This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
one of the | 384 |
the left hand | 379 |
the right hand | 341 |
the top of | 255 |
a piece of | 245 |
on the table | 235 |
top of the | 212 |
of the trick | 204 |
end of the | 180 |
of the pack | 175 |
by means of | 173 |
of the audience | 159 |
the bottom of | 157 |
it will be | 143 |
out of the | 143 |
the harry houdini | 142 |
harry houdini collection | 141 |
the end of | 140 |
on the top | 140 |
so as to | 139 |
in the left | 136 |
at the same | 135 |
bottom of the | 131 |
your right hand | 127 |
side of the | 122 |
in the right | 121 |
that it is | 120 |
of the same | 118 |
the same time | 117 |
your left hand | 115 |
at the bottom | 113 |
the back of | 112 |
the trick is | 112 |
it in the | 110 |
is to be | 109 |
part of the | 109 |
from the harry | 104 |
so that the | 103 |
to the audience | 101 |
in the same | 101 |
the centre of | 100 |
placed in the | 95 |
in the centre | 95 |
two or three | 93 |
of the left | 91 |
will be found | 91 |
in order to | 90 |
of the handkerchief | 89 |
the fact that | 89 |
back of the | 88 |
for the purpose | 87 |
piece of paper | 84 |
in the hand | 84 |
of the right | 83 |
it is not | 82 |
in the air | 80 |
to the top | 80 |
of the glass | 79 |
it to the | 79 |
a number of | 79 |
it is a | 78 |
there is no | 78 |
of the table | 75 |
upon the table | 75 |
centre of the | 74 |
when it is | 73 |
the mouth of | 73 |
and the other | 72 |
this is a | 71 |
at the top | 71 |
of the company | 70 |
it on the | 69 |
the purpose of | 67 |
means of the | 67 |
it into the | 66 |
in which the | 66 |
the middle of | 66 |
in such a | 65 |
the other hand | 64 |
to the other | 64 |
it may be | 63 |
one end of | 63 |
in the middle | 63 |
to show that | 63 |
as it is | 62 |
at the end | 62 |
of the hand | 62 |
in front of | 62 |
with your right | 61 |
of the tube | 61 |
portion of the | 60 |
of the two | 60 |
with the right | 60 |
the number of | 59 |
of the performer | 59 |
sleight of hand | 59 |
the performer has | 58 |
the performer must | 58 |
ends of the | 58 |
of an inch | 58 |
under cover of | 57 |
the other end | 57 |
of the other | 57 |
the piece of | 57 |
edge of the | 57 |
in the other | 57 |
the size of | 57 |
to the bottom | 56 |
it can be | 56 |
there is a | 55 |
on the stage | 55 |
the ends of | 54 |
the name of | 54 |
of the cards | 54 |
of the card | 54 |
the effect of | 54 |
means of a | 53 |
into the hat | 53 |
hole in the | 53 |
according to the | 53 |
and it is | 53 |
of one of | 53 |
to make the | 52 |
as well to | 52 |
in the first | 52 |
on to the | 52 |
but it is | 52 |
the audience to | 52 |
be made to | 52 |
if the performer | 51 |
it is as | 51 |
the use of | 51 |
of the bottle | 51 |
of the most | 51 |
the act of | 50 |
is a very | 50 |
with the left | 50 |
and at the | 49 |
to be the | 49 |
fingers of the | 49 |
on the floor | 49 |
in the pack | 49 |
mouth of the | 49 |
pick up the | 48 |
the performer is | 48 |
if it be | 48 |
the edge of | 47 |
in your right | 47 |
take up the | 47 |
the same manner | 47 |
the action of | 47 |
of the fingers | 47 |
in your hand | 46 |
which it is | 46 |
the palm of | 46 |
attention to the | 46 |
writing and drawing | 46 |
held in the | 46 |
will be seen | 46 |
placed on the | 46 |
such a manner | 46 |
of which is | 46 |
middle of the | 46 |
the table and | 45 |
a quantity of | 45 |
be able to | 45 |
in one hand | 45 |
the fingers of | 45 |
one of them | 45 |
as soon as | 45 |
cover of the | 45 |
the aid of | 44 |
at the back | 44 |
and it will | 44 |
provided with a | 44 |
of the first | 44 |
to make a | 44 |
it must be | 44 |
and a half | 44 |
the card is | 44 |
that there is | 44 |
some of the | 44 |
which must be | 43 |
to have the | 43 |
that it may | 43 |
the hands of | 43 |
the side of | 43 |
and the performer | 43 |
is in the | 43 |
to place the | 42 |
three or four | 42 |
which is the | 42 |
of the box | 42 |
which may be | 42 |
and so on | 42 |
from the top | 41 |
when the performer | 41 |
and drawing figure | 41 |
are to be | 41 |
the first and | 41 |
it with the | 41 |
of the water | 40 |
half an inch | 40 |
glass of water | 40 |
in the act | 40 |
it should be | 40 |
is as well | 40 |
the person who | 40 |
must be made | 39 |
of the wand | 39 |
to have a | 39 |
must be taken | 39 |
from the bottom | 38 |
as in the | 38 |
will not be | 38 |
a manner that | 38 |
it in a | 38 |
to take the | 38 |
which will be | 38 |
in the harry | 38 |
large enough to | 38 |
to be held | 37 |
for this purpose | 37 |
in the hands | 37 |
the appearance of | 37 |
in his hand | 37 |
the inside of | 37 |
the performer to | 37 |
this trick is | 37 |
down on the | 37 |
the history of | 37 |
as well as | 37 |
which should be | 37 |
placed upon the | 37 |
that of the | 37 |
so that it | 37 |
and in the | 37 |
left hand and | 37 |
at a time | 37 |
with a piece | 36 |
towards the audience | 36 |
the ace of | 36 |
it will not | 36 |
the handkerchief is | 36 |
surface of the | 36 |
which has been | 36 |
with the other | 36 |
of the thumb | 36 |
the writing and | 36 |
ball in the | 35 |
on the other | 35 |
to the company | 35 |
at one end | 35 |
finger and thumb | 35 |
the art of | 35 |
the card to | 35 |
it to be | 35 |
in this case | 35 |
is as follows | 35 |
care must be | 35 |
body of the | 34 |
card to the | 34 |
finger of the | 34 |
concealed in the | 34 |
and place it | 34 |
the length of | 34 |
that you have | 34 |
taken from the | 34 |
the body of | 34 |
the method of | 34 |
to hold the | 34 |
on the outside | 34 |
it over the | 34 |
the form of | 34 |
i do not | 33 |
into the water | 33 |
the secret of | 33 |
that he was | 33 |
of the hat | 33 |
fact that the | 33 |
one side of | 33 |
the glass and | 33 |
each of the | 33 |
of the paper | 33 |
the performer then | 33 |
it from the | 33 |
the coin is | 33 |
one in the | 33 |
one of these | 33 |
for the trick | 33 |
and you will | 33 |
you must have | 32 |
it is the | 32 |
is placed in | 32 |
it is to | 32 |
in the handkerchief | 32 |
must not be | 32 |
the presence of | 32 |
in which he | 32 |
to cause the | 32 |
front of the | 32 |
the performer now | 32 |
at each end | 32 |
member of the | 32 |
or any other | 32 |
sides of the | 32 |
right hand and | 32 |
any of the | 32 |
same as for | 31 |
the pack in | 31 |
the thumb and | 31 |
the performance of | 31 |
to keep the | 31 |
by the performer | 31 |
