trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
part of the	100
of the body	60
with a little	57
you are to	55
of the face	50
are to be	48
according to the	47
it with a	46
the manner of	44
a piece of	40
when you have	40
when it is	40
and let it	40
and when you	39
the aqua fortis	39
of the same	38
of the eye	37
and it will	37
if it be	37
till it be	36
and the like	35
to make a	35
of the head	35
as you can	35
and a little	35
as it were	34
in this manner	33
you must be	33
the art of	33
side of the	33
then take a	32
all manner of	31
you may make	31
to make the	31
it with the	31
which you may	31
it will be	30
at the first	30
out of the	29
of the nose	29
how to make	28
it in a	28
and if you	27
not to be	27
early english books	26
and such like	26
grind it with	26
which is the	26
if you will	26
that you may	25
and grind it	25
it is the	25
the forme of	24
and with a	24
as you see	24
as in the	24
the end of	24
let it stand	24
end of the	23
to the eye	23
to make it	23
and how to	23
grinde it with	23
to the life	23
it into a	23
in the same	23
upon the plate	22
to be observed	22
the use of	22
that it may	22
put it into	22
when you haue	22
in the midst	21
the top of	21
english books online	21
of a face	21
to draw the	20
it maketh a	20
it is a	20
is to be	20
be sure to	20
it is called	20
you intend to	20
which you must	20
by the life	19
one of the	19
i pray you	19
the same colour	19
when you are	19
a quantity of	19
temper it with	19
you may use	19
you shall see	19
and you shall	19
let it be	19
it in the	18
then the other	18
by reason of	18
two or three	18
you shall haue	18
as much as	18
top of the	18
if you would	18
you will find	18
the excellency of	18
at your pleasure	18
you may see	17
the other side	17
then let it	17
as you may	17
in the other	17
the colour of	17
of the mind	17
it to be	17
and in the	17
vpon his head	17
to make them	17
it must be	17
the most part	16
but if you	16
to draw a	16
called in latine	16
as may be	16
of the colour	16
in the face	16
of all other	16
then you must	16
art of painting	16
with your finger	16
take a quantity	16
as i haue	15
in the world	15
and grinde it	15
make use of	15
must be made	15
use of the	15
in the shell	15
the length of	15
the space of	15
in a manner	15
you must have	15
lake and white	15
the light of	15
it is good	15
for it is	15
it may be	15
black and white	15
or the like	15
you haue done	15
you must not	15
as you shall	15
it as you	15
you must take	15
it will make	15
at the end	15
is called the	14
colours to be	14
colour of the	14
of a man	14
lay it on	14
and it is	14
the most excellent	14
of the work	14
for the most	14
parts of the	14
i haue seene	14
with a pen	14
in one hand	14
there is a	14
as for example	14
from the eye	14
a garland of	14
of the mouth	14
as i said	14
because it is	14
art of drawing	14
is the best	14
it be a	14
you will have	14
and to make	14
the picture of	14
then take it	14
them in the	13
of the light	13
the middle of	13
from the other	13
off from the	13
in her hand	13
to be done	13
ought to be	13
after the life	13
in the first	13
will make a	13
the pen and	13
the drawing of	13
the reason is	13
it with your	13
and put it	13
then take the	13
with your pen	13
the rest of	13
which you shall	13
the proportion of	13
come to the	13
in the life	13
it is not	13
of the other	13
of the best	13
the midst of	13
you would have	13
with the other	13
in drawing of	13
or such like	13
manner of working	12
with the same	12
the time of	12
of fair water	12
his head a	12
you must make	12
in the sun	12
of the eyes	12
of the picture	12
was the first	12
water of gumme	12
reason of the	12
to be used	12
as you did	12
of the hair	12
of the hand	12
that are to	12
colours that are	12
three or foure	12
take a piece	12
you must first	12
is in the	12
one part of	12
of the sunne	12
shadow it with	12
the bottom of	12
of all the	12
aqua fortis from	12
from the top	12
to the end	12
forme of a	12
and lay it	12
i would haue	12
text creation partnership	12
of the pen	12
white for the	12
in the middle	11
from the plate	11
that part of	11
must be very	11
lay on your	11
a little white	11
and temper it	11
it a little	11
you begin to	11
and so to	11
but be sure	11
beginning of the	11
the lower part	11
that in the	11
a little more	11
and the same	11
to be grownd	11
of it selfe	11
of this art	11
of a picture	11
her right hand	11
in this kind	11
of all manner	11
or any other	11
a quarter of	11
a third part	11
you may with	11
it all over	11
in a shell	11
and when it	11
it upon a	11
off well with	11
