This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
van der luyden | 91 |
the young man | 61 |
one of the | 54 |
the countess olenska | 47 |
in new york | 46 |
that he had | 43 |
the van der | 36 |
he had been | 31 |
that she had | 26 |
van der luydens | 25 |
he could not | 25 |
for a moment | 23 |
out of the | 22 |
would have been | 22 |
it was the | 22 |
that he was | 22 |
looked at him | 22 |
if he had | 21 |
i want to | 21 |
that she was | 21 |
there was a | 20 |
as if he | 20 |
he had not | 19 |
at him with | 19 |
to see her | 18 |
he did not | 18 |
side of the | 17 |
the fact that | 17 |
there was no | 17 |
in spite of | 16 |
as he had | 16 |
it was not | 16 |
it was a | 15 |
if she had | 15 |
of the family | 15 |
when he had | 15 |
a kind of | 15 |
he saw that | 15 |
and he had | 14 |
at the opera | 14 |
it had been | 14 |
of new york | 14 |
him with a | 14 |
the rest of | 14 |
he would have | 13 |
that it was | 13 |
at any rate | 13 |
for a long | 13 |
it seemed to | 13 |
as if she | 13 |
back to the | 13 |
she went on | 13 |
the idea of | 13 |
it would be | 13 |
but he had | 13 |
to see the | 12 |
to look at | 12 |
of the house | 12 |
out into the | 12 |
if it were | 12 |
to new york | 12 |
as long as | 12 |
and he saw | 12 |
he knew that | 12 |
of the room | 12 |
the sense of | 12 |
as if it | 12 |
that madame olenska | 12 |
he had never | 11 |
at the door | 11 |
there was nothing | 11 |
that they were | 11 |
and she had | 11 |
in a low | 11 |
and it was | 11 |
and madame olenska | 11 |
was going to | 11 |
the first time | 11 |
to her husband | 11 |
to go to | 10 |
but he was | 10 |
a long time | 10 |
and the young | 10 |
the kind of | 10 |
if it had | 10 |
the door of | 10 |
must have been | 10 |
and in the | 10 |
that there was | 10 |
she had been | 10 |
old new york | 10 |
to get away | 10 |
which he had | 10 |
the old lady | 10 |
up to the | 10 |
and she was | 10 |
seemed to have | 10 |
and there was | 10 |
for the first | 10 |
that she would | 10 |
seemed to him | 9 |
the day before | 9 |
that he would | 9 |
and all the | 9 |
of course i | 9 |
had not been | 9 |
which she had | 9 |
it must be | 9 |
going to be | 9 |
made no answer | 9 |
the club box | 9 |
that he should | 9 |
was to be | 9 |
to be the | 9 |
to be a | 9 |
get away from | 9 |
archer looked at | 9 |
i should like | 9 |
she seemed to | 9 |
said to himself | 9 |
a moment he | 9 |
he felt himself | 9 |
as soon as | 9 |
was in the | 9 |
the other side | 9 |
he had seen | 9 |
he was not | 9 |
one of her | 9 |
there had been | 9 |
of his own | 9 |
said in a | 9 |
and his wife | 9 |
to madame olenska | 9 |
henry van der | 9 |
to go back | 8 |
looked at her | 8 |
might have been | 8 |
the course of | 8 |
to the young | 8 |
the parker house | 8 |
and looked at | 8 |
to the countess | 8 |
what he had | 8 |
door of the | 8 |
after a moment | 8 |
was beginning to | 8 |
in the room | 8 |
to tell her | 8 |
do you mean | 8 |
the centre of | 8 |
in which the | 8 |
what do you | 8 |
as if the | 8 |
in the same | 8 |
had long since | 8 |
be able to | 8 |
the duke of | 8 |
at his side | 8 |
madame olenska had | 8 |
in his own | 8 |
he saw the | 8 |
had been the | 8 |
was one of | 8 |
at each other | 8 |
in order to | 8 |
a sense of | 8 |
new york society | 8 |
as much as | 8 |
fixed on the | 8 |
to say to | 8 |
have to be | 8 |
and on the | 8 |
to the house | 8 |
had never been | 8 |
go back to | 8 |
but it was | 8 |
and he was | 8 |
had come to | 8 |
it will be | 8 |
new york was | 8 |
he went on | 7 |
he saw her | 7 |
supposed to be | 7 |
she was going | 7 |
at her with | 7 |
der luyden had | 7 |
the marchioness manson | 7 |
a young man | 7 |
eyes fixed on | 7 |
and as he | 7 |
he perceived that | 7 |
she was not | 7 |
any one else | 7 |
on the sofa | 7 |
of the little | 7 |
some of the | 7 |
into the hall | 7 |
she was to | 7 |
had always been | 7 |
seemed to be | 7 |
had to be | 7 |
it in the | 7 |
had been a | 7 |
to think that | 7 |
he wanted to | 7 |
what he was | 7 |
on his lips | 7 |
the air of | 7 |
it was that | 7 |
most of the | 7 |
that his wife | 7 |
a good deal | 7 |
to think of | 7 |
to the door | 7 |
of the countess | 7 |
he remembered that | 7 |
he said to | 7 |
that the young | 7 |
if he were | 7 |
she did not | 7 |
in a tone | 7 |
of the same | 7 |
of the new | 7 |
the young girl | 7 |
the day after | 7 |
it would have | 7 |
rest of the | 7 |
on the way | 7 |
the next day | 7 |
him like a | 7 |
countess olenska had | 7 |
in which she | 7 |
that she should | 7 |
away from the | 7 |
she had not | 7 |
he broke out | 7 |
on the table | 7 |
in a moment | 7 |
a sort of | 7 |
duke of st | 7 |
a moment she | 7 |
with a smile | 7 |
that he and | 7 |
and that the | 7 |
not to be | 7 |
the end of | 7 |
and he felt | 7 |
at the same | 7 |
to tell you | 7 |
other side of | 7 |
but she was | 6 |
archer had been | 6 |
to him to | 6 |
it was in | 6 |
if she were | 6 |
the feeling that | 6 |
of the club | 6 |
when she was | 6 |
in that way | 6 |
the head of | 6 |
with a faint | 6 |
but when he | 6 |
he had always | 6 |
way in which | 6 |
at that hour | 6 |
with a slight | 6 |
of the two | 6 |
up at the | 6 |
him to the | 6 |
she would not | 6 |
in the drawing | 6 |
to spend the | 6 |
and that she | 6 |
to go on | 6 |
he felt as | 6 |
to see you | 6 |
she looked at | 6 |
went up to | 6 |
did not know | 6 |
knew that she | 6 |
countess olenska was | 6 |
i ought to | 6 |
he had left | 6 |
ought to be | 6 |
the next morning | 6 |
sense of the | 6 |
in the old | 6 |
the whole of | 6 |
on the threshold | 6 |
go to the | 6 |
as if to | 6 |
that the countess | 6 |
down on the | 6 |
into a laugh | 6 |
he felt that | 6 |
the thought that | 6 |
as it was | 6 |
it did not | 6 |
in the tone | 6 |
to make her | 6 |
the day was | 6 |
to take the | 6 |
to him that | 6 |
of a new | 6 |
on the other | 6 |
to do it | 6 |
she must have | 6 |
as he spoke | 6 |
he might have | 6 |
her with a | 6 |
to his wife | 6 |
in the course | 6 |
the back of | 6 |
part of the | 6 |
of the old | 6 |
the tone of | 6 |
the new york | 6 |
and at the | 6 |
i wanted to | 6 |
to tell him | 6 |
she would be | 6 |
