quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
a part of the	80
of the eighteenth century	57
one of the most	57
is one of the	54
the rest of the	48
the top of the	44
it is well to	41
the lines of the	39
the end of the	38
at the same time	38
it is necessary to	35
the walls of the	31
to be found in	31
by the use of	30
side of the house	30
in the way of	29
on the other hand	29
as well as the	28
the decoration of the	27
one side of the	27
the size of the	27
by means of a	27
front of the house	26
there should be a	25
the spirit of the	25
in the case of	24
in keeping with the	24
the middle of the	24
part of the house	24
in harmony with the	23
on either side of	23
the edge of the	23
the center of the	23
the walls of a	22
on each side of	22
it must be remembered	22
either side of the	22
on the walls of	22
the beauty of the	21
be found in the	21
of the house and	21
a great deal of	21
room in the house	21
of one of the	21
the rear of the	20
the centre of the	20
in the same way	20
the design of the	20
at the end of	20
the use of the	20
the character of the	20
each side of the	19
the living room the	19
the sides of the	19
the house was built	19
on the opposite side	19
there is no reason	19
the use of a	19
the front of the	19
the time of louis	19
the back of the	19
the furniture of the	19
in one of the	19
it was not until	18
the fact that the	18
it is to be	18
must be remembered that	18
the seventeenth and eighteenth	18
the style of the	18
it will be found	17
the top and bottom	17
is to be used	17
side of the room	17
it is one of	17
seventeenth and eighteenth centuries	17
the left of the	17
is by no means	17
as well as in	17
of the room is	17
is no reason why	17
end of the room	17
it is possible to	17
rooms of the house	16
in the eighteenth century	16
in the center of	16
a great variety of	16
it is better to	16
of the house is	16
two views of the	16
to harmonize with the	16
or it may be	16
be used as a	16
at the left of	16
the colour of the	15
it is easy to	15
at the top of	15
of william and mary	15
at one side of	15
there are so many	15
of the living room	15
when the house was	15
in the use of	15
be used in the	15
to be used in	15
the opposite side of	15
the appearance of the	15
will be necessary to	15
this part of the	15
in front of the	15
the inside of the	15
it will be necessary	15
opposite side of the	15
the side of the	15
the room in which	15
the treatment of the	15
may be used in	15
the beginning of the	15
as a matter of	14
as shown in the	14
the right of the	14
decoration of the room	14
of the most beautiful	14
the height of the	14
in the decoration of	14
in the middle ages	14
to the use of	14
the arrangement of the	14
as a part of	14
it will be seen	14
at the right of	14
and at the same	14
with the exception of	14
for the use of	13
rest of the house	13
a matter of fact	13
the time of the	13
the work of the	13
part of the room	13
the early part of	13
with a view to	13
the development of the	13
of the same colour	13
the head of the	13
of the seventeenth century	13
at the rear of	13
of the nineteenth century	13
the upper part of	13
in the hands of	12
it is not necessary	12
of the wood and	12
part of the decoration	12
one end of the	12
out of place in	12
in the early days	12
the color of the	12
early part of the	12
the thickness of the	12
is shown in the	12
a fine example of	12
the dining room the	12
it is impossible to	12
but it must be	12
scheme of the room	12
at the top and	12
it is best to	12
is said to have	11
the reign of louis	11
with the rest of	11
upper part of the	11
in the form of	11
the architecture of the	11
is covered with a	11
in the time of	11
in france and england	11
in the seventeenth century	11
on account of the	11
in such a way	11
is to be found	11
at the time of	11
a room in which	11
on the second floor	11
that there is a	11
the bottom of the	11
will be seen that	11
in the style of	11
room in which the	11
at right angles to	11
of the room and	11
of the seventeenth and	11
will be found that	11
it has already been	11
of the present day	11
was not until the	11
size of the room	11
in order that the	11
the length of the	11
and there is a	11
if you have a	10
a work of art	10
for the sake of	10
in the middle of	10
there is a certain	10
if the room is	10
a good example of	10
as i have said	10
the style of louis	10
of the time of	10
the edges of the	10
if there is a	10
at the side of	10
part of the wall	10
rest of the room	10
it is difficult to	10
of the same period	10
one of the first	10
the dimensions of the	10
the tone of the	10
in the dining room	10
in the midst of	10
a piece of furniture	10
be a part of	10
louis xv and louis	10
the effect of the	10
may also be used	10
the shape of the	10
a few years ago	10
are to be used	10
to the fact that	10
the first thing to	10
may be used for	10
as if it were	10
it is by no	10
of the room in	10
the life of the	10
of the sixteenth century	10
the general scheme of	10
xv and louis xvi	10
at the head of	10
of the most interesting	10
be used for the	10
the place of the	10
to be used as	10
on the first floor	10
the lady of the	10
in a room of	10
a small quantity of	10
in a small room	10
time of louis xiv	10
can be made to	10
with a piece of	10
in the nature of	10
by the fact that	10
and it is the	10
the introduction of the	9
should not be used	9
the placing of the	9
take the place of	9
room of this kind	9
walls of the room	9
there is no doubt	9
room in new york	9
it should not be	9
in such a case	9
in a room with	9
now used as a	9
the nature of the	9
the problem of the	9
be of the same	9
the opening of the	9
so that they may	9
should be allowed to	9
of the room are	9
it is quite possible	9
the outside of the	9
may be well to	9
as soon as the	9
may be found in	9
the charm of the	9
on the inside of	9
in this room is	9
are not to be	9
and one or two	9
at one end of	9
of the hall is	9
the interior of the	9
that it may be	9
the house has been	9
rear of the house	9
the manner in which	9
and the living room	9
in place of the	9
at the farther end	9
it may be well	9
is used as a	9
that it is a	9
of the louis xvi	9
walls are covered with	9
that it should be	9
details and dimensions for	9
be in harmony with	9
is a fine example	9
is only necessary to	9
in england and america	9
in some of the	9
is a matter of	9
there is nothing more	9
it is only necessary	9
in the early part	9
is not necessary to	9
is no doubt that	8
at the front of	8
the form of the	8
of the old house	8
in the matter of	8
the details of the	8
makes it possible to	8
