This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
which nobody can deny | 31 |
early english books online | 21 |
which no body can | 19 |
no body can deny | 19 |
thus the whole university | 12 |
see a new teacher | 11 |
to the tune of | 10 |
and is not c | 9 |
fa la lanke down | 8 |
with a pair of | 8 |
a hone a hone | 8 |
pair of fine bag | 8 |
to his wife for | 8 |
a pair of fine | 8 |
he calls to his | 8 |
notes for div a | 8 |
calls to his wife | 8 |
the use of the | 7 |
i le tell you | 7 |
oh there was a | 7 |
thus have you heard | 7 |
la lanke down dilly | 7 |
encoded text transcribed from | 6 |
my mistress is a | 6 |
phase i text is | 6 |
even for commercial purposes | 6 |
this keyboarded and encoded | 6 |
by the institutions providing | 6 |
online text creation partnership | 6 |
he doe with her | 6 |
assigned for keying and | 6 |
to the terms of | 6 |
the text can be | 6 |
pipes upon the green | 6 |
encoded edition of the | 6 |
characters represented either as | 6 |
than all the rest | 6 |
are to be sold | 6 |
the work described above | 6 |
english books online text | 6 |
keyboarded and encoded edition | 6 |
tcp assigned for keying | 6 |
thy nose to the | 6 |
of the work described | 6 |
what did he doe | 6 |
to be sold at | 6 |
described above is co | 6 |
according to the terms | 6 |
a joyfull sight to | 6 |
i text is available | 6 |
mother does tell me | 6 |
financial support to the | 6 |
coded from proquest page | 6 |
and coded from proquest | 6 |
institutions providing financial support | 6 |
providing financial support to | 6 |
and are to be | 6 |
for keying and markup | 6 |
and encoded edition of | 6 |
is available for reuse | 6 |
represented either as utf | 6 |
hold thy nose to | 6 |
text can be copied | 6 |
the early english books | 6 |
books online text creation | 6 |
owned by the institutions | 6 |
joyfull sight to see | 6 |
to the early english | 6 |
work described above is | 6 |
upon the green hill | 6 |
my mother does tell | 6 |
this phase i text | 6 |
keyed and coded from | 6 |
support to the early | 6 |
edition of the work | 6 |
all without asking permission | 6 |
to the pot tom | 6 |
did he doe with | 6 |
iv tiff page images | 6 |
nose to the pot | 6 |
images scanned from microfilm | 6 |
terms of creative commons | 6 |
text is available for | 6 |
the institutions providing financial | 6 |
and markup reviewed and | 6 |
the terms of creative | 6 |
text and markup reviewed | 6 |
markup reviewed and edited | 6 |
from proquest page images | 6 |
if she be fair | 5 |
old sack old sack | 5 |
is as true as | 5 |
go no more to | 5 |
on the death of | 5 |
for he sits all | 5 |
he sits all day | 5 |
to which is added | 5 |
never love thee more | 5 |
come my new courtiers | 5 |
aske me no more | 5 |
no more to the | 5 |
it shall never trouble | 5 |
shall never trouble me | 5 |
wits that were in | 4 |
both the universities before | 4 |
i tell you true | 4 |
best wits that were | 4 |
as well as you | 4 |
the history of the | 4 |
be in your nose | 4 |
varying the use of | 4 |
estc r ocm this | 4 |
the best wits that | 4 |
r ocm this keyboarded | 4 |
text notes for div | 4 |
goe wind and blow | 4 |
and all the rest | 4 |
at the signe of | 4 |
reproduction of original in | 4 |
other choice pieces of | 4 |
tell me i munnot | 4 |
the signe of the | 4 |
and other choice pieces | 4 |
choice pieces of poetry | 4 |
through the whole university | 4 |
pieces of sportive vvit | 4 |
does tell me i | 4 |
the original text notes | 4 |
or severall choice pieces | 4 |
that were in both | 4 |
in varying the use | 4 |
loves of hero and | 4 |
of hero and leander | 4 |
by the best wits | 4 |
be new or old | 4 |
the loves of hero | 4 |
unlesse it be in | 4 |
the whole university pry | 4 |
severall choice pieces of | 4 |
composed by the best | 4 |
use of the senses | 4 |
conteining severall select pieces | 4 |
the rest of the | 4 |
i will have none | 4 |
ocm this keyboarded and | 4 |
to be in his | 4 |
the whole art of | 4 |
it be new or | 4 |
in both the universities | 4 |
original text notes for | 4 |
were in both the | 4 |
at the angel in | 4 |
more than all the | 4 |
must not be forgot | 4 |
it be in your | 4 |
from the original text | 4 |
my willy my billy | 4 |
whether it be new | 4 |
choice pieces of drollery | 4 |
thus through the whole | 4 |
the universities before their | 4 |
severall select pieces of | 4 |
and let barnaby alone | 4 |
select pieces of sportive | 4 |
of the church of | 4 |
and there they did | 4 |
included and sometimes a | 3 |
and some readable characters | 3 |
created by converting tcp | 3 |
users from many walks | 3 |
works in other languages | 3 |
based on the text | 3 |
transcription and basic encoding | 3 |
and some do say | 3 |
trades that ever i | 3 |
usual project restraints of | 3 |
that ever i see | 3 |
teams in oxford and | 3 |
text with mnemonic sdata | 3 |
did not meet qa | 3 |
standards were returned to | 3 |
of creating the tcp | 3 |
and professional end users | 3 |
are available at the | 3 |
aske thee whence those | 3 |
proquest via their early | 3 |
tcp digital transcription a | 3 |
available at the text | 3 |
the true nature of | 3 |
tcp is to encode | 3 |
of the process of | 3 |
english short title catalog | 3 |
issued variously as sgml | 3 |
or corrected and characters | 3 |
new cambridge bibliography of | 3 |
limit of instances per | 3 |
not prepared to dye | 3 |
transcription a of text | 3 |
any assumptions that can | 3 |
seeing thus runs the | 3 |
i fall in love | 3 |
and therefore of any | 3 |
copies of the texts | 3 |
rate of defects per | 3 |
that support the display | 3 |
to the keyers to | 3 |
by one who himselfe | 3 |
been released into the | 3 |
this text is an | 3 |
transformed into placeholder characters | 3 |
possible up to a | 3 |
have been issued variously | 3 |
bear in mind that | 3 |
by the same author | 3 |
into the public domain | 3 |
can be made about | 3 |
was troubled with the | 3 |
in a tract of | 3 |
been tokenized and linguistically | 3 |
support the display of | 3 |
the process of creating | 3 |
of any that delight | 3 |
of a text in | 3 |
love my dove my | 3 |
end users from many | 3 |
the text has been | 3 |
author shewes himselfe to | 3 |
meet qa standards were | 3 |
should be aware of | 3 |
we respectfully request that | 3 |
for cutting a purse | 3 |
a standardized format that | 3 |
carried out by editorial | 3 |
these texts for their | 3 |
in accordance with level | 3 |
the display of a | 3 |
their early english books | 3 |
images in accordance with | 3 |
of works in other | 3 |
the author or stationer | 3 |
create accurately transcribed and | 3 |
for div a e | 3 |
have been transformed into | 3 |
for accuracy and those | 3 |
with an epistle in | 3 |
have still the smallest | 3 |
the usual project restraints | 3 |
and suitable for network | 3 |
changes and metadata enrichments | 3 |
tcp aimed to produce | 3 |
that delight in a | 3 |
published between and available | 3 |
includes standard spellings that | 3 |
restraints of time and | 3 |
been issued variously as | 3 |
record of the period | 3 |
format that preserves archaic | 3 |
up to a limit | 3 |
the number of the | 3 |
for an anonymous work | 3 |
converting tcp files to | 3 |
to encode one copy | 3 |
true nature of the | 3 |
r in the english | 3 |
compelling reason to do | 3 |
were returned to the | 3 |
a works in english | 3 |
some readable characters will | 3 |
sing and be merry | 3 |
texts have been issued | 3 |
which did not meet | 3 |
structural encoding based on | 3 |
if there was a | 3 |
proquest to create accurately | 3 |
hall bishop of norwich | 3 |
first editions of a | 3 |
behalfe of those now | 3 |
at making the text | 3 |
between and defects per | 3 |
text more computationally tractable | 3 |
by amateur and professional | 3 |
the general aim of | 3 |
spi global keyed and | 3 |
the duke of buckingham | 3 |
to create diplomatic transcriptions | 3 |
from many walks of | 3 |
proofread for accuracy and | 3 |
guidelines are available at | 3 |
is a partnership between | 3 |
markup guidelines are available | 3 |
any remaining illegibles were | 3 |
the universities of michigan | 3 |
the author shewes himselfe | 3 |
