This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
early english books online | 26 |
notes for div a | 22 |
that is to say | 13 |
ought not to be | 12 |
the quality of the | 11 |
represented either as utf | 10 |
characters represented either as | 10 |
the body of the | 10 |
for as much as | 10 |
in respect of the | 9 |
body of a devise | 9 |
where there is a | 8 |
to make use of | 8 |
the body of a | 8 |
that a devise is | 8 |
body of the devise | 8 |
text and markup reviewed | 7 |
and coded from proquest | 7 |
to the terms of | 7 |
and markup reviewed and | 7 |
work described above is | 7 |
support to the early | 7 |
to the opinion of | 7 |
providing financial support to | 7 |
images scanned from microfilm | 7 |
i am of opinion | 7 |
english books online text | 7 |
the early english books | 7 |
the institutions providing financial | 7 |
keyed and coded from | 7 |
according to the terms | 7 |
this keyboarded and encoded | 7 |
assigned for keying and | 7 |
described above is co | 7 |
phase i text is | 7 |
the art of making | 7 |
books online text creation | 7 |
from proquest page images | 7 |
the work described above | 7 |
encoded text transcribed from | 7 |
encoded edition of the | 7 |
of the work described | 7 |
tcp assigned for keying | 7 |
all without asking permission | 7 |
to the early english | 7 |
keyboarded and encoded edition | 7 |
and encoded edition of | 7 |
iv tiff page images | 7 |
by the institutions providing | 7 |
institutions providing financial support | 7 |
this phase i text | 7 |
terms of creative commons | 7 |
text is available for | 7 |
i text is available | 7 |
even for commercial purposes | 7 |
is available for reuse | 7 |
markup reviewed and edited | 7 |
coded from proquest page | 7 |
the terms of creative | 7 |
owned by the institutions | 7 |
the text can be | 7 |
edition of the work | 7 |
for keying and markup | 7 |
financial support to the | 7 |
online text creation partnership | 7 |
text can be copied | 7 |
the devise of the | 7 |
so much the more | 6 |
to the end that | 6 |
make use of the | 6 |
art of making devises | 6 |
structural encoding based on | 5 |
have been issued variously | 5 |
usual project restraints of | 5 |
reproduction of original in | 5 |
quality of the figure | 5 |
markup guidelines are available | 5 |
sent to external keying | 5 |
be aware of the | 5 |
can now take and | 5 |
ascii text with mnemonic | 5 |
if there was a | 5 |
of each text was | 5 |
language title published between | 5 |
respectfully request that due | 5 |
was chosen if there | 5 |
their early english books | 5 |
the general aim of | 5 |
variety of subject areas | 5 |
that in all likelihood | 5 |
the tei in libraries | 5 |
whichever is the greater | 5 |
data is very good | 5 |
wide variety of subject | 5 |
works in other languages | 5 |
sometimes a second or | 5 |
on the new cambridge | 5 |
texts based on the | 5 |
enhanced and or corrected | 5 |
aware of the process | 5 |
to produce large quantities | 5 |
works are eligible for | 5 |
due credit and attribution | 5 |
have been looked at | 5 |
was proofread for accuracy | 5 |
tei in libraries guidelines | 5 |
aimed to produce large | 5 |
transformed into placeholder characters | 5 |
of time and funding | 5 |
public domain as of | 5 |
to range over a | 5 |
accordance with level of | 5 |
and the publisher proquest | 5 |
assumptions that can be | 5 |
without which there is | 5 |
of instances per text | 5 |
placeholder characters or elements | 5 |
opposed to critical editions | 5 |
quality assurance was then | 5 |
the text encoding initiative | 5 |
into placeholder characters or | 5 |
meaning of the author | 5 |
on the image sets | 5 |
are available at the | 5 |
i know not where | 5 |
number of works in | 5 |
been issued variously as | 5 |
by editorial teams in | 5 |
a limit of instances | 5 |
of works in other | 5 |
to external keying companies | 5 |
a second or later | 5 |
in of gaps by | 5 |
linked to page images | 5 |
of every monographic english | 5 |
the image sets published | 5 |
of known extent have | 5 |
the filling in of | 5 |
transcription and basic encoding | 5 |
external keying companies for | 5 |
we respectfully request that | 5 |
the usual project restraints | 5 |
these texts for their | 5 |
phase of the project | 5 |
by proquest via their | 5 |
via their early english | 5 |
simplify the filling in | 5 |
have been transformed into | 5 |
text with mnemonic sdata | 5 |
take and use these | 5 |
of any assumptions that | 5 |
the new cambridge bibliography | 5 |
the publisher proquest to | 5 |
likelihood such instances will | 5 |
now take and use | 5 |
understanding these processes should | 5 |
works in english were | 5 |
or later edition of | 5 |
published by proquest via | 5 |
project restraints of time | 5 |
over a wide variety | 5 |
proquest via their early | 5 |
tei p using tcp | 5 |
the texts were encoded | 5 |
image sets were sent | 5 |
one and the other | 5 |
the true nature of | 5 |
create accurately transcribed and | 5 |
sets were sent to | 5 |
p using tcp tei | 5 |
changes to facilitate morpho | 5 |
nature of the print | 5 |
general aim of eebo | 5 |
therefore of any assumptions | 5 |
texts were encoded and | 5 |
to create accurately transcribed | 5 |
and linked to page | 5 |
for transcription and basic | 5 |
there was a compelling | 5 |
of michigan and oxford | 5 |
the print record of | 5 |
mnemonic sdata character entities | 5 |
companies for transcription and | 5 |
although there are a | 5 |
restraints of time and | 5 |
characters or elements to | 5 |
divided into two phases | 5 |
of the duke of | 5 |
