21
in addition to	21
time of richard	21
or in the	21
it is possible	21
of any kind	21
the tenth century	21
still to be	20
more than once	20
that he might	20
may be said	20
many of them	20
there is an	20
on the shoulders	20
of francis i	20
with a view	20
the castle of	20
in these times	20
see that the	20
and a half	20
of the parliament	20
sides of the	20
means of a	20
the present editor	20
idea of the	20
the inhabitants of	20
as good as	20
to the shoulders	20
can be no	20
the head and	20
look at the	20
the greater part	20
lady of fashion	20
the light of	20
the commencement of	20
appears to have	20
of a great	20
part in the	20
figure of the	20
and for the	20
in these days	20
and by the	20
the height of	20
to the most	20
the heads of	20
to the present	20
doubt but that	20
the hero as	20
the courtesy of	20
it were a	20
will be found	20
said to have	20
and this was	20
so that it	20
he has a	20
of edward iii	20
the previous reign	20
court of the	20
of the kings	20
would have been	20
so that they	20
of a world	20
shape of a	20
time of elizabeth	19
in at the	19
and we have	19
the days of	19
the right side	19
greater part of	19
size of the	19
dressed in a	19
in the cosmographie	19
buttons on the	19
i do not	19
a later period	19
the development of	19
in the front	19
he could not	19
reaching to the	19
have been in	19
was not a	19
a view to	19
during the middle	19
as shown in	19
in the british	19
place of the	19
be seen that	19
on the ground	19
we shall find	19
by the king	19
in use in	19
for the most	19
of the hat	19
with the same	19
in the dress	19
time of james	19
they did not	19
to the whole	19
we have the	19
worn over the	19
evolution of the	19
for a moment	19
not at all	19
in all the	19
nature of the	19
them in the	19
may we not	19
we shall see	19
the exception of	19
universelle of munster	19
of the long	19
of one of	19
on the shoulder	19
most of the	19
to the back	19
worn on the	19
the house of	19
have we not	19
at this period	19
the collar of	19
as i have	19
in their own	19
one or two	19
at the court	19
we must not	19
the work of	19
was made in	19
arrangement of the	19
well as in	19
part of a	19
the people of	19
we find a	19
of the eighteenth	19
and all the	19
must not be	19
francs of present	19
of which is	19
the arrangement of	19
had to be	19
banner of the	19
in the north	19
in many cases	19
for many years	19
he wears a	19
the authority of	19
either side of	19
to give the	19
in the towns	18
and such a	18
the style of	18
at any rate	18
of the young	18
of this kind	18
to make the	18
who had been	18
a miniature of	18
the lower part	18
the dress is	18
the establishment of	18
be met with	18
which has been	18
knowledge of the	18
the study of	18
council of ten	18
a knowledge of	18
one of them	18
as may be	18
to take a	18
the introduction of	18
for a man	18
to show that	18
hat with a	18
spite of the	18
for the last	18
the left side	18
to the middle	18
over the head	18
was obliged to	18
for some time	18
not only the	18
below the knee	18
the size of	18
things in general	18
the man of	18
to be done	18
to wear a	18
the british museum	18
early part of	18
view of the	18
the truth of	18
was a man	18
as if the	18
of the lower	18
of a lady	18
the life of	18
portion of the	18
to and fro	18
of the under	18
the purpose of	18
i know not	18
the time when	18
the women of	18
on the right	18
by the courtesy	18
of the city	18
to do with	18
that he had	18
to this day	18
the figure of	18
the order of	18
in the matter	18
i should say	18
the eye of	17
article of dress	17
to the body	17
it is so	17
the same period	17
and of a	17
that he could	17
like that of	17
only to the	17
duke of burgundy	17
hands of the	17
of the day	17
same way as	17
the day of	17
is not only	17
be seen on	17
of the times	17
to be in	17
to the wrist	17
the ends of	17
the waist of	17
is made of	17
in the earlier	17
that such a	17
of the clothes	17
on each side	17
the skirts of	17
is the most	17
