This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
the top of the | 203 |
the harry houdini collection | 141 |
the bottom of the | 126 |
in the left hand | 121 |
at the same time | 113 |
from the harry houdini | 104 |
in the right hand | 98 |
on the top of | 98 |
the back of the | 83 |
of the left hand | 78 |
the end of the | 75 |
the centre of the | 70 |
by means of the | 67 |
of the right hand | 66 |
for the purpose of | 65 |
by means of a | 53 |
top of the pack | 52 |
with the right hand | 50 |
with your right hand | 49 |
the mouth of the | 49 |
in the centre of | 48 |
at the bottom of | 47 |
the ends of the | 46 |
in such a manner | 46 |
one of the audience | 45 |
the middle of the | 45 |
in your right hand | 44 |
at the end of | 43 |
the edge of the | 42 |
with the left hand | 41 |
writing and drawing figure | 41 |
under cover of the | 40 |
it is as well | 40 |
in the act of | 40 |
of one of the | 39 |
in the same manner | 39 |
in the harry houdini | 38 |
the side of the | 37 |
the writing and drawing | 36 |
a piece of paper | 35 |
such a manner that | 35 |
with a piece of | 35 |
the fingers of the | 34 |
one of the most | 34 |
bottom of the pack | 34 |
is as well to | 34 |
in the middle of | 33 |
to the top of | 32 |
the fact that the | 32 |
care must be taken | 32 |
the palm of the | 31 |
the rest of the | 30 |
a small piece of | 29 |
in your left hand | 28 |
of the trick is | 28 |
the body of the | 28 |
one end of the | 27 |
to show that it | 27 |
to do is to | 26 |
a member of the | 26 |
the size of the | 26 |
one side of the | 25 |
the surface of the | 25 |
fingers of the left | 25 |
at the back of | 25 |
the effect of the | 25 |
the inside of the | 25 |
the owner of the | 23 |
it will be seen | 23 |
in front of the | 23 |
the presence of the | 22 |
the left hand and | 22 |
the whole of the | 22 |
the size of a | 22 |
the name of the | 22 |
at the top of | 22 |
it will be found | 22 |
to the fact that | 22 |
this is a very | 21 |
with your left hand | 21 |
this is being done | 21 |
with the aid of | 21 |
the same manner as | 21 |
and at the same | 21 |
the length of the | 21 |
is one of the | 21 |
show that it is | 21 |
the secret of the | 21 |
by one of the | 21 |
the performance of the | 21 |
to the bottom of | 21 |
a small quantity of | 20 |
attention to the fact | 20 |
in the form of | 20 |
in the first instance | 20 |
the face of the | 20 |
the history of magic | 20 |
the flame of a | 20 |
the form of a | 20 |
the position of the | 20 |
down on the table | 20 |
the number of the | 20 |
the eyes of the | 20 |
the attention of the | 20 |
the shape of a | 20 |
a hole in the | 19 |
the ball in the | 19 |
will be found to | 19 |
will be seen that | 19 |
as soon as the | 19 |
your right hand take | 19 |
the water in the | 19 |
the holder of the | 19 |
one of the company | 19 |
in a piece of | 19 |
the top of it | 19 |
the tips of the | 19 |
the left hand is | 19 |
in the shape of | 18 |
to one of the | 18 |
on the table and | 18 |
edition of his memoirs | 18 |
quarter of an inch | 18 |
the use of the | 18 |
then with your right | 18 |
the right hand and | 18 |
place it in the | 18 |
a quarter of an | 18 |
from the bottom of | 18 |
into the hands of | 18 |
in the hands of | 18 |
of sleight of hand | 18 |
secret of the trick | 18 |
on the back of | 18 |
the outside of the | 18 |
is placed in the | 18 |
the hole in the | 18 |
it is to be | 17 |
so as to be | 17 |
the aid of a | 17 |
member of the company | 17 |
is provided with a | 17 |
it on the table | 17 |
of your left hand | 17 |
the first and second | 17 |
the other end of | 17 |
to put it into | 17 |
into your left hand | 17 |
the interior of the | 17 |
about half an inch | 17 |
as a matter of | 17 |
attention of the audience | 17 |
place it on the | 17 |
the hands of the | 17 |
it in the right | 17 |
card to the top | 17 |
view of the audience | 17 |
edge of the table | 17 |
the pack in the | 17 |
of a piece of | 16 |
from the left hand | 16 |
then take up the | 16 |
that there is no | 16 |
finger of the right | 16 |
the coin in the | 16 |
the piece of paper | 16 |
of the top of | 16 |
that it may be | 16 |
effect of the trick | 16 |
end of the tube | 16 |
whilst this is being | 16 |
the right hand is | 16 |
fingers of the right | 16 |
one at a time | 15 |
of the audience to | 15 |
in connection with the | 15 |
a pack of cards | 15 |
the glass of water | 15 |
first and second fingers | 15 |
in the ordinary way | 15 |
american edition of his | 15 |
in the course of | 15 |
the end of a | 15 |
in the other hand | 15 |
be provided with a | 15 |
the success of the | 15 |
it is necessary to | 15 |
about the size of | 15 |
into the left hand | 15 |
flame of a candle | 15 |
in the first place | 15 |
seeme to put it | 15 |
the card to the | 15 |
the thumb of the | 15 |
a manner that the | 15 |
in the same way | 15 |
to show that the | 15 |
and seeme to put | 15 |
right hand take up | 14 |
the contents of the | 14 |
the back of a | 14 |
to fall into the | 14 |
the neck of the | 14 |
the sides of the | 14 |
the ace of clubs | 14 |
the performer must be | 14 |
the beginning of the | 14 |
in the fact that | 14 |
you must have a | 14 |
in the case of | 14 |
one hand to the | 14 |
of the company to | 14 |
one of the spectators | 14 |
of an inch in | 14 |
the base of the | 14 |
between the thumb and | 14 |
to be held by | 14 |
hand to the other | 14 |
be placed in the | 14 |
thumb of the left | 14 |
be taken that the | 14 |
it in the left | 14 |
in the palm of | 14 |
laid on the table | 14 |
from one hand to | 14 |
a portion of the | 14 |
to the end of | 14 |
with the exception of | 14 |
the trick is to | 14 |
the amount of the | 13 |
the hands of a | 13 |
the finger and thumb | 13 |
in one of the | 13 |
at the other end | 13 |
the lid of the | 13 |
middle of the pack | 13 |
and when it is | 13 |
to cause it to | 13 |
the american edition of | 13 |
must be taken that | 13 |
for the sake of | 13 |
member of the audience | 13 |
secret lies in the | 13 |
put it into your | 13 |
palm of the hand | 13 |
finger of the left | 13 |
of the same size | 13 |
now in the harry | 13 |
a glass of water | 13 |
the weight of the | 13 |
the edges of the | 13 |
which is to be | 13 |
two or three times | 13 |
them on the table | 13 |
on the edge of | 13 |
end of the wand | 13 |
the other side of | 13 |
the commencement of the | 13 |
the aid of the | 13 |
an inch in diameter | 13 |
the pressure of the | 13 |
performance of the trick | 13 |
it is advisable to | 13 |
and it will be | 12 |
mouth of the bottle | 12 |
the secret lies in | 12 |
of the american edition | 12 |
in the midst of | 12 |
you have to do | 12 |
and you will find | 12 |
is placed on the | 12 |
that it is empty | 12 |
centre of the handkerchief | 12 |
be held in the | 12 |
the introduction of the | 12 |
in the direction of | 12 |
other side of the | 12 |
that is to say | 12 |
the crown of the | 12 |
the card in the | 12 |
will be necessary to | 12 |
back of the chair | 12 |
and cover it with | 12 |
cook of the palais | 12 |
hand take up the | 12 |
ends of the fingers | 12 |
he is about to | 12 |
lies in the fact | 12 |
it on the top | 12 |
the action of the | 12 |
that it is not | 12 |
on the outside of | 12 |
and thumb of the | 12 |
will appear to have | 12 |
pastry cook of the | 12 |
to the mouth of | 12 |
by the aid of | 12 |
of the palais royal | 12 |
as well to have | 12 |
take a piece of | 12 |
other end of the | 12 |
it will be necessary | 12 |
all you have to | 12 |
the ring on the | 12 |
the hand of the | 12 |
from the top of | 12 |
one end of it | 12 |
has to do is | 12 |
is supposed to be | 11 |
