quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
part of the body	27
early english books online	21
the end of the	19
the top of the	18
and when you have	16
it with a little	15
put it into a	14
take a quantity of	14
and grind it with	14
for the most part	14
the colour of the	13
and it will be	12
that are to be	12
when you haue done	12
by reason of the	12
take a piece of	12
the aqua fortis from	12
of all manner of	11
and when it is	11
notes for div a	11
the use of the	11
rules to be observed	11
from the top of	11
you must be very	11
of the pen and	10
in her right hand	10
at the end of	10
in the forme of	10
pour the aqua fortis	10
the forme of a	10
the beginning of the	10
the middle of the	9
and put it into	9
vpon his head a	9
and grinde it with	9
by little and little	9
the art of painting	9
are to be grownd	9
as you may see	9
it is good to	9
grind it with the	9
lower part of the	9
of the same colour	9
the lower part of	9
and it will make	9
the rest of the	9
aqua fortis from the	8
then take it out	8
those colours that are	8
the bottom of the	8
it will make a	8
that part of the	8
the manner how to	8
that it may be	8
when you are to	8
you will haue it	8
if it be too	8
colours that are to	8
you are to use	8
are to be sold	8
the edges of the	8
and you shall haue	8
to be sold at	8
is nothing else but	8
in the darkest places	8
the space of an	8
one and the same	8
the ball of the	8
and are to be	8
in the midst of	8
one part of the	8
if you will haue	8
the signe of the	8
the forme of the	7
you are at work	7
let it stand a	7
if it be a	7
about the sides of	7
with the water of	7
you may make it	7
the upper part of	7
and white for the	7
grinde it with the	7
in one hand a	7
water of gumme lake	7
it is the best	7
in a piece of	7
or colouring of maps	7
the breadth of the	7
when you have done	7
when it is dry	7
the art of drawing	7
parts of the body	7
the body of man	7
to be observed in	7
on the other side	7
the manner of working	7
for the space of	7
the left side of	7
his head a garland	7
with lake and white	7
it with a dogs	7
as you shall see	7
the proportion of the	7
and let it stand	7
the tip of the	7
a quarter of a	7
a pair of compasses	6
in the meddals of	6
the light of the	6
encoded text transcribed from	6
be sold at his	6
the work described above	6
edition of the work	6
then put it into	6
characters represented either as	6
assigned for keying and	6
text is available for	6
to cleanse any old	6
all without asking permission	6
sold at his shop	6
and markup reviewed and	6
fire till it be	6
of a pound of	6
described above is co	6
with a garland of	6
iv tiff page images	6
to the bottom of	6
it with gumme water	6
and coded from proquest	6
and you shall see	6
this phase i text	6
dry in the shell	6
terms of creative commons	6
to the terms of	6
and encoded edition of	6
markup reviewed and edited	6
the reason is the	6
providing financial support to	6
the institutions providing financial	6
according to the terms	6
text and markup reviewed	6
coded from proquest page	6
encoded edition of the	6
a few drops of	6
of the work described	6
most excellent art of	6
books online text creation	6
in his right hand	6
institutions providing financial support	6
the edge of your	6
work described above is	6
represented either as utf	6
tcp assigned for keying	6
the length of the	6
as if they were	6
from proquest page images	6
you may make a	6
for keying and markup	6
text can be copied	6
even for commercial purposes	6
the excellency of the	6
side of the face	6
and so vse it	6
the sides of the	6
at the signe of	6
and rules to be	6
small as you can	6
as it were a	6
then let it stand	6
grinde it with a	6
draw it with your	6
keyed and coded from	6
quarter of a pound	6
i text is available	6
you are to draw	6
you come to the	6
by a third part	6
you must be carefull	6
if i would draw	6
as much as you	6
phase i text is	6
then pour the aqua	6
this keyboarded and encoded	6
put them into a	6
is not to be	6
disposition of the mind	6
images scanned from microfilm	6
the place of the	6
the early english books	6
financial support to the	6
support to the early	6
till the water be	6
the beames of the	6
is available for reuse	6
head a garland of	6
colouring of maps and	6