from the fact that	8
in a new york	8
be taken into account	8
in the centre of	8
it must not be	8
the body of the	8
the greater part of	8
views of the living	8
the surface of the	8
was used as a	8
and it is a	8
the house and the	8
one of the chief	8
as part of the	8
there is a great	8
the home of the	8
shown in the illustration	8
the salon de compagnie	8
they are to be	8
it is evident that	8
of the colonial period	8
it is in the	8
the walls are covered	8
members of the family	8
care should be taken	8
decoration of a room	8
walls of a room	8
in the shape of	8
in this case the	8
that there is no	8
the louis xvi period	8
the level of the	8
in addition to the	8
a certain amount of	8
is a part of	8
in the same manner	8
in order to give	8
as one of the	8
it was in the	8
this is one of	8
there was a great	8
the case of the	8
the color scheme of	8
of the italian renaissance	8
may be made from	8
are covered with a	8
an important part of	8
can be used in	8
of the fifteenth century	8
the foot of the	8
it is a good	8
of some of the	8
the line of the	8
a chest of drawers	8
good state of preservation	8
it will be noticed	8
be remembered that the	8
with that of the	8
it was natural that	8
the main lines of	8
end of the eighteenth	8
to do with the	8
interior of the house	8
the rooms of the	8
of the art of	8
are to be found	8
important part of the	8
on the back of	8
old french and italian	8
in the colony club	8
in the present day	8
the decoration of a	8
general scheme of decoration	8
must be taken into	8
that is to be	8
will be noticed that	8
next step is to	8
mortise and tenon joints	8
the corner of the	8
be noticed that the	8
nothing can be more	8
much of the furniture	8
where the walls are	8
the width of the	8
two of the chambers	8
the purpose for which	8
other parts of the	7
it should be noted	7
be covered with a	7
rooms in the house	7
of the colonial type	7
the walls have been	7
the pores of the	7
as illustrated in the	7
it would not be	7
in a small house	7
in the process of	7
takes the place of	7
one room to another	7
each end of the	7
of the most important	7
which are to be	7
it would be a	7
right angles to the	7
center of the room	7
of black and white	7
in regard to the	7
to the spirit of	7
from the time of	7
to the size of	7
of the modern house	7
that can be used	7
of the decoration of	7
but it is a	7
well as in the	7
the part of the	7
is a good example	7
a room of this	7
in the production of	7
that they may be	7
it would have been	7
of the present century	7
which is at the	7
in the ducal palace	7
lady of the lake	7
the ends of the	7
by the side of	7
to do is to	7
pores of the wood	7
by no means a	7
what is known as	7
be seen in the	7
the plan of the	7
and some of the	7
the next step is	7
end of the hall	7
it may be a	7
color scheme of the	7
in the history of	7
covered with the same	7
the house was first	7
in the reign of	7
is now used as	7
are found in the	7
as well as to	7
development of the modern	7
room is to be	7
under the name of	7
in the treatment of	7
thing to do is	7
the comfort of the	7
on the ground floor	7
as well as a	7
greater part of the	7
or one of the	7
the use of wall	7
style of louis xv	7
odds and ends of	7
if the house is	7
it is hardly necessary	7
the fitness of things	7
the furniture and the	7
from one room to	7
the addition of a	7
in my own house	7
the effect of a	7
it is the same	7
part of the process	7
in which they are	7
effect of the room	7
one of the best	7
in spite of the	7
may be made to	7
the name of the	7
used in the room	7
main part of the	7
a few of the	7
the influence of the	7
treatment of the walls	7
carried out in the	7
on a white ground	7
in the upper part	7
there are dozens of	7
the hands of a	7
in the chapter on	7
of the room by	7
is the result of	7
it is not a	7
during the reign of	7
as a background for	7
at the foot of	7
can be used for	7
the louis xv period	7
it was decided to	7
so that it is	7
side of the hall	7
on the top of	7
on the side of	7
lines of a room	7
the corners of the	7
it is interesting to	7
for the purpose of	7
in the fifteenth century	7
in the drawing room	7
during the summer months	7
is hardly necessary to	7
it is a very	7
of course there are	6
may be obtained by	6
of place in a	6
in such a room	6
be found that the	6
a reproduction of an	6
of black and gold	6
this room is a	6
said to have been	6
the finish of the	6
views of the dining	6
the room is to	6
of the house the	6
with regard to the	6
it is a most	6
for the exercise of	6
in the course of	6
to be regarded as	6
of the house in	6
the period of the	6
at each end of	6
be treated as a	6
of the walls and	6
for a long time	6
it is also a	6
may be used with	6
in a room where	6
it is hard to	6
all the year round	6
one of the great	6
the grain of the	6
the way of furniture	6
the story of the	6
in many of the	6
the boys and girls	6
in which it is	6
the best of the	6
a good state of	6
may be made of	6
a background for the	6
the atmosphere of the	6
and the dining room	6
part of the nineteenth	6
from the main road	6
and objects of art	6
from time to time	6
it is certain that	6
so that there is	6
to be used for	6
come down to us	6
at top and bottom	6
and one of the	6
in the living room	6
and it is often	6
feature of the house	6
two and a half	6
as much as possible	6
the furniture should be	6
not be used in	6
no reason why the	6
is made up of	6
the hangings are of	6
of the furniture of	6
to make use of	6
from the top of	6
out of the question	6
first thing to do	6
was one of the	6
one of the many	6
to the number of	6
such a way as	6
the position of the	6
in relation to the	6
as in all other	6
the main part of	6
the location of the	6
the fact that it	6
shown in the drawing	6
and there is no	6
a large part of	6
is apt to be	6
have come to us	6
in the homes of	6
of the dining room	6
in this case it	6
the design may be	6
the first step in	6
in the same room	6
that it would be	6
it can be made	6
that are to be	6
the furniture of a	6
the needs of the	6
the floor should be	6
the hands of the	6
the house from the	6
furniture and objects of	6
used for this purpose	6
seems to be the	6
to the comfort of	6
the decorative treatment of	6
where there is a	6
the slope of the	6
of the fact that	6
it was necessary to	6
it for granted that	6
the main building and	6
of the style of	6
there are a few	6
there are a number	6
of the house as	6
goes without saying that	6
the age of the	6
thickness of the wall	6
a room in a	6
on the other side	6
that they cannot be	6
during the sixteenth century	6
