trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
one of the	130
the history of	76
as well as	75
part of the	73
it is not	72
of the same	64
it is a	58
the art of	56
the use of	54
some of the	53
the work of	53
the end of	53
end of the	52
to have been	51
and it is	50
of the time	50
of the work	50
the time of	49
is one of	48
wool and silk	48
in order to	48
and in the	46
it may be	45
the life of	44
of the most	43
a piece of	43
work of the	41
that of the	41
in the same	41
gold and silver	41
on the other	39
the seventeenth century	39
the name of	39
but it is	38
in which the	38
the work is	38
of the king	38
with the needle	37
of the gobelins	37
carried out in	35
as in the	35
the reign of	35
the eighteenth century	34
of which the	34
the story of	34
of the needle	34
it is the	34
museum of art	33
of the seventeenth	33
of the day	33
in this way	33
shown in fig	33
at this time	32
plate facing page	32
the middle ages	32
formerly in the	31
a series of	31
out of the	31
those of the	31
there is a	30
that it is	30
it will be	30
of the tapestry	30
at the top	29
the middle of	29
metropolitan museum of	29
at the gobelins	29
of the renaissance	29
this is a	28
it was a	28
victoria and albert	27
in the background	27
in the first	27
side of the	27
in the middle	27
that it was	27
it has been	27
and albert museum	27
the victoria and	26
the other hand	26
of the warp	26
middle of the	26
as it is	26
the piece is	26
the direction of	26
is to be	26
at the time	26
the gobelins factory	26
it was the	26
of the first	26
of the eighteenth	25
in the centre	25
in the diagram	25
by means of	25
of louis xiv	25
of the material	25
the sixteenth century	25
made use of	25
can be seen	25
cloth of gold	25
time of the	25
the effect of	24
is in the	24
it can be	24
scenes from the	24
lent by p	24
an example of	23
the place of	23
use of the	23
is shown in	23
to be a	23
for the purpose	23
the thread through	23
at the same	23
the manner of	23
history of the	23
the time when	23
the centre of	23
for it is	22
be carried out	22
of an inch	22
it must be	22
seems to have	22
the death of	22
of the art	22
be seen in	22
in the victoria	22
must have been	22
of the period	22
xvi century sidenote	22
and of the	22
of the middle	21
the subject of	21
it was not	21
of this kind	21
of the ancient	21
seen in the	21
is carried out	21
the same time	21
of louis xv	21
at the end	21
of the last	21
it is said	21
of the past	21
half of the	21
the number of	21
the fifteenth century	21
of the two	20
of the great	20
that they were	20
it would be	20
there is no	20
and for the	20
of the old	20
the influence of	20
the production of	20
the arms of	19
but it was	19
of the early	19
to and fro	19
of the sampler	19
at the back	19
shown in the	19
first half of	19
to the material	19
as we have	19
of the design	19
and so on	19
in the reign	19
on to the	19
in all the	19
the bayeux tapestry	19
and all the	19
the beginning of	19
threads of the	19
the fact that	19
of the apostles	18
of gold and	18
in those days	18
of the stitch	18
illustrated in fig	18
insert the needle	18
for the most	18
and at the	18
the point of	18
of fine arts	18
we are told	18
that in the	18
at that time	18
name of the	18
used for the	18
in the second	18
a matter of	18
a kind of	18
a number of	18
the metropolitan museum	17
to make a	17
used in the	17
the present day	17
the age of	17
to be seen	17
in the way	17
in the time	17
but in the	17
as to the	17
of all the	17
the house of	17
to work it	17
the spirit of	17
a part of	17
in the upper	17
we have seen	17
can be used	17
it is interesting	17
not to be	17
one of a	17
of the figures	17
a set of	17
most of the	17
the same way	17
to the left	16
on either side	16
and it was	16
the decoration of	16
the character of	16
it was in	16
kind of work	16
to make the	16
many of the	16
the walls of	16
the close of	16
which it was	16
may be seen	16
the collection of	16
to make it	16
a time when	16
the value of	16
by no means	16
it is worked	16
of the high	16
with gold and	16
of tapestry weaving	16
of his own	16
the most part	16
is interesting to	16
the top of	16
the heading of	16
in the early	16
museum of fine	16
was in the	16
owing to the	16
so as to	16
the design is	16
in the year	16
tapestries of the	16
in a frame	16
the introduction of	16
of the pattern	16
to be the	16
of the fifteenth	16
so long as	15
tapestry of the	15