and those which did | 5 |
tcp data is very | 5 |
remaining illegibles were encoded | 5 |
were corrected where possible | 5 |
included and sometimes a | 5 |
was based on the | 5 |
or corrected and characters | 5 |
the text creation partnership | 5 |
with mnemonic sdata character | 5 |
and therefore of any | 5 |
standards were returned to | 5 |
quantities of textual data | 5 |
such instances will never | 5 |
publisher proquest to create | 5 |
were sent to external | 5 |
the project have been | 5 |
then carried out by | 5 |
texts for their own | 5 |
and markup guidelines are | 5 |
be marked as illegible | 5 |
elements of known extent | 5 |
universities of michigan and | 5 |
were returned to the | 5 |
are a number of | 5 |
and oxford and the | 5 |
of the texts have | 5 |
text selection was based | 5 |
marked as illegible were | 5 |
new cambridge bibliography of | 5 |
to their original source | 5 |
oxford and the publisher | 5 |
can be made about | 5 |
be made about the | 5 |
meet qa standards were | 5 |
and attribution is given | 5 |
reflect the true nature | 5 |
the king of kings | 5 |
data within the usual | 5 |
reason to do so | 5 |
any remaining illegibles were | 5 |
text creation partnership web | 5 |
based on the new | 5 |
accuracy and those which | 5 |
and sometimes a second | 5 |
proquest to create accurately | 5 |
of a works in | 5 |
to tei p using | 5 |
was divided into two | 5 |
a compelling reason to | 5 |
texts have been issued | 5 |
will never have been | 5 |
request that due credit | 5 |
large quantities of textual | 5 |
it ought to be | 5 |
transcribed and encoded texts | 5 |
is to encode one | 5 |
guidelines are available at | 5 |
process of creating the | 5 |
illegible were corrected where | 5 |
and use these texts | 5 |
users should be aware | 5 |
intended to range over | 5 |
the keyers to be | 5 |
illegibles were encoded as | 5 |
text strings within braces | 5 |
by a tcp editor | 5 |
creation partnership web site | 5 |
tcp aimed to produce | 5 |
devise ought not to | 5 |
as illegible were corrected | 5 |
at the text creation | 5 |
and available in eebo | 5 |
all likelihood such instances | 5 |
in accordance with level | 5 |
between the universities of | 5 |
were encoded and linked | 5 |
to create diplomatic transcriptions | 5 |
extent have been transformed | 5 |
encoded texts based on | 5 |
a partnership between the | 5 |
editorial teams in oxford | 5 |
the life of the | 5 |
based on the image | 5 |
or tei g elements | 5 |
filling in of gaps | 5 |
project have been released | 5 |
of textual data within | 5 |
the public domain as | 5 |
was a compelling reason | 5 |
are eligible for inclusion | 5 |
and encoded texts based | 5 |
second or later edition | 5 |
were encoded as gap | 5 |
tcp files to tei | 5 |
processes should make clear | 5 |
compelling reason to do | 5 |
never have been looked | 5 |
limit of instances per | 5 |
corrected where possible up | 5 |
and therefore chose to | 5 |
accurately transcribed and encoded | 5 |
and some readable characters | 5 |
to reflect the true | 5 |
later edition of a | 5 |
any assumptions that can | 5 |
domain as of january | 5 |
gap elements of known | 5 |
proofread for accuracy and | 5 |
given to their original | 5 |
the one and the | 5 |
instances will never have | 5 |
carried out by editorial | 5 |
will remain and some | 5 |
copies of the texts | 5 |
of a work was | 5 |
some readable characters will | 5 |
between and available in | 5 |
the pineons of a | 5 |
encoded and linked to | 5 |
for accuracy and those | 5 |
a devise is a | 5 |
files to tei p | 5 |
have been released into | 5 |
gaps by user contributors | 5 |
keying and markup guidelines | 5 |
users should bear in | 5 |
for an anonymous work | 5 |
relation to each other | 5 |
partnership between the universities | 5 |
issued variously as sgml | 5 |
produce large quantities of | 5 |
based on the text | 5 |
was intended to range | 5 |
did not meet qa | 5 |
possible up to a | 5 |
level of the tei | 5 |
some errors will remain | 5 |
is given to their | 5 |
looked at by a | 5 |
will be marked as | 5 |
characters marked as illegible | 5 |
to simplify the filling | 5 |
corrected and characters marked | 5 |
created by converting tcp | 5 |
at by a tcp | 5 |
the encoding was enhanced | 5 |
page images in accordance | 5 |
image sets published by | 5 |
that can be made | 5 |
of the process of | 5 |
been released into the | 5 |
that due credit and | 5 |
the process of creating | 5 |
textual data within the | 5 |
of the project have | 5 |
and characters marked as | 5 |
to a limit of | 5 |
published between and available | 5 |
remain and some readable | 5 |
in all likelihood such | 5 |
the texts have been | 5 |
but we respectfully request | 5 |
within the usual project | 5 |
creating the tcp texts | 5 |
there are a number | 5 |
a number of works | 5 |
should be aware of | 5 |
with changes to facilitate | 5 |
project was divided into | 5 |
cambridge bibliography of english | 5 |
as in the devise | 5 |
the universities of michigan | 5 |
text was proofread for | 5 |
with level of the | 5 |
keying companies for transcription | 5 |
processed by university of | 5 |
texts created during phase | 5 |
the name of the | 5 |
teams in oxford and | 5 |
during phase of the | 5 |
chose to create diplomatic | 5 |
we may make use | 5 |
mind that in all | 5 |
encoding was enhanced and | 5 |
usually the first edition | 5 |
tcp is a partnership | 5 |
according to the opinion | 5 |
true nature of the | 5 |
out by editorial teams | 5 |
mainly structural encoding based | 5 |
range over a wide | 5 |