with the pen	11
for div a	11
so much as	11
this being done	11
all the other	11
with a feather	11
when you would	11
and put in	11
how to prepare	11
according to your	11
rules to be	11
notes for div	11
it be not	11
the heads of	10
the other parts	10
lead and white	10
as in a	10
to be sold	10
in the darkest	10
in the most	10
as it is	10
and all the	10
the other colours	10
is nothing else	10
is that which	10
with lake and	10
plaister of paris	10
of the ayre	10
you may draw	10
which is a	10
for the face	10
the making of	10
the water of	10
it is impossible	10
to place the	10
pour the aqua	10
with the water	10
of the art	10
you must draw	10
when they are	10
of the ear	10
and for the	10
on one side	10
in drawing the	10
lay it in	10
and be sure	10
the name of	10
must be the	10
as if it	10
the same manner	10
a peece of	10
and set it	10
nothing else but	10
the body of	10
and you may	10
of the chin	10
to take the	10
of the world	10
the names of	10
for want of	10
you come to	10
in the forme	10
then with a	10
to be made	10
the beginning of	10
in her right	10
the sides of	10
you mean to	10
will haue it	10
lower part of	10
great store of	10
one and the	10
the whole body	9
if i would	9
painting in oyl	9
an ounce of	9
take off the	9
to the other	9
of the arme	9
to make all	9
of the rest	9
is good to	9
as well for	9
after you haue	9
the way to	9
i know not	9
and strike the	9
as also the	9
based on the	9
down to the	9
to the bottom	9
the bottome of	9
by little and	9
those colours that	9
of the sight	9
after you have	9
of the whole	9
so that you	9
bottom of the	9
is made of	9
of your colours	9
place of the	9
a sheet of	9
in respect of	9
is so called	9
to be washed	9
the edges of	9
that which is	9
in his right	9
it into the	9
into a shell	9
you have done	9
middle of the	9
measures of the	9
you may have	9
you shall find	9
as small as	9
of the ground	9
and white for	9
rest of the	9
to be the	9
little and little	9
ball of the	9
take it out	9
disposition of the	9
to make your	9
for drawing the	9
you must lay	9
heighten it with	9
will make it	9
all the rest	9
and of the	9
the point of	9
over the face	9
a little yellow	9
how to draw	9
as much of	9
as you will	9
it is made	9
for your use	9
it to the	9
on the other	9
of your graver	9
you can draw	9
with fair water	9
with a weake	9
and are to	9
with gumme water	9
all over with	9
in the second	9
and a halfe	9
more or lesse	9
of a woman	9
it hath the	9
keying and markup	9
the side of	9
if you perceive	9
a pair of	9
body of man	9
of the earth	9
in a readiness	9
so called of	8
it by the	8
heightned with white	8
on the back	8
edges of the	8
from the light	8
how to order	8
of the fire	8
with a small	8
in his left	8
four or five	8
colours must be	8
on both sides	8
and then you	8
to the bottome	8
proportion of the	8
you must put	8
and the other	8
directions for the	8
up in a	8
this is the	8
of the bodie	8
on each side	8
the manner how	8
of those colours	8
must not be	8
and as it	8
the water be	8
in times past	8
of your picture	8
must have a	8
to be well	8
and rub it	8
fortis from the	8
be done with	8
before you lay	8
deepen it with	8
be sure you	8
for if you	8
length of the	8
of the neck	8
of the colours	8
third part of	8
early works to	8
manner how to	8
but you may	8
so vse it	8
put them into	8
of the foot	8
in a piece	8
to be seene	8
in the next	8
is shadowed with	8
the edge of	8
that it is	8
the same as	8
signe of the	8
many of them	8
them into a	8
you can get	8
upon the copper	8
must be done	8
edge of your	8
it will not	8
the order of	8
it over with	8
in the art	8
with blew verditer	8
forme of the	8
the best and	8
after it is	8
a picture in	8
in all your	8
the fire till	8
or colouring of	8
in a picture	8
upon your pallat	8
gold or siluer	8
the first and	8
you shall not	8
indico and white	8
one from the	8
the ball of	8
and at the	8
i haue said	8
a little lake	8
the face of	8
and to be	8
lay the ground	8
about the sides	8
which we call	8
it be too	8
take it off	8
is the most	8
tip of the	8
be observed in	8
you will haue	8
you must use	8
and so by	8
be sold at	8
the bigness of	8
of the plate	8
corner of the	8
one into another	8
the best of	8
for it will	8
to be washt	8
the darkest places	8
are to use	8
at a distance	8
head to the	8
dry in the	8
will be the	8
it is dry	8
beames of the	8
till you have	8
in stead of	8
a way to	8
the signe of	8
as if they	8
the armes of	8
space of an	8
necessary to be	7
it is true	7
not to make	7
fire till it	7
it out and	7
the beauty of	7
put a little	7
light of the	7