to see the	15
the king and	15
sir francis crane	15
the gold thread	15
of the royal	15
taken from a	15
is a very	15
said to have	15
are to be	15
this is the	15
in new york	15
reproduced in fig	15
the field of	15
as shown in	15
and in a	15
beginning of the	15
as that of	15
which they were	15
of the weaver	15
of one of	15
of sixteenth century	15
in imitation of	15
in the foreground	15
to which we	15
of the present	15
can be made	15
as a rule	15
of the sixteenth	15
parts of the	15
of the church	15
to say that	15
will be seen	14
xviii century sidenote	14
in the tapestry	14
it might be	14
example of a	14
and on the	14
it is in	14
must not be	14
bring the thread	14
direction of the	14
and that the	14
portion of a	14
of the world	14
history of tapestry	14
to carry out	14
according to the	14
the perfection of	14
of the gothic	14
woven in the	14
for the gobelins	14
two or three	14
the method of	14
in which they	14
carried out with	14
which we have	14
set of the	14
the beauty of	14
is worked in	14
portion of the	14
at the right	14
vertumnus and pomona	14
on one side	14
silk and gold	14
a group of	14
to the back	14
a variety of	14
of which are	14
in the collection	14
character of the	14
it is quite	14
it is to	14
the stitch is	14
life of the	14
of the house	14
such as the	13
i have seen	13
that they are	13
from the life	13
here and there	13
a few years	13
the lines of	13
centre of the	13
drawing of the	13
art of the	13
are in the	13
the drawing of	13
of all kinds	13
the rest of	13
as far as	13
was one of	13
the british museum	13
it to the	13
the head of	13
example of this	13
boston museum of	13
through on the	13
one of these	13
the manufacture of	13
of the whole	13
acts of the	13
and bring it	13
the xviiith century	13
is said to	13
of the factory	13
it is well	13
de la tapisserie	13
the set of	13
upon the material	13
piece of work	13
the needle and	13
in the royal	13
the surface of	13
in this case	13
be used for	13
up to the	13
is not a	13
as much as	13
the king of	13
under the direction	13
skill of the	13
work can be	13
a portion of	13
attached to the	12
are worked in	12
top of the	12
portion of sampler	12
by the needle	12
the hand of	12
can be obtained	12
this is not	12
used as a	12
in the case	12
in the sixteenth	12
could not be	12
the way of	12
effect of the	12
the threads of	12
this kind of	12
jean van room	12
from that time	12
the people of	12
and they were	12
in the life	12
given to the	12
it is made	12
of the highest	12
years of the	12
of the times	12
seems to be	12
for the work	12
life of christ	12
this method of	12
the thread is	12
some of these	12
the traced line	12
the xvth century	12
of the virgin	12
eighth of an	12
of the fair	12
may have been	12
the duke of	12
all kinds of	12
it is as	12
on the ground	12
bring it through	12
close to the	12
in the lower	12
the purpose of	12
through at the	12
should not be	12
of the human	12
so far as	12
de la planche	12
the hands of	12
taken from the	12
of the tapestries	12
such things as	12
of the gods	12
and precious stones	12
worked in the	12
time when the	12
the looms of	12
of those days	12
of the fabric	12
which it is	12
on each side	12
through to the	12
exhibited in the	12
belonging to the	12
art of tapestry	12
in addition to	12
close of the	12
to the king	12
the queen of	12
have been the	12
one of those	12
the triumph of	12
of the thread	12
the first half	11
products of the	11
which they are	11
came to the	11
due to the	11
the form of	11
it should be	11
at regular intervals	11
well as in	11
in the art	11
the tapestry was	11
for this purpose	11
the help of	11
example of the	11
method of working	11
must be taken	11
needlework of the	11
in the british	11
the case of	11
time of louis	11
in the cathedral	11
but this is	11
in the present	11
in the other	11
all of the	11
the xviith century	11
similar to the	11
spirit of the	11
to the end	11
of the loom	11
which is a	11
which is the	11
the figures of	11
is that in	11
is the same	11
of the best	11
in the most	11
the date of	11
is an example	11
this can be	11
needle and thread	11
in and out	11
more or less	11
is used for	11
the making of	11
beauty of the	11
of art in	11
walls of the	11
in the seventeenth	11
the nineteenth century	11
is said that	11
to form a	11
to be made	11
method of work	11
instead of being	11
the costume of	11
of the fourteenth	11
