quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
early english books online	26
notes for div a	22
that is to say	13
ought not to be	12
the quality of the	11
represented either as utf	10
characters represented either as	10
the body of the	10
for as much as	10
in respect of the	9
body of a devise	9
where there is a	8
to make use of	8
the body of a	8
that a devise is	8
body of the devise	8
text and markup reviewed	7
and coded from proquest	7
to the terms of	7
and markup reviewed and	7
work described above is	7
support to the early	7
to the opinion of	7
providing financial support to	7
images scanned from microfilm	7
i am of opinion	7
english books online text	7
the early english books	7
the institutions providing financial	7
keyed and coded from	7
according to the terms	7
this keyboarded and encoded	7
assigned for keying and	7
described above is co	7
phase i text is	7
the art of making	7
books online text creation	7
from proquest page images	7
the work described above	7
encoded text transcribed from	7
encoded edition of the	7
of the work described	7
tcp assigned for keying	7
all without asking permission	7
to the early english	7
keyboarded and encoded edition	7
and encoded edition of	7
iv tiff page images	7
by the institutions providing	7
institutions providing financial support	7
this phase i text	7
terms of creative commons	7
text is available for	7
i text is available	7
even for commercial purposes	7
is available for reuse	7
markup reviewed and edited	7
coded from proquest page	7
the terms of creative	7
owned by the institutions	7
the text can be	7
edition of the work	7
for keying and markup	7
financial support to the	7
online text creation partnership	7
text can be copied	7
the devise of the	7
so much the more	6
to the end that	6
make use of the	6
art of making devises	6
structural encoding based on	5
have been issued variously	5
usual project restraints of	5
reproduction of original in	5
quality of the figure	5
markup guidelines are available	5
sent to external keying	5
be aware of the	5
can now take and	5
ascii text with mnemonic	5
if there was a	5
of each text was	5
language title published between	5
respectfully request that due	5
was chosen if there	5
their early english books	5
the general aim of	5
variety of subject areas	5
that in all likelihood	5
the tei in libraries	5
whichever is the greater	5
data is very good	5
wide variety of subject	5
works in other languages	5
sometimes a second or	5
on the new cambridge	5
texts based on the	5
enhanced and or corrected	5
aware of the process	5
to produce large quantities	5
works are eligible for	5
due credit and attribution	5
have been looked at	5
was proofread for accuracy	5
tei in libraries guidelines	5
aimed to produce large	5
transformed into placeholder characters	5
of time and funding	5
public domain as of	5
to range over a	5
accordance with level of	5
and the publisher proquest	5
assumptions that can be	5
without which there is	5
of instances per text	5
placeholder characters or elements	5
opposed to critical editions	5
quality assurance was then	5
the text encoding initiative	5
into placeholder characters or	5
meaning of the author	5
on the image sets	5
are available at the	5
i know not where	5
number of works in	5
been issued variously as	5
by editorial teams in	5
a limit of instances	5
of works in other	5
to external keying companies	5
a second or later	5
in of gaps by	5
linked to page images	5
of every monographic english	5
the image sets published	5
of known extent have	5
the filling in of	5
transcription and basic encoding	5
external keying companies for	5
we respectfully request that	5
the usual project restraints	5
these texts for their	5
phase of the project	5
by proquest via their	5
via their early english	5
simplify the filling in	5
have been transformed into	5
text with mnemonic sdata	5
take and use these	5
of any assumptions that	5
the new cambridge bibliography	5
the publisher proquest to	5
likelihood such instances will	5
now take and use	5
understanding these processes should	5
works in english were	5
or later edition of	5
published by proquest via	5
project restraints of time	5
over a wide variety	5
proquest via their early	5
tei p using tcp	5
the texts were encoded	5
image sets were sent	5
one and the other	5
the true nature of	5
create accurately transcribed and	5
sets were sent to	5
p using tcp tei	5
changes to facilitate morpho	5
nature of the print	5
general aim of eebo	5
therefore of any assumptions	5
texts were encoded and	5
to create accurately transcribed	5
and linked to page	5
for transcription and basic	5
there was a compelling	5
of michigan and oxford	5
the print record of	5
mnemonic sdata character entities	5
companies for transcription and	5
although there are a	5