in a manuscript	17
the sides of	17
picture of the	17
with a large	17
at the age	17
all the way	17
in the army	17
the fashions of	17
preserved in the	17
as he was	17
of it is	17
of queen elizabeth	17
of the skirt	17
speaking of the	17
that is the	17
may be seen	17
to have a	17
men of letters	17
there can be	17
the book of	17
by this means	17
of the wearer	17
if you will	17
in a state	17
the queen of	17
and in a	17
as much as	17
of the back	17
in which he	17
used by the	17
of the chaperon	17
of the seventeenth	17
a manuscript of	17
in the streets	17
in the fifteenth	17
up in the	17
the backs of	17
in the history	17
at a later	17
attention to the	17
he had been	17
which is a	17
of the english	17
the same as	17
it is very	17
no doubt but	17
the arms of	17
him to be	17
parliament of paris	17
of louis xi	17
the lower orders	17
the essence of	17
types of head	17
the matter of	17
and even the	17
with which they	17
such and such	17
to form a	17
of all sorts	17
condition of the	16
from the forehead	16
in the second	16
for most part	16
on the one	16
it was at	16
clothes of the	16
in all times	16
and the whole	16
as if he	16
it was also	16
of which are	16
the man who	16
a series of	16
miniature of the	16
spite of all	16
is in him	16
where it is	16
of the law	16
they had been	16
was that of	16
only in the	16
dress for women	16
also in the	16
more than one	16
he does not	16
would not be	16
and in this	16
we see the	16
dates from the	16
and they are	16
the beauty of	16
what is it	16
to those who	16
ceased to be	16
of the early	16
of his time	16
the free judges	16
is but the	16
of the shoulders	16
to whom the	16
that a man	16
may be mentioned	16
the reigns of	16
commencement of the	16
it is well	16
proportions of the	16
in the last	16
two men of	16
a type of	16
to be said	16
said that the	16
the right shoulder	16
might have been	16
in the other	16
of edward iv	16
in front and	16
in the national	16
seem to be	16
the early part	16
was it not	16
he had a	16
it to the	16
as i said	16
the position of	16
in some cases	16
the condition of	16
part of this	16
in one of	16
known as the	16
from the neck	16
the neck and	16
at that period	16
the world was	16
to be worn	16
the influence of	16
began to be	16
the sale of	16
than any other	16
king of the	16
the names of	16
in the present	16
they have been	16
and judy show	16
it is still	16
when they are	16
that we can	16
used in the	16
of the three	16
at all events	16
the french revolution	16
a man is	16
waist by a	16
the period of	15
supposed to be	15
which was a	15
the most part	15
of all kinds	15
the privilege of	15
and his wife	15
was worn by	15
more like a	15
the editor of	15
were it not	15
those who were	15
the minds of	15
of which they	15
great number of	15
of george iii	15
the waist to	15
from of old	15
it was necessary	15
down the back	15
with gold and	15
which was worn	15
open in front	15
but that the	15
said to be	15
for it was	15
that there was	15
they were to	15
presence of the	15
as soon as	15
reign of louis	15
the punch and	15
the crown of	15
in the highest	15
that she was	15
of the godlike	15
there is nothing	15
that they have	15
the invention of	15
man of letters	15
the same thing	15
that they should	15
there is one	15
the men illustration	15
be said that	15
more than a	15
in the eyes	15
on this subject	15
i am not	15
of richard ii	15
the idea of	15
to be of	15
in the course	15
it is an	15
looking at the	15
a small waist	15
sleeve of the	15
of a large	15
of gold and	15
which was the	15
the formation of	15
on the continent	15
the voice of	15
of charles i	15
the remains of	15
the possession of	15
a few years	15
at the knee	15
in matters of	15
was the first	15
it had been	15
the ninth century	15
from that time	15
us that the	15
of the earth	15
and when the	15
the shoes were	15
boots and shoes	15
the king was	15
of the queen	15
the city of	15
is not this	15
the object of	15
much in the	15
