This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
of the house | 321 |
of the room | 290 |
one of the | 274 |
part of the | 241 |
there is a | 188 |
as well as | 180 |
the use of | 149 |
it is a | 139 |
side of the | 138 |
it may be | 133 |
is to be | 122 |
and it is | 111 |
a part of | 109 |
of the same | 108 |
some of the | 103 |
of the old | 100 |
it will be | 95 |
it should be | 93 |
the eighteenth century | 91 |
in order to | 91 |
it is not | 88 |
of the most | 87 |
there is no | 86 |
of a room | 85 |
that it is | 81 |
end of the | 79 |
the walls of | 74 |
in the same | 74 |
in a room | 73 |
it must be | 73 |
lines of the | 73 |
may be used | 70 |
on the walls | 69 |
by means of | 68 |
to be used | 68 |
in the house | 67 |
are to be | 66 |
so that the | 66 |
the time of | 65 |
it is the | 65 |
be used in | 63 |
should not be | 63 |
is one of | 62 |
the walls are | 62 |
the fact that | 62 |
of the eighteenth | 61 |
room in the | 61 |
in the room | 61 |
there are many | 60 |
used in the | 60 |
the effect of | 59 |
used as a | 59 |
the living room | 58 |
many of the | 57 |
of the wall | 57 |
the house was | 57 |
of this kind | 57 |
in which the | 56 |
the top of | 56 |
it is well | 56 |
shown in the | 56 |
the decoration of | 56 |
and in the | 55 |
there should be | 54 |
the room is | 54 |
the rest of | 54 |
to make a | 53 |
the lines of | 53 |
it would be | 53 |
there was a | 52 |
of the furniture | 52 |
the work of | 51 |
may be made | 51 |
covered with a | 51 |
pieces of furniture | 50 |
a piece of | 50 |
the style of | 49 |
but it is | 49 |
of the hall | 49 |
found in the | 48 |
rest of the | 48 |
in such a | 48 |
at the top | 48 |
to be found | 47 |
as it is | 47 |
if it is | 47 |
on either side | 47 |
of the great | 47 |
to match the | 47 |
should be a | 46 |
as in the | 46 |
in a small | 46 |
to be a | 46 |
the house is | 46 |
out of the | 46 |
the end of | 45 |
the dining room | 45 |
of an inch | 45 |
in this room | 45 |
top of the | 45 |
which may be | 45 |
be found in | 45 |
walls of the | 44 |
in the old | 44 |
it is necessary | 44 |
in this way | 44 |
at the same | 43 |
a matter of | 43 |
of the walls | 43 |
they may be | 43 |
rooms of the | 43 |
on the other | 43 |
of the period | 42 |
the same time | 42 |
will be found | 42 |
on each side | 42 |
piece of furniture | 42 |
of the family | 41 |
the treatment of | 41 |
the furniture of | 41 |
it has been | 41 |
in the early | 41 |
is well to | 41 |
can be made | 40 |
front of the | 40 |
the house and | 39 |
that of the | 39 |
it is to | 39 |
the size of | 39 |
one or two | 39 |
the art of | 39 |
in the middle | 39 |
in the drawing | 38 |
furniture of the | 38 |
it was a | 38 |
a number of | 38 |
the beauty of | 38 |
of the modern | 38 |
in this case | 38 |
it was not | 38 |
decoration of the | 38 |
the spirit of | 37 |
is necessary to | 37 |
to have a | 37 |
chest of drawers | 37 |
of the wood | 37 |
more or less | 37 |
be used for | 37 |
that there is | 36 |
size of the | 36 |
much of the | 36 |
the walls and | 36 |
to make the | 36 |
of the time | 35 |
should be used | 35 |
sides of the | 35 |
the appearance of | 35 |
at the rear | 35 |
of the living | 34 |
of a house | 34 |
according to the | 34 |
at one side | 34 |
the center of | 33 |
in harmony with | 33 |
is a very | 33 |
in keeping with | 33 |
it is only | 33 |
so that it | 33 |
harmony with the | 33 |
room in which | 33 |
of the best | 33 |
treatment of the | 33 |
one side of | 33 |
they should be | 33 |
to have the | 33 |
scheme of decoration | 32 |
of the rooms | 32 |
which can be | 32 |
the way of | 32 |
the old house | 32 |
of the original | 32 |
a sort of | 32 |
the centre of | 32 |
a great deal | 32 |
the colour of | 32 |
one of these | 31 |
and at the | 31 |
spirit of the | 31 |
by the use | 31 |
objects of art | 31 |
parts of the | 31 |
in the way | 31 |
of the fireplace | 31 |
this is a | 31 |
the design of | 31 |
use of the | 31 |
blue and white | 31 |
by no means | 30 |
as a rule | 30 |
of the first | 30 |
should be of | 30 |
should always be | 30 |
of louis xiv | 30 |
of louis xvi | 30 |
back of the | 30 |
at the left | 30 |
must not be | 30 |
used for the | 30 |
there is nothing | 30 |
character of the | 30 |
if there is | 30 |
design of the | 30 |
in new york | 30 |
in front of | 30 |
which has been | 30 |
the place of | 30 |
is not a | 30 |
the character of | 30 |
the other hand | 29 |
of the design | 29 |
which it is | 29 |
be made of | 29 |
in a house | 29 |
william and mary | 29 |
can be used | 29 |
keeping with the | 29 |
each side of | 29 |
harmonize with the | 29 |
the seventeenth century | 29 |
two or three | 29 |
the history of | 29 |
the most beautiful | 28 |
it is in | 28 |
in all the | 28 |
be used as | 28 |
the furniture is | 28 |
of the present | 28 |
so that they | 28 |
it can be | 28 |
if you are | 28 |
to have been | 28 |
at the right | 28 |
in one of | 28 |
the problem of | 28 |
room should be | 28 |
the same colour | 28 |
it is possible | 28 |
of the italian | 28 |
means of a | 28 |
of an old | 28 |
well as the | 28 |
of louis xv | 27 |
in the country | 27 |
the walls were | 27 |
on the opposite | 27 |
the influence of | 27 |
the sixteenth century | 27 |
on account of | 27 |
it was the | 27 |
in the dining | 27 |
the best of | 27 |
the development of | 27 |
but in the | 27 |
such a room | 27 |
of this room | 27 |
is a good | 27 |
of one of | 27 |
of the renaissance | 27 |
to give the | 27 |
beauty of the | 27 |
a small room | 27 |
the introduction of | 27 |
on the wall | 27 |
at the front | 27 |
the middle of | 27 |
at the end | 27 |
the back of | 27 |
to be made | 27 |
the result of | 26 |
of the other | 26 |
but there are | 26 |
most of the | 26 |
edge of the | 26 |
of all the | 26 |
i have seen | 26 |
in place of | 26 |
the form of | 26 |
in the center | 26 |
be made to | 26 |
the top and | 26 |
if you have | 26 |
this room is | 26 |
that they are | 26 |
either side of | 26 |
the side of | 26 |
has already been | 26 |
the idea of | 26 |
are covered with | 26 |
the case of | 26 |
the home of | 26 |
the process of | 26 |
that can be | 25 |
to the house | 25 |
of the building | 25 |
room is the | 25 |
had to be | 25 |
and the other | 25 |
in the case | 25 |
it is better | 25 |
to the eye | 25 |
a room in | 25 |
point of view | 25 |
is in the | 25 |
of the picture | 25 |
is covered with | 25 |
walls of a | 25 |
in order that | 25 |
