trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
of the house	321
of the room	290
one of the	274
part of the	241
there is a	188
as well as	180
the use of	149
it is a	139
side of the	138
it may be	133
is to be	122
and it is	111
a part of	109
of the same	108
some of the	103
of the old	100
it will be	95
it should be	93
the eighteenth century	91
in order to	91
it is not	88
of the most	87
there is no	86
of a room	85
that it is	81
end of the	79
the walls of	74
in the same	74
in a room	73
it must be	73
lines of the	73
may be used	70
on the walls	69
by means of	68
to be used	68
in the house	67
are to be	66
so that the	66
the time of	65
it is the	65
be used in	63
should not be	63
is one of	62
the walls are	62
the fact that	62
of the eighteenth	61
room in the	61
in the room	61
there are many	60
used in the	60
the effect of	59
used as a	59
the living room	58
many of the	57
of the wall	57
the house was	57
of this kind	57
in which the	56
the top of	56
it is well	56
shown in the	56
the decoration of	56
and in the	55
there should be	54
the room is	54
the rest of	54
to make a	53
the lines of	53
it would be	53
there was a	52
of the furniture	52
the work of	51
may be made	51
covered with a	51
pieces of furniture	50
a piece of	50
the style of	49
but it is	49
of the hall	49
found in the	48
rest of the	48
in such a	48
at the top	48
to be found	47
as it is	47
if it is	47
on either side	47
of the great	47
to match the	47
should be a	46
as in the	46
in a small	46
to be a	46
the house is	46
out of the	46
the end of	45
the dining room	45
of an inch	45
in this room	45
top of the	45
which may be	45
be found in	45
walls of the	44
in the old	44
it is necessary	44
in this way	44
at the same	43
a matter of	43
of the walls	43
they may be	43
rooms of the	43
on the other	43
of the period	42
the same time	42
will be found	42
on each side	42
piece of furniture	42
of the family	41
the treatment of	41
the furniture of	41
it has been	41
in the early	41
is well to	41
can be made	40
front of the	40
the house and	39
that of the	39
it is to	39
the size of	39
one or two	39
the art of	39
in the middle	39
in the drawing	38
furniture of the	38
it was a	38
a number of	38
the beauty of	38
of the modern	38
in this case	38
it was not	38
decoration of the	38
the spirit of	37
is necessary to	37
to have a	37
chest of drawers	37
of the wood	37
more or less	37
be used for	37
that there is	36
size of the	36
much of the	36
the walls and	36
to make the	36
of the time	35
should be used	35
sides of the	35
the appearance of	35
at the rear	35
of the living	34
of a house	34
according to the	34
at one side	34
the center of	33
in harmony with	33
is a very	33
in keeping with	33
it is only	33
so that it	33
harmony with the	33
room in which	33
of the best	33
treatment of the	33
one side of	33
they should be	33
to have the	33
scheme of decoration	32
of the rooms	32
which can be	32
the way of	32
the old house	32
of the original	32
a sort of	32
the centre of	32
a great deal	32
the colour of	32
one of these	31
and at the	31
spirit of the	31
by the use	31
objects of art	31
parts of the	31
in the way	31
of the fireplace	31
this is a	31
the design of	31
use of the	31
blue and white	31
by no means	30
as a rule	30
of the first	30
should be of	30
should always be	30
of louis xiv	30
of louis xvi	30
back of the	30
at the left	30
must not be	30
used for the	30
there is nothing	30
character of the	30
if there is	30
design of the	30
in new york	30
in front of	30
which has been	30
the place of	30
is not a	30
the character of	30
the other hand	29
of the design	29
which it is	29
be made of	29
in a house	29
william and mary	29
can be used	29
keeping with the	29
each side of	29
harmonize with the	29
the seventeenth century	29
two or three	29
the history of	29
the most beautiful	28
it is in	28
in all the	28
be used as	28
the furniture is	28
of the present	28
so that they	28
it can be	28
if you are	28
to have been	28
at the right	28
in one of	28
the problem of	28
room should be	28
the same colour	28
it is possible	28
of the italian	28
means of a	28
of an old	28
well as the	28
of louis xv	27
in the country	27
the walls were	27
on the opposite	27
the influence of	27
the sixteenth century	27
on account of	27
it was the	27
in the dining	27
the best of	27
the development of	27
but in the	27
such a room	27
of this room	27
is a good	27
of one of	27
of the renaissance	27
to give the	27
beauty of the	27
a small room	27
the introduction of	27
on the wall	27
at the front	27
the middle of	27
at the end	27
the back of	27
to be made	27
the result of	26
of the other	26
but there are	26
most of the	26
edge of the	26
of all the	26
i have seen	26
in place of	26
the form of	26
in the center	26
be made to	26
the top and	26
if you have	26
this room is	26
that they are	26
either side of	26
the side of	26
has already been	26
the idea of	26
are covered with	26
the case of	26
the home of	26
the process of	26
that can be	25
to the house	25
of the building	25
room is the	25
had to be	25
and the other	25
in the case	25
it is better	25
to the eye	25
a room in	25
point of view	25
is in the	25
of the picture	25
is covered with	25
walls of a	25
in order that	25
the edge of	25