restraints of time and	5
characters or elements to	5
divided into two phases	5
of the duke of	5
and those which did	5
tcp data is very	5
remaining illegibles were encoded	5
were corrected where possible	5
included and sometimes a	5
was based on the	5
or corrected and characters	5
the text creation partnership	5
with mnemonic sdata character	5
and therefore of any	5
standards were returned to	5
quantities of textual data	5
such instances will never	5
publisher proquest to create	5
were sent to external	5
the project have been	5
then carried out by	5
texts for their own	5
and markup guidelines are	5
be marked as illegible	5
elements of known extent	5
universities of michigan and	5
were returned to the	5
are a number of	5
and oxford and the	5
of the texts have	5
text selection was based	5
marked as illegible were	5
new cambridge bibliography of	5
to their original source	5
oxford and the publisher	5
can be made about	5
be made about the	5
meet qa standards were	5
and attribution is given	5
reflect the true nature	5
the king of kings	5
data within the usual	5
reason to do so	5
any remaining illegibles were	5
text creation partnership web	5
based on the new	5
accuracy and those which	5
and sometimes a second	5
proquest to create accurately	5
of a works in	5
to tei p using	5
was divided into two	5
a compelling reason to	5
texts have been issued	5
will never have been	5
request that due credit	5
large quantities of textual	5
it ought to be	5
transcribed and encoded texts	5
is to encode one	5
guidelines are available at	5
process of creating the	5
illegible were corrected where	5
and use these texts	5
users should be aware	5
intended to range over	5
the keyers to be	5
illegibles were encoded as	5
text strings within braces	5
by a tcp editor	5
creation partnership web site	5
tcp aimed to produce	5
devise ought not to	5
as illegible were corrected	5
at the text creation	5
and available in eebo	5
all likelihood such instances	5
in accordance with level	5
between the universities of	5
were encoded and linked	5
to create diplomatic transcriptions	5
extent have been transformed	5
encoded texts based on	5
a partnership between the	5
editorial teams in oxford	5
the life of the	5
based on the image	5
or tei g elements	5
filling in of gaps	5
project have been released	5
of textual data within	5
the public domain as	5
was a compelling reason	5
are eligible for inclusion	5
and encoded texts based	5
second or later edition	5
were encoded as gap	5
tcp files to tei	5
processes should make clear	5
compelling reason to do	5
never have been looked	5
limit of instances per	5
corrected where possible up	5
and therefore chose to	5
accurately transcribed and encoded	5
and some readable characters	5
to reflect the true	5
later edition of a	5
any assumptions that can	5
domain as of january	5
gap elements of known	5
proofread for accuracy and	5
given to their original	5
the one and the	5
instances will never have	5
carried out by editorial	5
will remain and some	5
copies of the texts	5
of a work was	5
some readable characters will	5
between and available in	5
the pineons of a	5
encoded and linked to	5
for accuracy and those	5
a devise is a	5
files to tei p	5
have been released into	5
gaps by user contributors	5
keying and markup guidelines	5
users should bear in	5
for an anonymous work	5
relation to each other	5
partnership between the universities	5
issued variously as sgml	5
produce large quantities of	5
based on the text	5
was intended to range	5
did not meet qa	5
possible up to a	5
level of the tei	5
some errors will remain	5
is given to their	5
looked at by a	5
will be marked as	5
characters marked as illegible	5
to simplify the filling	5
corrected and characters marked	5
created by converting tcp	5
at by a tcp	5
the encoding was enhanced	5
page images in accordance	5
image sets published by	5
that can be made	5
of the process of	5
been released into the	5
that due credit and	5
the process of creating	5
textual data within the	5
of the project have	5
and characters marked as	5
to a limit of	5
published between and available	5
remain and some readable	5
in all likelihood such	5
the texts have been	5
but we respectfully request	5
within the usual project	5
creating the tcp texts	5
there are a number	5
a number of works	5
should be aware of	5
with changes to facilitate	5
project was divided into	5
cambridge bibliography of english	5
as in the devise	5
the universities of michigan	5
text was proofread for	5
with level of the	5
keying companies for transcription	5
processed by university of	5
texts created during phase	5
the name of the	5
teams in oxford and	5
during phase of the	5
chose to create diplomatic	5
we may make use	5
mind that in all	5
encoding was enhanced and	5
usually the first edition	5