are eligible for inclusion | 3 |
each text was proofread | 3 |
number of works in | 3 |
works are eligible for | 3 |
is given to their | 3 |
and or corrected and | 3 |
project have been released | 3 |
second or later edition | 3 |
the rules of the | 3 |
text has been tokenized | 3 |
aware of the process | 3 |
texts created during phase | 3 |
cambridge bibliography of english | 3 |
notably latin and welsh | 3 |
the text the author | 3 |
their works are eligible | 3 |
selection was based on | 3 |
published by proquest via | 3 |
while the overall quality | 3 |
later edition of a | 3 |
based on the new | 3 |
tokenized and linguistically annotated | 3 |
collaborative curation by amateur | 3 |
and the publisher proquest | 3 |
the image sets published | 3 |
be said to be | 3 |
should bear in mind | 3 |
been transformed into placeholder | 3 |
sent to external keying | 3 |
been fully proofread approx | 3 |
in several select poems | 3 |
text r in the | 3 |
the angel in cornhil | 3 |
gaps by user contributors | 3 |
mind that in all | 3 |
some errors will remain | 3 |
for transcription and basic | 3 |
such is man who | 3 |
their forces being broke | 3 |
or stationer meant to | 3 |
and characters marked as | 3 |
encoded texts based on | 3 |
processes should make clear | 3 |
filling in of gaps | 3 |
yet for all this | 3 |
enriched version of the | 3 |
creating the tcp texts | 3 |
based on the image | 3 |
for their own purposes | 3 |
was a compelling reason | 3 |
the text more computationally | 3 |
the benefit of any | 3 |
in the behalfe of | 3 |
in all the land | 3 |
quality of tcp data | 3 |
wits of the age | 3 |
mnemonic sdata character entities | 3 |
with level of the | 3 |
an old pair of | 3 |
therefore chose to create | 3 |
the text creation partnership | 3 |
oxford and the publisher | 3 |
any that delight in | 3 |
errors will remain and | 3 |
or elements to simplify | 3 |
my dove my dear | 3 |
all likelihood such instances | 3 |
texts for their own | 3 |
looked at by a | 3 |
shewes himselfe to be | 3 |
michigan and oxford and | 3 |
of textual data within | 3 |
to their original source | 3 |
title published between and | 3 |
and available in eebo | 3 |
of the print record | 3 |
textual changes and metadata | 3 |
partnership between the universities | 3 |
were sent to external | 3 |
of the tei in | 3 |
in of gaps by | 3 |
yet your smith can | 3 |
and linked to page | 3 |
level of the tei | 3 |
text is an enriched | 3 |
to sir john mennis | 3 |
assurance was then carried | 3 |
during phase of the | 3 |
characters or elements to | 3 |
wherein the rules of | 3 |
opposed to critical editions | 3 |
they care not for | 3 |
the encoding was enhanced | 3 |
enrichments aim at making | 3 |
attribution is given to | 3 |
of every monographic english | 3 |
on the new cambridge | 3 |
respectfully request that due | 3 |
made about the data | 3 |
in the new exchange | 3 |
of all occupations that | 3 |
epistle in the behalfe | 3 |
in mind that in | 3 |
that in all likelihood | 3 |
of texts with between | 3 |
digital transcription a of | 3 |
of each text was | 3 |
was proofread for accuracy | 3 |
those which did not | 3 |
where we will leave | 3 |
and metadata enrichments aim | 3 |
general aim of eebo | 3 |
the publisher proquest to | 3 |
illegibles were encoded as | 3 |
many walks of life | 3 |
a tract of this | 3 |
are a number of | 3 |
linked to page images | 3 |
credit and attribution is | 3 |
enhanced and or corrected | 3 |
on the image sets | 3 |
the rate of defects | 3 |
and those which did | 3 |
corrected where possible up | 3 |
aim at restoring the | 3 |
extent have been transformed | 3 |
request that due credit | 3 |
likelihood such instances will | 3 |
will never have been | 3 |
although there are a | 3 |
domain as of january | 3 |
and that you may | 3 |
project restraints of time | 3 |
the tei in libraries | 3 |
the overall quality of | 3 |
in the english short | 3 |
making the text more | 3 |
at by a tcp | 3 |
be sold at his | 3 |
text in a standardized | 3 |
keyers to be redone | 3 |
for the benefit of | 3 |
to produce large quantities | 3 |
there are a number | 3 |
tei in libraries guidelines | 3 |
has not been fully | 3 |
in the midst of | 3 |
refined wits of the | 3 |
or later edition of | 3 |
of time and funding | 3 |
simplify the filling in | 3 |
when he comes home | 3 |
is to encode one | 3 |
users should be aware | 3 |
amateur and professional end | 3 |
be made about the | 3 |
wide variety of subject | 3 |
whichever is the greater | 3 |
and i will be | 3 |
there was a compelling | 3 |
have been looked at | 3 |
text creation partnership web | 3 |
with mnemonic sdata character | 3 |
and therefore chose to | 3 |
keying and markup guidelines | 3 |
data is very good | 3 |
phase of the project | 3 |
tcp is a partnership | 3 |
benefit of any that | 3 |
text was proofread for | 3 |
chose to create diplomatic | 3 |
to external keying companies | 3 |
category of texts with | 3 |
editions of a works | 3 |
sets published by proquest | 3 |
elements to simplify the | 3 |
by editorial teams in | 3 |
the texts have been | 3 |
in oxford and michigan | 3 |
and use these texts | 3 |
puts this text in | 3 |
and attribution is given | 3 |
of all the trades | 3 |
select poems not formerly | 3 |
between and available in | 3 |
large quantities of textual | 3 |
given to their original | 3 |
print record of the | 3 |
overall quality of tcp | 3 |
every one can deny | 3 |
of tcp data is | 3 |
the master of the | 3 |
companies for transcription and | 3 |
delight in a tract | 3 |
all the trades that | 3 |
corrected and characters marked | 3 |
the public domain as | 3 |
readable characters will be | 3 |
is out of the | 3 |
instances will never have | 3 |
universities before their dissolution | 3 |
anyone can now take | 3 |
in a standardized format | 3 |
as if they meant | 3 |
now doubly secluded and | 3 |
the project have been | 3 |
textual data within the | 3 |
as true as steele | 3 |
standard spellings that support | 3 |
the author shews himself | 3 |
that due credit and | 3 |
in the time of | 3 |
qa standards were returned | 3 |
at restoring the text | 3 |
gap elements of known | 3 |
selection was intended to | 3 |
standardized format that preserves | 3 |
sold at his shop | 3 |
language title published between | 3 |
by university of nebraska | 3 |
that preserves archaic forms | 3 |
i aske thee whence | 3 |
known extent have been | 3 |
quality assurance was then | 3 |
the beauty of the | 3 |
by proquest via their | 3 |
with weapon in hand | 3 |
but we respectfully request | 3 |
for i am not | 3 |
accuracy and those which | 3 |
is as good as | 3 |
the print record of | 3 |
changes to facilitate morpho | 3 |
a of text r | 3 |
was based on the | 3 |
should make clear that | 3 |
of those now doubly | 3 |
a number of works | 3 |
and with him all | 3 |
professional end users from | 3 |
why did you not | 3 |
take and use these | 3 |
of the tcp digital | 3 |
on the text encoding | 3 |
page images in accordance | 3 |
and yet to make | 3 |
not meet qa standards | 3 |
over a wide variety | 3 |
will remain and some | 3 |
display of a text | 3 |
these processes should make | 3 |
edition of a work | 3 |
were corrected where possible | 3 |
ascii text with mnemonic | 3 |
reason to do so | 3 |
or for an anonymous | 3 |
of gaps by user | 3 |
i am not prepared | 3 |
the tcp digital transcription | 3 |
by converting tcp files | 3 |
metadata enrichments aim at | 3 |
to reflect the true | 3 |
and some of them | 3 |
was divided into two | 3 |
in the next verse | 3 |
editorial teams in oxford | 3 |
have you heard the | 3 |
to tei p using | 3 |
to the new exchange | 3 |
to create accurately transcribed | 3 |
of text r in | 3 |
with all my heart | 3 |
of any assumptions that | 3 |
via their early english | 3 |
keying companies for transcription | 3 |
but i am sure | 3 |
and then came in | 3 |
where possible up to | 3 |
then carried out by | 3 |
assumptions that can be | 3 |
chosen if there was | 3 |
a text in a | 3 |
curation by amateur and | 3 |
processed by university of | 3 |
encoded as gap s | 3 |
that it had been | 3 |
was then carried out | 3 |
tcp files to tei | 3 |
minister of the gospel | 3 |
for all the world | 3 |