you how to	7
and melt it	7
small as you	7
be of a	7
there is no	7
an old man	7
the glaire of	7
it on the	7
to the right	7
set them in	7
the other the	7
and not to	7
to prepare a	7
you draw it	7
you are at	7
of the print	7
water to it	7
the right hand	7
the upper part	7
as you please	7
of the sea	7
for the space	7
so you may	7
left side of	7
used in limning	7
from the greeke	7
a little gum	7
you lay it	7
then it is	7
where it is	7
the second book	7
you may lay	7
to tell you	7
or with a	7
but in a	7
it stand a	7
to haue beene	7
of the leg	7
bigness of a	7
the tip of	7
the head to	7
may make a	7
the forms of	7
as also in	7
then set the	7
the breadth of	7
the form of	7
what you will	7
proceed to the	7
the lines of	7
the benefit of	7
by a third	7
it upon the	7
use of them	7
as i have	7
of the fingers	7
you may easily	7
the first that	7
round about the	7
breadth of the	7
the left side	7
of the forehead	7
which must be	7
is to draw	7
as they appear	7
draw it with	7
would haue it	7
the eye and	7
are to draw	7
much as you	7
let it drie	7
as the light	7
as the best	7
so that it	7
man or woman	7
one hand a	7
in this book	7
now for the	7
the first is	7
of gumme lake	7
is in a	7
quarter of a	7
you can never	7
and make a	7
make you a	7
it is an	7
gold or silver	7
you draw the	7
and make them	7
this colour is	7
painting vpon glasse	7
how to temper	7
is not to	7
head a garland	7
of your grinding	7
as you are	7
not so much	7
the meddals of	7
colouring of maps	7
over the fire	7
of the sun	7
you must grind	7
of the first	7
there may be	7
that they may	7
that can be	7
and cut it	7
by how much	7
may make it	7
if there be	7
but if it	7
weake water of	7
which if you	7
are at work	7
them in a	7
the left hand	7
with your hand	7
and other places	7
put into a	7
a pound of	7
to be a	7
you must also	7
they must be	7
a most perfect	7
with a dogs	7
with a pencil	7
vse of it	7
the other a	7
about the edges	7
by the same	7
before you begin	7
of one colour	7
the eye is	7
the ground is	7
a few drops	7
the ground to	7
the nature of	7
and all other	7
you in the	7
in this figure	7
the second sitting	7
let it settle	7
how to grind	7
in high dutch	7
of this colour	7
then put it	7
it is as	7
it with white	7
that so you	7
of the said	7
all sorts of	7
limning in water	7
a book of	7
upper part of	7
and preserve it	7
pair of compasses	6
scanned from microfilm	6
with the more	6
of the second	6
upon the paper	6
water of gum	6
it with gumme	6
characters represented either	6
to order your	6
to cleanse any	6
use of this	6
to make liquid	6
nature of the	6
text transcribed from	6
as farre as	6
parts of a	6
the place of	6
and encoded edition	6
any of these	6
drawing the face	6
your left hand	6
your aqua fortis	6
proquest page images	6
support to the	6
in the meddals	6
in their right	6
hath the name	6
ingenuous gentlemen and	6
upon the ground	6
and you must	6
be very carefull	6
there let it	6
of them all	6
with a knife	6
you must observe	6
are the best	6
can be copied	6
a quantitie of	6
is described by	6
shadows in the	6
any part of	6
i may say	6
of white and	6
tiff page images	6
best of all	6
away the water	6
you may take	6
a coronet of	6
all without asking	6
i text is	6
the second is	6
put it in	6
of the figure	6
the third sitting	6
the work described	6
the text can	6
you need not	6
very fine and	6
one side of	6
iv tiff page	6
part of his	6
in many places	6
described above is	6
your greater folds	6
of maps and	6
phase i text	6
most excellent art	6
of the crosse	6
side of your	6
hard to be	6
of colours used	6
shadowed with blew	6
available for reuse	6
cut your gold	6
least of all	6
till the water	6
and as much	6
that in all	6
the second part	6
for the light	6
the third part	6
which you will	6
use it with	6
sold at his	6
right hand a	6
on either side	6
and put them	6
coded from proquest	6
the face with	6
terms of creative	6
be used in	6
from thence to	6
vpon the said	6
burnish it with	6
work described above	6
what it is	6
kb of xml	6
cleanse any old	6
in the right	6
lines of the	6
and so vse	6
his right hand	6
have occasion to	6
a copper plate	6
it were a	6
if they were	6
out of a	6
text and markup	6
on the ground	6
you must do	6
according as the	6
according to art	6
for commercial purposes	6
by the institutions	6
would haue you	6
this keyboarded and	6
of such a	6
to be ground	6
are such as	6
colour in the	6
and xml conversion	6
be made of	6
you will be	6
of your hand	6
a white ground	6
without asking permission	6
you have finished	6
text can be	6
with gum water	6