this is done | 31 |
a couple of | 31 |
to the fact | 31 |
the cards are | 31 |
palm of the | 31 |
a small piece | 31 |
the little finger | 31 |
in your left | 31 |
the position of | 31 |
attached to the | 30 |
between the two | 30 |
this is the | 30 |
the pack to | 30 |
will appear to | 30 |
of the stage | 30 |
on one side | 30 |
put it into | 30 |
the faked bowl | 30 |
do is to | 30 |
small piece of | 30 |
length of the | 30 |
the top card | 30 |
to do this | 30 |
to the table | 30 |
as to be | 30 |
one of his | 30 |
rest of the | 30 |
them in the | 30 |
the face of | 30 |
the other side | 30 |
of the room | 30 |
away from the | 30 |
the rest of | 30 |
to be a | 29 |
the outside of | 29 |
place it in | 29 |
with the same | 29 |
for this trick | 29 |
his right hand | 29 |
supposed to be | 29 |
there must be | 29 |
show that it | 29 |
of this trick | 29 |
with a small | 29 |
out of your | 29 |
size of the | 29 |
effect of the | 29 |
performance of the | 29 |
the attention of | 29 |
it would be | 28 |
the performer takes | 28 |
view of the | 28 |
in connection with | 28 |
the production of | 28 |
number of the | 28 |
up to the | 28 |
that he has | 28 |
pack of cards | 28 |
to do so | 28 |
in my collection | 28 |
of his memoirs | 28 |
use of the | 28 |
of the coin | 28 |
and let the | 28 |
to be made | 28 |
from the table | 28 |
the surface of | 28 |
lies in the | 28 |
when you have | 28 |
by the audience | 28 |
into the air | 28 |
inside of the | 28 |
in the mouth | 28 |
in the fingers | 28 |
for a moment | 28 |
it has been | 28 |
on the left | 28 |
from the pack | 28 |
is supposed to | 27 |
must have a | 27 |
thumb of the | 27 |
the performer should | 27 |
upon the floor | 27 |
in the hat | 27 |
from the mouth | 27 |
a glass of | 27 |
half of the | 27 |
end of it | 27 |
of the bag | 27 |
to the spectators | 27 |
to the stage | 27 |
in one of | 27 |
on the ground | 27 |
a quarter of | 27 |
the tips of | 27 |
behind the scenes | 27 |
is one of | 27 |
the shape of | 27 |
in this way | 27 |
a member of | 27 |
a matter of | 27 |
as far as | 27 |
of the wheel | 27 |
i have seen | 27 |
back to the | 27 |
a hole in | 27 |
in the palm | 27 |
how to make | 26 |
you will find | 26 |
the owner of | 26 |
is necessary to | 26 |
to do is | 26 |
secret of the | 26 |
the ball in | 26 |
may be made | 26 |
cover it with | 26 |
is that the | 26 |
fall into the | 26 |
the first finger | 26 |
laid on the | 26 |
if it is | 26 |
of the three | 26 |
hand to the | 26 |
on the paper | 26 |
of the spectators | 26 |
the holder of | 26 |
over the glass | 26 |
the hand is | 26 |
as if it | 26 |
made in the | 26 |
to the ground | 26 |
with a little | 26 |
up and down | 26 |
into the left | 25 |
of the second | 25 |
it at the | 25 |
when they are | 25 |
in the audience | 25 |
some one to | 25 |
of the top | 25 |
there is nothing | 25 |
hand into the | 25 |
should be made | 25 |
can be made | 25 |
used in the | 25 |
the water in | 25 |
the flame of | 25 |
be in the | 25 |
from the audience | 25 |
one or two | 25 |
will be the | 25 |
in a small | 25 |
the whole of | 25 |
the neck of | 25 |
seeme to put | 25 |
in the box | 25 |
which you have | 25 |
into the glass | 25 |
it is in | 25 |
the cards in | 25 |
is provided with | 24 |
show that the | 24 |
the audience will | 24 |
be seen that | 24 |
to show the | 24 |
the three cards | 24 |
to place it | 24 |
the water will | 24 |
if you are | 24 |
of the fire | 24 |
possession of the | 24 |
appear to be | 24 |
as the performer | 24 |
card in the | 24 |
the bottom card | 24 |
put into the | 24 |
that he had | 24 |
make the pass | 24 |
to get the | 24 |
water in the | 24 |
soon as the | 24 |
then take the | 24 |
position of the | 24 |
by one of | 24 |
of his own | 24 |
covered with a | 24 |
the introduction of | 24 |
the card in | 24 |
of the case | 24 |
first and second | 24 |
they must be | 24 |
the hole in | 24 |
to prevent the | 24 |
with your left | 24 |
the performer may | 24 |
which is then | 24 |
of the coat | 24 |
and on the | 24 |
into the bottle | 24 |
is about to | 23 |
the glass is | 23 |
the ball is | 23 |
owner of the | 23 |
presence of the | 23 |
a very small | 23 |
close to the | 23 |
one by one | 23 |
as it were | 23 |
the effect is | 23 |
to have been | 23 |
then take up | 23 |
over the other | 23 |
a portion of | 23 |
it upon the | 23 |
about an inch | 23 |
the point of | 23 |
with one hand | 23 |
the company to | 23 |
you are to | 23 |
it is very | 23 |
form of a | 23 |
the coin in | 23 |
one on the | 23 |
it does not | 23 |
and when the | 23 |
for a few | 23 |
in the glass | 23 |
it is done | 23 |
from the hat | 23 |
name of the | 23 |
the coins are | 23 |
it into your | 23 |
out of sight | 22 |
to the performer | 22 |
piece of wood | 22 |
quarter of an | 22 |
cause it to | 22 |
into the other | 22 |
whole of the | 22 |
the trick in | 22 |
the white handkerchief | 22 |
on the inside | 22 |
they may be | 22 |
the success of | 22 |
parts of the | 22 |
the wand is | 22 |
four or five | 22 |
to the left | 22 |
size of a | 22 |
be held in | 22 |
cards in the | 22 |
a small quantity | 22 |
place it on | 22 |
to one of | 22 |
the chosen card | 22 |
take out the | 22 |
to put it | 22 |
of the four | 22 |
be found to | 22 |
which is a | 22 |
a pair of | 22 |
his left hand | 22 |
and seeme to | 22 |
is to have | 22 |
removed from the | 22 |
care that the | 22 |
up in the | 22 |
that you will | 22 |
this is being | 22 |
at the other | 22 |
end of a | 22 |
be provided with | 22 |
from the left | 22 |
coin in the | 22 |
card from the | 22 |
be placed in | 22 |
them on the | 22 |
the prime conductor | 22 |
in a very | 21 |
it in his | 21 |
is being done | 21 |
of the stick | 21 |
five or six | 21 |
from each other | 21 |
small quantity of | 21 |
into your left | 21 |
which the performer | 21 |
by this means | 21 |
tips of the | 21 |
that he may | 21 |
have to be | 21 |
attention of the | 21 |
the eyes of | 21 |
right hand take | 21 |
face of the | 21 |
the handkerchief to | 21 |
it will appear | 21 |
the handkerchief and | 21 |
the handkerchief in | 21 |
shape of a | 21 |
it is quite | 21 |
same manner as | 21 |
the top and | 21 |
history of magic | 21 |
it is necessary | 21 |
he does so | 21 |
upon the shelf | 21 |
with the wand | 21 |
hold of the | 21 |
it is always | 21 |
in the form | 21 |
it is only | 21 |
with the aid | 21 |
will have to | 21 |
now in the | 21 |