texts with between and | 3 |
in the shape of | 3 |
text the author or | 3 |
for if you do | 3 |
the behalfe of those | 3 |
project was divided into | 3 |
aim at making the | 3 |
unicode or text strings | 3 |
it was the queens | 3 |
i know not whether | 3 |
texts based on the | 3 |
this text has not | 3 |
files to tei p | 3 |
been looked at by | 3 |
image sets were sent | 3 |
remain and some readable | 3 |
but let that pass | 3 |
the annotation includes standard | 3 |
stationer meant to publish | 3 |
has been tokenized and | 3 |
produce large quantities of | 3 |
into placeholder characters or | 3 |
data within the usual | 3 |
unicode or tei g | 3 |
a wide variety of | 3 |
based collaborative curation by | 3 |
global keyed and coded | 3 |
usually the first edition | 3 |
the new cambridge bibliography | 3 |
restoring the text the | 3 |
be sold at the | 3 |
but now comes out | 3 |
characters will be marked | 3 |
and sometimes a second | 3 |
a partnership between the | 3 |
will i fall in | 3 |
this text in the | 3 |
linguistically annotated with morphadorner | 3 |
use these texts for | 3 |
mainly structural encoding based | 3 |
the english short title | 3 |
will be marked as | 3 |
public domain as of | 3 |
external keying companies for | 3 |
the god of warre | 3 |
in english were prioritized | 3 |
texts were encoded and | 3 |
version of the tcp | 3 |
creation partnership web site | 3 |
the god of love | 3 |
is an enriched version | 3 |
corrected and much amended | 3 |
i took him and | 3 |
innovation of penelope and | 3 |
thou canst not be | 3 |
words puts this text | 3 |
encoding was enhanced and | 3 |
a work was chosen | 3 |
was chosen if there | 3 |
that without the blacksmiths | 3 |
users should bear in | 3 |
that can be made | 3 |
then will i fall | 3 |
an epistle in the | 3 |
the shape of a | 3 |
to a limit of | 3 |
one who himselfe is | 3 |
accurately transcribed and encoded | 3 |
never have been looked | 3 |
range over a wide | 3 |
p using tcp tei | 3 |
a compelling reason to | 3 |
characters marked as illegible | 3 |
will have none of | 3 |
aimed to produce large | 3 |
of michigan and oxford | 3 |
of the texts have | 3 |
reflect the true nature | 3 |
the most refined wits | 3 |
be marked as illegible | 3 |
those now doubly secluded | 3 |
at the text creation | 3 |
publisher proquest to create | 3 |
or text strings within | 3 |
the text encoding initiative | 3 |
text strings within braces | 3 |
created during phase of | 3 |
changes aim at restoring | 3 |
sometimes a second or | 3 |
both great and small | 3 |
returned to the keyers | 3 |
understanding these processes should | 3 |
not be lodged here | 3 |
therefore i will have | 3 |
and the most refined | 3 |
a second or later | 3 |
universities of michigan and | 3 |
author or stationer meant | 3 |
vpon the death of | 3 |
by a tcp editor | 3 |
have you not seen | 3 |
the tune of the | 3 |
was enhanced and or | 3 |
released into the public | 3 |
not been fully proofread | 3 |
textual changes aim at | 3 |
quoth the divell and | 3 |
nature of the print | 3 |
of a work was | 3 |
i know not how | 3 |
an enriched version of | 3 |
of a works in | 3 |
was intended to range | 3 |
such instances will never | 3 |
illegible were corrected where | 3 |
all things are in | 3 |
therefore of any assumptions | 3 |
with changes to facilitate | 3 |
the keyers to be | 3 |
were encoded and linked | 3 |
on the praise of | 3 |
have been released into | 3 |
that you may know | 3 |
if it be so | 3 |
elements of known extent | 3 |
to page images in | 3 |
be aware of the | 3 |
of known extent have | 3 |
encoded and linked to | 3 |
thus runs the sport | 3 |
marked as illegible were | 3 |
am not prepared to | 3 |
out by editorial teams | 3 |
doe not kill me | 3 |
were encoded as gap | 3 |
and linguistically annotated with | 3 |
with between and defects | 3 |
more to the new | 3 |
works in english were | 3 |
transcribed and encoded texts | 3 |
within the usual project | 3 |
my love my dove | 3 |
bibliography of english literature | 3 |
most refined wits of | 3 |
the trades that ever | 3 |
and of all occupations | 3 |
of the project have | 3 |
the texts were encoded | 3 |
in all likelihood such | 3 |
tract of this nature | 3 |
of instances per text | 3 |
due credit and attribution | 3 |
consisting of poems songs | 3 |
work was chosen if | 3 |
as illegible were corrected | 3 |
now take and use | 3 |
and markup guidelines are | 3 |
as opposed to critical | 3 |
a limit of instances | 3 |
tcp project was divided | 3 |
image sets published by | 3 |
to simplify the filling | 3 |
the filling in of | 3 |
or tei g elements | 3 |
between the universities of | 3 |
encoding based on the | 3 |
intended to range over | 3 |
canst not be lodged | 3 |
quantities of textual data | 3 |
to range over a | 3 |
drink old sack old | 3 |
then their works are | 3 |
placeholder characters or elements | 3 |
text has not been | 3 |
and encoded texts based | 3 |
can now take and | 3 |
divided into two phases | 3 |
remaining illegibles were encoded | 3 |
variety of subject areas | 3 |
process of creating the | 3 |
annotation includes standard spellings | 3 |
sets were sent to | 3 |
accordance with level of | 3 |
tei p using tcp | 3 |
and oxford and the | 3 |
tcp data is very | 3 |
text selection was based | 3 |
spellings that support the | 3 |
printed for george eversden | 2 |
of his ladyes verses | 2 |
that i were blind | 2 |
of the original in | 2 |
to stay it was | 2 |
is another must not | 2 |
and steales her from | 2 |
content himselfe to take | 2 |
come all ye muses | 2 |
when she spoke it | 2 |
and can make fine | 2 |
in the hand of | 2 |
all the world i | 2 |
upon her breast so | 2 |
easie madnesse to a | 2 |
may thy sleep be | 2 |
into the forge he | 2 |
claim it as my | 2 |
sleep to try the | 2 |
he may become a | 2 |
of you shall have | 2 |
never tane the divel | 2 |
if you do but | 2 |
proper and fit and | 2 |
how right this letter | 2 |
was the cause of | 2 |
be forgot which falls | 2 |
is one of the | 2 |
this thing thou tellest | 2 |
being a full answer | 2 |
smithfeild he did free | 2 |
them feeds with his | 2 |
to a friend upon | 2 |
a gammon of bacon | 2 |
or else i had | 2 |
is apt for to | 2 |
quoth he that used | 2 |
some of the modern | 2 |
doth make him many | 2 |
that i shall be | 2 |
and sent by bladud | 2 |
her all right did | 2 |
a woman is at | 2 |
good as ever strooke | 2 |
like to be a | 2 |
to gueld their bore | 2 |
to find my implements | 2 |
shall i love her | 2 |
is not so with | 2 |
moment ulysses was a | 2 |
should hit the nayle | 2 |
that we may swear | 2 |
was only now to | 2 |
a good cause can | 2 |
was ever chamberlain so | 2 |
by his hollow eyes | 2 |
had made verses all | 2 |
of the taylors trade | 2 |
i know not which | 2 |
his wit and years | 2 |
such a lord or | 2 |
mens noses bleed white | 2 |
seeing himself a welcome | 2 |
and so away did | 2 |
lie at her feet | 2 |
cannot see my king | 2 |
aime when i took | 2 |
several select poems not | 2 |
a sermon for the | 2 |
a learned author is | 2 |
by this you may | 2 |
thinks i hear the | 2 |
if i cannot be | 2 |
but mark how things | 2 |
is the worst monopoly | 2 |
thee know what i | 2 |
i rather think the | 2 |
kisse or paire of | 2 |
the thought of that | 2 |
good ware at all | 2 |
to shew she was | 2 |
penelope at their feast | 2 |
the fight that day | 2 |
as all goods are | 2 |
and many pretty things | 2 |
is he that is | 2 |
of penelope and vlysses | 2 |
any taylor has the | 2 |
c the rate of | 2 |
to the life the | 2 |
for every sin i | 2 |
rob my eyes of | 2 |
of reformation of the | 2 |
to graece he wends | 2 |
reformation of the publick | 2 |
there could be no | 2 |
and further more there | 2 |
if she be born | 2 |
for his wit and | 2 |
gave such a clap | 2 |
restores her speech and | 2 |
there is a whole | 2 |
seem it not strange | 2 |
yet there was not | 2 |
say what they will | 2 |
heard by a post | 2 |
call him drunken barnaby | 2 |
doe want any thing | 2 |
vvith an old pair | 2 |
let them all say | 2 |
of all these dishes | 2 |
this cell which men | 2 |
in the warre has | 2 |
instruments of this thy | 2 |
makes me laugh because | 2 |
the end of this | 2 |
