This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
nobody can deny | 32 |
which nobody can | 31 |
as well as | 30 |
which no body | 27 |
early english books | 25 |
there was a | 21 |
english books online | 21 |
body can deny | 19 |
all the rest | 19 |
no body can | 19 |
the whole university | 16 |
to see the | 15 |
there is a | 15 |
if she be | 14 |
to make a | 13 |
and in the | 13 |
as if they | 13 |
thus the whole | 12 |
all the world | 12 |
and is not | 12 |
they were so | 12 |
of all the | 12 |
vvith an old | 12 |
text creation partnership | 12 |
a new teacher | 11 |
have none of | 11 |
for want of | 11 |
see a new | 11 |
to make the | 11 |
this is the | 11 |
and then i | 11 |
as much as | 10 |
with such a | 10 |
or else i | 10 |
i am not | 10 |
the tune of | 10 |
to the tune | 10 |
at the last | 10 |
to his wife | 10 |
it was a | 10 |
to be a | 10 |
i know not | 10 |
no more to | 10 |
and all the | 10 |
as if the | 10 |
in such a | 10 |
not to be | 10 |
and many a | 10 |
and now i | 9 |
you may see | 9 |
keying and markup | 9 |
oh there was | 9 |
based on the | 9 |
the death of | 9 |
in the night | 9 |
the rest of | 9 |
i will not | 9 |
a pair of | 9 |
i would not | 9 |
there is no | 9 |
in all the | 9 |
for to be | 9 |
according to the | 9 |
t is not | 9 |
is not c | 9 |
that you may | 9 |
it is a | 9 |
was but a | 9 |
thou canst not | 9 |
what did he | 8 |
to the same | 8 |
and when they | 8 |
for the cloak | 8 |
and when the | 8 |
to see a | 8 |
by way of | 8 |
use of the | 8 |
of fine bag | 8 |
and yet i | 8 |
hone a hone | 8 |
that he had | 8 |
i have a | 8 |
tell you true | 8 |
must not be | 8 |
as in a | 8 |
and thou shalt | 8 |
t was not | 8 |
shew me a | 8 |
that we may | 8 |
i will have | 8 |
his wife for | 8 |
he calls to | 8 |
it may be | 8 |
is not so | 8 |
to be sold | 8 |
as good as | 8 |
notes for div | 8 |
la lanke down | 8 |
a hone a | 8 |
but in the | 8 |
in spight of | 8 |
with an old | 8 |
for div a | 8 |
the use of | 8 |
than all the | 8 |
calls to his | 8 |
choice pieces of | 8 |
i could have | 8 |
pair of fine | 8 |
with a pair | 8 |
fa la lanke | 8 |
as they were | 8 |
he is a | 8 |
it is not | 7 |
the name of | 7 |
lanke down dilly | 7 |
of the work | 7 |
with all their | 7 |
to have a | 7 |
he could not | 7 |
he was a | 7 |
it was the | 7 |
i tell you | 7 |
the new exchange | 7 |
so great a | 7 |
the history of | 7 |
you have a | 7 |
and i will | 7 |
i le tell | 7 |
a cup of | 7 |
the time when | 7 |
up and down | 7 |
and there he | 7 |
the art of | 7 |
and so i | 7 |
as black as | 7 |
and some of | 7 |
thus have you | 7 |
but now i | 7 |
to the king | 7 |
le tell you | 7 |
for those that | 7 |
was the cause | 7 |
whether it be | 7 |
is to be | 7 |
the way to | 7 |
but i am | 7 |
two or three | 7 |
and yet the | 7 |
have you heard | 7 |
he that will | 7 |
some of them | 7 |
to see how | 7 |
i dare not | 7 |
to make me | 7 |
to the new | 7 |
t is true | 7 |
like to a | 7 |
my mistress is | 7 |
in praise of | 7 |
sight to see | 7 |
a new song | 7 |
for i am | 7 |
more than all | 7 |
out of the | 7 |
to the pot | 7 |
to be seen | 7 |
the god of | 7 |
the terms of | 7 |
this keyboarded and | 6 |
tiff page images | 6 |
markup reviewed and | 6 |
to keep thy | 6 |
text and markup | 6 |
kb of xml | 6 |
the cause of | 6 |
this phase i | 6 |
the pot tom | 6 |
tcp assigned for | 6 |
and when he | 6 |
phase i text | 6 |
from proquest page | 6 |
joyfull sight to | 6 |
that they might | 6 |
a paire of | 6 |
that he was | 6 |
and that is | 6 |
to the early | 6 |
thou shalt have | 6 |
mother does tell | 6 |
books online text | 6 |
scanned from microfilm | 6 |
pfs batch review | 6 |
upon the green | 6 |
and encoded edition | 6 |
if thou wilt | 6 |