tcp is a partnership	5
according to the opinion	5
true nature of the	5
out by editorial teams	5
mainly structural encoding based	5
range over a wide	5
of gaps by user	5
known extent have been	5
those devises which are	5
quality of tcp data	5
overall quality of tcp	5
encoded as gap s	5
where possible up to	5
elements to simplify the	5
or text strings within	5
bear in mind that	5
in mind that in	5
upon the subject of	5
therefore chose to create	5
should make clear that	5
on the text encoding	5
tcp project was divided	5
is a partnership between	5
the overall quality of	5
unicode or text strings	5
or for an anonymous	5
editions of a works	5
was enhanced and or	5
been looked at by	5
michigan and oxford and	5
returned to the keyers	5
then their works are	5
record of the period	5
encoding based on the	5
not meet qa standards	5
in english were prioritized	5
of tcp data is	5
ocm this keyboarded and	5
title published between and	5
created during phase of	5
to encode one copy	5
which did not meet	5
into the public domain	5
qa standards were returned	5
bibliography of english literature	5
assurance was then carried	5
of the tei in	5
print record of the	5
their works are eligible	5
characters will be marked	5
as opposed to critical	5
readable characters will be	5
to the keyers to	5
for their own purposes	5
released into the public	5
was then carried out	5
each text was proofread	5
unicode or tei g	5
should bear in mind	5
keyers to be redone	5
a works in english	5
an essentiall part of	5
images in accordance with	5
first editions of a	5
converting tcp files to	5
chosen if there was	5
tcp is to encode	5
of creating the tcp	5
these processes should make	5
attribution is given to	5
by converting tcp files	5
edition of a work	5
of the print record	5
to page images in	5
in oxford and michigan	5
been transformed into placeholder	5
sets published by proquest	5
selection was intended to	5
available at the text	5
anyone can now take	5
while the overall quality	5
errors will remain and	5
notably latin and welsh	5
use these texts for	5
by university of nebraska	5
a work was chosen	5
made about the data	5
in the devise of	5
the opinion of bargagli	5
or elements to simplify	5
and so of others	5
a wide variety of	5
up to a limit	5
those which did not	5
work was chosen if	5
credit and attribution is	5
and or corrected and	5
selection was based on	5
for the most part	4
and to that end	4
for whom they are	4
hieroglyphicks of the egyptians	4
the meaning of the	4
essentiall part of the	4
i must find or	4
that i may see	4
where shall i seek	4
the head of a	4
which are taken from	4
as if it were	4
apex covantage keyed and	4
the connexion of the	4
captivity in carisbrook castle	4
as well of the	4
from nature and art	4
the intention of the	4
the hieroglyphicks of the	4
as much as the	4
i am sick of	4
by how much the	4
let those have night	4
his captivity in carisbrook	4
during his captivity in	4
in the way of	4
in the body of	4
intention of the author	4
covantage keyed and coded	4
may make use of	4
how often have i	4
must find or die	4
on the life of	4
emblems with elegant figures	4
am sick of love	4
into english by tho	4
from nature or art	4
whom i must find	4
r ocm this keyboarded	4
the crown of glory	4
by so much the	4
the figure of a	4
we must take heed	4
in the british library	4
author of a devise	4
estc r ocm this	4
written by his late	4
of original in the	4
the bodies of devises	4
one and the same	4
an imploration to the	4
of flesh and bloud	4
that the motto ought	4
to the king of	4
there is no doubt	4
what shall i do	4
whom they are made	4
a devise ought to	4
imploration to the king	4
part of the body	4
the figure of the	4
what ails my babe	4
they ought to be	4
as well naturall as	4
by his late majesty	4
with his own hand	4
which are drawne from	4
according to the generall	3
and furthered by an	3
much as to say	3
of those that are	3
good counsel may be	3
all that earth can	3
an honest and pleasant	3
would have to be	3
respect of the matter	3
delightful poems and lots	3
thy winged steps out	3
to be understood by	3
be understood by the	3
to be taken from	3
but all in vaine	3
of figures and words	3
devise of the duke	3
original in the british	3
may be promoted and	3
are to be sold	3
of the devise is	3
of the wars of	3
o that i had	3
a stc estc s	3
head of a lyon	3
as much as to	3
that earth can give	3
thou art my way	3
furthered by an honest	3
by an honest and	3
the devise is made	3
i the pineons of	3
for my part i	3
is daer is oock	3
motto ought not to	3
both night and day	3
i pant after thee	3
say that the motto	3
that are to be	3
or such like thing	3
the house of fame	3
grand master of the	3
use of the figures	3
are taught to speake	3
but for my part	3
andrew kuster sampled and	3
the same manner declared	3