top and bottom	25
should be placed	25
may be of	25
up to the	25
the front door	25
black and white	25
of the window	25
with the same	25
here and there	25
effect of the	25
room and the	25
a pair of	25
and there is	24
the floor is	24
the sense of	24
no matter how	24
middle of the	24
use of a	24
of the seventeenth	24
and there are	24
of the louis	24
that it was	24
the room in	24
the arrangement of	24
of the bed	24
and it was	24
be remembered that	24
in addition to	24
of the colonial	24
so as to	24
and should be	24
instead of the	24
arrangement of the	24
center of the	23
the present day	23
of the dining	23
as it was	23
the importance of	23
of the home	23
that in the	23
when it is	23
of the whole	23
louis xv period	23
the question of	23
be necessary to	23
a room of	23
of the day	23
this is the	23
colour of the	23
need not be	23
the reign of	23
the hall is	23
and so forth	23
of the work	23
house was built	23
regard to the	23
made up of	23
of interior decoration	23
the beginning of	23
a sense of	23
used on the	23
of which is	22
it does not	22
the hands of	22
of the pattern	22
this may be	22
should never be	22
room may be	22
to cover the	22
the number of	22
the sides of	22
room in a	22
it is often	22
than in the	22
of the paper	22
the principles of	22
in the wall	22
a bit of	22
out of place	22
would be a	22
suited to the	22
must be remembered	22
that has been	22
the opposite side	22
where there is	22
the most interesting	22
as they are	22
they can be	22
the rear of	22
need to be	22
in a large	22
in spite of	22
in the living	22
even in the	22
and a half	22
which they are	21
the room was	21
the second story	21
the second floor	21
great variety of	21
development of the	21
to say that	21
and on the	21
the front of	21
example of the	21
the fine old	21
the same way	21
may be a	21
the period of	21
which is the	21
on the floor	21
fact that the	21
of the door	21
the middle ages	21
the subject of	21
at the time	21
great deal of	21
centre of the	21
an example of	21
would have been	21
of it is	21
there must be	21
the height of	21
that may be	21
not to be	21
corner of the	21
seventeenth and eighteenth	21
covered with the	21
as if it	21
the head of	21
the first floor	21
to harmonize with	21
no reason why	21
that it may	20
for this purpose	20
placed in the	20
many of these	20
a variety of	20
it was in	20
views of the	20
an air of	20
a fine old	20
to give a	20
because it is	20
be able to	20
of which the	20
relation to the	20
is no reason	20
it is quite	20
which is a	20
and the old	20
the right of	20
a great variety	20
to the room	20
but there is	20
has been made	20
to make it	20
the color scheme	20
one of them	20
is of the	20
style of the	20
height of the	20
is also a	20
of the decoration	20
place of the	20
edges of the	20
is the most	20
to be the	20
living room the	20
it is very	20
and to the	20
should be made	20
the effect is	20
the addition of	20
the story of	20
a group of	20
rear of the	20
illustration illustration plate	20
feature of the	20
carried out in	20
room of the	20
due to the	19
the fifteenth century	19
in those days	19
at the side	19
the requirements of	19
seen in the	19
in the rear	19
treatment of a	19
for it is	19
against the wall	19
more and more	19
if it be	19
to meet the	19
have to be	19
the seventeenth and	19
an old house	19
would not be	19
the plan of	19
the laws of	19
in the average	19
to be considered	19
as shown in	19
close to the	19
color of the	19
the most important	19
to the general	19
the colour scheme	19
the color of	19
the line of	19
there is an	19
the value of	19
work of the	19
the feeling of	19
carved and gilded	19
so far as	19
or in the	19
should then be	19
time of louis	19
was in the	19
louis xvi period	19
may be served	19
the left of	19
many of them	19
to the other	19
be covered with	19
the shape of	19
the details of	19
in an old	19
the name of	19
on the table	18
was to be	18
appearance of the	18
light and air	18
doors and windows	18
to form a	18
left of the	18
for this reason	18
be used with	18
of the past	18
the inside of	18
they do not	18
as to the	18
you have a	18
we do not	18
the colony club	18
in the illustration	18
attached to the	18
of the early	18
and of the	18
width of the	18
if it were	18
was not until	18
known as the	18
applied to the	18
an effect of	18
but they are	18
it is true	18
of colour in	18
must be taken	18
to be in	18
illustrated in the	18
i do not	18
in england and	18
the design is	18
of the roof	18
should be cut	18
is possible to	18
all of the	18
of the table	18
as soon as	18
the placing of	18
the room and	18
of these old	17
used in a	17
chairs and tables	17
ends of the	17
made in the	17
length of the	17
of beauty and	17
and so on	17
it is easy	17
and this is	17
scheme of the	17
and that the	17
that it will	17
the paper was	17
it had been	17
a room is	17
is shown in	17
well as in	17
of william and	17
the comfort of	17
two of the	17
opposite side of	17
they must be	17
should be carefully	17
is apt to	17
rooms in the	17
in the first	17
will be necessary	17
be allowed to	17
of such a	17
a room with	17
to live in	17
portion of the	17
in rooms of	17
and in a	17
is better to	17
a series of	17
the application of	17
at that time	17