of gaps by user | 5 |
known extent have been | 5 |
those devises which are | 5 |
quality of tcp data | 5 |
overall quality of tcp | 5 |
encoded as gap s | 5 |
where possible up to | 5 |
elements to simplify the | 5 |
or text strings within | 5 |
bear in mind that | 5 |
in mind that in | 5 |
upon the subject of | 5 |
therefore chose to create | 5 |
should make clear that | 5 |
on the text encoding | 5 |
tcp project was divided | 5 |
is a partnership between | 5 |
the overall quality of | 5 |
unicode or text strings | 5 |
or for an anonymous | 5 |
editions of a works | 5 |
was enhanced and or | 5 |
been looked at by | 5 |
michigan and oxford and | 5 |
returned to the keyers | 5 |
then their works are | 5 |
record of the period | 5 |
encoding based on the | 5 |
not meet qa standards | 5 |
in english were prioritized | 5 |
of tcp data is | 5 |
ocm this keyboarded and | 5 |
title published between and | 5 |
created during phase of | 5 |
to encode one copy | 5 |
which did not meet | 5 |
into the public domain | 5 |
qa standards were returned | 5 |
bibliography of english literature | 5 |
assurance was then carried | 5 |
of the tei in | 5 |
print record of the | 5 |
their works are eligible | 5 |
characters will be marked | 5 |
as opposed to critical | 5 |
readable characters will be | 5 |
to the keyers to | 5 |
for their own purposes | 5 |
released into the public | 5 |
was then carried out | 5 |
each text was proofread | 5 |
unicode or tei g | 5 |
should bear in mind | 5 |
keyers to be redone | 5 |
a works in english | 5 |
an essentiall part of | 5 |
images in accordance with | 5 |
first editions of a | 5 |
converting tcp files to | 5 |
chosen if there was | 5 |
tcp is to encode | 5 |
of creating the tcp | 5 |
these processes should make | 5 |
attribution is given to | 5 |
by converting tcp files | 5 |
edition of a work | 5 |
of the print record | 5 |
to page images in | 5 |
in oxford and michigan | 5 |
been transformed into placeholder | 5 |
sets published by proquest | 5 |
selection was intended to | 5 |
available at the text | 5 |
anyone can now take | 5 |
while the overall quality | 5 |
errors will remain and | 5 |
notably latin and welsh | 5 |
use these texts for | 5 |
by university of nebraska | 5 |
a work was chosen | 5 |
made about the data | 5 |
in the devise of | 5 |
the opinion of bargagli | 5 |
or elements to simplify | 5 |
and so of others | 5 |
a wide variety of | 5 |
up to a limit | 5 |
those which did not | 5 |
work was chosen if | 5 |
credit and attribution is | 5 |
and or corrected and | 5 |
selection was based on | 5 |
for the most part | 4 |
and to that end | 4 |
for whom they are | 4 |
hieroglyphicks of the egyptians | 4 |
the meaning of the | 4 |
essentiall part of the | 4 |
i must find or | 4 |
that i may see | 4 |
where shall i seek | 4 |
the head of a | 4 |
which are taken from | 4 |
as if it were | 4 |
apex covantage keyed and | 4 |
the connexion of the | 4 |
captivity in carisbrook castle | 4 |
as well of the | 4 |
from nature and art | 4 |
the intention of the | 4 |
the hieroglyphicks of the | 4 |
as much as the | 4 |
i am sick of | 4 |
by how much the | 4 |
let those have night | 4 |
his captivity in carisbrook | 4 |
during his captivity in | 4 |
in the way of | 4 |
in the body of | 4 |
intention of the author | 4 |
covantage keyed and coded | 4 |
may make use of | 4 |
how often have i | 4 |
must find or die | 4 |
on the life of | 4 |
emblems with elegant figures | 4 |
am sick of love | 4 |
into english by tho | 4 |
from nature or art | 4 |
whom i must find | 4 |
r ocm this keyboarded | 4 |
the crown of glory | 4 |
by so much the | 4 |
the figure of a | 4 |
we must take heed | 4 |
in the british library | 4 |
author of a devise | 4 |
estc r ocm this | 4 |
written by his late | 4 |
of original in the | 4 |
the bodies of devises | 4 |
one and the same | 4 |
an imploration to the | 4 |
of flesh and bloud | 4 |
that the motto ought | 4 |
to the king of | 4 |
there is no doubt | 4 |
what shall i do | 4 |
whom they are made | 4 |
a devise ought to | 4 |
imploration to the king | 4 |
part of the body | 4 |
the figure of the | 4 |
what ails my babe | 4 |
they ought to be | 4 |
as well naturall as | 4 |
by his late majesty | 4 |
with his own hand | 4 |
which are drawne from | 4 |
according to the generall | 3 |
and furthered by an | 3 |
much as to say | 3 |
of those that are | 3 |
good counsel may be | 3 |
all that earth can | 3 |
an honest and pleasant | 3 |
would have to be | 3 |
respect of the matter | 3 |
delightful poems and lots | 3 |
thy winged steps out | 3 |
to be understood by | 3 |
be understood by the | 3 |
to be taken from | 3 |
but all in vaine | 3 |
of figures and words | 3 |
devise of the duke | 3 |
original in the british | 3 |
may be promoted and | 3 |
are to be sold | 3 |
of the devise is | 3 |
of the wars of | 3 |
o that i had | 3 |
a stc estc s | 3 |
head of a lyon | 3 |
as much as to | 3 |
that earth can give | 3 |
thou art my way | 3 |
furthered by an honest | 3 |
by an honest and | 3 |
the devise is made | 3 |
i the pineons of | 3 |
for my part i | 3 |
is daer is oock | 3 |
motto ought not to | 3 |
both night and day | 3 |
i pant after thee | 3 |
say that the motto | 3 |
that are to be | 3 |
or such like thing | 3 |
the house of fame | 3 |
grand master of the | 3 |
use of the figures | 3 |
are taught to speake | 3 |
but for my part | 3 |
andrew kuster sampled and | 3 |
the same manner declared | 3 |
de faire des devises | 3 |
to the intention of | 3 |
and in an instant | 3 |
we ought not to | 3 |
minde georgetta de montenay | 3 |
kuster sampled and proofread | 3 |