doe with her | 6 |
distributed and performed | 6 |
cuckolds all arow | 6 |
as true as | 6 |
on his back | 6 |
in your cloak | 6 |
keyed and coded | 6 |
to which is | 6 |
online text creation | 6 |
is but a | 6 |
are to be | 6 |
give me a | 6 |
encoded text transcribed | 6 |
it had been | 6 |
and then the | 6 |
work described above | 6 |
pipes upon the | 6 |
in their own | 6 |
keyboarded and encoded | 6 |
characters represented either | 6 |
the green hill | 6 |
proquest page images | 6 |
available for reuse | 6 |
all without asking | 6 |
hold thy nose | 6 |
as long as | 6 |
edition of the | 6 |
for keying and | 6 |
you shall have | 6 |
i text is | 6 |
the fall of | 6 |
and coded from | 6 |
have a care | 6 |
by the institutions | 6 |
coded from proquest | 6 |
as fast as | 6 |
can be copied | 6 |
a brewer may | 6 |
be sold at | 6 |
above is co | 6 |
assigned for keying | 6 |
and markup reviewed | 6 |
financial support to | 6 |
sits all day | 6 |
does tell me | 6 |
or like a | 6 |
by and by | 6 |
images scanned from | 6 |
for commercial purposes | 6 |
if there be | 6 |
it is as | 6 |
for all the | 6 |
in the new | 6 |
my mother does | 6 |
encoded edition of | 6 |
be lodged here | 6 |
if you will | 6 |
and to the | 6 |
the king and | 6 |
then will i | 6 |
sampled and proofread | 6 |
wit and drollery | 6 |
the work described | 6 |
and he that | 6 |
the duke of | 6 |
was made of | 6 |
text can be | 6 |
text is available | 6 |
in the cloak | 6 |
then let us | 6 |
i had a | 6 |
had been a | 6 |
the early english | 6 |
of creative commons | 6 |
he doe with | 6 |
that it was | 6 |
say no more | 6 |
mistress is a | 6 |
all the land | 6 |
represented either as | 6 |
the text can | 6 |
did he doe | 6 |
without asking permission | 6 |
support to the | 6 |
at that time | 6 |
reviewed and edited | 6 |
will make you | 6 |
not so much | 6 |
even for commercial | 6 |
and all to | 6 |
and so they | 6 |
much like a | 6 |
is available for | 6 |
owned by the | 6 |
described above is | 6 |
must needs be | 6 |
and xml conversion | 6 |
of the world | 6 |
providing financial support | 6 |
to the terms | 6 |
nose to the | 6 |
institutions providing financial | 6 |
as soon as | 6 |
the institutions providing | 6 |
if you do | 6 |
in which the | 6 |
marked as illegible | 6 |
either as utf | 6 |
if it be | 6 |
thy nose to | 6 |
by the same | 6 |
them all to | 6 |
and are to | 6 |
like to the | 6 |
text transcribed from | 6 |
a joyfull sight | 6 |
terms of creative | 6 |
iv tiff page | 6 |
and let the | 5 |
eng humorous poetry | 5 |
one by one | 5 |
i would have | 5 |
he sits all | 5 |
in love with | 5 |
with the answer | 5 |
that i should | 5 |
they shall be | 5 |
never love thee | 5 |
she was a | 5 |
the whole art | 5 |
the best wits | 5 |
of the same | 5 |
that were there | 5 |
thou shalt be | 5 |
out of a | 5 |
that we should | 5 |
a health to | 5 |
to be in | 5 |
let it be | 5 |
there is none | 5 |
those that are | 5 |
up to the | 5 |
history of the | 5 |
in the english | 5 |
but in a | 5 |
both of a | 5 |
and so he | 5 |
and there they | 5 |
the black smiths | 5 |
it shall never | 5 |
part of the | 5 |
the character of | 5 |
go no more | 5 |
of the most | 5 |
some do say | 5 |
that i was | 5 |
i have seen | 5 |
i hear the | 5 |
and with the | 5 |
let us be | 5 |
in his hand | 5 |
that can be | 5 |
through the whole | 5 |
and though the | 5 |
such is the | 5 |
that i may | 5 |
is as good | 5 |
as they say | 5 |
the angel in | 5 |
the muses recreation | 5 |
no more then | 5 |
quoth sir iohn | 5 |
but if you | 5 |
of the body | 5 |
goe wind and | 5 |
from thence to | 5 |
but when they | 5 |
if they had | 5 |
which is the | 5 |
more to the | 5 |
nothing but a | 5 |
truth to tell | 5 |
thus have i | 5 |
to the life | 5 |