a good deal of	6
every room in the	6
has been converted into	6
the exception of the	6
and finished with a	6
was found to be	6
as well as for	6
still on the walls	6
the paper on the	6
i have seen a	6
may be used as	6
there is a little	6
in the art of	6
the walls are hung	6
is known as the	6
an old house in	6
in the second story	6
may be seen in	6
the privacy of the	6
be said that the	6
the walls and ceiling	6
there has been a	6
there is also a	6
it is desired to	6
at the expense of	6
a feature of the	6
for the living room	6
the history of the	6
say nothing of the	6
in the arrangement of	6
to see that the	6
in the days when	6
lines of the furniture	6
has been painted white	6
of the colony club	6
of the furniture and	6
a line with the	6
in order to make	6
in the sixteenth century	6
the condition of the	6
the roof of the	6
style of louis xvi	6
it goes without saying	6
it was found that	6
will be able to	6
the furnishing of a	6
to say nothing of	6
grain of the wood	6
on account of its	6
as if it had	6
used in a room	6
of the model house	6
the living room and	6
so that it will	6
of this kind is	6
the form of a	6
in the first place	6
with the spirit of	6
the same style of	6
there must be a	6
the floor is covered	6
arrangement of the furniture	6
same colour as the	6
the treatment of walls	6
it is far better	6
in a large house	6
but it is not	6
for which they were	6
as has already been	6
is to have the	6
call attention to the	6
keep in mind the	6
reproduction of an old	6
there are hundreds of	6
with the idea of	6
the renaissance in italy	6
the latter part of	6
that they can be	6
in accordance with the	6
the walls are of	6
be used in a	6
be seen that the	6
by means of the	6
italian louis xvi salon	6
on one side of	6
if it is a	6
the way in which	5
is possible to get	5
to the needs of	5
the room is the	5
the addition of the	5
point of view of	5
some of them are	5
the early eighteenth century	5
this is not a	5
will need to be	5
in the process is	5
side of the fireplace	5
a thin coat of	5
be sure that you	5
of the reign of	5
there is an old	5
are shown in the	5
a corner of the	5
they should be of	5
be hoped that the	5
feet from the floor	5
the furniture for the	5
has been made to	5
on the opposite wall	5
treatment of a room	5
with the period of	5
a good way to	5
in the general scheme	5
should be used in	5
any one who has	5
which may be used	5
it may be of	5
care being taken to	5
of the great periods	5
and chests of drawers	5
the washington irving house	5
care must be taken	5
in the accompanying drawing	5
they should not be	5
should be treated with	5
the one on the	5
on the sunny side	5
the colour of a	5
the floor of the	5
another side of room	5
out the idea of	5
as a means of	5
until the beginning of	5
its relation to the	5
should be of a	5
some of the best	5
the time the house	5
rooms of this kind	5
was divided into two	5
so placed as to	5
the reign of henry	5
between the kitchen and	5
for the display of	5
to point out that	5
took the place of	5
the same colour scheme	5
is for this reason	5
which the walls are	5
is found in the	5
other part of the	5
is a sort of	5
to add to the	5
the kitchen and the	5
in a great variety	5
in a large room	5
of the work of	5
height of the room	5
what is called the	5
adds much to the	5
the dining room at	5
art of interior decoration	5
the best examples of	5
of the chambers the	5
the composition of the	5
should be noted that	5
was a great deal	5
in this part of	5
painted to match the	5
the colour scheme is	5
on one of the	5
parts of the house	5
the head and foot	5
is necessary to have	5
mistress of the house	5
we come to the	5
the same kind of	5
it may be made	5
of the house has	5
be said to be	5
of the use of	5
give the impression of	5
though they may be	5
the old house and	5
during the time of	5
in the selection of	5
the requirements of the	5
into the hands of	5
of the old french	5
a louis xvi room	5
to be made in	5
in the room is	5
furnishing of a house	5
the result of the	5
is a mixture of	5
should not be too	5
in view of the	5
in a country house	5
the other side of	5
in conformity with the	5
an integral part of	5
it should be a	5
in the old house	5
and it should be	5
sense of the word	5
time of louis xvi	5
a sheet of plate	5
the removal of the	5
in connection with the	5
head of the bed	5
in the manner of	5
to produce the desired	5
has been carried out	5
the owner of the	5
is shown by the	5
a small piece of	5
the under side of	5
is far better to	5
dining room at the	5
the chest of drawers	5
is necessary to make	5
main lines of the	5
step in the process	5
the architectural lines of	5
of a house is	5
to be finished in	5
in the days of	5
the table and chairs	5
of objects of art	5
the adventures of telemachus	5
eighteenth century in england	5
but there is no	5
that have come to	5
is a good plan	5
construction details and dimensions	5
the furniture is of	5
a room must be	5
one of the rooms	5
the limitations of the	5
is a question of	5
the franklin brett house	5
latter part of the	5
are fortunate enough to	5
a way as to	5
should never be used	5
the decorations of the	5
form a part of	5
it possible to use	5
the eighteenth century the	5
is quite possible to	5
coloured to match the	5
are a part of	5
flat against the wall	5
the scope of this	5
in the proportion of	5
in order to be	5
well to remember that	5
owner of the house	5
in the wall paper	5
a knowledge of the	5
a portion of the	5
the time of william	5
the general effect of	5
room in a house	5
carried out in all	5
toward the end of	5
part of the building	5
out in all the	5
of the fine old	5
at the time the	5
part of the garden	5
to correspond with the	5
of light and shade	5
well as for the	5
and that is the	5
left of the hallway	5
the proportions of the	5
see to it that	5
should be of the	5
used in place of	5
what may be called	5
care should be exercised	5
time of james i	5
of the house was	5
to match the stain	5
in the choice of	5
some of the most	5
of the queen anne	5
of light and air	5
the first step is	5
if it is to	5
to the character of	5
be sure that the	5
back from the road	5
the wall space is	5
furniture of this kind	5
part of the old	5
of this room is	5
nothing to be desired	5
may be placed on	5
be regarded as a	5
piece of furniture is	5
by the adam brothers	5
for the most part	5
the dark and light	5
as it was called	5
relation to each other	5
are a number of	5
room of the house	5
well suited to the	5
it should always be	5
the robert spencer house	5
in the home of	5