in a mortar	6
at the second	6
next to the	6
when you draw	6
to and fro	6
edition of the	6
to expresse the	6
encoded text transcribed	6
to be drawn	6
as you list	6
even for commercial	6
as if i	6
to the early	6
tcp assigned for	6
and so the	6
the water is	6
colours for the	6
go over the	6
to the light	6
institutions providing financial	6
be the same	6
of the back	6
a long time	6
the glory of	6
to be burnt	6
i would draw	6
of a pound	6
at his shop	6
either as utf	6
providing financial support	6
bottome of the	6
of all sorts	6
the upper lip	6
part of this	6
so let it	6
a stiffe water	6
those that are	6
till you haue	6
how to lay	6
if you draw	6
pen and pensil	6
make it lighter	6
that you cannot	6
the coate of	6
marked as illegible	6
let it dry	6
the third book	6
as we see	6
then pour the	6
ground must be	6
and laie it	6
the first sitting	6
books online text	6
in this art	6
let them be	6
your right hand	6
be observed therein	6
in his hand	6
and therefore i	6
be able to	6
for if the	6
called of the	6
if it were	6
a little of	6
and in a	6
and rules to	6
the beames of	6
at the signe	6
which when it	6
motion of the	6
i wish you	6
here and there	6
when you lay	6
mingle it with	6
drawing of a	6
and coded from	6
the way of	6
excellency of the	6
with a fine	6
drawing of the	6
your other colours	6
space between the	6
and so let	6
sides of the	6
it hath beene	6
form of a	6
online text creation	6
by shadowing the	6
and markup reviewed	6
it at your	6
which are the	6
assigned for keying	6
as to be	6
put to it	6
in the morning	6
little of the	6
as you doe	6
to make an	6
distributed and performed	6
markup reviewed and	6
financial support to	6
which is not	6
represented either as	6
may not be	6
text is available	6
with a garland	6
as also of	6
to the second	6
and wash it	6
for keying and	6
reason is the	6
pfs batch review	6
the light falls	6
but you must	6
of a candle	6
in the drawing	6
keyboarded and encoded	6
which you are	6
these are the	6
owned by the	6
to the terms	6
where you shall	6
of any other	6
shall haue a	6
of an egge	6
practice of drawing	6
the early english	6
sampled and proofread	6
the terms of	6
keyed and coded	6
and the light	6
be the more	6
maps or pictures	6
begin with the	6
begin at the	6
there is not	6
vpon all other	6
a little red	6
i have seen	6
is very good	6
all other colours	6
encoded edition of	6
the cheeks and	6
for a picture	6
as if the	6
a little fine	6
which you intend	6
this you must	6
it is cold	6
in some places	6
to this art	6
your lead or	6
of creative commons	6
you may diaper	6
above is co	6
hands and feet	6
excellent art of	6
and there let	6
in a crucible	6
made in this	6
in the grinding	6
of several colours	6
i come to	6
with a few	6
rising or setting	6
or in the	6
this phase i	6
must be carefull	6
few drops of	6
to be steeped	6
the practise of	6
the institutions providing	6
you have the	6
is available for	6
a little indico	6
the most eminent	6
reviewed and edited	6
in a face	6
must be sure	6
images scanned from	6
are able to	6
from proquest page	6
as they are	6
the best masters	6
a little ceruse	6
the plate with	5
so that the	5
in their due	5
be deepned with	5
in a well	5
the same colours	5
the colour and	5
and set them	5
there was a	5
in the cheeks	5
by any means	5
a garment of	5
by it self	5
take a little	5
among the romanes	5
as not to	5
when you can	5
with one line	5
you have laid	5
but before you	5
stiffe water of	5
as big as	5
parting of the	5
to be in	5
the picture you	5
the more you	5
aqua fortis upon	5
like a lady	5
to prepare your	5
then draw the	5
can draw the	5
is called in	5
aqua fortis hath	5
white and black	5
it being the	5
if you have	5
as in all	5
and so much	5
these must be	5
if it had	5
hath his name	5
of some other	5
when you will	5
of holding your	5
in the d	5
it makes a	5
variety of colours	5
must grind it	5
bigger then the	5
fit for the	5
then go over	5
the root of	5
the help of	5
which is to	5
a fifth part	5
to the top	5
or for want	5
as many of	5
and the rest	5
or of the	5
to the complexion	5
the small of	5
a faire red	5
black and blew	5
on your colours	5
it as before	5
rules of proportion	5
add a little	5
that is to	5
in his time	5
by your owne	5
a dogs tooth	5
be obserued in	5
any other colour	5
the church of	5
so that if	5
that is not	5
by the mouth	5
as you have	5
and put thereto	5
which is added	5
to take off	5
and so proceed	5
for the benefit	5
to shadow it	5
practise to draw	5
washing or colouring	5
with a very	5
whether it be	5
is a great	5
manner of annealing	5