some of the | 5 |
as i have | 5 |
they are not | 5 |
with all the | 5 |
shall never trouble | 5 |
you need not | 5 |
quoth the divell | 5 |
your eyes and | 5 |
if i do | 5 |
phillada floutes me | 5 |
old sack old | 5 |
of the church | 5 |
aske me no | 5 |
yet your smith | 5 |
the truth to | 5 |
and those that | 5 |
and yet not | 5 |
know not what | 5 |
in the hand | 5 |
that he may | 5 |
with that he | 5 |
to take a | 5 |
such a thing | 5 |
is not the | 5 |
it is no | 5 |
on the death | 5 |
the praise of | 5 |
you mean to | 5 |
the life of | 5 |
and every one | 5 |
thou art a | 5 |
to make her | 5 |
by which we | 5 |
if it were | 5 |
the loves of | 5 |
on each side | 5 |
and if i | 5 |
she be fair | 5 |
for he sits | 5 |
to be known | 5 |
the man that | 5 |
be free from | 5 |
for such a | 5 |
in the next | 5 |
yet i am | 5 |
which made him | 5 |
pusse should be | 5 |
of the gospel | 5 |
i hope you | 5 |
then began to | 5 |
and now he | 5 |
never trouble me | 5 |
to all the | 5 |
it is so | 5 |
my new courtiers | 5 |
love thee more | 5 |
to see such | 5 |
come my new | 5 |
and there is | 5 |
which is added | 5 |
and no more | 5 |
to a lady | 5 |
and let them | 5 |
as i hear | 5 |
the best of | 5 |
the old exchange | 5 |
me no more | 5 |
of the night | 5 |
but that i | 5 |
but when he | 5 |
he had been | 5 |
sack old sack | 5 |
know not how | 5 |
as to be | 5 |
i am sure | 5 |
nor can the | 5 |
but he that | 5 |
or like the | 5 |
from head to | 5 |
for feare of | 5 |
is as true | 5 |
then since we | 5 |
by his side | 5 |
it was no | 5 |
in a rage | 5 |
and at the | 5 |
and not to | 5 |
with that the | 5 |
worse then a | 5 |
troubled with the | 5 |
an answer to | 5 |
and when i | 5 |
in a day | 4 |
they did not | 4 |
that he would | 4 |
the master of | 4 |
be in his | 4 |
had you seen | 4 |
for if you | 4 |
for now i | 4 |
in the same | 4 |
i will love | 4 |
select pieces of | 4 |
all the verbs | 4 |
is the onely | 4 |
we went to | 4 |
and then he | 4 |
for a time | 4 |
your smith can | 4 |
was in love | 4 |
in both the | 4 |
were in both | 4 |
both the universities | 4 |
he had a | 4 |
tell me i | 4 |
to see his | 4 |
they were all | 4 |
here and there | 4 |
so much as | 4 |
you may perceive | 4 |
the whole world | 4 |
of her eyes | 4 |
and drink and | 4 |
me to be | 4 |
it be new | 4 |
on this side | 4 |
to see if | 4 |
here they did | 4 |
signe of the | 4 |
the king of | 4 |
you will not | 4 |
can make a | 4 |
or if you | 4 |
and other choice | 4 |
the end of | 4 |
they were not | 4 |
you heard the | 4 |
that may be | 4 |
in the year | 4 |
a man and | 4 |
to his mistresse | 4 |
to see her | 4 |
then i thought | 4 |
for which the | 4 |
reproduction of original | 4 |
the body of | 4 |
be new or | 4 |
and hide her | 4 |
of the sun | 4 |
she is a | 4 |
thus to her | 4 |
i do believe | 4 |
i am going | 4 |
the birds will | 4 |
which in the | 4 |
he did not | 4 |
so with me | 4 |
then you must | 4 |
then go c | 4 |
and some do | 4 |
new or old | 4 |
came to the | 4 |
not be forgot | 4 |
and then to | 4 |
gave him a | 4 |
i met with | 4 |
pieces of drollery | 4 |
the word is | 4 |
with marginall notes | 4 |
original text notes | 4 |
and let barnaby | 4 |
which we may | 4 |
there they did | 4 |
care not for | 4 |
whole art of | 4 |
for if i | 4 |
half an hour | 4 |
and in a | 4 |
all manner of | 4 |
thou thy self | 4 |
but let that | 4 |
to every one | 4 |
the universities before | 4 |
in the moon | 4 |
the author shewes | 4 |
he comes to | 4 |
wind and blow | 4 |
as great as | 4 |
went to bed | 4 |
the time of | 4 |
i have been | 4 |
it to the | 4 |
will have none | 4 |
is time to | 4 |
is gone to | 4 |
when things are | 4 |
he is not | 4 |
such a sight | 4 |
as is the | 4 |