for the decoration of	5
the sunny side of	5
and it is this	5
at the back of	5
the apparent size of	5
sheet of plate glass	5
against a background of	5
furniture of the time	5
in color and design	5
no reason why a	5
it is essential to	5
other side of the	5
may be of the	5
the angle of the	5
carried up to the	5
the same general lines	5
of one or two	5
this is especially true	5
to be hoped that	5
the frame of the	5
dining room the dining	5
side of the road	5
illustrated in the accompanying	5
broken into panels by	5
of this kind in	5
the face of the	5
should be taken to	5
of the tudor period	5
there is a large	5
in line with the	5
every piece of furniture	5
the last few years	5
which they are to	5
here and there a	5
with the addition of	5
the fact that a	5
under side of the	5
the eighteenth century in	5
lines of the design	5
within the scope of	5
it is obvious that	5
such a way that	5
to the requirements of	5
feature of the room	5
seem to have been	5
h and l hinges	5
the panels of the	5
middle of the eighteenth	5
to make a room	5
the time of james	5
with an eye to	5
the houses of the	5
to one of the	5
the technical high school	5
there is a general	5
and it is well	5
under the head of	5
still to be seen	5
corner of the room	5
with due regard to	5
harmony with the rest	5
be one of the	5
be so placed as	5
stained to match the	5
for this reason that	5
on the part of	5
this is a very	5
this can be done	5
there is to be	5
the better class of	5
if the walls are	5
illustrated in the drawing	5
house was first purchased	5
and this may be	5
in the old days	5
is used for the	5
the process is to	5
a house should be	5
about of an inch	5
so placed that the	5
be well to add	5
old pieces of furniture	5
room in the colony	5
a view to the	5
it is almost impossible	5
of the room was	5
are used in the	5
the art of interior	5
in order to obtain	5
take it for granted	5
should be made of	5
the sixteenth and seventeenth	5
i do not mean	5
is finished with a	5
some of them have	5
is due to the	5
of the house to	5
integral part of the	5
in its relation to	5
is to be hoped	5
an inch from the	5
there is danger of	5
of furniture to be	5
by one of the	5
should be used for	5
whenever it is possible	5
is interesting to note	5
the house should be	5
you may be sure	5
sunny side of the	5
be used on the	5
the same colour as	5
of stone or marble	5
with a background of	5
many of these old	5
to serve as a	5
should be covered with	5
in this room are	5
the hall is the	5
and it will be	5
in the villa vertemati	5
come to us from	5
of of an inch	5
it is important that	5
to that of the	5
so that it may	5
the period in which	5
has already been said	4
of the furniture is	4
be taken from the	4
as well as of	4
the setting of the	4
a return to the	4
be placed so that	4
very much the same	4
not only for the	4
of the old building	4
of the work on	4
room and the dining	4
is a mistake to	4
of the same tint	4
in the minds of	4
under the direction of	4
is to make the	4
into the d harness	4
the construction of the	4
walter scott hopkins house	4
it was possible to	4
been given to the	4
it is a mistake	4
a matter of personal	4
to the decoration of	4
the possibilities of the	4
to the subject of	4
to go to the	4
the remodeling of a	4
an old cape cod	4
if the hall is	4
from the rest of	4
be placed near the	4
also be used in	4
to have been the	4
but as a rule	4
will have to be	4
the cultivation of tea	4
has led to the	4
in the fourteenth century	4
of the sliding door	4
room in star rock	4
walls and ceiling are	4
at a time when	4
i can think of	4
and most of the	4
without regard to the	4
with the colour of	4
of the rooms in	4
nine cases out of	4
straight lines of the	4
the old fireplace has	4
the colony club i	4
it is not the	4
law of adaptation to	4
is that they are	4
which can be used	4
restored to its original	4
it is desirable to	4
no part of the	4
table at the head	4
must not be forgotten	4
architectural lines of the	4
it may be used	4
on a level with	4
for the top and	4
and it was not	4
done away with the	4
and it has been	4
the walls are treated	4
the centre of one	4
top of the wall	4
not only in the	4
be careful not to	4
is safe to say	4
to return to the	4
things in the world	4
part of the work	4
scope of this book	4
and for this reason	4
in the average modern	4
and a great deal	4
is almost impossible to	4
the mistress of the	4
the exterior of the	4
was replaced by a	4
edge of the glass	4
the period of louis	4
the home of mr	4
of the same tone	4
the owners of the	4
on the outside of	4
to the time of	4
in new york apartment	4
the introduction of a	4
it is worth while	4
been added to the	4
new york duplex apartment	4
is much the same	4
it is finished in	4
william and mary period	4
an instance of the	4
has been utilized for	4
on a ground of	4
should be cut out	4
which was built in	4
a combination of the	4
so that they will	4
it is only in	4
the design for the	4
side of same room	4
there would be a	4
the last years of	4
beauty of the wood	4
the manner of the	4
had to be made	4
lighted by many windows	4
beginning of the present	4
to the house and	4
the fact that they	4
by no means necessary	4
of louis xv and	4
house in new york	4
may be covered with	4
has been added at	4
the law of appropriateness	4
there was always a	4
and at one end	4
and there are many	4
room and has been	4
great care must be	4
for which they are	4
on a line with	4
must be made of	4
the structure of the	4
to the question of	4
each side of it	4
in the sense of	4
this is to be	4
a great variety in	4
the colouring of the	4
until the end of	4
so as not to	4
both sides of the	4
old fireplace has been	4
chief features of the	4
the principles of decoration	4
purpose for which they	4
the curtains hung from	4
were used on the	4
it is just as	4
it will not be	4
the panelling of the	4
it is not always	4
the joy of life	4
placed at right angles	4
if you are planning	4
of one side of	4
that it has been	4
it is for this	4
be applied to the	4
should always be served	4
the work on the	4
in such a position	4
a room done in	4
in rooms of any	4
be drawn at night	4
relation to the other	4
into one of the	4
the house is of	4
enough to hold a	4
of the man who	4
of the evolution of	4
of the house a	4
will do much to	4
which made it possible	4
in a room should	4
room is the dining	4
one or the other	4
may be easily obtained	4
of the same office	4
of the last century	4
this room is the	4
more in keeping with	4
of colour in a	4
there are no pictures	4
from the standpoint of	4
with which it is	4