written in french by | 3 |
more in being man | 3 |
industrious minde georgetta de | 3 |
select and choice emblems | 3 |
from art and nature | 3 |
are taken from art | 3 |
first by the noble | 3 |
author of the history | 3 |
is prefixed an incomparable | 3 |
a rare and particular | 3 |
life and death of | 3 |
prefixed an incomparable poem | 3 |
and lots for the | 3 |
more lively illustration of | 3 |
for the connexion of | 3 |
or thirtie and one | 3 |
it is to be | 3 |
be taken out of | 3 |
the manner of drawing | 3 |
let thy winged steps | 3 |
promoted and furthered by | 3 |
philomythologie wherin outlandish birds | 3 |
invented and only in | 3 |
french by henry estienne | 3 |
who shall deliver me | 3 |
my meaning is not | 3 |
and all the world | 3 |
the motto ought not | 3 |
in so much as | 3 |
up thy soul in | 3 |
bell in the poultry | 3 |
is this a time | 3 |
from the conjunction of | 3 |
to be taken out | 3 |
for the more lively | 3 |
to which is prefixed | 3 |
propriety of the figure | 3 |
and only in the | 3 |
is in the crosse | 3 |
in such sort that | 3 |
the propriety of the | 3 |
be made use of | 3 |
which is prefixed an | 3 |
hurried to and fro | 3 |
to the understanding of | 3 |
poems and lots for | 3 |
the wars of england | 3 |
trust is in the | 3 |
with fifty delightful poems | 3 |
with those that are | 3 |
sparkles of divine love | 3 |
andrew kuster text and | 3 |
to the body of | 3 |
be promoted and furthered | 3 |
understood by the generality | 3 |
is there a beast | 3 |
the sense of the | 3 |
delights for the ingenious | 3 |
first written in french | 3 |
in above fifty select | 3 |
the bell in the | 3 |
instruction and good counsel | 3 |
speake true english plainely | 3 |
master of the artillery | 3 |
my trust is in | 3 |
and that the motto | 3 |
to the perfection of | 3 |
so much as the | 3 |
taken out of some | 3 |
putting on of christ | 3 |
fifty select and choice | 3 |
those that are to | 3 |
of the same manner | 3 |
of the history of | 3 |
counsel may be promoted | 3 |
dart up thy soul | 3 |
king charles the first | 3 |
wo be unto those | 3 |
is taken for the | 3 |
fifty delightful poems and | 3 |
and good counsel may | 3 |
the names of the | 3 |
in french by henry | 3 |
history of the wars | 3 |
by day and night | 3 |
thou art my life | 3 |
in the life of | 3 |
for i am sick | 3 |
and to expresse the | 3 |
of a devise is | 3 |
rayes of the sunne | 3 |
translated into english by | 3 |
whereby instruction and good | 3 |
in the one and | 3 |
must have a care | 3 |
a devise is no | 3 |
to come to the | 3 |
curiously ingraven upon copper | 3 |
honest and pleasant recreation | 3 |
ingraven upon copper plates | 3 |
and thou shalt be | 3 |
the more lively illustration | 3 |
from place to place | 3 |
and let thy winged | 3 |
but if the devise | 3 |
illustration of each emblem | 3 |
lively illustration of each | 3 |
kuster text and markup | 3 |
his late majesty k | 3 |
devise ought to be | 3 |
they good or ill | 3 |
of the thing represented | 3 |
made use of them | 3 |
brasse very fine graven | 3 |
remarks on the life | 3 |
for which he was | 3 |
art de faire des | 3 |
to those that are | 3 |
the history of the | 3 |
it is a hard | 3 |
to speake true english | 3 |
and industrious minde georgetta | 3 |
and are to be | 3 |
and adorned pleasant to | 3 |
thirtie and one spirituall | 3 |
false putting on of | 3 |
take up and read | 3 |
not to be so | 3 |
above fifty select and | 3 |
taught to speake true | 3 |
the heart of man | 3 |
know not where to | 3 |
lots for the more | 3 |
this a time to | 3 |
had i the pineons | 3 |
in so much that | 3 |
and one spirituall emblems | 3 |
a booke of armes | 3 |
the hand of man | 3 |
we may say that | 3 |
devises which are for | 2 |
the height of whose | 2 |
whom all the world | 2 |
so well the great | 2 |
thy beauty from me | 2 |
not to admit of | 2 |
professional end users from | 2 |
have no place in | 2 |
liue in this world | 2 |
have the body of | 2 |
must i ever grind | 2 |
the bloud of man | 2 |
lawfull to make use | 2 |
have a care that | 2 |
aim at making the | 2 |
at the south entrance | 2 |
a hard thing to | 2 |
made use of the | 2 |
account of the most | 2 |
soo do et godt | 2 |
the church and common | 2 |
and practise what is | 2 |
life is but a | 2 |
a mark against thee | 2 |
in the day of | 2 |
self the devise of | 2 |
true to neither stand | 2 |
the good with bad | 2 |
under the title of | 2 |
how are thy thoughts | 2 |
seller in franckfurtt an | 2 |
in franckfurtt an mayn | 2 |
words puts this text | 2 |
is fit for one | 2 |
am a miserable man | 2 |
estc s this keyboarded | 2 |
changes aim at restoring | 2 |
to whom shall i | 2 |
not been fully proofread | 2 |
as much as we | 2 |
of a clipping dove | 2 |
the rest of the | 2 |
and in respect of | 2 |
be called a devise | 2 |
there was no such | 2 |
that i had the | 2 |
by way of comparison | 2 |
users from many walks | 2 |
designe of an author | 2 |
taken from nature and | 2 |
forme of a devise | 2 |
whom it is made | 2 |
die van godt bewaert | 2 |
upon that which is | 2 |
the beginning of the | 2 |
and propriety of the | 2 |
at the white lyon | 2 |
what this age hath | 2 |
it selfe to the | 2 |
used for his devise | 2 |
white lyon in paules | 2 |
thing represented in the | 2 |
the soule of the | 2 |
through all the world | 2 |
the hearts of kings | 2 |
an enriched version of | 2 |
persons for whom they | 2 |
de coeur non feinct | 2 |
only in the frenchtongve | 2 |
in a standardized format | 2 |
what do we here | 2 |
it ought to have | 2 |
is in respect that | 2 |