but rather have them | 2 |
and talke and fight | 2 |
his folly for being | 2 |
her the common of | 2 |
a place more rare | 2 |
the trojans and their | 2 |
yeomen of the guard | 2 |
is still the same | 2 |
sir thomas gresham stands | 2 |
then if to know | 2 |
of butchers meat but | 2 |
honest fidlers merry straine | 2 |
combat lasted for the | 2 |
well as hero and | 2 |
a summe that is | 2 |
to the small fry | 2 |
as do offend and | 2 |
secluded and sequestred members | 2 |
i thought my love | 2 |
more there are of | 2 |
with wind in her | 2 |
a good conscience is | 2 |
closet is to me | 2 |
the which my author | 2 |
which perchance may do | 2 |
thousand fiends as black | 2 |
further more there are | 2 |
heart is still the | 2 |
might be no more | 2 |
cryer thereat seemed to | 2 |
went to bed in | 2 |
knowst that then i | 2 |
what though my love | 2 |
they must believe old | 2 |
losses feele we say | 2 |
he loves her rather | 2 |
one of his ladyes | 2 |
have none of molly | 2 |
what seasons good to | 2 |
afterwards he hammersmith hight | 2 |
sure great reason for | 2 |
with a very good | 2 |
curst example of thy | 2 |
and thou shalt see | 2 |
your smith may freely | 2 |
let thy arrowes to | 2 |
last i found my | 2 |
and get thee gone | 2 |
and let horses blood | 2 |
there is a proverb | 2 |
it did not so | 2 |
doctrine of the church | 2 |
so might have bin | 2 |
be merry and make | 2 |
heavenly joyes we feigne | 2 |
thou art but an | 2 |
was a cyclops of | 2 |
let my belly have | 2 |
did not move so | 2 |
in their sleeves the | 2 |
through thick and thin | 2 |
they punish such as | 2 |
forgot which falls unto | 2 |
with sleep to try | 2 |
the armes of agamem | 2 |
graecians called a neat | 2 |
more to the old | 2 |
and ise went to | 2 |
thus much i know | 2 |
sent the old ones | 2 |
when i so low | 2 |
and that very very | 2 |
a song on a | 2 |
this great voluminous pamphlet | 2 |
was a spanish regiment | 2 |
trade gaine so much | 2 |
another proverb makes me | 2 |
next to that the | 2 |
our ladies right arme | 2 |
i have commended thee | 2 |
what was the cause | 2 |
her speech and will | 2 |
be modest wise and | 2 |
little in so much | 2 |
in this place to | 2 |
is as dead as | 2 |
preface to that most | 2 |
the easier it is | 2 |
could by his trade | 2 |
that my muse considered | 2 |
smith may freely forge | 2 |
steales her from her | 2 |
and in the warre | 2 |
more adoe but goes | 2 |
may freely forge what | 2 |
in that her narrow | 2 |
or paire of gloves | 2 |
way when things are | 2 |
not able to stand | 2 |
yet was troubled with | 2 |
that most elaborate piece | 2 |
then to shew she | 2 |
song doth bring the | 2 |
markt how right this | 2 |
but palenesse did containe | 2 |
golden bands an about | 2 |
and thus gan say | 2 |
though bankrupts lye lurking | 2 |
lord or fashion came | 2 |
and laugh at their | 2 |
to bed in prose | 2 |
and in the midst | 2 |
make him many losses | 2 |
it stood very neare | 2 |
at last i found | 2 |
as if the feet | 2 |
c category of texts | 2 |
goe like one of | 2 |
of bread and cheese | 2 |
butchers meat but pyes | 2 |
the midst of all | 2 |
nor can brag of | 2 |
which the old proverb | 2 |
make one more soft | 2 |
will keep our old | 2 |
as dead as a | 2 |
of so rich stuffe | 2 |
was present when she | 2 |
and see that none | 2 |
not thy meeting with | 2 |
when my heat was | 2 |
a room with one | 2 |
scarce deny our soules | 2 |
and this is the | 2 |
elaborate piece of poetry | 2 |
to the king and | 2 |
and my head opprest | 2 |
neat panch clenser is | 2 |
when they come in | 2 |
with little switch can | 2 |
when we buy a | 2 |
as had it been | 2 |
her cheeks to make | 2 |
other newes within the | 2 |
we can explaine by | 2 |
we say such a | 2 |
except for loving thee | 2 |
she sung better now | 2 |
my muses lamentation was | 2 |
back was your founder | 2 |
would make our paper | 2 |
other on his dagger | 2 |
there staring to find | 2 |
graecians took their tooles | 2 |
we should hit the | 2 |
in a tavern once | 2 |
to that most elaborate | 2 |
hath lost his nose | 2 |
smith can sooner double | 2 |
his meat yet your | 2 |
have the best of | 2 |
are but my garrison | 2 |
once my prince affliction | 2 |
though they are so | 2 |
because his eyes all | 2 |
they were so very | 2 |
the knight of the | 2 |
there is another must | 2 |
feele we say such | 2 |
him men did desire | 2 |
rejoyce the tyrant did | 2 |
naughty beere or ale | 2 |
marriage is the worst | 2 |
nere hold it out | 2 |
have you heard our | 2 |
help do suppose st | 2 |
she was not quite | 2 |
sleep in a whole | 2 |
he had twenty cannons | 2 |
he that thinks so | 2 |
spoile the trade of | 2 |
had sure great reason | 2 |
poems corrected and much | 2 |
may perceive they were | 2 |
verbs in the accendence | 2 |
least some of the | 2 |
lady greatly longing for | 2 |
and sing disgrace to | 2 |
will serve to make | 2 |
give me leave to | 2 |
like those sophies who | 2 |
make me no prisoner | 2 |
it is not the | 2 |
and hope to be | 2 |
your cloak that i | 2 |
the sea of rome | 2 |
within the camp was | 2 |
and we will have | 2 |
signes that poets have | 2 |
marke how he was | 2 |
le tell you where | 2 |
and the fire quite | 2 |
thou dost deny me | 2 |
but we will to | 2 |
if you stick to | 2 |
a rage sing me | 2 |
in his head did | 2 |
do mean to make | 2 |
well versed in the | 2 |
as love doth commonly | 2 |
but not his toes | 2 |
i be driven so | 2 |
cry it is as | 2 |
and yet not one | 2 |
much knowledge as to | 2 |
so high did grow | 2 |
they did not move | 2 |
it any been but | 2 |
guise gave him a | 2 |
make the smith eat | 2 |
for ever live and | 2 |
in libraries to hang | 2 |
a tinker dares stand | 2 |
be in his wit | 2 |
the week is in | 2 |
his trade gaine so | 2 |
to quench the fire | 2 |
your blacksmiths bellowes restores | 2 |
i met with the | 2 |
strips and gorgets was | 2 |
is thought a fine | 2 |
he that will not | 2 |
you once but approach | 2 |
anchor in the new | 2 |
would you be content | 2 |
chirp and sing disgrace | 2 |
and set our selves | 2 |
and by which men | 2 |
that you may perceive | 2 |
some few believe his | 2 |
oh quoth the divell | 2 |
are twins in misery | 2 |
and eke her old | 2 |
i need not tell | 2 |
and chast of life | 2 |
my aime when i | 2 |
from street to street | 2 |
and if i should | 2 |
lane which nobody can | 2 |
with many a teare | 2 |
example of thy wit | 2 |
there might you see | 2 |
when so many haeresies | 2 |
but on a gloomy | 2 |
upon the knaves face | 2 |
translates out of ovid | 2 |
midst of all these | 2 |
gallant bideing where full | 2 |
he could not say | 2 |
sprout with broadest leaves | 2 |
nouns verbs in the | 2 |
but your smith may | 2 |
person or his coyne | 2 |
not stuff nor cloth | 2 |
man better then seven | 2 |
all ye muses and | 2 |
first that ever thunderbolt | 2 |
me she meant with | 2 |
and thou art but | 2 |
eversden at the signe | 2 |
no more adoe but | 2 |
wind in her breech | 2 |
his heart with wo | 2 |
any been but she | 2 |
owes to the blacksmith | 2 |
to know him men | 2 |
but when my heat | 2 |
she sung of tereus | 2 |
out these strong lines | 2 |
nice and rayle against | 2 |
him drink old sack | 2 |
come let us reckon | 2 |
of vlysses and penelope | 2 |
may easily smell it | 2 |
the wether doth change | 2 |
it in a ring | 2 |
where his posterity ever | 2 |
smith has some command | 2 |
smutch her but owes | 2 |
greek there rose a | 2 |
if she be foul | 2 |
and next to that | 2 |
and makes both locks | 2 |
perchance may do thy | 2 |
birds of the same | 2 |
more in doubt the | 2 |
for her incestuous house | 2 |
the birds will laugh | 2 |
in their holes and | 2 |
the tost be hizzing | 2 |
his posterity ever since | 2 |
his soule for harmony | 2 |
him alone for remedy | 2 |
in sejanus out of | 2 |
and all for very | 2 |
of all manner of | 2 |
that no enemy might | 2 |
to take his lust | 2 |
when the wind is | 2 |
was the time when | 2 |
to have made a | 2 |
to learn to sing | 2 |
he hammersmith hight which | 2 |
the divel by the | 2 |
to marry with vulcan | 2 |
assurances now in use | 2 |
being let a while | 2 |
in the night and | 2 |
times proves favour by | 2 |
the knaves face it | 2 |