de faire des devises	3
to the intention of	3
and in an instant	3
we ought not to	3
minde georgetta de montenay	3
kuster sampled and proofread	3
written in french by	3
more in being man	3
industrious minde georgetta de	3
select and choice emblems	3
from art and nature	3
are taken from art	3
first by the noble	3
author of the history	3
is prefixed an incomparable	3
a rare and particular	3
life and death of	3
prefixed an incomparable poem	3
and lots for the	3
more lively illustration of	3
for the connexion of	3
or thirtie and one	3
it is to be	3
be taken out of	3
the manner of drawing	3
let thy winged steps	3
promoted and furthered by	3
philomythologie wherin outlandish birds	3
invented and only in	3
french by henry estienne	3
who shall deliver me	3
my meaning is not	3
and all the world	3
the motto ought not	3
in so much as	3
up thy soul in	3
bell in the poultry	3
is this a time	3
from the conjunction of	3
to be taken out	3
for the more lively	3
to which is prefixed	3
propriety of the figure	3
and only in the	3
is in the crosse	3
in such sort that	3
the propriety of the	3
be made use of	3
which is prefixed an	3
hurried to and fro	3
to the understanding of	3
poems and lots for	3
the wars of england	3
trust is in the	3
with fifty delightful poems	3
with those that are	3
sparkles of divine love	3
andrew kuster text and	3
to the body of	3
be promoted and furthered	3
understood by the generality	3
is there a beast	3
the sense of the	3
delights for the ingenious	3
first written in french	3
in above fifty select	3
the bell in the	3
instruction and good counsel	3
speake true english plainely	3
master of the artillery	3
my trust is in	3
and that the motto	3
to the perfection of	3
so much as the	3
taken out of some	3
putting on of christ	3
fifty select and choice	3
those that are to	3
of the same manner	3
of the history of	3
counsel may be promoted	3
dart up thy soul	3
king charles the first	3
wo be unto those	3
is taken for the	3
fifty delightful poems and	3
and good counsel may	3
the names of the	3
in french by henry	3
history of the wars	3
by day and night	3
thou art my life	3
in the life of	3
for i am sick	3
and to expresse the	3
of a devise is	3
rayes of the sunne	3
translated into english by	3
whereby instruction and good	3
in the one and	3
must have a care	3
a devise is no	3
to come to the	3
curiously ingraven upon copper	3
honest and pleasant recreation	3
ingraven upon copper plates	3
and thou shalt be	3
the more lively illustration	3
from place to place	3
and let thy winged	3
but if the devise	3
illustration of each emblem	3
lively illustration of each	3
kuster text and markup	3
his late majesty k	3
devise ought to be	3
they good or ill	3
of the thing represented	3
made use of them	3
brasse very fine graven	3
remarks on the life	3
for which he was	3
art de faire des	3
to those that are	3
the history of the	3
it is a hard	3
to speake true english	3
and industrious minde georgetta	3
and are to be	3
and adorned pleasant to	3
thirtie and one spirituall	3
false putting on of	3
take up and read	3
not to be so	3
above fifty select and	3
taught to speake true	3
the heart of man	3
know not where to	3
lots for the more	3
this a time to	3
had i the pineons	3
in so much that	3
and one spirituall emblems	3
a booke of armes	3
the hand of man	3
we may say that	3
devises which are for	2
the height of whose	2
whom all the world	2
so well the great	2
thy beauty from me	2
not to admit of	2
professional end users from	2
have no place in	2
liue in this world	2
have the body of	2
must i ever grind	2
the bloud of man	2
lawfull to make use	2
have a care that	2
aim at making the	2
at the south entrance	2
a hard thing to	2
made use of the	2
account of the most	2
soo do et godt	2
the church and common	2
and practise what is	2
life is but a	2
a mark against thee	2
in the day of	2
self the devise of	2
true to neither stand	2
the good with bad	2
under the title of	2
how are thy thoughts	2
seller in franckfurtt an	2
in franckfurtt an mayn	2
words puts this text	2
is fit for one	2
am a miserable man	2
estc s this keyboarded	2
changes aim at restoring	2
to whom shall i	2
not been fully proofread	2
as much as we	2
of a clipping dove	2
the rest of the	2
and in respect of	2
be called a devise	2
there was no such	2
that i had the	2
by way of comparison	2
users from many walks	2
designe of an author	2
taken from nature and	2
forme of a devise	2
whom it is made	2
die van godt bewaert	2
upon that which is	2
the beginning of the	2
and propriety of the	2
at the white lyon	2
what this age hath	2
it selfe to the	2
used for his devise	2
white lyon in paules	2
thing represented in the	2
the soule of the	2
through all the world	2
the hearts of kings	2
an enriched version of	2
persons for whom they	2