the edge of | 25 |
top and bottom | 25 |
should be placed | 25 |
may be of | 25 |
up to the | 25 |
the front door | 25 |
black and white | 25 |
of the window | 25 |
with the same | 25 |
here and there | 25 |
effect of the | 25 |
room and the | 25 |
a pair of | 25 |
and there is | 24 |
the floor is | 24 |
the sense of | 24 |
no matter how | 24 |
middle of the | 24 |
use of a | 24 |
of the seventeenth | 24 |
and there are | 24 |
of the louis | 24 |
that it was | 24 |
the room in | 24 |
the arrangement of | 24 |
of the bed | 24 |
and it was | 24 |
be remembered that | 24 |
in addition to | 24 |
of the colonial | 24 |
so as to | 24 |
and should be | 24 |
instead of the | 24 |
arrangement of the | 24 |
center of the | 23 |
the present day | 23 |
of the dining | 23 |
as it was | 23 |
the importance of | 23 |
of the home | 23 |
that in the | 23 |
when it is | 23 |
of the whole | 23 |
louis xv period | 23 |
the question of | 23 |
be necessary to | 23 |
a room of | 23 |
of the day | 23 |
this is the | 23 |
colour of the | 23 |
need not be | 23 |
the reign of | 23 |
the hall is | 23 |
and so forth | 23 |
of the work | 23 |
house was built | 23 |
regard to the | 23 |
made up of | 23 |
of interior decoration | 23 |
the beginning of | 23 |
a sense of | 23 |
used on the | 23 |
of which is | 22 |
it does not | 22 |
the hands of | 22 |
of the pattern | 22 |
this may be | 22 |
should never be | 22 |
room may be | 22 |
to cover the | 22 |
the number of | 22 |
the sides of | 22 |
room in a | 22 |
it is often | 22 |
than in the | 22 |
of the paper | 22 |
the principles of | 22 |
in the wall | 22 |
a bit of | 22 |
out of place | 22 |
would be a | 22 |
suited to the | 22 |
must be remembered | 22 |
that has been | 22 |
the opposite side | 22 |
where there is | 22 |
the most interesting | 22 |
as they are | 22 |
they can be | 22 |
the rear of | 22 |
need to be | 22 |
in a large | 22 |
in spite of | 22 |
in the living | 22 |
even in the | 22 |
and a half | 22 |
which they are | 21 |
the room was | 21 |
the second story | 21 |
the second floor | 21 |
great variety of | 21 |
development of the | 21 |
to say that | 21 |
and on the | 21 |
the front of | 21 |
example of the | 21 |
the fine old | 21 |
the same way | 21 |
may be a | 21 |
the period of | 21 |
which is the | 21 |
on the floor | 21 |
fact that the | 21 |
of the door | 21 |
the middle ages | 21 |
the subject of | 21 |
at the time | 21 |
great deal of | 21 |
centre of the | 21 |
an example of | 21 |
would have been | 21 |
of it is | 21 |
there must be | 21 |
the height of | 21 |
that may be | 21 |
not to be | 21 |
corner of the | 21 |
seventeenth and eighteenth | 21 |
covered with the | 21 |
as if it | 21 |
the head of | 21 |
the first floor | 21 |
to harmonize with | 21 |
no reason why | 21 |
that it may | 20 |
for this purpose | 20 |
placed in the | 20 |
many of these | 20 |
a variety of | 20 |
it was in | 20 |
views of the | 20 |
an air of | 20 |
a fine old | 20 |
to give a | 20 |
because it is | 20 |
be able to | 20 |
of which the | 20 |
relation to the | 20 |
is no reason | 20 |
it is quite | 20 |
which is a | 20 |
and the old | 20 |
the right of | 20 |
a great variety | 20 |
to the room | 20 |
but there is | 20 |
has been made | 20 |
to make it | 20 |
the color scheme | 20 |
one of them | 20 |
is of the | 20 |
style of the | 20 |
height of the | 20 |
is also a | 20 |
of the decoration | 20 |
place of the | 20 |
edges of the | 20 |
is the most | 20 |
to be the | 20 |
living room the | 20 |
it is very | 20 |
and to the | 20 |
should be made | 20 |
the effect is | 20 |
the addition of | 20 |
the story of | 20 |
a group of | 20 |
rear of the | 20 |
illustration illustration plate | 20 |
feature of the | 20 |
carried out in | 20 |
room of the | 20 |
due to the | 19 |
the fifteenth century | 19 |
in those days | 19 |
at the side | 19 |
the requirements of | 19 |
seen in the | 19 |
in the rear | 19 |
treatment of a | 19 |
for it is | 19 |
against the wall | 19 |
more and more | 19 |
if it be | 19 |
to meet the | 19 |
have to be | 19 |
the seventeenth and | 19 |
an old house | 19 |
would not be | 19 |
the plan of | 19 |
the laws of | 19 |
in the average | 19 |
to be considered | 19 |
as shown in | 19 |
close to the | 19 |
color of the | 19 |
the most important | 19 |
to the general | 19 |
the colour scheme | 19 |
the color of | 19 |
the line of | 19 |
there is an | 19 |
the value of | 19 |
work of the | 19 |
the feeling of | 19 |
carved and gilded | 19 |
so far as | 19 |
or in the | 19 |
should then be | 19 |
time of louis | 19 |
was in the | 19 |
louis xvi period | 19 |
may be served | 19 |
the left of | 19 |
many of them | 19 |
to the other | 19 |
be covered with | 19 |
the shape of | 19 |
the details of | 19 |
in an old | 19 |
the name of | 19 |
on the table | 18 |
was to be | 18 |
appearance of the | 18 |
light and air | 18 |
doors and windows | 18 |
to form a | 18 |
left of the | 18 |
for this reason | 18 |
be used with | 18 |
of the past | 18 |
the inside of | 18 |
they do not | 18 |
as to the | 18 |
you have a | 18 |
we do not | 18 |
the colony club | 18 |
in the illustration | 18 |
attached to the | 18 |
of the early | 18 |
and of the | 18 |
width of the | 18 |
if it were | 18 |
was not until | 18 |
known as the | 18 |
applied to the | 18 |
an effect of | 18 |
but they are | 18 |
it is true | 18 |
of colour in | 18 |
must be taken | 18 |
to be in | 18 |
illustrated in the | 18 |
i do not | 18 |
in england and | 18 |
the design is | 18 |
of the roof | 18 |
should be cut | 18 |
is possible to | 18 |
all of the | 18 |
of the table | 18 |
as soon as | 18 |
the placing of | 18 |
the room and | 18 |
of these old | 17 |
used in a | 17 |
chairs and tables | 17 |
ends of the | 17 |
made in the | 17 |
length of the | 17 |
of beauty and | 17 |
and so on | 17 |
it is easy | 17 |
and this is | 17 |
scheme of the | 17 |
and that the | 17 |
that it will | 17 |
the paper was | 17 |
it had been | 17 |
a room is | 17 |
is shown in | 17 |
well as in | 17 |
of william and | 17 |
the comfort of | 17 |
two of the | 17 |
opposite side of | 17 |
they must be | 17 |
should be carefully | 17 |
is apt to | 17 |
rooms in the | 17 |
in the first | 17 |
will be necessary | 17 |
be allowed to | 17 |
of such a | 17 |
a room with | 17 |
to live in | 17 |
portion of the | 17 |
in rooms of | 17 |
and in a | 17 |
is better to | 17 |
a series of | 17 |
the application of | 17 |