between the first and | 11 |
the mango tree trick | 11 |
to be able to | 11 |
in his left hand | 11 |
how to make a | 11 |
the second and third | 11 |
at the beginning of | 11 |
some one to hold | 11 |
the ace of diamonds | 11 |
as shown in fig | 11 |
as if it were | 11 |
the coins in the | 11 |
just large enough to | 11 |
of the audience is | 11 |
for the first time | 11 |
will be found that | 11 |
bring the card to | 11 |
any one of the | 11 |
in one hand and | 11 |
surface of the water | 11 |
the cards in the | 11 |
wizard of the north | 11 |
taking care that the | 11 |
the performer comes forward | 11 |
a good deal of | 11 |
end of which is | 11 |
back of the table | 11 |
placed on the top | 11 |
one of the three | 11 |
same as for aconite | 11 |
it is best to | 11 |
the performer has a | 11 |
to place it in | 11 |
the direction of the | 11 |
will have to be | 11 |
in the history of | 11 |
about a quarter of | 11 |
commencement of the trick | 11 |
the head of the | 11 |
palm of the left | 11 |
up one of the | 11 |
take hold of the | 11 |
face down on the | 11 |
held in the hand | 11 |
it will not be | 11 |
to the back of | 11 |
the water into the | 10 |
call attention to the | 10 |
inches and a half | 10 |
and the performer must | 10 |
the one containing the | 10 |
on the other side | 10 |
the root of the | 10 |
the point of the | 10 |
the pack on the | 10 |
crown of the hat | 10 |
any part of the | 10 |
thumb of the right | 10 |
both sides of the | 10 |
on the end of | 10 |
placed upon the table | 10 |
the left hand to | 10 |
the lower end of | 10 |
on to the top | 10 |
will be able to | 10 |
the production of the | 10 |
if you are performing | 10 |
enable the performer to | 10 |
the hand holding the | 10 |
when this is done | 10 |
have a piece of | 10 |
in place of the | 10 |
the pastry cook of | 10 |
centre of the pack | 10 |
all that is necessary | 10 |
you are going to | 10 |
of the trick the | 10 |
be careful not to | 10 |
as much as possible | 10 |
the handkerchief over the | 10 |
one of the two | 10 |
to the centre of | 10 |
the part of the | 10 |
in the bottom of | 10 |
in such a way | 10 |
a great deal of | 10 |
tips of the fingers | 10 |
the palme of your | 10 |
the right hand to | 10 |
is to have a | 10 |
the audience to be | 10 |
on the palm of | 10 |
by the use of | 10 |
the opening of the | 10 |
your right hand and | 10 |
in full view of | 10 |
performer comes forward with | 10 |
in the flame of | 10 |
to the middle of | 10 |
is placed upon the | 10 |
the use of a | 10 |
a few drops of | 10 |
the middle of a | 10 |
given to be held | 10 |
it to the audience | 10 |
on page of the | 10 |
right hand over the | 10 |
the seven of hearts | 10 |
placed on the table | 10 |
on the part of | 9 |
in the following manner | 9 |
in the presence of | 9 |
of the size of | 9 |
must be taken to | 9 |
the heat of the | 9 |
the positions of the | 9 |
and request him to | 9 |
place it upon the | 9 |
an easy matter to | 9 |
as will be seen | 9 |
how to seeme to | 9 |
ball in the left | 9 |
with a pair of | 9 |
full view of the | 9 |
the conjurer picks up | 9 |
let the audience see | 9 |
pack in the left | 9 |
held in the left | 9 |
the loan of a | 9 |
in order to show | 9 |
to get rid of | 9 |
root of the thumb | 9 |
the appearance of a | 9 |
a quarter of a | 9 |
which is supposed to | 9 |
the front of the | 9 |
the minds of the | 9 |
and placed on the | 9 |
the coin into the | 9 |
if the performer is | 9 |
it is impossible to | 9 |
held by one of | 9 |
the glass in the | 9 |
be seen that the | 9 |
back of a chair | 9 |
can be made to | 9 |
is laid on the | 9 |
cover it with the | 9 |
clipping from the london | 9 |
upon the top of | 9 |
the trick is performed | 9 |
page of the american | 9 |
it into your left | 9 |
a matter of fact | 9 |
a piece of wood | 9 |
have to do is | 9 |
the place of the | 9 |
over the back of | 9 |
to look at the | 9 |
a spectator to hold | 9 |
the cups and balls | 9 |
for a few seconds | 9 |
in which it is | 9 |
the performer now takes | 9 |
into the right hand | 9 |
the appearance of the | 9 |
part of the trick | 9 |
the fact that it | 9 |
the fingers and thumb | 9 |
for the performer to | 9 |
say that you will | 9 |
to the audience that | 9 |
back of the hand | 9 |
was one of the | 9 |
the glass and the | 9 |
pack on the table | 9 |
the hand containing the | 9 |
in his right hand | 9 |
so as not to | 9 |
the under side of | 9 |
there must be no | 9 |
the thumb and forefinger | 9 |
palmed in the right | 9 |
one over the other | 9 |
of the fact that | 9 |
the glass on the | 9 |
to the size of | 9 |
the audience see that | 9 |
so that it may | 9 |
minds of the audience | 9 |
lower end of the | 9 |
out of your pocket | 9 |
the nature of the | 9 |
in each of the | 9 |
it is not advisable | 9 |
between the finger and | 9 |
on the surface of | 9 |
inch and a half | 9 |
are placed in the | 9 |
how it is done | 9 |
two or three inches | 9 |
and place it on | 9 |
from the end of | 9 |
between it and the | 9 |
of the middle finger | 9 |
with the other hand | 9 |
the order in which | 9 |
it is a very | 9 |
the handkerchief from the | 9 |
the faces of the | 8 |
you will find that | 8 |
hole in the bottom | 8 |
ask some one to | 8 |
will be found in | 8 |
name of the card | 8 |
a b c d | 8 |
in the top of | 8 |
the number thought of | 8 |
with a little practice | 8 |
of the fingers of | 8 |
is not to be | 8 |
on each side of | 8 |
shown to the audience | 8 |
from the right hand | 8 |
of the united states | 8 |
quarters of an inch | 8 |
with one of the | 8 |
pass it into the | 8 |
put it into the | 8 |
replaced in the pack | 8 |
must be made to | 8 |
end of the handkerchief | 8 |
the brochure issued by | 8 |
that it is a | 8 |
i will show you | 8 |
it is in the | 8 |
and one of the | 8 |
the paper on the | 8 |
whole length of the | 8 |
concealed in the hand | 8 |
the handkerchief in the | 8 |
the centre of a | 8 |
when he does so | 8 |
of the faked bowl | 8 |
the trick can be | 8 |
to pass through the | 8 |
rest of the pack | 8 |
the fact that he | 8 |
to a spectator to | 8 |
corner of the handkerchief | 8 |
of the handkerchief in | 8 |
that the card is | 8 |
an inch and a | 8 |
and so on until | 8 |
on one of the | 8 |
great care must be | 8 |
placed in the mouth | 8 |
the roots of the | 8 |
a part of the | 8 |
it is possible to | 8 |
three or four times | 8 |
request a member of | 8 |
the palm of your | 8 |
each side of the | 8 |
the ball into the | 8 |
of the trick will | 8 |
each end of the | 8 |
it is a good | 8 |
have the appearance of | 8 |
the whole length of | 8 |
on the top and | 8 |
a matter of course | 8 |
the effect of this | 8 |
the piece of celluloid | 8 |
top of the table | 8 |
success of the trick | 8 |
between the tips of | 8 |
will appear to be | 8 |
the exception of the | 8 |
on the bottom of | 8 |
from the mouth of | 8 |
the disappearance of the | 8 |
large enough to contain | 8 |
cover of the handkerchief | 8 |
as described in the | 8 |
in front of a | 8 |
should be placed in | 8 |
there is nothing in | 8 |
society of history and | 8 |
the performer takes a | 8 |
as he does so | 8 |
one within the other | 8 |
trick is as follows | 8 |
hand into the water | 8 |
the audience that the | 8 |
over the top of | 8 |
the first finger and | 8 |
at the close of | 8 |
care being taken to | 8 |
the forefinger of the | 8 |
i have ever seen | 8 |
to the number of | 8 |
from the back of | 8 |
the strength of the | 8 |
two inches and a | 8 |
see that there is | 8 |
will do well to | 8 |
so as to form | 8 |
claims to have invented | 8 |
in order that the | 8 |
in the fingers of | 8 |
the title of the | 8 |