of those colours that	6
the third part of	6
in the other a	6
burnish it with a	6
are to be washed	6
i would haue you	6
is in a manner	6
to the early english	6
the terms of creative	6
use of the pen	6
upper part of the	6
as i haue said	6
as small as you	6
the most excellent art	6
owned by the institutions	6
to be observed therein	6
online text creation partnership	6
english books online text	6
keyboarded and encoded edition	6
it into a shell	6
measures of the head	6
by the institutions providing	6
the text can be	6
how to prepare a	5
vpper part of the	5
of the head to	5
as i haue seene	5
the use of them	5
the hinder part of	5
of the colour of	5
was the first that	5
and put in more	5
it with a weake	5
in the time of	5
the aqua fortis upon	5
of the art of	5
the manner of annealing	5
if you will have	5
the fire till it	5
the pen and pensil	5
the head too big	5
upon a sheet of	5
you must draw the	5
in his left hand	5
take it out and	5
hinder part of the	5
washing or colouring of	5
put it in a	5
how to draw the	5
of your grinding stone	5
you must be sure	5
part of the face	5
made in this manner	5
as you did your	5
if you intend to	5
as we see in	5
and cut it in	5
and let it drie	5
and be sure to	5
the root of the	5
about the edges of	5
the side of the	5
with a few drops	5
other part of the	5
to be used in	5
must be done with	5
the pen and pencil	5
when it is drie	5
to which is added	5
and lay it in	5
which you intend to	5
shadowed with blew verditer	5
and then let it	5
i would draw a	5
three or foure houres	5
that so you may	5
when it is cold	5
excellent art of painting	5
your lead or coale	5
the aqua fortis hath	5
it with the water	5
it at your pleasure	5
temper it with a	5
the bigness of a	5
the bottome of the	5
must be sure to	5
to be obserued in	5
any part of the	5
with a dogs tooth	5
as if i would	5
you lay it on	5
of man or woman	5
how to prepare your	5
the head to the	5
when you have finished	5
put to a little	5
you may make your	5
the space between the	5
fortis from the plate	5
you must make the	5
but if it be	5
grind it with gumme	5
and there let it	5
you must grind it	5
the parting of the	5
to be made of	5
root of the hair	5
as the light falls	5
so called of the	5
shadow it with the	5
you shall haue a	5
cleanse any old painting	5
for the benefit of	5
top of the head	5
with the glaire of	5
then take a piece	5
the proportion of a	5
one from the other	5
weake water of gumme	5
the length of one	5
the midst of the	5
you may diaper vpon	4
the point of your	4
to make liquid gold	4
the worst is past	4
diaper vpon all other	4
to the lower part	4
but be sure to	4
but be sure you	4
and the manner of	4
put it into an	4
the drawing of the	4
you will find the	4
figures are such as	4
be darkned by the	4
or yealow vpon glasse	4
at the second operation	4
vpon her head a	4
etching with aqua fortis	4
to the end that	4
her head a coronet	4
the whole art of	4
a quarter of an	4
wall round about the	4
mixtures of colours used	4
you begin to work	4
much faire water as	4
of the names of	4
at what time you	4
and the use of	4
of the body of	4
a little fair water	4
the best of all	4
the corner of the	4
names and mixtures of	4
that you intend to	4
to prepare a table	4
as if it had	4
a stiffe water of	4
haue you know what	4
and so shadow it	4
you will find it	4
as it were by	4
excellency of the pen	4
as they appear in	4
and wash the plate	4
with a stiffe water	4
water of gumme arabeck	4
and halfe as much	4
for a picture in	4
from thence to the	4
that there may be	4
it with the iuice	4
if it be not	4
is so called of	4
you may draw all	4
their shape and action	4
you mingle it with	4
and mixtures of colours	4
you may see the	4
the manner of sitting	4
i will giue you	4
and if you perceive	4
prepare a table for	4
and a little white	4
which when it is	4
her right hand a	4
you must have a	4
of the choicest italian	4
reproduction of the original	4
on your right hand	4
you shall haue occasion	4
the bottome of a	4
if you would haue	4
side of the body	4
you would haue it	4
be observed in drawing	4
original text notes for	4
saint martins in the	4
in the grinding put	4
and strike the arch	4
is made in this	4
the sence of seeing	4
apex covantage keyed and	4
take it off from	4
