Questions

This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.

identifier	question
541	''Some of us,''my dear-- more than one? 541 A convert to what?"
541	A dinner-- why?
541	A job in New York? 541 A letter?--Has Madame Olenska seen it?"
541	A party for the Blenkers-- the Blenkers?
541	A pity? 541 About Fanny?
541	Afraid?
541	Ah, ah-- so you kicked over the traces, did you? 541 Ah, you think--?"
541	Ah,she answered,"Granny has told you?"
541	Ah,she exclaimed, in a shrill voice that the young man had never heard,"who is ridiculous enough to send me a bouquet?
541	Ah-- DID he?
541	Ah-- it''s really and truly a romance?
541	Ah?
541	All I''d done?
541	All over-- what do you mean?
541	All round?
541	And Beaufort-- do you say these things to Beaufort?
541	And Beaufort? 541 And Madame Olenska?
541	And May adores you-- and yet you could n''t convince her? 541 And destroy their lives, when they''ve helped me to remake mine?"
541	And in that case there''s no reason on earth why you should n''t go back?
541	And mine a part of yours?
541	And on whose behalf,he said,"do you wish to do this?"
541	And that''s to be all-- for either of us?
541	And the person?
541	And what did he answer?
541	And what do you make out that you''ve made of me?
541	And you expect me to say yes to that?
541	And you refused-- because of the conditions?
541	And you say that-- when it''s you who''ve made it impossible?
541	And you still think this-- worse?
541	And you take their view?
541	And you''re not surprised?
541	Angry? 541 Are n''t you tired?
541	Are we only Pharisees after all?
541	Are you so much afraid, then, of being vulgar?
541	As far as that? 541 At the last minute?"
541	Augusta,he said, turning pale and laying down his fork,"have you any other reason for thinking that Bencomb is less to be relied on than he was?
541	Better--?
541	But I hope you HAD finished your reading, Henry?
541	But after all-- even here we''re alone together, are n''t we?
541	But are n''t you as free as air as it is?
541	But do n''t Englishwomen dress just like everybody else in the evening?
541	But had n''t you better go to bed at once?
541	But if she thinks that-- why is n''t she in a hurry too?
541	But my freedom-- is that nothing?
541	But none ever CAN happen now, can it, Newland, as long as we two are together?
541	But that was a fortnight ago, was n''t it? 541 But then-- why not be happier?"
541	But this Mrs. Struthers,Mrs. Archer continued;"what did you say SHE was, Sillerton?"
541	But what on earth are you doing in this wilderness?
541	But what on earth shall I say?
541	But why should they be only descriptions? 541 But why, sir?
541	But you care for such things?
541	But you do believe she has a letter from your husband?
541	But, I say, Dad: do you mean you wo n''t come up at all?
541	Changed?
541	Come, own up: you and she were great pals, were n''t you? 541 Common-- common WHERE?"
541	Cruel?
541	Did n''t you know that Professor and Mrs. Sillerton are giving a garden- party for mother and all of us this afternoon? 541 Did you MIND my telling her first, Newland?"
541	Did you find the journey tiring?
541	Did you hurt yourself?
541	Did you tell my cousin Ellen?
541	Differently? 541 Do n''t you want them to be real sooner?
541	Do you call it late?
541	Do you know-- I hardly remembered you?
541	Do you mean because we''re in my wife''s brougham? 541 Do you refer to her husband''s proposal to give her back her own money?"
541	Do you suppose Christopher Columbus would have taken all that trouble just to go to the Opera with the Selfridge Merrys?
541	Do you think,she asked, glancing toward the stage,"he will send her a bunch of yellow roses tomorrow morning?"
541	Does anything ever happen in heaven?
541	Does it strike you as dangerous?
541	Does it-- do I too: to you?
541	Does no one cry here, either? 541 Does she want to marry again?"
541	Easter in Seville? 541 Easter?
541	Ellen-- what is it? 541 Ever so far?
541	For US? 541 For mercy''s sake what''s the matter?"
541	For that''s the thing we''ve always got to think of-- haven''t we-- by your own showing?
541	From me?
541	Go home? 541 Good music?
541	Got the ring all right?
541	Gracious-- where did you drop from? 541 H''m-- have you considered the consequences if she decides for divorce?"
541	Hardly remembered me?
541	Has he got any?
541	Has the Duke been carrying her off to parties?
541	Have you forgotten,he asked with a smile,"that in our country we do n''t allow our marriages to be arranged for us?"
541	Have you read this morning''s Times, Newland?
541	He sent some one?
541	He wants you back-- at any price?
541	He''s an awful brute, is n''t he?
541	He''s waiting for you now at Mrs. Struthers''s; why do n''t you go to him?
541	Here she comes,she said in a rapid whisper; and then, pointing to the bouquet on the sofa:"Am I to understand that you prefer THAT, Mr. Archer?