that it cannot be | 8 |
the bottom of a | 8 |
it will appear to | 8 |
ends of the tube | 8 |
shown to be empty | 8 |
take it in the | 8 |
by the left hand | 8 |
the end of it | 8 |
there must be a | 8 |
a piece of cotton | 8 |
the one in the | 8 |
ball in the right | 8 |
the end of which | 8 |
you retained in your | 8 |
as well as the | 8 |
then placed in the | 8 |
the jug of water | 8 |
of the eighteenth century | 8 |
so much the better | 8 |
of your right hand | 8 |
first finger and thumb | 8 |
on one side of | 8 |
the ball of the | 8 |
a sheet of paper | 8 |
the upper part of | 8 |
is then placed in | 8 |
during the performance of | 8 |
the corner of the | 7 |
from the fact that | 7 |
cover of the right | 7 |
at the side of | 7 |
the bag of rice | 7 |
in front of him | 7 |
the performer takes the | 7 |
the view of the | 7 |
is by no means | 7 |
neck of the bottle | 7 |
is not at all | 7 |
placed in the centre | 7 |
brochure issued by the | 7 |
fingers and thumb of | 7 |
the conclusion of the | 7 |
the trick lies in | 7 |
the society of history | 7 |
of the tube and | 7 |
see that it is | 7 |
it to the top | 7 |
first finger of the | 7 |
the working of the | 7 |
as to form a | 7 |
the second and fourth | 7 |
one of the best | 7 |
request some one to | 7 |
on the left side | 7 |
put it in the | 7 |
must be done with | 7 |
hands of a spectator | 7 |
the rear of the | 7 |
performed with the aid | 7 |
lay it on the | 7 |
the ball out of | 7 |
when the performer is | 7 |
out of the pack | 7 |
the manner in which | 7 |
a leader from the | 7 |
the result will be | 7 |
at one end of | 7 |
conjurer picks up the | 7 |
make two or three | 7 |
the suit of armor | 7 |
the shelf at the | 7 |
one on the top | 7 |
in the usual way | 7 |
in a careless manner | 7 |
this part of the | 7 |
in the art of | 7 |
to have invented the | 7 |
end of the thread | 7 |
in the front of | 7 |
this is a trick | 7 |
his hand into the | 7 |
to the success of | 7 |
the first and middle | 7 |
a finger of the | 7 |
the fact that there | 7 |
the course of the | 7 |
of this trick is | 7 |
cover it with a | 7 |
be taken from the | 7 |
to be in the | 7 |
distance from each other | 7 |
of two or three | 7 |
ask one of the | 7 |
the rim of the | 7 |
the wizard of the | 7 |
the card at the | 7 |
the way in which | 7 |
and a half long | 7 |
on to the floor | 7 |
one in each hand | 7 |
on the subject of | 7 |
of the same diameter | 7 |
always as well to | 7 |
it must not be | 7 |
must be made of | 7 |
right hand into the | 7 |
and so of the | 7 |
by the right hand | 7 |
calling attention to the | 7 |
on the other hand | 7 |
is found to be | 7 |
to the height of | 7 |
bottom of the tumbler | 7 |
may be made to | 7 |
palme of your hand | 7 |
the right hand over | 7 |
in front of you | 7 |
the close of the | 7 |
a piece of glass | 7 |
from the london post | 7 |
on the face of | 7 |
by means of which | 7 |
the height of the | 7 |
at the distance of | 7 |
the thumb on the | 7 |
that is necessary is | 7 |
for a long time | 7 |
the cover over the | 7 |
a piece of string | 7 |
issued by the society | 7 |
is always as well | 7 |
the neck of a | 7 |
the midst of the | 7 |
size of a pea | 7 |
the left hand must | 7 |
means of the thumb | 7 |
finger and thumb of | 7 |
provided with a piece | 7 |
in front of it | 7 |
one end to the | 7 |
it upon the table | 7 |
to show that there | 7 |
the world of magic | 7 |
that it may not | 7 |
care should be taken | 7 |
the pack to be | 7 |
when the air is | 7 |
produced from a hat | 7 |
of the first and | 7 |
and tell him to | 7 |
and under cover of | 7 |
to the length of | 7 |
the card to be | 7 |
of the two cards | 7 |
top of the head | 7 |
enables the performer to | 7 |
two or three of | 7 |
the top of which | 7 |
of working the trick | 7 |
come out of the | 7 |
it by means of | 7 |
you are about to | 7 |
from time to time | 7 |
pass it through the | 7 |
a number of small | 7 |
to the history of | 7 |
the handkerchief into the | 7 |
which you are to | 7 |
fact that it is | 7 |
the ball that you | 7 |
of the trick lies | 7 |
comes forward with a | 7 |
to a second person | 7 |
and take out the | 7 |
the performer does not | 7 |
the ace of hearts | 7 |
into the other hand | 7 |
at the same moment | 7 |
in this case the | 7 |
the purpose of showing | 7 |
the coin from the | 7 |
is not advisable to | 7 |
bottom of the bag | 7 |
the order of the | 7 |
when it will appear | 7 |
when the handkerchief is | 7 |
it is always as | 7 |
working of the trick | 7 |
be seen by the | 7 |
at the conclusion of | 7 |
the two ends of | 7 |
stage of the trick | 7 |
to that of the | 7 |
in the united states | 7 |
the eye of the | 7 |
must be provided with | 7 |
there is a hole | 7 |
the production of a | 7 |
may be allowed to | 7 |
illustration then with your | 7 |
your left hand and | 7 |
rest of the trick | 7 |
and repeat the operation | 7 |
it on the ground | 7 |
draw attention to the | 7 |
one and the same | 7 |
of a couple of | 7 |
the one on the | 7 |
by the society of | 7 |
in the end of | 7 |
the hole in it | 6 |
is allowed to fall | 6 |
side of the table | 6 |
first and middle fingers | 6 |
a jug of water | 6 |
show it to the | 6 |
the end of each | 6 |
and provided with a | 6 |
beginning of the trick | 6 |
it is as easy | 6 |
the hole of the | 6 |
the pack to the | 6 |
the name of a | 6 |
must be held in | 6 |
take up the third | 6 |
the knob of the | 6 |
the air is exhausted | 6 |
in the palme of | 6 |
as if about to | 6 |
in order to get | 6 |
from the centre of | 6 |
with the hole in | 6 |
out of the bottle | 6 |
the audience with the | 6 |
the word of command | 6 |
to present the trick | 6 |
end of the stick | 6 |
that the cards are | 6 |
will not be noticed | 6 |
i am about to | 6 |
it is hardly necessary | 6 |
eighth of an inch | 6 |
card from the bottom | 6 |
of the glass and | 6 |
ask him if he | 6 |
palm of the right | 6 |
with his right hand | 6 |
transfer it to your | 6 |
the person who drew | 6 |
be found to have | 6 |
so long as the | 6 |
through the bottom of | 6 |
under the title of | 6 |
a number of coins | 6 |
hand in due time | 6 |
it is a trick | 6 |
and in doing so | 6 |
the motion of the | 6 |
what is known as | 6 |
use of the wand | 6 |
placed in the right | 6 |
right hand take the | 6 |
obtain possession of the | 6 |
and the performer then | 6 |
placed in the left | 6 |
one to the other | 6 |
will be sure to | 6 |
it is just as | 6 |
is to have the | 6 |
be brought to the | 6 |
side of the glass | 6 |
is the same as | 6 |
small hole in the | 6 |
middle of the room | 6 |
introduced into the hat | 6 |
that it does not | 6 |
of the same colour | 6 |
the right hand into | 6 |
in which case the | 6 |
for the time being | 6 |
the audience will be | 6 |
the right hand must | 6 |
it should be a | 6 |
found to contain the | 6 |
to cause the disappearance | 6 |
the person to whom | 6 |
portion of the handkerchief | 6 |
in the absence of | 6 |
turn the pack over | 6 |
it fall into the | 6 |
the magical production of | 6 |
after the same manner | 6 |
to be provided with | 6 |
back to the audience | 6 |
so that they may | 6 |
the left hand with | 6 |
performer now takes the | 6 |
purpose of showing that | 6 |
it is usual to | 6 |
water out of the | 6 |
a great variety of | 6 |
performer has to do | 6 |
to prove that it | 6 |
the left hand in | 6 |
suppose to be the | 6 |
so as to make | 6 |
as long as the | 6 |
in the neck of | 6 |
to do with the | 6 |
coin in the right | 6 |
to the left hand | 6 |
the third or fourth | 6 |
to let the audience | 6 |
it on the floor | 6 |
it is required to | 6 |
the seven of diamonds | 6 |