at that time | 17 |
at one end | 17 |
instead of a | 17 |
any of the | 17 |
a little more | 17 |
the purpose of | 17 |
the method of | 17 |
but it must | 17 |
may not be | 17 |
place in the | 17 |
of the frame | 17 |
in france and | 17 |
the kind of | 17 |
the wood and | 17 |
one end of | 17 |
and with the | 17 |
to the same | 17 |
and eighteenth centuries | 17 |
but it was | 17 |
it is one | 17 |
will be seen | 17 |
the upper part | 17 |
at the bottom | 17 |
the nature of | 17 |
room is a | 17 |
of the art | 17 |
there is the | 17 |
those of the | 17 |
large enough to | 17 |
on the top | 17 |
houses of the | 17 |
view of the | 17 |
is a fine | 17 |
has been added | 17 |
is by no | 17 |
for the purpose | 16 |
should also be | 16 |
is at the | 16 |
in my own | 16 |
on one side | 16 |
of line and | 16 |
is easy to | 16 |
inside of the | 16 |
cut in the | 16 |
examples of the | 16 |
two views of | 16 |
this part of | 16 |
of the windows | 16 |
the paper is | 16 |
it is this | 16 |
france and england | 16 |
the dimensions of | 16 |
should be taken | 16 |
attention to the | 16 |
room at the | 16 |
there are also | 16 |
the necessity of | 16 |
that they may | 16 |
tone of the | 16 |
it is an | 16 |
instead of being | 16 |
or it may | 16 |
i have said | 16 |
of the world | 16 |
of the ceiling | 16 |
in the eighteenth | 16 |
the life of | 16 |
some of them | 16 |
and all the | 16 |
of the french | 16 |
louis xv and | 16 |
a combination of | 16 |
the cost of | 16 |
of the floor | 16 |
they have been | 16 |
in the hall | 16 |
where it is | 16 |
may be found | 16 |
works of art | 16 |
given to the | 16 |
be of the | 16 |
of the different | 16 |
account of the | 16 |
is a great | 16 |
chairs and sofas | 16 |
finished with a | 16 |
the charm of | 16 |
the amount of | 16 |
in the world | 16 |
the adam brothers | 16 |
features of the | 16 |
the furnishing of | 16 |
the same general | 15 |
is the same | 15 |
on the second | 15 |
there has been | 15 |
are so many | 15 |
in the interior | 15 |
whether it be | 15 |
the nineteenth century | 15 |
a background of | 15 |
in the seventeenth | 15 |
the same as | 15 |
odds and ends | 15 |
louis xiv period | 15 |
at a time | 15 |
in the style | 15 |
of a large | 15 |
is the best | 15 |
idea of the | 15 |
of the country | 15 |
and that is | 15 |
style of decoration | 15 |
you will find | 15 |
each of the | 15 |
an old farmhouse | 15 |
to the use | 15 |
with regard to | 15 |
on the side | 15 |
side of a | 15 |
the architecture of | 15 |
where the walls | 15 |
were used in | 15 |
was built in | 15 |
and i have | 15 |
right of the | 15 |
a country house | 15 |
may be placed | 15 |
they are not | 15 |
of the various | 15 |
charm of the | 15 |
in the use | 15 |
not only in | 15 |
in which they | 15 |
said to have | 15 |
is not necessary | 15 |
it is as | 15 |
between the two | 15 |
of the two | 15 |
of the three | 15 |
one of those | 15 |
the first step | 15 |
detail of the | 15 |
this is an | 15 |
may be easily | 15 |
there are so | 15 |
fine example of | 15 |
with the exception | 15 |
beginning of the | 15 |
of the owner | 15 |
may also be | 15 |
when the house | 15 |
for the room | 15 |
style of louis | 15 |
architecture of the | 15 |
and the walls | 15 |
there are no | 15 |
there are some | 15 |
it is best | 15 |
in the decoration | 15 |
at the back | 15 |
in connection with | 15 |
of black and | 15 |
if the room | 15 |
and covered with | 15 |
in the following | 15 |
the kitchen and | 15 |
the expense of | 15 |
green and white | 15 |
of the beautiful | 15 |
made by the | 14 |
in the centre | 14 |
to the ceiling | 14 |
the fireplace is | 14 |
the scheme of | 14 |
life of the | 14 |
must be a | 14 |
there will be | 14 |
on the inside | 14 |
are of the | 14 |
with a view | 14 |
the length of | 14 |
have been made | 14 |
thing to do | 14 |
and the ceiling | 14 |
in this house | 14 |
when it was | 14 |
surface of the | 14 |
of the kitchen | 14 |
and the dining | 14 |
reference to the | 14 |
to do with | 14 |
to a room | 14 |
of furniture and | 14 |
is to have | 14 |
is difficult to | 14 |
was used in | 14 |
the ceiling is | 14 |
be well to | 14 |
as a part | 14 |
it to be | 14 |
over the mantel | 14 |
it possible to | 14 |
the choice of | 14 |
the early days | 14 |
should be allowed | 14 |
well suited to | 14 |
work of art | 14 |
a kind of | 14 |
connected with the | 14 |
should be kept | 14 |
if one has | 14 |
of a very | 14 |
out in the | 14 |
will not be | 14 |
the relation of | 14 |
the room are | 14 |
the position of | 14 |
the entrance porch | 14 |
the part of | 14 |
house should be | 14 |
with the old | 14 |
a touch of | 14 |
care should be | 14 |
on which the | 14 |
at the head | 14 |
that there are | 14 |
the early part | 14 |
in the second | 14 |
part of a | 14 |
boys and girls | 14 |
study of the | 14 |
be sure that | 14 |
be seen in | 14 |
can be easily | 14 |
on to the | 14 |
has never been | 14 |
it is usually | 14 |
a house in | 14 |
as a matter | 14 |
of the garden | 14 |
shape of the | 14 |
the exception of | 14 |
it is also | 14 |
as to be | 14 |
the windows are | 14 |
in the process | 14 |
example of a | 14 |
there are a | 14 |
of the many | 14 |
paper on the | 14 |
the furniture and | 14 |
on the first | 14 |
of the chimney | 14 |
a louis xvi | 14 |
room has been | 13 |
to those who | 13 |
three or four | 13 |
led to the | 13 |
all through the | 13 |
of the material | 13 |
that it should | 13 |
with a small | 13 |
the first thing | 13 |
a new york | 13 |
as much as | 13 |
materials and tools | 13 |
a view to | 13 |
in the accompanying | 13 |
and may be | 13 |
the age of | 13 |
to use a | 13 |
which have been | 13 |
the study of | 13 |
of a small | 13 |
should have a | 13 |
on the right | 13 |
examples of this | 13 |
the hall and | 13 |
is used for | 13 |
and can be | 13 |
the habit of | 13 |
the wall paper | 13 |
at right angles | 13 |
of a well | 13 |
was used for | 13 |
the table is | 13 |
room with a | 13 |
leads to the | 13 |
as i have | 13 |
before it is | 13 |
that they were | 13 |
change in the | 13 |
is a most | 13 |
of light and | 13 |
a reproduction of | 13 |
the bottom of | 13 |
a small house | 13 |
the matter of | 13 |
there is something | 13 |
and a few | 13 |
better than the | 13 |
with a narrow | 13 |
of the little | 13 |
of the large | 13 |
there was no | 13 |
it was found | 13 |
matter of fact | 13 |
must have been | 13 |
the louis xvi | 13 |