in the border	11
of a tapestry	11
we do not	11
on both sides	11
xvii century sidenote	11
which have been	11
with which the	11
the other side	11
of those who	11
royal collection of	11
in the manner	11
of which was	11
the fourteenth century	11
this is one	11
had not been	10
and there is	10
the cathedral of	10
of the reign	10
this may be	10
the result of	10
the eye of	10
the pattern is	10
to the same	10
of their own	10
we have been	10
for the king	10
an important part	10
the xvith century	10
of the history	10
is that of	10
much the same	10
eye of the	10
influence of the	10
a great deal	10
on the lower	10
des tapisseries de	10
seem to have	10
supposed to have	10
to do this	10
is easy to	10
the property of	10
in any case	10
the right side	10
be used as	10
place of the	10
the fashion of	10
can be carried	10
the threads are	10
all sorts of	10
made by the	10
to those who	10
the tapestry is	10
the borders of	10
point of view	10
adoration of the	10
the day of	10
collection of madrid	10
the power of	10
adam and eve	10
even to the	10
merton abbey tapestry	10
at one time	10
in one of	10
upon the surface	10
as to be	10
in almost every	10
of the needlewoman	10
the top and	10
of the english	10
the right hand	10
they may be	10
a sort of	10
of the artist	10
the fine art	10
done in the	10
tapestry in the	10
it is recorded	10
the factory was	10
the commencement of	10
or in the	10
on which the	10
there was a	10
in a few	10
in the louvre	10
now in the	10
and his queen	10
the most beautiful	10
can be worked	10
methods of work	10
the point where	10
examples of the	10
of the xvth	10
have been a	10
and there are	10
he was a	10
in which she	10
this was the	10
heading of the	10
and this is	10
in such a	10
samplers of the	10
the tapestry of	10
the majority of	10
the human figure	10
be found in	10
in this country	10
there is an	10
the sampler is	10
be made use	10
made in the	10
the warp is	10
the product of	10
in which it	10
after the death	10
the needle on	10
they can be	9
of the french	9
of the linen	9
the size of	9
and the same	9
but with the	9
of the finest	9
charm of the	9
from which the	9
value of the	9
in the fine	9
the court of	9
filled in with	9
the tale of	9
of the border	9
plates facing pages	9
would have been	9
the romance of	9
the weaving of	9
many of these	9
fingers of the	9
it is easy	9
for it was	9
worked with the	9
well as the	9
the border of	9
so that the	9
point where the	9
to work the	9
for embroidery purposes	9
round the edge	9
of henri iv	9
one or two	9
to the time	9
of the threads	9
antony and cleopatra	9
the presence of	9
to be worked	9
perfection of the	9
from the earliest	9
when it is	9
of all sorts	9
on the upper	9
the appearance of	9
they were not	9
in the old	9
was not a	9
of the late	9
of her own	9
institute of art	9
similar to that	9
to the front	9
subject of the	9
the colour of	9
of the country	9
was the first	9
to the right	9
is not possible	9
series of the	9
which can be	9
the dress of	9
the gobelins was	9
but there is	9
is the most	9
over the surface	9
of the earliest	9
the mind of	9
in the world	9
the first place	9
the judgment of	9
of this work	9
at a time	9
the days of	9
was to be	9
found in the	9
with which they	9
lent by mrs	9
a bit of	9
draw the thread	9
and the unicorn	9
of various kinds	9
the charm of	9
on the right	9
of work is	9
of that time	9
carried out by	9
the skill of	9
of that day	9
the last one	9
the city of	9
the establishment of	9
judgment of paris	9
the battle of	9
in the use	9
lady and the	9
together with the	9
of the cloth	9
and the other	9
the back of	9
designs of the	9
that is to	9
long and short	9
by the author	9
by the name	9
of the cross	9
to be found	9
in the metropolitan	9
and to the	9
supposed to be	9
art of needlework	9
edge of the	9
interesting to note	9
the names of	9
xv century sidenote	9
of the court	9
to be filled	9
place in the	9
to the work	9
of the scene	9
of silk and	9
from the same	9
the practice of	9
of the picture	9
the same kind	9
instead of the	9
that i have	9
some of them	9
light and shade	9
surface of the	9
is made of	9
pieces of the	9
the wife of	8
at the beginning	8
is well known	8
it was woven	8
which we are	8
men and women	8
during the process	8
the church of	8
the lady and	8
were it not	8
a suit of	8
met with in	8
in the temple	8
known as the	8
in the direction	8