a low voice | 6 |
of the box | 6 |
and when they | 6 |
on the whole | 6 |
and of course | 6 |
back of the | 6 |
asked me to | 6 |
to each other | 6 |
down at her | 6 |
as well as | 6 |
young man had | 6 |
were beginning to | 6 |
tell you that | 6 |
to let her | 6 |
i shall be | 6 |
he felt like | 6 |
looking at him | 6 |
he had had | 6 |
back to her | 6 |
at the thought | 5 |
not in the | 5 |
with one of | 5 |
of the younger | 5 |
a man who | 5 |
stood up and | 5 |
on the bench | 5 |
in fifth avenue | 5 |
away from her | 5 |
end of the | 5 |
it was impossible | 5 |
she might have | 5 |
members of the | 5 |
burst into a | 5 |
one of his | 5 |
the fact of | 5 |
was struck by | 5 |
and one of | 5 |
to do so | 5 |
on his return | 5 |
to be kind | 5 |
who had been | 5 |
in a kind | 5 |
in one of | 5 |
my dear fellow | 5 |
of the young | 5 |
than he had | 5 |
she raised her | 5 |
look at her | 5 |
for a few | 5 |
near the fire | 5 |
the date of | 5 |
in his chair | 5 |
in the first | 5 |
up fifth avenue | 5 |
they were to | 5 |
for a young | 5 |
to do anything | 5 |
a flash of | 5 |
for either of | 5 |
he thought of | 5 |
that he could | 5 |
in the centre | 5 |
had tried to | 5 |
in the hall | 5 |
of the van | 5 |
the worst of | 5 |
who had not | 5 |
he had a | 5 |
the scene of | 5 |
look at the | 5 |
as far as | 5 |
looked up at | 5 |
the little house | 5 |
the people who | 5 |
had not seen | 5 |
to the parker | 5 |
she had never | 5 |
of the kind | 5 |
all the while | 5 |
said at length | 5 |
and went on | 5 |
that they had | 5 |
the life of | 5 |
was not the | 5 |
was not to | 5 |
would not have | 5 |
then he remembered | 5 |
her with the | 5 |
came back to | 5 |
say to her | 5 |
two or three | 5 |
archer and janey | 5 |
he tried to | 5 |
the tip of | 5 |
to feel that | 5 |
away to the | 5 |
of the word | 5 |
to the other | 5 |
to her face | 5 |
i shall never | 5 |
would be to | 5 |
on the same | 5 |
scene of his | 5 |
he was to | 5 |
could not be | 5 |
if they were | 5 |
he was a | 5 |
it was only | 5 |
in the least | 5 |
the reggie chiverses | 5 |
the night of | 5 |
it was evident | 5 |
corner of the | 5 |
it was one | 5 |
was supposed to | 5 |
of the most | 5 |
shook her head | 5 |
in the evening | 5 |
to get to | 5 |
to his lips | 5 |
to go into | 5 |
in her voice | 5 |
he and she | 5 |
him to be | 5 |
she said in | 5 |
was not in | 5 |
his eyes fixed | 5 |
i saw you | 5 |
madame olenska was | 5 |
could not have | 5 |
that new york | 5 |
at his elbow | 5 |
up and down | 5 |
an air of | 5 |
they were not | 5 |
to have a | 5 |
of her own | 5 |
much more than | 5 |
and her eyes | 5 |
and may had | 5 |
out on the | 5 |
down into the | 5 |
with a laugh | 5 |
of all the | 5 |
in the afternoon | 5 |
going back to | 5 |
man who had | 5 |
had meant to | 5 |
stood on the | 5 |
and he wondered | 5 |
at the end | 5 |
what is it | 5 |
he had ever | 5 |
and the fact | 5 |
and as she | 5 |
now and then | 5 |
manson mingott had | 5 |
looking at her | 5 |
to talk about | 5 |
he had found | 5 |
down to the | 5 |
and he sat | 5 |
young man was | 5 |
of his life | 5 |
out of his | 5 |
the measure of | 5 |
had given him | 5 |
do you know | 5 |
you want to | 5 |
he had meant | 5 |
of a man | 5 |
i should have | 5 |
archer stood up | 5 |
turned toward the | 5 |
were of the | 5 |
so much more | 5 |
on a long | 5 |
to call on | 5 |
and for a | 5 |
she had the | 5 |
ought to know | 5 |
and her sister | 5 |
as we are | 5 |
since he had | 5 |
the question of | 5 |
a lot of | 5 |
caught sight of | 5 |
to be married | 5 |
was the only | 5 |
it was to | 5 |
head of the | 5 |
they would have | 5 |
in the train | 5 |
a number of | 5 |
was evident that | 5 |
the house of | 5 |
of the world | 5 |
in which he | 5 |
to her cousin | 4 |
he sat down | 4 |
want to know | 4 |
she held out | 4 |
like all the | 4 |
a moment later | 4 |
tone in which | 4 |
der luyden and | 4 |
here and there | 4 |
the beaufort ball | 4 |
when it was | 4 |
the memory of | 4 |
because she had | 4 |
archer continued to | 4 |
and he went | 4 |
by the fact | 4 |
he heard a | 4 |
struck him as | 4 |
in the mission | 4 |
he would be | 4 |
he thought she | 4 |
but after a | 4 |
the right to | 4 |
as he looked | 4 |
of the few | 4 |
on each side | 4 |
no reason why | 4 |
he and may | 4 |
understood that he | 4 |
and with a | 4 |
a glimpse of | 4 |
in the family | 4 |
a tone that | 4 |
he looked at | 4 |
he stood on | 4 |
it was her | 4 |
either of us | 4 |
so that they | 4 |
at length he | 4 |
back in his | 4 |
i was afraid | 4 |
to give her | 4 |
every detail of | 4 |
for a second | 4 |
the only one | 4 |
about the table | 4 |
things he had | 4 |
at that moment | 4 |
not to go | 4 |
so close to | 4 |
for him to | 4 |
so much as | 4 |
in the world | 4 |
the point of | 4 |
sort of a | 4 |
way to the | 4 |
to be free | 4 |
to know that | 4 |
change in her | 4 |
to his face | 4 |
with a sigh | 4 |
going to the | 4 |
there would be | 4 |
young men of | 4 |
he stood up | 4 |
wanted to see | 4 |
her to the | 4 |
the door and | 4 |
she had dropped | 4 |
had seen her | 4 |
in the summer | 4 |
half an hour | 4 |
him that he | 4 |
he was glad | 4 |
to the wharf | 4 |
there is a | 4 |
the appearance of | 4 |
and began to | 4 |
of ellen olenska | 4 |
of which he | 4 |
himself and the | 4 |
but madame olenska | 4 |
he loves me | 4 |
madame olenska said | 4 |
young man who | 4 |
she looked down | 4 |
the ground floor | 4 |
he had the | 4 |
with the same | 4 |
at the office | 4 |
had been no | 4 |
in all the | 4 |
the room was | 4 |
looked down at | 4 |
heard of the | 4 |
how do you | 4 |
he had dreamed | 4 |
there was something | 4 |
he had done | 4 |
up at him | 4 |
what he wanted | 4 |
of a young | 4 |
on a bench | 4 |
used to say | 4 |
had been made | 4 |
he was going | 4 |
to be in | 4 |
she returned with | 4 |
when they came | 4 |
when she had | 4 |
was on the | 4 |
to meet the | 4 |
and the latter | 4 |
had said to | 4 |
her at the | 4 |
at the club | 4 |
out of her | 4 |
but they were | 4 |
men of his | 4 |
said it was | 4 |
and she continued | 4 |
all sorts of | 4 |
a few months | 4 |
that they would | 4 |