541	How do you know, Mr. Winsett? 541 How do you know-- what you''ve just told me?"
541	How do you like my funny house?
541	Hullo, father: this is something like, is n''t it?
541	I beg your pardon: but why is n''t the matter closed?
541	I do n''t suppose, dear, you''re really defending the French Sunday?
541	I mean: how shall I explain? 541 I say, father: what was she like?"
541	I say, old chap: do you mind just letting it be understood that I''m dining with you at the club tomorrow night? 541 I shall see you later, dear friend?"
541	I suppose because we talked things over yesterday--"What things?
541	I was just saying to him, my dear:''Now, why did n''t you marry my little Ellen?''
541	I wonder which floor--?
541	I wonder, Monsieur, since I''ve had the good luck to run across you, if I might--"I was just going to suggest it: come to luncheon, wo n''t you? 541 I wonder,"Winsett broke off,"how a Countess happens to live in our slum?"
541	I''VE made it impossible--?
541	I''m dreadfully late-- you were n''t worried, were you?
541	I''ve got a beastly headache; do n''t tell any one, but come home, wo n''t you?
541	I-- I thought it your metropolis: is not the intellectual life more active there?
541	I? 541 I?"
541	IS it a bad business-- for May?
541	If people of my age WILL eat chicken- salad in the evening what are they to expect?
541	If you can persuade Mamma,she said;"but why should we change what is already settled?"
541	Impossible--?
541	In New York? 541 In THIS weather?"
541	In other words: you are Count Olenski''s messenger?
541	Is Mrs. Archer in?
541	Is New York such a labyrinth? 541 Is it late?"
541	Is it possible, dear, that what I hear is true? 541 Is it really worth while, dear?
541	Is it your idea, then, that I should live with you as your mistress-- since I ca n''t be your wife?
541	Is it-- is it because you''re not certain of continuing to care for me?
541	Is n''t that perhaps the reason?
541	Is your aunt''s romanticism always consistent with accuracy?
541	Is your carriage here?
541	It DID go off beautifully, did n''t it?
541	It was May who sent you to fetch me, then? 541 It was about this mission that you wanted to consult me?"
541	It was n''t then that she told you?
541	It was to meet him here that you came?
541	It''s not for an interview, I hope?
541	It''s time to dress; we''re dining out, are n''t we?
541	Living together? 541 Look here-- what day is Easter this year?"
541	Lovely? 541 M. Riviere went to see you?"
541	Madame Olenska-- didn''t you know she''d been called away?
541	May I ask what led to this change?
541	May I ask,he said at length,"if this is the line you took with the Countess Olenska?"
541	May I come and talk it over?
541	Meet him-- my husband? 541 Merciful heavens-- a bad sign?"
541	Mercy-- shall we elope?
541	Mind? 541 Mistakes are always easy to make; but if I had made one of the kind you suggest, is it likely that I should be imploring you to hasten our marriage?"
541	Monsieur-- will you tell me one thing? 541 My Fanny?"
541	My God,he thought,"HAVE I got the ring?"
541	My dear child-- was THAT it? 541 My dear fellow, do n''t you always know what to say?"
541	My dear, am I perfectly hideous?
541	My own showing?
541	Nastasia; but is n''t she with you?
541	Never?
541	New York-- New York-- but must it be especially New York?
541	Newland-- don''t you care about Family?
541	No-- it''s not that: do you mind if I open the window?
541	No; I had a note from her this afternoon.--Do you want to see it?
541	No; not dangerous--"But unconventional? 541 Nor about what cousin Louisa van der Luyden will think?"
541	Not going? 541 Not the fact of having offended cousin Louisa and cousin Henry?"
541	Not yet? 541 Nothing directly-- but does she suspect?
541	Now--?
541	Of course you know,Archer continued,"that if your husband chooses to fight the case-- as he threatens to--""Yes--?"
541	Of course-- why not?
541	Of you?
541	Oh, IS there no reason?
541	Oh, did n''t I tell you?
541	Oh, my dear-- where is that country? 541 Oh, there''s no other woman; I mean, the person that May was thinking of is-- was never--""Then, why, after all, are you in such haste?"