more water to it	4
ground upon a black	4
be sure not to	4
let it stand three	4
and when you will	4
with the same colour	4
out of the choicest	4
in the same manner	4
beames of the sunne	4
of the whole bodie	4
take a peece of	4
with a little fair	4
of plaister of paris	4
is called in latine	4
nothing else but a	4
the brawne of the	4
you are able to	4
rub it all over	4
choicest italian and german	4
to make a blew	4
must be very carefull	4
if you mingle it	4
it off from the	4
the external parts of	4
are not to be	4
must grind it with	4
in drawing these and	4
which you may make	4
it stand three or	4
of them in the	4
used in a face	4
bigger then the other	4
in the middle of	4
the names and mixtures	4
it all over with	4
least of all other	4
and so use it	4
before you begin to	4
the choicest italian and	4
must be deepned with	4
one against the other	4
how to make artificiall	4
side of the left	4
giue you an example	4
grind it with a	4
if you would have	4
off from the fire	4
drawne in this manner	4
till it be red	4
half a quarter of	4
it with your pen	4
manner of working in	4
covantage keyed and coded	4
you are to make	4
your maps or pictures	4
so shadow it with	4
which is added exact	4
a book of dravving	4
collected out of the	4
and the art of	4
you are to work	4
end of the nose	4
take a sheet of	4
the flame of a	4
it with the same	4
called of the french	4
in the art of	4
diaper vpon it with	4
draw after the life	4
to it a little	4
like an old man	4
the colours to be	4
thus much for the	4
a weake water of	4
text notes for div	4
drawing with the pen	4
shew you how to	4
to lay the ground	4
to shadow other greens	4
be sure to place	4
set them in a	4
left side of his	4
in the church of	4
lay a white ground	4
of proportion for drawing	4
part of the arme	4
a good quantity of	4
the third and last	4
it over the fire	4
out beyond the other	4
as much faire water	4
heighten it with white	4
space of an houre	4
not off well with	4
as appeareth in the	4
in this book you	4
in the next chapter	4
in one and the	4
lay them in the	4
then you must take	4
which you may doe	4
it hath the name	4
in their due places	4
you may doe by	4
as if it were	4
after the manner of	4
of maps and prints	4
to diaper vpon all	4
the small of the	4
it is an excellent	4
is one of the	4
and as it were	4
from the original text	4
may diaper vpon it	4
upon the backside of	4
make use of it	4
in a garment of	4
a white ground upon	4
colour is to be	4
at the same distance	4
and strike the lines	4
flame of a candle	4
as i said before	4
to make a green	4
off the aqua fortis	4
stiffe water of gumme	4
i will tell you	4
the original in the	4
with the names and	4
rules of proportion for	4
stand three or foure	4
the original text notes	4
keep the aqua fortis	4
are to use them	4
how to order your	4
and a halfe high	4
in a short time	4
the art of dravving	4
whole art of drawing	4
with the point of	4
with the iuice of	4
in drawing of a	4
italian and german authors	4
draw the lines of	4
in the drawing of	4
with a weake water	4
head a coronet of	4
painting of a face	4
after the same manner	4
the form of a	4
with your lead or	4
you shall perceive the	4
body of man or	4
when you are at	4
and temper it with	4
the aqua fortis will	4
with a piece of	4
of the original in	4
a little piece of	4
and melt it in	4
you shall find in	4
a picture in small	4
add a little more	4
in black and white	4
necessary instruments for drawing	4
the water of litmose	4
shadows in the face	4
third part of the	4
to keep the aqua	4
sets off well with	4
as possibly you can	4
for div a e	3
colours are to be	3
by the side of	3
drawne like an old	3
you have the necessary	3
it is very necessary	3
meet qa standards were	3
pour off the aqua	3
be the same as	3
to the second book	3
by the use of	3
when you etch landskips	3
later edition of a	3
fall to the bottome	3
smal as you can	3
take a quarter of	3
project have been released	3
yet not without reason	3
brawne of the arme	3
the glaire of egges	3
with a little white	3
french it is called	3
being copied from the	3
one to the other	3
to find out the	3
left side of the	3
colour of the earth	3
to become practicioners in	3
support the display of	3
a shiue of saffron	3