birds of paradise and	4
it is intended to	4
it may be said	4
in which the house	4
is easy to see	4
which is to be	4
the furnishing of the	4
there will be no	4
house was to be	4
with the character of	4
in the size of	4
the ducal palace at	4
until the time of	4
to which it is	4
of such a room	4
pieces of furniture were	4
was a part of	4
what might be called	4
not be able to	4
a certain number of	4
can be made of	4
the living room two	4
there are many kinds	4
one on each side	4
of a series of	4
the work of construction	4
to the eye and	4
the subject of the	4
manner in which the	4
in good condition and	4
has been built with	4
of the straight line	4
the place of honor	4
in the better class	4
to say that the	4
furnishing of this room	4
a motif from the	4
but it may be	4
in order to show	4
nothing could be more	4
treatment of a very	4
already been said that	4
it is quite impossible	4
be so placed that	4
the side of a	4
of the different rooms	4
it is as much	4
here and there in	4
to the general effect	4
reign of louis xiv	4
in the section on	4
top of the room	4
out of the way	4
as possible to the	4
the windows of the	4
that even in the	4
the hangings of the	4
to be seen in	4
living room the living	4
but there are many	4
every part of the	4
be placed against the	4
should be placed so	4
the result of this	4
of a room must	4
is sure to be	4
were a part of	4
effect may be produced	4
make the best of	4
a large number of	4
in line and colour	4
is likely to be	4
blues and greens and	4
attention was paid to	4
rear of the living	4
for this part of	4
a good plan to	4
the planning of the	4
the stock for the	4
should consist of a	4
the space between the	4
are one of the	4
that it is the	4
a new york house	4
between the two windows	4
the walls may be	4
from the under side	4
with a sense of	4
one of the old	4
room at the left	4
to be the most	4
the true spirit of	4
must never be forgotten	4
it would be well	4
from which it is	4
age of the house	4
the best period of	4
be used with great	4
house that has been	4
the davenport brown house	4
chairs and tables of	4
at the left is	4
in italy and france	4
large enough to hold	4
a room of average	4
distribution of the work	4
are to be had	4
there is no more	4
is well to remember	4
in the olden times	4
to keep in mind	4
and many of the	4
when not in use	4
in an old farmhouse	4
by the present owner	4
designed and made by	4
atmosphere of the room	4
a considerable number of	4
on a cream ground	4
the rooms in which	4
it is to this	4
furnishings of the room	4
sixteenth and seventeenth centuries	4
they may be made	4
in the furnishing of	4
along the edge of	4
hall in city house	4
see that it is	4
of adaptation to purpose	4
been added at the	4
the top of a	4
the same time be	4
by the size of	4
the chief feature of	4
the case is different	4
in black and white	4
period of louis xvi	4
in order to secure	4
came to the throne	4
and the walls are	4
more formal than the	4
and there in the	4
that many of the	4
is to be made	4
beauty of line and	4
great periods of decoration	4
it is only by	4
so as to be	4
on a piece of	4
it is true that	4
means of access to	4
be made in the	4
although it is not	4
used a great deal	4
through the centre of	4
in the accompanying drawings	4
and there must be	4
there is a beautiful	4
it may be that	4
top of the window	4
that it is in	4
that is to say	4
lines of the room	4
is also a good	4
a room which is	4
the characteristics of the	4
as indicated in the	4
in the thickness of	4
curtains at the windows	4
avoid the use of	4
is carried out in	4
of the entrance hall	4
plan of the room	4
up to the cornice	4
woven in one piece	4
the architectural treatment of	4
placed on the table	4
due to the fact	4
and covered with a	4
is it to be	4
to match the woodwork	4
should be kept in	4
were built into the	4
the height of a	4
if the furniture is	4
if your rooms are	4
a reproduction of a	4
should be plenty of	4
is placed in the	4
is the fact that	4
tudor and jacobean periods	4
seats and backs of	4
it is no longer	4
the shell of the	4
may not be able	4
the problem of design	4
chairs and sofas and	4
to make sure that	4
the cornice of the	4
applied with a brush	4
of the louis xv	4
the model house the	4
to the consistency of	4
of the beauty of	4
an object of art	4
the paper was put	4
or two of the	4
from the centre of	4
the chief features of	4
in the rear of	4
the world has known	4
that they should be	4
and other pieces of	4
careful study of the	4
so far as the	4
have come down to	4
fact that it is	4
in the neighbourhood of	4
are said to be	4
our sense of the	4
more restful in effect	4
hardly necessary to say	4
side of the chimney	4
the decorative scheme of	4
been converted into a	4
was placed in the	4
ceased to be a	4
living room and the	4
the process of construction	4
it is not so	4
has already been pointed	4
is not to be	4
floor is covered with	4
the plans of the	4
the room and the	4
the room should be	4
may be used to	4
of chairs and sofas	4
in such good condition	4
the purposes for which	4
should be placed near	4
in addition to this	4
and the floor is	4
this piece of furniture	4
there is a charming	4
than it really is	4
in our sense of	4
walls are hung with	4
remodeling of a farmhouse	4
it possible to have	4
but it will be	4
as a sort of	4
divided into two parts	4
rest of the furniture	4
be kept out of	4
spirit of the old	4
are many kinds of	4
the result of a	4
another example of the	4
of a pair of	4
in common with the	4
and it is only	4
as in the case	4
there should be plenty	4
the weaving of the	4
the regency and louis	4
may be made by	4
in order that it	4
library of louis xvi	4
is best to use	4
the salon de famille	4
all parts of the	4
an italian louis xvi	4
it must never be	4
complete body of architecture	4
room in which it	4
of the entrance door	4
that where there is	4
and it is not	4
the curve of the	4
there can be no	4
as far as the	4
top of the plate	4
permission of the butterick	4
it is curious to	4
the house is a	4
was used in the	4
pointed out that the	4
it may be the	4
part of the eighteenth	4
may be served with	4
the time of its	4
in the discussion of	4
the creation of a	4
in white with a	4
we have in mind	4
sides of the room	4
are by no means	4
was cut in the	4
in the right place	4
were made for the	4
the art of decoration	4
head and foot boards	4
to the best advantage	4
with the style of	4
of these old houses	4
of a piece of	4
by permission of the	4
goes a long way	4
a careful study of	4
be placed in the	4
regency and louis xv	4