added to the | 13 |
be found that | 13 |
line and colour | 13 |
and beauty of | 13 |
of art and | 13 |
that have been | 13 |
because of the | 13 |
so placed that | 13 |
house has been | 13 |
space between the | 13 |
and the furniture | 13 |
or in a | 13 |
the needs of | 13 |
walls and ceiling | 13 |
see that the | 13 |
plan of the | 13 |
it is always | 13 |
of the sixteenth | 13 |
house is a | 13 |
fortunate enough to | 13 |
upper part of | 13 |
at the corners | 13 |
be seen that | 13 |
some of these | 13 |
it as a | 13 |
could not be | 13 |
is said to | 13 |
the woman who | 13 |
that is to | 13 |
on the outside | 13 |
the outside of | 13 |
make a room | 13 |
time of the | 13 |
details and dimensions | 13 |
should be the | 13 |
it would have | 13 |
so that there | 13 |
in color and | 13 |
members of the | 13 |
of the bedroom | 13 |
and from the | 13 |
as far as | 13 |
as a whole | 13 |
such as the | 13 |
the same period | 13 |
there is one | 13 |
are found in | 13 |
a house is | 13 |
it is impossible | 13 |
when they are | 13 |
the impression of | 13 |
the general scheme | 13 |
has been carefully | 13 |
there are several | 13 |
of the nineteenth | 13 |
of a certain | 13 |
to use the | 13 |
of which are | 13 |
background for the | 13 |
for the use | 13 |
add to the | 13 |
as they were | 13 |
early part of | 13 |
a mixture of | 13 |
a fine example | 13 |
it is sometimes | 13 |
head of the | 13 |
and some of | 13 |
a few years | 13 |
decoration of a | 13 |
replaced by a | 13 |
the thickness of | 13 |
was a great | 13 |
of the entrance | 13 |
at this time | 13 |
tables and chairs | 13 |
surmounted by a | 13 |
be made in | 13 |
also be used | 13 |
of the exterior | 12 |
at each end | 12 |
of the mantel | 12 |
should be as | 12 |
in a very | 12 |
of the loom | 12 |
this is done | 12 |
story of the | 12 |
interest in the | 12 |
on the left | 12 |
it should not | 12 |
to keep the | 12 |
a small quantity | 12 |
so arranged that | 12 |
floor of the | 12 |
found to be | 12 |
a means of | 12 |
are made in | 12 |
the house in | 12 |
of place in | 12 |
of that period | 12 |
and one of | 12 |
of the main | 12 |
the rooms of | 12 |
a summer home | 12 |
general scheme of | 12 |
seems to be | 12 |
a coat of | 12 |
of decoration is | 12 |
the absence of | 12 |
to have them | 12 |
and the whole | 12 |
almost impossible to | 12 |
the selection of | 12 |
for which they | 12 |
of the over | 12 |
this is not | 12 |
the old french | 12 |
purpose for which | 12 |
to be seen | 12 |
of our own | 12 |
to each other | 12 |
with a soft | 12 |
all kinds of | 12 |
in the small | 12 |
a picture of | 12 |
depends upon the | 12 |
and there was | 12 |
built in the | 12 |
is impossible to | 12 |
it is of | 12 |
room which is | 12 |
corners of the | 12 |
is the only | 12 |
is used as | 12 |
it is more | 12 |
should be so | 12 |
found that the | 12 |
can be done | 12 |
in the form | 12 |
it is evident | 12 |
the woodwork is | 12 |
back from the | 12 |
the salon de | 12 |
may be obtained | 12 |
of the interior | 12 |
it is by | 12 |
in the hands | 12 |
nothing can be | 12 |
the edges of | 12 |
is best to | 12 |
what is called | 12 |
in the most | 12 |
which are to | 12 |
this should be | 12 |
those who have | 12 |
chests of drawers | 12 |
gold and silver | 12 |
the general effect | 12 |
a room where | 12 |
form of the | 12 |
were covered with | 12 |
walls and ceilings | 12 |
will be a | 12 |
a great many | 12 |
the entrance hall | 12 |
have come to | 12 |
of the style | 12 |
be carried out | 12 |
carry out the | 12 |
of your room | 12 |
said to be | 12 |
decorated with a | 12 |
be placed in | 12 |
first of all | 12 |
come to the | 12 |
into the room | 12 |
has been built | 12 |
thickness of the | 12 |
that is the | 12 |
reign of louis | 12 |
beauty of line | 12 |
this kind of | 12 |
it might be | 12 |
and you will | 12 |
there are two | 12 |
put on the | 12 |
around the room | 12 |
the main building | 12 |
much to the | 12 |
of a fine | 12 |
given in the | 12 |
the owner of | 12 |
be regarded as | 12 |
is a large | 12 |
we have a | 12 |
in a new | 12 |
each end of | 12 |
placing of the | 12 |
that i have | 12 |
it necessary to | 12 |
to be had | 12 |
back to the | 12 |
and they are | 12 |
of a great | 12 |
not only the | 12 |
that it would | 12 |
outside of the | 12 |
to which the | 12 |
line of the | 12 |
in the upper | 12 |
is not too | 12 |
there are few | 12 |
return to the | 12 |
the italian renaissance | 12 |
in the general | 12 |
dimensions of the | 12 |
of the drawing | 12 |
dining room the | 12 |
in the shops | 12 |
the chairs are | 12 |
the colonial period | 12 |
may have been | 12 |
in some of | 12 |
the composition of | 12 |
a background for | 12 |
owing to the | 11 |
at the sides | 11 |
has not been | 11 |
room is to | 11 |
the difference between | 11 |
in the days | 11 |
of its kind | 11 |
the backs of | 11 |
from the main | 11 |
in the other | 11 |
it is so | 11 |
of chairs and | 11 |
there is also | 11 |
is nothing more | 11 |
of the border | 11 |
the tone of | 11 |
be treated with | 11 |
the interior of | 11 |
of a single | 11 |
to the best | 11 |
in the back | 11 |
it is difficult | 11 |
here is a | 11 |
the lack of | 11 |
a set of | 11 |
furniture should be | 11 |
to do this | 11 |
is a long | 11 |
can hardly be | 11 |
as illustrated in | 11 |
described in the | 11 |
to produce the | 11 |
atmosphere of the | 11 |
enough to be | 11 |
in a modern | 11 |
of good taste | 11 |
is known as | 11 |
details of the | 11 |
may be had | 11 |
house and garden | 11 |
in the time | 11 |
in any other | 11 |
period of the | 11 |
the quality of | 11 |
in the great | 11 |
to carry out | 11 |
of his work | 11 |
windows of the | 11 |
with the rest | 11 |
is found in | 11 |
corner of a | 11 |
will be needed | 11 |
of this book | 11 |
which they were | 11 |
has been used | 11 |
a deep cream | 11 |
may be well | 11 |
down to the | 11 |
they are to | 11 |
should be given | 11 |
a sheet of | 11 |
at the foot | 11 |
seem to be | 11 |
has been a | 11 |
from an old | 11 |
a very good | 11 |
england and america | 11 |
the revival of | 11 |
the most attractive | 11 |
must be used | 11 |
the louis xiv | 11 |
and louis xvi | 11 |
in imitation of | 11 |
the model house | 11 |
any one who | 11 |
the combination of | 11 |
they are very | 11 |
should be avoided | 11 |
to the second | 11 |
quality of the | 11 |
in the right | 11 |
will be required | 11 |