the bottom of a	3
in the county of	3
spellings that support the	3
text in a standardized	3
desirous for to become	3
wring it into a	3
of one and the	3
and suitable for network	3
you must call them	3
and deepen it with	3
part of the forehead	3
so that it may	3
keying and markup guidelines	3
in all your shadows	3
the writings of the	3
it as you list	3
be used in washing	3
to make use of	3
powers of a painter	3
and so let it	3
unicode or text strings	3
processed by university of	3
transcribed and encoded texts	3
beasts in their true	3
as well as the	3
published by proquest via	3
characters will be marked	3
it into the fire	3
make artificiall pastels to	3
order it as you	3
that part that is	3
and lay it upon	3
to range over a	3
version of the tcp	3
colours one into another	3
the line of your	3
this you must be	3
the red in the	3
a new earthen pot	3
vse and generall benefite	3
is to be done	3
taken away by the	3
to their original source	3
sent to external keying	3
you have done that	3
at by a tcp	3
of the third book	3
and the beginning of	3
colour of it selfe	3
red in the cheeks	3
you shall see occasion	3
created by converting tcp	3
of hands and arms	3
you must first draw	3
text r in the	3
i have seen a	3
then shadow it with	3
as some would haue	3
create accurately transcribed and	3
in the english short	3
manner of beasts in	3
at the third sitting	3
compelling reason to do	3
colours used in limning	3
take a cushion that	3
planets it holdeth with	3
the plate with a	3
aim at making the	3
melt it in a	3
aim at restoring the	3
i pray you proceed	3
you must take a	3
restoring the text the	3
the picture of christ	3
available at the text	3
proofread for accuracy and	3
to the keyers to	3
text the author or	3
till it be fine	3
external parts of mans	3
on your aqua fortis	3
then let it dry	3
will help you in	3
this text in the	3
with all manner of	3
and use these texts	3
a little more water	3
the texts were encoded	3
across the grain of	3
text creation partnership web	3
issued variously as sgml	3
in english were prioritized	3
reason to do so	3
rate of defects per	3
grinde and lay them	3
the tcp digital transcription	3
all likelihood such instances	3
more exactlie then heretofore	3
and heighten it with	3
tei in libraries guidelines	3
the most exquisite and	3
from the writings of	3
image sets published by	3
italian painter odoardo fialetti	3
you would colour any	3
markup guidelines are available	3
and of the eye	3
powder in a mortar	3
some errors will remain	3
works are eligible for	3
is proper to the	3
phase of the project	3
the christian mans calling	3
the powers of a	3
they remove from the	3
filling in of gaps	3
and directions for birds	3
to make gold and	3
the best of them	3
top of an hill	3
text has been tokenized	3
you must grinde it	3
for drawing all manner	3
the other part of	3
the disposition of the	3
to say the truth	3
in spanish it is	3
first editions of a	3
encoded and linked to	3
into placeholder characters or	3
creating the tcp texts	3
wide variety of subject	3
the general aim of	3
mysterious arts of drawing	3
and painting vpon glasse	3
known extent have been	3
of a text in	3
elements of known extent	3
in oxford and michigan	3
of a works in	3
now for the manner	3
the sight of the	3
greens for landskips and	3
as many of them	3
that in all likelihood	3
place light against dark	3
to be vsed in	3
for drawing the heads	3
furnished with divers cuts	3
you may use sometimes	3
or disposition of the	3
to the perfection of	3
haue a care of	3
you may with more	3
ground upon the plate	3
of a work was	3
and to make colours	3
as i take it	3
therefore chose to create	3
it as you doe	3
of cleane white paper	3
garnishing of all their	3
also the making of	3
all manner of beasts	3
which is the same	3
proportion for drawing the	3
very usefull for all	3
when the aqua fortis	3
we respectfully request that	3
in the other parts	3
it out of the	3
is drawne like a	3
except the light side	3
you have finished the	3
from the end of	3
this text has not	3
with a pen or	3
made about the data	3
the black must be	3
changes and metadata enrichments	3
of creating the tcp	3
take a quantitie of	3
which is nearest to	3
the burning of the	3
was chosen if there	3
learn by this tract	3