in the development of	4
is quite impossible to	4
the decorative effect of	4
is often difficult to	4
was found that the	4
are apt to be	4
it is safe to	4
the quality of the	4
regarded as one of	4
is well to have	4
in front of it	4
the walls should be	4
the fireplace and the	4
architecture of the renaissance	4
selection and preparation of	4
for the treatment of	4
room may be a	4
to be observed in	4
the colour of your	4
if one has a	4
time of william and	4
on the walls in	4
there are many fine	4
come to be regarded	4
the scheme of decoration	4
was built in the	4
charm of the room	4
handed down to us	4
been pointed out that	4
must not be overlooked	4
any of the other	4
of the colour scheme	4
of the butterick publishing	4
lines of the walls	4
it is often possible	4
decorative scheme of the	4
if the windows are	4
it will be remembered	4
it is a curious	4
so that the light	4
peep at the moon	4
and the other the	4
the case may be	4
exterior of the house	4
and they should be	4
it is often difficult	4
is out of the	4
to be worked out	4
each one of which	4
to the other rooms	4
be in keeping with	4
doing away with the	4
in the distribution of	4
shown in the accompanying	4
may be made in	4
may be purchased for	4
this is the most	4
it was to be	4
to bring out the	4
can be made by	4
care must be exercised	4
had the pleasure of	4
if one does not	4
a room may be	4
held in place by	4
the space above the	4
woodwork of the room	4
then there are the	4
there should be no	4
it is a great	4
the butterick publishing co	4
of the room to	4
to be made of	4
of a fine old	4
by the addition of	4
first step in the	4
and the treatment of	4
and in order to	4
the same tint as	4
was put on the	4
has already been explained	4
to those who are	4
the foundation of the	4
with the introduction of	4
in the average house	4
it is essential that	4
in the washington irving	4
the arts and crafts	4
was at its height	4
painted white to match	4
of the room should	4
the best way of	4
already been pointed out	4
where there is no	4
the one in the	4
time the house was	4
one of which is	4
the room will be	4
has been given to	4
for it must be	4
is to be a	4
one or two of	4
in imitation of the	4
to call attention to	4
makes it necessary to	4
no doubt that the	4
of doors and windows	4
in colour with the	4
this case it is	4
the queen anne period	4
illustrated in plate v	4
of the same color	4
paper was put on	4
of the three louis	4
as the case may	4
of the vocational school	4
pictures on the walls	4
a peep at the	4
i have said before	4
found to be in	4
a picture of the	4
the importance of the	4
in scale with the	4
inches of the plain	4
the walter scott hopkins	4
the h and l	4
in that case the	4
it is of the	4
old cape cod house	4
a thing of the	4
in addition to these	4
the boys of the	4
seems to have been	4
there is nothing that	4
end of the seventeenth	4
became more and more	4
use it as a	4
it will be observed	4
i had the pleasure	4
have been handed down	4
if the design is	4
white to match the	4
about the middle of	4
should be one of	4
may be had for	4
on the market to	4
and the paper was	4
the impression of being	4
of the most attractive	4
instead of the usual	4
and yet there is	4
is designed to be	4
on the north side	4
they can be made	4
with the result that	4
is to make a	4
had ceased to be	4
if there is to	4
it is more than	4
of mesdames de france	4
the pattern of the	4
of place in the	4
same style of decoration	4
of more importance than	4
for it is the	4
in the seventeenth and	4
as they are in	4
to harmonise with the	4
of the details of	4
is curious to note	4
in the placing of	4
of a room is	4
the idea of the	4
were used in the	4
would be out of	4
of the technical high	4
and it is to	4
of the louis xiv	4
and a pair of	4
fine example of a	4
the entrance hall is	4
on the crest of	4
as a work of	4
so arranged that they	4
most of the furniture	3
rooms of a certain	3
the attention of the	3
and the principles of	3
in the possession of	3
of the chippendale chairs	3
should be carefully planned	3
and the reign of	3
curtains hung from the	3
and it may be	3
of which is a	3
and because it is	3
go to the expense	3
you will find a	3
a good idea of	3
of luxury and comfort	3
drawing is shown to	3
parts are to be	3
the bay of naples	3
the proper treatment for	3
of the formal luncheon	3
that they could be	3
full width of the	3
has been thrown out	3
placed in front of	3
to the edge of	3
gauge copper is required	3
out the beauty of	3
in rooms of a	3
of color to the	3
of the first floor	3
the background of the	3
since there is no	3
is largely a matter	3
came into its own	3
the house and is	3
else in the room	3
reminds one of the	3
within the last few	3
is worth while to	3
other pieces of furniture	3
so placed that it	3
but they should not	3
member of the family	3
was built at the	3
lines of the roof	3
design and tool a	3
a large country house	3
the only way to	3
end of the post	3
they belong to the	3
in so far as	3
the beginning of a	3
i have seen such	3
but it should be	3
have to be made	3
room two views of	3
the materials used in	3
and it is usually	3
but i have seen	3
a photograph of the	3
proportion is the good	3
the use of an	3
the surface should be	3
been a part of	3
possible to have a	3
a reproduction of the	3
little odds and ends	3
to the rest of	3
the true principles of	3
cut to length and	3
foot of the stairs	3
good of its kind	3
not be forgotten that	3
no matter what the	3
side of the window	3
not a matter of	3
of the history of	3
it is a matter	3
the attractiveness of the	3
rose and blue and	3
a narrow border of	3
in an old house	3
and should therefore be	3
it is apt to	3
it is a little	3
an excuse for a	3
in the sala del	3
of the present owner	3
purpose for which the	3
to the original structure	3
kitchen and the dining	3
the curtains may be	3
and in good taste	3
who knows how to	3
in order to get	3
the latter should be	3
of colour to the	3
the lighting fixtures are	3
been so arranged that	3
rose and blue chintz	3
is carried around the	3
they are the most	3
some of the details	3
needed are as follows	3
which may be found	3
is obvious that the	3
is typical of the	3
the passing of the	3
the exterior and the	3
to the atmosphere of	3
as well as an	3
as time goes on	3
and yet it is	3
which has been added	3
mistake to think that	3
would have to be	3
both large and small	3
of a country house	3
is treated as a	3
than in any other	3
the way of pictures	3
suggestions for the design	3
or any of the	3
if you happen to	3
to rearrange a room	3
