This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
and the like | 21 |
is to be | 20 |
this is the | 20 |
theocritus and virgil | 18 |
the golden age | 18 |
i shall not | 17 |
in epick poetry | 17 |
an introduction by | 16 |
one by one | 16 |
kind of poetry | 16 |
it must be | 15 |
of a shepherd | 14 |
the nature of | 14 |
of the same | 14 |
with an introduction | 14 |
in the street | 13 |
proper for pastoral | 13 |
in the country | 13 |
in the sun | 12 |
the end of | 12 |
out of the | 12 |
of the golden | 12 |
or the like | 12 |
in the world | 11 |
in my opinion | 11 |
there is no | 11 |
the genius of | 10 |
in the same | 10 |
of the country | 10 |
this is a | 10 |
of a pastoral | 9 |
the manner of | 9 |
the augustan reprint | 9 |
ought to be | 9 |
hawk and buckle | 9 |
blood of the | 9 |
to be the | 9 |
augustan reprint society | 9 |
the subject of | 9 |
the simplicity of | 9 |
as well as | 9 |
i need not | 9 |
of the morning | 8 |
not so much | 8 |
as for the | 8 |
the same thing | 8 |
the one who | 8 |
that will not | 8 |
you washed in | 8 |
washed in the | 8 |
i do not | 8 |
the same nature | 8 |
nature of the | 8 |
and in the | 8 |
in the blood | 8 |
are you washed | 8 |
university of michigan | 8 |
one of the | 8 |
on the pastoral | 8 |
take my hand | 8 |
this kind of | 8 |
of the lamb | 8 |
am the one | 8 |
the blood of | 8 |
in which the | 7 |
it may be | 7 |
the city of | 7 |
action of a | 7 |
poetry in general | 7 |
i would have | 7 |
i love you | 7 |
as to the | 7 |
are to be | 7 |
the last of | 7 |
see how the | 7 |
in a cloud | 7 |
part of the | 7 |
de carmine pastorali | 7 |
university of california | 7 |
the wings of | 7 |
of such a | 7 |
wings of the | 7 |
of the first | 7 |
if i were | 7 |
so much as | 7 |
in the first | 7 |
the action of | 7 |
we do not | 7 |
and all the | 7 |
in it self | 7 |
what i have | 7 |
of all the | 7 |
old hawk and | 7 |
i know not | 7 |
and what of | 7 |
simplicity and tenderness | 7 |
there are some | 7 |
of the pastoral | 7 |
the most beautiful | 7 |
a great many | 7 |
it is not | 7 |
as much as | 7 |
of the most | 7 |
it is to | 7 |
i were a | 7 |
the voice of | 7 |
as evening falls | 6 |
the use of | 6 |
at the end | 6 |
the mind of | 6 |
but it was | 6 |
essays on the | 6 |
i think the | 6 |
of a sudden | 6 |
if he had | 6 |
the pastoral language | 6 |
heart of god | 6 |
this hot summer | 6 |
on one side | 6 |
there is a | 6 |
that is not | 6 |
what is the | 6 |
is but a | 6 |
their own nature | 6 |
the human form | 6 |
on the stage | 6 |
give me leave | 6 |
nature of pastoral | 6 |
where is the | 6 |
it is the | 6 |
thoughts which are | 6 |
of the world | 6 |
turns of words | 6 |
to live in | 6 |
imitation of the | 6 |
the length of | 6 |
but this is | 6 |
of this nature | 6 |
all sorts of | 6 |
it ought to | 6 |
any kind of | 6 |
there is nothing | 6 |
up to the | 6 |
to the genius | 6 |
in the darkness | 6 |
hot summer weather | 6 |
they must be | 6 |
he would have | 6 |
in order to | 6 |
in their own | 6 |
a cloud of | 6 |
in the dark | 6 |
edward niles hooker | 5 |
william booth enters | 5 |
poetry and tragedy | 5 |
those thoughts which | 5 |
must not be | 5 |
i see a | 5 |
general editors richard | 5 |
by reason of | 5 |
be able to | 5 |
the united states | 5 |
the face of | 5 |
genius of the | 5 |
i shall only | 5 |
and do not | 5 |
of my heart | 5 |
the second part | 5 |
city of towers | 5 |
in the sky | 5 |
if they are | 5 |
of the mind | 5 |
not to be | 5 |
from his high | 5 |
to make a | 5 |
but there is | 5 |
kinds of poetry | 5 |
and i was | 5 |
in the evening | 5 |
enters into heaven | 5 |
why do you | 5 |
in all the | 5 |
men have come | 5 |
the name of | 5 |
as it were | 5 |
of the night | 5 |
high bright window | 5 |
in this matter | 5 |
three or four | 5 |
of all sorts | 5 |
this sort of | 5 |
of old hawk | 5 |
and i have | 5 |
according to the | 5 |
those who have | 5 |
the beginning of | 5 |
for the first | 5 |
in the latter | 5 |
on this head | 5 |
up from the | 5 |
you love me | 5 |
of the earth | 5 |
which are the | 5 |
and in this | 5 |
and the same | 5 |
to the country | 5 |
editors richard c | 5 |
epick poetry and | 5 |
in the preface | 5 |
a man of | 5 |
to the golden | 5 |
against the sky | 5 |
which the poet | 5 |
to be understood | 5 |
would not have | 5 |
to this kind | 5 |
in a cold | 5 |
his mind with | 5 |
of the simplicity | 5 |
general william booth | 5 |
me leave to | 5 |
to lay down | 5 |
ovid and spencer | 5 |
that in the | 5 |
from wall to | 5 |
we go our | 5 |
and that is | 5 |
beginning of the | 5 |
to the east | 5 |
a kind of | 5 |
agreeable to the | 5 |
such as is | 5 |
change of fortune | 5 |
a description of | 5 |
booth enters into | 5 |
from the sky | 5 |
was the first | 5 |
to have a | 5 |
in the midst | 5 |
the life of | 5 |
in the streets | 5 |
is in it | 5 |
of pastoral is | 5 |
of the clock | 5 |
in the third | 5 |
and i am | 5 |
the works of | 5 |
the actions of | 5 |
of opinion that | 5 |
the generality of | 5 |
have come again | 5 |
can it be | 5 |
and this i | 5 |
from theocritus and | 5 |
and saw the | 5 |
the clear waters | 5 |
other kinds of | 4 |
i think it | 4 |
in a world | 4 |
which in my | 4 |
baloo loo for | 4 |
we have built | 4 |
we are like | 4 |
look how the | 4 |
in the golden | 4 |
clear waters where | 4 |
who made thee | 4 |
where have you | 4 |
asker of answers | 4 |
from out the | 4 |
a world of | 4 |
in the pastoral | 4 |
or was it | 4 |
the publications are | 4 |
a song to | 4 |
of the english | 4 |
of pastoral poetry | 4 |
is like a | 4 |
in the warm | 4 |
in his fifth | 4 |
of laughing bells | 4 |
do you love | 4 |
the most part | 4 |
a sublime sentiment | 4 |
down from a | 4 |
should be so | 4 |
but in the | 4 |
is not so | 4 |
is the price | 4 |
bold young man | 4 |
at the beginning | 4 |
in his epistle | 4 |
the little boy | 4 |
day after day | 4 |
the ornaments of | 4 |
and so he | 4 |
young man with | 4 |
and as it | 4 |
of a sheapard | 4 |
and this is | 4 |
it is so | 4 |
i shall be | 4 |
it is that | 4 |
of beautiful images | 4 |
such as the | 4 |
that it might | 4 |
of a great | 4 |
instance in the | 4 |
be full of | 4 |
our selves in | 4 |
drawn from the | 4 |
eternal asker of | 4 |
publications are issued | 4 |
within my breast | 4 |
is evident from | 4 |
who in his | 4 |
concerning the stage | 4 |
since i have | 4 |
a young man | 4 |
down the street | 4 |