for the mixing of	3
was a compelling reason	3
is able to draw	3
put in more cleane	3
metadata enrichments aim at	3
the light of your	3
have been transformed into	3
all kinds of colours	3
been looked at by	3
accuracy and those which	3
been issued variously as	3
when you would use	3
fine powder in a	3
and mysterious arts of	3
diuers others most delightfull	3
or any els that	3
of text r in	3
in the other the	3
every colour in garments	3
know not by what	3
and let it lie	3
out by editorial teams	3
become practicioners in this	3
copied from the best	3
drawing all manner of	3
edge of your knife	3
placeholder characters or elements	3
partnership between the universities	3
with a weake gumme	3
for all manner of	3
it were by the	3
off well with reds	3
a table for a	3
make iust such another	3
notably latin and welsh	3
texts were encoded and	3
for the next degree	3
with two or three	3
let it stand so	3
was then carried out	3
stationer meant to publish	3
was wont to be	3
as much of the	3
must be very exact	3
and how to temper	3
when you haue thus	3
maps and printed pictures	3
and therefore of any	3
order you are to	3
make colours out of	3
fine as may be	3
the process of creating	3
a little yellow oker	3
take a clean linnen	3
michigan and oxford and	3
of gaps by user	3
take it and lay	3
you mean to draw	3
and order it as	3
at making the text	3
spanish it is called	3
the image sets published	3
they set off best	3
drawing of a face	3
of holding your graver	3
them with your pen	3
and or corrected and	3
in respect of the	3
been fully proofread approx	3
transcription a of text	3
the universities of michigan	3
released into the public	3
but if you would	3
benefit of all ingenuous	3
vvashing or colouring of	3
the text creation partnership	3
colour of the cheeks	3
the excellency of sight	3
usually the first edition	3
oxford and the publisher	3
go over the face	3
looking full in my	3
washing of maps pictures	3
to create diplomatic transcriptions	3
is for the most	3
each text was proofread	3
page images in accordance	3
a of text r	3
divers cuts in copper	3
must be of the	3
you shall haue the	3
you may strike a	3
where the hairs grow	3
great art in making	3
them in the most	3
the outside of the	3
for to become practicioners	3
be aware of the	3
sided figures are such	3
you shall begin to	3
and preserve the colours	3
tcp digital transcription a	3
set not off well	3
or for an anonymous	3
to reflect the true	3
credit and attribution is	3
it stand the space	3
close by the other	3
way to cleanse any	3
other side of the	3
the same as before	3
and in a manner	3
and to this end	3
of limning in water	3
nearest to the eye	3
users from many walks	3
in which observe the	3
then let it settle	3
companies for transcription and	3
given to their original	3
the water be all	3
him in this manner	3
the making of all	3
the encoding was enhanced	3
you drew upon the	3
of any assumptions that	3
are eligible for inclusion	3
text selection was based	3
language title published between	3
in the same places	3
the publisher proquest to	3
for a fair complexion	3
anyone can now take	3
the behoofe of all	3
the tei in libraries	3
all sorts of colours	3
from the lower part	3
your grinding stone and	3
the way to cleanse	3
at restoring the text	3
of known extent have	3
must grinde it with	3
lay on your colours	3
therefore of any assumptions	3
and how to order	3
is an enriched version	3
those which did not	3
ascii text with mnemonic	3
it lie till it	3
after you haue laid	3
based on the text	3
i come to the	3
according to nature or	3
work to make him	3
and if there be	3
corner of the eye	3
are desirous for to	3
unicode or tei g	3
if you draw your	3
will remain and some	3
and if you would	3
and a pair of	3
illegible were corrected where	3
plaister of paris burnt	3
what hath been said	3
characters marked as illegible	3
were returned to the	3
a wide variety of	3
project restraints of time	3
take out of the	3
of painting vpon glasse	3
when the water is	3
side of the picture	3
the benefit of all	3
the glory of the	3
to make all sorts	3
for the farther gracing	3
the texts have been	3
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of all other arts	2
would haue the foote	2