on tapestry embroideries	8
and then the	8
the needle through	8
carry out the	8
the ground material	8
of the tabernacle	8
on the walls	8
piece of embroidery	8
the degree of	8
and by the	8
made of the	8
under the influence	8
coat of arms	8
the stitches are	8
illustrated in plate	8
to the last	8
in the midst	8
the artists of	8
the factory of	8
the side of	8
is supposed to	8
the xiiith century	8
they are the	8
head of the	8
director of the	8
when they were	8
and as the	8
for in the	8
are told that	8
the study of	8
the creation of	8
of the various	8
the aid of	8
is a good	8
in gold thread	8
was woven in	8
art in new	8
than that of	8
can be done	8
in the garden	8
the lower roller	8
of some of	8
full of the	8
is not so	8
it is necessary	8
is in progress	8
production of the	8
of the greatest	8
the technique of	8
half of sixteenth	8
the samplers of	8
this time the	8
piece is one	8
with which it	8
in conjunction with	8
thread through at	8
imitation of tapestry	8
piece is a	8
is well to	8
the tents of	8
this tapestry is	8
hand of the	8
the diagram shows	8
product of the	8
if it is	8
to which the	8
of the original	8
back to the	8
history of alexander	8
of the gold	8
outline of the	8
of charles i	8
the whole of	8
of the worker	8
have not been	8
in spite of	8
it is possible	8
way in which	8
back of the	8
by the hand	8
if there is	8
in the new	8
seventeenth and eighteenth	8
in these days	8
or it may	8
by the same	8
account of the	8
and in this	8
and these are	8
in the work	8
and some of	8
be allowed to	8
field of the	8
of the other	8
of the cartoons	8
pomona first half	8
the adoration of	8
and pomona first	8
on the subject	8
the seventeenth and	8
the prince of	8
on the looms	8
needle on the	8
be worked in	8
representation of the	8
the length of	8
is taken from	8
even in the	8
be made of	8
of the frame	8
work of this	8
part of her	8
under louis xiv	8
it does not	8
typical of the	8
found to be	8
two of the	8
the cartoons of	8
of the xvith	8
in our own	8
the edge of	8
either side of	8
of the pieces	8
is to say	8
the variety of	8
of the family	8
that in which	8
the conquest of	8
arms of the	8
of the canvas	8
of the subject	8
the needle is	8
in the xiiith	8
to the great	8
commencement of the	8
at the present	8
the face of	8
collection of martin	8
in the eighteenth	8
seven deadly sins	8
each other in	8
and it will	8
examples of this	8
to suit the	8
late in the	8
the left hand	8
hundred and fifty	8
been able to	8
the addition of	8
than in the	8
if it were	8
the style of	8
of the craft	8
of the life	8
that all the	8
drawn thread work	8
the passing of	8
a specimen of	8
of a small	8
in the third	8
and one of	8
of the new	8
three or four	8
the most important	8
may not be	8
it is true	8
for the first	8
design by rubens	8
to show the	8
it through on	8
is seen in	8
of the east	8
of a set	8
portions of the	8
of them in	8
point of the	8
of a series	7
sixteenth of an	7
in the end	7
in the design	7
the needle in	7
where it is	7
to produce a	7
the thirteenth century	7
for some time	7
silk and wool	7
the work to	7
the reverse side	7
regard to the	7
by duveen brothers	7
the attention of	7
has to be	7
under the degree	7
thread of the	7
method of couching	7
in the very	7
as illustrated in	7
be used in	7
which was a	7
there must be	7
master of the	7
the studio of	7
the labour of	7
of the line	7
to the inch	7
it is also	7
the greater part	7
took the place	7
this was a	7
the talent of	7
sampler by elizabeth	7
they did not	7
lines of the	7
in which he	7
and in that	7
at the left	7
two parallel lines	7
of any kind	7
members of the	7
very similar to	7
illustration of the	7
and out of	7
the siege of	7
quality of the	7
the wrong side	7
to follow the	7
of the holy	7
the shield of	7
to the queen	7
to its being	7
to the other	7
the material of	7
decoration of the	7
of the eye	7
the figure of	7
down to the	7
as they were	7
came from the	7
in many ways	7
an embroidery frame	7
the days when	7
the early part	7
for the decoration	7
the most interesting	7
may be of	7
so much the	7
of light and	7
early part of	7
the tapestries of	7
with the most	7
of wool and	7
they have been	7
of the modern	7
carry it out	7
manufacture des gobelins	7
as a matter	7
as early as	7
in the series	7
it may not	7
in order that	7
of the more	7
the piece was	7
to see it	7
it is more	7
in his own	7
the first part	7
the cloth of	7