at one end	17
instead of a	17
any of the	17
a little more	17
the purpose of	17
the method of	17
but it must	17
may not be	17
place in the	17
of the frame	17
in france and	17
the kind of	17
the wood and	17
one end of	17
and with the	17
to the same	17
and eighteenth centuries	17
but it was	17
it is one	17
will be seen	17
the upper part	17
at the bottom	17
the nature of	17
room is a	17
of the art	17
there is the	17
those of the	17
large enough to	17
on the top	17
houses of the	17
view of the	17
is a fine	17
has been added	17
is by no	17
for the purpose	16
should also be	16
is at the	16
in my own	16
on one side	16
of line and	16
is easy to	16
inside of the	16
cut in the	16
examples of the	16
two views of	16
this part of	16
of the windows	16
the paper is	16
it is this	16
france and england	16
the dimensions of	16
should be taken	16
attention to the	16
room at the	16
there are also	16
the necessity of	16
that they may	16
tone of the	16
it is an	16
instead of being	16
or it may	16
i have said	16
of the world	16
of the ceiling	16
in the eighteenth	16
the life of	16
some of them	16
and all the	16
of the french	16
louis xv and	16
a combination of	16
the cost of	16
of the floor	16
they have been	16
in the hall	16
where it is	16
may be found	16
works of art	16
given to the	16
be of the	16
of the different	16
account of the	16
is a great	16
chairs and sofas	16
finished with a	16
the charm of	16
the amount of	16
in the world	16
the adam brothers	16
features of the	16
the furnishing of	16
the same general	15
is the same	15
on the second	15
there has been	15
are so many	15
in the interior	15
whether it be	15
the nineteenth century	15
a background of	15
in the seventeenth	15
the same as	15
odds and ends	15
louis xiv period	15
at a time	15
in the style	15
of a large	15
is the best	15
idea of the	15
of the country	15
and that is	15
style of decoration	15
you will find	15
each of the	15
an old farmhouse	15
to the use	15
with regard to	15
on the side	15
side of a	15
the architecture of	15
where the walls	15
were used in	15
was built in	15
and i have	15
right of the	15
a country house	15
may be placed	15
they are not	15
of the various	15
charm of the	15
in the use	15
not only in	15
in which they	15
said to have	15
is not necessary	15
it is as	15
between the two	15
of the two	15
of the three	15
one of those	15
the first step	15
detail of the	15
this is an	15
may be easily	15
there are so	15
fine example of	15
with the exception	15
beginning of the	15
of the owner	15
may also be	15
when the house	15
for the room	15
style of louis	15
architecture of the	15
and the walls	15
there are no	15
there are some	15
it is best	15
in the decoration	15
at the back	15
in connection with	15
of black and	15
if the room	15
and covered with	15
in the following	15
the kitchen and	15
the expense of	15
green and white	15
of the beautiful	15
made by the	14
in the centre	14
to the ceiling	14
the fireplace is	14
the scheme of	14
life of the	14
must be a	14
there will be	14
on the inside	14
are of the	14
with a view	14
the length of	14
have been made	14
thing to do	14
and the ceiling	14
in this house	14
when it was	14
surface of the	14
of the kitchen	14
and the dining	14
reference to the	14
to do with	14
to a room	14
of furniture and	14
is to have	14
is difficult to	14
was used in	14
the ceiling is	14
be well to	14
as a part	14
it to be	14
over the mantel	14
it possible to	14
the choice of	14
the early days	14
should be allowed	14
well suited to	14
work of art	14
a kind of	14
connected with the	14
should be kept	14
if one has	14
of a very	14
out in the	14
will not be	14
the relation of	14
the room are	14
the position of	14
the entrance porch	14
the part of	14
house should be	14
with the old	14
a touch of	14
care should be	14
on which the	14
at the head	14
that there are	14
the early part	14
in the second	14
part of a	14
boys and girls	14
study of the	14
be sure that	14
be seen in	14
can be easily	14
on to the	14
has never been	14
it is usually	14
a house in	14
as a matter	14
of the garden	14
shape of the	14
the exception of	14
it is also	14
as to be	14
the windows are	14
in the process	14
example of a	14
there are a	14
of the many	14
paper on the	14
the furniture and	14
on the first	14
of the chimney	14
a louis xvi	14
room has been	13
to those who	13
three or four	13
led to the	13
all through the	13
of the material	13
that it should	13
with a small	13
the first thing	13
a new york	13
as much as	13
materials and tools	13
a view to	13
in the accompanying	13
and may be	13
the age of	13
to use a	13
which have been	13
the study of	13
of a small	13
should have a	13
on the right	13
examples of this	13
the hall and	13
is used for	13
and can be	13
the habit of	13
the wall paper	13
at right angles	13
of a well	13
was used for	13
the table is	13
room with a	13
leads to the	13
as i have	13
before it is	13
that they were	13
change in the	13
is a most	13
of light and	13
a reproduction of	13
the bottom of	13
a small house	13
the matter of	13
there is something	13
and a few	13
better than the	13
with a narrow	13
of the little	13
of the large	13
there was no	13
it was found	13
matter of fact	13
must have been	13
the louis xvi	13