541	Oh, well-- that''s discounted, is n''t it? 541 Oh, why should we talk about Ellen tonight?"
541	Oh-- all my aunts? 541 Ol- ol-- howjer spell it, anyhow?"
541	Old- fashioned eyes? 541 On business?"
541	On purpose?
541	Our boat?
541	Painters? 541 Perhaps, if this young gentleman is interested in my experiences, Mrs. Blenker might allow you to bring him with you?"
541	Poor? 541 Possible for either of us?"
541	Postponed? 541 Quarrel?
541	Ridiculous? 541 Safer from loving me?"
541	Shall I fetch her?
541	Shall I take it in?
541	Shall I-- once come to you; and then go home?
541	Shall we go to see Granny?
541	Shall we go up and join my mother?
541	She knows nothing yet-- of all this?
541	Sincerely, then-- what should you gain that would compensate for the possibility-- the certainty-- of a lot of beastly talk?
541	So that was it?
541	So you DID get here, after all?
541	Some one else-- between you and me?
541	Some one-- has come here to meet you?
541	Stop her? 541 That''s your opinion, eh?
541	The change in her? 541 The change-- what sort of a change?"
541	The first week, did you say?
541	The first week?
541	The little Frenchman? 541 The proposals you brought?"
541	The reason--?
541	Then it''s NOT postponed?
541	Then there is a truth I do n''t know?
541	Then what, exactly, is your plan for us?
541	Then you''ll help me?
541	Then--"Will you oblige me, Mr. Archer, by first looking through these papers? 541 They''ll go at once?"
541	This is the hour I like best-- don''t you?
541	To being in love? 541 To get away from me as far as you could?"
541	To have you here, you mean-- in reach and yet out of reach? 541 Tomorrow evening?"
541	Tomorrow?
541	Very bad, eh?
541	Voyez- vous, Monsieur, to be able to look life in the face: that''s worth living in a garret for, is n''t it? 541 We DID use to play together, did n''t we?"
541	We ca n''t behave like people in novels, though, can we?
541	Wear, dearest? 541 Well, then, I may count on you; the Mingotts may count on you; to use your influence against the idea?"
541	Well, then-- it''s my turn to ask: what is it, in God''s name, that you think better?
541	Well, then--?
541	Well, then: is it worth while to risk what may be infinitely disagreeable and painful? 541 Well, then: there were things in that letter you asked me to read--""My husband''s letter?"
541	Well, then: this is better, is n''t it?
541	Well, well, what have I said to make you shake out the red flag? 541 Well, what of it?
541	Well, you''re Letterblair''s partner, ai n''t you? 541 Well-- can there be anything more abominable?"
541	Well-- that''s what we''re going to be, is n''t it?
541	Well-- then-- what more is there? 541 Well-- to put it on the lowest ground-- what''s she going to live on now?"
541	Well-- what harm was there in inviting her? 541 Well--?"
541	Well--?
541	Well--?
541	Well; it IS all, is n''t it?
541	What I wanted to tell you?
541	What am I? 541 What are you two plotting together, aunt Medora?"
541	What became of you, dear?
541	What ca n''t?
541	What circumstances?
541	What did I come for, if I do n''t speak yours?
541	What do you think better?
541	What else is there? 541 What harm could such accusations, even if he made them publicly, do me here?"
541	What if it had happened to Mrs. van der Luyden?
541	What is it you wanted to tell me?
541	What is it? 541 What is it?"
541	What is your object in speaking to me of this?
541	What kind of artists? 541 What news?"
541	What on earth will they expect me to talk about?
541	What others? 541 What right have you, in the circumstances, to BE on any other ground?"
541	What the devil do you mean, sir?
541	What were the conditions?
541	What would uncle Egmont have said of Lawrence Lefferts''s pronouncing on anybody''s social position? 541 What''s the matter?"