of the book	15
were worn by	15
the great man	15
years of age	15
to me the	15
we have now	15
order of the	15
under the title	15
to keep it	15
it is now	15
spirit of the	15
of the castle	15
the world is	15
as to be	15
as that of	15
of which i	15
from the shoulders	15
there is something	15
whole of the	15
it is difficult	15
the cut of	15
of the holy	14
is difficult to	14
fashions of the	14
in the whole	14
is shown by	14
consequence of this	14
the face and	14
the result of	14
the library of	14
so to speak	14
the nineteenth century	14
that they had	14
the story of	14
of the highest	14
below the elbow	14
more of the	14
of the devil	14
similar to that	14
the towns of	14
in the art	14
king of france	14
is the same	14
is that the	14
at which the	14
of henry vii	14
reign of charles	14
no longer a	14
the same kind	14
made of a	14
forerunner of the	14
through all the	14
the kingdom of	14
came to the	14
used as a	14
a miniature from	14
from the same	14
back from the	14
men in the	14
dress of a	14
with so much	14
from the first	14
which must have	14
isabel of bavaria	14
a band of	14
was composed of	14
the accompanying illustration	14
at the shoulders	14
if we are	14
to the knees	14
have been made	14
consequence of the	14
i have not	14
no doubt the	14
the times of	14
the old man	14
it is with	14
of the christian	14
of the previous	14
fastened to the	14
part of his	14
a man and	14
a great number	14
of this sort	14
of the costume	14
the necessity of	14
this and the	14
author of the	14
it is no	14
fashion of the	14
not in the	14
it might be	14
in our own	14
to the great	14
high in the	14
of recent years	14
which in the	14
on the forehead	14
when it is	14
it is all	14
up from the	14
the sleeves are	14
to make it	14
of the twelfth	14
of which it	14
was not the	14
customs of the	14
to the head	14
as for the	14
letter from a	14
some of these	14
of charles vi	14
it is that	14
we have to	14
he had to	14
of tight lacing	14
due to the	14
of william and	14
of our readers	14
in his hand	14
the value of	14
of the poor	14
given to the	14
with a very	14
a picture of	14
in the royal	14
shown in the	14
edges of the	14
a great man	14
down to us	14
with all his	14
waist of the	14
we have had	14
and the world	13
to do it	13
the meaning of	13
a certain number	13
we may call	13
the waist and	13
other than the	13
fastened by a	13
two women of	13
to the eye	13
find in the	13
in the morning	13
a few of	13
is a great	13
should not be	13
from an engraving	13
shown by the	13
who did not	13
what is the	13
and we find	13
to the throne	13
place in the	13
were not so	13
it must not	13
in the east	13
the one hand	13
the upper classes	13
of great men	13
at the side	13
of the national	13
practice of tight	13
life of the	13
of the sleeves	13
in the street	13
with a long	13
the best of	13
in very deed	13
to the th	13
and he was	13
than in the	13
be made to	13
remarks on the	13
of a truth	13
there were no	13
covered with a	13
and the young	13
out of it	13
in regard to	13
the thing that	13
to look at	13
the left shoulder	13
i have seen	13
placed on the	13
the other side	13
provost of paris	13
the annexed illustration	13
of the best	13
the price of	13
a little while	13
open at the	13
the forerunner of	13
a sense of	13
certain number of	13
of george i	13
the first of	13
the month of	13
king and the	13
in the church	13
far as the	13
church of st	13
to the first	13
as part of	13
dresses of the	13
lower part of	13
the last reign	13
to be an	13
continued to be	13
seen that the	13
appears to be	13
which they are	13
which i have	13
of the empire	13
by the side	13
above the knee	13
from that of	13
in sketch no	13
heart of the	13
that it has	13
there is another	13
power of the	13
had not been	13
in a world	13
three types of	13
for us to	13
the colour of	13
of the women	13
the state of	13
to which we	13
find that the	13
this kind of	13
member of the	13
away from the	13
with a little	13
of the thing	13