added to the	13
be found that	13
line and colour	13
and beauty of	13
of art and	13
that have been	13
because of the	13
so placed that	13
house has been	13
space between the	13
and the furniture	13
or in a	13
the needs of	13
walls and ceiling	13
see that the	13
plan of the	13
it is always	13
of the sixteenth	13
house is a	13
fortunate enough to	13
upper part of	13
at the corners	13
be seen that	13
some of these	13
it as a	13
could not be	13
is said to	13
the woman who	13
that is to	13
on the outside	13
the outside of	13
make a room	13
time of the	13
details and dimensions	13
should be the	13
it would have	13
so that there	13
in color and	13
members of the	13
of the bedroom	13
and from the	13
as far as	13
as a whole	13
such as the	13
the same period	13
there is one	13
are found in	13
a house is	13
it is impossible	13
when they are	13
the impression of	13
the general scheme	13
has been carefully	13
there are several	13
of the nineteenth	13
of a certain	13
to use the	13
of which are	13
background for the	13
for the use	13
add to the	13
as they were	13
early part of	13
a mixture of	13
a fine example	13
it is sometimes	13
head of the	13
and some of	13
a few years	13
decoration of a	13
replaced by a	13
the thickness of	13
was a great	13
of the entrance	13
at this time	13
tables and chairs	13
surmounted by a	13
be made in	13
also be used	13
of the exterior	12
at each end	12
of the mantel	12
should be as	12
in a very	12
of the loom	12
this is done	12
story of the	12
interest in the	12
on the left	12
it should not	12
to keep the	12
a small quantity	12
so arranged that	12
floor of the	12
found to be	12
a means of	12
are made in	12
the house in	12
of place in	12
of that period	12
and one of	12
of the main	12
the rooms of	12
a summer home	12
general scheme of	12
seems to be	12
a coat of	12
of decoration is	12
the absence of	12
to have them	12
and the whole	12
almost impossible to	12
the selection of	12
for which they	12
of the over	12
this is not	12
the old french	12
purpose for which	12
to be seen	12
of our own	12
to each other	12
with a soft	12
all kinds of	12
in the small	12
a picture of	12
depends upon the	12
and there was	12
built in the	12
is impossible to	12
it is of	12
room which is	12
corners of the	12
is the only	12
is used as	12
it is more	12
should be so	12
found that the	12
can be done	12
in the form	12
it is evident	12
the woodwork is	12
back from the	12
the salon de	12
may be obtained	12
of the interior	12
it is by	12
in the hands	12
nothing can be	12
the edges of	12
is best to	12
what is called	12
in the most	12
which are to	12
this should be	12
those who have	12
chests of drawers	12
gold and silver	12
the general effect	12
a room where	12
form of the	12
were covered with	12
walls and ceilings	12
will be a	12
a great many	12
the entrance hall	12
have come to	12
of the style	12
be carried out	12
carry out the	12
of your room	12
said to be	12
decorated with a	12
be placed in	12
first of all	12
come to the	12
into the room	12
has been built	12
thickness of the	12
that is the	12
reign of louis	12
beauty of line	12
this kind of	12
it might be	12
and you will	12
there are two	12
put on the	12
around the room	12
the main building	12
much to the	12
of a fine	12
given in the	12
the owner of	12
be regarded as	12
is a large	12
we have a	12
in a new	12
each end of	12
placing of the	12
that i have	12
it necessary to	12
to be had	12
back to the	12
and they are	12
of a great	12
not only the	12
that it would	12
outside of the	12
to which the	12
line of the	12
in the upper	12
is not too	12
there are few	12
return to the	12
the italian renaissance	12
in the general	12
dimensions of the	12
of the drawing	12
dining room the	12
in the shops	12
the chairs are	12
the colonial period	12
may have been	12
in some of	12
the composition of	12
a background for	12
owing to the	11
at the sides	11
has not been	11
room is to	11
the difference between	11
in the days	11
of its kind	11
the backs of	11
from the main	11
in the other	11
it is so	11
of chairs and	11
there is also	11
is nothing more	11
of the border	11
the tone of	11
be treated with	11
the interior of	11
of a single	11
to the best	11
in the back	11
it is difficult	11
here is a	11
the lack of	11
a set of	11
furniture should be	11
to do this	11
is a long	11
can hardly be	11
as illustrated in	11
described in the	11
to produce the	11
atmosphere of the	11
enough to be	11
in a modern	11
of good taste	11
is known as	11
details of the	11
may be had	11
house and garden	11
in the time	11
in any other	11
period of the	11
the quality of	11
in the great	11
to carry out	11
of his work	11
windows of the	11
with the rest	11
is found in	11
corner of a	11
will be needed	11
of this book	11
which they were	11
has been used	11
a deep cream	11
may be well	11
down to the	11
they are to	11
should be given	11
a sheet of	11
at the foot	11
seem to be	11
has been a	11
from an old	11
a very good	11
england and america	11
the revival of	11
the most attractive	11
must be used	11
the louis xiv	11
and louis xvi	11
in imitation of	11
the model house	11
any one who	11
the combination of	11
they are very	11
should be avoided	11
to the second	11
quality of the	11
in the right	11