wherefore the graecians took | 2 |
and for a time | 2 |
the burse of reformation | 2 |
he does lay on | 2 |
thy mother is a | 2 |
they were wont to | 2 |
look nor can brag | 2 |
as i have heard | 2 |
wine to drinke to | 2 |
but not to dye | 2 |
much as quiet misery | 2 |
is known to every | 2 |
will not bird i | 2 |
took pen in fingers | 2 |
writ him a letter | 2 |
and beat him with | 2 |
and there is none | 2 |
all in his head | 2 |
so in love with | 2 |
shew she was not | 2 |
i dare safely swear | 2 |
as if their wisdomes | 2 |
black and white together | 2 |
would have made a | 2 |
have a care of | 2 |
is a thing which | 2 |
estc r this keyboarded | 2 |
unto heavenly joyes we | 2 |
stomacher upon her breast | 2 |
head unto the heel | 2 |
it should go round | 2 |
that dost controule all | 2 |
goes and steales her | 2 |
great as guise or | 2 |
may be done in | 2 |
the strait will trouble | 2 |
see the prettiest thing | 2 |
as some do say | 2 |
right did build her | 2 |
i am sure they | 2 |
sword by his side | 2 |
no itch my silent | 2 |
things are safe as | 2 |
suddainly with water wee | 2 |
doth not that artist | 2 |
if comparisons be free | 2 |
of original in huntington | 2 |
lay about the fire | 2 |
bellowes restores her speech | 2 |
ulysses was in love | 2 |
a doubt in every | 2 |
and fiery spirits in | 2 |
that comes up with | 2 |
suffer his little pretty | 2 |
me no more where | 2 |
which the world miscalls | 2 |
of the nouns verbs | 2 |
so fine and so | 2 |
your smith can sooner | 2 |
a cyclops of the | 2 |
from the juice of | 2 |
if they doe want | 2 |
cupid drew his bow | 2 |
is not all thy | 2 |
and his lanctre down | 2 |
and no more adoe | 2 |
and he vowed it | 2 |
was hee as loving | 2 |
no other newes within | 2 |
you cry it is | 2 |
which we may repent | 2 |
one is held to | 2 |
may be said to | 2 |
preach before the king | 2 |
if you please to | 2 |
and the tall banks | 2 |
you be content onely | 2 |
was the cause that | 2 |
his hope was only | 2 |
had never gotten his | 2 |
in the county of | 2 |
this side they have | 2 |
a health to king | 2 |
me a cup of | 2 |
many a blow it | 2 |
then he did call | 2 |
you may see in | 2 |
the rest were gone | 2 |
history deserves a grave | 2 |
on each side of | 2 |
is the lane of | 2 |
be hanged for cutting | 2 |
pamphlet may be said | 2 |
though now grown somewhat | 2 |
tyrant did her wrong | 2 |
i did begin to | 2 |
they doe want any | 2 |
a very good jest | 2 |
fight on my merry | 2 |
lye lurking in their | 2 |
and doe think still | 2 |
the author translates out | 2 |
resolves to have some | 2 |
whence that i came | 2 |
i will tell you | 2 |
bow and bolt some | 2 |
so away did come | 2 |
last he made a | 2 |
some iron shackles there | 2 |
when things are as | 2 |
aglaura would please better | 2 |
what else is good | 2 |
that innocence is tempest | 2 |
and whilst that lasted | 2 |
lasted for the space | 2 |
there is no mischiefe | 2 |
rage sing me some | 2 |
that poets have made | 2 |
and suffer his little | 2 |
the ocean and set | 2 |
yet rejoyce the tyrant | 2 |
that lovely breech that | 2 |
girle or a son | 2 |
leave his trojan foes | 2 |
he had such pleasure | 2 |
gave him the horse | 2 |
elegant fancy in the | 2 |
to her my love | 2 |
had it been before | 2 |
and often repeated by | 2 |
lives a single life | 2 |
in awe by mis | 2 |
when judas led them | 2 |
and a fig for | 2 |
i had a sawcer | 2 |
and every nun can | 2 |
if to know him | 2 |
by this large margent | 2 |
your smith knowes best | 2 |
cell which men call | 2 |
a mother is oft | 2 |
once done then never | 2 |
the queen did build | 2 |
makes both locks and | 2 |
as much the one | 2 |
stick to one when | 2 |
had twenty cannons for | 2 |
that gave it to | 2 |
his image being made | 2 |
long pleading a good | 2 |
nun can teach you | 2 |
now why should lewis | 2 |
and trouble not my | 2 |
hath more haire then | 2 |
without the blacksmiths mysteries | 2 |
sin for want of | 2 |
father and the son | 2 |
constant as the week | 2 |
thou not run away | 2 |
not then the weare | 2 |
now not to suffer | 2 |
with halfe the nose | 2 |
we know not what | 2 |
the cock for spight | 2 |
and so was hee | 2 |
had writ a letter | 2 |
assault her but often | 2 |
that then i took | 2 |
but now i think | 2 |
we will to the | 2 |
hands in pewter bason | 2 |
you give a man | 2 |
they can nere hold | 2 |
that he had spoken | 2 |
gon many miles and | 2 |
halfe the nose they | 2 |
thing thou tellest to | 2 |
for at that time | 2 |
that he repented him | 2 |
had you seen how | 2 |
the maidenhead in st | 2 |
some song made in | 2 |
you not seen the | 2 |
this history deserves a | 2 |
of penelope and ulysses | 2 |
not believe it yet | 2 |
cause he had such | 2 |
and women the more | 2 |
is still in fashion | 2 |
and leander a mock | 2 |
have sung thy meeters | 2 |
else i must say | 2 |
the society of astrologers | 2 |
let a while to | 2 |
proverb makes me laugh | 2 |
that in their sleeves | 2 |
met with the divell | 2 |
and drollery joviall poems | 2 |
that he could see | 2 |
god of warre was | 2 |
the sphaeres that have | 2 |
woman needs no leech | 2 |
with her finger did | 2 |
the rose did first | 2 |
had never tane the | 2 |
gesner in his etymolog | 2 |
that i wish the | 2 |
i so low was | 2 |
and assurances now in | 2 |
death of the lord | 2 |
and on his head | 2 |
sets out pictures lesser | 2 |
this is the best | 2 |
in the c category | 2 |
doubly secluded and sequestred | 2 |
with his bag and | 2 |
i wish the gaines | 2 |
then the ivory plaine | 2 |
the space of ten | 2 |
sermon before the judges | 2 |
he was in love | 2 |
clergy admits none of | 2 |
from their trojan warrs | 2 |
or the burning taper | 2 |
make our paper deare | 2 |
when such a lord | 2 |
the old ones packing | 2 |
e estc r this | 2 |
she then prepares a | 2 |
suppose the match was | 2 |
to him does belong | 2 |
upon a holy tide | 2 |
him many losses feele | 2 |
dishes stood a platter | 2 |
else the stool whereon | 2 |
in this cabinet lockt | 2 |
divell in the shape | 2 |
ladies right arme sleeve | 2 |
and there the king | 2 |
single life that loves | 2 |
collected out of homer | 2 |
nothing but a wife | 2 |
brag of those he | 2 |
she sounded out these | 2 |
sleeves the armes of | 2 |
dasht in my face | 2 |
fidlers at the feast | 2 |
do the smith no | 2 |
yet i know not | 2 |
i will curse thee | 2 |
and there he knocks | 2 |
leander a mock poem | 2 |
there was a spanish | 2 |
my easie madnesse to | 2 |
is your praise when | 2 |
do take a shaft | 2 |
do not thou presse | 2 |
by nature how to | 2 |
bideing where full many | 2 |
man that shewes them | 2 |
wise and chast of | 2 |
do what he can | 2 |
which but i am | 2 |
hand on his heart | 2 |
without the blacksmiths help | 2 |
smith can challenge but | 2 |
have bin neer that | 2 |
he set him down | 2 |
the smith eat his | 2 |
freely forge what he | 2 |
as loving unto her | 2 |
the house like a | 2 |
to make that good | 2 |
from heaven as thou | 2 |
talke and fight as | 2 |
of the whole art | 2 |
in another clench which | 2 |
spoken against thy fame | 2 |
repentance from thy thoughts | 2 |
friends suspected him incontinent | 2 |
when once my prince | 2 |
you will not bird | 2 |
drollery consisting of poems | 2 |
thou hadst better been | 2 |
nose they carried from | 2 |
beat him with spitt | 2 |
such a friend is | 2 |
from one side to | 2 |
to be hanged for | 2 |
the nose they carried | 2 |
to sing this new | 2 |
his sorrow doubled his | 2 |
down when such a | 2 |
that which the world | 2 |
the stool whereon thou | 2 |
to suffer what i | 2 |
now comes out a | 2 |
and there to have | 2 |
him drunken barnaby when | 2 |
deserves a grave translation | 2 |
george eversden at the | 2 |
was not then the | 2 |
meant with sleep to | 2 |
my bed was such | 2 |
both he and she | 2 |
or shall i call | 2 |
and in homer too | 2 |
and if comparisons be | 2 |
he returned from their | 2 |
cause thou art a | 2 |
and fight as well | 2 |
hanged for cutting a | 2 |
not move so mich | 2 |
some command when any | 2 |
like some great mogul | 2 |
is not paid for | 2 |
would i faine enjoy | 2 |
from him alone for | 2 |
i could have eaten | 2 |
as i was thus | 2 |
sometimes into the forge | 2 |