a bold young | 4 |
the road to | 4 |
as is evident | 4 |
is the same | 4 |
in his pastorals | 4 |
ghosts in love | 4 |
have you been | 4 |
to the mind | 4 |
chords of music | 4 |
in my mind | 4 |
a variety of | 4 |
tells us that | 4 |
and the other | 4 |
you did not | 4 |
any of those | 4 |
that the pastoral | 4 |
smiled at me | 4 |
that it was | 4 |
that if we | 4 |
to snare the | 4 |
the doors of | 4 |
that should have | 4 |
probable consequence of | 4 |
great and lofty | 4 |
the price i | 4 |
of poetry in | 4 |
road to nowhere | 4 |
ought not to | 4 |
once i died | 4 |
stare at the | 4 |
in the room | 4 |
i pay for | 4 |
in the former | 4 |
his high bright | 4 |
of the vales | 4 |
waters where once | 4 |
go our ways | 4 |
pay for the | 4 |
face to the | 4 |
have built a | 4 |
wall to wall | 4 |
his second book | 4 |
publications for the | 4 |
loo for jenny | 4 |
in honor of | 4 |
of theocritus and | 4 |
to know the | 4 |
nor is it | 4 |
an old man | 4 |
by this means | 4 |
the other is | 4 |
i am a | 4 |
enquiry into the | 4 |
for the most | 4 |
his epistle to | 4 |
there was a | 4 |
and i think | 4 |
in his notes | 4 |
end of the | 4 |
in this particular | 4 |
must have a | 4 |
where is david | 4 |
will ask them | 4 |
if you could | 4 |
there may be | 4 |
so that the | 4 |
reason of the | 4 |
on the road | 4 |
of the human | 4 |
in your eyes | 4 |
to render it | 4 |
i have seen | 4 |
the mind is | 4 |
such is the | 4 |
never can it | 4 |
the minds of | 4 |
the preface to | 4 |
the vales of | 4 |
house of dust | 4 |
at the sky | 4 |
said to me | 4 |
he loves me | 4 |
manners of the | 4 |
what kind of | 4 |
the heat of | 4 |
all that is | 4 |
have you nothing | 4 |
of epick poetry | 4 |
the authority of | 4 |
the manners of | 4 |
sort of poetry | 4 |
that which is | 4 |
be the subject | 4 |
every thing that | 4 |
in the wood | 4 |
the human mind | 4 |
in the night | 4 |
the tree of | 4 |
with all the | 4 |
beyond the moon | 4 |
me like a | 4 |
any of the | 4 |
i have not | 4 |
were a young | 4 |
first there came | 4 |
he would not | 4 |
ask them all | 4 |
the soft and | 4 |
ornaments of poetry | 4 |
to do with | 4 |
the true nature | 4 |
i have no | 4 |
true nature of | 4 |
essays on poetry | 4 |
so as to | 4 |
the walls grow | 4 |
to be a | 4 |
thoughts in the | 4 |
from the antients | 4 |
that i am | 4 |
with the same | 4 |
is full of | 4 |
that the manners | 4 |
vales of har | 4 |
gospel of beauty | 4 |
where are you | 4 |
in the wind | 4 |
the very same | 4 |
all the rest | 4 |
of a bell | 4 |
into the true | 4 |
in the air | 4 |
lean to the | 4 |
the sun is | 4 |
in one room | 4 |
that none can | 4 |
tremble and glow | 4 |
once more to | 4 |
for there is | 4 |
to sing the | 4 |
where once i | 4 |
of these lines | 4 |
set of pastorals | 4 |
in his second | 4 |
the finest of | 4 |
to all the | 4 |
price i pay | 4 |
that must be | 4 |
how the red | 4 |
the place of | 4 |
down in a | 4 |
for thus he | 4 |
must needs be | 4 |
how much more | 4 |
our hands are | 4 |
the eternal asker | 4 |
away from the | 4 |
and no one | 4 |
look at the | 4 |
translated by creech | 4 |
thing that is | 4 |
taken from the | 4 |
the state of | 4 |
to the white | 4 |
a great and | 4 |
caught in a | 4 |
into the nature | 4 |
is the natural | 4 |
a forest of | 4 |
college of washington | 3 |
the pastoral characters | 3 |
the rose is | 3 |
you would not | 3 |
soft and tender | 3 |
this author has | 3 |
and to the | 3 |
and as for | 3 |
him if he | 3 |
of any in | 3 |
the present state | 3 |
older than the | 3 |
when will they | 3 |
in the shadow | 3 |
lady who makes | 3 |
his notes on | 3 |
the ways of | 3 |
the last line | 3 |
a full enquiry | 3 |
you see me | 3 |
is much more | 3 |
is one of | 3 |
so deep in | 3 |
o little cloud | 3 |
night and day | 3 |
end of poetry | 3 |
in the other | 3 |
in a few | 3 |
his fifth book | 3 |
and from this | 3 |
the same in | 3 |
a shadow of | 3 |
a sound of | 3 |
this i shall | 3 |
the natural or | 3 |
and i believe | 3 |
i close my | 3 |
heard on the | 3 |
can never be | 3 |
the rain and | 3 |
boughs of the | 3 |
the second year | 3 |
not capable of | 3 |
were a bold | 3 |
of the beautiful | 3 |
columbia university arthur | 3 |
appear in the | 3 |
which may be | 3 |
a great deal | 3 |
to this purpose | 3 |
like a dream | 3 |
the alice jean | 3 |
a thousand times | 3 |
i am the | 3 |
senator from illinois | 3 |
of the angel | 3 |
of the ancients | 3 |
what it is | 3 |
a wind of | 3 |
net to snare | 3 |
do not know | 3 |
if i could | 3 |
some are of | 3 |
give us rain | 3 |
if we consider | 3 |
the true pastoral | 3 |
do not remember | 3 |
who have written | 3 |
which we may | 3 |
in an hour | 3 |
the trees grow | 3 |
and which are | 3 |
he will not | 3 |
seen on the | 3 |
the author of | 3 |
this is my | 3 |
the pale grey | 3 |
in his comments | 3 |
of the moon | 3 |
tenderness and simplicity | 3 |
kind of thoughts | 3 |
filled with light | 3 |
would i might | 3 |
a piece of | 3 |
the human dress | 3 |
of the sea | 3 |
for there are | 3 |
pretty rose tree | 3 |
the thoughts in | 3 |
delight in the | 3 |
for writing pastorals | 3 |
of the poor | 3 |
yet there are | 3 |
the sound of | 3 |
or four hundred | 3 |
and here are | 3 |
of bucolicks is | 3 |
did not see | 3 |
two or three | 3 |
temper of the | 3 |
the reader with | 3 |
all in the | 3 |
irish lady who | 3 |
down upon us | 3 |
and seek their | 3 |
walk in a | 3 |
the subject is | 3 |
and some of | 3 |
on the green | 3 |
of poetry to | 3 |
to dust and | 3 |
natural temper of | 3 |
in a day | 3 |
to the main | 3 |
a sublime thought | 3 |
which are proper | 3 |
the pastorals of | 3 |
along the street | 3 |
was it the | 3 |
proceeds from the | 3 |
with laughter and | 3 |
i see no | 3 |
the one you | 3 |
work up to | 3 |
with a sublime | 3 |
a treatise de | 3 |
the jests of | 3 |
of my discontent | 3 |
honor of the | 3 |
in the starlight | 3 |
wizard in the | 3 |
from the thicket | 3 |
is a song | 3 |
and at the | 3 |
just as he | 3 |
introduction by earl | 3 |
this is not | 3 |
must be so | 3 |
i was happy | 3 |
an opportunity of | 3 |
and such as | 3 |
the banks of | 3 |
the senator from | 3 |
and there was | 3 |
the language of | 3 |
cry from the | 3 |
idylliums of theocritus | 3 |
loves me not | 3 |
the heart of | 3 |
can i see | 3 |
any thing that | 3 |
the leaves are | 3 |
of the reader | 3 |
on the authority | 3 |
the addition of | 3 |