will be required	11
room of this	11
by one of	11
in line and	11
a good example	11
i have used	11
in the present	11
be in the	11
the majority of	11
was used as	11
the modern house	11
reproduction of the	11
it seems to	11
french and italian	11
adapted to the	11
in favor of	11
few of the	11
it was to	11
it cannot be	11
that of a	11
room was a	11
for it was	11
in design and	11
the days of	11
of the rug	11
of any kind	11
out on the	11
the making of	11
and there were	11
the advantage of	11
can be found	11
bottom of the	11
state of preservation	11
built into the	11
a work of	11
and the same	11
with the room	11
ceased to be	11
a room that	11
as part of	11
have the same	11
a feature of	11
will be more	11
i have never	11
and a great	11
the eye and	11
only a few	11
the house from	11
a very beautiful	11
may be the	11
at the farther	11
from the living	11
to the old	11
the corner of	11
proportions of the	11
on the back	11
walls and furniture	11
which will be	11
of some of	11
in the best	11
is a little	11
treated as a	11
the main lines	11
lit de repos	11
are in the	11
of a few	11
placed in a	11
in a great	11
in the new	11
place for the	11
in relation to	11
of carved wood	11
order that the	11
away from the	11
and the room	11
taken from the	11
not until the	11
the house has	11
and with a	11
if the walls	11
in accordance with	11
it is really	11
the wall space	11
line with the	11
to make them	11
in regard to	11
of which were	11
which had been	11
they are the	11
be used on	11
serve as a	11
in the villa	11
as a background	11
since it is	11
is in a	11
such a way	11
it has already	11
right angles to	11
we find the	11
is a matter	11
this can be	11
it in the	11
the present owner	11
it is generally	11
of a good	11
apt to be	11
the manufacture of	11
is always a	11
every room in	11
in such cases	11
of louis xiii	11
should be treated	11
makes it possible	11
this room was	11
which is not	11
and has been	11
the production of	11
to study the	10
of the chintz	10
opening of the	10
it has a	10
done by the	10
first thing to	10
the opening of	10
in the rooms	10
it is essential	10
is the dining	10
new york city	10
of the fine	10
lady of the	10
to hold the	10
to point out	10
should be chosen	10
only to the	10
is really a	10
with the colour	10
the atmosphere of	10
the presence of	10
the sake of	10
the variety of	10
of the average	10
seats and backs	10
necessary to have	10
in the fifteenth	10
the same tone	10
step is to	10
the lady of	10
is of a	10
a most attractive	10
for a room	10
came to the	10
the joy of	10
bay of naples	10
that is not	10
with a piece	10
to be so	10
in all its	10
a beautiful and	10
position of the	10
should be in	10
one or more	10
designed to be	10
to add a	10
keep in mind	10
from the floor	10
the result is	10
is that they	10
made of the	10
in the treatment	10
the side walls	10
the drawing room	10
i have a	10
may be called	10
a border of	10
be a part	10
in the modern	10
windows and doors	10
in the original	10
is made to	10
copies of the	10
for the sake	10
is a modern	10
to remember that	10
taken into account	10
furniture and the	10
the design and	10
there are the	10
addition to the	10
nature of the	10
of the school	10
a soft green	10
not only to	10
the best examples	10
sense of the	10
there are certain	10
be taken into	10
is made of	10
important part of	10
the midst of	10
than any other	10
with a little	10
the old fireplace	10
the georgian period	10
if one wishes	10
xv and louis	10
few years ago	10
from the top	10
perhaps the most	10
be noticed that	10
which is so	10
room for the	10
not be used	10
and a small	10
if one is	10
seem to have	10
of each room	10
all the rooms	10
small quantity of	10
the average american	10
the day bed	10
the louis xv	10
new york house	10
up and down	10
interior of the	10
is no longer	10
lines of a	10
divided into two	10
is not the	10
and when the	10
with the period	10
of the woodwork	10
with a few	10
a long time	10
of the arts	10
be applied to	10
on the ground	10
was made in	10
the fireplace was	10
to be done	10
the wall spaces	10
now used as	10
space for a	10
good state of	10
has to be	10
to the fact	10
salon de compagnie	10
the surface of	10
which would be	10
must always be	10
down to us	10
for the most	10
in the nature	10
is an old	10
set in the	10
of the villa	10
opening from the	10
with the other	10
of the long	10
the floor of	10
black and gold	10
of the more	10
of the last	10
old house and	10
inches in diameter	10
idea of a	10
with the general	10
a hundred years	10
of the chambers	10
architecture and decoration	10
modern painted furniture	10
are filled with	10
of them are	10
it is almost	10
in the latter	10
only in the	10
as it were	10
of the chief	10
the furniture was	10
from the dining	10
reproduction of a	10
was divided into	10
is a question	10
it must not	10
used for this	10
exactly the same	10
this house was	10
made for the	10
at the windows	10
in the art	10
has been done	10
none of the	10
the law of	10
was put on	10
with a simple	10
because they are	10
in the city	10
the woodwork of	10
a good deal	10
for all the	10
furnishings of the	10
ceiling in the	10
the width of	10
good example of	10
the fireplace and	10
palace of fontainebleau	10