let him drink | 4 |
night and day | 4 |
you are not | 4 |
as if their | 4 |
and when you | 4 |
from the original | 4 |
one of them | 4 |
when he was | 4 |
wits that were | 4 |
upon the ground | 4 |
the juice of | 4 |
in my heart | 4 |
for a man | 4 |
level of the | 4 |
the sight of | 4 |
where all the | 4 |
but yet i | 4 |
they made a | 4 |
for in your | 4 |
is to me | 4 |
eight score men | 4 |
i had been | 4 |
of hero and | 4 |
when i did | 4 |
and with a | 4 |
and he had | 4 |
in the middle | 4 |
but when the | 4 |
though it be | 4 |
by the nose | 4 |
prepared to dye | 4 |
get thee gone | 4 |
that men may | 4 |
estc r ocm | 4 |
to his mistris | 4 |
never have been | 4 |
may be seen | 4 |
might have been | 4 |
he took up | 4 |
how he was | 4 |
conteining severall select | 4 |
a piece of | 4 |
for their own | 4 |
you needs must | 4 |
white and red | 4 |
she was so | 4 |
have made a | 4 |
and with that | 4 |
when they came | 4 |
to have been | 4 |
such as you | 4 |
of the whole | 4 |
this is my | 4 |
when they shall | 4 |
what shall i | 4 |
before the king | 4 |
of penelope and | 4 |
of his own | 4 |
without the blacksmiths | 4 |
be in your | 4 |
of any that | 4 |
the world in | 4 |
the rules of | 4 |
if you please | 4 |
to range over | 4 |
to heare the | 4 |
i took him | 4 |
to such a | 4 |
my willy my | 4 |
which i have | 4 |
there the author | 4 |
for the nonce | 4 |
of original in | 4 |
when thou art | 4 |
why should we | 4 |
for i have | 4 |
as full of | 4 |
a mock poem | 4 |
that will not | 4 |
and if thou | 4 |
me i munnot | 4 |
to make it | 4 |
which was the | 4 |
would make a | 4 |
i think it | 4 |
but when i | 4 |
his head did | 4 |
black and white | 4 |
is the best | 4 |
be merry and | 4 |
it be in | 4 |
one of the | 4 |
it shall be | 4 |
of all occupations | 4 |
had it been | 4 |
that they do | 4 |
and all that | 4 |
he that hath | 4 |
that i came | 4 |
and on his | 4 |
and so did | 4 |
nature of the | 4 |
and for the | 4 |
a man in | 4 |
that she was | 4 |
when i am | 4 |
when he comes | 4 |
wits of the | 4 |
day by day | 4 |
such a one | 4 |
i did not | 4 |
and though they | 4 |
as if he | 4 |
shall have his | 4 |
the number of | 4 |
that in a | 4 |
at the angel | 4 |
he made him | 4 |
these are the | 4 |
by sr j | 4 |
universities before their | 4 |
by the best | 4 |
not worth a | 4 |
the church of | 4 |
but when she | 4 |
as thou art | 4 |
as if that | 4 |
and tell you | 4 |
will have a | 4 |
from off the | 4 |
an empty purse | 4 |
other choice pieces | 4 |
i shall be | 4 |
i do not | 4 |
it is to | 4 |
varying the use | 4 |
and when we | 4 |
and all their | 4 |
loves of hero | 4 |
in the midst | 4 |
as i can | 4 |
to be made | 4 |
and so said | 4 |
at the signe | 4 |
for all this | 4 |
t is the | 4 |
truth to say | 4 |
and if they | 4 |
ocm this keyboarded | 4 |
in varying the | 4 |
is not in | 4 |
full many a | 4 |
t was as | 4 |
as it is | 4 |
that was so | 4 |
so may you | 4 |
all in a | 4 |
willy my billy | 4 |
he is in | 4 |
the original text | 4 |
master of the | 4 |
and i was | 4 |
but we will | 4 |
to be the | 4 |
severall select pieces | 4 |
i love thee | 4 |
sir john mennis | 4 |
i will be | 4 |
the story of | 4 |
pieces of sportive | 4 |
all the year | 4 |
for in the | 4 |
severall choice pieces | 4 |
best wits that | 4 |
her from her | 4 |
i pray you | 4 |
unlesse it be | 4 |
the signe of | 4 |
knight of the | 4 |
or severall choice | 4 |
who would not | 4 |
i wish the | 4 |
and then we | 4 |
out of homer | 4 |
made of the | 4 |
red and white | 4 |
that is the | 4 |
of those that | 4 |
oh doe not | 4 |
but for the | 4 |
great and small | 4 |
the fate of | 4 |
what they did | 4 |
shall be of | 4 |
if you once | 4 |
it was too | 4 |
a song on | 4 |
with all my | 4 |
