This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.
| identifier | question |
|---|---|
| 57518 | 26][ Sidenote: 33] FLANDERS, ENGHIEN(? |
| 57518 | 33_ Verdure, Enghien_(?) |
| 57518 | Could he have misread a letter or two? |
| 57518 | [ Sidenote: 77] FLANDERS, ENGHIEN(? |
| 41717 | 1742 Flower in vase 1742 Heart 1751 House 1765 Inscription 1662 Motto or text 1651 Mustard- coloured canvas 1728 Name of maker(? |
| 41717 | All schooldays''friendship, childhood innocence? |
| 41717 | Do n''t you like the fir- cones?" |
| 41717 | Do n''t you remember how fond she used to be of picking them up in her little basket at the dear old place? |
| 41717 | SAMPLER(? |
| 41717 | SCOTTISH(?). |
| 41717 | scene 2, Helena addresses Hermia as follows:--"O, is all forgot? |
| 26151 | And so in all humility you ask,"How can you tell with a glance of the eye?" |
| 26151 | Aniline? |
| 26151 | Apart from repairs, what is being done in the present day? |
| 26151 | Before their imperturbable jocundity what bad humour can exist? |
| 26151 | But for how long is he monarch, with this flaming menace burning into his courage? |
| 26151 | But what weaver of tapestry would be willing to confide his labour to the care of a dye that has not known the test of ages? |
| 26151 | But when the cartouche appeared, what is the effect? |
| 26151 | Could any modern indicate by sophistry of brush or brain so intoxicating a fairyland, so gracious a field of dear delights? |
| 26151 | How did he happen upon it in these latter days? |
| 26151 | How felt the artists about this domesticating of their art? |
| 26151 | How shall we know the true from the false? |
| 26151 | If the eyes gaze on Coypel''s gracious ladies, under fruit and roses, with adolescent gods adoring, what matters if the palate is chastised? |
| 26151 | Italy had the artists, Brussels had the craftsmen-- what happier combination could be made than the union of these two? |
| 26151 | Should one speak first of the cartoon or of the weave, of the artist or of the craftsmen? |
| 26151 | The other says bluffly,"Tapestries? |
| 26151 | This is well for the value of the tapestries, but is it not a providence too thrifty when the public is considered? |
| 26151 | What can the trained eye and the cultivated taste do other than turn back to the products of other days? |
| 26151 | What place had an acre of tapestry in these little rooms? |
| 26151 | Who is she, the grand and gracious lady, bending like a lily stalk among the roses, with a man on either side? |
| 26151 | Why not now resort to a similar method? |
| 26151 | Will not the Twentieth Century see a restoration of its former prestige? |
| 26151 | Yet why does it live? |
| 31714 | In what state is your conscience? |
| 31714 | Where are the proud and lofty dames, Their jewell''d crowns, their gay attire, Their odours sweet? 31714 ''How knowest thou that?'' 31714 ''Is it not a work which the most cunning artists would wonder at?'' 31714 ''What be they, tell me?'' 31714 ''What promise was that?'' 31714 ''What way be they ryden?'' 31714 ''What{ Frenchmen} be they; canst thou tell me?'' 31714 And as''twas then an exercise of praise, So what deserves more honour in these dayes, Than this? 31714 And if it be necessary to woman with her charms, is it not tenfold necessary to those who-- Heaven help them!--have few charms whereof to boast? 31714 And that building seen on the opposite side of the river? 31714 And there were somme that said, How is hit? 31714 And what was it? 31714 And, after all, who is this all- powerful genius? 31714 Are those light transgressions, my son? |
| 31714 | Besides, why should any brag of what''s but borrowed? |
| 31714 | But what is passing in that detached portion of the camp? |
| 31714 | Come on, come on thy lagging way; Ye have made a fair daies worke, have you not? |
| 31714 | Could sympathy be more poetically expressed? |
| 31714 | Did not the Sun, through heaven''s wide azure roll''d, For three long years the royal fraud behold? |
| 31714 | Did she alight from the skies, while rejoicing stars sang Pæans at her birth? |
| 31714 | Didst carry out dust in thy lap? |
| 31714 | Do not our readers recollect Cowper''s thanksgiving"on finding the heel of a shoe?" |
| 31714 | Indeed, what would the"Field of the Cloth of Gold"have been without the skill of the needlewoman? |
| 31714 | So small an instrument? |
| 31714 | Surely her lot was hard; and well might she weepingly exclaim,"Where is now my hope?" |
| 31714 | Tell me, how shall my breches be sewid? |
| 31714 | The Esquire said him, nay,''For a silken string why should you fling, perchance, your life away?'' |
| 31714 | Was she born of the Sunbeams while a glittering Rainbow cast a halo of glory around her? |
| 31714 | What devil had you els to do? |
| 31714 | What is her appearance? |
| 31714 | When do we hear, in the present times, of Church and State interfering to regulate the patterns of their bonnets? |
| 31714 | Whence does she arise? |
| 31714 | Where are the love- enkindled flames, The bursts of passionate desire Laid at their feet? |
| 31714 | Where ha you ben fidging abroad, since you your neele lost?" |
| 31714 | Where is the dance that shook the floors, And all the gay and laughing train, And all they wore? |
| 31714 | Would his sister, would Dinah execute the work? |
| 31714 | _ Boswell._--"Pray, Sir, did you ever play on any musical instrument?" |
| 31714 | _ Hodge._"And is not then my breches sewed up, to- morrow that I shuld wear?" |
| 31714 | _ Hodge._"Her neele?" |
| 31714 | _ Hodge._"How a murrain came this chaunce( say Tib) unto her dame?" |
| 31714 | _ Hodge._"I say, Tib, if thou be Tib, as I trow sure thou be, What devil make ado is this between our dame and thee?" |
| 31714 | _ Hodge._"Knowest not what Tom tailor''s man sits broching thro''a clout? |
| 31714 | _ Hodge._"Might ha kept it when ye had it; but fools will be fools still: Lose that is fast in your hands? |
| 31714 | _ Hodge._"My conscience, Tib, my Gammer has never lost her neele?" |
| 31714 | _ Hodge._"What is the matter, say on, Tib, whereat she taketh so on?" |
| 31714 | _ Hodge._"Whereto served your hands and eyes, but your neele keep? |
| 31714 | _ Hodge._"Your neele lost? |
| 31714 | how is it possible for me to furnish such a number? |
| 31714 | shall I go thus to- morrow?" |
| 31714 | shall not this lady this day be pynned ne wel besene in a Myrroure? |
| 31714 | she replied,''can I feel a regret of any kind while I share your misfortunes?''" |
| 31714 | to whom should he intrust the task? |
| 31714 | what is that in your hand?'' |
| 31714 | who sojourn in yonder tents which attract more general attention than all the others, and in which all ages and degrees seem interested? |