should be exercised to	3
there are many reasons	3
it is not wise	3
problem of the bowl	3
been applied to the	3
and restoration of old	3
everything else in the	3
made it necessary to	3
be of one color	3
earliest wall papers in	3
may be said of	3
do not mean to	3
it was during the	3
the french and english	3
if your house has	3
the lines of a	3
the middle ages the	3
should be laid off	3
is applied to the	3
of the people who	3
to the composition of	3
the time of charles	3
spirit of the time	3
the distribution of the	3
collection of empire furniture	3
wall is broken by	3
a very small room	3
for treatment of a	3
of the doors and	3
name of the house	3
time of its purchase	3
is not at all	3
be depended upon to	3
the details of construction	3
the early days of	3
must be beautiful in	3
made in this way	3
finish of the room	3
and used as a	3
must bear in mind	3
it would be impossible	3
the purchase of the	3
the charm of a	3
shores of cape cod	3
of the salon de	3
within the reach of	3
has done much to	3
all in the same	3
made at this time	3
at the windows are	3
the right is the	3
can be easily made	3
may be made up	3
a very small bedroom	3
the work of an	3
the substitution of the	3
on the parlor of	3
it had been a	3
of french or italian	3
the head of a	3
part of the decorative	3
in france in the	3
of great value to	3
you will find that	3
drawn together at night	3
there is a wide	3
in a modern house	3
those who wish to	3
the little house of	3
in this case we	3
with the same material	3
some of the old	3
of view of the	3
lose sight of the	3
became the fashion to	3
of a few years	3
in france and italy	3
interesting to note that	3
in the heart of	3
makes it possible for	3
reproduction of william and	3
in an uptown house	3
with reference to light	3
the richness of the	3
side of which is	3
the panelling of doors	3
and other objects of	3
the making of a	3
legs of the furniture	3
things that have come	3
if one has to	3
it can be used	3
used in this way	3
in plates v and	3
it is supposed to	3
of the fitness of	3
the effect is not	3
so far as we	3
for gas and electricity	3
and comfort to the	3
the design of a	3
of a sort of	3
the spacing of the	3
in such cases the	3
of the original building	3
is especially true of	3
of the rest of	3
a drawing is shown	3
as in other problems	3
the carving on the	3
of the reasons why	3
the rooms in the	3
of the georgian period	3
the second story is	3
the woodwork has been	3
if it is in	3
should be at least	3
the beauty of a	3
any room in the	3
an angle of degrees	3
can be found in	3
make it possible to	3
may be said that	3
size of the dining	3
canvas tents to decorative	3
top and bottom rails	3
lines of the wall	3
was much like that	3
now owned by the	3
there shall be no	3
with the color scheme	3
the same period in	3
time of charles ii	3
the majority of people	3
from the home of	3
in any of the	3
every article of furniture	3
too large for the	3
of the same silk	3
as it is not	3
of the same dimensions	3
the palais de justice	3
a coat of white	3
the hall from the	3
it would be difficult	3
bottom rails should be	3
is in reality a	3
any one of the	3
and that it is	3
the house as it	3
wall broken into panels	3
is a most attractive	3
to furnish a house	3
fitted up as a	3
cannot do better than	3
the room is too	3
there is so much	3
of the wall paper	3
be thought of in	3
well as to the	3
is to be served	3
feature of this room	3
for the earl of	3
it will be readily	3
reign of louis xiii	3
the detail of the	3
the way to the	3
in favor of a	3
if your house is	3
room at the right	3
and shape of the	3
in the palace of	3
the great amount of	3
house was built by	3
easy to see that	3
background for all this	3
composition of the room	3
the door into the	3
is no wonder that	3
which may be of	3
the reach of the	3
motif from the chintz	3
it must have been	3
the old french and	3
to the shape of	3
of the sixteenth and	3
which had to be	3
on both sides of	3
all of the colonial	3
to be had in	3
will be observed that	3
of the finish of	3
the general use of	3
quite different from a	3
furnished with colonial pieces	3
an example of a	3
should be finished with	3
out of keeping with	3
has already been suggested	3
or more of these	3
foot of the bed	3
nature of the case	3
can be placed in	3
is at the same	3
stock required for one	3
for a country house	3
have been out of	3
to be one of	3
of a room in	3
color of the room	3
there must always be	3
with the dimensions of	3
it what you will	3
with a sheet of	3
there is a special	3
there are infinite possibilities	3
size and height of	3
you can imagine the	3
story of the evolution	3
with a design in	3
there is room for	3
to match the trim	3
try to get a	3
be beautiful in itself	3
the reaction from the	3
the texture of the	3
the fact that many	3
scheme is carried out	3
when they were used	3
of the house are	3
is to be drawn	3
in the latter part	3
has been carefully planned	3
may be secured by	3
the hall was the	3
might be made of	3
to produce this effect	3
iv wall papers in	3
indicated in the drawing	3
and the result is	3
is afforded by the	3
of directoire and empire	3
the doors and windows	3
into a most attractive	3
to the attractiveness of	3
exposure of the room	3
and even in the	3
two hundred years old	3
taken not to have	3
be made with a	3
a room or house	3
designed and executed by	3
at the intersection of	3
character of the room	3
be treated with a	3
should be chosen in	3
and one can easily	3
that have been built	3
has been added to	3
they may be of	3
straight up and down	3
and canvas tents to	3
farther end of the	3
mean to say that	3
to the old house	3
of a very small	3
to go into the	3
special reference to the	3
consider the effect of	3
one must remember that	3
the last ten years	3
bread and butter plate	3
the sala degli sposi	3
the attractiveness of a	3
to conform with the	3
keeping with the period	3
the bread and butter	3
of art in the	3
improvement in the art	3
made up of two	3
of the bedroom suite	3
the good breeding of	3
of the decorative scheme	3
one of the other	3
but if it is	3
i think there is	3
in the room are	3
is an instance of	3
outside of the house	3
on the panels of	3
it is in a	3
the ducal palace of	3
is no reason for	3
shall be able to	3
the tools needed are	3
as you will see	3
a scheme of decoration	3
has to be considered	3
this room was originally	3
have a right to	3
beams in the ceiling	3
the picture and the	3
be allowed to dry	3
d thread into the	3
of the design in	3
make a room look	3
the engravings of abraham	3