of the office | 4 |
she made no | 4 |
want to get | 4 |
turned to the | 4 |
in on him | 4 |
i told you | 4 |
him to come | 4 |
he had come | 4 |
as he stood | 4 |
him in the | 4 |
their eyes met | 4 |
opened the door | 4 |
in such a | 4 |
had had to | 4 |
come to the | 4 |
the sound of | 4 |
of what was | 4 |
that the family | 4 |
that kind of | 4 |
for granted that | 4 |
of yellow roses | 4 |
of the year | 4 |
the whole family | 4 |
of his visit | 4 |
a young woman | 4 |
so long that | 4 |
a series of | 4 |
the lime rock | 4 |
was no one | 4 |
they were going | 4 |
had no idea | 4 |
with a kind | 4 |
back to new | 4 |
i wish you | 4 |
knew how to | 4 |
his wife was | 4 |
on the ground | 4 |
the door was | 4 |
archer felt the | 4 |
leaning against the | 4 |
she should be | 4 |
was the first | 4 |
for the last | 4 |
at the head | 4 |
but he could | 4 |
her face looked | 4 |
had to say | 4 |
have been more | 4 |
know what to | 4 |
her mother had | 4 |
all the other | 4 |
in her own | 4 |
of the lamp | 4 |
a murmur of | 4 |
with a long | 4 |
in his mind | 4 |
raised her head | 4 |
as he was | 4 |
that they should | 4 |
i should be | 4 |
he felt a | 4 |
of fifth avenue | 4 |
was aware that | 4 |
as if they | 4 |
knew that the | 4 |
madame olenska to | 4 |
she had gone | 4 |
what i want | 4 |
in the way | 4 |
in the middle | 4 |
heart was beating | 4 |
he had read | 4 |
but he saw | 4 |
newland and his | 4 |
that if he | 4 |
the two women | 4 |
struck by the | 4 |
people who wrote | 4 |
the selfridge merrys | 4 |
in his arms | 4 |
olenska had not | 4 |
on him with | 4 |
he saw his | 4 |
shall we go | 4 |
in his hands | 4 |
you and may | 4 |
wanted to tell | 4 |
you and i | 4 |
and when he | 4 |
she had made | 4 |
were going to | 4 |
the habit of | 4 |
he understood that | 4 |
he continued to | 4 |
of her family | 4 |
on the night | 4 |
that they might | 4 |
to be sure | 4 |
in a world | 4 |
he was in | 4 |
went to see | 4 |
she bent over | 4 |
did not move | 4 |
the mission garden | 4 |
went into the | 4 |
put it in | 4 |
look at him | 4 |
at this point | 4 |
the old new | 4 |
succeeded each other | 4 |
and the two | 4 |
up the nave | 4 |
her head slightly | 4 |
her head and | 4 |
where he had | 4 |
through his mind | 4 |
a moment archer | 4 |
in the eyes | 4 |
the newland archers | 4 |
it out to | 4 |
but i shall | 4 |
that it would | 4 |
to stare at | 4 |
on the evening | 4 |
vision of the | 4 |
and the duke | 4 |
he had said | 4 |
each other across | 4 |
and his sister | 4 |
in the park | 4 |
i understand that | 4 |
more than the | 4 |
he had heard | 4 |
use of the | 4 |
her face had | 4 |
would be the | 4 |
out of a | 4 |
she broke off | 4 |
the way of | 4 |
and after a | 4 |
she said she | 4 |
but i was | 4 |
have liked to | 4 |
him at the | 4 |
that you and | 4 |
of course you | 4 |
as free as | 4 |
rose to her | 4 |
to give up | 4 |
new york as | 4 |
she stood up | 4 |
to have been | 4 |
the first of | 4 |
you asked me | 4 |
the fact is | 4 |
you must be | 4 |
out her hand | 4 |
what sort of | 4 |
he saw a | 4 |
she turned to | 4 |
from the office | 4 |
to return to | 4 |
be kind to | 4 |
no one was | 4 |
after a pause | 4 |
bench in the | 4 |
archer knew that | 4 |
rest of her | 4 |
he had taken | 4 |
across the room | 4 |
saw that she | 4 |
back into the | 4 |
with her grandmother | 4 |
the house was | 4 |
it was generally | 4 |
of going to | 4 |
to him as | 4 |
with her husband | 4 |
because of the | 4 |
she glanced at | 4 |
some one else | 4 |
before he could | 4 |
she sat silent | 4 |
held out her | 4 |
go to washington | 4 |
and the same | 4 |
he entered the | 4 |
at his wife | 4 |
was that of | 4 |
the evening before | 4 |
to the drawing | 4 |
of the firm | 4 |
the same tone | 4 |
the use of | 4 |
to the family | 4 |
and stood up | 4 |
told him that | 4 |
it was on | 4 |
to the opera | 4 |
such as the | 4 |
do you think | 4 |
countess olenska to | 4 |
had once said | 4 |
to archer that | 4 |
used to be | 4 |
to his own | 4 |
a little more | 4 |
with all the | 4 |
looking down at | 4 |
in the carriage | 4 |
ellen olenska was | 4 |
the uselessness of | 4 |
to be one | 4 |
became aware of | 4 |
blood in his | 4 |
and a half | 4 |
of old mrs | 4 |
his mother and | 4 |
you tell me | 4 |
all the others | 4 |
him that the | 4 |
to hear what | 4 |
to keep her | 4 |
go into the | 4 |
and tried to | 4 |
in a small | 4 |
had gone to | 4 |
a part of | 4 |
the door opened | 4 |
seemed to archer | 4 |
was only a | 4 |
a few days | 4 |
and they were | 4 |
the change in | 4 |
and in that | 4 |
of the first | 4 |
continued to stare | 4 |
as to the | 4 |
room on the | 4 |
he meant to | 4 |
and a little | 4 |
made it impossible | 4 |
in a corner | 4 |
to put it | 4 |
the case of | 3 |
so that we | 3 |
the supreme court | 3 |
i think she | 3 |
was conscious of | 3 |
the lovell mingotts | 3 |
that we should | 3 |
into the muck | 3 |
he was struck | 3 |
had come out | 3 |
at the last | 3 |
of one who | 3 |
her head on | 3 |
beginning to be | 3 |
a pity she | 3 |
me if i | 3 |
her back to | 3 |
evening of the | 3 |
but now it | 3 |
laid down his | 3 |
to help you | 3 |
no one but | 3 |
watch in hand | 3 |
it for granted | 3 |
wonder at the | 3 |
but suddenly she | 3 |
him as a | 3 |
am i to | 3 |
he had long | 3 |
got up and | 3 |
had ever seen | 3 |
my dear newland | 3 |
come to me | 3 |
feeling that if | 3 |
on the first | 3 |
he used to | 3 |
and he turned | 3 |
the edge of | 3 |
the clever people | 3 |
she was always | 3 |
any of the | 3 |
a letter from | 3 |
side by side | 3 |
as her own | 3 |
the need of | 3 |
the pleasure of | 3 |
they had been | 3 |
idea of going | 3 |
not going to | 3 |
man of his | 3 |
let her go | 3 |
and i shall | 3 |
him as the | 3 |
with his mother | 3 |
the side of | 3 |
looking down on | 3 |
turned his eyes | 3 |
and who had | 3 |
to be alone | 3 |
do you want | 3 |
the presence of | 3 |
at least in | 3 |
house in which | 3 |
she ought to | 3 |
to jersey city | 3 |
i do love | 3 |
on his right | 3 |
new york is | 3 |
and looked up | 3 |
her in it | 3 |
had found the | 3 |
to put on | 3 |
she was at | 3 |