de coeur non feinct	2
only in the frenchtongve	2
in a standardized format	2
what do we here	2
it ought to have	2
is in respect that	2
all the world both	2
emblematum christianorum virtutum montenay	2
emblem collected by r	2
which have no relation	2
to try his wit	2
their eyes that they	2
harm our selves with	2
and his flying ro	2
the representation of the	2
usage of the thing	2
curation by amateur and	2
not to the figure	2
that i may be	2
merit the title of	2
the power of his	2
make use of these	2
the author or stationer	2
the rate of defects	2
the most noble and	2
and that he who	2
subject our selves to	2
true account of the	2
a relation of the	2
what a mad thing	2
aptara keyed and coded	2
unlesse it be to	2
a of text r	2
as the temple of	2
the annotation includes standard	2
figure of humane body	2
the spring of life	2
soule of the devise	2
in the d category	2
an hemistick or whole	2
is an enriched version	2
to be understood of	2
the use of them	2
second part of philomythie	2
consider the motto of	2
things as well naturall	2
wer nun christum von	2
hemistick or whole verse	2
to be represented with	2
has been tokenized and	2
is a love too	2
that he was a	2
dedicated to all the	2
the eagle and the	2
the use of it	2
at restoring the text	2
we doe not say	2
a care that the	2
the love of transitory	2
from east to west	2
hate the love of	2
d the rate of	2
s this keyboarded and	2
entituled majesty in misery	2
the motto of a	2
to ones self the	2
too much in hand	2
we must have a	2
if thou art not	2
the snares of death	2
should thy glory see	2
i strike the blow	2
support the display of	2
the text the author	2
ones self the devise	2
devise is no other	2
in the city of	2
newly published by j	2
egyptians were the first	2
of them in devises	2
as for the connexion	2
and hate the love	2
rebus first written in	2
to all the world	2
the science of the	2
so do i pant	2
can give no rest	2
with earth as i	2
the english short title	2
which is most generally	2
of the propriety of	2
the figure must be	2
of these thou be	2
should i find that	2
loco es a quel	2
the law of my	2
or some other person	2
ought to be taken	2
i find to be	2
made a prisner to	2
mad thing is grief	2
a devise ought not	2
as for my selfe	2
from the armes of	2
our understandings with two	2
t is good to	2
true english plainely by	2
no need to fear	2
fit for one man	2
are thou and i	2
is vain to flee	2
and eares of the	2
and i am his	2
did call it hers	2
thou seest not what	2
not what to make	2
have no relation to	2
te breken dat hy	2
great builder of mankind	2
and as for the	2
sold by richard marriot	2
as much pleasure in	2
my soul be blest	2
not in the streets	2
may say that the	2
so that the motto	2
the body and the	2
hart doth wounded flie	2
made by comparison or	2
who hath two faiths	2
not to be made	2
the devise ought not	2
of the devise in	2
been fully proofread approx	2
meetre or verse wys	2
an account of the	2
beginning is without providence	2
which was his own	2
i may melt in	2
i have no more	2
the greater part of	2
motto of a devise	2
they make use of	2
in the isle of	2
their wayes with their	2
this is the cause	2
devises of stampes or	2
devises treating of hieroglyphicks	2
not so swift as	2
turn away their eyes	2
what ere it is	2
what shall i doe	2
the tcp digital transcription	2
in matter of devises	2
that man of sinne	2
are hard to be	2
of making devises treating	2
a time to sleep	2
it is a love	2
the second part of	2
enrichments aim at making	2
that i am sick	2
from the quality of	2
a fountain of tears	2
to frame a devise	2
that the devise be	2
instead of a devise	2
put my trust in	2
texts with between and	2
i was moved to	2
drawne from ancient authors	2
examples are to be	2
so he is mine	2
modern curiously ingraven upon	2
efficacie of a devise	2
written by the magnanimous	2
the motto with the	2
to his lady the	2
those which are drawne	2
at the bell in	2
serve to no other	2
intention or designe of	2
and would not haue	2
cyphres and rebus first	2
were they good or	2
to all of vs	2
from north to south	2
the devises of stampes	2
into the hands of	2
taile was too too	2
the secrets of this	2
but each in safety	2
features of the face	2
to no other end	2
and rebus first written	2
after the manner of	2
things which are met	2
so true a friend	2
be represented with this	2
therefore i am of	2
a devise is nothing	2
to doe with the	2
it is not necessary	2
the secrets of the	2
may be attributed to	2
the use of all	2
mas de dios solo	2
to be observed in	2
whom there is no	2
that it is a	2
made use of symboles	2
from side to side	2
the conceptions of our	2
do et godt met	2
the face of death	2
no place is free	2
make use of those	2
the like may be	2
i am a miserable	2
and professional end users	2
of this subject in	2