it is no	10
is no doubt	10
the average house	10
are not to	10
used to be	10
so much of	10
a large room	10
one of which	10
these should be	10
the space between	10
is to make	10
and they were	10
sense of beauty	10
in which it	10
furniture for the	10
the summer months	10
the lighting fixtures	10
washington irving house	10
to see that	10
it would not	10
furniture may be	10
of the curtains	10
to be placed	10
to the size	10
be done by	10
for in the	10
are apt to	10
in some cases	10
design may be	10
but if the	10
are the most	10
in the midst	10
of furniture is	10
staircase in the	10
is a certain	10
away with the	10
by the fact	10
the stairs are	10
old french and	10
has been retained	10
the idea that	10
it is hardly	10
to that of	10
are of a	10
to the wall	10
of the new	10
history of the	10
mortise and tenon	10
the same in	9
among the most	9
of plate glass	9
in a dining	9
it is most	9
hardly necessary to	9
have been the	9
space for the	9
is that it	9
the condition of	9
of the right	9
the size and	9
it from the	9
article of furniture	9
of the front	9
are used in	9
this has been	9
the house as	9
it is far	9
in houses of	9
part of it	9
in many cases	9
is the old	9
if the house	9
and even the	9
take the place	9
the queen anne	9
is not an	9
the location of	9
of the small	9
decoration and furniture	9
the china closet	9
and dimensions for	9
knowledge of the	9
comfort and convenience	9
to the more	9
is a small	9
one has to	9
to the most	9
for the dining	9
walls are covered	9
more than the	9
although it is	9
which it was	9
to the floor	9
belongs to the	9
in the kitchen	9
manner in which	9
a couple of	9
room in new	9
panels of the	9
in mind the	9
from the time	9
of the plain	9
the room should	9
think of the	9
be treated as	9
is on the	9
were replaced by	9
example of this	9
the curtains and	9
the removal of	9
the legs of	9
a very small	9
in the natural	9
be out of	9
not necessary to	9
and many of	9
above the mantel	9
be made by	9
there were no	9
the chairs and	9
comfort of the	9
there would be	9
be so placed	9
must be carefully	9
decorations of the	9
only necessary to	9
sense of fitness	9
the walls should	9
of the staircase	9
and the new	9
for a few	9
and the hall	9
in the matter	9
all the more	9
the decorative treatment	9
may be seen	9
the colors are	9
of the back	9
the farther end	9
common sense and	9
introduction of the	9
hall of the	9
regarded as a	9
level of the	9
is that of	9
curtains may be	9
adventures of telemachus	9
are hung with	9
by those who	9
for the kitchen	9
to be avoided	9
to design and	9
are used for	9
be in harmony	9
but this is	9
a corner of	9
is not only	9
the homes of	9
and those who	9
the possession of	9
on the continent	9
could be used	9
is only necessary	9
hung with a	9
contrast with the	9
an important part	9
and one or	9
a room which	9
this is one	9
the old kitchen	9
the panelling of	9
things in the	9
paper of the	9
to serve as	9
good taste and	9
designed and made	9
house and the	9
in a plain	9
in good taste	9
feature in the	9
is often a	9
of which was	9
the gothic period	9
out of a	9
or some other	9
the manner of	9
for granted that	9
not be too	9
designs of the	9
of the ordinary	9
with a light	9
stone or marble	9
call attention to	9
such a case	9
side by side	9
for the house	9
is not so	9
done in the	9
the walls in	9
and many other	9
a good plan	9
at the table	9
or one of	9
in other words	9
used in this	9
care must be	9
much of it	9
to be served	9
the foot of	9
is quite possible	9
that they will	9
should be noted	9
there may be	9
the table and	9
care being taken	9
for many years	9
to think that	9
of the stairs	9
of blue and	9
converted into a	9
in the main	9
by the sea	9
the old farmhouse	9
during the summer	9
is sure to	9
in a simple	9
table and chairs	9
the present century	9
more than a	9
with which it	9
was one of	9
the personality of	9
as one of	9
another side of	9
the main road	9
i am not	9
made of a	9
of colour and	9
the next step	9
the chapter on	9
it will not	9
is not always	9
is called the	9
the head and	9
upon the walls	9
of doors and	9
gray and white	9
is placed in	9
while it is	9
the under side	9
in many houses	9
be one of	9
good and bad	9
rooms on the	9
the room by	9
all that is	9
were made of	9
that is very	9
placed on the	9
be used to	9
french and english	9
the process is	9
be made from	9
throughout the house	9
quite impossible to	9
that we have	9
in planning the	9
walls have been	9
is hard to	9
is divided into	9
we come to	9
soon as the	9
italian louis xvi	9
in the summer	9
of those who	9
is full of	9
what we call	9
large and small	9
the body of	9
one does not	9
the time the	9
the construction of	9
furniture has been	9
in black and	9
house from the	9
to a small	9
the woodwork and	9
with reference to	9
to use in	9
of the kind	9
to the dining	9
of the middle	9
angle of the	9
over the fireplace	9
in new england	9
a few of	9
the decorative scheme	9
and ends of	9
these may be	9
but to the	9
blues and greens	9
for the same	9
the exercise of	9
illustrated in plate	9
to hold a	9
the pleasure of	9
english and american	9
the rooms in	9
from the right	9
to see how	9
the frame of	9
itself to the	9
the remodeling of	9
the petit trianon	9
the mass of	9