room of this | 11 |
by one of | 11 |
in line and | 11 |
a good example | 11 |
i have used | 11 |
in the present | 11 |
be in the | 11 |
the majority of | 11 |
was used as | 11 |
the modern house | 11 |
reproduction of the | 11 |
it seems to | 11 |
french and italian | 11 |
adapted to the | 11 |
in favor of | 11 |
few of the | 11 |
it was to | 11 |
it cannot be | 11 |
that of a | 11 |
room was a | 11 |
for it was | 11 |
in design and | 11 |
the days of | 11 |
of the rug | 11 |
of any kind | 11 |
out on the | 11 |
the making of | 11 |
and there were | 11 |
the advantage of | 11 |
can be found | 11 |
bottom of the | 11 |
state of preservation | 11 |
built into the | 11 |
a work of | 11 |
and the same | 11 |
with the room | 11 |
ceased to be | 11 |
a room that | 11 |
as part of | 11 |
have the same | 11 |
a feature of | 11 |
will be more | 11 |
i have never | 11 |
and a great | 11 |
the eye and | 11 |
only a few | 11 |
the house from | 11 |
a very beautiful | 11 |
may be the | 11 |
at the farther | 11 |
from the living | 11 |
to the old | 11 |
the corner of | 11 |
proportions of the | 11 |
on the back | 11 |
walls and furniture | 11 |
which will be | 11 |
of some of | 11 |
in the best | 11 |
is a little | 11 |
treated as a | 11 |
the main lines | 11 |
lit de repos | 11 |
are in the | 11 |
of a few | 11 |
placed in a | 11 |
in a great | 11 |
in the new | 11 |
place for the | 11 |
in relation to | 11 |
of carved wood | 11 |
order that the | 11 |
away from the | 11 |
and the room | 11 |
taken from the | 11 |
not until the | 11 |
the house has | 11 |
and with a | 11 |
if the walls | 11 |
in accordance with | 11 |
it is really | 11 |
the wall space | 11 |
line with the | 11 |
to make them | 11 |
in regard to | 11 |
of which were | 11 |
which had been | 11 |
they are the | 11 |
be used on | 11 |
serve as a | 11 |
in the villa | 11 |
as a background | 11 |
since it is | 11 |
is in a | 11 |
such a way | 11 |
it has already | 11 |
right angles to | 11 |
we find the | 11 |
is a matter | 11 |
this can be | 11 |
it in the | 11 |
the present owner | 11 |
it is generally | 11 |
of a good | 11 |
apt to be | 11 |
the manufacture of | 11 |
is always a | 11 |
every room in | 11 |
in such cases | 11 |
of louis xiii | 11 |
should be treated | 11 |
makes it possible | 11 |
this room was | 11 |
which is not | 11 |
and has been | 11 |
the production of | 11 |
to study the | 10 |
of the chintz | 10 |
opening of the | 10 |
it has a | 10 |
done by the | 10 |
first thing to | 10 |
the opening of | 10 |
in the rooms | 10 |
it is essential | 10 |
is the dining | 10 |
new york city | 10 |
of the fine | 10 |
lady of the | 10 |
to hold the | 10 |
to point out | 10 |
should be chosen | 10 |
only to the | 10 |
is really a | 10 |
with the colour | 10 |
the atmosphere of | 10 |
the presence of | 10 |
the sake of | 10 |
the variety of | 10 |
of the average | 10 |
seats and backs | 10 |
necessary to have | 10 |
in the fifteenth | 10 |
the same tone | 10 |
step is to | 10 |
the lady of | 10 |
is of a | 10 |
a most attractive | 10 |
for a room | 10 |
came to the | 10 |
the joy of | 10 |
bay of naples | 10 |
that is not | 10 |
with a piece | 10 |
to be so | 10 |
in all its | 10 |
a beautiful and | 10 |
position of the | 10 |
should be in | 10 |
one or more | 10 |
designed to be | 10 |
to add a | 10 |
keep in mind | 10 |
from the floor | 10 |
the result is | 10 |
is that they | 10 |
made of the | 10 |
in the treatment | 10 |
the side walls | 10 |
the drawing room | 10 |
i have a | 10 |
may be called | 10 |
a border of | 10 |
be a part | 10 |
in the modern | 10 |
windows and doors | 10 |
in the original | 10 |
is made to | 10 |
copies of the | 10 |
for the sake | 10 |
is a modern | 10 |
to remember that | 10 |
taken into account | 10 |
furniture and the | 10 |
the design and | 10 |
there are the | 10 |
addition to the | 10 |
nature of the | 10 |
of the school | 10 |
a soft green | 10 |
not only to | 10 |
the best examples | 10 |
sense of the | 10 |
there are certain | 10 |
be taken into | 10 |
is made of | 10 |
important part of | 10 |
the midst of | 10 |
than any other | 10 |
with a little | 10 |
the old fireplace | 10 |
the georgian period | 10 |
if one wishes | 10 |
xv and louis | 10 |
few years ago | 10 |
from the top | 10 |
perhaps the most | 10 |
be noticed that | 10 |
which is so | 10 |
room for the | 10 |
not be used | 10 |
and a small | 10 |
if one is | 10 |
seem to have | 10 |
of each room | 10 |
all the rooms | 10 |
small quantity of | 10 |
the average american | 10 |
the day bed | 10 |
the louis xv | 10 |
new york house | 10 |
up and down | 10 |
interior of the | 10 |
is no longer | 10 |
lines of a | 10 |
divided into two | 10 |
is not the | 10 |
and when the | 10 |
with the period | 10 |
of the woodwork | 10 |
with a few | 10 |
a long time | 10 |
of the arts | 10 |
be applied to | 10 |
on the ground | 10 |
was made in | 10 |
the fireplace was | 10 |
to be done | 10 |
the wall spaces | 10 |
now used as | 10 |
space for a | 10 |
good state of | 10 |
has to be | 10 |
to the fact | 10 |
salon de compagnie | 10 |
the surface of | 10 |
which would be | 10 |
must always be | 10 |
down to us | 10 |
for the most | 10 |
in the nature | 10 |
is an old | 10 |
set in the | 10 |
of the villa | 10 |
opening from the | 10 |
with the other | 10 |
of the long | 10 |
the floor of | 10 |
black and gold | 10 |
of the more | 10 |
of the last | 10 |
old house and | 10 |
inches in diameter | 10 |
idea of a | 10 |
with the general | 10 |
a hundred years | 10 |
of the chambers | 10 |
architecture and decoration | 10 |
modern painted furniture | 10 |
are filled with | 10 |
of them are | 10 |
it is almost | 10 |
in the latter | 10 |
only in the | 10 |
as it were | 10 |
of the chief | 10 |
the furniture was | 10 |
from the dining | 10 |
reproduction of a | 10 |
was divided into | 10 |
is a question | 10 |
it must not | 10 |
used for this | 10 |
exactly the same | 10 |
this house was | 10 |
made for the | 10 |
at the windows | 10 |
in the art | 10 |
has been done | 10 |
none of the | 10 |
the law of | 10 |
was put on | 10 |
with a simple | 10 |
because they are | 10 |
in the city | 10 |
the woodwork of | 10 |
a good deal | 10 |
for all the | 10 |
furnishings of the | 10 |
ceiling in the | 10 |
the width of | 10 |
good example of | 10 |
the fireplace and | 10 |
palace of fontainebleau | 10 |
it is no | 10 |
is no doubt | 10 |
the average house | 10 |