will be seen to | 6 |
such a way that | 6 |
for a few moments | 6 |
be of the same | 6 |
grain of fulminating silver | 6 |
and place it in | 6 |
to make the trick | 6 |
this has been done | 6 |
one end of a | 6 |
to prepare for the | 6 |
shelf at the back | 6 |
the assistance of a | 6 |
is at the bottom | 6 |
the little finger is | 6 |
a clue to the | 6 |
about to present the | 6 |
one of the four | 6 |
a few of the | 6 |
out of the way | 6 |
and the other end | 6 |
half full of water | 6 |
was a man of | 6 |
so of the rest | 6 |
ring on the stick | 6 |
it consists of a | 6 |
the effect is very | 6 |
in the same hand | 6 |
of the handkerchief and | 6 |
by word of command | 6 |
that there is nothing | 6 |
the points of the | 6 |
is about to do | 6 |
show that there is | 6 |
and with your right | 6 |
if you wish to | 6 |
take up the second | 6 |
retained in your right | 6 |
the handkerchief is then | 6 |
without fear of detection | 6 |
but it is a | 6 |
out a handful of | 6 |
place one of the | 6 |
and drawing figure is | 6 |
in the mean time | 6 |
it is in a | 6 |
bottom of the bowl | 6 |
in the breast pocket | 6 |
under cover of a | 6 |
on the left hand | 6 |
that you do not | 6 |
by this means the | 6 |
it with the other | 6 |
the top or bottom | 6 |
bottom of the mast | 6 |
a little of the | 6 |
your said left hand | 6 |
end of the table | 6 |
cause the disappearance of | 6 |
middle fingers of the | 6 |
in the focus of | 6 |
the figure of a | 6 |
you will see the | 6 |
three or four inches | 6 |
forefinger of the right | 6 |
must not be too | 6 |
a level with the | 6 |
wrap it up in | 6 |
not be able to | 6 |
taken from the hat | 6 |
performer is provided with | 6 |
of paper from the | 6 |
that the coins are | 6 |
eyes of the audience | 6 |
while this is being | 6 |
in which is the | 6 |
a very pretty trick | 6 |
one of the balls | 6 |
in the way of | 6 |
the paper in the | 6 |
it will be thought | 6 |
will be found the | 6 |
place the ball in | 6 |
the performer is provided | 6 |
to be made to | 6 |
the card from the | 6 |
opposite end of the | 6 |
the names of the | 6 |
there will be no | 6 |
with a request that | 6 |
such a manner as | 6 |
take up the cup | 6 |
the performer advances with | 6 |
one end of this | 6 |
hole in the centre | 6 |
bring the right hand | 6 |
at each end of | 6 |
it in your left | 6 |
in conjunction with the | 6 |
as far as the | 6 |
with the fingers of | 6 |
top of the tube | 6 |
it is more than | 6 |
from one to the | 6 |
from the brochure issued | 6 |
fall to the ground | 6 |
in the first method | 6 |
the remainder of the | 6 |
method of working the | 6 |
mouth of the other | 6 |
be borne in mind | 6 |
and half an inch | 6 |
all the performer has | 6 |
trick lies in the | 6 |
on a level with | 6 |
seen by the audience | 6 |
bring the chosen card | 6 |
is hardly necessary to | 6 |
is a trick which | 6 |
take it out of | 6 |
an inch from the | 6 |
is a good plan | 6 |
get rid of the | 6 |
card from the top | 6 |
is placed over the | 6 |
end of the trick | 6 |
the tube in the | 6 |
means of the wand | 6 |
told me that he | 6 |
reply in the affirmative | 6 |
is to be found | 6 |
portion of the trick | 6 |
top of the other | 6 |
an inch or so | 6 |
the card is to | 6 |
the half of the | 6 |
original in the harry | 6 |
the number of cards | 6 |
in a similar manner | 6 |
an equal quantity of | 6 |
is a very simple | 6 |
the one with the | 6 |
to take it in | 6 |
of the pack and | 6 |
on the table in | 6 |
you will be able | 6 |
and pick up the | 6 |
allow it to be | 6 |
ball out of your | 6 |
is held between the | 6 |
in the side of | 6 |
the solution of the | 6 |
into the water and | 6 |
to select a card | 6 |
but it is not | 6 |
by reason of the | 6 |
conclusion of the trick | 6 |
the two upper corners | 6 |
which will give the | 6 |
place the left hand | 6 |
will answer the purpose | 6 |
your right hand under | 6 |
the thickness of a | 6 |
that portion of the | 6 |
under side of the | 6 |
the opposite end of | 6 |
as you do so | 6 |
the eight of hearts | 6 |
is seen to be | 6 |
and the bottom of | 6 |
and the audience will | 6 |
of the present day | 6 |
is necessary is to | 6 |
held in the other | 6 |
convey the ball that | 6 |
on the ends of | 6 |
so that it is | 6 |
the trick may be | 6 |
supposed to contain the | 6 |
in a small way | 6 |
the tip of the | 6 |
with the thumb and | 6 |
with the idea that | 6 |
then placed upon the | 6 |
in the possession of | 6 |
the ball from the | 6 |
and a half of | 6 |
published in paris in | 6 |
that they may be | 6 |
into the custody of | 6 |
complete with full instructions | 6 |
the colour of the | 6 |
the shell bottle inside | 6 |
and covered with the | 6 |
and in clapping it | 6 |
upper part of the | 6 |
top of the glass | 6 |
with a number of | 6 |
the performer has to | 6 |
of the little finger | 6 |
means of the pass | 6 |
of the thumb and | 6 |
you hold in your | 6 |
cards in the pack | 6 |
but i do not | 6 |
the top and bottom | 6 |
and say that you | 6 |
if you do not | 6 |
of the writing and | 6 |
high in the air | 6 |
the coin on the | 6 |
the secret of this | 6 |
there is not the | 5 |
and it is done | 5 |
is held in the | 5 |
of the external air | 5 |
the fact of the | 5 |
cup and ball trick | 5 |
the ingenuity of the | 5 |
this is not done | 5 |
of the existence of | 5 |
a piece of money | 5 |
the shape of the | 5 |
and set it on | 5 |
your two middle fingers | 5 |
to shuffle the cards | 5 |
the bowl of the | 5 |
the early part of | 5 |
a pair of scissors | 5 |
be at the bottom | 5 |
the disappearance of a | 5 |
to take out the | 5 |
is returned to you | 5 |
not likely to be | 5 |
with a small piece | 5 |
the article is not | 5 |
and a piece of | 5 |
after it has been | 5 |
a piece of thread | 5 |
the performer comes on | 5 |
must be taken in | 5 |
to the audience to | 5 |
card to the bottom | 5 |
was not only a | 5 |
exchange it for the | 5 |
the first and fourth | 5 |
the two middle fingers | 5 |
have the effect of | 5 |
in the preceding trick | 5 |
a great number of | 5 |
but when they are | 5 |
action to the word | 5 |
at the ends of | 5 |
is supposed to have | 5 |
the conjuror has to | 5 |
at the opening of | 5 |
on the forefinger of | 5 |
it is said that | 5 |
the rays of light | 5 |
a couple of inches | 5 |
to enable the performer | 5 |
when the trick is | 5 |
a piece of the | 5 |
in a few minutes | 5 |
that the bottle is | 5 |
which it is to | 5 |
repeated as often as | 5 |
in contact with the | 5 |
the corners of the | 5 |
that communicates with the | 5 |
those used in the | 5 |
to rise from the | 5 |
programmes in my collection | 5 |
the bottle in the | 5 |
concealed in the palm | 5 |
the trick the performer | 5 |
be made to disappear | 5 |
be done in a | 5 |
to place it on | 5 |
in the body of | 5 |
third of an inch | 5 |
ask the person who | 5 |
five or six times | 5 |
the top of a | 5 |
request that he will | 5 |
and placed in the | 5 |
out of your mouth | 5 |
the bundle of wood | 5 |
in which the card | 5 |
taken in the hand | 5 |
the case of the | 5 |
a good plan to | 5 |
of the trick and | 5 |
a little above the | 5 |
the cause of the | 5 |
that the wand is | 5 |
hand of the performer | 5 |
may be in the | 5 |
what he is about | 5 |
and take up the | 5 |
a request that he | 5 |
to the other side | 5 |
this is an excellent | 5 |
and at the end | 5 |
be furnished with a | 5 |
person who drew the | 5 |
back of the stage | 5 |
and so on with | 5 |
taking care not to | 5 |
to the presence of | 5 |
and shuffle the cards | 5 |
of the box and | 5 |
a grain of fulminating | 5 |
portion of the pack | 5 |
with the piece of | 5 |