were to be	9
of the piece	9
the manner in	9
the same material	9
the simplicity of	9
in this country	9
be given to	9
problem of the	9
feet from the	9
the other side	9
and not to	9
greater part of	9
are shown in	9
in one piece	9
fundamental principles of	9
the harmony of	9
may be cut	9
to the design	9
should be very	9
done away with	9
old house in	9
one who has	9
of the former	9
is a charming	9
much the same	9
sure that the	9
may be in	9
to the spirit	9
for use in	9
especially in the	9
the other two	9
the face of	9
it to the	9
be considered in	9
and the living	9
the man who	9
way to the	9
for the top	9
in the remodeling	9
the corners of	9
into which the	9
as to make	9
in country houses	9
it is therefore	9
that the old	9
of the american	9
said that the	9
the other rooms	9
it was used	9
influence of the	9
to the cornice	9
and it should	9
placed against the	9
have been used	9
with that of	9
with the furniture	9
of course the	9
a feeling of	9
and blue and	9
from the walls	8
of the chairs	8
the substitution of	8
an open fire	8
the panels of	8
to return to	8
is made by	8
in the library	8
this case the	8
of the top	8
and not a	8
it was decided	8
characteristics of the	8
in many of	8
the greater part	8
in old houses	8
whether it is	8
the paper on	8
the point of	8
cut to length	8
in northern europe	8
with an old	8
there were two	8
of the usual	8
for the old	8
due regard to	8
the decorations of	8
object of art	8
determined by the	8
be served in	8
the same room	8
room the dining	8
purpose of the	8
home of the	8
in low relief	8
of a different	8
be beautiful in	8
to one of	8
we have the	8
use of colour	8
and is in	8
ready for the	8
to accommodate the	8
the dignity of	8
hundred and fifty	8
room with its	8
of the decorative	8
the pieces of	8
the purpose for	8
of the bowl	8
is of great	8
in the arrangement	8
at home in	8
do with the	8
beautiful in itself	8
say nothing of	8
remembered that the	8
very much the	8
may have a	8
to its original	8
chosen for the	8
they were used	8
that had been	8
and the best	8
color scheme of	8
of the construction	8
in the various	8
the scale of	8
all the furniture	8
but that is	8
a few good	8
certain amount of	8
the course of	8
of the board	8
order to give	8
ready for use	8
on both sides	8
a narrow hall	8
seems to have	8
and one can	8
enough to hold	8
in the previous	8
next step is	8
with all the	8
are very good	8
can easily be	8
for a small	8
and so the	8
as a general	8
be said that	8
furniture of a	8
thrown into one	8
well to have	8
come to be	8
which was the	8
they were not	8
must be kept	8
the foundation of	8
as long as	8
the possibilities of	8
room done in	8
will be noticed	8
may be done	8
of the fifteenth	8
was natural that	8
and the bed	8
the olympic games	8
do is to	8
in the chapter	8
hangings are of	8
it in a	8
are a few	8
paper in the	8
in the dressing	8
were usually of	8
furnishing of a	8
such an arrangement	8
the colonial idea	8
which must be	8
of the panel	8
the proportion of	8
to the main	8
was on the	8
and the necessary	8
its relation to	8
be of a	8
the pores of	8
which is in	8
of painted furniture	8
in the colony	8
to be carried	8
will have to	8
will make a	8
covered with tapestry	8
from the fact	8
the entrance door	8
in a hall	8
you will see	8
of green and	8
far as the	8
chairs covered with	8
may be woven	8
was originally the	8
set in a	8
of the problem	8
as for the	8
were also used	8
the level of	8
and tenon joints	8
directly from the	8
no doubt that	8
the accompanying drawing	8
to the roof	8
and in fact	8
of their own	8
are in order	8
of the estate	8
my own house	8
room for a	8
in good condition	8
is a part	8
the original building	8
of the question	8
of the cornice	8
and white and	8
in this problem	8
back and forth	8
come to us	8
the need of	8
of furniture to	8
and a large	8
is most interesting	8
appropriate to the	8
we find that	8
and the decoration	8
such as is	8
of this sort	8
of the hallway	8
in every room	8
of one color	8
can be obtained	8
to treat the	8
which should be	8
of the finest	8
in the furniture	8
design for a	8
it is interesting	8
of colour to	8
be taken to	8
even to the	8
out of scale	8
the purchase of	8
bear in mind	8
to bring out	8
transferred to the	8
of interest in	8
to secure the	8
were made for	8
has been given	8
and it has	8
effect of a	8
green of the	8
to carry the	8
in the more	8
of this period	8
characteristic of the	8
to produce a	8
the house owner	8
they were built	8
may be purchased	8
than that of	8
the same manner	8
necessary to make	8
and the result	8
on the market	8
and the white	8
were used for	8
to note that	8
the world has	8
and if the	8
of the process	8
of the late	8
the furniture should	8
by the great	8
body of the	8
with the idea	8
in a sick	8
on the whole	8
early in the	8
of decorative art	8
reproduction of an	8
the difficulty of	8
in a way	8
of color is	8
to be an	8
which were used	8
as has been	8
to be of	8
of furniture in	8
may be said	8
the doors of	8
of the curtain	8
the general tone	8
furniture in the	8
at one time	8
of course be	8
main lines of	8
brick or stone	8
in the lower	8
to the original	8
be noted that	8
as in all	8
to allow the	8
colours in the	8
combined with the	8
and the effect	8