there by the | 3 |
and smiled at | 3 |
he tells us | 3 |
what do you | 3 |
engage in pastoral | 3 |
in the finest | 3 |
be of a | 3 |
one who has | 3 |
yet this is | 3 |
several sorts of | 3 |
a sublime image | 3 |
from illinois be | 3 |
be taken from | 3 |
a moral result | 3 |
it must have | 3 |
day and night | 3 |
of a sea | 3 |
to the end | 3 |
not till the | 3 |
of michigan edward | 3 |
an infant small | 3 |
the sun and | 3 |
he does not | 3 |
suitable to the | 3 |
the sublime and | 3 |
in the park | 3 |
reader with a | 3 |
for the second | 3 |
your eyes are | 3 |
why should i | 3 |
she saw him | 3 |
is the first | 3 |
in the second | 3 |
what have you | 3 |
but i am | 3 |
parts of pastoral | 3 |
it of all | 3 |
and sweetness of | 3 |
the consideration of | 3 |
image and thought | 3 |
and kissed me | 3 |
the third part | 3 |
there came two | 3 |
that is forgotten | 3 |
lost in the | 3 |
one side there | 3 |
she turned her | 3 |
mind with a | 3 |
all the while | 3 |
book of thel | 3 |
with respect to | 3 |
that i remember | 3 |
is a great | 3 |
walls grow luminous | 3 |
description of the | 3 |
pleasure and profit | 3 |
garden of love | 3 |
for pastoral than | 3 |
the person speaking | 3 |
let us walk | 3 |
crashings of a | 3 |
epick poetry the | 3 |
of the tree | 3 |
sings in the | 3 |
in his treatise | 3 |
a dazzle of | 3 |
the second sort | 3 |
in his own | 3 |
in the eighth | 3 |
with my bones | 3 |
what we are | 3 |
nothing is so | 3 |
it may seem | 3 |
apples and water | 3 |
los angeles h | 3 |
but how can | 3 |
the echoing green | 3 |
but if this | 3 |
the tragedy of | 3 |
jests of the | 3 |
of the garden | 3 |
to me in | 3 |
soft and beautiful | 3 |
simplicity of that | 3 |
by the river | 3 |
one hard look | 3 |
in his first | 3 |
the cause of | 3 |
what have i | 3 |
in a golden | 3 |
should not be | 3 |
of the augustan | 3 |
is of the | 3 |
of the person | 3 |
as different as | 3 |
michigan edward niles | 3 |
of the stairways | 3 |
human form divine | 3 |
queen of the | 3 |
a box with | 3 |
and the most | 3 |
like a sea | 3 |
will find the | 3 |
and innocence of | 3 |
but if we | 3 |
for pastoral is | 3 |
by one they | 3 |
no more to | 3 |
are of opinion | 3 |
the eighteenth century | 3 |
and not sit | 3 |
the god of | 3 |
to welcome in | 3 |
can be more | 3 |
evening bright with | 3 |
the sun does | 3 |
in the common | 3 |
the street the | 3 |
ghost of a | 3 |
not so many | 3 |
university arthur friedman | 3 |
as this of | 3 |
who makes potatoes | 3 |
the little ones | 3 |
box with silver | 3 |
how shall i | 3 |
and so i | 3 |
man with my | 3 |
and let us | 3 |
when i am | 3 |
of the dead | 3 |
bright with stars | 3 |
i am here | 3 |
kind of pastoral | 3 |
and he was | 3 |
i had to | 3 |
room in which | 3 |
just as i | 3 |
that is the | 3 |
subject of an | 3 |
opinion of the | 3 |
to write a | 3 |
of the greeks | 3 |
of the word | 3 |
be suitable to | 3 |
are proper for | 3 |
the proper length | 3 |
the subject matter | 3 |
to a shepherd | 3 |
thel is like | 3 |
star of my | 3 |
it was long | 3 |
at the night | 3 |
city of my | 3 |
in that cupboard | 3 |
that there are | 3 |
luminous and warm | 3 |
own nature good | 3 |
down from the | 3 |
can be given | 3 |
the gospel of | 3 |
in a net | 3 |
is that of | 3 |
how many others | 3 |
and most of | 3 |
we know your | 3 |
the most delightful | 3 |
such is that | 3 |
but if any | 3 |
on the bed | 3 |
how shall we | 3 |
his comments on | 3 |
fit for pastoral | 3 |
little boy lost | 3 |
the garden of | 3 |
the third idyllium | 3 |
seem to be | 3 |
kind of moral | 3 |
to see the | 3 |
university james l | 3 |
some of the | 3 |
representation of the | 3 |
and the last | 3 |
me by the | 3 |
the first part | 3 |
in the year | 3 |
my heart is | 3 |
be said of | 3 |
song of the | 3 |
close my eyes | 3 |
walls tremble and | 3 |
which we have | 3 |
east that will | 3 |
most beautiful images | 3 |
the natural temper | 3 |
of that happy | 3 |
of the valley | 3 |
i saw a | 3 |
but of this | 3 |
university of nebraska | 3 |
will not hear | 3 |
a number of | 3 |
a little girl | 3 |
i have done | 3 |
the thicket my | 3 |
brought to perfection | 3 |
and the tender | 3 |
he has not | 3 |
like a little | 3 |
along her veins | 3 |
but the most | 3 |
the want of | 3 |
of this kind | 3 |
grow luminous and | 3 |
part of poetry | 3 |
the prospect of | 3 |
to see a | 3 |
the same is | 3 |
smiles at a | 3 |
write up to | 3 |
the wizard in | 3 |
these are the | 3 |
from time to | 3 |
poem should be | 3 |
the thing is | 3 |
the difference between | 3 |
was the author | 3 |
the ghosts of | 3 |
on the other | 3 |
and of the | 3 |
discourse on the | 3 |
calm evening bright | 3 |
the very soul | 3 |
the middle of | 3 |
the indian girl | 3 |
shadows lean to | 3 |
to the soft | 3 |
eat the bread | 3 |
the drunkards in | 3 |
songs of innocence | 3 |
university of minnesota | 3 |
tollings of a | 3 |
crave leave to | 3 |
children of the | 3 |
to a pastoral | 3 |
the night was | 3 |
of the characters | 3 |
back from the | 3 |
in such a | 3 |
tragedy and the | 3 |
should be simple | 3 |
under an arc | 3 |
rise and fall | 3 |
a ghost of | 3 |
you are the | 3 |
and desires to | 3 |
the simplicity and | 3 |
which are in | 3 |
genius of a | 3 |
potatoes were the | 3 |
is on the | 3 |
wine of god | 3 |
walk with me | 3 |
the fable be | 3 |
the art of | 3 |
to write pastorals | 3 |
be fit for | 3 |
and he is | 3 |
to see that | 3 |
as to be | 3 |
natural or probable | 3 |
and not to | 3 |
here they lie | 3 |
this may be | 3 |
and how it | 3 |
by earl wasserman | 3 |
time to time | 3 |
and would not | 3 |
authority of the | 3 |
know not how | 3 |
the first that | 3 |
the book of | 3 |
that i was | 3 |
introduction by j | 3 |
or probable consequence | 3 |
mind of the | 3 |
often as he | 3 |
there in the | 3 |
side there is | 3 |
out of his | 3 |
i will ask | 3 |
that we may | 3 |
the image of | 3 |
and sees the | 3 |
from the heart | 3 |
not to mention | 3 |
belong to the | 3 |
will not sing | 3 |
of the best | 3 |
in which she | 3 |
state of innocence | 3 |
the time of | 3 |
a pastoral language | 3 |
i would not | 3 |
of the thoughts | 3 |
even in the | 3 |
in your mind | 3 |
that i have | 3 |
in his sixth | 3 |
if we believe | 3 |
him not for | 3 |
in opposition to | 3 |
the eagle that | 3 |
university of chicago | 3 |
from all which | 3 |
tree of laughing | 3 |
you will find | 3 |