are not to | 10 |
used to be | 10 |
so much of | 10 |
a large room | 10 |
one of which | 10 |
these should be | 10 |
the space between | 10 |
is to make | 10 |
and they were | 10 |
sense of beauty | 10 |
in which it | 10 |
furniture for the | 10 |
the summer months | 10 |
the lighting fixtures | 10 |
washington irving house | 10 |
to see that | 10 |
it would not | 10 |
furniture may be | 10 |
of the curtains | 10 |
to be placed | 10 |
to the size | 10 |
be done by | 10 |
for in the | 10 |
are apt to | 10 |
in some cases | 10 |
design may be | 10 |
but if the | 10 |
are the most | 10 |
in the midst | 10 |
of furniture is | 10 |
staircase in the | 10 |
is a certain | 10 |
away with the | 10 |
by the fact | 10 |
the stairs are | 10 |
old french and | 10 |
has been retained | 10 |
the idea that | 10 |
it is hardly | 10 |
to that of | 10 |
are of a | 10 |
to the wall | 10 |
of the new | 10 |
history of the | 10 |
mortise and tenon | 10 |
the same in | 9 |
among the most | 9 |
of plate glass | 9 |
in a dining | 9 |
it is most | 9 |
hardly necessary to | 9 |
have been the | 9 |
space for the | 9 |
is that it | 9 |
the condition of | 9 |
of the right | 9 |
the size and | 9 |
it from the | 9 |
article of furniture | 9 |
of the front | 9 |
are used in | 9 |
this has been | 9 |
the house as | 9 |
it is far | 9 |
in houses of | 9 |
part of it | 9 |
in many cases | 9 |
is the old | 9 |
if the house | 9 |
and even the | 9 |
take the place | 9 |
the queen anne | 9 |
is not an | 9 |
the location of | 9 |
of the small | 9 |
decoration and furniture | 9 |
the china closet | 9 |
and dimensions for | 9 |
knowledge of the | 9 |
comfort and convenience | 9 |
to the more | 9 |
is a small | 9 |
one has to | 9 |
to the most | 9 |
for the dining | 9 |
walls are covered | 9 |
more than the | 9 |
although it is | 9 |
which it was | 9 |
to the floor | 9 |
belongs to the | 9 |
in the kitchen | 9 |
manner in which | 9 |
a couple of | 9 |
room in new | 9 |
panels of the | 9 |
in mind the | 9 |
from the time | 9 |
of the plain | 9 |
the room should | 9 |
think of the | 9 |
be treated as | 9 |
is on the | 9 |
were replaced by | 9 |
example of this | 9 |
the curtains and | 9 |
the removal of | 9 |
the legs of | 9 |
a very small | 9 |
in the natural | 9 |
be out of | 9 |
not necessary to | 9 |
and many of | 9 |
above the mantel | 9 |
be made by | 9 |
there were no | 9 |
the chairs and | 9 |
comfort of the | 9 |
there would be | 9 |
be so placed | 9 |
must be carefully | 9 |
decorations of the | 9 |
only necessary to | 9 |
sense of fitness | 9 |
the walls should | 9 |
of the staircase | 9 |
and the new | 9 |
for a few | 9 |
and the hall | 9 |
in the matter | 9 |
all the more | 9 |
the decorative treatment | 9 |
may be seen | 9 |
the colors are | 9 |
of the back | 9 |
the farther end | 9 |
common sense and | 9 |
introduction of the | 9 |
hall of the | 9 |
regarded as a | 9 |
level of the | 9 |
is that of | 9 |
curtains may be | 9 |
adventures of telemachus | 9 |
are hung with | 9 |
by those who | 9 |
for the kitchen | 9 |
to be avoided | 9 |
to design and | 9 |
are used for | 9 |
be in harmony | 9 |
but this is | 9 |
a corner of | 9 |
is not only | 9 |
the homes of | 9 |
and those who | 9 |
the possession of | 9 |
on the continent | 9 |
could be used | 9 |
is only necessary | 9 |
hung with a | 9 |
contrast with the | 9 |
an important part | 9 |
and one or | 9 |
a room which | 9 |
this is one | 9 |
the old kitchen | 9 |
the panelling of | 9 |
things in the | 9 |
paper of the | 9 |
to serve as | 9 |
good taste and | 9 |
designed and made | 9 |
house and the | 9 |
in a plain | 9 |
in good taste | 9 |
feature in the | 9 |
is often a | 9 |
of which was | 9 |
the gothic period | 9 |
out of a | 9 |
or some other | 9 |
the manner of | 9 |
for granted that | 9 |
not be too | 9 |
designs of the | 9 |
of the ordinary | 9 |
with a light | 9 |
stone or marble | 9 |
call attention to | 9 |
such a case | 9 |
side by side | 9 |
for the house | 9 |
is not so | 9 |
done in the | 9 |
the walls in | 9 |
and many other | 9 |
a good plan | 9 |
at the table | 9 |
or one of | 9 |
in other words | 9 |
used in this | 9 |
care must be | 9 |
much of it | 9 |
to be served | 9 |
the foot of | 9 |
is quite possible | 9 |
that they will | 9 |
should be noted | 9 |
there may be | 9 |
the table and | 9 |
care being taken | 9 |
for many years | 9 |
to think that | 9 |
of the stairs | 9 |
of blue and | 9 |
converted into a | 9 |
in the main | 9 |
by the sea | 9 |
the old farmhouse | 9 |
during the summer | 9 |
is sure to | 9 |
in a simple | 9 |
table and chairs | 9 |
the present century | 9 |
more than a | 9 |
with which it | 9 |
was one of | 9 |
the personality of | 9 |
as one of | 9 |
another side of | 9 |
the main road | 9 |
i am not | 9 |
made of a | 9 |
of colour and | 9 |
the next step | 9 |
the chapter on | 9 |
it will not | 9 |
is not always | 9 |
is called the | 9 |
the head and | 9 |
upon the walls | 9 |
of doors and | 9 |
gray and white | 9 |
is placed in | 9 |
while it is | 9 |
the under side | 9 |
in many houses | 9 |
be one of | 9 |
good and bad | 9 |
rooms on the | 9 |
the room by | 9 |
all that is | 9 |
were made of | 9 |
that is very | 9 |
placed on the | 9 |
be used to | 9 |
french and english | 9 |
the process is | 9 |
be made from | 9 |
throughout the house | 9 |
quite impossible to | 9 |
that we have | 9 |
in planning the | 9 |
walls have been | 9 |
is hard to | 9 |
is divided into | 9 |
we come to | 9 |
soon as the | 9 |
italian louis xvi | 9 |
in the summer | 9 |
of those who | 9 |
is full of | 9 |
what we call | 9 |
large and small | 9 |
the body of | 9 |
one does not | 9 |
the time the | 9 |
the construction of | 9 |
furniture has been | 9 |
in black and | 9 |
house from the | 9 |
to a small | 9 |
the woodwork and | 9 |
with reference to | 9 |
to use in | 9 |
of the kind | 9 |
to the dining | 9 |
of the middle | 9 |
angle of the | 9 |
over the fireplace | 9 |
in new england | 9 |
a few of | 9 |
the decorative scheme | 9 |
and ends of | 9 |
these may be | 9 |
but to the | 9 |
blues and greens | 9 |
for the same | 9 |
the exercise of | 9 |
illustrated in plate | 9 |
to hold a | 9 |
the pleasure of | 9 |
english and american | 9 |
the rooms in | 9 |
from the right | 9 |
to see how | 9 |
the frame of | 9 |
itself to the | 9 |
the remodeling of | 9 |
the petit trianon | 9 |
the mass of | 9 |
were to be | 9 |
of the piece | 9 |