541	What''s the use of making mysteries? 541 What''s the use-- when you will go back?"
541	When I thought--"You thought?
541	When can I see you?
541	When?
541	Where did you come from?
541	Who can touch you? 541 Who''s''they''?
541	Why Elaine?
541	Why are we stopping? 541 Why did n''t you come down to the beach to fetch me, the day I was at Granny''s?"
541	Why did she write this?
541	Why does he never write?
541	Why not now?
541	Why not wear your wedding- dress? 541 Why not-- why not-- why not?"
541	Why not?
541	Why not?
541	Why should I be? 541 Why should he?
541	Why should n''t she be conspicuous if she chooses? 541 Why should n''t we be married in Lent?"
541	Why should we dream away another year? 541 Why this sacrifice?
541	Why-- aren''t you well?
541	Why-- do you mean that you''ve been overtaken?
541	Why-- have you waited long? 541 Why-- you know it will, do n''t you?"
541	Why? 541 Why?"
541	With a letter?
541	With this offer?
541	Would n''t she indeed? 541 Yes, dear?"
541	Yes, is n''t it? 541 Yes, you''ve thought--?"
541	Yes: I knew..."Well, then?
541	Yes: did n''t you know?
541	Yes; but how will the other women be dressed?
541	You WERE afraid? 541 You agree with me?"
541	You are horrified? 541 You did n''t guess--?"
541	You knew she meant to-- and you did n''t try to stop her? 541 You knew, then?"
541	You knew--?
541	You know about my husband-- my life with him?
541	You know my niece Countess Olenska?
541	You know painters, then? 541 You know she''s deserted me?"
541	You know that your aunt believes you will go back?
541	You like so much to be alone?
541	You mean the threat in her husband''s letter? 541 You mean you can manage it for me?
541	You mean, I suppose, that society here is not as brilliant? 541 You mean-- I''m so evidently helpless and defenceless?
541	You mean: does she speak the truth?
541	You really think this is due to some-- some intentional interference of Lawrence Lefferts''s?
541	You think it laughable?
541	You told her I was here?
541	You too-- oh, all this time, you too?
541	You understand, do n''t you,she went on,"why the family have sometimes been annoyed?
541	You want to try not to?
541	You''re alone-- at the Parker House?
541	Your vision of you and me together?
541	''I do n''t know her; who is she?''
541	''What for?''
541	--"The emissary?
541	About what?"
541	After a moment he ventured:"You do n''t happen to know why Madame Olenska went to Boston?
541	Ah, good conversation-- there''s nothing like it, is there?
541	Ah-- you did n''t know Ellen had come to spend the day with me?
541	Ai n''t there going to be any daughters-- only boys, eh?
541	And I suppose Augusta and Welland pulled long faces, and behaved as if the end of the world had come?
541	And above all, why did he couple it with Lefferts''s?
541	And he could imagine Sillerton Jackson adding with authority:"My dear fellow, have n''t you heard?
541	And if not, what else did she imagine?
541	And my dear old Granny?"
541	And of what account was anybody''s past, in the huge kaleidoscope where all the social atoms spun around on the same plane?
541	And the Duke tells me you like music-- didn''t you, Duke?
541	And the remorse of an adoring husband?"
541	And what does it matter, now you''re here to protect me?"
541	And what shall I wear?"
541	And what was that?"
541	And what will be done about Mrs. Beaufort?
541	And why tonight of all nights?
541	And you found it all out for yourselves-- it was not in the least arranged for you?"
541	Anyhow, I want to make a break--""A break?
541	Archer hung there and wondered.... What was left of the little world he had grown up in, and whose standards had bent and bound him?