so sweet a | 3 |
welcome in the | 3 |
will admit of | 3 |
and upon this | 3 |
as often as | 3 |
in the shade | 3 |
with me by | 3 |
one of which | 3 |
down like a | 3 |
ghost of rain | 3 |
sweet a variety | 3 |
green was a | 3 |
treatise de carmine | 3 |
of thought and | 3 |
virgil and theocritus | 3 |
death is a | 3 |
but give me | 3 |
drunkards in the | 3 |
the secrets of | 3 |
included in the | 3 |
if he hath | 3 |
is able to | 3 |
snare the moonlight | 3 |
so easy and | 3 |
dreamed last night | 3 |
of chicago samuel | 3 |
here by the | 3 |
my soul is | 3 |
i went to | 3 |
of the day | 3 |
god of sheapards | 3 |
in a different | 3 |
of the east | 3 |
bird of the | 3 |
the difficulty of | 3 |
the calm evening | 3 |
as a poet | 3 |
one of these | 3 |
in a glass | 3 |
the ghost of | 3 |
was long ago | 3 |
the first and | 3 |
be plain and | 3 |
we are not | 3 |
west of the | 3 |
lay down rules | 3 |
easy and natural | 3 |
to the perfection | 3 |
in every part | 3 |
in another place | 3 |
i could not | 3 |
all the time | 3 |
present state of | 3 |
for all the | 3 |
of a nature | 3 |
rain in the | 3 |
and simplicity in | 3 |
in the morning | 3 |
must the senator | 3 |
to make the | 3 |
the indian sea | 3 |
by no means | 3 |
i must tell | 3 |
the shadow of | 3 |
the pride of | 3 |
different species of | 3 |
eagle that is | 3 |
which i think | 3 |
closed her eyes | 3 |
of that poem | 3 |
second book de | 3 |
it cannot be | 3 |
an equal degree | 3 |
sweet briars of | 3 |
united states senate | 3 |
a hundred lines | 3 |
same is to | 3 |
either by the | 3 |
reach to the | 3 |
he hears the | 3 |
the first is | 3 |
fit for a | 3 |
or any of | 3 |
from the nature | 3 |
to be taken | 3 |
epick and tragick | 3 |
to see what | 3 |
the darkening road | 3 |
of a sublime | 3 |
upon the sands | 3 |
who are playing | 3 |
queen mary college | 3 |
may be the | 3 |
to the manners | 3 |
the pastoral in | 3 |
the most sublime | 3 |
of all which | 3 |
rules for writing | 3 |
and i will | 3 |
how can i | 3 |
full enquiry into | 3 |
and looked at | 3 |
there was one | 3 |
will be able | 3 |
low and mean | 3 |
and the epic | 3 |
nothing can be | 3 |
by the window | 3 |
of poetry and | 3 |
song to the | 3 |
such was the | 3 |
last of these | 3 |
there are three | 3 |
on your knees | 3 |
in the calm | 3 |
state college of | 3 |
pleasant to the | 3 |
after a while | 3 |
the thoughts of | 3 |
in the sunlight | 3 |
sublime and the | 3 |
part of our | 3 |
seems to have | 3 |
briars of the | 3 |
the walls tremble | 3 |
pastoral should be | 3 |
like a bird | 3 |
and at last | 3 |
and by the | 3 |
the east that | 3 |
in imitation of | 3 |
what can be | 3 |
of that age | 3 |
four hundred lines | 3 |
among us like | 3 |
that constitutes the | 3 |
sang of the | 3 |
but what is | 3 |
that there may | 3 |
are playing to | 3 |
must be taken | 3 |
a net to | 3 |
he is in | 3 |
of the skies | 3 |
if i did | 3 |
for since the | 3 |
the glory of | 3 |
alone in a | 3 |
of those who | 3 |
they will never | 3 |
dust and rain | 3 |
and some other | 3 |
what will you | 2 |
which of the | 2 |
manticor in arabia | 2 |
per year in | 2 |
out of shakespear | 2 |
motionless in their | 2 |
they laugh at | 2 |
from copy supplied | 2 |
faces to what | 2 |
of pallid lamplight | 2 |
ask no more | 2 |
he was the | 2 |
on wit from | 2 |
are not so | 2 |
be lighting candles | 2 |
find fault with | 2 |
works of nature | 2 |
and in our | 2 |
through the windows | 2 |
being to lay | 2 |
we walk in | 2 |
and tho his | 2 |
states that the | 2 |
them and seek | 2 |
but what to | 2 |
so i piped | 2 |
them worth a | 2 |
proper to this | 2 |
philology will find | 2 |
species of imitation | 2 |
red and white | 2 |
look upon the | 2 |
reprint society makes | 2 |
one ever had | 2 |
the method of | 2 |
i cannot think | 2 |
one can be | 2 |
runs over the | 2 |
wast that lys | 2 |
might be made | 2 |
city that will | 2 |
not have been | 2 |
proper length of | 2 |
in their veins | 2 |
i wooed and | 2 |
downwards on your | 2 |
offered at remainder | 2 |
to be faulty | 2 |
we hear him | 2 |
his limbs were | 2 |
to the person | 2 |
the walls and | 2 |
than a song | 2 |
restoration and the | 2 |
of the dark | 2 |
for a day | 2 |
in this way | 2 |
said the moon | 2 |
to the garden | 2 |
the shadows lean | 2 |
issued in three | 2 |
when i saw | 2 |
and as i | 2 |
lay me down | 2 |
that at ease | 2 |
made use of | 2 |
that he was | 2 |
in the place | 2 |
the same of | 2 |
and strong and | 2 |
is mixt of | 2 |
the sun goes | 2 |
and thou shalt | 2 |
from the south | 2 |
or darkness yearn | 2 |
the quiet lady | 2 |
give me your | 2 |
become a subscriber | 2 |
consideration of the | 2 |
of the rusticks | 2 |
virgin of the | 2 |
must tell you | 2 |
by a scholar | 2 |
thing to see | 2 |
the original of | 2 |
as the sheep | 2 |
there must be | 2 |
wept in vain | 2 |
flow in the | 2 |
live in a | 2 |
a net of | 2 |
strip it of | 2 |
to that far | 2 |
difficulty i will | 2 |
and plenty inhabited | 2 |
theocritus is faulty | 2 |
i shall deliver | 2 |
from english literature | 2 |
as i cannot | 2 |
asked him not | 2 |
palm downwards on | 2 |
yet it must | 2 |
till the break | 2 |
come to me | 2 |
in its composure | 2 |
here and there | 2 |
god called poetry | 2 |
of the stage | 2 |
as that of | 2 |
because i am | 2 |
grown old and | 2 |
floor to floor | 2 |
the warbling birds | 2 |
mourns at the | 2 |
if the writer | 2 |
where the great | 2 |
thought and expression | 2 |
the poor were | 2 |
to direct me | 2 |
for by this | 2 |
crowd of faces | 2 |
no man can | 2 |
his face to | 2 |
are these your | 2 |
to a fault | 2 |
simplicity of an | 2 |
for all time | 2 |
his palms for | 2 |
along the darkening | 2 |
of white light | 2 |
are brought in | 2 |
objects for quiet | 2 |
preface to the | 2 |
for what is | 2 |
floats down upon | 2 |
where was the | 2 |
and sit down | 2 |
thought for to | 2 |
it shakes the | 2 |
wild oats did | 2 |
to the sun | 2 |
of things important | 2 |
run the digression | 2 |
of the general | 2 |
the basic criterion | 2 |
the beautiful in | 2 |
the shades are | 2 |
why he did | 2 |
heat of the | 2 |
singing with emptiness | 2 |
is this a | 2 |
on the wall | 2 |
the whole set | 2 |
respect to pastoral | 2 |
what she said | 2 |
played this tune | 2 |
with you there | 2 |
crack of white | 2 |
what the eternal | 2 |
sun goes down | 2 |
since the publications | 2 |
actions in the | 2 |