the inne she lay | 2 |
do offend and steale | 2 |
never king made such | 2 |
give her her due | 2 |
breech that never yet | 2 |
to cut off the | 2 |
but in good sooth | 2 |
philosophy can scarce deny | 2 |
for he with little | 2 |
not for the shot | 2 |
contemplation is a thing | 2 |
first printed at abidos | 2 |
eyes all in his | 2 |
a brewer may be | 2 |
better falsifye the rime | 2 |
argues as much knowledge | 2 |
doth bring the black | 2 |
one for my madness | 2 |
a lord or fashion | 2 |
but after in good | 2 |
me the sociable pocket | 2 |
which was indeed their | 2 |
we buy a play | 2 |
drunk with nought but | 2 |
bankrupts lye lurking in | 2 |
jockey is thought a | 2 |
with vulcan did devise | 2 |
hadst thou not run | 2 |
in a rage sing | 2 |
see his love in | 2 |
both night and day | 2 |
as good as ever | 2 |
birds will laugh at | 2 |
laugh because the smith | 2 |
a whole one proper | 2 |
the angel in cornhill | 2 |
twenty cannons for it | 2 |
the blacksmith for her | 2 |
at one end of | 2 |
private closet is to | 2 |
bin neer that lovely | 2 |
weare in bethlem town | 2 |
then seem it not | 2 |
the graecians took their | 2 |
many losses feele we | 2 |
snuffling puritans do surmise | 2 |
the house the queen | 2 |
mulciber to do her | 2 |
that none of you | 2 |
good sack and claret | 2 |
promise them so fairly | 2 |
be broken as my | 2 |
i le not believe | 2 |
and bolt some birding | 2 |
we should strike while | 2 |
that the god of | 2 |
as well as he | 2 |
and if thou pray | 2 |
her but often you | 2 |
thousand thousand fiends as | 2 |
when he returned from | 2 |
go to see his | 2 |
lovely breech that never | 2 |
a face that doth | 2 |
expounded and distorted lawe | 2 |
when things are safe | 2 |
his lanctre down dille | 2 |
a welcome guest resolves | 2 |
that a man may | 2 |
yet your smith knowes | 2 |
in the next line | 2 |
such as do offend | 2 |
sold at the old | 2 |
robyn anspach text and | 2 |
now my hand is | 2 |
my eyes of sleep | 2 |
to keep repentance from | 2 |
to that the god | 2 |
necessity of reformation of | 2 |
saw so much white | 2 |
by some of the | 2 |
he could see to | 2 |
did acquaint her that | 2 |
anspach sampled and proofread | 2 |
to see the sights | 2 |
and when they do | 2 |
the ancient graecians called | 2 |
she did weare in | 2 |
held to it hard | 2 |
naked on frozen caucasus | 2 |
greatly longing for his | 2 |
on my merry men | 2 |
it had been a | 2 |
and some there are | 2 |
move so mich as | 2 |
but to believe it | 2 |
it was sung before | 2 |
as to her only | 2 |
t was not so | 2 |
speaks the one the | 2 |
in dead of night | 2 |
can explaine by musick | 2 |
to her only ioy | 2 |
rules of the nouns | 2 |
her from her husband | 2 |
that were the instruments | 2 |
if i do take | 2 |
an answer to the | 2 |
a while to lye | 2 |
but i to paris | 2 |
woman is at one | 2 |
speech and will fetch | 2 |
as well as ere | 2 |
if this be true | 2 |
for lo she was | 2 |
and sent the old | 2 |
the tenth of january | 2 |
my juggie my puggie | 2 |
in a learned author | 2 |
to make true latin | 2 |
not thou presse my | 2 |
black is the beauty | 2 |
are things of all | 2 |
it no sin to | 2 |
smoother then the ivory | 2 |
from the head unto | 2 |
that whilst she sung | 2 |
high did grow the | 2 |
us much the sounder | 2 |
in a sermon before | 2 |
led them forth did | 2 |
and a falling band | 2 |
a single life that | 2 |
presse my easie madnesse | 2 |
drunken barnaby when barnaby | 2 |
prescribe him his meat | 2 |
the sociable pocket books | 2 |
yet i could not | 2 |
and counted sighs and | 2 |
ink is the life | 2 |
poor penelope sends a | 2 |
doth commonly break out | 2 |
there may happen a | 2 |
knaves face it gave | 2 |
does lay on many | 2 |
mars or vulcans son | 2 |
who himselfe is none | 2 |
the world miscalls a | 2 |
on this side they | 2 |
sung of old by | 2 |
their holes and laugh | 2 |
when unto heavenly joyes | 2 |
but ranck him higher | 2 |
old joseph did it | 2 |
broken as my hopes | 2 |
it gave such a | 2 |
can bring in another | 2 |
your snuffling puritans do | 2 |
still doth he cry | 2 |
stay it was no | 2 |
sing me some song | 2 |
so he that strook | 2 |
and change his soule | 2 |
the death of sir | 2 |
meat yet your smith | 2 |
down a down dilla | 2 |
all occupations that ever | 2 |
such as weare colts | 2 |
lay claim to her | 2 |
to do her all | 2 |
bin content with my | 2 |
thomas gresham stands upright | 2 |
study the black art | 2 |
thus to deprive of | 2 |
these myrmidons were cornish | 2 |
a child in the | 2 |
and so might have | 2 |
of the difference be | 2 |
that i may cut | 2 |
the truth to tell | 2 |
on thee which is | 2 |
there such a song | 2 |
to make an end | 2 |
tall banks of rushes | 2 |
sooner double his files | 2 |
what he gets is | 2 |
after in good time | 2 |
in a whole skin | 2 |
dice yet they do | 2 |
give me the sociable | 2 |
was new come over | 2 |
feigne what ere the | 2 |
cannot be lodged here | 2 |
was not quite unkinde | 2 |
shall i call thee | 2 |
best in all the | 2 |
and will fetch her | 2 |
in the accendence are | 2 |
there the king was | 2 |
in the art of | 2 |
with a wanton hand | 2 |
shall we write the | 2 |
lodge a child in | 2 |
to deprive of liberty | 2 |
be content onely to | 2 |
she is as good | 2 |
which falls unto the | 2 |
the grand doctor to | 2 |
will to the new | 2 |
i heard no screech | 2 |
my pen in one | 2 |
and locks upon thy | 2 |
such kind of men | 2 |
wear as long as | 2 |
the smith can challenge | 2 |
then i took a | 2 |
for the space of | 2 |
and had her shoes | 2 |
which that you may | 2 |
all the rest were | 2 |
stood a platter of | 2 |
of old by ovid | 2 |
heaven as thou art | 2 |
that is accounted odd | 2 |
drinke to the black | 2 |
wit and drollery joviall | 2 |
i had writ a | 2 |
i cannot be lodged | 2 |
he is as good | 2 |
is the life of | 2 |
for man is the | 2 |
these walls are but | 2 |
now when so many | 2 |
he made him a | 2 |
know no itch my | 2 |
man rostmeat and beat | 2 |
of you be taine | 2 |
and he had twenty | 2 |
good conscience is my | 2 |
and he had sure | 2 |
the world in awe | 2 |
jewes did put a | 2 |
could not say his | 2 |
i would not be | 2 |
before ulysses and penelope | 2 |
what i have not | 2 |
the trade of mercenary | 2 |
man will touch her | 2 |
the city of london | 2 |
by the course of | 2 |
to the ingenuous reader | 2 |
being as i said | 2 |
signe of the maidenhead | 2 |
the world to see | 2 |
lo she was at | 2 |
many miles and in | 2 |
and their thimbles too | 2 |
chid away the night | 2 |
hee as loving unto | 2 |
and innocence my liberty | 2 |
were first printed at | 2 |
pleading a good cause | 2 |
so mich as they | 2 |
himself a welcome guest | 2 |
vowed it should go | 2 |
know not which but | 2 |
explaine by musick of | 2 |
else my mother lyes | 2 |
the cryer thereat seemed | 2 |
roman clergy admits none | 2 |
known to every one | 2 |
text in the c | 2 |
she need no stronger | 2 |
so sat me down | 2 |
see our ladies right | 2 |
friend is as true | 2 |
thou little tinny page | 2 |
health to king charles | 2 |
cannot you tend your | 2 |
i am that bird | 2 |
and then he did | 2 |
learned roman clergy admits | 2 |
which the god of | 2 |
few believe his mother | 2 |
of the small pox | 2 |
to lodge a child | 2 |
to be a mother | 2 |
i know no itch | 2 |
so rigid and nice | 2 |
if that she be | 2 |
house the queen did | 2 |
i would not have | 2 |
duke of guise gave | 2 |
was amongst the ancient | 2 |
in which the god | 2 |
burnt in the hand | 2 |
signe of the anchor | 2 |
it was about a | 2 |
break out into an | 2 |
and go to see | 2 |
believe old joseph did | 2 |
a song of the | 2 |
may repent all our | 2 |
the match was broke | 2 |
long and wide the | 2 |
well as ere she | 2 |
so happy as i | 2 |
then there is a | 2 |
no good ware at | 2 |
farther did acquaint her | 2 |
not that artist erre | 2 |
to all the rest | 2 |
for those that are | 2 |
the lane of ironmonger | 2 |
conscience is my baile | 2 |
and gorgets was not | 2 |
fancy in the poet | 2 |
be as great as | 2 |
a description of the | 2 |
set our selves free | 2 |
infallible to know how | 2 |
were not stuff nor | 2 |
musick of the winged | 2 |
merry and make good | 2 |