the manner in | 9 |
the same material | 9 |
the simplicity of | 9 |
in this country | 9 |
be given to | 9 |
problem of the | 9 |
feet from the | 9 |
the other side | 9 |
and not to | 9 |
greater part of | 9 |
are shown in | 9 |
in one piece | 9 |
fundamental principles of | 9 |
the harmony of | 9 |
may be cut | 9 |
to the design | 9 |
should be very | 9 |
done away with | 9 |
old house in | 9 |
one who has | 9 |
of the former | 9 |
is a charming | 9 |
much the same | 9 |
sure that the | 9 |
may be in | 9 |
to the spirit | 9 |
for use in | 9 |
especially in the | 9 |
the other two | 9 |
the face of | 9 |
it to the | 9 |
be considered in | 9 |
and the living | 9 |
the man who | 9 |
way to the | 9 |
for the top | 9 |
in the remodeling | 9 |
the corners of | 9 |
into which the | 9 |
as to make | 9 |
in country houses | 9 |
it is therefore | 9 |
that the old | 9 |
of the american | 9 |
said that the | 9 |
the other rooms | 9 |
it was used | 9 |
influence of the | 9 |
to the cornice | 9 |
and it should | 9 |
placed against the | 9 |
have been used | 9 |
with that of | 9 |
with the furniture | 9 |
of course the | 9 |
a feeling of | 9 |
and blue and | 9 |
from the walls | 8 |
of the chairs | 8 |
the substitution of | 8 |
an open fire | 8 |
the panels of | 8 |
to return to | 8 |
is made by | 8 |
in the library | 8 |
this case the | 8 |
of the top | 8 |
and not a | 8 |
it was decided | 8 |
characteristics of the | 8 |
in many of | 8 |
the greater part | 8 |
in old houses | 8 |
whether it is | 8 |
the paper on | 8 |
the point of | 8 |
cut to length | 8 |
in northern europe | 8 |
with an old | 8 |
there were two | 8 |
of the usual | 8 |
for the old | 8 |
due regard to | 8 |
the decorations of | 8 |
object of art | 8 |
determined by the | 8 |
be served in | 8 |
the same room | 8 |
room the dining | 8 |
purpose of the | 8 |
home of the | 8 |
in low relief | 8 |
of a different | 8 |
be beautiful in | 8 |
to one of | 8 |
we have the | 8 |
use of colour | 8 |
and is in | 8 |
ready for the | 8 |
to accommodate the | 8 |
the dignity of | 8 |
hundred and fifty | 8 |
room with its | 8 |
of the decorative | 8 |
the pieces of | 8 |
the purpose for | 8 |
of the bowl | 8 |
is of great | 8 |
in the arrangement | 8 |
at home in | 8 |
do with the | 8 |
beautiful in itself | 8 |
say nothing of | 8 |
remembered that the | 8 |
very much the | 8 |
may have a | 8 |
to its original | 8 |
chosen for the | 8 |
they were used | 8 |
that had been | 8 |
and the best | 8 |
color scheme of | 8 |
of the construction | 8 |
in the various | 8 |
the scale of | 8 |
all the furniture | 8 |
but that is | 8 |
a few good | 8 |
certain amount of | 8 |
the course of | 8 |
of the board | 8 |
order to give | 8 |
ready for use | 8 |
on both sides | 8 |
a narrow hall | 8 |
seems to have | 8 |
and one can | 8 |
enough to hold | 8 |
in the previous | 8 |
next step is | 8 |
with all the | 8 |
are very good | 8 |
can easily be | 8 |
for a small | 8 |
and so the | 8 |
as a general | 8 |
be said that | 8 |
furniture of a | 8 |
thrown into one | 8 |
well to have | 8 |
come to be | 8 |
which was the | 8 |
they were not | 8 |
must be kept | 8 |
the foundation of | 8 |
as long as | 8 |
the possibilities of | 8 |
room done in | 8 |
will be noticed | 8 |
may be done | 8 |
of the fifteenth | 8 |
was natural that | 8 |
and the bed | 8 |
the olympic games | 8 |
do is to | 8 |
in the chapter | 8 |
hangings are of | 8 |
it in a | 8 |
are a few | 8 |
paper in the | 8 |
in the dressing | 8 |
were usually of | 8 |
furnishing of a | 8 |
such an arrangement | 8 |
the colonial idea | 8 |
which must be | 8 |
of the panel | 8 |
the proportion of | 8 |
to the main | 8 |
was on the | 8 |
and the necessary | 8 |
its relation to | 8 |
be of a | 8 |
the pores of | 8 |
which is in | 8 |
of painted furniture | 8 |
in the colony | 8 |
to be carried | 8 |
will have to | 8 |
will make a | 8 |
covered with tapestry | 8 |
from the fact | 8 |
the entrance door | 8 |
in a hall | 8 |
you will see | 8 |
of green and | 8 |
far as the | 8 |
chairs covered with | 8 |
may be woven | 8 |
was originally the | 8 |
set in a | 8 |
of the problem | 8 |
as for the | 8 |
were also used | 8 |
the level of | 8 |
and tenon joints | 8 |
directly from the | 8 |
no doubt that | 8 |
the accompanying drawing | 8 |
to the roof | 8 |
and in fact | 8 |
of their own | 8 |
are in order | 8 |
of the estate | 8 |
my own house | 8 |
room for a | 8 |
in good condition | 8 |
is a part | 8 |
the original building | 8 |
of the question | 8 |
of the cornice | 8 |
and white and | 8 |
in this problem | 8 |
back and forth | 8 |
come to us | 8 |
the need of | 8 |
of furniture to | 8 |
and a large | 8 |
is most interesting | 8 |
appropriate to the | 8 |
we find that | 8 |
and the decoration | 8 |
such as is | 8 |
of this sort | 8 |
of the hallway | 8 |
in every room | 8 |
of one color | 8 |
can be obtained | 8 |
to treat the | 8 |
which should be | 8 |
of the finest | 8 |
in the furniture | 8 |
design for a | 8 |
it is interesting | 8 |
of colour to | 8 |
be taken to | 8 |
even to the | 8 |
out of scale | 8 |
the purchase of | 8 |
bear in mind | 8 |
to bring out | 8 |
transferred to the | 8 |
of interest in | 8 |
to secure the | 8 |
were made for | 8 |
has been given | 8 |
and it has | 8 |
effect of a | 8 |
green of the | 8 |
to carry the | 8 |
in the more | 8 |
of this period | 8 |
characteristic of the | 8 |
to produce a | 8 |
the house owner | 8 |
they were built | 8 |
may be purchased | 8 |
than that of | 8 |
the same manner | 8 |
necessary to make | 8 |
and the result | 8 |
on the market | 8 |
and the white | 8 |
were used for | 8 |
to note that | 8 |
the world has | 8 |
and if the | 8 |
of the process | 8 |
of the late | 8 |
the furniture should | 8 |
by the great | 8 |
body of the | 8 |
with the idea | 8 |
in a sick | 8 |
on the whole | 8 |
early in the | 8 |
of decorative art | 8 |
reproduction of an | 8 |
the difficulty of | 8 |
in a way | 8 |
of color is | 8 |
to be an | 8 |
which were used | 8 |
as has been | 8 |
to be of | 8 |
of furniture in | 8 |
may be said | 8 |
the doors of | 8 |
of the curtain | 8 |
the general tone | 8 |
furniture in the | 8 |
at one time | 8 |
of course be | 8 |
main lines of | 8 |
brick or stone | 8 |
in the lower | 8 |
to the original | 8 |
be noted that | 8 |
as in all | 8 |
to allow the | 8 |
colours in the | 8 |
combined with the | 8 |
and the effect | 8 |
each one of | 8 |