but earth can give	2
the frenchtongve sic elabourated	2
motto with the figure	2
to choose a speaker	2
shall bleed for thine	2
such fools are they	2
him that my soul	2
where there is an	2
i am his by	2
savour of thy ointments	2
who dream they can	2
in the devises of	2
the display of a	2
so much the lesse	2
end users from many	2
english short title catalog	2
apprehension of the devise	2
of texts with between	2
do i pant after	2
turn thy beauty from	2
thy balance will not	2
that onely art the	2
devise where there is	2
what to make of	2
as well to the	2
for the bodies of	2
i find that everlasting	2
earth can give no	2
hieroglyphikes of the life	2
parts of a devise	2
to him and to	2
seest not what thou	2
to be sold by	2
nun christum von hertzen	2
the original text notes	2
essentiall part of a	2
none should thy glory	2
how my soul is	2
should be deprived of	2
of text r in	2
format that preserves archaic	2
aim at restoring the	2
of the royall exchange	2
essentiall parts of a	2
in the behalf of	2
the imprese of the	2
text has been tokenized	2
be so full of	2
devises ought to be	2
daer is oock vrede	2
be acknowledged for the	2
on the one side	2
and the earl of	2
text the author or	2
of two or three	2
rate of defects per	2
that mine eyes were	2
exempt from all this	2
ought to be very	2
of the soule with	2
be understood of those	2
thence it commeth that	2
what hast thou done	2
or the usage of	2
the choice of the	2
a standardized format that	2
wilt not crow to	2
the south entrance of	2
mine eyes a fountain	2
to be seen at	2
to the generall opinion	2
looke not on the	2
o leave me not	2
of the tcp digital	2
and comfort me with	2
temple of juno lacinia	2
to harm our selves	2
by the figure of	2
why was i born	2
a slave to smoke	2
stc estc s this	2
that those devises which	2
in regard of my	2
the exercise of vertue	2
the resemblance or comparison	2
of the things figured	2
the soule to the	2
for whom it is	2
to make a perfect	2
and to be with	2
at making the text	2
the thing represented in	2
by amateur and professional	2
pineons of a clipping	2
those which are borrowed	2
it is too late	2
which are made for	2
in the number of	2
feel the warmth of	2
soule with the body	2
includes standard spellings that	2
more fit to represent	2
a face as this	2
of the body of	2
the savour of thy	2
by all good meanes	2
with the childrens bread	2
what others dare not	2
happy is that man	2
when the motto is	2
thy self to me	2
to the view of	2
imprese of the italians	2
by meanes of the	2
i threw me on	2
english plainely by tho	2
the brevity of the	2
the academie of the	2
doth true to neither	2
in dayes of old	2
to the example of	2
with all that earth	2
display of a text	2
the life and death	2
the temple of juno	2
o then it lives	2
sous le manteau de	2
that trust in thee	2
the egyptians were the	2
there is nothing so	2
which art and nature	2
a devise differs from	2
are inserted in the	2
and he that can	2
puts this text in	2
of a perfect devise	2
i found him not	2
le fils de dieu	2
the devise must have	2
and the same thing	2
be in a vulgar	2
quality of the thing	2
the isle or wight	2
wherein ar one hundered	2
a mad thing is	2
part of a devise	2
linguistically annotated with morphadorner	2
di quel che di	2
it commeth that the	2
in the frenchtongve sic	2
let us observe with	2
which we call devise	2
text in a standardized	2
in the isle or	2
as well in the	2
for the expression of	2
in the armes of	2
i have all things	2
if it be a	2
deliver me from the	2
in that of the	2
a text in a	2
it doth not follow	2
to that which i	2
to be expressed in	2
hold the place of	2
the object of the	2
the body ought to	2
the way to rest	2
let not thy thoughts	2
a devise may be	2
the cause of thy	2
that can be taken	2
a night of rest	2
the hand of god	2
that the egyptians were	2
devise is nothing else	2
represented by the figure	2
accompanied with a concise	2
the invention of devises	2
with an emblem collected	2
of my better part	2
an emblem therefore thou	2
making devises treating of	2
a great affinity with	2
with elegant figures newly	2
is to be a	2
the devises of coines	2
is hard to say	2
ought to have all	2
of thy meridian eye	2
together by the eares	2
and xml conversion the	2
for francis constable at	2
the devise is to	2
at this day they	2
of all kinds of	2
not to use them	2
i sought the shades	2
spellings that support the	2
some part of the	2
and suitable for network	2
as we have already	2
a crown of life	2
on the other side	2
the latter end of	2
of what language the	2
proper to the subject	2
to our understandings with	2
which of it selfe	2
that it should be	2
because thy hands have	2
y en el fuego	2
and such as these	2
text is an enriched	2
of the devise ought	2
jovius would have it	2
when we may be	2
es don de dios	2
francis constable at the	2