of the handkerchief to | 5 |
to go to the | 5 |
order in which the | 5 |
in your pocket and | 5 |
the performer must not | 5 |
so on with the | 5 |
to be found in | 5 |
be called upon to | 5 |
out of the same | 5 |
the machine in motion | 5 |
bottom of the glass | 5 |
is performed with the | 5 |
any one of them | 5 |
into one of the | 5 |
is given to the | 5 |
as you may see | 5 |
ball of the thumb | 5 |
the glass with the | 5 |
can be used in | 5 |
one of the coins | 5 |
pour out the water | 5 |
throw the ball into | 5 |
as one of the | 5 |
must be covered with | 5 |
on page of his | 5 |
shell bottle inside it | 5 |
the act of apparently | 5 |
base of the glass | 5 |
is an ordinary one | 5 |
show that you have | 5 |
when placed in the | 5 |
must be filled with | 5 |
one into the other | 5 |
placed in the pack | 5 |
than that of the | 5 |
the handkerchief to the | 5 |
with a loud explosion | 5 |
about an inch and | 5 |
the first and third | 5 |
is found to have | 5 |
be taken not to | 5 |
the upper half of | 5 |
out of the centre | 5 |
the movement of the | 5 |
that side of the | 5 |
but it must be | 5 |
the construction of the | 5 |
with your right side | 5 |
and desire him to | 5 |
hold the pack in | 5 |
in a perpendicular position | 5 |
if it be not | 5 |
to come out of | 5 |
so soon as the | 5 |
brought to the top | 5 |
in which they are | 5 |
the arcana of the | 5 |
to add to the | 5 |
performing in a room | 5 |
it in the same | 5 |
they must not be | 5 |
the unmasking of robert | 5 |
the holes of the | 5 |
it is well to | 5 |
handkerchief in the left | 5 |
tell the person who | 5 |
half an inch in | 5 |
the mouth of one | 5 |
at the commencement of | 5 |
be allowed to fall | 5 |
that part which is | 5 |
prepared in any way | 5 |
all he has to | 5 |
the idea that the | 5 |
the chosen card to | 5 |
the position in which | 5 |
the one that is | 5 |
to stand on end | 5 |
the diameter of the | 5 |
the best method for | 5 |
you then take the | 5 |
different parts of the | 5 |
five or six inches | 5 |
you would like to | 5 |
same manner as the | 5 |
back of the pack | 5 |
as often as the | 5 |
brought to the mouth | 5 |
the performer places the | 5 |
two middle fingers of | 5 |
to be the case | 5 |
into the hat by | 5 |
that they do not | 5 |
the opposite side of | 5 |
at the opposite end | 5 |
give it to a | 5 |
placed upon the shelf | 5 |
a table or chair | 5 |
made in the same | 5 |
without any fear of | 5 |
body of the table | 5 |
take the handkerchief from | 5 |
in a horizontal position | 5 |
it does not matter | 5 |
in such a position | 5 |
he has to do | 5 |
be given for examination | 5 |
the tube can be | 5 |
the art of making | 5 |
and give it to | 5 |
the card which is | 5 |
one hand and the | 5 |
for a moment while | 5 |
of the tube is | 5 |
of the cards to | 5 |
the glass on your | 5 |
it is impossible for | 5 |
the end of his | 5 |
spread the handkerchief over | 5 |
corners of the handkerchief | 5 |
lid of the basket | 5 |
for a short time | 5 |
cause it to appear | 5 |
of the secrets of | 5 |
the end of one | 5 |
and then proceed to | 5 |
up and down the | 5 |
of doing the trick | 5 |
a large number of | 5 |
end of the hair | 5 |
left hand in due | 5 |
end of the room | 5 |
obtained the loan of | 5 |
with his left hand | 5 |
as nearly as possible | 5 |
his right hand over | 5 |
to be brought to | 5 |
of the mango tree | 5 |
the form of the | 5 |
to enable you to | 5 |
c d e f | 5 |
a bowl of water | 5 |
with the cups and | 5 |
is a piece of | 5 |
to be held in | 5 |
showing that it is | 5 |
be fixed in the | 5 |
for the benefit of | 5 |
on top of the | 5 |
small piece of paper | 5 |
to make use of | 5 |
the half of that | 5 |
published in london in | 5 |
as it is a | 5 |
that he is about | 5 |
the ten of hearts | 5 |
which you have previously | 5 |
from side to side | 5 |
hole in the side | 5 |
by the action of | 5 |
mouth of the bag | 5 |
two ends of the | 5 |
card at the bottom | 5 |
having obtained the loan | 5 |
to which it is | 5 |
the coin will be | 5 |
and thumbe of your | 5 |
it is made of | 5 |
the audience see the | 5 |
this is accomplished by | 5 |
the trick consists in | 5 |
of three or four | 5 |
a photograph in the | 5 |
if the performer pleases | 5 |
between the fingers and | 5 |
back of the right | 5 |
from the table and | 5 |
the disc with the | 5 |
the astonishment of the | 5 |
so as to bring | 5 |
the first finger of | 5 |
you tell him to | 5 |
the wand in the | 5 |
it is only necessary | 5 |
and the card will | 5 |
of a pack of | 5 |
near the top of | 5 |
so that when the | 5 |
a manner as to | 5 |
poster used by robert | 5 |
for this purpose must | 5 |
being placed in the | 5 |
ball in the fingers | 5 |
convey the ball you | 5 |
to the person who | 5 |
the figure of the | 5 |
on the table the | 5 |
holding the pack in | 5 |
and care must be | 5 |
if the card is | 5 |
will be heard to | 5 |
manner in which the | 5 |
to keep it in | 5 |
the centre of this | 5 |
it should always be | 5 |
large enough to admit | 5 |
hand under the table | 5 |
on a piece of | 5 |
any trick in which | 5 |
as it is in | 5 |
placing it in the | 5 |
sideways to the audience | 5 |
hold it over the | 5 |
to take the half | 5 |
on the crown of | 5 |
take one of the | 5 |
used in conjunction with | 5 |
of which is a | 5 |
of the pack to | 5 |
arcana of the fire | 5 |
a certain number of | 5 |
from one end to | 5 |
and it may be | 5 |
will be found very | 5 |
the illustrated appendix of | 5 |
the pack with the | 5 |
the left hand should | 5 |
a piece of wire | 5 |
the ball you retained | 5 |
an inch or two | 5 |
i do not want | 5 |
for the most part | 5 |
not prepared in any | 5 |
return it to the | 5 |
the bottom of it | 5 |
third and little fingers | 5 |
is nothing in the | 5 |
up the third ball | 5 |
in addition to the | 5 |
its way into the | 5 |
is to bring the | 5 |
the folds of the | 5 |
that the coin is | 5 |
bottom of the tube | 5 |
your hand into the | 5 |
that the ring is | 5 |
as often as desired | 5 |
which are to be | 5 |
the trick is accomplished | 5 |
if this is not | 5 |
explanation of the trick | 5 |
be held by one | 5 |
of the water in | 5 |
fact that there is | 5 |
from the top to | 5 |
by means of this | 5 |
the effect will be | 5 |
for the same reason | 5 |
the water from the | 5 |
in the minds of | 5 |
in the centre and | 5 |
it over the glass | 5 |
open at each end | 5 |
the muzzle of the | 5 |
photograph in the harry | 5 |
to a piece of | 5 |
hand take the ball | 5 |
there is no reason | 5 |
the cup and ball | 5 |
the audience will think | 5 |
the hat in the | 5 |
in a sheet of | 5 |
the time of the | 5 |
part of the eighteenth | 5 |
be done in the | 5 |
from one of the | 5 |
it into your pocket | 5 |
the mouth of each | 5 |
in the air and | 5 |
drawing attention to the | 5 |
the face of a | 5 |
all the cards in | 5 |
phase of the trick | 5 |
cover it with his | 5 |
it is better to | 5 |
the table and the | 5 |
on each of the | 5 |
drawn out of the | 5 |
the hollow of the | 5 |
the reason of this | 5 |
of the handkerchief which | 5 |
it is highly essential | 5 |
on the under side | 5 |
and with it the | 5 |
from the prime conductor | 5 |
the form of an | 5 |
it in front of | 5 |
cards from the top | 5 |
it can be easily | 5 |
is attached to the | 5 |
is given in the | 5 |
how to make the | 5 |
of which must be | 5 |
is inserted in the | 5 |
this having been done | 5 |
which the card is | 5 |
left hand in the | 5 |
there is no necessity | 5 |
to some one to | 5 |
comes on the stage | 5 |
add the number of | 5 |
the hand from the | 5 |
four or five inches | 5 |
to the effect of | 5 |