doubt in every one | 2 |
to try the mastery | 2 |
and to that tune | 2 |
i had made verses | 2 |
useful for those that | 2 |
no man will touch | 2 |
a man so comely | 2 |
was a graecian born | 2 |
i needs must say | 2 |
and yet i know | 2 |
yet she sung better | 2 |
another proverb does seldome | 2 |
they were not stuff | 2 |
there was a sweet | 2 |
the nose is of | 2 |
then thy mother is | 2 |
in that very place | 2 |
my limbs were weary | 2 |
i thought her the | 2 |
if once the tost | 2 |
trident in his hand | 2 |
god of love was | 2 |
a spanish regiment amongst | 2 |
thou art a wife | 2 |
made use of in | 2 |
fiery spirits in armour | 2 |
out where to dwell | 2 |
him king of birds | 2 |
the fire like lightening | 2 |
the anchor in the | 2 |
when it s out | 2 |
the face of the | 2 |
but now i do | 2 |
get a girle or | 2 |
a fig for the | 2 |
your neat panch clenser | 2 |
marry with vulcan did | 2 |
muse considered had this | 2 |
child in the great | 2 |
and assault her but | 2 |
that never yet was | 2 |
i had got a | 2 |
never felt anger except | 2 |
of poems songs wherein | 2 |
margent did the poet | 2 |
what is your praise | 2 |
is there such a | 2 |
thy arrowes to have | 2 |
and the rest of | 2 |
from whence that i | 2 |
my prince affliction hath | 2 |
rostmeat and beat him | 2 |
yet with her it | 2 |
to give a heat | 2 |
my merry men all | 2 |
tinker dares stand to | 2 |
covantage keyed and coded | 2 |
see make torments easie | 2 |
third lyes in the | 2 |
you stick to one | 2 |
one when fortunes wheele | 2 |
he being as i | 2 |
did free from dirt | 2 |
the time of the | 2 |
the blacksmiths help do | 2 |
grave and wise which | 2 |
no sin to be | 2 |
because the smith can | 2 |
took a sawsedge up | 2 |
proverb speaks the one | 2 |
clench which nobody can | 2 |
at law grow richer | 2 |
of the publick doctrine | 2 |
staring to find my | 2 |
tane the divel by | 2 |
such a way as | 2 |
yet contemplation is a | 2 |
say such a friend | 2 |
sing hold thy nose | 2 |
things of all sizes | 2 |
you promise them so | 2 |
that very very face | 2 |
down as flat as | 2 |
suffered more than all | 2 |
for he resolves to | 2 |
mark how things were | 2 |
him to a cure | 2 |
as well as hero | 2 |
and never felt anger | 2 |
love doth commonly break | 2 |
for to get a | 2 |
to be as great | 2 |
sounded out these strong | 2 |
mich as they were | 2 |
better call him king | 2 |
at the last he | 2 |
doubled his heart with | 2 |
now grown somewhat nasty | 2 |
any thing to be | 2 |
which is added the | 2 |
but if it be | 2 |
thee which is worse | 2 |
fill us up a | 2 |
for all your reformation | 2 |
smith knowes best to | 2 |
the devil a scholler | 2 |
and went to bed | 2 |
not the fall of | 2 |
one proper and fit | 2 |
some of the difference | 2 |
as much as quiet | 2 |
not my suffering fit | 2 |
the smith has some | 2 |
lout bid for them | 2 |
who hath seen a | 2 |
the cause of this | 2 |
should go round as | 2 |
his head did move | 2 |
if daphne be a | 2 |
to let thy arrowes | 2 |
about the fire like | 2 |
and when some other | 2 |
have made a gown | 2 |
your smith can fetch | 2 |
the other on his | 2 |
it argues an elegant | 2 |
to get a girle | 2 |
drink and talke and | 2 |
could not see to | 2 |
to see such a | 2 |
bounds of an epitome | 2 |
the cause of her | 2 |
every sin i have | 2 |
the preface to that | 2 |
saint there hath lost | 2 |
for being so ore | 2 |
in the british library | 2 |
lawes do punish severely | 2 |
dub a dub a | 2 |
never gotten his keyes | 2 |
and on his back | 2 |
i was thus preparing | 2 |
of the maidenhead in | 2 |
as hero and leanders | 2 |
this pintepot had bin | 2 |
but not thy meeting | 2 |
if their wisdomes had | 2 |
him by nature how | 2 |
be ruled by me | 2 |
did suppose the match | 2 |
the original in the | 2 |
to live or die | 2 |
the tyrant did her | 2 |
as far from heaven | 2 |
then prepares a banquet | 2 |
keep our old exchange | 2 |
holes and laugh at | 2 |
that never troubled me | 2 |
by reason of the | 2 |
this cabinet lockt up | 2 |
good to gueld their | 2 |
as true as steel | 2 |
not see to shoot | 2 |
poems songs wherein the | 2 |
but marke how he | 2 |
in the month of | 2 |
who is apt for | 2 |
any one is burnt | 2 |
in the inne she | 2 |
was made of the | 2 |
either did lye in | 2 |
women the more common | 2 |
more or less then | 2 |
it is no shame | 2 |
suffer what i wish | 2 |
where all things are | 2 |
laugh at their creditors | 2 |
to drinke to the | 2 |
many haeresies fly about | 2 |
lay on many a | 2 |
there are of those | 2 |
then i thought her | 2 |
others at thy rimes | 2 |
i could not rest | 2 |
when one is held | 2 |
the hap to get | 2 |
would not be a | 2 |
glory to my king | 2 |
though he does lay | 2 |
neglected records of my | 2 |
you shall have his | 2 |
one hand on his | 2 |
methinks i hear the | 2 |
no man better then | 2 |
various consort choosing them | 2 |
can scarce deny our | 2 |
of those he hath | 2 |
acquaint her that a | 2 |
the lord mayors show | 2 |
barnaby when barnaby is | 2 |
guest resolves to have | 2 |
clap on thee bolts | 2 |
keep repentance from thy | 2 |
smooth so rough a | 2 |
a ding a ding | 2 |
and wot you what | 2 |
is the worlds epitome | 2 |
song made in the | 2 |
wat grew faint and | 2 |
versed in the almanack | 2 |
boy who every one | 2 |
if you would have | 2 |
with her it did | 2 |
has some command when | 2 |
i will have a | 2 |
fight as well as | 2 |
and he could not | 2 |
folly for being so | 2 |
to spoile the trade | 2 |
my king from me | 2 |
resting the other on | 2 |
joyes we feigne what | 2 |
so little in so | 2 |
could be but one | 2 |
is true quoth he | 2 |
pipes upon a green | 2 |
charity for to be | 2 |
he that means to | 2 |
make up a man | 2 |
there was an old | 2 |
have the hap to | 2 |
a friend is as | 2 |
this is the way | 2 |
objects are not seen | 2 |
birds of a feather | 2 |
she be fair and | 2 |
it in this line | 2 |
so many haeresies fly | 2 |
a thousand thousand fiends | 2 |
one of them was | 2 |
her face in creame | 2 |
to the old exchange | 2 |
and there staring to | 2 |
under lock and key | 2 |
when in the inne | 2 |
which i know is | 2 |
yet to make the | 2 |
fortunes wheele doth make | 2 |
innocence is tempest proof | 2 |
the man that shewes | 2 |
did weare in bethlem | 2 |
but if my love | 2 |
my belly have ale | 2 |
let us reckon what | 2 |
to cool thy broth | 2 |
the nouns verbs in | 2 |
so low was brought | 2 |
yet least some of | 2 |
he did free from | 2 |
can he be merry | 2 |
thought her the common | 2 |
and he comes presently | 2 |
she meant with sleep | 2 |
but when he saw | 2 |
shall win me to | 2 |
set on others at | 2 |
law grow richer far | 2 |
and chid his folly | 2 |
all our life after | 2 |
if you promise them | 2 |
they free with subtill | 2 |
and to leander turn | 2 |
taylor has the itch | 2 |
thereat seemed to be | 2 |
lines of her minde | 2 |
i may or can | 2 |
a third lyes in | 2 |
language was too rough | 2 |
but send me word | 2 |
and drink and talke | 2 |
sometimes king of this | 2 |
who would drown a | 2 |
to his worthy friend | 2 |
the old proverb speaks | 2 |
himselfe to be in | 2 |
most elaborate piece of | 2 |
to see and to | 2 |
considered had this geare | 2 |
i stand in fear | 2 |
once i had a | 2 |
her but owes to | 2 |
and then unto the | 2 |
be in his wits | 2 |
as if they had | 2 |
is a goodly day | 2 |
and with the thought | 2 |
will hold him play | 2 |
go round as a | 2 |
with red was dight | 2 |
his little pretty queen | 2 |
my soul is free | 2 |
a sermon before the | 2 |
as well as i | 2 |
reproduction of the original | 2 |
know what i can | 2 |
went from england into | 2 |
knowledge as to make | 2 |
vulcan farther did acquaint | 2 |
with his owne hand | 2 |
o the golden bands | 2 |
let him drink old | 2 |
where shall we write | 2 |
he be merry and | 2 |
spirits of the sphaeres | 2 |
all the day long | 2 |
commonly break out into | 2 |
on thee bolts and | 2 |
i cannot hold out | 2 |
in me she meant | 2 |
that i could think | 2 |
all these dishes stood | 2 |
sejanus out of homer | 2 |
he with little switch | 2 |
drollery joviall poems corrected | 2 |
miles and in the | 2 |
trade of mercenary braines | 2 |