all the world both | 2 |
emblematum christianorum virtutum montenay | 2 |
emblem collected by r | 2 |
which have no relation | 2 |
to try his wit | 2 |
their eyes that they | 2 |
harm our selves with | 2 |
and his flying ro | 2 |
the representation of the | 2 |
usage of the thing | 2 |
curation by amateur and | 2 |
not to the figure | 2 |
that i may be | 2 |
merit the title of | 2 |
the power of his | 2 |
make use of these | 2 |
the author or stationer | 2 |
the rate of defects | 2 |
the most noble and | 2 |
and that he who | 2 |
subject our selves to | 2 |
true account of the | 2 |
a relation of the | 2 |
what a mad thing | 2 |
aptara keyed and coded | 2 |
unlesse it be to | 2 |
a of text r | 2 |
as the temple of | 2 |
the annotation includes standard | 2 |
figure of humane body | 2 |
the spring of life | 2 |
soule of the devise | 2 |
in the d category | 2 |
an hemistick or whole | 2 |
is an enriched version | 2 |
to be understood of | 2 |
the use of them | 2 |
second part of philomythie | 2 |
consider the motto of | 2 |
things as well naturall | 2 |
wer nun christum von | 2 |
hemistick or whole verse | 2 |
to be represented with | 2 |
has been tokenized and | 2 |
is a love too | 2 |
that he was a | 2 |
dedicated to all the | 2 |
the eagle and the | 2 |
the use of it | 2 |
at restoring the text | 2 |
we doe not say | 2 |
a care that the | 2 |
the love of transitory | 2 |
from east to west | 2 |
hate the love of | 2 |
d the rate of | 2 |
s this keyboarded and | 2 |
entituled majesty in misery | 2 |
the motto of a | 2 |
to ones self the | 2 |
too much in hand | 2 |
we must have a | 2 |
if thou art not | 2 |
the snares of death | 2 |
should thy glory see | 2 |
i strike the blow | 2 |
support the display of | 2 |
the text the author | 2 |
ones self the devise | 2 |
devise is no other | 2 |
in the city of | 2 |
newly published by j | 2 |
egyptians were the first | 2 |
of them in devises | 2 |
as for the connexion | 2 |
and hate the love | 2 |
rebus first written in | 2 |
to all the world | 2 |
the science of the | 2 |
so do i pant | 2 |
can give no rest | 2 |
with earth as i | 2 |
the english short title | 2 |
which is most generally | 2 |
of the propriety of | 2 |
the figure must be | 2 |
of these thou be | 2 |
should i find that | 2 |
loco es a quel | 2 |
the law of my | 2 |
or some other person | 2 |
ought to be taken | 2 |
i find to be | 2 |
made a prisner to | 2 |
mad thing is grief | 2 |
a devise ought not | 2 |
as for my selfe | 2 |
from the armes of | 2 |
our understandings with two | 2 |
t is good to | 2 |
true english plainely by | 2 |
no need to fear | 2 |
fit for one man | 2 |
are thou and i | 2 |
is vain to flee | 2 |
and eares of the | 2 |
and i am his | 2 |
did call it hers | 2 |
thou seest not what | 2 |
not what to make | 2 |
have no relation to | 2 |
te breken dat hy | 2 |
great builder of mankind | 2 |
and as for the | 2 |
sold by richard marriot | 2 |
as much pleasure in | 2 |
my soul be blest | 2 |
not in the streets | 2 |
may say that the | 2 |
so that the motto | 2 |
the body and the | 2 |
hart doth wounded flie | 2 |
made by comparison or | 2 |
who hath two faiths | 2 |
not to be made | 2 |
the devise ought not | 2 |
of the devise in | 2 |
been fully proofread approx | 2 |
meetre or verse wys | 2 |
an account of the | 2 |
beginning is without providence | 2 |
which was his own | 2 |
i may melt in | 2 |
i have no more | 2 |
the greater part of | 2 |
motto of a devise | 2 |
they make use of | 2 |
in the isle of | 2 |
their wayes with their | 2 |
this is the cause | 2 |
devises of stampes or | 2 |
devises treating of hieroglyphicks | 2 |
not so swift as | 2 |
turn away their eyes | 2 |
what ere it is | 2 |
what shall i doe | 2 |
the tcp digital transcription | 2 |
in matter of devises | 2 |
that man of sinne | 2 |
are hard to be | 2 |
of making devises treating | 2 |
a time to sleep | 2 |
it is a love | 2 |
the second part of | 2 |
enrichments aim at making | 2 |
that i am sick | 2 |
from the quality of | 2 |
a fountain of tears | 2 |
to frame a devise | 2 |
that the devise be | 2 |
instead of a devise | 2 |
put my trust in | 2 |
texts with between and | 2 |
i was moved to | 2 |
drawne from ancient authors | 2 |
examples are to be | 2 |
so he is mine | 2 |
modern curiously ingraven upon | 2 |
efficacie of a devise | 2 |
written by the magnanimous | 2 |
the motto with the | 2 |
to his lady the | 2 |
those which are drawne | 2 |
at the bell in | 2 |
serve to no other | 2 |
intention or designe of | 2 |
and would not haue | 2 |
cyphres and rebus first | 2 |
were they good or | 2 |
to all of vs | 2 |
from north to south | 2 |
the devises of stampes | 2 |
into the hands of | 2 |
taile was too too | 2 |
the secrets of this | 2 |
but each in safety | 2 |
features of the face | 2 |
to no other end | 2 |
and rebus first written | 2 |
after the manner of | 2 |
things which are met | 2 |
so true a friend | 2 |
be represented with this | 2 |
therefore i am of | 2 |
a devise is nothing | 2 |
to doe with the | 2 |
it is not necessary | 2 |
the secrets of the | 2 |
may be attributed to | 2 |
the use of all | 2 |
mas de dios solo | 2 |
to be observed in | 2 |
whom there is no | 2 |
that it is a | 2 |
made use of symboles | 2 |
from side to side | 2 |
the conceptions of our | 2 |
do et godt met | 2 |
the face of death | 2 |
no place is free | 2 |
make use of those | 2 |
the like may be | 2 |
i am a miserable | 2 |
and professional end users | 2 |
of this subject in | 2 |
but earth can give | 2 |
the frenchtongve sic elabourated | 2 |
motto with the figure | 2 |
to choose a speaker | 2 |