when the performer has | 5 |
to be used in | 5 |
and place it upon | 5 |
a saturated solution of | 5 |
as soon as he | 5 |
the performer then takes | 5 |
used in the trick | 5 |
and the fact that | 5 |
if you would have | 5 |
the loose end of | 5 |
the block of wood | 5 |
in the annals of | 5 |
when the cards are | 5 |
the cards from the | 5 |
left hand and the | 5 |
he claims to have | 5 |
i am indebted to | 5 |
prepare for the trick | 5 |
not to allow the | 5 |
through the centre of | 5 |
and put it into | 5 |
the action to the | 5 |
the tips of your | 5 |
one of the first | 5 |
right side to the | 5 |
middle of the stick | 5 |
by sleight of hand | 5 |
to the ends of | 5 |
it at the bottom | 5 |
the article in the | 5 |
the discovery of the | 5 |
one end of which | 5 |
fill it with water | 5 |
end to the other | 5 |
and in each of | 5 |
early part of the | 5 |
enough to contain a | 5 |
be found in the | 5 |
will be seen by | 5 |
be found that the | 5 |
ball you retained in | 5 |
is then covered with | 5 |
let there be a | 5 |
the only one in | 5 |
in a vertical position | 5 |
a small hole in | 5 |
taken out of the | 5 |
take care that the | 5 |
bring it to the | 5 |
for this trick is | 5 |
and let it remain | 5 |
it is made to | 5 |
the right hand should | 5 |
sides of the glass | 5 |
when about to present | 5 |
you will tell him | 5 |
is brought about by | 5 |
is sure to be | 5 |
the case of a | 5 |
in a state of | 5 |
half of the programme | 5 |
the top of this | 5 |
when it is seen | 5 |
is at the top | 5 |
at the earliest opportunity | 5 |
by the fact that | 5 |
and exhaust the air | 5 |
supposed to have been | 5 |
the description of the | 5 |
that there are no | 5 |
on the right hand | 5 |
in a position to | 5 |
a vessel of water | 5 |
of the spectators to | 5 |
the trick is very | 5 |
from a photograph in | 5 |
to the under side | 5 |
announce your intention of | 5 |
for the performance of | 5 |
retires to the stage | 5 |
without the aid of | 5 |
this stage of the | 5 |
ball into the air | 5 |
not be more than | 5 |
by the name of | 5 |
a person to draw | 5 |
second and third fingers | 5 |
members of your audience | 5 |
remove it from the | 5 |
the pass must be | 5 |
of the hand is | 5 |
and then have the | 5 |
a manner that it | 5 |
so that the audience | 5 |
out of the case | 4 |
up in the hands | 4 |
it to your right | 4 |
and then place the | 4 |
there need be no | 4 |
the performer has taken | 4 |
into the middle of | 4 |
the height of his | 4 |
the trick in the | 4 |
in the illustrated appendix | 4 |
to put his hand | 4 |
bottom of which is | 4 |
do now is to | 4 |
proceed with the trick | 4 |
in a magical manner | 4 |
with the request that | 4 |
so as to keep | 4 |
the air hole in | 4 |
in a row on | 4 |
care to let the | 4 |
a feat of dexterity | 4 |
fork or spoon through | 4 |
a trick in which | 4 |
in one of his | 4 |
and two or three | 4 |
one in the right | 4 |
the performer proceeds to | 4 |
the fire from the | 4 |
rather smartly on the | 4 |
one of the corners | 4 |
will be found quite | 4 |
the state of affairs | 4 |
opposite side of the | 4 |
by the performer as | 4 |
is best to have | 4 |
as to render it | 4 |
as the trick is | 4 |
that the basket is | 4 |
the idea that it | 4 |
the borrowed ring in | 4 |
the mouth of which | 4 |
be held by the | 4 |
and found to contain | 4 |
to think of one | 4 |
the piece of candle | 4 |
tell the company that | 4 |
the same number of | 4 |
to the fact of | 4 |
of the table is | 4 |
will not run out | 4 |
seeme to put the | 4 |
right hand under it | 4 |
coin palmed in the | 4 |
the art of conjuring | 4 |
thumb and middle finger | 4 |
of a saturated solution | 4 |
into the air and | 4 |
the person holding the | 4 |
from the persons of | 4 |
cause the stick to | 4 |
the wand should be | 4 |
you then tell him | 4 |
is shown in the | 4 |
from top to bottom | 4 |
i have no doubt | 4 |
the third and fourth | 4 |
i find the following | 4 |
an inch of the | 4 |
concealed in your right | 4 |
the handkerchief will be | 4 |
as far as i | 4 |
of the contents of | 4 |
the floor of the | 4 |
the person who selected | 4 |
by means of two | 4 |
edges of the cards | 4 |
to a member of | 4 |
same as for morphine | 4 |
top of the fourth | 4 |
which there is a | 4 |
and place the whole | 4 |
should be made in | 4 |
as it is not | 4 |
on the tops of | 4 |
be kept in a | 4 |
the command of the | 4 |
that part of the | 4 |
with which it is | 4 |
the centre of one | 4 |
asks one of the | 4 |
there is a small | 4 |
the water out of | 4 |
pass it to the | 4 |
that there was no | 4 |
the ten of clubs | 4 |
of the glass of | 4 |
can at once be | 4 |
it up in the | 4 |
name a card which | 4 |
of salt of tartar | 4 |
far removed from the | 4 |
under the plea of | 4 |
into the shape of | 4 |
the stage for the | 4 |
in an upright position | 4 |
the thumb and first | 4 |
on that side of | 4 |
on the stage and | 4 |
so as to leave | 4 |
is said to have | 4 |
this is very easily | 4 |
fifty years in the | 4 |
as it has been | 4 |
a piece of cork | 4 |
number of the card | 4 |
perhaps you would like | 4 |
little finger under the | 4 |
is to be done | 4 |
a piece of elastic | 4 |
little more than the | 4 |
the cover of the | 4 |
the bullets in the | 4 |
pressure of the atmosphere | 4 |
right hand upon the | 4 |
end of the pack | 4 |
so that you may | 4 |
seems to have been | 4 |
let into the receiver | 4 |
be out of place | 4 |
this is the first | 4 |
unknown to the audience | 4 |
of the stage for | 4 |
i hope you will | 4 |
is that of the | 4 |
by a piece of | 4 |
into a ball and | 4 |
out of his pocket | 4 |
the ace of spades | 4 |
and second fingers of | 4 |
bottom of the box | 4 |
many of my readers | 4 |
then tell him to | 4 |
of the third and | 4 |
the bottom of this | 4 |
procure a piece of | 4 |
top of the chimney | 4 |
the trick to the | 4 |
may be of any | 4 |
at an angle of | 4 |
by far the most | 4 |
cut a piece of | 4 |
for a considerable time | 4 |
it is not necessary | 4 |
the top of an | 4 |
will suppose that the | 4 |
will then appear to | 4 |
it in the middle | 4 |
as soon as it | 4 |
the card with the | 4 |
this must be done | 4 |
to make sure that | 4 |
is to be performed | 4 |
rear of the stage | 4 |
held in one hand | 4 |
the person who holds | 4 |
which is placed a | 4 |
the insertion of a | 4 |
to the owner of | 4 |
art of making fire | 4 |
before the commencement of | 4 |
and it is as | 4 |
to pass into the | 4 |
that comes from him | 4 |
the trick will now | 4 |
a finger into the | 4 |
the one on your | 4 |
done by means of | 4 |
you must be provided | 4 |
letters of the alphabet | 4 |
pour some water into | 4 |
the handkerchief over it | 4 |
by means of an | 4 |
illustrated appendix of the | 4 |
of his memoirs he | 4 |
in which the coins | 4 |
it up to the | 4 |
it will not matter | 4 |
your thumb and finger | 4 |
he then places the | 4 |
i need hardly say | 4 |
four cards of any | 4 |
part of the pack | 4 |
the method employed in | 4 |
from the flame of | 4 |
by the introduction of | 4 |
in which condition it | 4 |
similar to the one | 4 |
paper on the top | 4 |
to wrap it up | 4 |
of the back of | 4 |
is dropped into the | 4 |
is supposed to contain | 4 |
is then requested to | 4 |
that there is anything | 4 |
the method of working | 4 |
the right hand will | 4 |
up the second ball | 4 |
it is very easy | 4 |
upon the shelf at | 4 |
and the performer should | 4 |
this will bring the | 4 |
in the british museum | 4 |
the same quantity of | 4 |
into a very small | 4 |
the performer must have | 4 |
give the pack to | 4 |
how to do it | 4 |
the audience to see | 4 |