the food of | 2 |
talk of shepherds | 2 |
the delicacy of | 2 |
that he could | 2 |
candles round a | 2 |
distinction between the | 2 |
addition of simplicity | 2 |
but not too | 2 |
soft is the | 2 |
and sounding as | 2 |
i knew that | 2 |
customers were there | 2 |
should we be | 2 |
each other with | 2 |
but instances were | 2 |
and rude the | 2 |
but no such | 2 |
what they say | 2 |
a frosty night | 2 |
she combed her | 2 |
introduction by joseph | 2 |
us in lamplight | 2 |
as i may | 2 |
be included in | 2 |
invisible in their | 2 |
they have shaken | 2 |
whose design is | 2 |
another observation i | 2 |
not able to | 2 |
and the generality | 2 |
any of my | 2 |
at the pains | 2 |
the true standards | 2 |
a woman who | 2 |
upon the stretch | 2 |
that write pastorals | 2 |
may be drawn | 2 |
not you i | 2 |
i pass away | 2 |
answers becomes as | 2 |
the other the | 2 |
plato in his | 2 |
rose from the | 2 |
old scholiast on | 2 |
soft in writing | 2 |
know your secret | 2 |
degree of knowledge | 2 |
two sorts of | 2 |
my light above | 2 |
notion of the | 2 |
while preaching the | 2 |
sword disturbs the | 2 |
the greatest grace | 2 |
as a wind | 2 |
he did the | 2 |
that in epick | 2 |
the issue of | 2 |
an age when | 2 |
use of old | 2 |
a hard task | 2 |
it should be | 2 |
a thing of | 2 |
the excellency of | 2 |
she turns to | 2 |
the lives of | 2 |
he folds his | 2 |
full of marrow | 2 |
thing i strongly | 2 |
love goes by | 2 |
be the action | 2 |
he was a | 2 |
by one in | 2 |
dream we are | 2 |
still obtain a | 2 |
are singing with | 2 |
and find in | 2 |
him on the | 2 |
or else we | 2 |
the poet to | 2 |
above them and | 2 |
glow with the | 2 |
are presently to | 2 |
i have deceived | 2 |
it had been | 2 |
trouble you with | 2 |
membership fee of | 2 |
but a worm | 2 |
the city that | 2 |
am of opinion | 2 |
daphnis the son | 2 |
sing baloo loo | 2 |
that of theocritus | 2 |
now remember a | 2 |
necessary to constitute | 2 |
word upon murmured | 2 |
it is this | 2 |
i laid me | 2 |
to the young | 2 |
the eighth idyllium | 2 |
sons and daughters | 2 |
the writers of | 2 |
heaven and hell | 2 |
did you sow | 2 |
to their opinion | 2 |
he had made | 2 |
whose genius was | 2 |
of the persons | 2 |
the idylliums of | 2 |
the first two | 2 |
of thomas purney | 2 |
of children are | 2 |
which it is | 2 |
her lovely limbs | 2 |
tire the reader | 2 |
boy out of | 2 |
and are not | 2 |
in great britain | 2 |
as to seem | 2 |
so strong and | 2 |
over the darkened | 2 |
but yet i | 2 |
fairy bridal hymn | 2 |
now the red | 2 |
i should but | 2 |
and if i | 2 |
begin a loftier | 2 |
the same as | 2 |
beard spoke and | 2 |
drawn in the | 2 |
tho theocritus hath | 2 |
the day i | 2 |
in this case | 2 |
no one has | 2 |
with characters by | 2 |
that smiles on | 2 |
for me than | 2 |
an one as | 2 |
talk in a | 2 |
entertaining to the | 2 |
like evening air | 2 |
be allowed to | 2 |
for why should | 2 |
with eyes that | 2 |
to reformers in | 2 |
up a great | 2 |
if it were | 2 |
lithoprinted from copy | 2 |
and the great | 2 |
unless it be | 2 |
becomes as the | 2 |
of the ornaments | 2 |
by these three | 2 |
let us now | 2 |
first and second | 2 |
the poem should | 2 |
walk alone in | 2 |
slowly above the | 2 |
them all their | 2 |
the affectation of | 2 |
the house of | 2 |
publications of the | 2 |
complete run of | 2 |
so little of | 2 |
it is able | 2 |
be like the | 2 |
love the country | 2 |
copy supplied by | 2 |
at that time | 2 |
write pastorals in | 2 |
grey clouds whirl | 2 |
of beauty drowned | 2 |
each year at | 2 |
no part of | 2 |
of the universe | 2 |
he turns his | 2 |
was wise and | 2 |
person spoken of | 2 |
with any thing | 2 |
was it all | 2 |
unusually low membership | 2 |
need of such | 2 |
the augustan reprints | 2 |
he is no | 2 |
very bottome of | 2 |
must not proceed | 2 |
the gorgeous night | 2 |
like a wind | 2 |
of rare materials | 2 |
the other end | 2 |
this must needs | 2 |
and all is | 2 |
i am warmed | 2 |
seventeenth and eighteenth | 2 |
if you can | 2 |
time has its | 2 |
has its own | 2 |
of the pastorals | 2 |
may come to | 2 |
sufficient number of | 2 |
eaves make liquid | 2 |
must stick to | 2 |
together with characters | 2 |
forests of the | 2 |
is given to | 2 |
i shall crave | 2 |
above us in | 2 |
product of the | 2 |
smiles at the | 2 |
more swift than | 2 |
those fathers of | 2 |
mind of man | 2 |
the affairs of | 2 |
he slowed his | 2 |
to appear in | 2 |
roofs white with | 2 |
the first group | 2 |
crowd through the | 2 |
who failed to | 2 |
on reading omar | 2 |
for pastoral as | 2 |
and all his | 2 |
the wast that | 2 |
of nursery rhyme | 2 |
frosty sirens mourns | 2 |
what new light | 2 |
presently to be | 2 |
and eager to | 2 |
let us hurry | 2 |
of the roman | 2 |
subsist without the | 2 |
blown sand whispers | 2 |
all he says | 2 |
implex fables are | 2 |
a pastoral action | 2 |
allot our shepherds | 2 |
so green a | 2 |
them down with | 2 |
unless you resolve | 2 |
be ready to | 2 |
the sabbath day | 2 |
and after that | 2 |
the influence of | 2 |
be the natural | 2 |
the three drinkers | 2 |
write in a | 2 |
to describe the | 2 |
so far as | 2 |
could not help | 2 |
the pains of | 2 |
if i to | 2 |
we would not | 2 |
honor could not | 2 |
we may term | 2 |
so they have | 2 |
in a polite | 2 |
her to me | 2 |
find in your | 2 |
agreeable to pastoral | 2 |
the queen of | 2 |
see me sitting | 2 |
the poet may | 2 |
the door is | 2 |
if this were | 2 |
of the air | 2 |
those which we | 2 |
in the original | 2 |
old and tired | 2 |
almost in every | 2 |
to see her | 2 |
with fear and | 2 |
nicholas vachel lindsay | 2 |
of which we | 2 |
see no need | 2 |
as the other | 2 |
friend of mine | 2 |
subject to modification | 2 |
to hold out | 2 |
it was so | 2 |
i will follow | 2 |
he is not | 2 |
or with respect | 2 |
kiss me and | 2 |
in his hand | 2 |
of our shepherds | 2 |
expression must be | 2 |
know who made | 2 |
the pages of | 2 |
laughter and pain | 2 |
still dazzled by | 2 |
song shall make | 2 |
be soft and | 2 |
simple and innocent | 2 |
about to die | 2 |
till at last | 2 |
but they are | 2 |
a myriad forest | 2 |
the present subject | 2 |
some remarks on | 2 |
since no man | 2 |
and the wandering | 2 |
and said good | 2 |
i am for | 2 |
and blacker against | 2 |
has said of | 2 |
to requests by | 2 |
the bashful swain | 2 |
rise to the | 2 |