541	Archer opened his eyes( but could they really have been shut, as he imagined?
541	Archer?"
541	Archer?"
541	Are n''t you in diplomacy?
541	Are there painters in New York?"
541	Are these things nothing?
541	Are you ill?"
541	Are you very much in love with her?"
541	At length she looked up at him and asked:"This other woman-- does she love you?"
541	At what time was he coming?"
541	Because you do n''t care for any one else?"
541	But I thought she was going back to Portsmouth?"
541	But are n''t you, after all, the person to do it?"
541	But how many generations of the women who had gone to her making had descended bandaged to the family vault?
541	But how much truth was behind it?
541	But it will be a hundred thousand times better-- won''t it, Newland?
541	But little May-- she knew better, I''ll be bound?"
541	But mother said--""Your mother?"
541	But on the material side, Mr. Archer, if one may stoop to consider such things; do you know what she is giving up?
541	But once he was married, what would become of this narrow margin of life in which his real experiences were lived?
541	But shall we go down and watch this absorbing match?
541	But that kind of thing is rather-- vulgar, is n''t it?"
541	But was it really no more?
541	But what does it matter, now it''s all over?"
541	But who ever thought of sparing their grandmother worry?"
541	But why do you ask?
541	But, after all, if this were the case, was it not worse than if she had left New York for the express purpose of meeting him?
541	But, dearest, why do you keep on laughing?
541	Ca n''t I persuade you to break away now?"
541	Ca n''t you and I strike out for ourselves, May?"
541	Carver, would there be time, before you start for the Blenkers''to explain to Mr. Archer your illuminating discovery of the Direct Contact?
541	Carver, you DO think him witty?"
541	Carver?
541	Could it be possible that the sense of unreality in which he felt himself imprisoned had communicated itself to his wife?
541	Did she really imagine that he and she could live like this?
541	Did the trotters do their business?
541	Did you ever know anything so disappointing?
541	Did you never hear her?"
541	Did you ring?"
541	Did you see the exquisite old lace she sent me?"
541	Do n''t people send them in Europe?
541	Do n''t you understand how I want you for my wife?"
541	Do you all think so much of that?
541	Do you remember, two years ago, their giving a party for a black man on the day of Julia Mingott''s the dansant?
541	Do you suppose, for instance, there would be any opening for me in America-- in New York?"
541	Do you want to marry into a family with a scandalous divorce- suit hanging over it?"
541	Do you?"
541	Does n''t she remind you of Mrs. Scott- Siddons when she reads''Lady Geraldine''s Courtship''?
541	Does no one want to know the truth here, Mr. Archer?
541	Finally she said:"I will tell you-- but where, where, where?
541	For a moment it was on the tip of his tongue to ask:"Did he send his secretary, then?"
541	For a moment she made no reply; then she asked, hardly above a whisper:"What do you mean by trusting to it to come true?"
541	Forty minutes, eh?
541	HERE?
541	Has she come?"
541	Have you ever been there?"
541	Have you heard the rumours about Beaufort''s speculations, Sillerton?"
541	Have you noticed that he has been less conscientious than usual in following up my case or your mother''s?"
541	He flushed with anger at his own stupidity: why had he not sent the note as soon as he arrived?
541	He knew that May most particularly wanted him to be kind to her cousin; was it not that wish which had hastened the announcement of their engagement?
541	He laughed, and she continued:"Was it because you told her so that she had to put you out on the way?
541	He lowered his voice to ask:"What sort of a need?"
541	He winced a little at her terrifying perspicacity, and longed to ask:"And May-- do they quote her?"
541	Her first exclamation was:"Newland-- has anything happened?"
541	Her hand is large-- it''s these modern sports that spread the joints-- but the skin is white.--And when''s the wedding to be?"
541	Her only chance would be to leave her husband-- yet how can any one tell her so?
541	How can you ask such funny questions?
541	How could he say:"Yes, if what your husband hints is true, or if you''ve no way of disproving it?"
541	How should any one coming from a wider world not feel the difference and be attracted by it?
541	How was he to tell her that, if she really cherished such a plan, the laws of the State were inexorably opposed to it?
541	I can talk to you instead of Mr. Letterblair?
541	I do LOVE the way she does her hair, do n''t you?"
541	I do n''t suppose you mind a little snow?"
541	I hear your ball was magnificent; and I understand you invited Mrs. Lemuel Struthers?
541	I hope it was not on account of bad news?"
541	I hope there''s no bad news in that telegram?
541	I hope you do n''t mean mine, my dear?
541	I know my Ellen-- haughty, intractable; shall I say, just a shade unforgiving?"
541	I say-- how do you feel about sailing on Wednesday?
541	I suppose you''ve come from there?"
541	I wonder if they''ll ever get it back?"
541	I wonder what her fate will be?"
541	If there ever was a case--""Well-- what''s the use?
541	If there''s no one and nothing between us, is n''t that an argument for marrying quickly, rather than for more delay?"