with her in | 3 |
to understand that | 3 |
at the tuileries | 3 |
at the century | 3 |
was nothing to | 3 |
in her hand | 3 |
from the fire | 3 |
to come to | 3 |
with a sudden | 3 |
the name of | 3 |
der luyden looked | 3 |
when they were | 3 |
she was sure | 3 |
knew that there | 3 |
give up the | 3 |
gone to the | 3 |
was the kind | 3 |
old catherine had | 3 |
not one of | 3 |
but there was | 3 |
due to the | 3 |
of their own | 3 |
of his voice | 3 |
that held the | 3 |
them with a | 3 |
of the wedding | 3 |
to his mother | 3 |
them with the | 3 |
he noticed that | 3 |
valley of love | 3 |
that i should | 3 |
lapse of time | 3 |
i was just | 3 |
had ceased to | 3 |
had told him | 3 |
she looked up | 3 |
i suppose i | 3 |
to live in | 3 |
were trying to | 3 |
the face of | 3 |
been one of | 3 |
sight of the | 3 |
and came back | 3 |
it was just | 3 |
the mingotts would | 3 |
he was beginning | 3 |
told her i | 3 |
she would have | 3 |
the new generation | 3 |
before the supreme | 3 |
with a secret | 3 |
only the day | 3 |
they must have | 3 |
of the carriage | 3 |
that was the | 3 |
gave him a | 3 |
if they had | 3 |
had dropped back | 3 |
not so much | 3 |
other across the | 3 |
this kind of | 3 |
two years ago | 3 |
because it was | 3 |
i must go | 3 |
against the chimney | 3 |
that he is | 3 |
head with a | 3 |
on the surface | 3 |
remembered that he | 3 |
against the snow | 3 |
the necessity of | 3 |
gave way to | 3 |
he could think | 3 |
it was for | 3 |
desire to be | 3 |
with a sense | 3 |
archer had not | 3 |
he had known | 3 |
been able to | 3 |
it might be | 3 |
that there were | 3 |
the case with | 3 |
other end of | 3 |
which had been | 3 |
aware of the | 3 |
she was silent | 3 |
worth while to | 3 |
to speak to | 3 |
she had put | 3 |
expected him to | 3 |
have been like | 3 |
to his surprise | 3 |
young man stood | 3 |
in which it | 3 |
in his hand | 3 |
a great deal | 3 |
he had gone | 3 |
had left the | 3 |
new york the | 3 |
tell him so | 3 |
she meant to | 3 |
the way in | 3 |
cloak about her | 3 |
a thousand times | 3 |
the opportunity of | 3 |
could think of | 3 |
give him the | 3 |
did not care | 3 |
see madame olenska | 3 |
spite of the | 3 |
all the old | 3 |
because he was | 3 |
and i was | 3 |
hand in the | 3 |
to be able | 3 |
occurred to him | 3 |
such things were | 3 |
and as the | 3 |
spite of her | 3 |
to the little | 3 |
want to marry | 3 |
carfry and miss | 3 |
to take it | 3 |
up for the | 3 |
it was as | 3 |
through all his | 3 |
at her ease | 3 |
from the stage | 3 |
her duty to | 3 |
and people who | 3 |
back at him | 3 |
life in the | 3 |
does it matter | 3 |
and the best | 3 |
so that the | 3 |
conscious of a | 3 |
the fall river | 3 |
he and his | 3 |
all the people | 3 |
he became aware | 3 |
of the best | 3 |
atmosphere of the | 3 |
she leaned forward | 3 |
but archer had | 3 |
to leave the | 3 |
glanced at him | 3 |
compared with the | 3 |
running away from | 3 |
archer did not | 3 |
he was conscious | 3 |
that would be | 3 |
der luyden paused | 3 |
she came back | 3 |
door had closed | 3 |
with an amused | 3 |
and the marchioness | 3 |
she was a | 3 |
and archer stood | 3 |
but for the | 3 |
be done about | 3 |
to the point | 3 |
since she had | 3 |
and archer was | 3 |
archer made no | 3 |
living in a | 3 |
free as we | 3 |
nothing like it | 3 |
to drive to | 3 |
at the little | 3 |
as though he | 3 |
had never before | 3 |
as became a | 3 |
and archer felt | 3 |
nothing to do | 3 |
but she had | 3 |
to the library | 3 |
but did not | 3 |
he had watched | 3 |
a lie in | 3 |
was able to | 3 |
all very well | 3 |
the mingott clan | 3 |
name of the | 3 |
miss fanny ring | 3 |
a new york | 3 |
to see him | 3 |
hall with a | 3 |
he had called | 3 |
wanted me to | 3 |
luyden and mr | 3 |
gave the measure | 3 |
said they were | 3 |
no one knew | 3 |
at the idea | 3 |
he had to | 3 |
took refuge in | 3 |
point of view | 3 |
it was all | 3 |
the hand that | 3 |
glimpse of the | 3 |
had sent her | 3 |
i might have | 3 |
he had sent | 3 |
to take in | 3 |
if there were | 3 |
she used to | 3 |
she could not | 3 |
newland archer as | 3 |
saw that her | 3 |
bent over to | 3 |
place in the | 3 |
in the most | 3 |
for a lady | 3 |
a book or | 3 |
idea of the | 3 |
night of her | 3 |
at least a | 3 |
he looked about | 3 |
sound of his | 3 |
looked about the | 3 |
at that very | 3 |
the stairs to | 3 |
lovell mingott and | 3 |
to make it | 3 |
a long talk | 3 |
he made no | 3 |
like everybody else | 3 |
over the fire | 3 |
his best man | 3 |
bow and arrow | 3 |
in a voice | 3 |
looked at his | 3 |
on the very | 3 |
way for him | 3 |
ought not to | 3 |
rose to his | 3 |
in the new | 3 |
by the thought | 3 |
was not a | 3 |
and he said | 3 |
when medora manson | 3 |
to keep up | 3 |
that he felt | 3 |
home to him | 3 |
what to do | 3 |
held in place | 3 |
been to see | 3 |
took it up | 3 |
if there is | 3 |
as if in | 3 |
were on the | 3 |
the evening of | 3 |
in another moment | 3 |
that she might | 3 |
rang the bell | 3 |
i had to | 3 |
it was thus | 3 |
he remembered the | 3 |
should like to | 3 |
the mulatto maid | 3 |
had made her | 3 |
kind of thing | 3 |
the italian lakes | 3 |
out in the | 3 |
a world where | 3 |
to measure the | 3 |
the other end | 3 |
she had spent | 3 |
had been sent | 3 |
remained in his | 3 |
detail of the | 3 |
in the morning | 3 |
she turned and | 3 |
at this season | 3 |
she lifted her | 3 |
he said in | 3 |
glanced at her | 3 |
turned back to | 3 |
archer felt himself | 3 |
for some time | 3 |
of her face | 3 |
evening at the | 3 |
archer sprang up | 3 |
he was saying | 3 |
made up of | 3 |
the duke to | 3 |
on her knee | 3 |
but when they | 3 |
and full of | 3 |
it at the | 3 |
every one was | 3 |
in my time | 3 |
the house in | 3 |
louisa van der | 3 |
you mean by | 3 |
had made the | 3 |
it with the | 3 |
with a little | 3 |
in his memory | 3 |
what if it | 3 |
of the second | 3 |
but no one | 3 |
mingotts would have | 3 |
knowing what he | 3 |
he turned to | 3 |
good deal of | 3 |
he knew the | 3 |
the first week | 3 |
i wonder if | 3 |
not to have | 3 |
he got up | 3 |