used by the | 8 |
and finished with | 8 |
the renaissance in | 8 |
required for the | 8 |
of new england | 8 |
with which the | 8 |
make use of | 8 |
place in a | 8 |
fastened to the | 8 |
into the living | 8 |
of the smaller | 8 |
the ground floor | 8 |
be said to | 8 |
plenty of light | 8 |
half of the | 8 |
are as follows | 8 |
of charles ii | 8 |
of the legs | 8 |
they would be | 8 |
those who are | 8 |
on a white | 8 |
to show the | 8 |
a house that | 8 |
if it had | 8 |
of the shelves | 8 |
flush with the | 8 |
has been painted | 8 |
scale with the | 8 |
the beamed ceiling | 8 |
location of the | 8 |
the ducal palace | 8 |
of use and | 8 |
you may have | 8 |
typical of the | 8 |
from the centre | 8 |
is far better | 8 |
a row of | 8 |
decorative value of | 8 |
boys of the | 8 |
reaction from the | 8 |
the colonial type | 8 |
out of doors | 8 |
the perfection of | 8 |
a question of | 8 |
the bayeux tapestry | 8 |
that will be | 8 |
it was built | 8 |
restored to its | 8 |
which could be | 8 |
dark and light | 8 |
which we are | 8 |
in the ceiling | 8 |
indicated in the | 8 |
to go into | 8 |
decorating and furnishing | 8 |
is the result | 8 |
added at the | 8 |
there is another | 8 |
of design and | 8 |
they are in | 8 |
the warp threads | 8 |
it was natural | 8 |
of the plate | 8 |
and the large | 8 |
accordance with the | 8 |
to give it | 8 |
but as a | 8 |
and the paper | 8 |
the library of | 8 |
with one of | 8 |
in a country | 8 |
head and foot | 8 |
be kept in | 8 |
a certain amount | 8 |
to do is | 8 |
and so we | 8 |
those in the | 8 |
noticed that the | 8 |
of the openings | 8 |
be cut out | 8 |
in some other | 8 |
of hard wood | 8 |
in the corner | 8 |
of furniture were | 8 |
they are used | 8 |
may be as | 8 |
the chairs were | 8 |
foot of the | 8 |
in the shape | 8 |
there can be | 8 |
if your house | 8 |
on a level | 8 |
an impression of | 8 |
should be thoroughly | 8 |
room can be | 8 |
furniture that is | 8 |
it has the | 8 |
the hall was | 8 |
design for the | 8 |
found in a | 8 |
of art in | 8 |
be in keeping | 8 |
the house to | 8 |
rose and blue | 8 |
the latter is | 8 |
of queen anne | 8 |
painted a soft | 8 |
and the window | 8 |
of the carpet | 8 |
can be more | 8 |
which are the | 8 |
give it a | 8 |
colors of the | 8 |
old pieces of | 8 |
room on the | 8 |
but it would | 8 |
i think it | 8 |
is evident that | 8 |
other parts of | 8 |
them to the | 8 |
in the bedroom | 8 |
rooms in which | 8 |
and louis xv | 8 |
the days when | 8 |
distance from the | 8 |
step in the | 8 |
be obtained by | 8 |
house was first | 8 |
the same style | 8 |
by the same | 8 |
the main part | 8 |
on the subject | 8 |
is a beautiful | 8 |
floor should be | 8 |
which is at | 8 |
finish of the | 8 |
in italy and | 8 |
the back and | 8 |
have been carefully | 8 |
should be done | 8 |
the sunny side | 8 |
worthy of the | 8 |
case of the | 8 |
to be regarded | 8 |
all sorts of | 8 |
a chest of | 8 |
where it was | 8 |
walls should be | 8 |
by all means | 8 |
furniture to be | 8 |
on the same | 8 |
on the mantel | 8 |
is out of | 7 |
was made to | 7 |
of a hall | 7 |
when you are | 7 |
explained in the | 7 |
in making the | 7 |
should be served | 7 |
xv and xvi | 7 |
well as a | 7 |
he also used | 7 |
it is applied | 7 |
it is hard | 7 |
may be given | 7 |
we may have | 7 |
to the living | 7 |
be at least | 7 |
is the one | 7 |
may then be | 7 |
is not to | 7 |
the adventures of | 7 |
name of the | 7 |
thin coat of | 7 |
use of wall | 7 |
is much more | 7 |
the pattern is | 7 |
connection with the | 7 |
in england the | 7 |
to be taken | 7 |
for those who | 7 |
it has no | 7 |
and many others | 7 |
the person who | 7 |
portions of the | 7 |
the slope of | 7 |
out the idea | 7 |
separated from the | 7 |
of the warp | 7 |
the pattern of | 7 |
decoration should be | 7 |
eighteenth century in | 7 |
filled with the | 7 |
of the end | 7 |
broken into panels | 7 |
which are in | 7 |
of the beauty | 7 |
chairs of the | 7 |
color and design | 7 |
the ends of | 7 |
in our own | 7 |
the scope of | 7 |
as we know | 7 |
any number of | 7 |
and the heavy | 7 |
was decided to | 7 |
the mantel shelf | 7 |
was found to | 7 |
a dull finish | 7 |
it for granted | 7 |
into a room | 7 |
the difference in | 7 |
during the time | 7 |
as simple as | 7 |
well with the | 7 |
has been cut | 7 |
in the design | 7 |
or some such | 7 |
of the closet | 7 |
old furniture and | 7 |
that could be | 7 |
used with great | 7 |
began to be | 7 |
salon de famille | 7 |
one in the | 7 |
to be desired | 7 |
like that of | 7 |
was built by | 7 |
the formal luncheon | 7 |
for the family | 7 |
on the doors | 7 |
and then the | 7 |
harmonise with the | 7 |
exception of the | 7 |
but if you | 7 |
one of its | 7 |
is supposed to | 7 |
fine examples of | 7 |
needs of the | 7 |
and the french | 7 |
to have this | 7 |
the merit of | 7 |
to us from | 7 |
it is finished | 7 |
interfere with the | 7 |
more difficult to | 7 |
not be a | 7 |
the three louis | 7 |
remember that in | 7 |
the same effect | 7 |
is now used | 7 |
this form of | 7 |
in the end | 7 |
been painted white | 7 |
the attractiveness of | 7 |
out of it | 7 |
much that is | 7 |
as not to | 7 |
devoted to the | 7 |
access to the | 7 |
the whole house | 7 |
hands of a | 7 |
has come to | 7 |
must be made | 7 |
of home decoration | 7 |
room must be | 7 |
must have a | 7 |
appears in the | 7 |
great variety in | 7 |
in this book | 7 |
a place to | 7 |
has been carried | 7 |
on the north | 7 |
art in the | 7 |
to go with | 7 |
to protect the | 7 |
been given to | 7 |
the people of | 7 |
applied with a | 7 |
up in a | 7 |
is interesting to | 7 |
to try to | 7 |
the distribution of | 7 |
filled with a | 7 |
the reach of | 7 |
main part of | 7 |
in a most | 7 |
was a small | 7 |
room of a | 7 |
of his own | 7 |
the cabriole leg | 7 |
the materials used | 7 |
and that of | 7 |
be used if | 7 |
responsible for the | 7 |
the metropolitan museum | 7 |
with a large | 7 |
solution of the | 7 |
on the upper | 7 |
and furnished with | 7 |
it is intended | 7 |
you will be | 7 |
them in the | 7 |
for a long | 7 |
used for a | 7 |
one must have | 7 |
by inigo jones | 7 |
to the effect | 7 |
period of louis | 7 |
the front and | 7 |
if there are | 7 |
the eyes of | 7 |
be adapted to | 7 |
whenever it is | 7 |
no means a | 7 |
a ground of | 7 |
in the chintz | 7 |
into the hall | 7 |
to the required | 7 |