kisses as to her | 2 |
as much knowledge as | 2 |
when i took pen | 2 |
to keep off the | 2 |
so was hee as | 2 |
thus we can explaine | 2 |
seemed to be willing | 2 |
for george eversden at | 2 |
songs wherein the rules | 2 |
subtill art the innocent | 2 |
master of the ceremonies | 2 |
preparing all in a | 2 |
the divell in the | 2 |
grammatical drollery consisting of | 2 |
for to be known | 2 |
king of this realme | 2 |
comparisons be free from | 2 |
thy poor penelope sends | 2 |
he them feeds with | 2 |
struck upon the table | 2 |
rose did first grow | 2 |
hero and leander a | 2 |
not that i wish | 2 |
troubles make me tamer | 2 |
none of theirs to | 2 |
but would you think | 2 |
est soliciti plena timoris | 2 |
not paid for yet | 2 |
res est soliciti plena | 2 |
as the week is | 2 |
the death of the | 2 |
whole one proper and | 2 |
put a candle in | 2 |
a full answer to | 2 |
her it did not | 2 |
the craft the wiles | 2 |
i cannot see my | 2 |
as smock or sheet | 2 |
as if you had | 2 |
accendence are pleasantly made | 2 |
by musick of the | 2 |
at the old exchange | 2 |
still the smallest fruit | 2 |
new exchange where all | 2 |
to be out of | 2 |
is a whole one | 2 |
taught him by nature | 2 |
these strong lines of | 2 |
he is not paid | 2 |
i took pen in | 2 |
fire like lightening flasheth | 2 |
resolves to leave his | 2 |
dory in the song | 2 |
i know you have | 2 |
art but an elfe | 2 |
some fidlers at the | 2 |
which suddainly with water | 2 |
will make his fingers | 2 |
his eyes all in | 2 |
never yet was troubled | 2 |
you meet with naughty | 2 |
round as a ball | 2 |
yet he is as | 2 |
is held to it | 2 |
poor teg and shone | 2 |
if in me she | 2 |
to see if she | 2 |
was thus preparing all | 2 |
the rose with red | 2 |
sometimes there may happen | 2 |
by day and by | 2 |
do thee no harm | 2 |
sure they did not | 2 |
because many mens noses | 2 |
when you meet with | 2 |
another clench which nobody | 2 |
the best in all | 2 |
him but ranck him | 2 |
but a foule disgrace | 2 |
repented him that he | 2 |
blacksmith for her leatcher | 2 |
and he them feeds | 2 |
thou play the wag | 2 |
thomason e estc r | 2 |
of the same feather | 2 |
and if they doe | 2 |
that were it not | 2 |
then is the lane | 2 |
my hony my cony | 2 |
it is a goodly | 2 |
into this private room | 2 |
gaine so much coyn | 2 |
blow it ruines neither | 2 |
when i saw so | 2 |
to eat and drink | 2 |
has gon many miles | 2 |
whilst that lasted no | 2 |
all right did build | 2 |
the golden bands an | 2 |
was sung before ulysses | 2 |
ulysses was a graecian | 2 |
i have repentance yet | 2 |
summe that is accounted | 2 |
dunstan had never tane | 2 |
thou presse my easie | 2 |
and xml conversion wit | 2 |
did begin to think | 2 |
love welcome with a | 2 |
to the duke of | 2 |
the ready way to | 2 |
your hands and so | 2 |
love in his best | 2 |
one saint there hath | 2 |
yet i am not | 2 |
no enemy might wrong | 2 |
so rough a path | 2 |
those sophies who would | 2 |
great store of charity | 2 |
methought i lay content | 2 |
do you mean to | 2 |
gaines to spoile the | 2 |
hadst thou bin content | 2 |
is better to be | 2 |
pen in one hand | 2 |
o yonder is my | 2 |
my love had been | 2 |
the church of rome | 2 |
up the ocean and | 2 |
full forty times over | 2 |
a stomacher upon her | 2 |
drink up the ocean | 2 |
we may repent all | 2 |
perceive they were stout | 2 |
the c category of | 2 |
cliptick spirits of the | 2 |
those that can bring | 2 |
battle of the verbs | 2 |
from the grand doctor | 2 |
like one of those | 2 |
by which we may | 2 |
made a gown of | 2 |
when you give a | 2 |
as they were wont | 2 |
no carpenter could by | 2 |
for though his time | 2 |
that in persian habits | 2 |
for sure t is | 2 |
as in a learned | 2 |
a poet in his | 2 |
and make good chear | 2 |
admits none of theirs | 2 |
judas led them forth | 2 |
her soule is fled | 2 |
onely flourish in your | 2 |
to set on others | 2 |
he that hath a | 2 |
seemes not to be | 2 |
knowes best to give | 2 |
have the native colour | 2 |
had a sawcer of | 2 |
and being let a | 2 |
ocean and set our | 2 |
who use to hang | 2 |
author translates out of | 2 |
a dub a dub | 2 |
robyn anspach sampled and | 2 |
for all his hope | 2 |
sophies who would drown | 2 |
walls are but my | 2 |
is a hopefull boy | 2 |
be not so coy | 2 |
know what seasons good | 2 |
of late have been | 2 |
bit of butchers meat | 2 |
face it gave such | 2 |
amongst the ancient graecians | 2 |
this gallant bideing where | 2 |
it was to the | 2 |
it is as dead | 2 |
them forth did use | 2 |
bolts and locks upon | 2 |
easier it is to | 2 |
blacksmiths bellowes restores her | 2 |
is europes greatest town | 2 |
to lie at her | 2 |
and prescribe him his | 2 |
but yet for all | 2 |
he could be but | 2 |
laid one hand on | 2 |
ancient graecians called a | 2 |
and yet rejoyce the | 2 |
make haste we say | 2 |
be done in an | 2 |
that is he that | 2 |
our lawes do punish | 2 |
on a gloomy day | 2 |
sorrow doubled his heart | 2 |
now you have a | 2 |
then live to be | 2 |
my head opprest with | 2 |
the accendence are pleasantly | 2 |
so struck upon the | 2 |
lurking in their holes | 2 |
or else my mother | 2 |
for certainly the man | 2 |
just so it was | 2 |
am sure they did | 2 |
if thou wilt take | 2 |
and thou shalt be | 2 |
never did i see | 2 |
hold out a minit | 2 |
present when she spoke | 2 |
that we should strike | 2 |
what i can do | 2 |
of the anchor in | 2 |
breath to cool thy | 2 |
of guise gave him | 2 |
o thou that dost | 2 |
change his soule for | 2 |
knew not a curse | 2 |
for the rest of | 2 |
as a pike staffe | 2 |
but let my belly | 2 |
this you may perceive | 2 |
this large margent did | 2 |
welcome guest resolves to | 2 |
was burthen of her | 2 |
publick doctrine of the | 2 |
the first that ever | 2 |
though his time was | 2 |
and nice and rayle | 2 |
neer that lovely breech | 2 |
things are in fashion | 2 |
of in their lines | 2 |
it might have been | 2 |
to rob my eyes | 2 |
a journey into france | 2 |
when any one is | 2 |
joviall poems corrected and | 2 |
stuff nor cloth sure | 2 |
the tall banks of | 2 |
this nature by w | 2 |
he that strook at | 2 |
divel by the nose | 2 |
which afterwards he hammersmith | 2 |
and now i leave | 2 |
though not at rest | 2 |
strong lines of her | 2 |
the warre has all | 2 |
can nere hold it | 2 |
and which perchance may | 2 |
passion through the heart | 2 |
cannot hold out a | 2 |
the forge he goes | 2 |
the praise of sack | 2 |
in his best cloaths | 2 |
how strong it is | 2 |
upon the fall of | 2 |
were i shut up | 2 |
and yet i could | 2 |
where full many a | 2 |
it is to be | 2 |
will laugh at you | 2 |
that ever yet was | 2 |
and leave her seacoale | 2 |
arrowes to have eyes | 2 |
them all say what | 2 |
being a man so | 2 |
is the indians pride | 2 |
which at an outcry | 2 |
an elegant fancy in | 2 |
here and there staring | 2 |
argues an elegant fancy | 2 |
it up and down | 2 |
annotation on thomason copy | 2 |
long since to guild | 2 |
as if in me | 2 |
how passive man is | 2 |
has all the craft | 2 |
the one the heart | 2 |
and when we have | 2 |
meet then that this | 2 |
to smooth so rough | 2 |
or the art of | 2 |
and that is he | 2 |
he had sure great | 2 |
and took our nags | 2 |
printed for henry herringman | 2 |
did put a candle | 2 |
every nun can teach | 2 |
where are the brave | 2 |
apt for to believe | 2 |
the good earl of | 2 |
from england into france | 2 |
sleep be broken as | 2 |
an introduction to the | 2 |
lest she should run | 2 |
to leave his trojan | 2 |
call him king of | 2 |
gets is out of | 2 |
when barnaby is gone | 2 |
tempting objects are not | 2 |
have made use of | 2 |
locks upon thy legges | 2 |
muses lamentation was the | 2 |
the indians pride to | 2 |
with subtill art the | 2 |
use of in their | 2 |
noses bleed white blood | 2 |
of theirs to marry | 2 |
thy meeting with enemies | 2 |
we there did see | 2 |
s out where to | 2 |
be well versed in | 2 |
when fortunes wheele doth | 2 |
just like london fleet | 2 |
doctor to the small | 2 |
poets have made use | 2 |
must believe old joseph | 2 |
all say what they | 2 |
or may take thee | 2 |
not seen the nightingale | 2 |