each one of	8
used by the	8
and finished with	8
the renaissance in	8
required for the	8
of new england	8
with which the	8
make use of	8
place in a	8
fastened to the	8
into the living	8
of the smaller	8
the ground floor	8
be said to	8
plenty of light	8
half of the	8
are as follows	8
of charles ii	8
of the legs	8
they would be	8
those who are	8
on a white	8
to show the	8
a house that	8
if it had	8
of the shelves	8
flush with the	8
has been painted	8
scale with the	8
the beamed ceiling	8
location of the	8
the ducal palace	8
of use and	8
you may have	8
typical of the	8
from the centre	8
is far better	8
a row of	8
decorative value of	8
boys of the	8
reaction from the	8
the colonial type	8
out of doors	8
the perfection of	8
a question of	8
the bayeux tapestry	8
that will be	8
it was built	8
restored to its	8
which could be	8
dark and light	8
which we are	8
in the ceiling	8
indicated in the	8
to go into	8
decorating and furnishing	8
is the result	8
added at the	8
there is another	8
of design and	8
they are in	8
the warp threads	8
it was natural	8
of the plate	8
and the large	8
accordance with the	8
to give it	8
but as a	8
and the paper	8
the library of	8
with one of	8
in a country	8
head and foot	8
be kept in	8
a certain amount	8
to do is	8
and so we	8
those in the	8
noticed that the	8
of the openings	8
be cut out	8
in some other	8
of hard wood	8
in the corner	8
of furniture were	8
they are used	8
may be as	8
the chairs were	8
foot of the	8
in the shape	8
there can be	8
if your house	8
on a level	8
an impression of	8
should be thoroughly	8
room can be	8
furniture that is	8
it has the	8
the hall was	8
design for the	8
found in a	8
of art in	8
be in keeping	8
the house to	8
rose and blue	8
the latter is	8
of queen anne	8
painted a soft	8
and the window	8
of the carpet	8
can be more	8
which are the	8
give it a	8
colors of the	8
old pieces of	8
room on the	8
but it would	8
i think it	8
is evident that	8
other parts of	8
them to the	8
in the bedroom	8
rooms in which	8
and louis xv	8
the days when	8
distance from the	8
step in the	8
be obtained by	8
house was first	8
the same style	8
by the same	8
the main part	8
on the subject	8
is a beautiful	8
floor should be	8
which is at	8
finish of the	8
in italy and	8
the back and	8
have been carefully	8
should be done	8
the sunny side	8
worthy of the	8
case of the	8
to be regarded	8
all sorts of	8
a chest of	8
where it was	8
walls should be	8
by all means	8
furniture to be	8
on the same	8
on the mantel	8
is out of	7
was made to	7
of a hall	7
when you are	7
explained in the	7
in making the	7
should be served	7
xv and xvi	7
well as a	7
he also used	7
it is applied	7
it is hard	7
may be given	7
we may have	7
to the living	7
be at least	7
is the one	7
may then be	7
is not to	7
the adventures of	7
name of the	7
thin coat of	7
use of wall	7
is much more	7
the pattern is	7
connection with the	7
in england the	7
to be taken	7
for those who	7
it has no	7
and many others	7
the person who	7
portions of the	7
the slope of	7
out the idea	7
separated from the	7
of the warp	7
the pattern of	7
decoration should be	7
eighteenth century in	7
filled with the	7
of the end	7
broken into panels	7
which are in	7
of the beauty	7
chairs of the	7
color and design	7
the ends of	7
in our own	7
the scope of	7
as we know	7
any number of	7
and the heavy	7
was decided to	7
the mantel shelf	7
was found to	7
a dull finish	7
it for granted	7
into a room	7
the difference in	7
during the time	7
as simple as	7
well with the	7
has been cut	7
in the design	7
or some such	7
of the closet	7
old furniture and	7
that could be	7
used with great	7
began to be	7
salon de famille	7
one in the	7
to be desired	7
like that of	7
was built by	7
the formal luncheon	7
for the family	7
on the doors	7
and then the	7
harmonise with the	7
exception of the	7
but if you	7
one of its	7
is supposed to	7
fine examples of	7
needs of the	7
and the french	7
to have this	7
the merit of	7
to us from	7
it is finished	7
interfere with the	7
more difficult to	7
not be a	7
the three louis	7
remember that in	7
the same effect	7
is now used	7
this form of	7
in the end	7
been painted white	7
the attractiveness of	7
out of it	7
much that is	7
as not to	7
devoted to the	7
access to the	7
the whole house	7
hands of a	7
has come to	7
must be made	7
of home decoration	7
room must be	7
must have a	7
appears in the	7
great variety in	7
in this book	7
a place to	7
has been carried	7
on the north	7
art in the	7
to go with	7
to protect the	7
been given to	7
the people of	7
applied with a	7
up in a	7
is interesting to	7
to try to	7
the distribution of	7
filled with a	7
the reach of	7
main part of	7
in a most	7
was a small	7
room of a	7
of his own	7
the cabriole leg	7
the materials used	7
and that of	7
be used if	7
responsible for the	7
the metropolitan museum	7
with a large	7
solution of the	7
on the upper	7
and furnished with	7
it is intended	7
you will be	7
them in the	7
for a long	7
used for a	7
one must have	7
by inigo jones	7
to the effect	7
period of louis	7
the front and	7
if there are	7
the eyes of	7
be adapted to	7
whenever it is	7
no means a	7
a ground of	7
in the chintz	7
into the hall	7
to the required	7