a great deal | 21 |
of your left | 21 |
water into the | 21 |
it with a | 21 |
on the back | 21 |
of the bowl | 21 |
this is not | 21 |
pass through the | 21 |
under the table | 21 |
place of the | 21 |
an inch in | 21 |
to take a | 20 |
covered with the | 20 |
of which are | 20 |
the beginning of | 20 |
tell him to | 20 |
flame of a | 20 |
the bottle is | 20 |
edition of his | 20 |
to enable the | 20 |
that when the | 20 |
the first instance | 20 |
and place the | 20 |
holder of the | 20 |
the hat is | 20 |
brought to the | 20 |
on page of | 20 |
this is an | 20 |
and when it | 20 |
to the mouth | 20 |
the seven of | 20 |
that he is | 20 |
eyes of the | 20 |
will cause the | 20 |
and put it | 20 |
filled with water | 20 |
to hold it | 20 |
of the air | 20 |
as to the | 20 |
you do not | 20 |
it to a | 20 |
in the trick | 20 |
handkerchief in the | 20 |
many of the | 20 |
of the body | 20 |
owing to the | 20 |
a pack of | 20 |
the audience that | 20 |
right hand is | 20 |
word of command | 20 |
there will be | 20 |
that they may | 20 |
and let it | 20 |
into the hands | 20 |
on which the | 20 |
the two cards | 19 |
be held by | 19 |
of the sun | 19 |
in the way | 19 |
to the end | 19 |
cards from the | 19 |
and show the | 19 |
in your pocket | 19 |
of such a | 19 |
the height of | 19 |
must have been | 19 |
the glass of | 19 |
to bring the | 19 |
the interior of | 19 |
you wish to | 19 |
of the one | 19 |
to the trick | 19 |
behind the table | 19 |
likely to be | 19 |
it and the | 19 |
as they are | 19 |
method is to | 19 |
from a hat | 19 |
the idea that | 19 |
to make it | 19 |
as much as | 19 |
shown to be | 19 |
known as the | 19 |
the head of | 19 |
trick is to | 19 |
to cover the | 19 |
be done with | 19 |
is the one | 19 |
is at the | 19 |
to take it | 19 |
top of it | 19 |
then with your | 19 |
be taken that | 19 |
corner of the | 19 |
is a trick | 19 |
the course of | 19 |
in a piece | 19 |
them to the | 19 |
in the pocket | 19 |
can be done | 19 |
the inexhaustible bottle | 19 |
to be in | 19 |
as if to | 19 |
together with a | 19 |
end of which | 19 |
the performer will | 19 |
piece of apparatus | 19 |
up the sleeve | 19 |
the middle finger | 19 |
taking care to | 19 |
to be empty | 19 |
of all the | 19 |
to prove that | 19 |
distance from the | 19 |
left hand is | 19 |
all that is | 19 |
that is to | 19 |
you will be | 18 |
see that the | 18 |
should be taken | 18 |
a kind of | 18 |
the ball of | 18 |
in the tube | 18 |
must be done | 18 |
from the other | 18 |
the first time | 18 |
a sheet of | 18 |
say that you | 18 |
the pack and | 18 |
the same as | 18 |
all the time | 18 |
the pack is | 18 |
the lower end | 18 |
a man of | 18 |
any one of | 18 |
may not be | 18 |
in any way | 18 |
held by the | 18 |
on the shelf | 18 |
that the performer | 18 |
he does not | 18 |
that i have | 18 |
the sides of | 18 |
you take the | 18 |
on the right | 18 |
in the shape | 18 |
that it was | 18 |
in order that | 18 |
of a large | 18 |
the contents of | 18 |
in the world | 18 |
the thumb of | 18 |
for the first | 18 |
i will now | 18 |
outside of the | 18 |
pack in the | 18 |
when it will | 18 |
of sleight of | 18 |
more or less | 18 |
you have to | 18 |
of the pass | 18 |
a few inches | 18 |
the borrowed ring | 18 |
they should be | 18 |
down to the | 18 |
placed in a | 18 |
with the thumb | 18 |
and the water | 18 |
should not be | 18 |
to the centre | 18 |
about half an | 18 |
the second and | 18 |
the same way | 18 |
be found in | 18 |
on a table | 18 |
of the tumbler | 18 |
into the hand | 18 |
the hand of | 18 |
of the coins | 18 |
it in your | 18 |
is then placed | 18 |
let there be | 18 |
to the right | 18 |
put into a | 18 |
of the little | 18 |
the audience see | 18 |
as it will | 18 |
be taken to | 17 |
out at the | 17 |
in the water | 17 |
in his hands | 17 |
to cause a | 17 |
hand in the | 17 |
is found to | 17 |
other end of | 17 |
in the following | 17 |
hold the pack | 17 |
as a matter | 17 |
in this manner | 17 |
into the bowl | 17 |
and the audience | 17 |
in which a | 17 |
the paper and | 17 |
of a candle | 17 |
hand and the | 17 |
by no means | 17 |
it into a | 17 |
where it is | 17 |
has to do | 17 |
of the following | 17 |
out of a | 17 |
a short time | 17 |
aid of a | 17 |
the audience is | 17 |
the trick the | 17 |
the loan of | 17 |
to which the | 17 |
a small hole | 17 |
he did not | 17 |
the time of | 17 |
on the edge | 17 |
two of the | 17 |
more than one | 17 |
in addition to | 17 |
to allow the | 17 |
the pressure of | 17 |
passed through the | 17 |
the bag is | 17 |
to fall into | 17 |
of the watch | 17 |
the edges of | 17 |
allow it to | 17 |
which is to | 17 |
is the same | 17 |
in the manner | 17 |
in the dark | 17 |
at the first | 17 |
the amount of | 17 |
in a few | 17 |
the tube is | 17 |
shuffle the cards | 17 |
all the cards | 17 |
trick can be | 17 |
the same size | 17 |
to put the | 17 |
be a little | 17 |
if it were | 17 |
about the size | 17 |
the long card | 17 |
of which the | 17 |
and thumb of | 17 |
of the basket | 17 |
coins in the | 17 |
with the fingers | 17 |
in his pocket | 17 |
interior of the | 17 |
it up in | 17 |
a spectator to | 17 |
hands of the | 17 |
held between the | 17 |
to be done | 17 |
that you may | 17 |
of the ball | 17 |
in each of | 17 |
in the bottom | 17 |
up in a | 17 |
must be a | 17 |
history of the | 16 |
to keep it | 16 |
the glass on | 16 |
the ordinary way | 16 |
to the person | 16 |
the direction of | 16 |
ladies and gentlemen | 16 |
is made to | 16 |
ace of clubs | 16 |
in each hand | 16 |
that all the | 16 |
to remove the | 16 |
you will have | 16 |
that he will | 16 |
but if the | 16 |
to give the | 16 |
can then be | 16 |
which they are | 16 |
as you can | 16 |
and when you | 16 |
in a handkerchief | 16 |
the united states | 16 |
to do it | 16 |
of a piece | 16 |
on the same | 16 |
the crown of | 16 |
found to be | 16 |
in which it | 16 |
in its place | 16 |
to the front | 16 |
appear to have | 16 |
whilst this is | 16 |
the two hands | 16 |
the first place | 16 |
request him to | 16 |
has to be | 16 |
a very pretty | 16 |
to contain the | 16 |
the performer comes | 16 |
the two ends | 16 |
and if the | 16 |
the handkerchief from | 16 |
jug of water | 16 |
which you may | 16 |
the ring on | 16 |
it is advisable | 16 |
be made of | 16 |
the base of | 16 |
a good deal | 16 |
on each side | 16 |