four women illustration	13
from which the	13
the rights of	13
in a few	13
as we said	13
of silk or	13
the rules of	13
if we look	13
of the north	13
the mode of	13
of the fashion	13
to be looked	13
the livre du	13
to those of	13
it is easy	13
of fashion in	13
has been said	13
of the leg	13
would not have	13
and as it	13
of charles viii	13
of the german	13
appear to have	13
instead of the	13
for this reason	13
in the next	13
will one day	13
of the female	13
that they might	13
the world will	13
that there are	13
the sound of	13
in the past	13
that the whole	13
these are the	13
they do not	13
at the elbow	13
seen on the	13
which we are	13
in the neck	13
into the world	13
state of the	13
of his life	13
the men and	13
of the tunic	13
with a certain	13
here is a	13
we may mention	13
character of the	13
with a small	12
of what we	12
the property of	12
a great deal	12
the point of	12
of her face	12
at this point	12
them from the	12
is full of	12
by the name	12
from the waist	12
the universe is	12
think of it	12
is in this	12
we might say	12
heads of the	12
reign of henry	12
the back and	12
not of the	12
by those who	12
this part of	12
we are not	12
the expense of	12
man is a	12
during the last	12
or to the	12
position of the	12
nearly to the	12
if we will	12
from the fact	12
of a very	12
to all men	12
them to be	12
and customs of	12
fall of the	12
it is here	12
of some of	12
property of the	12
of the free	12
from a photograph	12
in the rue	12
when they were	12
on their heads	12
compared with the	12
beauty of the	12
in the provinces	12
be allowed to	12
are on the	12
abbey of st	12
fashion in the	12
cut of the	12
of the age	12
which he had	12
from one of	12
in a new	12
dressed in the	12
not fail to	12
reference to the	12
the dress was	12
king of england	12
in the library	12
they are the	12
the importance of	12
greater number of	12
and one of	12
the eleventh century	12
as on the	12
of the british	12
the shoulders and	12
were it never	12
the roman empire	12
so long as	12
it never so	12
belong to the	12
back of a	12
is the only	12
of queen anne	12
of the men	12
end of this	12
with tight sleeves	12
and then the	12
each side of	12
the manufacture of	12
by the ladies	12
as a man	12
you may see	12
three men of	12
of henry ii	12
were allowed to	12
is no longer	12
in the kingdom	12
of henry v	12
added to the	12
influence of the	12
the hand of	12
that it had	12
an article of	12
when speaking of	12
to be met	12
led to the	12
of the knights	12
you will find	12
of the council	12
came from the	12
in the month	12
be said to	12
any one who	12
we have not	12
the fall of	12
the produce of	12
of it was	12
of the nineteenth	12
to show a	12
a certain extent	12
the lower classes	12
made by the	12
glance at the	12
in use at	12
were made of	12
the making of	12
of the duke	12
of a woman	12
seal of the	12
the battle of	12
there have been	12
of the lord	12
the cause of	12
and those who	12
the bosom of	12
throughout the whole	12
that it may	12
they were made	12
of a modern	12
of henry iii	12
of the state	12
as if by	12
now and then	12
a time when	12
of the franks	12
and that of	12
there is not	12
a short time	12
the progress of	12
from the great	12
of the past	12
at the toes	12
has to be	12
many of these	12
a variety of	12
of the high	12
the secret of	12
time of stephen	12
had recourse to	12
but with the	12
close to the	12
of the mountain	12
the borders of	12
it must have	12
it would seem	12
is well known	12
about this time	12
in the end	12
or some other	12
have been the	12
sewn on to	12
allowed to fall	12
it is interesting	12
them to the	12
those which are	12
and from the	12
is interesting to	12
eye of the	12
for which they	12
have seen that	12
much of the	12
were of the	12
gold or silver	12
the absence of	12
in this manner	12
of all that	12
to think of	12
to a very	12
of which he	12
time of louis	12
of the principal	12
the skirt of	12
male and female	12