all which are	5
be of the	5
from the fire	5
and you will	5
lay a white	5
by this means	5
in making the	5
pen and pencil	5
will be a	5
in the time	5
sole of the	5
to a good	5
at the same	5
is to make	5
begins at the	5
of drawing and	5
you may do	5
and make the	5
bed of lime	5
that you have	5
much of the	5
wash the plate	5
then you may	5
to a little	5
is drawne like	5
are the most	5
see in the	5
of the thigh	5
must be so	5
how to wash	5
you have worn	5
you shall have	5
to shew the	5
them well together	5
be carefull to	5
manner of painting	5
the space between	5
and if the	5
any old painting	5
the figure of	5
upon the stone	5
it will bee	5
to write with	5
as i would	5
the outmost lines	5
not without reason	5
of one of	5
therefore when you	5
and stir it	5
if you intend	5
and so it	5
a lady in	5
will not be	5
vpon it with	5
to draw after	5
of them in	5
and other colours	5
hands and arms	5
and so for	5
if they be	5
may make your	5
that i may	5
the addition of	5
would draw a	5
is proper to	5
the bignes of	5
is drawne in	5
you shall make	5
we see in	5
but to make	5
with your colour	5
the number of	5
the parts of	5
face with lake	5
at what time	5
one of your	5
on the fire	5
you must grinde	5
of the life	5
your worke be	5
any thing that	5
in colouring of	5
will tell you	5
it is drie	5
which shall be	5
of the shoulder	5
it should be	5
such as are	5
it for a	5
then you shall	5
which is in	5
as well in	5
one way or	5
for the next	5
vpon her head	5
you may buy	5
so use it	5
for the mouth	5
the parting of	5
by william sanderson	5
of the fore	5
head too big	5
all your colours	5
the head too	5
you know what	5
the vpper part	5
i would have	5
vpper part of	5
to it a	5
to that which	5
all the parts	5
the same distance	5
white ground upon	5
halfe as much	5
that they were	5
colour of it	5
with a stiffe	5
if i should	5
to find out	5
a good quantity	5
at the third	5
over with a	5
observe this rule	5
which i have	5
into a clean	5
painting of a	5
put in more	5
it vpon a	5
is the only	5
of the old	5
it off from	5
in the church	5
of it self	5
is very necessary	5
be not too	5
i will shew	5
the knowledge of	5
and in what	5
for the first	5
as to the	5
lead or coale	5
you would colour	5
to lay upon	5
it with gum	5
and no more	5
it be dry	5
you shall grind	5
together with the	5
as the rest	5
it is also	5
at this day	5
and then let	5
will serve well	5
you did your	5
the party you	5
at the most	5
of two lines	5
of your work	5
is a very	5
according to aristotle	5
to draw it	5
ground with a	5
at the least	5
is made in	5
in the body	5
one of his	5
to the former	5
discourse of the	5
of the piece	5
but it is	5
hinder part of	5
gold and silver	5
and yet the	5
as you think	5
we come to	5
of your knife	5
in the shadows	5
the practice of	5
root of the	5
full of colour	5
of the left	5
higher or lower	5
on the plate	5
according to his	5
and motion of	5
you see it	5
draw the head	5
and lay them	5
must draw the	5
operation or sitting	5
downe to the	5
draw the out	5
of the third	5
lay it upon	5
if you mingle	5
into the sea	5
if you lay	5
together in a	5
a generall rule	5
picture in small	5
much for the	5
perfect in the	5
to be drawne	5
and then take	5
of your light	5
a thinne and	5
with the light	5
of man or	5
to be obserued	5
seem to be	5
not long since	5
in faire water	5
after the same	5
a naked figure	5
to keep the	5
the ground and	5
glaze it with	5
they appear in	5
is but a	5
as you would	5
to which is	5
up to a	5
it is drawne	5
all over the	5
to preserve the	5
manner of making	5
preserve the colours	5
to lay a	5
of the greatest	5
the power of	5
you will perceive	5
the perfection of	5
unlesse it be	5
preserve it from	5
miniture or limning	5
the variety of	5
that you must	5
you haue drawne	5
take a clean	5
with the point	5
you shall perceive	5
of the breast	5
drawing of it	5
in drawing a	5
midst of the	5
at the bottom	5
you may the	5
of the knee	5
the same with	5
or if you	5
of painting in	5
be very exact	5
thus much for	5
how to dispose	5
and as you	5
upon the backside	5
or foure houres	5
in water colours	5
the shadows are	5
the hinder part	5
that it was	5
the eyes and	5
of the cheeks	5
his left hand	5
the king of	5
a paire of	5
in a horse	5
when he is	5
i would make	5
side of his	5
length of one	5
cut it in	5
they are to	5
generall rules for	5
blew and white	5
to the sight	5
in the aire	5
in the dark	5
of the white	5
you haue laid	5
thence to the	5
to the whole	5
washing of maps	5
appeareth in the	5
note that the	5
you may also	5
into a pot	5
let it rest	5