be sold by richard	2
from perch to perch	2
tot ne te meine	2
from thence it commeth	2
the whole world is	2
entrance of the royall	2
mount the least degree	2
figures newly published by	2
we devise to harm	2
canst thou see and	2
that devise where there	2
nature of the thing	2
to be drawne from	2
monumenta emblematum christianorum virtutum	2
a motto without a	2
thus he is mine	2
the shades of night	2
soule to the body	2
of the life of	2
the mind of the	2
and i am sick	2
of a text in	2
no relation to each	2
shall deliver me from	2
the words of the	2
use of them in	2
for the author of	2
is that man whose	2
which is that best	2
digital transcription a of	2
little span of earth	2
and by how much	2
of the one and	2
the naturall or artificiall	2
and modern curiously ingraven	2
printed for francis constable	2
without the help of	2
what art thou more	2
is subject to no	2
sold by thomas ienner	2
of arts and sciences	2
wher all the angels	2
as well as of	2
in the mouth of	2
the sun and moon	2
the figures which he	2
from the original text	2
foot hart doth wounded	2
if the devise be	2
be put in execution	2
to be put in	2
and that i may	2
text has not been	2
the hearts of men	2
the d category of	2
the world and the	2
text r in the	2
the hart and horse	2
tell him that i	2
yet there are some	2
from the name of	2
or an imploration to	2
one hundered godly emblemata	2
in a vulgar tongue	2
a body without a	2
the perfection of a	2
not to be used	2
that i may bewail	2
nature and propriety of	2
in a strange land	2
art thou more in	2
not make use of	2
of the quality of	2
that which is used	2
and linguistically annotated with	2
tone of the voice	2
and the other without	2
not fit for one	2
to the number of	2
or to the world	2
how often have my	2
hell vnd klar leucht	2
the bird of paradice	2
which is made by	2
that i may neither	2
two swords to sway	2
desseada al pobre y	2
is this that so	2
to the nature of	2
original text notes for	2
both heare and see	2
the name of devises	2
but by thine emblem	2
the nature of the	2
in the composition of	2
propriety of the thing	2
that the motto may	2
from many walks of	2
d category of texts	2
certaine pieces of this	2
so well by night	2
to her they gaue	2
standardized format that preserves	2
like a lump of	2
gelt i st sein	2
of the figures of	2
the number of the	2
this is the end	2
tokenized and linguistically annotated	2
away their eyes that	2
in the english short	2
the d emblem illustrated	2
with so much the	2
figures of the devise	2
which are met with	2
tongue above all others	2
denn gott der herr	2
which we use in	2
the opinion of those	2
this ball of clay	2
enriched version of the	2
for so much as	2
and to say truth	2
as well as i	2
is one of the	2
the nature and propriety	2
must take heed that	2
the understanding of the	2
fountain of eternall light	2
that support the display	2
by vertue of the	2
the isle of wight	2
and heere and there	2
why hast thou set	2
doth not follow that	2
according to the judgment	2
are met with in	2
changes and metadata enrichments	2
me as a mark	2
thy soul no more	2
and you are safe	2
emblemes by francis quarles	2
not to be taken	2
the reason of this	2
which ought to be	2
to take good counsell	2
it be in the	2
takes too much in	2
it is a most	2
the number of two	2
take heed that the	2
of picture and words	2
the circumstances of time	2
stationer meant to publish	2
be taken from things	2
in this world is	2
south entrance of the	2
between and defects per	2
by day and neight	2
then that which is	2
is no other thing	2
giving him to understand	2
come out of her	2
sweet a face as	2
the subject of devises	2
tcp digital transcription a	2
elegant figures newly published	2
version of the tcp	2
or designe of an	2
and vexation of spirit	2
the origin of devises	2
the usage of the	2
either from nature or	2
the apprehension of the	2
with this italian motto	2
thou more in being	2
emblem therefore thou hast	2
the tree of life	2
en toda su vida	2
ought to be drawne	2
which is subject to	2
by the meanes of	2
as if they knew	2
or tone of the	2
be taken from the	2
the motto is taken	2
beneath the burden of	2
making the text more	2
use of the same	2
the soule of a	2
for his devise an	2
pieces of this age	2
made use of in	2
from pole to pole	2
the eyes and eares	2
and euery bird and	2
he doth not allow	2
sy syn sott die	2
be deprived of the	2
de dios solo la	2
eyes a fountain of	2
thy hands have made	2
the flames of love	2
of all sorts of	2
of the thing figured	2
and that this figure	2
that he is the	2
ought to be understood	2
difference of the definition	2
figure of a man	2
by thine emblem thou	2
to be found in	2
category of texts with	2
and out of the	2
be accompanied with a	2
if we be not	2
as well as he	2
this text is an	2