it all a | 2 |
fit for the | 2 |
from whom he | 2 |
all their dreams | 2 |
but all the | 2 |
man straight as | 2 |
beauty of the | 2 |
the boughs of | 2 |
jet steadily whirs | 2 |
and for the | 2 |
night has begun | 2 |
i would therefore | 2 |
in the old | 2 |
then in eight | 2 |
were two dupes | 2 |
in the poem | 2 |
a dream came | 2 |
we will tear | 2 |
beside a sea | 2 |
but not to | 2 |
the rain runs | 2 |
kinds of images | 2 |
i feed not | 2 |
the soft or | 2 |
there should be | 2 |
palms for the | 2 |
of the wind | 2 |
careful management it | 2 |
the springs and | 2 |
the dream was | 2 |
down to write | 2 |
he that loves | 2 |
rain runs over | 2 |
and delight the | 2 |
weeping for the | 2 |
but he is | 2 |
goodness of my | 2 |
been in the | 2 |
built a tower | 2 |
country at war | 2 |
of shepherds be | 2 |
many more things | 2 |
any thing of | 2 |
scholiast on theocritus | 2 |
but could not | 2 |
but one of | 2 |
on the floor | 2 |
to be exact | 2 |
where the mind | 2 |
of answers becomes | 2 |
to be as | 2 |
the manners might | 2 |
where shall we | 2 |
that your college | 2 |
i will gather | 2 |
in all poetry | 2 |
many times she | 2 |
times more swift | 2 |
or is it | 2 |
to which is | 2 |
of the goodness | 2 |
of the original | 2 |
opinion that none | 2 |
hill before him | 2 |
him among us | 2 |
that cries for | 2 |
and love and | 2 |
run of the | 2 |
where there is | 2 |
cries for a | 2 |
me in the | 2 |
strongly seized has | 2 |
that she had | 2 |
best figure in | 2 |
of our pastorals | 2 |
and does not | 2 |
parents wept in | 2 |
thy fearful symmetry | 2 |
but in pastoral | 2 |
is not very | 2 |
from the classical | 2 |
nothing more for | 2 |
i saw it | 2 |
will never be | 2 |
down before us | 2 |
special competence in | 2 |
joy in the | 2 |
bound her to | 2 |
i gave her | 2 |
thro the whole | 2 |
may allot our | 2 |
and the means | 2 |
letter has said | 2 |
with the second | 2 |
of the city | 2 |
of any he | 2 |
and the glory | 2 |
then what have | 2 |
joy to hear | 2 |
his breath to | 2 |
take pleasure in | 2 |
chords and discords | 2 |
that there is | 2 |
crosses the city | 2 |
if any one | 2 |
of the story | 2 |
to the street | 2 |
shall make them | 2 |
friend concerning poetry | 2 |
when i come | 2 |
i fade away | 2 |
strong and sounding | 2 |
nor horace to | 2 |
all his followers | 2 |
of describing the | 2 |
generations pass away | 2 |
much at leisure | 2 |
angeles advisory editors | 2 |
are to describe | 2 |
supplied by author | 2 |
are as different | 2 |
in any of | 2 |
no man has | 2 |
day i wooed | 2 |
winding stairs lead | 2 |
him the most | 2 |
whose nature it | 2 |
of itself is | 2 |
be given for | 2 |
the song of | 2 |
you nothing more | 2 |
new light or | 2 |
white with snow | 2 |
as these are | 2 |
during the first | 2 |
of this our | 2 |
move in the | 2 |
and the quiet | 2 |
i hear you | 2 |
of the images | 2 |
all the livelong | 2 |
are his own | 2 |
stretch of barren | 2 |
by joseph wood | 2 |
if you are | 2 |
i begin to | 2 |
the lillys leaf | 2 |
and also what | 2 |
dance once more | 2 |
tree to tree | 2 |
the most excellent | 2 |
instances were endless | 2 |
of the crowd | 2 |
he had put | 2 |
fire and sword | 2 |
you know the | 2 |
to ask for | 2 |
in yonder vale | 2 |
this world of | 2 |
in desert wild | 2 |
to modification in | 2 |
shaken a burden | 2 |
us walk in | 2 |
vain and careless | 2 |
we were two | 2 |
in a pastoral | 2 |
a pastoral that | 2 |
necessary to be | 2 |
is the more | 2 |
the reader may | 2 |
my head and | 2 |
the premise that | 2 |
you have taken | 2 |
and raw with | 2 |
brought you this | 2 |
she had walked | 2 |
poor were open | 2 |
much of the | 2 |
from that of | 2 |
of a piece | 2 |
with the stones | 2 |
walked in a | 2 |
in his discours | 2 |
nebraska cleanth brooks | 2 |
bibliographical notes will | 2 |
to offer at | 2 |
out of humour | 2 |
and dust and | 2 |
looking into the | 2 |
as no one | 2 |
what sort of | 2 |
makes use of | 2 |
obtain a complete | 2 |
of the west | 2 |
the circumstances should | 2 |
as in the | 2 |
will be easily | 2 |
and the congo | 2 |
queen of bubbles | 2 |
reprint society is | 2 |
the woods and | 2 |
a million faces | 2 |
combed her hair | 2 |
of every thing | 2 |
frame thy fearful | 2 |
our souls are | 2 |
the manner in | 2 |
halls which reach | 2 |
is the one | 2 |
the several kinds | 2 |
the same eclogue | 2 |
reader may see | 2 |
to be pastoral | 2 |
down the hill | 2 |
to sooth and | 2 |
her as she | 2 |
therefore it must | 2 |
a song or | 2 |
mine own people | 2 |
notes will be | 2 |
to be full | 2 |
a perfect pastoral | 2 |
my eyes were | 2 |
a part of | 2 |
the trees are | 2 |
second sort is | 2 |
poetry and discourse | 2 |
to all those | 2 |
to pastorals is | 2 |
first cold ghost | 2 |
and that of | 2 |
if the characters | 2 |
in the name | 2 |
for as the | 2 |
seems like one | 2 |
panting and languishing | 2 |
better for nancy | 2 |
a mixture of | 2 |
let the expression | 2 |
we cry for | 2 |
issue contains an | 2 |
and felt his | 2 |
in battle array | 2 |
farther than the | 2 |
in the most | 2 |
the picture of | 2 |
reprint society general | 2 |
weeping parents wept | 2 |
snow floats down | 2 |
has simplicity and | 2 |
some aim in | 2 |
shield her ye | 2 |
asked him if | 2 |
mother of my | 2 |
it may not | 2 |
stairs lead down | 2 |
well as the | 2 |
they will be | 2 |
of frosty sirens | 2 |
round a box | 2 |
that she could | 2 |
the birds are | 2 |
of the sublime | 2 |
child in a | 2 |
introduction by james | 2 |
of the whole | 2 |
she asked him | 2 |
flare of light | 2 |
is not builded | 2 |
i will hear | 2 |
fine and agreeable | 2 |
clouds whirl up | 2 |
down in the | 2 |
the young girl | 2 |
must tell him | 2 |
where are there | 2 |
gorgeous night has | 2 |
she saw the | 2 |
he that with | 2 |
all you remember | 2 |
what ails you | 2 |
among the crowds | 2 |
we have in | 2 |
find the publications | 2 |
ye pass in | 2 |
solely on the | 2 |
augustan reprints are | 2 |
and soon the | 2 |
the warm bright | 2 |
helps from these | 2 |
have laid down | 2 |
off the tongue | 2 |
in a picture | 2 |
to be dissembled | 2 |
for he was | 2 |
to be given | 2 |
the same he | 2 |
thou know who | 2 |
great many of | 2 |
there any like | 2 |
out through the | 2 |
the inquisitive dreamer | 2 |
dazzled by the | 2 |
and one goes | 2 |
in a dazzle | 2 |
inquisitive dreamer of | 2 |
i think any | 2 |