shall bleed for thine | 2 |
such fools are they | 2 |
him that my soul | 2 |
where there is an | 2 |
i am his by | 2 |
savour of thy ointments | 2 |
who dream they can | 2 |
in the devises of | 2 |
the display of a | 2 |
so much the lesse | 2 |
end users from many | 2 |
english short title catalog | 2 |
apprehension of the devise | 2 |
of texts with between | 2 |
do i pant after | 2 |
turn thy beauty from | 2 |
thy balance will not | 2 |
that onely art the | 2 |
devise where there is | 2 |
what to make of | 2 |
as well to the | 2 |
for the bodies of | 2 |
i find that everlasting | 2 |
earth can give no | 2 |
hieroglyphikes of the life | 2 |
parts of a devise | 2 |
to him and to | 2 |
seest not what thou | 2 |
to be sold by | 2 |
nun christum von hertzen | 2 |
the original text notes | 2 |
essentiall part of a | 2 |
none should thy glory | 2 |
how my soul is | 2 |
should be deprived of | 2 |
of text r in | 2 |
format that preserves archaic | 2 |
aim at restoring the | 2 |
of the royall exchange | 2 |
essentiall parts of a | 2 |
in the behalf of | 2 |
the imprese of the | 2 |
text has been tokenized | 2 |
be so full of | 2 |
devises ought to be | 2 |
daer is oock vrede | 2 |
be acknowledged for the | 2 |
on the one side | 2 |
and the earl of | 2 |
text the author or | 2 |
of two or three | 2 |
rate of defects per | 2 |
that mine eyes were | 2 |
exempt from all this | 2 |
ought to be very | 2 |
of the soule with | 2 |
be understood of those | 2 |
thence it commeth that | 2 |
what hast thou done | 2 |
or the usage of | 2 |
the choice of the | 2 |
a standardized format that | 2 |
wilt not crow to | 2 |
the south entrance of | 2 |
mine eyes a fountain | 2 |
to be seen at | 2 |
to the generall opinion | 2 |
looke not on the | 2 |
o leave me not | 2 |
of the tcp digital | 2 |
and comfort me with | 2 |
temple of juno lacinia | 2 |
to harm our selves | 2 |
by the figure of | 2 |
why was i born | 2 |
a slave to smoke | 2 |
stc estc s this | 2 |
that those devises which | 2 |
in regard of my | 2 |
the exercise of vertue | 2 |
the resemblance or comparison | 2 |
of the things figured | 2 |
the soule to the | 2 |
for whom it is | 2 |
to make a perfect | 2 |
and to be with | 2 |
at making the text | 2 |
the thing represented in | 2 |
by amateur and professional | 2 |
pineons of a clipping | 2 |
those which are borrowed | 2 |
it is too late | 2 |
which are made for | 2 |
in the number of | 2 |
feel the warmth of | 2 |
soule with the body | 2 |
includes standard spellings that | 2 |
more fit to represent | 2 |
a face as this | 2 |
of the body of | 2 |
the savour of thy | 2 |
by all good meanes | 2 |
with the childrens bread | 2 |
what others dare not | 2 |
happy is that man | 2 |
when the motto is | 2 |
thy self to me | 2 |
to the view of | 2 |
imprese of the italians | 2 |
by meanes of the | 2 |
i threw me on | 2 |
english plainely by tho | 2 |
the brevity of the | 2 |
the academie of the | 2 |
doth true to neither | 2 |
in dayes of old | 2 |
to the example of | 2 |
with all that earth | 2 |
display of a text | 2 |
the life and death | 2 |
the temple of juno | 2 |
o then it lives | 2 |
sous le manteau de | 2 |
that trust in thee | 2 |
the egyptians were the | 2 |
there is nothing so | 2 |
which art and nature | 2 |
a devise differs from | 2 |
are inserted in the | 2 |
and he that can | 2 |
puts this text in | 2 |
of a perfect devise | 2 |
i found him not | 2 |
le fils de dieu | 2 |
the devise must have | 2 |
and the same thing | 2 |
be in a vulgar | 2 |
quality of the thing | 2 |
the isle or wight | 2 |
wherein ar one hundered | 2 |
a mad thing is | 2 |
part of a devise | 2 |
linguistically annotated with morphadorner | 2 |
di quel che di | 2 |
it commeth that the | 2 |
in the frenchtongve sic | 2 |
let us observe with | 2 |
which we call devise | 2 |
text in a standardized | 2 |
in the isle or | 2 |
as well in the | 2 |
for the expression of | 2 |
in the armes of | 2 |
i have all things | 2 |
if it be a | 2 |
deliver me from the | 2 |
in that of the | 2 |
a text in a | 2 |
it doth not follow | 2 |
to that which i | 2 |
to be expressed in | 2 |
hold the place of | 2 |
the object of the | 2 |
the body ought to | 2 |
the way to rest | 2 |
let not thy thoughts | 2 |
a devise may be | 2 |
the cause of thy | 2 |
that can be taken | 2 |
a night of rest | 2 |
the hand of god | 2 |
that the egyptians were | 2 |
devise is nothing else | 2 |
represented by the figure | 2 |
accompanied with a concise | 2 |
the invention of devises | 2 |
with an emblem collected | 2 |
of my better part | 2 |
an emblem therefore thou | 2 |
making devises treating of | 2 |
a great affinity with | 2 |
with elegant figures newly | 2 |
is to be a | 2 |
the devises of coines | 2 |
is hard to say | 2 |
ought to have all | 2 |
of thy meridian eye | 2 |
together by the eares | 2 |
and xml conversion the | 2 |
for francis constable at | 2 |
the devise is to | 2 |
at this day they | 2 |
of all kinds of | 2 |
not to use them | 2 |
i sought the shades | 2 |
spellings that support the | 2 |
some part of the | 2 |
and suitable for network | 2 |
as we have already | 2 |
a crown of life | 2 |
on the other side | 2 |
the latter end of | 2 |
of what language the | 2 |
proper to the subject | 2 |
to our understandings with | 2 |
which of it selfe | 2 |
that it should be | 2 |
because thy hands have | 2 |
y en el fuego | 2 |
and such as these | 2 |
text is an enriched | 2 |
of the devise ought | 2 |
jovius would have it | 2 |
when we may be | 2 |
es don de dios | 2 |
francis constable at the | 2 |
be sold by richard | 2 |
from perch to perch | 2 |