description of the | 16 |
the egg is | 16 |
a very good | 16 |
about two inches | 16 |
of an ordinary | 16 |
on the plate | 16 |
the assistance of | 16 |
and in a | 16 |
would have been | 16 |
paper on the | 16 |
it through the | 16 |
he was a | 16 |
and the trick | 16 |
with the exception | 16 |
of a spectator | 16 |
from the london | 16 |
be used in | 16 |
so long as | 16 |
so that they | 16 |
performed with the | 16 |
of the thread | 16 |
concealed by the | 16 |
between the thumb | 16 |
the midst of | 16 |
be allowed to | 16 |
between the first | 16 |
should always be | 16 |
taken that the | 16 |
of a small | 16 |
to pass through | 16 |
in the case | 16 |
and there is | 16 |
made to disappear | 16 |
the paper is | 16 |
dropped into the | 16 |
be brought to | 16 |
and put the | 16 |
a series of | 16 |
in which case | 16 |
the title of | 16 |
american edition of | 16 |
given to the | 16 |
and second fingers | 16 |
point of the | 16 |
look at the | 16 |
that the card | 15 |
once or twice | 15 |
up into the | 15 |
to the pack | 15 |
round for examination | 15 |
in the least | 15 |
as shown in | 15 |
facing the audience | 15 |
in the ordinary | 15 |
one to the | 15 |
the performer can | 15 |
in a room | 15 |
allowed to fall | 15 |
to pass a | 15 |
the strength of | 15 |
which can be | 15 |
the paper in | 15 |
page of the | 15 |
on both sides | 15 |
nature of the | 15 |
will be necessary | 15 |
the front of | 15 |
to be found | 15 |
should be a | 15 |
to form a | 15 |
is not the | 15 |
give it to | 15 |
in the course | 15 |
the bowl of | 15 |
is allowed to | 15 |
of the latter | 15 |
then put the | 15 |
to believe that | 15 |
is seen to | 15 |
in the second | 15 |
if you have | 15 |
the fingers and | 15 |
that they are | 15 |
inches in diameter | 15 |
it is impossible | 15 |
and then the | 15 |
take care to | 15 |
can be used | 15 |
it between the | 15 |
should be held | 15 |
contents of the | 15 |
with the trick | 15 |
picks up the | 15 |
fall on the | 15 |
more than a | 15 |
found to have | 15 |
inch in diameter | 15 |
of a very | 15 |
base of the | 15 |
from the back | 15 |
is sure to | 15 |
hand with the | 15 |
is not a | 15 |
given for examination | 15 |
it is empty | 15 |
made by the | 15 |
from which the | 15 |
in the midst | 15 |
full of water | 15 |
back into the | 15 |
the american edition | 15 |
in place of | 15 |
on the glass | 15 |
taking care that | 15 |
the quantity of | 15 |
and pretend to | 15 |
and hold it | 15 |
that you are | 15 |
the tube and | 15 |
number thought of | 15 |
success of the | 15 |
so that when | 15 |
the weight of | 15 |
one at a | 15 |
will then be | 15 |
manner that the | 15 |
of the chair | 15 |
be careful to | 15 |
careful not to | 15 |
should be of | 15 |
to a spectator | 15 |
hand take up | 15 |
into the box | 15 |
as will be | 15 |
into your mouth | 15 |
to the middle | 15 |
placed over the | 15 |
and if you | 15 |
action of the | 15 |
are placed in | 15 |
the reader will | 15 |
out of his | 15 |
the handkerchief over | 15 |
the water and | 15 |
in the top | 15 |
hand of the | 15 |
the commencement of | 15 |
have to do | 15 |
connection with the | 15 |
to the effect | 15 |
the case of | 15 |
john henry anderson | 15 |
inserted in the | 15 |
and the handkerchief | 15 |
in the fact | 15 |
make use of | 15 |
the palais royal | 15 |
two pieces of | 15 |
appearance of the | 15 |
the shell bottle | 15 |
get rid of | 15 |
of the hands | 14 |
produced from the | 14 |
one hand to | 14 |
the other two | 14 |
to leave the | 14 |
ring on the | 14 |
each of these | 14 |
through the handkerchief | 14 |
the water is | 14 |
place in the | 14 |
and repeat the | 14 |
in a large | 14 |
as long as | 14 |
to let the | 14 |
the minds of | 14 |
the lid of | 14 |
the handkerchiefs are | 14 |
this is to | 14 |
left hand to | 14 |
them in a | 14 |
placed on a | 14 |
performer must be | 14 |
an inch or | 14 |
a person to | 14 |
of the day | 14 |
and all the | 14 |
to be placed | 14 |
inches from the | 14 |
one hand and | 14 |
when you are | 14 |
back of a | 14 |
secret lies in | 14 |
is made of | 14 |
card to be | 14 |
of the head | 14 |
from one hand | 14 |
must be held | 14 |
of the figure | 14 |
for it is | 14 |
it under the | 14 |
and to the | 14 |
aid of the | 14 |
into the tube | 14 |
into your pocket | 14 |
use of a | 14 |
the place of | 14 |
furnished with a | 14 |
and the same | 14 |
not to be | 14 |
the majority of | 14 |
edges of the | 14 |
that the audience | 14 |
of the size | 14 |
they are not | 14 |
handkerchief over the | 14 |
a little more | 14 |
a few seconds | 14 |
quantity of water | 14 |
of the last | 14 |
a little practice | 14 |
of the american | 14 |
convey the ball | 14 |
than the other | 14 |
to that of | 14 |
and placed in | 14 |
to be examined | 14 |
the under side | 14 |
the heat of | 14 |
him in the | 14 |
but in the | 14 |
we will suppose | 14 |
take a piece | 14 |
at the commencement | 14 |
the exception of | 14 |
right hand over | 14 |
the fact of | 14 |
there are two | 14 |
a variety of | 14 |
piece of glass | 14 |
take the handkerchief | 14 |
will be required | 14 |
as if you | 14 |
at the beginning | 14 |
the names of | 14 |
it is then | 14 |
from the outside | 14 |
need not be | 14 |
is placed on | 14 |
for some time | 14 |
in all the | 14 |
but if you | 14 |
it is more | 14 |
that the water | 14 |
it is possible | 14 |
instead of the | 14 |
weight of the | 14 |
are made to | 14 |
in the direction | 14 |
them into the | 14 |
on a plate | 14 |
the best way | 14 |
the same hand | 14 |
neck of the | 14 |
of your hand | 14 |
he will find | 14 |
care being taken | 14 |
the manner of | 14 |
it is well | 14 |
similar to the | 14 |
the result of | 14 |
to the side | 14 |
covered by the | 14 |
and that the | 14 |
he must have | 14 |
similar to that | 14 |
the absence of | 14 |
the part of | 14 |
it is also | 14 |
at the side | 14 |
the finger and | 14 |
to conceal the | 14 |
the box is | 14 |
for an instant | 14 |
until it is | 14 |
shown in fig | 14 |
a few moments | 14 |
to make them | 14 |
the palme of | 14 |
the idea of | 14 |
beginning of the | 14 |
the suspension trick | 14 |
with the handkerchief | 13 |
that it has | 13 |
be of a | 13 |
second and third | 13 |
well to have | 13 |
in which is | 13 |
as i have | 13 |
bring the card | 13 |
of the upper | 13 |
the half of | 13 |
out the handkerchief | 13 |
would not be | 13 |
with which the | 13 |