541	In God''s name, why?"
541	In this country are such things tolerated?
541	Instead of answering her he asked:"You knew the Duke before?"
541	Is he to replace me?"
541	Is it May''s?"
541	Is it my right to be here that you question?
541	Is n''t it, after all, what you always wanted?"
541	Is n''t that FRENCH?"
541	Is n''t there a Chinese torture like that?
541	Is the house so cold?"
541	Is there nowhere in an American house where one may be by one''s self?
541	It was Riviere who helped you to get away-- when you left your husband?"
541	It was when she sent for me alone-- you remember?
541	May I think it over, and write to you tomorrow morning?"
541	Medora''s hints--""Is it at your husband''s request that she has arrived here suddenly?"
541	Mr. Archer, will you put my aunt in the carriage?"
541	Newland, did you ever know of cousin Henry''s quarrelling?
541	Only, I wonder-- the thing one''s so certain of in advance: can it ever make one''s heart beat as wildly?"
541	Or do you perhaps believe the whole matter to be already closed?"
541	People do n''t have French tutors: what does he want to do?"
541	Recognising his wife''s hand, the young man opened the envelope and read:"Wo n''t you please come up town as early as you can?
541	Shall I say instead: on behalf of abstract justice?"
541	Shall I write the telegram for you, Auntie?
541	Shall we get out and walk, then?
541	Shall we go together this afternoon?"
541	She broke off, still twinkling at him, and asked, with the casual irrelevance of old age:"Now, why in the world did n''t you marry my little Ellen?"
541	She continued to consider him thoughtfully, as if not to miss any shade of meaning in what he said,"Do you think, then, there is a limit?"
541	She disengaged herself with a faint smile, and he said:"You did n''t expect me today?"
541	She had a grey silk sunshade over her head-- how could he ever have imagined her with a pink one?
541	She insists all the more on the long engagement, to give me time--""Time to give her up for the other woman?"
541	She laid her hand lightly on his arm, and he pleaded earnestly:"Ellen-- why wo n''t you tell me what''s happened?"
541	She looked down at the mother- of- pearl opera- glass in her smoothly gloved hands, and said, after a pause:"What do you do while May is away?"
541	She made no answer, and he went on:"What''s the use?
541	She paused, and added, lifting her head with one of her noble movements:"Or even if it''s true: why should n''t we speak of it?
541	She raised a troubled brow from her needlework to ask:"Has Janey told you?"
541	She shrugged her shoulders, with a little movement like Nastasia''s, and rejoined in a lighter tone:"Shall we walk on?
541	She was barely eighteen when Medora Manson took her back to Europe-- you remember the excitement when she appeared in black at her coming- out ball?
541	She was pretty, amusing and accomplished: what more did any one want?
541	She''s so romantic- looking, is n''t she?
541	Should he look his fill and then drive away?
541	Should he wait any longer?
541	Should n''t I know if she came up behind me, I wonder?"
541	Shut you up in that cage again?
541	Some time that you already foresee?"
541	Some time, then?
541	Something about yourself?"
541	Strangers do n''t discriminate: how should they?
541	Struthers''s?"
541	Symptoms of a lumbering coquetry became visible in her, and Archer found the strength to break in:"But Madame Olenska-- has she gone to Newport too?"
541	That ca n''t be wrong, can it?"
541	That''s what it always comes to, does n''t it?
541	The Marchioness replied by one of her queer foreign jerks, and a"Que voulez- vous?"
541	The Patroon''s house?
541	The boy is out, you say?
541	The question was: who was Beaufort?
541	The voice began again:"Think it over?
541	The young man''s heart grew chill, and he said hurriedly:"Ca n''t I persuade you to use your influence with the Wellands, Mrs. Mingott?
541	Then it''s a go, eh?
541	Then you knew her before?"
541	There was a general laugh, and the young champion said:"Well, then----?"
541	There''s nothing wrong?"
541	Therefore, as the family say, why not let well enough alone?"
541	They say, do n''t they,"he went on,"that the secretary helped her to get away from her brute of a husband, who kept her practically a prisoner?