and so the | 4 |
original in the | 4 |
and the most | 4 |
nor of the | 4 |
it hath been | 4 |
will serve to | 4 |
fall in love | 4 |
and yet to | 4 |
let barnaby alone | 4 |
text notes for | 4 |
hero and leander | 4 |
well as you | 4 |
that i could | 4 |
pieces of poetry | 4 |
rest of the | 4 |
in your nose | 4 |
my heart to | 4 |
shape of a | 4 |
her in a | 4 |
i think the | 4 |
of the senses | 4 |
the reason why | 4 |
it be a | 4 |
a very good | 4 |
dub a dub | 4 |
in answer to | 4 |
what i have | 4 |
make you to | 4 |
whole university pry | 4 |
composed by the | 4 |
and no man | 4 |
of sportive vvit | 4 |
thus through the | 4 |
i le not | 4 |
and yet no | 4 |
out of their | 4 |
r ocm this | 4 |
or else the | 4 |
and that you | 4 |
the first that | 4 |
that were in | 4 |
is too much | 3 |
the public domain | 3 |
the tune is | 3 |
they came in | 3 |
text r in | 3 |
enough to make | 3 |
out by editorial | 3 |
markup guidelines are | 3 |
that are the | 3 |
or any thing | 3 |
of text r | 3 |
lincoln and northwestern | 3 |
the midst of | 3 |
and yet they | 3 |
display of a | 3 |
and make him | 3 |
a gown of | 3 |
might be no | 3 |
of poems songs | 3 |
hast thou been | 3 |
therefore of any | 3 |
text the author | 3 |
him for his | 3 |
instances per text | 3 |
one can deny | 3 |
to leave the | 3 |
number of works | 3 |
to the court | 3 |
there had been | 3 |
so have i | 3 |
to see all | 3 |
no man did | 3 |
to the keyers | 3 |
and therefore of | 3 |
the overall quality | 3 |
i need not | 3 |
that must be | 3 |
in a sermon | 3 |
data is very | 3 |
i have not | 3 |
elements of known | 3 |
my mistriss she | 3 |
of love was | 3 |
not that i | 3 |
at last he | 3 |
for the same | 3 |
is of the | 3 |
unknown to me | 3 |
for his own | 3 |
was the first | 3 |
for an anonymous | 3 |
and of the | 3 |
a part of | 3 |
unicode or tei | 3 |
we there did | 3 |
to give a | 3 |
at restoring the | 3 |
and then his | 3 |
rules of the | 3 |
well as he | 3 |
vpon the death | 3 |
tcp is a | 3 |
may as well | 3 |
every one can | 3 |
which perchance may | 3 |
to that most | 3 |
characters marked as | 3 |
notably latin and | 3 |
thinks i hear | 3 |
in a ring | 3 |
of those now | 3 |
we will have | 3 |
that they had | 3 |
angel in cornhil | 3 |
the first edition | 3 |
aim at making | 3 |
consisting of poems | 3 |
took him and | 3 |
many a day | 3 |
i thought your | 3 |
support the display | 3 |
face that doth | 3 |
has been tokenized | 3 |
every monographic english | 3 |
yet for all | 3 |
and there i | 3 |
of english literature | 3 |
said to be | 3 |
i scorne to | 3 |
the usual project | 3 |
as with a | 3 |
he that thinks | 3 |
the eyes of | 3 |
that preserves archaic | 3 |
and with his | 3 |
thee for a | 3 |
restoring the text | 3 |
the very same | 3 |
though not to | 3 |
works are eligible | 3 |
and from the | 3 |
fully proofread approx | 3 |
life and death | 3 |
usually the first | 3 |
not able to | 3 |
more then the | 3 |
as you would | 3 |
we need not | 3 |
did not move | 3 |
i was in | 3 |
as gap s | 3 |
what art thou | 3 |
use these texts | 3 |
variety of subject | 3 |
intended to range | 3 |
for what i | 3 |
they come in | 3 |
drunken barnaby when | 3 |
for nought but | 3 |
proquest to create | 3 |
thou little musgrave | 3 |
glad to see | 3 |
users should be | 3 |
and would not | 3 |
to hang in | 3 |
been tokenized and | 3 |
but would you | 3 |
in the time | 3 |
and went to | 3 |
aim at restoring | 3 |
cut off the | 3 |
metadata enrichments aim | 3 |
could not tell | 3 |
and hope to | 3 |
or later edition | 3 |
is this a | 3 |
in street of | 3 |
request that due | 3 |
to be as | 3 |
of the period | 3 |
be aware of | 3 |
of gaps by | 3 |
to drink in | 3 |
corrected and much | 3 |
therefore chose to | 3 |