portion of the house	3
thing of the past	3
each piece of furniture	3
are reproductions of old	3
the house was very	3
a room in the	3
the street to the	3
the kitchen and its	3
hem at the bottom	3
was imported from paris	3
half an inch from	3
at the bottom and	3
weaving of the pattern	3
the rooms have been	3
the ornament of the	3
the laws of harmony	3
part of the architectural	3
amount of wall space	3
in the corner of	3
and early nineteenth centuries	3
in good state of	3
the house have been	3
is of the greatest	3
adds greatly to the	3
will be found to	3
to bear in mind	3
be added in the	3
the green of the	3
with the architecture of	3
other rooms of the	3
of a new york	3
black and gold lacquer	3
it must be a	3
room there is a	3
the sense of fitness	3
manner in which they	3
same way as the	3
he is able to	3
chest of drawers a	3
it is not only	3
wall papers in america	3
the full width of	3
tables and chairs are	3
after the death of	3
and some of them	3
of house and garden	3
in tolerably good repair	3
to hold a reading	3
may be placed in	3
me to go into	3
the average modern house	3
for the first time	3
gray and white and	3
there are no more	3
an old house at	3
it will be noted	3
many of the rooms	3
the colors of the	3
to improve its appearance	3
to the charm of	3
with the top of	3
of the plain cream	3
been utilized for a	3
another view of the	3
and height of the	3
have the effect of	3
the revival of directoire	3
because it is a	3
for it is often	3
up to the ceiling	3
white is always a	3
part of the bedroom	3
or in some other	3
the kind of wood	3
to keep out the	3
the mattress and springs	3
made it possible to	3
the change in the	3
that it is necessary	3
the walls painted in	3
house as well as	3
in any scheme of	3
to be told that	3
harmonize with the room	3
of the sala degli	3
good idea of the	3
of the middle ages	3
the beauty of line	3
in which it was	3
in the absence of	3
a room with a	3
used on the walls	3
not out of place	3
that none of the	3
stone or marble floors	3
almost impossible to find	3
it should seem to	3
which the house was	3
be allowed to remain	3
boys of the woodworking	3
the effect of this	3
the art of the	3
as it is called	3
not overlooked in the	3
much better than the	3
in front of a	3
following the lines of	3
all the eighteenth century	3
be quite out of	3
on account of their	3
of the house which	3
is often necessary to	3
in many cases the	3
floors and floor coverings	3
the shadow of a	3
as compared with the	3
is a series of	3
in the bayard thayer	3
the excessive use of	3
this room should be	3
it should be allowed	3
one of the few	3
by the village carpenter	3
it is not too	3
more or less as	3
in a large country	3
of the family are	3
which were used as	3
than would have been	3
is the foundation of	3
old washington irving house	3
charm of the old	3
any other room in	3
shown by the fact	3
living room at the	3
the character of your	3
were thrown into one	3
furniture of the louis	3
and these should be	3
directly into the living	3
another side of same	3
if the room be	3
furniture of the period	3
that there shall be	3
the shores of cape	3
will make a room	3
the personality of its	3
a part of a	3
be attached to the	3
to its original size	3
will depend upon the	3
and this can be	3
with a narrow fringe	3
painted wall broken into	3
give the appearance of	3
was the result of	3
some of the furniture	3
how to prepare and	3
opens directly into the	3
to accomplish this result	3
curious to note that	3
a blue and white	3
the old kitchen chimney	3
to a coat of	3
it must be done	3
to the period of	3
lines of the original	3
such as gray and	3
have been in the	3
and a half stories	3
only a few years	3
study of the subject	3
walls and canvas tents	3
throws of the shuttle	3
overlooked in the distribution	3
be taken not to	3
papers in historic homes	3
was due to the	3
and the use of	3
of great decorative value	3
in the palais de	3
never be forgotten that	3
effects are produced by	3
to those of the	3
part of the period	3
modern english and american	3
as the result of	3
to have the best	3
the springing of the	3
are all in the	3
in a way which	3
and toward the end	3
as an example of	3
a colour to harmonize	3
we must remember that	3
that it is as	3
of the metropolitan museum	3
were not overlooked in	3
coat of white paint	3
the trellis room of	3
are covered with the	3
one on either side	3
called for in the	3
without interfering with the	3
the room in the	3
the whole side of	3
slope of the roof	3
necessary to provide a	3
the doors of the	3
the disposition of the	3
the great periods of	3
comfort as well as	3
which they are intended	3
treatment of the over	3
for a summer home	3
inmates of the house	3
the chairs should be	3
the back of a	3
as a general rule	3
one of the fine	3
used as a dining	3
we shall see that	3
in the habit of	3
the general tone of	3
in the modern sense	3
to the uses of	3
the materials and tools	3
in the work of	3
the aspect of the	3
is a curious fact	3
call it what you	3
first half of the	3
is a pleasure to	3
of the end pieces	3
a room it is	3
there is a long	3
it was thought that	3
the upper and lower	3
as we know it	3
house of many mirrors	3
and which can be	3
especially well suited to	3
they are very much	3
the coverings of the	3
in all the world	3
be used in any	3
to the general scheme	3
table and chairs are	3
have the advantage of	3
his staircase in the	3
it was put on	3
the appearance of being	3
is worthy of the	3
is quite possible that	3
end of the fifteenth	3
errors have been corrected	3
bedroom in this house	3
old time wall papers	3
hangings and chair coverings	3
are hung with a	3
may be made very	3
the furnishings of the	3
the louis xiv style	3
may be beautiful in	3
the house in its	3
is that it is	3
spirit of the room	3
we have the same	3
between the house and	3
on the treatment of	3
now ready to be	3
there is a fine	3
stain is made by	3
has ceased to be	3
pleasing contrast with the	3
of the walls is	3
was restored to its	3
the exposure of the	3
there are some very	3
is possible to find	3
fundamental principles of design	3
like those of louis	3
on the right of	3
of the house were	3
of the william and	3
of periods in furniture	3
but in the average	3
there are many ways	3
revival of directoire and	3
or a combination of	3
explained by the fact	3
given two coats of	3
while the walls and	3
are of the same	3
in the long run	3
be used with the	3
was built in by	3
this room with its	3
secured by means of	3
it to be a	3
colour in a room	3
the chances are that	3