541	Though, after all, he added, it did n''t matter; for when you''d seen Athens and Smyrna and Constantinople, what else was there?
541	Three days after you''ve entreated her on your knees to hasten your marriage?"
541	To give up the law?"
541	To meet you in this way, on the sly?
541	To warn her?"
541	Warn her?"
541	Was SHE at the ball too?"
541	Was n''t he dreadfully common?"
541	Was n''t she most awfully lovely?"
541	Was n''t she-- once-- your Fanny?"
541	Was that right?"
541	Was there any one, he wondered, to whom Madame Olenska had not proclaimed his intervention in her private affairs?
541	We wo n''t talk of your marriage; but do you see me marrying May after this?"
541	We''ve no character, no colour, no variety.--I wonder,"he broke out,"why you do n''t go back?"
541	Well, do you want to hear Sarasate play tomorrow evening at my house?
541	Well, what if he did?
541	Well, why not?
541	Well?"
541	What CAN be done about her?
541	What can you expect of a girl who was allowed to wear black satin at her coming- out ball?"
541	What do you mean by going home?"
541	What does it matter where one lives?
541	What does one have secretaries for?"
541	What had she been doing in all those four long months, he wondered?
541	What harm can it do to anybody?
541	What has she been telling you?"
541	What if it were from him that she had been running away, and if she had waited to tell him so till they were here alone together in this secret room?
541	What if the messenger had been misinformed, and she were still there?
541	What if"niceness"carried to that supreme degree were only a negation, the curtain dropped before an emptiness?
541	What if, for some one of the subtler reasons that would tell with both of them, they should tire of each other, misunderstand or irritate each other?
541	What if, when he had bidden May Welland to open hers, they could only look out blankly at blankness?
541	What sort of a job?
541	What sort of a life could we build on such foundations?"
541	What the devil did Ned Winsett want with Ellen Olenska''s name?
541	What was Madame Olenska running away from, and why did she feel the need to be safe?
541	What was it that had sent him there, he wondered?
541	What was the meaning of May''s blush when the Countess Olenska had been mentioned?
541	What weight would that carry?
541	What would she think if she found him sitting there with the air of intimacy implied by waiting alone in the dusk at a lady''s fireside?
541	What''s the use of our wasting another year?"
541	What-- can''t I say that either?
541	When am I to see her?"
541	Where, for instance?"
541	Wherein, then, lay the resemblance that made the young man''s heart beat with a kind of retrospective excitement?
541	Who can tell?
541	Who had the right to make her life over if she had n''t?
541	Whose hand did you think you were kissing, young man-- your wife''s, I hope?"
541	Why a bouquet?
541	Why are n''t we very well off as we are?"
541	Why are you crying?
541	Why do n''t you all get together and be''they''yourselves?"
541	Why do n''t you get into touch?
541	Why had she bidden him to come early if she was having people to dine?
541	Why not come with me?"
541	Why not make one''s own fashions?
541	Why not, I''d like to know?
541	Why not?"
541	Why poor?"
541	Why should I?"
541	Why should he not be, at that moment, on the sands of St. Augustine with May Welland?
541	Why should n''t we go out a little on the bay?
541	Why should n''t we make them real?"
541	Why should n''t we?"
541	Why should she slink about as if it were she who had disgraced herself?
541	Why, what''s happened?"
541	Why?"
541	Will you take the telegram, Newland?
541	Winsett?"
541	With whom?
541	Wo n''t you please take Ellen in?"
541	Would she meet this question with the same composure?
541	You do n''t know Dr. Agathon Carver, founder of the Valley of Love Community?"
541	You knew--?"
541	You know, I suppose, that she has declined all invitations to stay at Newport, even with her grandmother Mingott?
541	You like music too?
541	You live in their milieu?"
541	You never did ask each other anything, did you?
541	You said it was a patent case, did n''t you?"
541	You yourself came only yesterday, you say?
541	You''re a pianist yourself, I believe?
541	he broke out, a great hopeless HOW ON EARTH CAN I KEEP YOU?
541	he concluded with a laugh; and May echoed, bewildered:"Goodness-- ask the Carfrys''tutor?"
541	he insisted, looking down at her; and suddenly he broke out:"Have n''t we done all we could?"