into a small | 13 |
right hand to | 13 |
precisely the same | 13 |
introduced into the | 13 |
is filled with | 13 |
to the floor | 13 |
lid of the | 13 |
glass on the | 13 |
they do not | 13 |
is advisable to | 13 |
shown in the | 13 |
handkerchief into the | 13 |
take hold of | 13 |
with the two | 13 |
seen by the | 13 |
the hands are | 13 |
then in the | 13 |
of a card | 13 |
in the most | 13 |
the opening of | 13 |
in his memoirs | 13 |
years before robert | 13 |
by amy whinyates | 13 |
hands of a | 13 |
is on the | 13 |
and as you | 13 |
hand on the | 13 |
amount of the | 13 |
and covered with | 13 |
into the right | 13 |
sheet of paper | 13 |
it is now | 13 |
should be about | 13 |
for the sake | 13 |
with a glass | 13 |
on one of | 13 |
then place the | 13 |
of the frame | 13 |
of the middle | 13 |
and hold the | 13 |
found in the | 13 |
to look at | 13 |
that the coin | 13 |
i have never | 13 |
the box and | 13 |
taken in the | 13 |
returned to the | 13 |
a handful of | 13 |
the distance of | 13 |
the audience are | 13 |
and the coin | 13 |
to appear in | 13 |
to the back | 13 |
the mango tree | 13 |
the possession of | 13 |
be taken in | 13 |
ball of the | 13 |
put it in | 13 |
to cause it | 13 |
and one of | 13 |
the open ring | 13 |
the air is | 13 |
and tell him | 13 |
stage of the | 13 |
of the bottom | 13 |
it cannot be | 13 |
be necessary to | 13 |
in london in | 13 |
and the third | 13 |
by this time | 13 |
commencement of the | 13 |
and this is | 13 |
which he was | 13 |
on the end | 13 |
contained in the | 13 |
to perform the | 13 |
coin into the | 13 |
the performer places | 13 |
and cover it | 13 |
hand over the | 13 |
palmed in the | 13 |
put in the | 13 |
the glass with | 13 |
that in the | 13 |
you have a | 13 |
any part of | 13 |
performing the trick | 13 |
from the glass | 13 |
in the bottle | 13 |
the other one | 13 |
the hand holding | 13 |
the disappearance of | 13 |
the power of | 13 |
to the number | 13 |
that there are | 13 |
on the surface | 13 |
other side of | 13 |
of his body | 13 |
making the pass | 13 |
pressure of the | 13 |
of the balls | 13 |
and the ball | 13 |
of the blade | 13 |
in this book | 13 |
of water and | 13 |
the sake of | 13 |
but this is | 13 |
of the art | 13 |
on no account | 13 |
for me to | 13 |
trick with a | 13 |
with a knife | 13 |
that has been | 13 |
give it a | 13 |
the cards to | 13 |
as in fig | 13 |
the trick and | 13 |
the trick will | 13 |
the corner of | 13 |
with the remark | 13 |
by the time | 13 |
or three times | 13 |
one to hold | 13 |
filled with a | 13 |
as often as | 13 |
cups and balls | 13 |
to find the | 13 |
take it out | 13 |
on one occasion | 13 |
any number of | 13 |
with the first | 13 |
how it is | 13 |
the subject of | 13 |
has been done | 13 |
sight of the | 12 |
to use the | 12 |
is placed upon | 12 |
i have found | 12 |
through the crown | 12 |
be found that | 12 |
the faces of | 12 |
with the hand | 12 |
to produce the | 12 |
block of wood | 12 |
of the knife | 12 |
of the performance | 12 |
the water into | 12 |
made to fit | 12 |
was in the | 12 |
and produce the | 12 |
keep it in | 12 |
spirits of wine | 12 |
be done by | 12 |
and lay it | 12 |
set fire to | 12 |
the hand and | 12 |
a sort of | 12 |
together with the | 12 |
of the article | 12 |
let the audience | 12 |
in a position | 12 |
be done in | 12 |
of the mouth | 12 |
is laid on | 12 |
concealed in your | 12 |
and take the | 12 |
of the best | 12 |
the construction of | 12 |
from the pocket | 12 |
a and b | 12 |
the secret lies | 12 |
to do with | 12 |
which is not | 12 |
is given to | 12 |
with which he | 12 |
and the two | 12 |
the bottle and | 12 |
there are many | 12 |
the possibility of | 12 |
and the fingers | 12 |
one of your | 12 |
appears to be | 12 |
one of which | 12 |
into the bag | 12 |
equal to the | 12 |
when this is | 12 |
suit of armor | 12 |
a very simple | 12 |
the only one | 12 |
of which he | 12 |
the third and | 12 |
the one on | 12 |
is to say | 12 |
they can be | 12 |
inches in length | 12 |
trick in which | 12 |
of this kind | 12 |
in this trick | 12 |
let it be | 12 |
be filled with | 12 |
position in the | 12 |
in conjunction with | 12 |
for the same | 12 |
with the paper | 12 |
the figure of | 12 |
be made with | 12 |
the empty bowl | 12 |
was one of | 12 |
of the great | 12 |
handkerchief from the | 12 |
both sides of | 12 |
full view of | 12 |
at the moment | 12 |
in doing so | 12 |
with both hands | 12 |
half an ounce | 12 |
that the trick | 12 |
be of the | 12 |
which you will | 12 |
by the aid | 12 |
the coin will | 12 |
up one of | 12 |
the glass in | 12 |
which you are | 12 |
and placed on | 12 |
on the bottom | 12 |
on the palm | 12 |
long as the | 12 |
the coins in | 12 |
one in each | 12 |
repeat the operation | 12 |
of the vase | 12 |
hand holding the | 12 |
and the one | 12 |
the first method | 12 |
head of the | 12 |
pastry cook of | 12 |
it is best | 12 |
those who have | 12 |
show it to | 12 |
to say that | 12 |
to give a | 12 |
to the first | 12 |
addition to the | 12 |
the cover and | 12 |
wizard of the | 12 |
ace of diamonds | 12 |
movement of the | 12 |
the davenport brothers | 12 |
the king of | 12 |
as you may | 12 |
should be placed | 12 |
trick is the | 12 |
in the front | 12 |
to see the | 12 |
he is about | 12 |
there should be | 12 |
return to the | 12 |
the tops of | 12 |
of the wire | 12 |
hand under the | 12 |
about three inches | 12 |
you will see | 12 |
fitted with a | 12 |
piece of cotton | 12 |
cook of the | 12 |
enough to admit | 12 |
go to the | 12 |
in this instance | 12 |
be put into | 12 |
to see that | 12 |
out from the | 12 |
in due time | 12 |
and with the | 12 |
on the opposite | 12 |
at the time | 12 |
to the fire | 12 |
the cup and | 12 |
one or more | 12 |
in his mouth | 12 |
to be able | 12 |
not at all | 12 |
from the bottle | 12 |
the upper part | 12 |
all you have | 12 |
presented to the | 12 |
just large enough | 12 |
there may be | 12 |
comes forward with | 12 |
in the end | 12 |
to the one | 12 |
add to the | 12 |
of the egg | 12 |
face down on | 12 |
production of the | 12 |
an easy matter | 12 |
with a handkerchief | 12 |
introduction of the | 12 |
will make the | 12 |
a part of | 12 |
a few minutes | 12 |
in his left | 12 |
crown of the | 12 |
two or more | 12 |
through the centre | 12 |
of the palais | 12 |
each side of | 12 |
this method is | 12 |