handed down to	12
it is clear	12
of the public	12
face to face	12
and those of	11
that he should	11
well as to	11
formation of the	11
of the garter	11
to which they	11
out of which	11
in his time	11
a world of	11
the bishop of	11
the same material	11
and the king	11
the mystery of	11
to the church	11
as those of	11
the neck of	11
and of which	11
description of the	11
of a heart	11
engraving of the	11
ought to be	11
when he was	11
period of the	11
of james ii	11
for the world	11
must not forget	11
the loss of	11
the duty of	11
the habit of	11
in the beginning	11
not only to	11
of the third	11
of the person	11
once for all	11
catherine de medici	11
example of the	11
out of fashion	11
kings of the	11
miniature from the	11
as a matter	11
there seems to	11
it is one	11
the thing he	11
to see that	11
the mass of	11
and a short	11
has been made	11
a more or	11
shows of things	11
part of our	11
the sleeve of	11
the aid of	11
of the nation	11
allow me to	11
in the name	11
the lord of	11
time and space	11
through long years	11
of things in	11
of a more	11
and the long	11
ends of the	11
the sake of	11
much as a	11
to the hips	11
the material of	11
the greater number	11
the men of	11
and that they	11
on both sides	11
in this connection	11
they should be	11
it is as	11
of the sun	11
that i have	11
thou art not	11
to such a	11
that the french	11
of the guard	11
not seem to	11
is not to	11
is easy to	11
at the expense	11
is a thing	11
by the church	11
and in order	11
but there is	11
say nothing of	11
of edward vi	11
connected with the	11
an end to	11
speak of the	11
as to make	11
over the ears	11
to suppose that	11
nothing but a	11
was made of	11
head of a	11
according to a	11
known to the	11
parted in the	11
as long as	11
knights of the	11
and to be	11
shall find that	11
those who had	11
over the whole	11
the growth of	11
thousands of years	11
appear to be	11
than to the	11
imperial library of	11
collar of the	11
in the days	11
tight to the	11
at the very	11
in the direction	11
no less than	11
to the very	11
such a one	11
a tendency to	11
held in the	11
so much in	11
after a miniature	11
the collection of	11
which seems to	11
how much more	11
the houses of	11
that he has	11
to the front	11
or at least	11
to such an	11
which he was	11
to the neck	11
with all its	11
have already mentioned	11
one or the	11
it was made	11
and of all	11
tied under the	11
a little more	11
that is in	11
for all the	11
old man of	11
an account of	11
and a whole	11
the neck was	11
there may be	11
on the occasion	11
of the upper	11
attached to it	11
of the word	11
in all ages	11
survival of a	11
the edges of	11
for the poor	11
the duties of	11
the benefit of	11
them by the	11
the son of	11
of them were	11
in one piece	11
this of the	11
we find them	11
as we shall	11
addition to the	11
of the sleeve	11
effect of the	11
the like of	11
from the other	11
in reference to	11
were made in	11
should have been	11
that the king	11
in the heart	11
may be the	11
in a great	11
of the year	11
of her head	11
over the left	11
appeared in the	11
from the original	11
apart from the	11
in which it	11
could have been	11
tells us that	11
for the sake	11
with a band	11
in all countries	11
chief of the	11
which may be	11
instead of being	11
may be called	11
on his head	11
of the black	11
the jews of	11
the fair sex	11
come to the	11
to speak of	11
it did not	11
could only be	11
a young lady	11
the last century	11
what may be	11
part of their	11
there should be	11
hair at the	11
what i call	11
it cannot be	11
to say nothing	11
man and woman	11
be in the	11
in the neighbourhood	11
is there not	11
adapted to the	11
the jews were	11
of his coat	11
are made of	11
the weight of	11
fastened at the	11
i have heard	11
by the nobles	11
the adoption of	11
they might be	11
the direction of	11
of a few	11
no other than	11
on all hands	11
the world has	11
they were called	11
there was also	11
in praise of	11