yet you may diaper	2
almost like vnto a	2
neere the fire as	2
before you giue them	2
come vp with the	2
the muscles in their	2
plate of iron made	2
other composition a little	2
the strong touches and	2
narrow againe vnder the	2
graecian captaine in like	2
riding and playing with	2
to lay a white	2
most eminent part of	2
bosse in the midst	2
have of those that	2
how to use the	2
had cut out his	2
orator gaue for a	2
some green soft wax	2
out in a horse	2
king henry the eighth	2
which as aristotle saith	2
the faintest and palest	2
and reflections to fall	2
of iuie climing vp	2
a halfe from mee	2
and shorten at your	2
shadowing or tricking your	2
a hand must be	2
there lay your lights	2
to take the perfect	2
ball of the cheeke	2
take a plate of	2
then you take a	2
an easie way to	2
and therefore this rule	2
of gold and siluer	2
gesture and motion of	2
that but lamely neither	2
vnorderly composition for delight	2
will fleet aboue the	2
is moreouer great vse	2
disposition of the minde	2
and if your picture	2
grounds and rules of	2
furre of a little	2
which begins at the	2
a perfect crane colour	2
draw a crocodile or	2
of the temple of	2
your former examples as	2
as faintly as mine	2
the shoulders and other	2
be vsed after one	2
to make it the	2
impossible that you should	2
nostrum ieiunus rode libellum	2
where you shall take	2
of the purest and	2
a head every way	2
in true center to	2
to shadowing or tricking	2
they must in the	2
if you put to	2
bise being pure and	2
shall take with your	2
virgins wax into it	2
yet might you haue	2
after you draw it	2
of sitting in respect	2
not used in limning	2
action is so diuers	2
the greatest persons among	2
it may be in	2
the body turns upon	2
this art of drawing	2
was not long since	2
are much to blame	2
narrower you must make	2
of a sweete and	2
the queene of sheba	2
you may shew your	2
and soft as possible	2
all the light of	2
neuer make it lighter	2
studia capessenda idonei reddantur	2
be too light you	2
body must be proportioned	2
next in order is	2
wont to be made	2
cloath strike off finely	2
when you lay it	2
the ends or bounds	2
or such like wood	2
he left at his	2
lake must not be	2
care not what the	2
to a little ceruse	2
head looking full in	2
your worke be broken	2
of necessary instruments appertaining	2
a weake gumme water	2
forth at length and	2
popes chappell in rome	2
to the judicious eye	2
fine as you can	2
therein binding it close	2
of the passions or	2
it after this manner	2
a manner a disproportion	2
size is made in	2
it seeme farre off	2
cunning in short time	2
i could not make	2
ever the last part	2
of nature and reason	2
exceeding sweet and faint	2
doe by laying the	2
that his nether chap	2
or any other chips	2
picture in small for	2
an hundred among them	2
haue the addition of	2
and leaue wide and	2
their wicked makers and	2
a lustre it gives	2
out of the way	2
into some shell or	2
shadowing of a naked	2
white of an egg	2
to be burnt in	2
make the face look	2
make them shew fairer	2
a wall round about	2
by propounding at the	2
to paint a face	2
then bring i the	2
it finely with your	2
one of their wings	2
of the left arme	2
may be deceived in	2
and if you mingle	2
pound of virgins wax	2
the life and spirit	2
be wholly spent in	2
diameter or straight line	2
by your owne iudgement	2
and laie it in	2
over a gentle fire	2
lay the colour smooth	2
moreouer if you aske	2
second chapter of the	2
it of it selfe	2
hereunto is required i	2
may see many times	2
the feathers as the	2
it into a pot	2
a face in oyl	2
boyes riding and playing	2
to temper them in	2
vse to take the	2
water you put to	2
away such spots or	2
it is impossible to	2
often the cast of	2
that you cannot perceive	2
beginning at the forehead	2
the gum be dissolved	2
the leg with a	2
how to dispose of	2
as small a forme	2
is drawne like an	2
candlestickes that haue not	2
pot of fair water	2
according to your former	2
must make his farther	2
be washed and grownd	2
an artist in this	2
by which meanes you	2
you will better observe	2
not to your liking	2
then rodulph the emperour	2
as you shall haue	2
so wedded vnto it	2
of the arme must	2
the knee pan must	2
a man endued with	2
is shadowed with thin	2
whatever may conduce to	2