the object of | 12 |
and with it | 11 |
will find that | 11 |
into the pocket | 11 |
is a small | 11 |
into a hat | 11 |
the tip of | 11 |
to any other | 11 |
to be seen | 11 |
mango tree trick | 11 |
seen that the | 11 |
as may be | 11 |
is that it | 11 |
of the house | 11 |
and the card | 11 |
the card which | 11 |
is a good | 11 |
by the fingers | 11 |
seems to have | 11 |
about a quarter | 11 |
left hand in | 11 |
it was a | 11 |
the trick can | 11 |
by which the | 11 |
and when he | 11 |
of my readers | 11 |
now take the | 11 |
root of the | 11 |
have a small | 11 |
some of his | 11 |
strength of the | 11 |
ball into the | 11 |
good deal of | 11 |
the world of | 11 |
is to take | 11 |
through the hole | 11 |
the pieces of | 11 |
and third fingers | 11 |
the coin from | 11 |
from the end | 11 |
form of the | 11 |
has not been | 11 |
ball out of | 11 |
so far as | 11 |
from the first | 11 |
the person to | 11 |
in that position | 11 |
consists of a | 11 |
trick is performed | 11 |
may be used | 11 |
is just as | 11 |
of a pack | 11 |
in the history | 11 |
the performer advances | 11 |
all the rest | 11 |
the left side | 11 |
should be in | 11 |
all sorts of | 11 |
will now be | 11 |
the working of | 11 |
and give the | 11 |
would like to | 11 |
it on a | 11 |
after you have | 11 |
cannot be seen | 11 |
and the left | 11 |
by a spectator | 11 |
into the jug | 11 |
a little water | 11 |
was the first | 11 |
of the cylinder | 11 |
into the tumbler | 11 |
so soon as | 11 |
to receive the | 11 |
of the handkerchiefs | 11 |
to the gentleman | 11 |
place it upon | 11 |
from the right | 11 |
have a very | 11 |
there is not | 11 |
portion of it | 11 |
is in a | 11 |
held by one | 11 |
left hand with | 11 |
will find it | 11 |
audience that the | 11 |
say that the | 11 |
left in the | 11 |
coin from the | 11 |
on top of | 11 |
claims to have | 11 |
if there be | 11 |
of the cup | 11 |
with water and | 11 |
the thread is | 11 |
to seeme to | 11 |
each end of | 11 |
the best of | 11 |
what he is | 11 |
about a foot | 11 |
at one time | 11 |
for the performer | 11 |
if there is | 11 |
at any rate | 11 |
fingers and thumb | 11 |
as for aconite | 11 |
be performed by | 11 |
instead of a | 11 |
and the thumb | 11 |
the solid ball | 11 |
with it the | 11 |
is requested to | 11 |
the knife is | 11 |
of each of | 11 |
on your left | 11 |
is best to | 11 |
of the north | 11 |
larger than the | 11 |
positions of the | 11 |
out of it | 11 |
performer has a | 11 |
manner in which | 11 |
and you are | 11 |
of the plate | 11 |
direction of the | 11 |
and they are | 11 |
the handkerchief with | 11 |
clipping from the | 11 |
the cards from | 11 |
must be very | 11 |
in every way | 11 |
given to be | 11 |
and made to | 11 |
to examine the | 11 |
the pastry cook | 11 |
open your hand | 11 |
or in the | 11 |
two middle fingers | 11 |
the sound of | 11 |
and set it | 11 |
and make the | 11 |
under the handkerchief | 11 |
a few drops | 11 |
is the most | 11 |
of the person | 11 |
in a row | 11 |
it is just | 11 |
be the case | 11 |
long enough to | 11 |
poster used by | 11 |
picking up the | 11 |
card will be | 11 |
the secrets of | 11 |
should have a | 11 |
can be obtained | 11 |
to be taken | 11 |
right hand into | 11 |
they will be | 11 |
water into a | 11 |
is going on | 11 |
the other cards | 11 |
exposed to the | 11 |
put a small | 11 |
which he has | 11 |
trick may be | 11 |
over the back | 11 |
do the trick | 11 |
the following manner | 11 |
this can be | 11 |
the disengaged hand | 11 |
to which you | 11 |
can be easily | 11 |
in the company | 11 |
he has been | 11 |
the card will | 11 |
to have invented | 11 |
in new york | 11 |
seven of hearts | 11 |
then placed in | 11 |
the nature of | 11 |
to the hat | 11 |
in the flame | 11 |
performer comes forward | 11 |
it with his | 11 |
he may be | 11 |
in the affirmative | 11 |
over the top | 11 |
between the fingers | 11 |
it is made | 11 |
of the pistol | 11 |
this should be | 11 |
is the best | 11 |
but as the | 11 |
great deal of | 11 |
of a few | 11 |
the table with | 11 |
to use a | 10 |
reproduction of a | 10 |
to change places | 10 |
to give it | 10 |
with a coin | 10 |
and the bottom | 10 |
by the left | 10 |
ask the person | 10 |
to a second | 10 |
that it will | 10 |
will of course | 10 |
of your right | 10 |
that the handkerchief | 10 |
into the palm | 10 |
spread over the | 10 |
one that is | 10 |
will be a | 10 |
the person holding | 10 |
as there are | 10 |
of the way | 10 |
the audience and | 10 |
come to the | 10 |
by way of | 10 |
enable you to | 10 |
the next card | 10 |
one end to | 10 |
and make a | 10 |
in a hat | 10 |
on the first | 10 |
and the glass | 10 |
order in which | 10 |
he is doing | 10 |
that is necessary | 10 |
shown to the | 10 |
between the finger | 10 |
on the subject | 10 |
you have the | 10 |
in the usual | 10 |
with one of | 10 |
take it in | 10 |
this may be | 10 |
turn the pack | 10 |
should be given | 10 |
in the side | 10 |
the coin into | 10 |
the first of | 10 |
each of them | 10 |
the rim of | 10 |
thumb and forefinger | 10 |
and the paper | 10 |
by this method | 10 |
glass in the | 10 |
in the sun | 10 |
as he is | 10 |
the ring is | 10 |
at the st | 10 |
upon the top | 10 |
of the small | 10 |
the root of | 10 |
be careful not | 10 |
to the owner | 10 |
to produce a | 10 |
and he will | 10 |
the prepared one | 10 |
than that of | 10 |
forefinger of the | 10 |
from the centre | 10 |
into your lap | 10 |
exhaust the air | 10 |
are going to | 10 |
as his own | 10 |
of the white | 10 |
all round the | 10 |
that the cards | 10 |
as he does | 10 |
of one hand | 10 |
is put into | 10 |
by the thumb | 10 |
loan of a | 10 |
middle of a | 10 |
hand take the | 10 |
few drops of | 10 |
a second time | 10 |
during the performance | 10 |
by the use | 10 |
done in the | 10 |
from the wand | 10 |
at that time | 10 |
one from the | 10 |
opening of the | 10 |
i saw him | 10 |
how to seeme | 10 |
of a trick | 10 |
the second one | 10 |
applied to the | 10 |
so much the | 10 |
the one containing | 10 |
back and front | 10 |
thumb and finger | 10 |
of which will | 10 |
may be in | 10 |
for him to | 10 |
as described in | 10 |
is the only | 10 |
of the shell | 10 |
ask him to | 10 |
you place the | 10 |
it with water | 10 |
the pocket of | 10 |
the wand to | 10 |
when he does | 10 |
the hand containing | 10 |
you must not | 10 |