in that devise where	2
sin iamas lo dexar	2
the whore of babylon	2
in a strange language	2
christum von hertzen ehrt	2
and the words are	2
one spirituall emblems jenner	2
not to be called	2
the soule with the	2
with a small cord	2
for the same reason	2
or usage of the	2
the face of thy	2
and if it be	2
at the latter end	2
according to the circumstances	2
make use of an	2
greater part of the	2
by the law of	2
the most part of	2
our selves to the	2
for all sorts of	2
from thee to thee	2
by the hand of	2
so sweet a face	2
have some relation to	2
in whom there is	2
the comparison is taken	2
as in all other	2
an emblem collected by	2
this text in the	2
but i found him	2
and yet they never	2
has not been fully	2
with an account of	2
desire to be dissolved	2
contrary to the opinion	2
is not fit for	2
on the life and	2
that the figure must	2
set me as a	2
the intention or designe	2
by night and day	2
with between and defects	2
the body of this	2
in the same body	2
as a mark against	2
so i my best	2
understandings with two significations	2
constable at the white	2
should we devise to	2
figure must be accompanied	2
or remembrance wherein ar	2
conception of him that	2
some relation to each	2
text in the d	2
annotation includes standard spellings	2
this text has not	2
that it ought to	2
are no times to	2
or stationer meant to	2
to be made use	2
devise to harm our	2
text more computationally tractable	2
tout par sa grand	2
we make use of	2
author or stationer meant	2
to bring them to	2
have made use of	2
of things which are	2
from the knowledge of	2
to the circumstances of	2
is not sufficient for	2
is a hard thing	2
brevity of the words	2
of several famous men	2
with his last speech	2
how shall we sing	2
usage of the things	2
and metadata enrichments aim	2
the armes of the	2
r in the english	2
been tokenized and linguistically	2
there should i find	2
is the king of	2
based collaborative curation by	2
and each cause of	2
and such like inventions	2
for div a e	2
that shines so bright	2
go the frighted ro	2
thus i my best	2
that they may be	2
the sun of justice	2
euery bird and beast	2
depends upon the judgment	2
love of transitory toyes	2
many walks of life	2
printed by roger daniel	2
and among other particulars	2
by means of the	2
my owne particular opinion	2
is the end of	2
figures an armed man	2
use of it in	2
because they would not	2
fools are thou and	2
two or three words	2
transcription a of text	2
steadily upon the sunne	2
doth wounded flie to	2
textual changes and metadata	2
in the hands of	2
of stampes or counters	2
at all he meets	2
the text more computationally	2
remembrance wherein ar one	2
godt en den naesten	2
ancient and modern curiously	2
which ready stand to	2
thou hast made me	2
to the judgment of	2
build thy hopes on	2
and for his owne	2
that we may be	2
threw me on my	2
the picture of a	2
fame did call it	2
must be accompanied with	2
if thou please to	2
to expresse our conceptions	2
great place in state	2
soule of a devise	2
shew thy self to	2
that preserves archaic forms	2
ar one hundered godly	2
eyes and eares of	2
the author of a	2
thou art my god	2
my babe to cry	2
she rest in thee	2
the interpreter of the	2
etimologie of the word	2
the rayes of the	2
have no more to	2
well naturall as artificiall	2
if brasse very fine	2
though it be not	2
which there is no	2
of the art of	2
so well by day	2
my heart shall bleed	2
metadata enrichments aim at	2
inserted in the devise	2
a mysticall and abstruse	2
they would not take	2
both in the one	2
as well ancient as	2
standard spellings that support	2
sought the shades of	2
who canst stop the	2
si todos no vienen	2
as it were the	2
the light of nature	2
be taken from a	2
in the midst of	2
a prey to the	2
and wound our hearts	2
the text has been	2
may very well be	2
the white lyon in	2
restoring the text the	2
hast thou set me	2
often have i sought	2
i know not what	2
in the market is	2
amateur and professional end	2
thou set me as	2
the motto may be	2
which the author intends	2
hath right to none	2
these are no times	2
nor turn thy beauty	2
thou little span of	2
a el que con	2
those which are taken	2
textual changes aim at	2
whereof the first is	2
life of the man	2
if it be so	2
the princes of wales	2
an example of it	2
such sort that it	2
we may be shot	2
collaborative curation by amateur	2
heart shall bleed for	2
is there such a	2
usage of things artificiall	2
text notes for div	2
a cocke of kinde	2
with a crown of	2
the mysteries of our	2
an eye should haue	2
in the science of	2
am of opinion with	2
of those that would	2
the garden of hesperides	2
is of opinion that	2
and to the world	2
all the world did	2
the great number of	2
ails my babe to	2
to that high degree	2
the forme of a	2
the temple of honour	2
in pursuance of the	2