of james i	11
the proportions of	11
as through a	11
when dealing with	11
of all men	11
of the grand	11
he may be	11
was no longer	11
order that the	11
have been of	11
yet it is	11
the skirts were	11
in the ordinary	11
to the calf	11
is a survival	11
in the state	11
to the other	11
to take the	11
we have just	11
at the shoulder	11
or by the	11
to be used	11
and all men	10
to return to	10
we know that	10
the coat was	10
his hair is	10
of dress which	10
at the ankle	10
and how the	10
arsenal of paris	10
of an engraving	10
the black prince	10
to state that	10
in every way	10
with a deep	10
to the dress	10
for them to	10
an engraving of	10
a good deal	10
the administration of	10
is by nature	10
closely to the	10
relating to the	10
i have been	10
were used in	10
of the house	10
down in the	10
with a broad	10
effect on the	10
in the original	10
to prove that	10
and we are	10
the most remarkable	10
of the household	10
coat of arms	10
is of a	10
the choice of	10
and in all	10
and the rest	10
to my own	10
there is little	10
is not he	10
about the neck	10
they had to	10
picture of a	10
and we shall	10
time of queen	10
the outside of	10
made from the	10
and were often	10
as a whole	10
the survival of	10
in its place	10
the help of	10
in a way	10
that the old	10
at the edge	10
inhabitants of the	10
to which it	10
a woodcut of	10
of a new	10
we are told	10
and it would	10
is a very	10
been in the	10
as one of	10
the opening of	10
as regards the	10
on the backs	10
the king himself	10
they have not	10
are not the	10
costume of a	10
the occasion of	10
he says that	10
out in the	10
at a time	10
as the following	10
be looked for	10
of charles v	10
there is much	10
the greatest of	10
we shall have	10
of their dress	10
and could not	10
to have the	10
to the world	10
it to be	10
which did not	10
gentlemen of the	10
a very great	10
point of the	10
used for the	10
from those of	10
a row of	10
gregory of tours	10
as to show	10
to the length	10
for in the	10
and so on	10
the cathedral of	10
the waist with	10
and at times	10
surmounted by a	10
the knights of	10
the neighbourhood of	10
and what is	10
on which the	10
church of the	10
the everlasting no	10
to the corset	10
were bound to	10
kind permission of	10
hundred years ago	10
consecration of the	10
a very small	10
after having been	10
of william ii	10
of the bourgeois	10
all the world	10
with a few	10
the fashion in	10
of this century	10
if he were	10
says the professor	10
the depths of	10
was a very	10
and this is	10
games of the	10
to keep the	10
still in use	10
number of the	10
over all the	10
to give a	10
of more than	10
with a bow	10
we hear of	10
the following letter	10
set with a	10
or even to	10
if it is	10
the costumes of	10
of time and	10
the shoulder to	10
the young lady	10
there are two	10
the office of	10
of the community	10
the latter part	10
what is this	10
custom of wearing	10
who does not	10
of this country	10
in the former	10
the holy land	10
where so much	10
made use of	10
by far the	10
and which was	10
like a man	10
were worn with	10
the long coat	10
the entry of	10
one of their	10
to cover the	10
as will be	10
of these two	10
her hair is	10
we find in	10
the young ladies	10
border of the	10
work on clothes	10
he must have	10
of the abbey	10
out at the	10
was allowed to	10
nothing but the	10
confined to the	10
is also a	10
the games of	10
return to the	10
by and by	10
made their appearance	10
were obliged to	10
waist to the	10
the honour of	10
had to pay	10
to the practice	10
in the south	10
is supposed to	10
every one of	10
as it may	10
even as the	10
eyes of the	10
the world in	10
to all the	10
be considered as	10
rise to the	10
this type of	10
the peak of	10
not allowed to	10
which does not	10
authority of the	10
row of buttons	10
and a small	10
had been a	10
the colours of	10
the servants of	10
till the whole	10
in the place	10
hundred and fifty	10
an edict of	10
round the head	10