he turned away | 3 |
not to look | 3 |
had had the | 3 |
lived in a | 3 |
than new york | 3 |
eyes at the | 3 |
drew out a | 3 |
and continued to | 3 |
he caught sight | 3 |
that you were | 3 |
up to her | 3 |
her colour rose | 3 |
he waited for | 3 |
ask him to | 3 |
the eyes of | 3 |
that i might | 3 |
that it had | 3 |
of what people | 3 |
bent her head | 3 |
with a flash | 3 |
the very moment | 3 |
it should be | 3 |
mother and sister | 3 |
he asked abruptly | 3 |
no idea of | 3 |
hand on his | 3 |
for his own | 3 |
front of the | 3 |
lawrence lefferts and | 3 |
go and see | 3 |
he supposed that | 3 |
in which his | 3 |
down the table | 3 |
had been to | 3 |
of the mingott | 3 |
at her side | 3 |
to get her | 3 |
have to go | 3 |
had listened to | 3 |
was a general | 3 |
but on the | 3 |
the room with | 3 |
in an atmosphere | 3 |
she had fled | 3 |
had never heard | 3 |
of the other | 3 |
ought to have | 3 |
year and a | 3 |
in her hair | 3 |
came to see | 3 |
the lady was | 3 |
want you to | 3 |
who had never | 3 |
on him he | 3 |
to know what | 3 |
i do hope | 3 |
there with the | 3 |
to meet him | 3 |
out at the | 3 |
but as he | 3 |
if he could | 3 |
on his last | 3 |
to prevent his | 3 |
as she was | 3 |
allusion to the | 3 |
and kissed her | 3 |
he had once | 3 |
more than one | 3 |
him on his | 3 |
settled down to | 3 |
the mantelpiece and | 3 |
as part of | 3 |
to take a | 3 |
that i know | 3 |
for her to | 3 |
her into the | 3 |
of which the | 3 |
to the hotel | 3 |
with a start | 3 |
thought she would | 3 |
to which the | 3 |
the same thing | 3 |
the very day | 3 |
measure of his | 3 |
because she was | 3 |
to the shore | 3 |
and so i | 3 |
take in the | 3 |
not to let | 3 |
no use in | 3 |
to feel the | 3 |
in the library | 3 |
in place by | 3 |
what on earth | 3 |
i said to | 3 |
to make a | 3 |
in order that | 3 |
arm through his | 3 |
be allowed to | 3 |
was agreed that | 3 |
a volume of | 3 |
but at any | 3 |
arms about his | 3 |
he would not | 3 |
from his seat | 3 |
for a new | 3 |
the direction of | 3 |
the blood in | 3 |
lie in every | 3 |
and miss harle | 3 |
to care for | 3 |
would have preferred | 3 |
my little ellen | 3 |
young man to | 3 |
a low tone | 3 |
that seemed to | 3 |
and they stood | 3 |
of her age | 3 |
room with the | 3 |
her future son | 3 |
they had both | 3 |
his return home | 3 |
call on her | 3 |
you know that | 3 |
if she did | 3 |
here he was | 3 |
with which she | 3 |
for two years | 3 |
felt that he | 3 |
and she answered | 3 |
down in a | 3 |
him that it | 3 |
i know you | 3 |
moment he could | 3 |
and he perceived | 3 |
of the lilies | 3 |
the announcement of | 3 |
he paused to | 3 |
we can be | 3 |
arm about her | 3 |
der luydens had | 3 |
looked at the | 3 |
and spoke of | 3 |
a group of | 3 |
der luyden was | 3 |
her life in | 3 |
he said at | 3 |
his eyes on | 3 |
of the case | 3 |
of the beaufort | 3 |
new york has | 3 |
a lady to | 3 |
into the street | 3 |
by the same | 3 |
leaned back in | 3 |
have to talk | 3 |
thought of it | 3 |
of having to | 3 |
count on you | 3 |
and she came | 3 |
he had expected | 3 |
these things to | 3 |
would have tried | 3 |
he felt her | 3 |
since they had | 3 |
and once more | 3 |
was just what | 3 |
and when she | 3 |
turn of the | 3 |
of which mr | 3 |
her off to | 3 |
an hour earlier | 3 |
to let me | 3 |
but in his | 3 |
blush rose to | 3 |
she had said | 3 |
to have to | 3 |
he wrote a | 3 |
he was too | 3 |
return to her | 3 |
no effort to | 3 |
her i was | 3 |
were likely to | 3 |
day or two | 3 |
under her roof | 3 |
to himself that | 3 |
be married in | 3 |
with the beauforts | 3 |
what he said | 3 |
my dear sir | 3 |
a breath of | 3 |
what the devil | 3 |
the world of | 3 |
going to mrs | 3 |
alone with his | 3 |
in his veins | 3 |
it was because | 3 |
might think of | 3 |
always going to | 3 |
laid her hand | 3 |
black velvet and | 3 |
a word to | 3 |
on the stage | 3 |
herself in her | 3 |
the poor lady | 3 |
and bending over | 3 |
he had kept | 3 |
to be different | 3 |
eyes on her | 3 |
had begun to | 3 |
in the days | 3 |
asked you to | 3 |
appeared to be | 3 |
the tie between | 3 |
have tried it | 3 |
to do with | 3 |
to hear her | 3 |
felt as if | 3 |
from the first | 3 |
the one thing | 3 |
member of the | 3 |
had been one | 3 |
sat with her | 3 |
and she went | 3 |
be one of | 3 |
i shall see | 3 |
her face and | 3 |
one by one | 3 |
in which a | 3 |
dinner for the | 3 |
and of the | 3 |
with the air | 3 |
smiled a little | 3 |
just as he | 3 |
as if her | 3 |
looked at each | 3 |
in the blessed | 3 |
her other relations | 3 |
to see me | 3 |
her head with | 3 |
whether she had | 3 |
she was so | 3 |
one in the | 3 |
at length she | 3 |
i was in | 3 |
go straight to | 3 |
middle of the | 3 |
was always a | 3 |
her in his | 3 |
with madame olenska | 3 |
left the room | 3 |
we might be | 3 |
it would take | 3 |
and that it | 3 |
for two days | 3 |
if i could | 3 |
her arms about | 3 |
what does it | 3 |
the burden of | 3 |
feel the need | 3 |
but in the | 3 |
in the evenings | 3 |
madame olenska sat | 3 |
dropped into his | 3 |
of the eight | 3 |
miss sophy jackson | 3 |
at her feet | 3 |
but after all | 3 |
their hands met | 3 |
to her and | 3 |
shall see you | 3 |
had made no | 3 |
made way for | 3 |
of miss fanny | 3 |
the old gentleman | 3 |
into the fire | 3 |
on this occasion | 3 |
would never have | 3 |
you were there | 3 |
he caught the | 3 |
the corner of | 3 |
but it had | 3 |
had grown up | 3 |
and a moment | 3 |
her in a | 3 |
gave him an | 3 |
her grandmother and | 3 |
a few words | 3 |
when the last | 3 |
to be an | 3 |
only in the | 3 |
wanted to know | 3 |
i hope you | 3 |
i thought you | 3 |
a faint smile | 3 |
for she was | 3 |
him in her | 3 |
as they drove | 3 |
she had given | 3 |
the family had | 3 |
archer roused himself | 3 |
and newland archer | 3 |
the thought of | 3 |
have been a | 3 |
at the ball | 3 |
the next evening | 3 |
to be seen | 3 |
to her lips | 3 |
no doubt you | 3 |
he felt the | 3 |
surprised him by | 3 |
signed to the | 3 |
the tone in | 3 |
impression of the | 3 |
at his watch | 3 |