dutch peers in this	2
cut out his ladies	2
with a little juice	2
border of one of	2
never recover it to	2
cap with a white	2
i would finde him	2
very little or nothing	2
as in the figures	2
the ground behind the	2
pictures that you intend	2
either shadow the ground	2
i would advise you	2
and with a pencil	2
inuented of two thousand	2
of man by his	2
the prospect far off	2
would advise you to	2
to that idea you	2
first that did expresse	2
that could lay his	2
the foote to come	2
lustre unto the colours	2
there may be an	2
is made to shadow	2
with facility draw in	2
it is being wet	2
also open and closed	2
you shall grind your	2
of all other any	2
peeces are much to	2
it is the furre	2
or directly crosse another	2
my hand till i	2
it till you haue	2
if you will diaper	2
some charcole and kindle	2
then break off the	2
or proportion to be	2
or hard according to	2
vpon the fire till	2
and let it coole	2
you must put no	2
the plate into a	2
be very carefull that	2
for the generall proportion	2
it with the thickest	2
then take a hand	2
giue the perfect colour	2
abroad into the fields	2
perfection at a distance	2
mending euery fault lightly	2
they are more blew	2
gummes that are vsed	2
as good as the	2
of them the heads	2
within the species of	2
the folding of a	2
you intend to bestow	2
a reasonable good proportion	2
in man or beast	2
white for the lightest	2
to etch in copper	2
said that caius a	2
that is to be	2
bookes of an hundred	2
then take the glaire	2
with coales for the	2
up the void empty	2
colours to be used	2
on the aqua fortis	2
a reasonable quantity of	2
both of one nature	2
drawing vpon a lanterne	2
proportion to be observed	2
will be round for	2
make your water good	2
the best white of	2
must be laid with	2
and binde it up	2
which as you see	2
to giue my scholler	2
with your compasses a	2
garlicke so fine as	2
obiect of the sight	2
need to be well	2
gentlemen doe beare an	2
draw it over againe	2
shall sometime shew a	2
to the top or	2
fine oker de luke	2
marke of a sober	2
must not thicken it	2
shew in your inuention	2
make a green colour	2
little barres of iron	2
shall haue the purest	2
which grinde with a	2
or too little of	2
make pastils of several	2
or ours to theirs	2
disposed of by the	2
so use it with	2
then go over the	2
or part of the	2
at i and k	2
said enough to shew	2
too much or too	2
of the ground or	2
you may conclude into	2
the same thing throughout	2
not any whit to	2
of the face to	2
the liuely and naturall	2
caetera paulatim placidoque educta	2
dressed them a great	2
which by nature is	2
liuing a long time	2
to prepare a tablet	2
a month or two	2
with a thin and	2
euery bone in them	2
graue or reuerend father	2
eupompus a learned geometrician	2
be full and thick	2
a cherry with the	2
cut out in white	2
vpon your gold size	2
for taking the distance	2
of the late king	2
other side which is	2
after burst forth into	2
let it be a	2
your varnish be too	2
bice shall fall to	2
any such conuenient help	2
and take it forth	2
this may you do	2
see in old parchment	2
water in a shell	2
find out the reason	2
or notice of the	2
and then take it	2
the same manner aswell	2
it aboue the barres	2
there ought to haue	2
incredible furtherance to your	2
wandring and turning fearefully	2
ducks wing that is	2
the second chapter of	2
size you haue laid	2
of statuary or caruing	2
for great prizes wagers	2
your maine and greatest	2
draw a mans face	2
draw by the life	2
in any case let	2
is a sign it	2
that part of your	2
to make all things	2
inclining or foreshortning of	2
a wet fether when	2
part of the foot	2
with as much variety	2
quicksiluer burnt a long	2
little yellow oker among	2
of ancient times to	2
can never recover it	2
the eye in a	2
eye must be made	2
with greens and purples	2
farther leg euer be	2
very fine shadow on	2
is the glasse it	2
your iudgement be commended	2
must not be shadowed	2
bottom of the chin	2
down in the horizon	2
see them runne like	2
draw the porphile or	2
and none other i	2
you obserue their shape	2
then let it well	2
as fine as may	2
as you may perceiue	2
there doth in the	2
in times past they	2
hollow of the eye	2
or print which you	2
doing them with allum	2
much of gumma hederae	2