behind the bag of | 4 |
dip a finger into | 4 |
is accomplished with the | 4 |
any number of times | 4 |
performer must be careful | 4 |
between the first finger | 4 |
as you did the | 4 |
as it will not | 4 |
fall on the floor | 4 |
place it over the | 4 |
the same diameter as | 4 |
then take the handkerchief | 4 |
eyes of the performer | 4 |
far as it will | 4 |
that it has not | 4 |
will be sufficient to | 4 |
on no account must | 4 |
the name of bosco | 4 |
the handkerchief by the | 4 |
to prove that the | 4 |
till the doctor arrives | 4 |
members of the audience | 4 |
will be thought to | 4 |
of the same color | 4 |
so far as to | 4 |
will appear to the | 4 |
the means by which | 4 |
hold it in the | 4 |
from place to place | 4 |
followed by the eyes | 4 |
upon a side table | 4 |
of the brazil water | 4 |
this trick with the | 4 |
of each of the | 4 |
of john henry anderson | 4 |
the ring in the | 4 |
the end of that | 4 |
at this stage of | 4 |
the penny in your | 4 |
is very easily managed | 4 |
trick will now be | 4 |
the first of the | 4 |
that he may be | 4 |
only one in the | 4 |
may be performed by | 4 |
the whole weight of | 4 |
given to a spectator | 4 |
at the mouth of | 4 |
is to remove the | 4 |
the upper end of | 4 |
name all the cards | 4 |
to the top and | 4 |
the flame of the | 4 |
accomplished by means of | 4 |
open your right hand | 4 |
place the faked bowl | 4 |
that it is quite | 4 |
and places it in | 4 |
the construction of this | 4 |
into the box and | 4 |
chosen card from the | 4 |
perform this trick with | 4 |
one of the bowls | 4 |
through the middle of | 4 |
to have been the | 4 |
a certain degree of | 4 |
to see if it | 4 |
the arrangement of the | 4 |
by the time it | 4 |
must be brought into | 4 |
the wine and water | 4 |
top of the box | 4 |
at the strand theatre | 4 |
a short piece of | 4 |
the palme of the | 4 |
one to hold the | 4 |
the trick is as | 4 |
with the use of | 4 |
of one of these | 4 |
well to have the | 4 |
it as much as | 4 |
person on the stage | 4 |
the hands should be | 4 |
end of the rod | 4 |
the handkerchief containing the | 4 |
from the tail of | 4 |
of the mouth of | 4 |
bottom of the lining | 4 |
the faked bowl is | 4 |
in a natural way | 4 |
in a few moments | 4 |
four at the bottom | 4 |
of those who have | 4 |
top of the bowl | 4 |
will have a very | 4 |
to their original positions | 4 |
page of his memoirs | 4 |
at the lower end | 4 |
thumb and first finger | 4 |
that one of the | 4 |
and with your left | 4 |
the coin between the | 4 |
in sleight of hand | 4 |
piece of paper and | 4 |
the mouth of a | 4 |
and ask someone to | 4 |
the bag can be | 4 |
it will be noticed | 4 |
that the trick is | 4 |
we will suppose he | 4 |
it up in a | 4 |
under the name of | 4 |
to turn the pack | 4 |
and you are ready | 4 |
set fire to a | 4 |
which is provided with | 4 |
in the eyes of | 4 |
which is at the | 4 |
they are to be | 4 |
as soon as you | 4 |
is not absolutely necessary | 4 |
far as i know | 4 |
to perform the trick | 4 |
out so as to | 4 |
caught in the air | 4 |
hand up and down | 4 |
to the table and | 4 |
and vanish it by | 4 |
it with his hand | 4 |
the hand that is | 4 |
on the fact that | 4 |
at the end a | 4 |
roots of the fingers | 4 |
bring the hands together | 4 |
poker to stand on | 4 |
the pack to a | 4 |
are found to have | 4 |
the egg in the | 4 |
then filled with water | 4 |
a very pretty effect | 4 |
water that comes from | 4 |
may be done by | 4 |
a temperature of degrees | 4 |
take up one of | 4 |
and then place it | 4 |
the table with the | 4 |
one of the sides | 4 |
the portion of the | 4 |
down rather smartly on | 4 |
is a trick of | 4 |
this is one of | 4 |
marble from the mouth | 4 |
a billiard ball trick | 4 |
the purpose of this | 4 |
to cause them to | 4 |
borrow a half dollar | 4 |
to think that the | 4 |
passed through the loop | 4 |
that in which the | 4 |
side of the slate | 4 |
is then placed over | 4 |
one on each side | 4 |
face of the card | 4 |
the pack by the | 4 |
into the top of | 4 |
by the side of | 4 |
the brim of the | 4 |
the handkerchief the conjurer | 4 |
the latter part of | 4 |
and for this purpose | 4 |
brought to a conclusion | 4 |
it under the table | 4 |
that the egg is | 4 |
and in setting downe | 4 |
which you hold in | 4 |
quarter of a grain | 4 |
take the half of | 4 |
to conclude the trick | 4 |
to have a piece | 4 |
at the centre of | 4 |
to each of these | 4 |
will be noticed that | 4 |
explain to the audience | 4 |
in the air as | 4 |
a handful of the | 4 |
loose end of the | 4 |
this is best done | 4 |
the preparation of the | 4 |
the trick with the | 4 |
there can be no | 4 |
if it really contained | 4 |
is an easy matter | 4 |
are supposed to be | 4 |
a coloured handkerchief with | 4 |
take the ball from | 4 |
the sake of effect | 4 |
to be exchanged for | 4 |
muzzle of the pistol | 4 |
for the third time | 4 |
ask the name of | 4 |
to drop into the | 4 |
is furnished with a | 4 |
must be careful to | 4 |
the handkerchief with the | 4 |
for the reception of | 4 |
ball that you retained | 4 |
is capable of being | 4 |
is known as a | 4 |
is a very effective | 4 |
and the left hand | 4 |
if it contained the | 4 |
in the world of | 4 |
some of the water | 4 |
a fair amount of | 4 |
disc with the hole | 4 |
can be introduced at | 4 |
on with the rest | 4 |
air hole in the | 4 |
to the audience on | 4 |
this can be done | 4 |
small piece of wax | 4 |
from right to left | 4 |
the wand from the | 4 |
as in the first | 4 |
the trick for the | 4 |
the inexhaustible bottle trick | 4 |
fingers of one hand | 4 |
the second method is | 4 |
at the bartholomew fair | 4 |
placing them in the | 4 |
of the trick to | 4 |
to the effect that | 4 |
be followed by the | 4 |
and you will see | 4 |
is towards the audience | 4 |
some distance from the | 4 |
i am going to | 4 |
neither more nor less | 4 |
order to get the | 4 |
of a number of | 4 |
must be lighted at | 4 |
the pack in his | 4 |
side of the box | 4 |
show the hand empty | 4 |
and the trick is | 4 |
back of the left | 4 |
is only necessary to | 4 |
when it is required | 4 |
and then at once | 4 |
so as to cover | 4 |
of the same nature | 4 |
the prime conductor of | 4 |
the hand and the | 4 |
on the opposite side | 4 |
on a side table | 4 |
is more than likely | 4 |
to do now is | 4 |
your left hand in | 4 |
that there is a | 4 |
the twilight of the | 4 |
strong tea or coffee | 4 |
the pass is made | 4 |
into the palm of | 4 |
visible means of support | 4 |
is a very pretty | 4 |
may be placed in | 4 |
we will suppose that | 4 |
to fall upon the | 4 |
is no reason why | 4 |
of the bottom of | 4 |
should be of a | 4 |
of water on the | 4 |
and the end of | 4 |
it in that position | 4 |
great wizard of the | 4 |
through the top of | 4 |
by the davenport brothers | 4 |
to be put into | 4 |
the neatness with which | 4 |
when it is to | 4 |
and the other the | 4 |
the appearance of being | 4 |
the cases on the | 4 |
to the prime conductor | 4 |
same as for calomel | 4 |
a piece of white | 4 |
may be made with | 4 |
should be made to | 4 |
which has been previously | 4 |
and just large enough | 4 |
back of the head | 4 |
performed by means of | 4 |
as if it really | 4 |
as to be able | 4 |
being taken not to | 4 |
the hat can be | 4 |
without the assistance of | 4 |
the introduction of a | 4 |
covered with a handkerchief | 4 |
cause the coins to | 4 |
the person who has | 4 |
be as well to | 4 |
which is then placed | 4 |
that everyone can see | 4 |
use a forcing pack | 4 |
method of doing the | 4 |
of an inch diameter | 4 |
inside and thumb out | 4 |
as soon as possible | 4 |