a little while | 3 |
at her husband | 3 |
tried it on | 3 |
the same moment | 3 |
but he knew | 3 |
stood up also | 3 |
in conformity with | 3 |
never thought of | 3 |
and then added | 3 |
i told her | 3 |
you were right | 3 |
i was going | 3 |
new york had | 3 |
width of the | 3 |
and no one | 3 |
of madame olenska | 3 |
welland and may | 3 |
word on his | 3 |
and before he | 3 |
a corner of | 3 |
the valley of | 3 |
a little girl | 3 |
which the young | 3 |
one of these | 3 |
of the great | 3 |
of the table | 3 |
then she said | 3 |
of the ladies | 3 |
her hand on | 3 |
had time to | 3 |
of a small | 3 |
a very old | 3 |
newland archer felt | 3 |
the middle of | 3 |
shall i say | 3 |
himself that the | 3 |
down fifth avenue | 3 |
had passed since | 3 |
a day or | 3 |
made no effort | 3 |
her to him | 3 |
any one who | 3 |
the day with | 3 |
to the dinner | 3 |
in the path | 3 |
and left the | 3 |
and turned back | 3 |
been brought up | 3 |
with the sense | 3 |
was looking at | 3 |
i used to | 3 |
was full of | 3 |
up the steps | 3 |
he was aware | 3 |
into the brougham | 3 |
glance at the | 3 |
that he must | 3 |
at the very | 3 |
to go and | 3 |
of each other | 3 |
the gothic library | 3 |
knew that mrs | 3 |
in such cases | 3 |
she thinks it | 3 |
vanished in the | 3 |
to settle down | 3 |
about her with | 3 |
ever since he | 3 |
of his marriage | 3 |
he wondered if | 3 |
had been so | 3 |
one side and | 3 |
was going on | 3 |
his chair and | 3 |
and signed to | 3 |
she had told | 3 |
for a while | 3 |
a voice that | 3 |
and he remembered | 3 |
in the little | 3 |
the young men | 3 |
whole of new | 3 |
persuade you to | 3 |
and her daughter | 3 |
if madame olenska | 3 |
you were a | 3 |
young man of | 3 |
the first to | 3 |
noticed that his | 3 |
the vision of | 3 |
is a very | 3 |
the light of | 3 |
returned to the | 3 |
in the long | 3 |
at the beaufort | 3 |
archer and her | 3 |
left new york | 3 |
a man of | 3 |
in the circumstances | 3 |
on his arm | 3 |
the depths of | 3 |
said that he | 3 |
with an old | 3 |
was about to | 3 |
sat down beside | 3 |
though he had | 3 |
himself with a | 3 |
to have no | 3 |
the line of | 3 |
i am not | 3 |
going to washington | 3 |
to newland archer | 3 |
down beside her | 3 |
each other in | 3 |
of the welland | 3 |
a little at | 3 |
fair to her | 3 |
of the company | 3 |
for it was | 3 |
that of the | 3 |
had entered the | 3 |
no more than | 3 |
a word with | 3 |
would have liked | 3 |
he heard her | 3 |
on the day | 3 |
why should we | 3 |
kind to her | 3 |
that of a | 3 |
the way the | 3 |
which they had | 3 |
and suddenly he | 3 |
about his neck | 3 |
no right to | 3 |
by the fire | 3 |
each side of | 3 |
house on the | 3 |
a bunch of | 3 |
of the drawing | 3 |
at the back | 3 |
was the custom | 3 |
a long engagement | 3 |
with the family | 3 |
to be here | 3 |
between himself and | 3 |
would have to | 3 |
was sure that | 3 |
you at the | 3 |
if you can | 3 |
in the interval | 3 |
was no use | 3 |
duty to go | 3 |
a woman who | 3 |
turned into the | 3 |
he told her | 3 |
and the way | 3 |
it was agreed | 3 |
and there were | 3 |
in face of | 3 |
on the door | 3 |
on account of | 3 |
to one of | 3 |
i want you | 3 |
full of a | 3 |
or at least | 3 |
should not have | 3 |
and her son | 3 |
his arm about | 3 |
when the door | 3 |
that he might | 3 |
the two men | 3 |
she and her | 2 |
with her to | 2 |
the threshold of | 2 |
of mind he | 2 |
liked to be | 2 |
had not the | 2 |
if he did | 2 |
closed the door | 2 |
was like no | 2 |
was not sure | 2 |
came up behind | 2 |
he intended to | 2 |
seen the countess | 2 |
and by the | 2 |
be going on | 2 |
he thought it | 2 |
was one that | 2 |
at the other | 2 |
one knew exactly | 2 |
she did so | 2 |
of the door | 2 |
while you were | 2 |
fact that madame | 2 |
her when she | 2 |
as all the | 2 |
me to go | 2 |
the play of | 2 |
in a strange | 2 |
to ask the | 2 |
him to do | 2 |
turned to mrs | 2 |
la concorde and | 2 |
in a great | 2 |
still looking at | 2 |
not worth while | 2 |
on the key | 2 |
the mystery of | 2 |
that sort of | 2 |
the sad butler | 2 |
why you should | 2 |
it was beaufort | 2 |
of the perfect | 2 |
heart gave a | 2 |
leaning on the | 2 |
of the united | 2 |
stopped at the | 2 |
the sofa beside | 2 |
martha washington ball | 2 |
he was always | 2 |
up in a | 2 |
eyes to the | 2 |
anything to say | 2 |
sent her a | 2 |
he had given | 2 |
do you suppose | 2 |
and that at | 2 |
were received with | 2 |
do was to | 2 |
the place de | 2 |
with you at | 2 |
to have them | 2 |
wished to see | 2 |
for an indefinite | 2 |
for some reason | 2 |
depths of a | 2 |
she was away | 2 |
in favour of | 2 |
and by his | 2 |
to meet her | 2 |
his elbows on | 2 |
he was the | 2 |
on the upper | 2 |
home from mrs | 2 |
glass of port | 2 |
from madame olenska | 2 |
eyes met in | 2 |
and lifted her | 2 |
i shall miss | 2 |
he took it | 2 |
had returned the | 2 |
round the world | 2 |
that made the | 2 |
box with the | 2 |
grown up among | 2 |
should have been | 2 |
a few weeks | 2 |
would not understand | 2 |
through which the | 2 |
to bring the | 2 |
with the van | 2 |
was that it | 2 |
just been to | 2 |
and a day | 2 |
asked her to | 2 |
to break away | 2 |
to keep his | 2 |
rest of them | 2 |
not as long | 2 |
as he approached | 2 |
that the mingotts | 2 |
broke into a | 2 |
at this moment | 2 |
a certain number | 2 |
moment she was | 2 |
lit in the | 2 |
why should he | 2 |
with the most | 2 |
back into his | 2 |
she too had | 2 |
these things as | 2 |
in the box | 2 |
archer in a | 2 |
in the firm | 2 |
the marchioness to | 2 |
words had been | 2 |
had evidently not | 2 |
on his shoulder | 2 |
shoulders and turned | 2 |
just like the | 2 |
projection of her | 2 |
of the day | 2 |
in her corner | 2 |
to her friends | 2 |
archer had always | 2 |
the placing of | 2 |
into the lobby | 2 |
went out of | 2 |
met in the | 2 |
was not what | 2 |
a matter of | 2 |
was to happen | 2 |
away to her | 2 |
the sensation of | 2 |
she said simply | 2 |
as a little | 2 |
was slightly annoyed | 2 |
happier with her | 2 |
that if the | 2 |
and as they | 2 |