be made about | 3 |
not believe it | 3 |
if that you | 3 |
to make you | 3 |
yet i will | 3 |
the annotation includes | 3 |
assumptions that can | 3 |
were returned to | 3 |
more computationally tractable | 3 |
each text was | 3 |
opposed to critical | 3 |
to make him | 3 |
as fine as | 3 |
by no means | 3 |
so that i | 3 |
and those which | 3 |
tune of the | 3 |
encoding was enhanced | 3 |
of the city | 3 |
ever i see | 3 |
proquest via their | 3 |
hand on his | 3 |
that in all | 3 |
if thou canst | 3 |
changes and metadata | 3 |
then came in | 3 |
and thou art | 3 |
like a mad | 3 |
tcp is to | 3 |
public domain as | 3 |
before their dissolution | 3 |
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and so handsome | 3 |
the image sets | 3 |
all these things | 3 |
to encode one | 3 |
what is the | 3 |
did you not | 3 |
i shall tell | 3 |
process of creating | 3 |
and there to | 3 |
and tell the | 3 |
with an epistle | 3 |
as to have | 3 |
as it was | 3 |
and linguistically annotated | 3 |
that they did | 3 |
annotated with morphadorner | 3 |
they do but | 3 |
who himselfe is | 3 |
meant to publish | 3 |
but not his | 3 |
the english short | 3 |
now and then | 3 |
but since that | 3 |
a look that | 3 |
but that in | 3 |
and swore she | 3 |
there be a | 3 |
of the cloak | 3 |
texts based on | 3 |
sent to external | 3 |
author or stationer | 3 |
aske thee whence | 3 |
that it had | 3 |
instances will never | 3 |
domain as of | 3 |
collaborative curation by | 3 |
with level of | 3 |
now doubly secluded | 3 |
such kind of | 3 |
and like a | 3 |
but of a | 3 |
with weapon in | 3 |
he must be | 3 |
their original source | 3 |
we will leave | 3 |
and make it | 3 |
creation partnership web | 3 |
mind that in | 3 |
any that delight | 3 |
general aim of | 3 |
qa standards were | 3 |
limit of instances | 3 |
editorial teams in | 3 |
drink old sack | 3 |
love my dove | 3 |
to kill a | 3 |
should make clear | 3 |
like to be | 3 |
and they were | 3 |
language title published | 3 |
of the tei | 3 |
text more computationally | 3 |
with that they | 3 |
for the benefit | 3 |
on the text | 3 |
for a king | 3 |
on the other | 3 |
where is the | 3 |
to be but | 3 |
assurance was then | 3 |
he had rather | 3 |
oxford and michigan | 3 |
the divell and | 3 |
within the usual | 3 |
had bin the | 3 |
poems not formerly | 3 |
breath to cool | 3 |
my lord mayor | 3 |
yet to make | 3 |
i cannot tell | 3 |
p using tcp | 3 |
at making the | 3 |
when we have | 3 |
characters will be | 3 |
that you should | 3 |
make up a | 3 |
those now doubly | 3 |
although there are | 3 |
english were prioritized | 3 |
that i am | 3 |
was intended to | 3 |
i dare boldly | 3 |
now i do | 3 |
mo a wing | 3 |
such a fart | 3 |
i have the | 3 |
he shall be | 3 |
i can do | 3 |
into placeholder characters | 3 |
there is not | 3 |
understanding these processes | 3 |
yet i have | 3 |
global keyed and | 3 |
in a tract | 3 |
when all the | 3 |
but this is | 3 |
phillada flouts me | 3 |
which was not | 3 |
an end of | 3 |
is the same | 3 |
came in my | 3 |
that ever i | 3 |
been transformed into | 3 |
partnership between the | 3 |
was a compelling | 3 |
i le never | 3 |
are available at | 3 |
linked to page | 3 |
of defects per | 3 |
without wit or | 3 |
a one side | 3 |
between and defects | 3 |
the kings arms | 3 |
to page images | 3 |
both great and | 3 |
look in the | 3 |
the next verse | 3 |
to facilitate morpho | 3 |
was the queens | 3 |
but if the | 3 |
on the image | 3 |
heart is still | 3 |
on the ground | 3 |
is man who | 3 |
by day and | 3 |
these processes should | 3 |
as thou hast | 3 |
of this nature | 3 |
an epistle in | 3 |
and more then | 3 |
with many a | 3 |
not to dye | 3 |
for very joy | 3 |
t is a | 3 |