of necessary instruments	5
every where alike	5
if the body	5
your grinding stone	5
in all the	5
take notice of	5
are not to	5
other part of	5
a kind of	5
must be ground	5
to be vsed	5
you may be	5
the ground of	5
proportion of a	5
the light side	5
to make colours	5
in such a	5
proper to the	5
from the latine	5
in making a	5
the back of	5
with the glaire	5
you shall finde	5
and with your	5
what hath been	5
put to a	5
of virgins wax	5
maps and prints	5
by a shadow	5
as well as	5
and directions for	5
it about the	5
must make the	5
for the shadow	5
picture of the	5
in two parts	5
of the most	5
that hath a	5
to be of	5
according to nature	5
in her left	5
must be laid	5
upon a sheet	5
stand in the	5
her head a	5
and put the	5
to know when	4
lower then the	4
weake gumme water	4
with all colours	4
aqua fortis will	4
the other lights	4
the eye to	4
some colours are	4
upon your stone	4
it be fine	4
external parts of	4
as possibly you	4
it in your	4
off the aqua	4
all kind of	4
in a short	4
drawne in this	4
used by the	4
the iuice of	4
and with it	4
as it ought	4
beginning from the	4
some part of	4
with cleane water	4
otherwise you may	4
them together as	4
of this worke	4
your ground or	4
if any thing	4
a small quantitie	4
the face will	4
with the eminency	4
in the figure	4
shape of the	4
of this kind	4
faire water as	4
is added exact	4
a number of	4
the same place	4
lines of your	4
when you use	4
of his countenance	4
of the french	4
a bundle of	4
some of them	4
strike the arch	4
you might have	4
vnto it a	4
as appeareth in	4
it with weake	4
colours upon your	4
take their beginning	4
original text notes	4
used in washing	4
to diaper vpon	4
hollow of the	4
neat and curious	4
the poynt of	4
must be of	4
at the forehead	4
a sweete and	4
by your own	4
much as to	4
done by the	4
and divers others	4
is good for	4
haue a care	4
foure or fiue	4
the brawne of	4
will have a	4
with a reasonable	4
and printed pictures	4
when you etch	4
of drawing the	4
darkned by the	4
diaper vpon it	4
vpon their heads	4
and about the	4
of pliers or	4
one against the	4
in short time	4
is hard to	4
a linnen rag	4
quarter of an	4
yealow vpon glasse	4
as i could	4
sure not to	4
peece of the	4
on your right	4
i will tell	4
out in a	4
the face or	4
together with a	4
or as some	4
it will come	4
other parts of	4
even with the	4
so fine as	4
at your first	4
it were by	4
in the english	4
and hold it	4
or giue the	4
martins in the	4
three or four	4
vntill it be	4
begin to work	4
stand three or	4
of hands and	4
to draw an	4
the original text	4
nature or art	4
excellency of sight	4
you lay on	4
the bending of	4
peeces of glasse	4
upon a black	4
that they are	4
the deeper shadows	4
it on a	4
take a peece	4
brought it to	4
then lay your	4
in another place	4
for a light	4
strike the lines	4
a blew colour	4
till it become	4
it very fine	4
used in a	4
is a figure	4
brawne of the	4
the like of	4
will find the	4
of the soule	4
in the earth	4
of all ingenuous	4
the plate and	4
in regard of	4
that must be	4
melt it in	4
the bignesse of	4
sight of the	4
rule and compasse	4
it is most	4
a man of	4
that you shall	4
that is when	4
see it be	4
in her le	4
not only to	4
it lie till	4
while you are	4
is used to	4
to draw withall	4
of an oxe	4
and wring it	4
to obserue in	4
that there is	4
if you can	4
of a painter	4
to shadow your	4
and mixtures of	4
good quantity of	4
may see in	4
the mouth of	4
to use it	4
till they be	4
set off best	4
are in the	4
not off well	4
temper with it	4
it is in	4
there is in	4
that in drawing	4
the lion is	4
you to place	4
will find it	4
about the plate	4
to be very	4
of it as	4
with pen or	4
to the chin	4
it stand three	4
to your own	4
add more water	4
the same reason	4
light and shadows	4
to colour any	4
small quantity of	4
the worst is	4
it is very	4
azure and vert	4
put into it	4
of the former	4
you mingle it	4
oker de luke	4
a single shadow	4
and wash the	4
to wash withall	4
that you intend	4
an eagle displaied	4
shall haue occasion	4
after the manner	4
into a glass	4
in one and	4
barres of iron	4
you an example	4
shadowing of a	4
may see the	4
in your work	4
proceeding from the	4
can be made	4
the motions of	4
and the use	4
the mastick and	4
may draw all	4
of the greeke	4
must be deepned	4
book of dravving	4
ground in a	4
shape of a	4
in the last	4
when you think	4
lay a ground	4
they haue their	4
fall to the	4
the colours in	4
of the yeare	4
sets off well	4
with the names	4
the hollow of	4
take it and	4
if you put	4
corners of the	4
with a thinne	4