same manner aswell in	2
of nature in the	2
at the table aliquid	2
in countenances so disposed	2
of accomplement required in	2
which is lessened on	2
guide me euen on	2
the glory of inuention	2
picture for great prizes	2
you draw after the	2
grinde them together as	2
your fairest and most	2
vse it warme it	2
draw not any part	2
must lay your colours	2
his east and west	2
and then finish it	2
then the other coales	2
part of the chin	2
a very sharp edge	2
any thing else of	2
the skut of an	2
of such necessaries as	2
with a weake gum	2
perfect in the face	2
length of one of	2
i haue said enough	2
but upon necessary occasions	2
the manner of finishing	2
necessary to be alwayes	2
it makes a saphire	2
the barres one foote	2
to wash maps and	2
sight of his countenance	2
may haue it for	2
the method now to	2
with blew and white	2
of the thigh shall	2
principall white is ceruse	2
it settle till it	2
among the athenians was	2
seene painted a church	2
the worst of times	2
times as much yealow	2
mastick and the expoltum	2
made of rauens and	2
the like you must	2
choice of your grinding	2
the first that could	2
begin to shadow his	2
the most part as	2
appeare not vnto me	2
that you mean to	2
another for eight or	2
you shall scarce see	2
for obseruing a methode	2
paint a face in	2
other creatures you must	2
of the same color	2
ratcliff and thomas daniel	2
in the worst of	2
or viall that is	2
the colour it self	2
what fashion you list	2
is described by ouid	2
any kind of wild	2
or attribute the proprieties	2
in england at this	2
then take a feather	2
examples and the like	2
as big as those	2
by reason of their	2
that for hardnesse of	2
and what instruments ought	2
in the honour of	2
diaper or damaske vpon	2
with cautions to those	2
it settles and begins	2
is a dutch word	2
you must now marke	2
still carefully observing the	2
leauing the other to	2
shew the moone or	2
upon the shoulders and	2
there then to guide	2
as it settles and	2
shadow of a darker	2
make colours for precious	2
where they should be	2
your shadow of a	2
nature should be so	2
chin is for the	2
causing it to runne	2
thus by a little	2
causing a bird to	2
that leg which the	2
the compass of ordinary	2
be alwayes ready for	2
and put thereto as	2
you shall see the	2
them a reasonable good	2
to be held or	2
way to make the	2
generall rules for landtskip	2
ornaments belonging to a	2
much or too little	2
the muting of an	2
exactlie then heretofore taught	2
the first that did	2
grow cunning in short	2
draw the foreright face	2
to the chin is	2
usefull for the painting	2
for this is a	2
heauen more or lesse	2
parts of mans body	2
must take your beginning	2
now that you might	2
to be alwayes ready	2
it out and let	2
not be shadowed with	2
bee expressed with a	2
from about the tip	2
in giving the strong	2
a piece of landskip	2
lady sitting vpon a	2
we vse it in	2
it may runne well	2
and how every colour	2
the first operation or	2
they gather vp their	2
and after it is	2
see by opening or	2
in very faire water	2
the bignesse of a	2
a clean linnen rag	2
it as an idle	2
by degrees the other	2
the nose to the	2
i could requite them	2
are more blew and	2
lead or coale after	2
lay your plate upon	2
had beene at ostend	2
you are to observe	2
be sure to observe	2
the knee to the	2
doing anything by hand	2
or the ordering of	2
your draperie haue a	2
the said bed of	2
the hand are for	2
expressed with apparant lines	2
you haue done amisse	2
which cometh down from	2
within a span of	2
in the place thereof	2
circumference of the face	2
fire till they be	2
vpon a boord or	2
head every way without	2
lines or circumferences of	2
you should draw death	2
mile and a halfe	2
one after another for	2
one glasse touch not	2
that your foldes must	2
is too good to	2
it ought to be	2
must be hatched and	2
to the sole of	2
not haue you know	2
to make you a	2
very border of one	2
in expressing passion or	2
and grow heary at	2
of gumma hederae as	2
if it might be	2
downward in the water	2
to varnish your pictures	2
how to temper shadows	2
your greater folds into	2
into your gold size	2
much as you meane	2
also your clouds from	2
shall chuse them thus	2
directions to be obserued	2
drops of weake gumme	2