with that i | 3 |
unicode or text | 3 |
if there was | 3 |
remain and some | 3 |
yet i know | 3 |
all the trades | 3 |
in several select | 3 |
in other languages | 3 |
at the same | 3 |
thee in the | 3 |
on a gentlewoman | 3 |
this text in | 3 |
attribution is given | 3 |
an enriched version | 3 |
of sack and | 3 |
as opposed to | 3 |
there were two | 3 |
to cut off | 3 |
tei in libraries | 3 |
the cause on | 3 |
from many walks | 3 |
and for a | 3 |
a compelling reason | 3 |
a man for | 3 |
and let him | 3 |
wide variety of | 3 |
standardized format that | 3 |
many a man | 3 |
bread and cheese | 3 |
eligible for inclusion | 3 |
a of text | 3 |
now you have | 3 |
and see the | 3 |
to be redone | 3 |
when thou shalt | 3 |
walks of life | 3 |
have you not | 3 |
looked at by | 3 |
phase of the | 3 |
then their works | 3 |
tcp digital transcription | 3 |
and metadata enrichments | 3 |
my dove my | 3 |
philosophy can scarce | 3 |
the aire and | 3 |
which he took | 3 |
to try the | 3 |
for accuracy and | 3 |
the man of | 3 |
with mnemonic sdata | 3 |
r in the | 3 |
when they do | 3 |
hath lost his | 3 |
one side to | 2 |
call him king | 2 |
is as meet | 2 |
gotten his keyes | 2 |
hold in my | 2 |
to be heard | 2 |
which men call | 2 |
more fit for | 2 |
been but she | 2 |
the love of | 2 |
is burnt in | 2 |
those are the | 2 |
is not your | 2 |
comparisons be free | 2 |
take a shaft | 2 |
hath leave to | 2 |
adoe but goes | 2 |
the blacksmiths help | 2 |
not long agoe | 2 |
he be blind | 2 |
after all his | 2 |
taught him by | 2 |
those that can | 2 |
pintepot had bin | 2 |
it with a | 2 |
was halfe so | 2 |
buckle and thong | 2 |
cannot be lodged | 2 |
us to such | 2 |
but our own | 2 |
unto the heel | 2 |
was wondrous light | 2 |
long and wide | 2 |
on a lady | 2 |
malo was more | 2 |
doctor to the | 2 |
and there she | 2 |
no more where | 2 |
willing we should | 2 |
restores her speech | 2 |
the day in | 2 |
but sure i | 2 |
make haste we | 2 |
like one of | 2 |
so that they | 2 |
quoth sir edward | 2 |
all of them | 2 |
and still be | 2 |
was burthen of | 2 |
being an exact | 2 |
leander in her | 2 |
but in good | 2 |
and by this | 2 |
the major part | 2 |
upon a holy | 2 |
the tall banks | 2 |
so rigid and | 2 |
answer to a | 2 |
each others eyes | 2 |
locks upon thy | 2 |
thee to him | 2 |
may meet with | 2 |
that he did | 2 |
others at thy | 2 |
that i doe | 2 |
the strait will | 2 |
could be but | 2 |
him to write | 2 |
about the fire | 2 |
the space of | 2 |
faith i wish | 2 |
know him men | 2 |
but bee thou | 2 |
if i might | 2 |
for when they | 2 |
in the poet | 2 |
good sack and | 2 |
he that used | 2 |
my body bind | 2 |
which they had | 2 |
in a learned | 2 |
else i must | 2 |
content onely to | 2 |
deprive of liberty | 2 |
fear to die | 2 |
ever since was | 2 |
and though we | 2 |
being twice repeated | 2 |
feeds with his | 2 |
that whilst she | 2 |
upon the scene | 2 |
king of this | 2 |
all right did | 2 |
him all his | 2 |
free to all | 2 |
did lye in | 2 |
for his presence | 2 |
as a pudding | 2 |
once i had | 2 |
smith no wrong | 2 |
way to the | 2 |
and we our | 2 |
better for to | 2 |
passion through the | 2 |
a private closet | 2 |
mark how things | 2 |
when we are | 2 |
fate knew not | 2 |
two fountains of | 2 |
through thick and | 2 |
there may happen | 2 |
hills of snow | 2 |
but three sighs | 2 |
then i should | 2 |
be for me | 2 |
love so long | 2 |
versed in the | 2 |
a gloomy day | 2 |
and this pintepot | 2 |
meat but pyes | 2 |
the one of | 2 |
will have them | 2 |
on his knee | 2 |
talke and fight | 2 |
have the hap | 2 |
may do thy | 2 |
make haste and | 2 |
i was so | 2 |
to see you | 2 |
now and than | 2 |
oh never king | 2 |
now not to | 2 |