the wedding of | 2 |
that blessed time | 2 |
reprints are available | 2 |
a wind blown | 2 |
than that of | 2 |
is dedicated to | 2 |
only for a | 2 |
will not break | 2 |
the johnsonian news | 2 |
how to judge | 2 |
which consists of | 2 |
ten thousand times | 2 |
in one place | 2 |
for pale and | 2 |
in response to | 2 |
nothing could be | 2 |
of the like | 2 |
which are most | 2 |
not to cry | 2 |
i am dead | 2 |
what passions we | 2 |
there is some | 2 |
sun and stars | 2 |
the expression must | 2 |
i am satisfied | 2 |
the earth and | 2 |
voice is heard | 2 |
to have been | 2 |
he broods upon | 2 |
and reach to | 2 |
to a friend | 2 |
of his nature | 2 |
in their nest | 2 |
individuals are eligible | 2 |
green a happy | 2 |
ye waters gently | 2 |
in the southern | 2 |
some of them | 2 |
on the hill | 2 |
a proof of | 2 |
from these two | 2 |
in all his | 2 |
and afterwards by | 2 |
it to the | 2 |
rose and the | 2 |
of the happy | 2 |
and then of | 2 |
of forming a | 2 |
the knowledge of | 2 |
are the most | 2 |
friends of mine | 2 |
their bridal veils | 2 |
to tell you | 2 |
be several sorts | 2 |
in any author | 2 |
in the tenth | 2 |
the soft grey | 2 |
i hear a | 2 |
have shaken a | 2 |
made for the | 2 |
can we love | 2 |
leaned and smiled | 2 |
my song shall | 2 |
this water says | 2 |
to what the | 2 |
in his pollio | 2 |
take it upon | 2 |
as for a | 2 |
to put down | 2 |
and he heard | 2 |
suited to the | 2 |
i hear the | 2 |
alas the while | 2 |
it would not | 2 |
time bibliographical notes | 2 |
a delightful story | 2 |
for this is | 2 |
after the play | 2 |
myriads we descend | 2 |
the snow floats | 2 |
he wrote his | 2 |
innocence of the | 2 |
pass in silence | 2 |
in the mouths | 2 |
treat well and | 2 |
niles hooker h | 2 |
we have no | 2 |
for a shepherd | 2 |
turned to a | 2 |
among mine own | 2 |
and the wanton | 2 |
like the ghost | 2 |
how great thy | 2 |
deprive it of | 2 |
for the personages | 2 |
all a dream | 2 |
and purling streams | 2 |
inimitably pretty and | 2 |
and heard a | 2 |
to the city | 2 |
design is to | 2 |
come with me | 2 |
are you going | 2 |
than any other | 2 |
loves him still | 2 |
so much sun | 2 |
over a myriad | 2 |
lamplit flowered walls | 2 |
a cup of | 2 |
breath soft ye | 2 |
pastoral in the | 2 |
name of jesus | 2 |
the first men | 2 |
so much the | 2 |
they are singing | 2 |
it cannot endure | 2 |
bright in the | 2 |
her body is | 2 |
with all things | 2 |
of the way | 2 |
love find their | 2 |
am satisfied they | 2 |
lamps in the | 2 |
and the beautiful | 2 |
in the spring | 2 |
and i wept | 2 |
door swings shut | 2 |
pot and kettle | 2 |
if i remember | 2 |
two years the | 2 |
the edge of | 2 |
sweet as her | 2 |
smile at me | 2 |
true standards of | 2 |
i ever saw | 2 |
they have no | 2 |
the god called | 2 |
the eaves make | 2 |
says that he | 2 |
and from the | 2 |
we may allot | 2 |
her dress was | 2 |
feed not the | 2 |
and laugh and | 2 |
rides my heart | 2 |
of those we | 2 |
of dust and | 2 |
was one who | 2 |
the red bells | 2 |
i may say | 2 |
finest in pastoral | 2 |
properly to the | 2 |
was angry with | 2 |
in a name | 2 |
masque of grief | 2 |
asleep doth lye | 2 |
represent the triumph | 2 |
by throwing out | 2 |
of publications is | 2 |
of a sheapards | 2 |
if i may | 2 |
and eighteenth centuries | 2 |
there was nothing | 2 |
of my observation | 2 |
dream of a | 2 |
shall crave leave | 2 |
the labours and | 2 |
a book of | 2 |
cold ghost of | 2 |
it being so | 2 |
in wheels of | 2 |
in a wood | 2 |
through the streets | 2 |
kind of soft | 2 |
run among them | 2 |
laughter and cry | 2 |
she took my | 2 |
are properest for | 2 |
might not be | 2 |
michigan benjamin boyce | 2 |
a writer has | 2 |
to be at | 2 |
i might say | 2 |
whole set of | 2 |
this or that | 2 |
but i can | 2 |
such as are | 2 |
he walked more | 2 |
if a writer | 2 |
a peculiar turn | 2 |
low and beggarly | 2 |
to the wind | 2 |
once i loved | 2 |
in a house | 2 |
we can bear | 2 |
the forests of | 2 |
the rural muses | 2 |
no discount can | 2 |
of her lips | 2 |
stared at the | 2 |
them to my | 2 |
by author by | 2 |
shall we live | 2 |
death seems far | 2 |
description of a | 2 |
bucolicks necessarily require | 2 |
such hills and | 2 |
speak from the | 2 |
the golden gateway | 2 |
purple lights leap | 2 |
be added that | 2 |
images will shine | 2 |
to the west | 2 |
the sublime image | 2 |
by james l | 2 |
not have me | 2 |
johnsonian news letter | 2 |
we shall die | 2 |
than to be | 2 |
frequent in theocritus | 2 |
and build them | 2 |
and the eternal | 2 |
smoke of incense | 2 |
eyes to the | 2 |
of the sun | 2 |
was it you | 2 |
to find a | 2 |
just such a | 2 |
and closed her | 2 |
a member of | 2 |
a chaos of | 2 |
and the nature | 2 |
are eligible for | 2 |
available inexpensive reprints | 2 |
have we not | 2 |
length of pastoral | 2 |
available only to | 2 |
pale pink rosebuds | 2 |
dreamer of dreams | 2 |
thing he did | 2 |
lys about him | 2 |
the poem to | 2 |
break of day | 2 |
who are these | 2 |
six publications each | 2 |
and watch the | 2 |
length of three | 2 |
i saw her | 2 |
the english language | 2 |
thousand winding stairs | 2 |
earth and sea | 2 |
his mind was | 2 |
make one reed | 2 |
walked more slowly | 2 |
looked at me | 2 |
it crosses the | 2 |
o how the | 2 |
more things to | 2 |
the first of | 2 |
for his direction | 2 |
possessions by the | 2 |
perfection of pastoral | 2 |
be a hard | 2 |
window looking down | 2 |
that this kind | 2 |
and against this | 2 |
is gone down | 2 |
what degree of | 2 |
the streets are | 2 |
make them worth | 2 |
mode of imitation | 2 |
gentle shepherd sate | 2 |
mean and low | 2 |
united states and | 2 |
so fine an | 2 |
limbs half bare | 2 |
the hill before | 2 |
eyes do itch | 2 |
to the reader | 2 |
and a thousand | 2 |
no thought for | 2 |
i am not | 2 |
the world a | 2 |
whose shepherds are | 2 |
hurry so they | 2 |
grey clouds go | 2 |
a fair shepherdess | 2 |
members may still | 2 |
clod of clay | 2 |
to become a | 2 |
their opinion who | 2 |
it was late | 2 |
publications each year | 2 |
deep in his | 2 |
the wanton windings | 2 |
the street with | 2 |
an instance of | 2 |
when he tells | 2 |
hew rock out | 2 |
most delightful passion | 2 |
and those who | 2 |
she gave consent | 2 |
this difficulty i | 2 |
who was the | 2 |
open our eyes | 2 |
as i would | 2 |
as he was | 2 |
for tho pastoral | 2 |