and all that	10
he was the	10
interesting to note	10
and not a	10
of the ordinary	10
of that period	10
one day to	10
from the shoulder	10
of the divine	10
or any other	10
for many centuries	10
of present money	10
the attention of	10
it was that	10
this too is	10
himself to the	10
of william i	10
as yet no	10
that can be	10
a hundred years	10
took the place	10
in the head	10
sleeves to the	10
out of doors	10
see chapter on	10
on their own	10
the mother of	10
together with the	10
as an ornament	10
he had not	10
ornamented with a	10
which is still	10
the shows of	10
and some of	10
to the last	10
study of the	10
a crowd of	10
any more than	10
the points of	10
from the th	10
to be had	10
of the merchants	10
so that he	10
simile of an	10
of a certain	10
an engraving on	10
latter part of	10
the system of	10
subject of the	10
there is also	10
us back to	10
of present currency	10
in almost all	10
in the right	10
over the hand	10
to him that	10
a short distance	10
to deal with	10
in france and	10
the cost of	10
been able to	10
of these pages	10
the grand coesre	10
with his own	10
to be considered	10
show that the	10
and the ladies	10
on all sides	10
and a little	10
we shall not	10
the provost of	10
way to the	10
the border of	10
some sort of	10
any sort of	10
the arsenal of	10
as at the	10
the folds of	10
at the head	10
of the lady	10
there are many	10
of the deceased	10
the dresses of	10
in conjunction with	10
which are the	10
that was in	10
to the general	10
which must be	10
in the coat	10
are still to	10
the inside of	10
those who are	10
to the same	10
in place of	10
nothing of the	10
they could not	10
middle of a	10
us of the	10
has not yet	10
the next reign	10
the same subject	10
a relic of	10
is the best	10
by the people	10
the father of	10
over the hips	10
the courts of	10
it is evident	10
from the king	10
and covered with	10
in the evening	10
and there are	10
with his whole	10
the bodies of	10
the hair of	10
that there were	10
were still worn	10
what we can	10
to make them	10
they may be	10
at the wrists	10
acquainted with the	10
goes on to	10
came into fashion	10
in any other	9
but this is	9
forms of the	9
much as possible	9
face of the	9
has never been	9
do we not	9
it not the	9
skirts of the	9
perhaps the most	9
the women illustration	9
front to the	9
a very high	9
that it might	9
it was then	9
in that country	9
of the store	9
like those of	9
him in a	9
reached to the	9
in other words	9
which we see	9
red and white	9
be difficult to	9
was also worn	9
made to fit	9
when a man	9
that the first	9
may be a	9
in the skirt	9
or of the	9
the list of	9
of dress is	9
maids of honour	9
as we know	9
wife of a	9
it with a	9
through which the	9
to receive the	9
be no doubt	9
bones of the	9
there are no	9
and over this	9
know not what	9
of the reader	9
from the elbow	9
trimmed with fur	9
it is curious	9
in that of	9
arrived at the	9
as the most	9
manuscript in the	9
also of the	9
little or nothing	9
of the former	9
the waist is	9
was supposed to	9
from the back	9
and the most	9
of his age	9
sir joshua reynolds	9
not only in	9
him by the	9
the nobles were	9
appearance of the	9
the foot of	9
taken from the	9
details of the	9
which is to	9
well as a	9
where is the	9
the two sexes	9
i will say	9
the first to	9
a coat of	9
full at the	9
been in use	9
according to his	9
by a brooch	9
to know that	9
was not to	9
as a kind	9
previous to the	9
by a belt	9
to meet the	9
the university of	9
it is by	9
was in him	9
in the west	9
of the chest	9
a few words	9
the first few	9
on the breast	9
death of the	9
mentioned in the	9
centre of indifference	9
width of the	9
to the subject	9
them with the	9
in any measure	9
of that time	9
it would have	9
say that the	9
bodice of the	9
till it be	9
this or the	9
what i have	9
says that the	9
illustration represents a	9
lies in the	9
who was the	9
as of a	9
down over the	9
as with the	9
and the hair	9
in the holy	9
given by the	9