as dead as | 2 |
of the face | 2 |
besides a pretty | 2 |
forgot which falls | 2 |
they had of | 2 |
with wind in | 2 |
to kiss your | 2 |
worse then the | 2 |
much of the | 2 |
within the city | 2 |
long as i | 2 |
the touch of | 2 |
no worse a | 2 |
to make thy | 2 |
the winged host | 2 |
power to make | 2 |
and make you | 2 |
yet rejoyce the | 2 |
not paid for | 2 |
for there the | 2 |
so away did | 2 |
forbear the cloak | 2 |
or if he | 2 |
would i faine | 2 |
cock for spight | 2 |
true as steel | 2 |
not thy meeting | 2 |
common of three | 2 |
that kept the | 2 |
and eke his | 2 |
it s out | 2 |
g these myrmidons | 2 |
or the burning | 2 |
she spoke it | 2 |
keep repentance from | 2 |
first begin to | 2 |
presse my easie | 2 |
make such hast | 2 |
appear in view | 2 |
all goods are | 2 |
of thy last | 2 |
were but a | 2 |
friend is as | 2 |
match was broke | 2 |
any been but | 2 |
and the best | 2 |
so like a | 2 |
the grate of | 2 |
and leave her | 2 |
from the juice | 2 |
you how to | 2 |
at the length | 2 |
he took his | 2 |
burnt in the | 2 |
that innocence is | 2 |
may freely forge | 2 |
like a wag | 2 |
how many men | 2 |
still the same | 2 |
place as in | 2 |
upholsters use to | 2 |
beere or ale | 2 |
with his bag | 2 |
ever yet was | 2 |
at their feast | 2 |
through a glasse | 2 |
that she did | 2 |
the worst monopoly | 2 |
the state and | 2 |
do all that | 2 |
knew not a | 2 |
a hearty greeting | 2 |
here is an | 2 |
may or can | 2 |
if at the | 2 |
out these strong | 2 |
good old father | 2 |
never was man | 2 |
we be subject | 2 |
we will to | 2 |
i was just | 2 |
sophies who would | 2 |
and suffer his | 2 |
and stick as | 2 |
and t is | 2 |
that was her | 2 |
did not see | 2 |
laugh because the | 2 |
much knowledge as | 2 |
quoth sir henry | 2 |
every nun can | 2 |
the ocean and | 2 |
to beat down | 2 |
that none can | 2 |
i am drunk | 2 |
hay hay and | 2 |
when some other | 2 |
and so his | 2 |
do want a | 2 |
forth he goes | 2 |
that never made | 2 |
which doth not | 2 |
broken as my | 2 |
money and their | 2 |
is added the | 2 |
is not a | 2 |
which when they | 2 |
the native colour | 2 |
elegant fancy in | 2 |
come tell me | 2 |
should be the | 2 |
whole one proper | 2 |
but not thy | 2 |
eat and drink | 2 |
and many pretty | 2 |
with a start | 2 |
by the masse | 2 |
was a crime | 2 |
are safe as | 2 |
so rough a | 2 |
do not so | 2 |
such a grace | 2 |
yet have i | 2 |
sung of tereus | 2 |
but palenesse did | 2 |
whereof he was | 2 |
such cloaks as | 2 |
a friend upon | 2 |
i know is | 2 |
but if that | 2 |
shall win me | 2 |
of the day | 2 |
do the same | 2 |
in this cabinet | 2 |
will trouble you | 2 |
he set him | 2 |
up a horse | 2 |
elaborate piece of | 2 |
of thy great | 2 |
as he was | 2 |
sung of old | 2 |
them on thy | 2 |
look on our | 2 |
you be content | 2 |
his trojan foes | 2 |
will be said | 2 |
with the divell | 2 |
put him out | 2 |
is accounted odd | 2 |
so long as | 2 |
to leave a | 2 |
to perswade him | 2 |
i did ride | 2 |
i le make | 2 |
not what men | 2 |
he was one | 2 |
introduction to the | 2 |
wind and blowe | 2 |
all the way | 2 |
a jockey is | 2 |
her face of | 2 |
at her feet | 2 |
this for her | 2 |
or else you | 2 |
upon the table | 2 |
little pretty wench | 2 |
a better grace | 2 |
prepares a banquet | 2 |
no man can | 2 |
ulysses seeing himself | 2 |
is the indians | 2 |
make all this | 2 |
and a great | 2 |
better and for | 2 |
thomason e estc | 2 |
to keep your | 2 |
then he had | 2 |
none but my | 2 |
virgill and ovid | 2 |
my heart was | 2 |
the depth of | 2 |
a third lyes | 2 |
when fortunes wheele | 2 |
not all thy | 2 |
and counted sighs | 2 |
when he saw | 2 |
a man must | 2 |
you must think | 2 |
cause of this | 2 |