had walked so | 2 |
bones full of | 2 |
life and strength | 2 |
which bucolicks necessarily | 2 |
to instance in | 2 |
the streets in | 2 |
this account i | 2 |
death in his | 2 |
here in the | 2 |
i have here | 2 |
returning to the | 2 |
aristotle nor horace | 2 |
more to the | 2 |
to me that | 2 |
that it cannot | 2 |
to be seen | 2 |
do with thee | 2 |
will find nothing | 2 |
for her at | 2 |
and essay on | 2 |
secret and rich | 2 |
and wan he | 2 |
what is most | 2 |
plain and easy | 2 |
the most of | 2 |
are issued without | 2 |
year at the | 2 |
the first idyllium | 2 |
beautiful in his | 2 |
the seventeenth and | 2 |
shades are drawn | 2 |
in his eyes | 2 |
and the dews | 2 |
little girl sang | 2 |
to the sublime | 2 |
and other poems | 2 |
as the philosopher | 2 |
they gather and | 2 |
not proceed from | 2 |
of the fable | 2 |
the hills of | 2 |
the priests with | 2 |
beg ye pass | 2 |
images and thoughts | 2 |
he said the | 2 |
spoke and said | 2 |
the country in | 2 |
give us the | 2 |
of a thousand | 2 |
from the sunken | 2 |
life has beaten | 2 |
subject matter of | 2 |
to nowhere what | 2 |
the finess of | 2 |
inhabited the plains | 2 |
honor among scamps | 2 |
and breakings off | 2 |
exactly the same | 2 |
english literature of | 2 |
your eyes a | 2 |
the catastrophe in | 2 |
and simplicity of | 2 |
we turn our | 2 |
on heroic poetry | 2 |
in hot july | 2 |
than for the | 2 |
at remainder prices | 2 |
how it must | 2 |
the world so | 2 |
lives within them | 2 |
all in vain | 2 |
he in his | 2 |
can rationally doubt | 2 |
is somewhat more | 2 |
no helps from | 2 |
his first book | 2 |
and now the | 2 |
from his heart | 2 |
of a fair | 2 |
of compound words | 2 |
he hath no | 2 |
name we cry | 2 |
nancy god be | 2 |
in a tragedy | 2 |
of the laughing | 2 |
never forgive her | 2 |
of the ancient | 2 |
times of the | 2 |
well as individuals | 2 |
thirst for yesterday | 2 |
could not be | 2 |
of the grove | 2 |
the country road | 2 |
simplicity of his | 2 |
he did not | 2 |
wind of music | 2 |
knight in disguise | 2 |
the land of | 2 |
crowned the lotos | 2 |
in four several | 2 |
and so they | 2 |
upon the same | 2 |
must it be | 2 |
has its way | 2 |
to the light | 2 |
employment of a | 2 |
the country for | 2 |
the field represented | 2 |
finest of any | 2 |
you nothing better | 2 |
first two years | 2 |
tully in his | 2 |
you resolve to | 2 |
essays on wit | 2 |
or as the | 2 |
came to us | 2 |
pace a little | 2 |
as if he | 2 |
will tear them | 2 |
and therefore did | 2 |
through the dark | 2 |
we descend by | 2 |
have no guide | 2 |
is nothing requires | 2 |
must be very | 2 |
natural temper was | 2 |
a divine image | 2 |
one who moves | 2 |
of the fabulous | 2 |
as may be | 2 |
thousand times more | 2 |
shall i ever | 2 |
as is the | 2 |
to be only | 2 |
marinus in his | 2 |
language is to | 2 |
the product of | 2 |
and i cannot | 2 |
unless it is | 2 |
those must be | 2 |
the eternal evening | 2 |
of twelve roses | 2 |
the first thing | 2 |
upon murmured word | 2 |
was a man | 2 |
because i fade | 2 |
as that which | 2 |
on the banks | 2 |
because of the | 2 |
they are in | 2 |
but the action | 2 |
admit of in | 2 |
rare materials from | 2 |
to time bibliographical | 2 |
we may make | 2 |
her face to | 2 |
and the very | 2 |
in the following | 2 |
would have been | 2 |
not such as | 2 |
with a sharp | 2 |
that is very | 2 |
to be observed | 2 |
the ground with | 2 |
were weaving a | 2 |
the description of | 2 |
of images are | 2 |
that with fire | 2 |
where the natural | 2 |
news letter has | 2 |
the feasts of | 2 |
prayer to all | 2 |
be judged by | 2 |
make the best | 2 |
let it fall | 2 |
yet in this | 2 |
such as socrates | 2 |
able to offer | 2 |
difficult to be | 2 |
of those thoughts | 2 |
of washington louis | 2 |
so far from | 2 |
she played this | 2 |
to be avoided | 2 |
again those nightmare | 2 |
cup of wine | 2 |
against the wall | 2 |
the meanest and | 2 |
eligible for membership | 2 |
and darkness rides | 2 |
the first year | 2 |
how to form | 2 |
how can we | 2 |
let it be | 2 |
by the old | 2 |
and immorality of | 2 |
relates to the | 2 |
into heaven the | 2 |
and round the | 2 |
high black walls | 2 |
the best figure | 2 |
eternal dreamer moves | 2 |
up by the | 2 |
the impiety and | 2 |
to rise to | 2 |
they will fall | 2 |
of modern scientific | 2 |
i cannot imagine | 2 |
be the form | 2 |
lead down before | 2 |
i am very | 2 |
a shepherd should | 2 |
and more noble | 2 |
enervate your language | 2 |
and measures his | 2 |
times ten thousand | 2 |
vale asleep doth | 2 |
reading omar khayyam | 2 |
run without overhead | 2 |
in every face | 2 |
simplicity and innocence | 2 |
doctrine of the | 2 |
wind flows softly | 2 |
they fed their | 2 |
to make his | 2 |
other end of | 2 |
to be clownish | 2 |
as her beauty | 2 |
a vindication of | 2 |
on a sudden | 2 |
the death of | 2 |
you are back | 2 |
to use old | 2 |
turned to darkness | 2 |
soft grey clouds | 2 |
your pale hands | 2 |
father and mother | 2 |
heap up a | 2 |
run counter to | 2 |
of a hundred | 2 |
the next king | 2 |
of a shepherds | 2 |
i walk in | 2 |
the dorick dialect | 2 |
therefore did i | 2 |
stare at mirrors | 2 |
of the hero | 2 |
leave the reader | 2 |
the promised lullaby | 2 |
of rural life | 2 |
make their shepherds | 2 |
all who have | 2 |
did you once | 2 |
fit for pastorals | 2 |
on my head | 2 |
much as i | 2 |
when you are | 2 |
contrary to the | 2 |
his pastor fido | 2 |
dead among mine | 2 |
and cheap in | 2 |
sincerity and innocence | 2 |
make use of | 2 |
sir philip sidney | 2 |
be so too | 2 |
to be soft | 2 |
us like light | 2 |
chicago samuel h | 2 |
light or darkness | 2 |
by the slow | 2 |
the ends of | 2 |
to destroy the | 2 |
render it compleat | 2 |
not builded in | 2 |
as a pattern | 2 |
to the ground | 2 |
than to live | 2 |
rhyme of friends | 2 |
introduction by clarence | 2 |
must be such | 2 |
as the writer | 2 |
of thoughts which | 2 |
all the several | 2 |
up at the | 2 |
of the eighteenth | 2 |
is the sound | 2 |
clamor of frosty | 2 |
author by edwards | 2 |
and spring returns | 2 |
down rules concerning | 2 |
a bushy breer | 2 |
shadow of a | 2 |
and a section | 2 |
as happy as | 2 |
gather from theocritus | 2 |
as his own | 2 |
the holy light | 2 |
i am black | 2 |
hands are light | 2 |
till her last | 2 |
shine most in | 2 |
upon this account | 2 |
are there any | 2 |