look me up | 2 |
his arm through | 2 |
back to europe | 2 |
to beg you | 2 |
about to speak | 2 |
me what i | 2 |
in at the | 2 |
down the passage | 2 |
things that he | 2 |
echoed with a | 2 |
was out of | 2 |
he would always | 2 |
get to it | 2 |
pointing to the | 2 |
tie between the | 2 |
she answered that | 2 |
one of them | 2 |
he reviewed his | 2 |
young girl who | 2 |
up and walked | 2 |
her use of | 2 |
that very moment | 2 |
but i thought | 2 |
and i do | 2 |
wife of a | 2 |
for the answer | 2 |
added with a | 2 |
from her seat | 2 |
forth on the | 2 |
in wardian cases | 2 |
of the hall | 2 |
his last visit | 2 |
course it must | 2 |
where she had | 2 |
matter of course | 2 |
other in the | 2 |
aware that the | 2 |
approach to the | 2 |
all these things | 2 |
mounted the stairs | 2 |
to look into | 2 |
of a woman | 2 |
life had been | 2 |
a city where | 2 |
a summary of | 2 |
him as to | 2 |
the moment he | 2 |
which it was | 2 |
if she was | 2 |
and sighed out | 2 |
do you say | 2 |
her tone was | 2 |
the days when | 2 |
see only the | 2 |
ada dyas as | 2 |
came to town | 2 |
the glitter of | 2 |
at the gorgon | 2 |
and over the | 2 |
him that she | 2 |
the bridesmaids were | 2 |
i have just | 2 |
made her understand | 2 |
grandmother and her | 2 |
know how to | 2 |
never dreamed of | 2 |
may count on | 2 |
had turned her | 2 |
in the big | 2 |
the engagement ring | 2 |
certain number of | 2 |
up in the | 2 |
easily as the | 2 |
led him to | 2 |
wanted to get | 2 |
the first prize | 2 |
you were afraid | 2 |
to the hall | 2 |
repeating to himself | 2 |
tired of her | 2 |
and looking up | 2 |
he flushed with | 2 |
through the park | 2 |
when she left | 2 |
she threw back | 2 |
the archer madeira | 2 |
out of it | 2 |
he had kissed | 2 |
since he could | 2 |
the latter had | 2 |
the circle of | 2 |
her opera cloak | 2 |
the night before | 2 |
to make this | 2 |
through him like | 2 |
a drawer and | 2 |
declined all invitations | 2 |
that he wondered | 2 |
of a husband | 2 |
live in the | 2 |
sillerton jackson was | 2 |
sorts of new | 2 |
it had not | 2 |
had fancied that | 2 |
her that it | 2 |
mingott and mrs | 2 |
the family say | 2 |
her eyes were | 2 |
the young frenchman | 2 |
and at that | 2 |
on the chimney | 2 |
an isabey miniature | 2 |
new york way | 2 |
as he watched | 2 |
he had stood | 2 |
and venetian point | 2 |
her white teeth | 2 |
want to help | 2 |
the countess to | 2 |
he had intended | 2 |
centre of this | 2 |
a little better | 2 |
would be more | 2 |
the distance that | 2 |
madame olenska seen | 2 |
archer drew her | 2 |
she continued to | 2 |
in addition to | 2 |
his lips on | 2 |
that it might | 2 |
her to get | 2 |
letterblair unlocked a | 2 |
a note on | 2 |
to her cheek | 2 |
see the same | 2 |
met the question | 2 |
to keep you | 2 |
spend the night | 2 |
in east thirty | 2 |
and they walked | 2 |
with her grave | 2 |
that there could | 2 |
all of them | 2 |
to her at | 2 |
on the hand | 2 |
all the members | 2 |
mother and daughter | 2 |
she had become | 2 |
engagement at the | 2 |
any number of | 2 |
must be a | 2 |
to give me | 2 |
kept his eyes | 2 |
he made a | 2 |
and went into | 2 |
on his feet | 2 |
his father was | 2 |
how we feel | 2 |
he went up | 2 |
had not spoken | 2 |
he was silent | 2 |
madame olenska that | 2 |
faces about him | 2 |
she made a | 2 |
to become a | 2 |
and she could | 2 |
young man knew | 2 |
he asked in | 2 |
a reason for | 2 |
to her side | 2 |
to the younger | 2 |
her hands in | 2 |
you call it | 2 |
a visit to | 2 |
church this morning | 2 |
had a right | 2 |
with a tender | 2 |
that archer had | 2 |
rose to go | 2 |
should be going | 2 |
likely to be | 2 |
a man to | 2 |
out to him | 2 |
archer at length | 2 |
finished reading the | 2 |
he lowered his | 2 |
museum of art | 2 |
the welland villa | 2 |
a free man | 2 |
her that gave | 2 |
he turned into | 2 |
inexorably opposed to | 2 |
as she settled | 2 |
a right to | 2 |
and pleasant a | 2 |
once more the | 2 |
going to like | 2 |
house and the | 2 |
be back by | 2 |
for ellen olenska | 2 |
to the effect | 2 |
in the hansom | 2 |
he and madame | 2 |
in this way | 2 |
end of bellevue | 2 |
her son and | 2 |
room in which | 2 |
into the old | 2 |
she reached the | 2 |
did you ever | 2 |
went down to | 2 |
sunday with the | 2 |
looking up at | 2 |
on one of | 2 |
and she has | 2 |
son and daughter | 2 |
distasteful to him | 2 |
the things he | 2 |
lean against the | 2 |
always said that | 2 |
feel that he | 2 |
with which her | 2 |
the subject of | 2 |
he looked up | 2 |
like that of | 2 |
of her expression | 2 |
engagement was announced | 2 |
it were the | 2 |
still clung to | 2 |
wanted to say | 2 |
the uncertainty of | 2 |
there had never | 2 |
he paused again | 2 |
at the writing | 2 |
what was going | 2 |
herself with a | 2 |
he put his | 2 |
to the station | 2 |
glanced about him | 2 |
the vague charge | 2 |
and that there | 2 |
but why should | 2 |
as she did | 2 |
as fine as | 2 |
window of the | 2 |
with a large | 2 |
to thank me | 2 |
she sank down | 2 |
man of the | 2 |
in a thicket | 2 |
everybody in new | 2 |
of the tuileries | 2 |
any more than | 2 |
alone across the | 2 |
the shadow of | 2 |
was when she | 2 |
they had even | 2 |
people who are | 2 |
but you are | 2 |
more than once | 2 |
be too careful | 2 |
how could he | 2 |
of the street | 2 |
fell upon his | 2 |
of course not | 2 |
a means of | 2 |
can be alone | 2 |
the bank had | 2 |
it was hardly | 2 |
it up and | 2 |
and her face | 2 |
young man felt | 2 |
based on the | 2 |
madame olenska may | 2 |
she had surprised | 2 |
gone back to | 2 |
interval she had | 2 |
the carriage rolled | 2 |
do but to | 2 |
was the old | 2 |
to washington to | 2 |
the wife of | 2 |
few in new | 2 |
to be back | 2 |
hand to the | 2 |
kind of way | 2 |
ask you to | 2 |
straight in the | 2 |
the same language | 2 |
archer had had | 2 |
eyes with her | 2 |
on the cliffs | 2 |
kind of freedom | 2 |
off to parties | 2 |
archer and madame | 2 |
the round of | 2 |
on one side | 2 |
in the mountains | 2 |
of old age | 2 |
for that reason | 2 |
up and moved | 2 |
very old woman | 2 |