to the reign	9
the hearts of	9
the selection of	9
a v shape	9
be made of	9
of the very	9
a species of	9
was given to	9
similar to the	9
of life and	9
put on the	9
so is it	9
with each other	9
on the increase	9
stage of culture	9
in the house	9
the feet of	9
the mind of	9
left to the	9
at first the	9
court of france	9
have already seen	9
what is called	9
the celebration of	9
under penalty of	9
it as a	9
was still in	9
dealing with the	9
all the rest	9
the uniform of	9
the prince of	9
to be as	9
pages to chapter	9
of the order	9
even the most	9
exception of the	9
had been in	9
him from the	9
the king had	9
from the middle	9
came to be	9
there were also	9
to see how	9
a member of	9
sometimes with a	9
the wings of	9
is still the	9
made for the	9
other than a	9
the discovery of	9
sign of the	9
one may see	9
in which case	9
the means of	9
same kind of	9
was worn over	9
of the table	9
in the flesh	9
to the old	9
of the west	9
all over the	9
a system of	9
was also a	9
of the cockade	9
to the jews	9
he shall be	9
of all things	9
beginning of all	9
of the white	9
the lines of	9
round his neck	9
of the dresses	9
of the romans	9
in the twelfth	9
and precious stones	9
at least of	9
and no doubt	9
to the crown	9
in the higher	9
them in a	9
is a kind	9
the elbow to	9
in the collection	9
which was called	9
is made to	9
was a kind	9
for which the	9
of the capital	9
knew how to	9
till at length	9
the base of	9
on in the	9
take the place	9
of the clergy	9
it is impossible	9
thing to be	9
to a new	9
he has to	9
cours des miracles	9
during the reigns	9
folds of the	9
it on the	9
the dictates of	9
out of all	9
or at best	9
what he did	9
the amount of	9
in a short	9
low in the	9
of the garment	9
she has a	9
placed at the	9
just at the	9
in a most	9
and thirteenth centuries	9
seems as if	9
the consecration of	9
and the sun	9
divine idea of	9
private life of	9
reign of queen	9
has always been	9
with which the	9
was the most	9
the tower of	9
it were not	9
the fruit of	9
it with the	9
son of time	9
in the book	9
such a thing	9
he is not	9
and these were	9
in the waist	9
feature of the	9
was a great	9
any of his	9
the words of	9
of a god	9
of the gentlemen	9
as we say	9
twelfth and thirteenth	9
of philip augustus	9
just above the	9
with wide sleeves	9
which can be	9
is properly the	9
one of us	9
a photograph by	9
which took place	9
below the waist	9
all that we	9
of louis xiv	9
of the spirit	9
people of the	9
list of illustrations	9
soul of the	9
has become a	9
to be taken	9
of clothes is	9
have come to	9
were made to	9
a symbol of	9
with precious stones	9
it is perhaps	9
of france and	9
according to their	9
that the ladies	9
of the association	9
was forced to	9
bow of ribbon	9
a description of	9
was of a	9
out of sight	9
at the right	9
courtesy of messrs	9
of the collar	9
is not all	9
the christian religion	9
from the head	9
as he could	9
made in one	9
the nobles of	9
manners and customs	9
the hour of	9
houses of the	9
it is even	9
of the family	9
one side of	9
we meet with	9
means of the	9
which is not	9
and out of	9
skirt of the	9
of the use	9
by the same	9
time of charlemagne	9
began to appear	9
him in the	9
to see what	9
in one or	9
on one occasion	9
the worship of	9
an opportunity of	9
and instead of	9
is as good	9
sound of the	9
of the livre	9
the good gretchen	9
applied to the	9
his whole heart	9
the neck to	9
the south of	9
to a great	9
a mass of	9
laws of nature	9
every part of	9
was the custom	9
as the world	9
of the tribunal	9
is called the	9
the game of	9
see figures and	9
it is worn	9
took place in	9
carried on the	9
but of the	9
was derived from	9
and the very	9
not that the	9
woodcut of the	9
by the great	9
to find a	9
the daughter of	9
something like a	9
themselves to the	9
who have been	9
supposed to have	9
lines of the	9
permission of messrs	9
taste of the	9
of the place	9
the hair is	9
from a window	9
the edge of	9
with which to	9