tot ne te meine | 2 |
from thence it commeth | 2 |
the whole world is | 2 |
entrance of the royall | 2 |
mount the least degree | 2 |
figures newly published by | 2 |
we devise to harm | 2 |
canst thou see and | 2 |
that devise where there | 2 |
nature of the thing | 2 |
to be drawne from | 2 |
monumenta emblematum christianorum virtutum | 2 |
a motto without a | 2 |
thus he is mine | 2 |
the shades of night | 2 |
soule to the body | 2 |
of the life of | 2 |
the mind of the | 2 |
and i am sick | 2 |
of a text in | 2 |
no relation to each | 2 |
shall deliver me from | 2 |
the words of the | 2 |
use of them in | 2 |
for the author of | 2 |
is that man whose | 2 |
which is that best | 2 |
digital transcription a of | 2 |
little span of earth | 2 |
and by how much | 2 |
of the one and | 2 |
the naturall or artificiall | 2 |
and modern curiously ingraven | 2 |
printed for francis constable | 2 |
without the help of | 2 |
what art thou more | 2 |
is subject to no | 2 |
sold by thomas ienner | 2 |
of arts and sciences | 2 |
wher all the angels | 2 |
as well as of | 2 |
in the mouth of | 2 |
the sun and moon | 2 |
the figures which he | 2 |
from the original text | 2 |
foot hart doth wounded | 2 |
if the devise be | 2 |
be put in execution | 2 |
to be put in | 2 |
and that i may | 2 |
text has not been | 2 |
the hearts of men | 2 |
the d category of | 2 |
the world and the | 2 |
text r in the | 2 |
the hart and horse | 2 |
tell him that i | 2 |
yet there are some | 2 |
from the name of | 2 |
or an imploration to | 2 |
one hundered godly emblemata | 2 |
in a vulgar tongue | 2 |
a body without a | 2 |
the perfection of a | 2 |
not to be used | 2 |
that i may bewail | 2 |
nature and propriety of | 2 |
in a strange land | 2 |
art thou more in | 2 |
not make use of | 2 |
of the quality of | 2 |
that which is used | 2 |
and linguistically annotated with | 2 |
tone of the voice | 2 |
and the other without | 2 |
not fit for one | 2 |
to the number of | 2 |
or to the world | 2 |
how often have my | 2 |
hell vnd klar leucht | 2 |
the bird of paradice | 2 |
which is made by | 2 |
that i may neither | 2 |
two swords to sway | 2 |
desseada al pobre y | 2 |
is this that so | 2 |
to the nature of | 2 |
original text notes for | 2 |
both heare and see | 2 |
the name of devises | 2 |
but by thine emblem | 2 |
the nature of the | 2 |
in the composition of | 2 |
propriety of the thing | 2 |
that the motto may | 2 |
from many walks of | 2 |
d category of texts | 2 |
certaine pieces of this | 2 |
so well by night | 2 |
to her they gaue | 2 |
standardized format that preserves | 2 |
like a lump of | 2 |
gelt i st sein | 2 |
of the figures of | 2 |
the number of the | 2 |
this is the end | 2 |
tokenized and linguistically annotated | 2 |
away their eyes that | 2 |
in the english short | 2 |
the d emblem illustrated | 2 |
with so much the | 2 |
figures of the devise | 2 |
which are met with | 2 |
tongue above all others | 2 |
denn gott der herr | 2 |
which we use in | 2 |
the opinion of those | 2 |
this ball of clay | 2 |
enriched version of the | 2 |
for so much as | 2 |
and to say truth | 2 |
as well as i | 2 |
is one of the | 2 |
the nature and propriety | 2 |
must take heed that | 2 |
the understanding of the | 2 |
fountain of eternall light | 2 |
that support the display | 2 |
by vertue of the | 2 |
the isle of wight | 2 |
and heere and there | 2 |
why hast thou set | 2 |
doth not follow that | 2 |
according to the judgment | 2 |
are met with in | 2 |
changes and metadata enrichments | 2 |
me as a mark | 2 |
thy soul no more | 2 |
and you are safe | 2 |
emblemes by francis quarles | 2 |
not to be taken | 2 |
the reason of this | 2 |
which ought to be | 2 |
to take good counsell | 2 |
it be in the | 2 |
takes too much in | 2 |
it is a most | 2 |
the number of two | 2 |
take heed that the | 2 |
of picture and words | 2 |
the circumstances of time | 2 |
stationer meant to publish | 2 |
be taken from things | 2 |
in this world is | 2 |
south entrance of the | 2 |
between and defects per | 2 |
by day and neight | 2 |
then that which is | 2 |
is no other thing | 2 |
giving him to understand | 2 |
come out of her | 2 |
sweet a face as | 2 |
the subject of devises | 2 |
tcp digital transcription a | 2 |
elegant figures newly published | 2 |
version of the tcp | 2 |
or designe of an | 2 |
and vexation of spirit | 2 |
the origin of devises | 2 |
the usage of the | 2 |
either from nature or | 2 |
the apprehension of the | 2 |
with this italian motto | 2 |
thou more in being | 2 |
emblem therefore thou hast | 2 |
the tree of life | 2 |
en toda su vida | 2 |
ought to be drawne | 2 |
which is subject to | 2 |
by the meanes of | 2 |
as if they knew | 2 |
or tone of the | 2 |
be taken from the | 2 |
the motto is taken | 2 |
beneath the burden of | 2 |
making the text more | 2 |
use of the same | 2 |
the soule of a | 2 |
for his devise an | 2 |
pieces of this age | 2 |
made use of in | 2 |
from pole to pole | 2 |
the eyes and eares | 2 |
and euery bird and | 2 |
he doth not allow | 2 |
sy syn sott die | 2 |
be deprived of the | 2 |
de dios solo la | 2 |
eyes a fountain of | 2 |
thy hands have made | 2 |
the flames of love | 2 |
of all sorts of | 2 |
of the thing figured | 2 |
and that this figure | 2 |
that he is the | 2 |
ought to be understood | 2 |
difference of the definition | 2 |
figure of a man | 2 |
by thine emblem thou | 2 |
to be found in | 2 |
category of texts with | 2 |
and out of the | 2 |
be accompanied with a | 2 |
if we be not | 2 |
as well as he | 2 |
this text is an | 2 |
in that devise where | 2 |