in imitation of | 10 |
the audience with | 10 |
into the lower | 10 |
you are performing | 10 |
is nothing in | 10 |
the upper portion | 10 |
if you wish | 10 |
enable the performer | 10 |
audience to be | 10 |
and with a | 10 |
small pieces of | 10 |
will be able | 10 |
one containing the | 10 |
is shown in | 10 |
and request him | 10 |
in his right | 10 |
for a long | 10 |
spectator to hold | 10 |
drop into the | 10 |
appearance of a | 10 |
of a chair | 10 |
the pack on | 10 |
is covered with | 10 |
and pick up | 10 |
the first card | 10 |
was on the | 10 |
the society of | 10 |
of the old | 10 |
in this country | 10 |
be seen by | 10 |
the ball out | 10 |
should be done | 10 |
the indian conjuror | 10 |
under the vest | 10 |
to pass the | 10 |
piece of card | 10 |
into the cup | 10 |
of the third | 10 |
one over the | 10 |
may be done | 10 |
over the bottle | 10 |
that can be | 10 |
two ounces of | 10 |
by having the | 10 |
pour the water | 10 |
the first to | 10 |
the ten of | 10 |
end of each | 10 |
as a rule | 10 |
paper in the | 10 |
take the ball | 10 |
of the cases | 10 |
i will show | 10 |
through the loop | 10 |
you intend to | 10 |
the ball that | 10 |
if he be | 10 |
in this position | 10 |
and can be | 10 |
the hands together | 10 |
such a way | 10 |
there is an | 10 |
the company that | 10 |
from the vest | 10 |
do not know | 10 |
be made in | 10 |
the conjurer picks | 10 |
of the finger | 10 |
he is to | 10 |
of this book | 10 |
palme of your | 10 |
the opposite side | 10 |
of the whole | 10 |
much as possible | 10 |
one of those | 10 |
the cover is | 10 |
effect will be | 10 |
fill it with | 10 |
to be fired | 10 |
the roots of | 10 |
to put a | 10 |
the other the | 10 |
was born in | 10 |
his hand into | 10 |
have a piece | 10 |
must always be | 10 |
a long time | 10 |
the conjurer is | 10 |
tricks with handkerchiefs | 10 |
of the fact | 10 |
you tell him | 10 |
inches and a | 10 |
described in the | 10 |
in full view | 10 |
the positions of | 10 |
you are going | 10 |
of a little | 10 |
idea of the | 10 |
lift up the | 10 |
in the room | 10 |
inch and a | 10 |
along with the | 10 |
in paris in | 10 |
the stage and | 10 |
as if the | 10 |
the article is | 10 |
the thickness of | 10 |
in a manner | 10 |
and with your | 10 |
be seen to | 10 |
is not so | 10 |
thumb on the | 10 |
if you can | 10 |
to fit the | 10 |
by holding the | 10 |
the following is | 10 |
the other in | 10 |
told me that | 10 |
may be performed | 10 |
not in the | 10 |
cards to be | 10 |
to think of | 10 |
ought to be | 10 |
card at the | 10 |
pack on the | 10 |
hand containing the | 10 |
the opposite end | 10 |
that no one | 10 |
at a distance | 10 |
on removing the | 10 |
call attention to | 10 |
place the ball | 10 |
the performer does | 10 |
of the candle | 10 |
connected with the | 10 |
the top or | 10 |
easy matter to | 10 |
shown at fig | 10 |
the other glass | 10 |
and given to | 10 |
and keep it | 10 |
is not advisable | 10 |
way is to | 10 |
with a hole | 10 |
to be used | 10 |
it for a | 10 |
ball from the | 10 |
by robert overton | 10 |
in the basket | 10 |
a ball of | 10 |
by the hand | 10 |
the ball into | 10 |
desire him to | 10 |
claimed by robert | 10 |
the paper will | 10 |
pass into the | 10 |
lower end of | 10 |
be covered with | 10 |
be sure to | 10 |
holes in the | 10 |
from one end | 10 |
most of the | 10 |
that the two | 10 |
could not be | 10 |
pieces of paper | 10 |
will be noticed | 10 |
of the tricks | 10 |
the paper on | 10 |
working of the | 10 |
hole of the | 10 |
when the conjurer | 10 |
the bottle in | 10 |
is accomplished by | 10 |
to the last | 10 |
looking at the | 10 |
ask someone to | 10 |
made of tin | 10 |
off the table | 10 |
and show it | 10 |
to be brought | 9 |
with a large | 9 |
into his mouth | 9 |
years of age | 9 |
are about to | 9 |
of which must | 9 |
on your right | 9 |
will show you | 9 |
is what is | 9 |
the best method | 9 |
fall to the | 9 |
made to appear | 9 |
the handkerchief will | 9 |
cause them to | 9 |
for a short | 9 |
so of the | 9 |
the knob of | 9 |
with the hands | 9 |
to be put | 9 |
in it to | 9 |
side by side | 9 |
appeared in london | 9 |
the same to | 9 |
but instead of | 9 |
can be taken | 9 |
you can do | 9 |
the queen of | 9 |
make a great | 9 |
he takes the | 9 |
placed under the | 9 |
as large as | 9 |
the plate is | 9 |
he will be | 9 |
it by the | 9 |
the audience the | 9 |
conclusion of the | 9 |
which is held | 9 |
engagement at the | 9 |
the view of | 9 |
the same effect | 9 |
according to his | 9 |
in like manner | 9 |
of the present | 9 |
trick consists in | 9 |
but if it | 9 |
audience see that | 9 |
glass and the | 9 |
pass it into | 9 |
eight or ten | 9 |
but it will | 9 |
will see the | 9 |
to any one | 9 |
so as not | 9 |
the trick with | 9 |
the whole length | 9 |
may be easily | 9 |
must be kept | 9 |
the work of | 9 |
in a bag | 9 |
to be shuffled | 9 |
the audience in | 9 |
away with the | 9 |
conjurer picks up | 9 |
is attached to | 9 |
depicted at fig | 9 |
i will not | 9 |
an account of | 9 |
explanation of the | 9 |
fastened to the | 9 |
those on the | 9 |
you would have | 9 |
them at the | 9 |
backward and forward | 9 |
within the other | 9 |
the remainder of | 9 |
the order of | 9 |
remains in the | 9 |
all over the | 9 |
over to the | 9 |
to get rid | 9 |
bowl of water | 9 |
it is placed | 9 |
replaced in the | 9 |
as though you | 9 |
the one in | 9 |
a leader from | 9 |
can be repeated | 9 |
the close of | 9 |
the description of | 9 |
card on the | 9 |
the next trick | 9 |
on the face | 9 |
if you would | 9 |
it is required | 9 |
because it is | 9 |
in a box | 9 |
the bowl and | 9 |
for the other | 9 |
water from the | 9 |
the same with | 9 |
in the breast | 9 |
is held in | 9 |
be at the | 9 |
card with the | 9 |
made to pass | 9 |
into the mouth | 9 |
seems to be | 9 |
to represent the | 9 |
off the top | 9 |
place of concealment | 9 |
or more cards | 9 |
have seen the | 9 |
to throw the | 9 |
and then place | 9 |
in my opinion | 9 |
forward with a | 9 |
a horizontal position | 9 |
lay it on | 9 |
effect of this | 9 |
may also be | 9 |
the card you | 9 |
on the part | 9 |
fire to the | 9 |
the air and | 9 |
is a little | 9 |
you are about | 9 |
that will not | 9 |
seven or eight | 9 |
the cups and | 9 |
taken by the | 9 |
the lower portion | 9 |
card of the | 9 |
or three inches | 9 |