set fire to the | 4 |
the best way to | 4 |
carry a leader from | 4 |
each of the seven | 4 |
out of the fire | 4 |
you are ready to | 4 |
after this has been | 4 |
the thumb and middle | 4 |
there is not a | 4 |
coins in the handkerchief | 4 |
will be found a | 4 |
the arms of the | 4 |
and ask him to | 4 |
the money in the | 4 |
the second one is | 4 |
be used in the | 4 |
into the hand of | 4 |
concealed in the fingers | 4 |
with the shell bottle | 4 |
and laid on the | 4 |
in the mouth of | 4 |
similar to that used | 4 |
up in a piece | 4 |
know the position of | 4 |
exposed to the air | 4 |
one part of the | 4 |
two and a half | 4 |
which will make the | 4 |
the sight of the | 4 |
made to fit the | 4 |
the smooth side of | 4 |
it into the glass | 4 |
by the time the | 4 |
of a grain of | 4 |
it would have been | 4 |
and a half in | 4 |
and in the other | 4 |
for the loan of | 4 |
the third and little | 4 |
effect of this trick | 4 |
is covered with a | 4 |
was billed as the | 4 |
the phial must be | 4 |
it into the right | 4 |
side of the stage | 4 |
be attached to the | 4 |
hole in the top | 4 |
they must be held | 4 |
between the roots of | 4 |
of the other cards | 4 |
shutting it in due | 4 |
it will produce a | 4 |
with the same hand | 4 |
is for the purpose | 4 |
the place where the | 4 |
must be a little | 4 |
it in due time | 4 |
jug of water and | 4 |
to take away the | 4 |
and picking up the | 4 |
to bring the card | 4 |
from the surface of | 4 |
by the little finger | 4 |
the purpose of the | 4 |
it into the hat | 4 |
what is going on | 4 |
of four or five | 4 |
which will of course | 4 |
is advisable to have | 4 |
a certain amount of | 4 |
and the right hand | 4 |
tell you the amount | 4 |
in two or three | 4 |
of the other hand | 4 |
down to the bottom | 4 |
and offer it to | 4 |
when you come to | 4 |
owing to the presence | 4 |
letters on natural magic | 4 |
the pack in your | 4 |
fraction of a second | 4 |
during his engagement at | 4 |
he states that the | 4 |
of the card to | 4 |
the cases must be | 4 |
as it can be | 4 |
a piece of a | 4 |
of the french edition | 4 |
be able to do | 4 |
tiny bead of wax | 4 |
you must have two | 4 |
up in a handkerchief | 4 |
as if it contained | 4 |
to prevent it from | 4 |
of the great continent | 4 |
means of the first | 4 |
in the preparation of | 4 |
are to be fired | 4 |
as a kind of | 4 |
of the same height | 4 |
quantity of water in | 4 |
nine cases out of | 4 |
and is to be | 4 |
you shall seeme to | 4 |
the following is the | 4 |
two pieces of paper | 4 |
with the disengaged hand | 4 |
cut out of the | 4 |
then make the pass | 4 |
the exception of a | 4 |
as possible to the | 4 |
on the point of | 4 |
of the table and | 4 |
it is an easy | 4 |
close to the audience | 4 |
no account must the | 4 |
and how to make | 4 |
the box containing the | 4 |
that it is necessary | 4 |
its way to the | 4 |
a card in the | 4 |
allow it to fall | 4 |
mouth of the glass | 4 |
shutting your left hand | 4 |
by any of the | 4 |
after a few seconds | 4 |
off the top card | 4 |
left hand with the | 4 |
to appear in a | 4 |
in the manner described | 4 |
with one or more | 4 |
of each of these | 4 |
will have the effect | 4 |
from the other side | 4 |
position on the table | 4 |
as a natural consequence | 4 |
a knot on the | 4 |
from the view of | 4 |
four or five glasses | 4 |
as in the case | 4 |
two or three feet | 4 |
it to fall into | 4 |
in a short time | 4 |
he will place the | 4 |
trick in which a | 4 |
take the ball out | 4 |
whole of the trick | 4 |
you will find it | 4 |
at once to the | 4 |
will find that the | 4 |
from which it is | 4 |
pour water into the | 4 |
through the hole in | 4 |
is that known as | 4 |
on the mouth of | 4 |
side of the room | 4 |
end of the paper | 4 |
a very good effect | 4 |
the forefinger and thumb | 4 |
is seen to have | 4 |
you will have to | 4 |
should be given to | 4 |
claim to having invented | 4 |
houdin claims to have | 4 |
the possibility of the | 4 |
will be seen from | 4 |
in the early part | 4 |
it will not do | 4 |
a very simple one | 4 |
of paper on the | 4 |
particular attention to the | 4 |
given into the custody | 4 |
right hand under the | 4 |
be done with the | 4 |
to pick up the | 4 |
the trick is done | 4 |
on the stage in | 4 |
you dip a finger | 4 |
water in the boat | 4 |
add to the effect | 4 |
to see in the | 4 |
i will now describe | 4 |
as it will be | 4 |
run out of the | 4 |
placed in the box | 4 |
the card on the | 4 |
owner of the hat | 4 |
come forward with the | 4 |
will enable the performer | 4 |
be placed upon the | 4 |
such a position that | 4 |
to the time of | 4 |
the audience in a | 4 |
coin in the left | 4 |
enough to admit a | 4 |
attach itself to the | 4 |
put them into a | 4 |
piece of paper is | 4 |
enable the conjurer to | 4 |
of the same metal | 4 |
of the audience in | 4 |
there is no harm | 4 |
top of the tumbler | 4 |
be thought that you | 4 |
at the third or | 4 |
the majority of the | 4 |
put it under the | 4 |
is on the top | 4 |
as there is no | 4 |
and show it to | 4 |
given round for examination | 4 |
in connection with this | 4 |
is fitted with a | 4 |
bottle and a glass | 4 |
of the prime conductor | 4 |
will be thought that | 4 |
as that of the | 4 |
is introduced into the | 4 |
put it in your | 4 |
he then proceeds to | 4 |
calls attention to the | 4 |
the pack of cards | 4 |
in order to make | 4 |
audience see that he | 4 |
the trick then proceeds | 4 |
to the second person | 4 |
and then show the | 4 |
and out of the | 4 |
at the height of | 4 |
must take care to | 4 |
any fear of the | 4 |
finger and thumbe of | 4 |
it to the bottom | 4 |
it is a great | 4 |
i have even seen | 4 |
of the three cards | 4 |
when the right hand | 4 |
a little more than | 4 |
which the performer has | 4 |
the point of a | 4 |
the backs of the | 4 |
card in the pack | 4 |
through the crown of | 4 |
as in the last | 4 |
the object of the | 4 |
a glimpse of the | 4 |
the other end being | 4 |
the rear edge of | 4 |
for a number of | 4 |
the idea of the | 4 |
wand in the hand | 4 |
if there be any | 4 |
to pass a coin | 4 |
is then filled with | 4 |
has the effect of | 4 |
the true history of | 4 |
is not the least | 4 |
open your left hand | 4 |
it in a bottle | 4 |
french edition of his | 4 |
which is the one | 4 |
by the eyes of | 4 |
as it is only | 4 |
him to place it | 4 |
to show that you | 4 |
appendix of the french | 4 |
in the present instance | 4 |
as those on the | 4 |
on the inside of | 4 |
out of the tube | 4 |
as far as it | 4 |
ring on the wand | 4 |
allowed to fall into | 4 |
to put it in | 4 |
a dozen or more | 4 |
it is easy to | 4 |
one on the left | 4 |
rolled up in the | 4 |
the late alexander herrmann | 4 |
the performer should always | 4 |
of the first finger | 4 |
illustration then take up | 4 |
and this is the | 4 |
cards at the bottom | 4 |
the pips on the | 4 |
and the other to | 4 |
it is at the | 4 |
the audience on his | 4 |
in this case you | 4 |
a handkerchief through the | 4 |
i do not know | 4 |
a small portion of | 4 |
is put into the | 4 |
to see that the | 4 |
it is not in | 4 |
is taken in the | 4 |
adds to the effect | 4 |
that it is perfectly | 4 |
out the name of | 4 |
place them in the | 4 |
is to place the | 4 |
a stick or poker | 4 |
the top to the | 4 |
piece of paper in | 4 |
feature in the trick | 4 |
the performer affects to | 4 |
fall into the water | 4 |
are made to disappear | 4 |
as if by accident | 4 |
small quantity of water | 4 |
of the same dimensions | 4 |
is by far the | 4 |
during the course of | 4 |
the persons of the | 4 |