other i wish	4
to wash maps	4
as you do	4
of the painter	4
piece of the	4
on his head	4
all your shadows	4
of the escotcheon	4
according to their	4
to be expressed	4
a discourse of	4
which are called	4
for the red	4
with the ground	4
of other colours	4
body must be	4
you shall doe	4
i care not	4
and then the	4
to the reader	4
then make the	4
to the feet	4
off best with	4
possibly you can	4
the best is	4
will be very	4
and halfe as	4
sided figures are	4
must be expressed	4
to those that	4
of working in	4
be shadowed with	4
in black and	4
at the head	4
in the generall	4
your whole work	4
of the two	4
by laying the	4
the shadowes of	4
neither do i	4
are to make	4
answerable to the	4
that you might	4
them with your	4
beyond the other	4
is one of	4
heate of the	4
to use them	4
to try your	4
set not off	4
names and mixtures	4
this art of	4
quartered by the	4
and then put	4
the next chapter	4
whole art of	4
of the choicest	4
as good as	4
there are many	4
to the rules	4
peece of his	4
may be a	4
wall round about	4
in a garment	4
one of them	4
bigness of the	4
and is called	4
are caused by	4
will shew you	4
painter in the	4
the corner of	4
water of litmose	4
prepare a table	4
may doe by	4
draw the outmost	4
be sure not	4
drawing and designing	4
to be prepared	4
that may be	4
a good green	4
mixtures of colours	4
able to draw	4
upon the water	4
drawing these and	4
it had beene	4
that you can	4
so shadow it	4
take a sheet	4
put vnto it	4
from the original	4
that the body	4
with the most	4
it be red	4
where you began	4
down from the	4
and order it	4
reacheth to the	4
what the other	4
borne in armes	4
place that is	4
with a strong	4
rub it all	4
let it lie	4
set off well	4
colour is to	4
smooth and even	4
the second operation	4
i haue heard	4
and if it	4
as it may	4
to be painted	4
haue their names	4
there are several	4
is most used	4
draw it over	4
and rub the	4
lines or circumferences	4
not to your	4
is made by	4
i will giue	4
by the eye	4
in all his	4
one of these	4
figures are such	4
third and last	4
with many others	4
the sea and	4
it be neither	4
it is well	4
must be shadowed	4
little piece of	4
and make it	4
so that in	4
covantage keyed and	4
armes of the	4
in drawing these	4
right hand the	4
the ground with	4
of all in	4
powre away the	4
it as an	4
that side which	4
will serve for	4
if the light	4
to shadow other	4
parts of mans	4
to the lower	4
and let the	4
you haue in	4
use of it	4
it through a	4
of your colour	4
as the most	4
be sure that	4
a short time	4
will come to	4
you see cause	4
well enough without	4
liquid gold or	4
the honour of	4
i doubt not	4
the shape of	4
i will not	4
betweene your teeth	4
notice of the	4
for you must	4
you see them	4
it be thick	4
of the shell	4
with your lead	4
the flame of	4
but let it	4
umber and white	4
haue it light	4
the said peeces	4
small of the	4
you in your	4
are to work	4
with any other	4
the same to	4
it is somewhat	4
shape and action	4
how to take	4
with a piece	4
take it vp	4
make a light	4
light against dark	4
draw a naked	4
all the water	4
up to the	4
of their own	4
how to choose	4
it is deep	4
two parts of	4
you must note	4
into a cleane	4
carry your hand	4
it with ceruse	4
italian and german	4
a fair complexion	4
in a long	4
a halfe high	4
etching with aqua	4
before in the	4
i would not	4
advise you to	4
the whole bodie	4
giue you an	4
the reason of	4
the whole art	4
of an other	4
hath her name	4
which will make	4
to be seen	4
it may not	4
text notes for	4
in a word	4
by the picture	4
colours for buildings	4
the other for	4
like an old	4
the compasses in	4
you shall best	4
with your black	4
your maps or	4
therefore of any	4
copies of the	4
must in the	4
so small a	4
except the light	4
lay it vpon	4
them with a	4
very usefull for	4
or else the	4
way of making	4
by the vpper	4
it is nothing	4
half a quarter	4
is for the	4
he hath the	4
and nether chap	4
much faire water	4
original in the	4
you may doe	4
to the bearer	4
instruments for drawing	4
that is very	4
drawing with the	4
your colour be	4
or any thing	4
the names and	4
as we say	4
art of dravving	4
you shall know	4
the sight of	4
more water to	4
the head and	4
all parts of	4
be made about	4
of all others	4
you must temper	4
with the iuice	4
temper your colours	4
to work with	4
deepned with lake	4
cause a shadow	4
observed in drawing	4
of an hill	4
sence of seeing	4
draw the lines	4
choicest italian and	4
and with the	4
the next is	4
thing that is	4
you at the	4
if you make	4
the body should	4
gold with a	4