by reason of | 9 |
and the assistant | 9 |
the trick as | 9 |
bundle of wood | 9 |
of the united | 9 |
to take out | 9 |
is placed over | 9 |
and places it | 9 |
of an egg | 9 |
to have one | 9 |
point of view | 9 |
on the side | 9 |
a second person | 9 |
can easily be | 9 |
seven of diamonds | 9 |
at the word | 9 |
here is a | 9 |
take away the | 9 |
the impression that | 9 |
the thumb on | 9 |
rid of the | 9 |
fear of the | 9 |
of his hand | 9 |
then proceed to | 9 |
the palmed coin | 9 |
the rays of | 9 |
be produced by | 9 |
this has been | 9 |
it a little | 9 |
this was the | 9 |
of two or | 9 |
the london post | 9 |
that portion of | 9 |
fact that it | 9 |
is capable of | 9 |
is an ordinary | 9 |
in all probability | 9 |
near the bottom | 9 |
but in reality | 9 |
the pack with | 9 |
the hat by | 9 |
is possible to | 9 |
which he places | 9 |
so it is | 9 |
of your pocket | 9 |
of the rest | 9 |
more than the | 9 |
intends to rise | 9 |
of the globe | 9 |
heat of the | 9 |
on a chair | 9 |
for it will | 9 |
made use of | 9 |
at the mouth | 9 |
come out of | 9 |
in a bottle | 9 |
which he will | 9 |
not to let | 9 |
him to place | 9 |
of the eighteenth | 9 |
a very great | 9 |
disappearance of the | 9 |
is that of | 9 |
by the spectators | 9 |
the glass to | 9 |
inches of the | 9 |
taken not to | 9 |
are supposed to | 9 |
a man who | 9 |
and pass it | 9 |
members of the | 9 |
a distance of | 9 |
fear of detection | 9 |
down in the | 9 |
to some one | 9 |
by the right | 9 |
care not to | 9 |
a lighted candle | 9 |
contact with the | 9 |
it to appear | 9 |
on the point | 9 |
one with the | 9 |
hold it in | 9 |
one at the | 9 |
matter of fact | 9 |
the way of | 9 |
the eye of | 9 |
must be covered | 9 |
faces of the | 9 |
must also be | 9 |
are made of | 9 |
the white handkerchiefs | 9 |
take the pack | 9 |
appear on the | 9 |
six inches long | 9 |
after a few | 9 |
of the sword | 9 |
can now be | 9 |
ready for the | 9 |
a card is | 9 |
either of the | 9 |
is required to | 9 |
the same card | 9 |
for the next | 9 |
in the original | 9 |
you will then | 9 |
this will cause | 9 |
was not only | 9 |
must be no | 9 |
advisable to have | 9 |
that may be | 9 |
when about to | 9 |
of paper and | 9 |
knob of the | 9 |
hand from the | 9 |
to keep them | 9 |
when the handkerchief | 9 |
you will observe | 9 |
the colour of | 9 |
at this point | 9 |
must be so | 9 |
of the book | 9 |
there be a | 9 |
this will be | 9 |
is an excellent | 9 |
with a pair | 9 |
without fear of | 9 |
which is supposed | 9 |
of a handkerchief | 9 |
minds of the | 9 |
the first one | 9 |
will have the | 9 |
you will require | 9 |
with a single | 9 |
the conjuror should | 9 |
and the whole | 9 |
on the contrary | 9 |
the same trick | 9 |
a state of | 9 |
will be produced | 9 |
in the art | 9 |
calling attention to | 9 |
you do so | 9 |
the number he | 9 |
or on the | 9 |
seen to be | 9 |
up into a | 9 |
between it and | 9 |
is impossible to | 9 |
performer now takes | 9 |
to draw the | 9 |
as though they | 9 |
is not to | 9 |
by which he | 9 |
a considerable time | 9 |
which is placed | 9 |
it may not | 9 |
affixed to the | 9 |
when he has | 9 |
in this experiment | 9 |
the other to | 9 |
the same number | 9 |
that they were | 9 |
the one with | 9 |
purpose of showing | 9 |
is for the | 9 |
paper from the | 9 |
in which they | 9 |
to be performed | 9 |
the card he | 9 |
an inch and | 9 |
of the mast | 9 |
enough to contain | 9 |
it is held | 9 |
the following method | 9 |
bag of rice | 9 |
and down the | 9 |
made for the | 9 |
to the size | 9 |
as not to | 9 |
a handkerchief is | 9 |
show that there | 9 |
handkerchief is then | 9 |
the selected card | 9 |
on the wheel | 9 |
quarter of a | 9 |
in which you | 9 |
order to show | 9 |
article in the | 9 |
while you are | 9 |
put on the | 9 |
to the lady | 9 |
taking up the | 9 |
there are no | 9 |
in the figure | 9 |
to hide the | 9 |
and the pack | 9 |
the left arm | 9 |
are on the | 9 |
the trick of | 9 |
the tube in | 9 |
to present the | 9 |
with the rest | 9 |
at this time | 9 |
the basket is | 9 |
the diameter of | 9 |
what it is | 9 |
when the air | 9 |
can be performed | 9 |
in a little | 9 |
the performer pleases | 9 |
number of coins | 9 |
the order in | 9 |
with his wand | 9 |
although it is | 9 |
must be placed | 9 |
forward with the | 9 |
in the vest | 9 |
the number thought | 9 |
under side of | 9 |
will at once | 9 |
and take out | 9 |
the ball you | 9 |
the colored handkerchiefs | 9 |
may be placed | 9 |
over the coin | 9 |
top and bottom | 9 |
it for the | 9 |
can be purchased | 9 |
to tell the | 9 |
of your hands | 9 |
the eighteenth century | 9 |
in the presence | 9 |
cover over the | 9 |
division of the | 9 |
corners of the | 9 |
trick with the | 9 |
to open the | 9 |
hole in it | 9 |
and i am | 9 |
will make a | 9 |
can at once | 9 |
if the card | 9 |
motion of the | 9 |
it will have | 9 |
it is hardly | 9 |
this piece of | 9 |
and the second | 9 |
with the greatest | 9 |
as to make | 9 |
and take up | 9 |
the coin to | 9 |
the operation of | 9 |
as you do | 9 |
the ball from | 9 |
exactly the same | 9 |
about six inches | 9 |
which will cause | 9 |
as his invention | 8 |
they are made | 8 |
place them in | 8 |
of the secret | 8 |
at this stage | 8 |
a description of | 8 |
of working the | 8 |
is to cause | 8 |
three of the | 8 |
another piece of | 8 |
from the flame | 8 |
that the ball | 8 |
must be put | 8 |
the trick was | 8 |
a good plan | 8 |
the knave of | 8 |
the wand in | 8 |
the arrangement of | 8 |
which will make | 8 |
if he has | 8 |
to the glass | 8 |
as it has | 8 |
return it to | 8 |
then takes the | 8 |
the penny in | 8 |
two inches and | 8 |
a large number | 8 |
two inches long | 8 |
case of the | 8 |
is a great | 8 |
of the work | 8 |
trick is as | 8 |
it is still | 8 |
thrown over the | 8 |
not be seen | 8 |
that i am | 8 |
a grain of | 8 |
and a small | 8 |
of the remaining | 8 |
the spectators to | 8 |
and after the | 8 |
take care that | 8 |
the remaining cards | 8 |
is turned over | 8 |
to perform this | 8 |
those in the | 8 |
if the conjurer | 8 |
part of a | 8 |
to appear to | 8 |
if you do | 8 |
and after a | 8 |
all at once | 8 |
title of the | 8 |
of the centre | 8 |
i have here | 8 |
with all the | 8 |
amongst the audience | 8 |
that one of | 8 |
on the stick | 8 |
of the lining | 8 |
the points of | 8 |
will not do | 8 |