case of the | 2 |
on a holiday | 2 |
the door had | 2 |
her way to | 2 |
her thin shoulders | 2 |
the addition of | 2 |
the farther side | 2 |
down a vista | 2 |
face looked pale | 2 |
to do something | 2 |
dear of you | 2 |
on with a | 2 |
his life had | 2 |
strike out for | 2 |
it was too | 2 |
and from this | 2 |
confusion of mind | 2 |
who knew nothing | 2 |
i see you | 2 |
a still smaller | 2 |
sent a faint | 2 |
had been as | 2 |
had not proclaimed | 2 |
to the best | 2 |
had known that | 2 |
the patience of | 2 |
as for the | 2 |
it was almost | 2 |
she had indeed | 2 |
had been seen | 2 |
had had no | 2 |
of his best | 2 |
did not have | 2 |
date of her | 2 |
the key of | 2 |
will tell you | 2 |
to bring him | 2 |
of all her | 2 |
thought she was | 2 |
together on the | 2 |
and he waited | 2 |
and drove off | 2 |
to the few | 2 |
was as if | 2 |
alone in the | 2 |
with a murmur | 2 |
she says she | 2 |
she had nothing | 2 |
room where the | 2 |
her habit to | 2 |
else in the | 2 |
sheet of paper | 2 |
his son to | 2 |
during which the | 2 |
hand that held | 2 |
did you say | 2 |
three rings on | 2 |
news about the | 2 |
between his eyes | 2 |
would have found | 2 |
she would probably | 2 |
lawrence lefferts was | 2 |
she had perhaps | 2 |
be exactly the | 2 |
had been summoned | 2 |
if you knew | 2 |
down his knife | 2 |
they sat down | 2 |
after their arrival | 2 |
days of their | 2 |
the old woman | 2 |
me to the | 2 |
doubt you know | 2 |
to follow her | 2 |
under the orange | 2 |
happy at being | 2 |
on the subject | 2 |
of things he | 2 |
and the world | 2 |
the little frenchman | 2 |
and she turned | 2 |
just going to | 2 |
does care for | 2 |
of a curious | 2 |
will be down | 2 |
she wished to | 2 |
the room she | 2 |
he had grown | 2 |
with all its | 2 |
and the ladies | 2 |
to see mrs | 2 |
as if for | 2 |
is it possible | 2 |
before him in | 2 |
glanced about the | 2 |
the doors of | 2 |
whole of life | 2 |
that she has | 2 |
the word was | 2 |
say these things | 2 |
wife looked at | 2 |
of may welland | 2 |
here was the | 2 |
him if he | 2 |
said she had | 2 |
his eyes from | 2 |
knew exactly what | 2 |
new york should | 2 |
felt that she | 2 |
least motion might | 2 |
he saw in | 2 |
on her lips | 2 |
for the social | 2 |
it was incredible | 2 |
to have his | 2 |
you know i | 2 |
all of two | 2 |
archer had never | 2 |
ran up the | 2 |
was said to | 2 |
come to town | 2 |
up in surprise | 2 |
that was what | 2 |
the best fiction | 2 |
mean to do | 2 |
a standing order | 2 |
was still a | 2 |
as to her | 2 |
of his table | 2 |
of her a | 2 |
who had the | 2 |
archer would have | 2 |
especially when she | 2 |
him to dine | 2 |
he had an | 2 |
of her other | 2 |
puzzled by the | 2 |
de la concorde | 2 |
two young men | 2 |
two english ladies | 2 |
the countess was | 2 |
uttered the words | 2 |
you so much | 2 |
nearest approach to | 2 |
with the young | 2 |
had not even | 2 |
have gone to | 2 |
aunts at rhinebeck | 2 |
summary of the | 2 |
thought with a | 2 |
dropped back into | 2 |
at the far | 2 |
was what had | 2 |
men like himself | 2 |
reggie chivers and | 2 |
portrait of a | 2 |
to gaze at | 2 |
visit to mrs | 2 |
countess olenska is | 2 |
tell me all | 2 |
as he followed | 2 |
with her usual | 2 |
the effort to | 2 |
he wished to | 2 |
one thing that | 2 |
born in a | 2 |
want to be | 2 |
as to see | 2 |
struck newland archer | 2 |
did not want | 2 |
she appeared to | 2 |
to find that | 2 |
things had come | 2 |
and could not | 2 |
told her so | 2 |
lips to exclaim | 2 |
and she seemed | 2 |
kate merry had | 2 |
on the drive | 2 |
baltimore and philadelphia | 2 |
if you would | 2 |
always made archer | 2 |
would always be | 2 |
stood looking down | 2 |
talk about ellen | 2 |
it was certainly | 2 |
to some one | 2 |
the two young | 2 |
and when the | 2 |
as clear as | 2 |
to lie to | 2 |
not have said | 2 |
and as this | 2 |
that he has | 2 |
and plunged into | 2 |
paris or london | 2 |
had left her | 2 |
in love with | 2 |
he laughed as | 2 |
charge of an | 2 |
i know she | 2 |
though the family | 2 |
a deep breath | 2 |
looking at his | 2 |
began to speak | 2 |
archer was a | 2 |
think of her | 2 |
a way of | 2 |
could hardly have | 2 |
were full of | 2 |
kept him from | 2 |
i heard of | 2 |
with a bright | 2 |
on her in | 2 |
of the spicers | 2 |
the custom in | 2 |
the spectre of | 2 |
hardly have been | 2 |
conscious of the | 2 |
looking at each | 2 |
no one had | 2 |
newland archer went | 2 |
of the law | 2 |
think of the | 2 |
dined at seven | 2 |
ferns in wardian | 2 |
leave a note | 2 |
it was supposed | 2 |
just like everybody | 2 |
of his impatience | 2 |
and fanny beaufort | 2 |
had leaned out | 2 |
where she was | 2 |
on his own | 2 |
he helped her | 2 |
that had become | 2 |
the two english | 2 |
with may welland | 2 |
we used to | 2 |
been intended that | 2 |
life he was | 2 |
voice was as | 2 |
when it comes | 2 |
on at this | 2 |
to break with | 2 |
for the countess | 2 |
would have done | 2 |
a temptation to | 2 |
you told me | 2 |
himself on her | 2 |
returned with a | 2 |
women of the | 2 |
old catherine mingott | 2 |
you to go | 2 |
hand as if | 2 |
was the one | 2 |
and pressed her | 2 |
to plead again | 2 |
you should have | 2 |
to sit at | 2 |
threw back her | 2 |
he had already | 2 |
from the hearth | 2 |
to say that | 2 |
her as if | 2 |
for the moment | 2 |
even heard of | 2 |
there could be | 2 |
she had had | 2 |
friends and relations | 2 |
why did she | 2 |
the stream of | 2 |
at the parker | 2 |
to be on | 2 |
almost the only | 2 |
in a flash | 2 |
to may welland | 2 |
in madison avenue | 2 |
of poor medora | 2 |
was proud of | 2 |
i persuade you | 2 |
used to come | 2 |
he had felt | 2 |
want to do | 2 |
envelope on the | 2 |
sense of relief | 2 |
in a letter | 2 |
the question with | 2 |
paused a moment | 2 |
went through the | 2 |
made no allusion | 2 |
some one had | 2 |
at him like | 2 |
to go alone | 2 |
in the country | 2 |
handsome bob spicer | 2 |
feel as if | 2 |
life with him | 2 |
for every one | 2 |
in this view | 2 |
my poor child | 2 |
in the window | 2 |