sin iamas lo dexar | 2 |
the whore of babylon | 2 |
in a strange language | 2 |
christum von hertzen ehrt | 2 |
and the words are | 2 |
one spirituall emblems jenner | 2 |
not to be called | 2 |
the soule with the | 2 |
with a small cord | 2 |
for the same reason | 2 |
or usage of the | 2 |
the face of thy | 2 |
and if it be | 2 |
at the latter end | 2 |
according to the circumstances | 2 |
make use of an | 2 |
greater part of the | 2 |
by the law of | 2 |
the most part of | 2 |
our selves to the | 2 |
for all sorts of | 2 |
from thee to thee | 2 |
by the hand of | 2 |
so sweet a face | 2 |
have some relation to | 2 |
in whom there is | 2 |
the comparison is taken | 2 |
as in all other | 2 |
an emblem collected by | 2 |
this text in the | 2 |
but i found him | 2 |
and yet they never | 2 |
has not been fully | 2 |
with an account of | 2 |
desire to be dissolved | 2 |
contrary to the opinion | 2 |
is not fit for | 2 |
on the life and | 2 |
that the figure must | 2 |
set me as a | 2 |
the intention or designe | 2 |
by night and day | 2 |
with between and defects | 2 |
the body of this | 2 |
in the same body | 2 |
as a mark against | 2 |
so i my best | 2 |
understandings with two significations | 2 |
constable at the white | 2 |
should we devise to | 2 |
figure must be accompanied | 2 |
or remembrance wherein ar | 2 |
conception of him that | 2 |
some relation to each | 2 |
text in the d | 2 |
annotation includes standard spellings | 2 |
this text has not | 2 |
that it ought to | 2 |
are no times to | 2 |
or stationer meant to | 2 |
to be made use | 2 |
devise to harm our | 2 |
text more computationally tractable | 2 |
tout par sa grand | 2 |
we make use of | 2 |
author or stationer meant | 2 |
to bring them to | 2 |
have made use of | 2 |
of things which are | 2 |
from the knowledge of | 2 |
to the circumstances of | 2 |
is not sufficient for | 2 |
is a hard thing | 2 |
brevity of the words | 2 |
of several famous men | 2 |
with his last speech | 2 |
how shall we sing | 2 |
usage of the things | 2 |
and metadata enrichments aim | 2 |
the armes of the | 2 |
r in the english | 2 |
been tokenized and linguistically | 2 |
there should i find | 2 |
is the king of | 2 |
based collaborative curation by | 2 |
and each cause of | 2 |
and such like inventions | 2 |
for div a e | 2 |
that shines so bright | 2 |
go the frighted ro | 2 |
thus i my best | 2 |
that they may be | 2 |
the sun of justice | 2 |
euery bird and beast | 2 |
depends upon the judgment | 2 |
love of transitory toyes | 2 |
many walks of life | 2 |
printed by roger daniel | 2 |
and among other particulars | 2 |
by means of the | 2 |
my owne particular opinion | 2 |
is the end of | 2 |
figures an armed man | 2 |
use of it in | 2 |
because they would not | 2 |
fools are thou and | 2 |
two or three words | 2 |
transcription a of text | 2 |
steadily upon the sunne | 2 |
doth wounded flie to | 2 |
textual changes and metadata | 2 |
in the hands of | 2 |
of stampes or counters | 2 |
at all he meets | 2 |
the text more computationally | 2 |
remembrance wherein ar one | 2 |
godt en den naesten | 2 |
ancient and modern curiously | 2 |
which ready stand to | 2 |
thou hast made me | 2 |
to the judgment of | 2 |
build thy hopes on | 2 |
and for his owne | 2 |
that we may be | 2 |
threw me on my | 2 |
the picture of a | 2 |
fame did call it | 2 |
must be accompanied with | 2 |
if thou please to | 2 |
to expresse our conceptions | 2 |
great place in state | 2 |
soule of a devise | 2 |
shew thy self to | 2 |
that preserves archaic forms | 2 |
ar one hundered godly | 2 |
eyes and eares of | 2 |
the author of a | 2 |
thou art my god | 2 |
my babe to cry | 2 |
she rest in thee | 2 |
the interpreter of the | 2 |
etimologie of the word | 2 |
the rayes of the | 2 |
have no more to | 2 |
well naturall as artificiall | 2 |
if brasse very fine | 2 |
though it be not | 2 |
which there is no | 2 |
of the art of | 2 |
so well by day | 2 |
my heart shall bleed | 2 |
metadata enrichments aim at | 2 |
inserted in the devise | 2 |
a mysticall and abstruse | 2 |
they would not take | 2 |
both in the one | 2 |
as well ancient as | 2 |
standard spellings that support | 2 |
sought the shades of | 2 |
who canst stop the | 2 |
si todos no vienen | 2 |
as it were the | 2 |
the light of nature | 2 |
be taken from a | 2 |
in the midst of | 2 |
a prey to the | 2 |
and wound our hearts | 2 |
the text has been | 2 |
may very well be | 2 |
the white lyon in | 2 |
restoring the text the | 2 |
hast thou set me | 2 |
often have i sought | 2 |
i know not what | 2 |
in the market is | 2 |
amateur and professional end | 2 |
thou set me as | 2 |
the motto may be | 2 |
which the author intends | 2 |
hath right to none | 2 |
these are no times | 2 |
nor turn thy beauty | 2 |
thou little span of | 2 |
a el que con | 2 |
those which are taken | 2 |
textual changes aim at | 2 |
whereof the first is | 2 |
life of the man | 2 |
if it be so | 2 |
the princes of wales | 2 |
an example of it | 2 |
such sort that it | 2 |
we may be shot | 2 |
collaborative curation by amateur | 2 |
heart shall bleed for | 2 |
is there such a | 2 |
usage of things artificiall | 2 |
text notes for div | 2 |
a cocke of kinde | 2 |
with a crown of | 2 |
the mysteries of our | 2 |
an eye should haue | 2 |
in the science of | 2 |
am of opinion with | 2 |
of those that would | 2 |
the garden of hesperides | 2 |
is of opinion that | 2 |
and to the world | 2 |
all the world did | 2 |
the great number of | 2 |
ails my babe to | 2 |
to that high degree | 2 |
the forme of a | 2 |
the temple of honour | 2 |
in pursuance of the | 2 |