keep the aqua	4
again with a	4
superficies of the	4
write with it	4
falleth out among	4
the dead colour	4
and the mouth	4
quantity of plaister	4
make a blew	4
before you draw	4
and deepen it	4
of proportion for	4
against the other	4
or any els	4
the life and	4
twice or thrice	4
while it is	4
a great deale	4
you have occasion	4
some of the	4
the sense of	4
study and teaching	4
point of your	4
diaper vpon all	4
of it is	4
of plaister of	4
lake and indico	4
little fair water	4
the blazon of	4
and german authors	4
to our sight	4
or yealow vpon	4
saint martins in	4
picture of christ	4
it was a	4
limming in water	4
after he had	4
the sunne and	4
to the face	4
and so shadow	4
though neuer so	4
or the heele	4
times as much	4
of the names	4
wherein you shall	4
such as they	4
and so you	4
with brasill water	4
distant from the	4
together with your	4
the choice of	4
the shadowing of	4
lay them in	4
and some other	4
draw him in	4
flame of a	4
take a quantitie	4
as all other	4
shew you how	4
will help you	4
bottome of a	4
but to shadow	4
of our sauiour	4
manner of sitting	4
over the plate	4
that which we	4
a little black	4
a very good	4
yet so as	4
you meane to	4
the backside of	4
againe with a	4
the grinding put	4
there be any	4
pieces of the	4
most of all	4
to which put	4
with this water	4
as you draw	4
vpon the same	4
painting or print	4
or else you	4
way to draw	4
side of it	4
lengths of the	4
the generall proportion	4
necessary instruments for	4
chapter of the	4
is not the	4
worst is past	4
find in the	4
untill you have	4
in a cleane	4
the proportion by	4
of the size	4
which may be	4
you use it	4
with a white	4
wipe it out	4
make a green	4
our english word	4
in like manner	4
in the water	4
they be not	4
in the countenance	4
line of your	4
complexion of the	4
in the print	4
the colours to	4
of the five	4
neerer to the	4
the same in	4
the external parts	4
the only way	4
it over the	4
of a well	4
it as much	4
in these words	4
what time you	4
and to this	4
is drawne with	4
they are called	4
ground upon a	4
in fair water	4
head a coronet	4
you have drawn	4
a little piece	4
then in a	4
cloth of gold	4
five perfect colours	4
shall find in	4
colours for washing	4
out beyond the	4
to wet your	4
to the colour	4
this book you	4
you must work	4
you may leave	4
the temple of	4
may conduce to	4
lines of any	4
the ignorance of	4
must be in	4
to make artificiall	4
in painting of	4
reproduction of the	4
as much faire	4
it will take	4
observations in etching	4
they set off	4
and scrape off	4
aboue all other	4
make them shew	4
your gold size	4
drawne like a	4
with which you	4
of an houre	4
is an excellent	4
indico and pink	4
their works are	4
the choicest italian	4
the original in	4
the sence of	4
a face in	4
water as will	4
drawne with a	4
soft and gentle	4
you put to	4
will giue you	4
the place which	4
the end that	4
to go over	4
haue you know	4
apex covantage keyed	4
and that from	4
every colour is	4
a weake water	4
that if i	4
make the other	4
that there may	4
of the day	4
their due places	4
pen or pencil	4
which you haue	4
stir it about	4
you would haue	4
collected out of	4
is the light	4
then lay it	4
which you drew	4
make the face	4
the motion of	4
in the former	4
it into an	4
of gumme arabeck	4
i take it	4
be darkned by	4
it is of	4
to the body	4
half an ounce	4
and so use	4
take of the	4
the very same	4
face will be	4
of mans body	4
their shape and	4
to draw well	4
you must call	4
to observe the	4
and underneath the	4
with aqua fortis	4
by his side	4
such a posture	4
this is a	4
in a bag	4
at first you	4
else but a	4
it upon your	4
with your needles	4
in your shell	4
therefore you must	4
they should be	4
for all complexions	4
and work it	4
to draw with	4
you purpose to	4
which being made	4
your hand in	4
you are able	4
i must of	4
and must be	4
i said before	4
thus much of	4
proportion for drawing	4
when you work	4
may diaper vpon	4
in such sort	4
giuen in armes	4
many of our	4
the life of	4
a little fair	4
you must now	4
wipe away the	4
a small quantity	4
of the feet	4
draw after the	4
shadow other greens	4
in the head	4
as some will	4
the rules of	4
sure to place	4
the third and	4
it out of	4
is not so	4
white lead is	4
that the eye	4
and the manner	4
them in your	4
the lightest places	4
in the fire	4
part of your	4
the lightest parts	4
then shadow it	4
about the same	4
the prints of	4
to lay the	4
the foreright face	4
make liquid gold	4
to judge of	4
the finishing of	4
at the top	4
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