idea of the	7
which would be	7
which i have	7
a sampler dated	7
the tapestry in	7
in the fifteenth	7
second half of	7
in the last	7
may be the	7
of france and	7
only in the	7
reign of louis	7
be able to	7
in various ways	7
the material and	7
from side to	7
of a single	7
the price of	7
lent by duveen	7
and venus series	7
made for the	7
that can be	7
of martin a	7
as it was	7
the invention of	7
which is in	7
that of a	7
they were in	7
it is known	7
of our own	7
but they were	7
it was no	7
greater part of	7
story of the	7
of the duke	7
the acts of	7
is useful for	7
the subjects of	7
this stitch is	7
a method of	7
is that the	7
the dark ages	7
means of a	7
the custom of	7
the throne of	7
of james i	7
in the original	7
it is that	7
from the east	7
the design and	7
is difficult to	7
the way in	7
it in the	7
to whom the	7
in the loom	7
and these were	7
an overcast stitch	7
because it is	7
of the samplers	7
reference to the	7
length of the	7
many of them	7
the seven deadly	7
colour of the	7
a book of	7
of our lord	7
a lady of	7
century and the	7
known to have	7
the difficulty of	7
as they are	7
a man of	7
the progress of	7
side to side	7
in the form	7
it from the	7
and there was	7
the mode of	7
no less than	7
a study of	7
the advantage of	7
they are not	7
of the spanish	7
form of a	7
of the latter	7
at hampton court	7
it is impossible	7
worked in a	7
the gothic period	7
of his time	7
to carry it	7
these are the	7
upon the warp	7
use of a	7
seem to be	7
the wars of	7
to which it	7
introduction of the	7
is in a	7
were in the	7
suld be of	7
works of art	7
the life and	7
the series of	7
and a half	7
a pair of	7
of the workers	7
but that is	7
that time on	7
is the case	7
the time was	7
that there was	7
it is an	7
the pride of	7
that may be	7
on this occasion	7
and silver threads	7
esther and ahasuerus	7
go to the	7
of a sampler	7
the idea of	7
the first of	7
would seem to	7
the embroidery is	7
in the history	7
such a way	7
out in this	7
philip the hardy	7
well as for	7
trace two parallel	7
the material to	7
of the ladies	7
to that of	7
on the material	7
the necessity of	7
as long as	7
might be used	7
hands of the	7
the service of	7
one of them	7
edward the confessor	7
vulcan and venus	7
in the hand	7
which must have	7
said to be	7
the lives of	7
must be a	7
is my name	7
in the following	7
to have a	7
sampler by mary	7
suited to the	7
at the commencement	7
work of a	7
of such a	7
the most magnificent	7
by reason of	7
rest of the	7
worked with a	7
have been made	7
to find a	7
that we have	7
the most famous	7
stitch is worked	7
more and more	7
must always be	7
the subject is	7
of louis xvi	7
towards the right	7
being in the	7
to the point	7
of the embroidery	7
we have the	7
this set is	7
and when the	7
form of decoration	7
work is that	6
they must be	6
than those of	6
after the manner	6
it was to	6
of arthur astor	6
them with a	6
on the loom	6
the beauties of	6
a background of	6
of kings and	6
the upper part	6
the light of	6
the last stitch	6
set in the	6
one or other	6
from the gothic	6
whole of the	6
two hundred and	6
and gold thread	6
in the center	6
in the working	6
of henry the	6
silver or golde	6
a formal garden	6
during the early	6
artist of the	6
of some kind	6
the shape of	6
to the pope	6
specimens of the	6
exactly the same	6
a way as	6
a good deal	6
the land of	6
at the point	6
the ground is	6
extract from the	6
change of colour	6
good deal of	6
that some of	6
and from that	6
embroidered with the	6
prince of wales	6
and to be	6
there was no	6
in the gothic	6
it is only	6
of which they	6
used to be	6
collection of philip	6
henry the eighth	6
of the second	6
reason of the	6
is a most	6
is probable that	6
to trace the	6
embroidered with gold	6
gallery of the	6
which was the	6
made of it	6
any of the	6
the palace of	6
will be noticed	6
to hang in	6
the destruction of	6
of the back	6
service of the	6
be made to	6
late nineteenth century	6
it was but	6
gradation of colour	6
order to make	6
is a matter	6
important part in	6
the time and	6
that have been	6
at the required	6
of fifteenth century	6
pairs of lovers	6
an examination of	6
together in the	6
the cartoons were	6
the loss of	6
was not the	6
reign of henry	6
la planche and	6
mortlake collection of	6
the royal family	6
they do not	6
at the head	6
of a large	6
used in this	6
we have remarked	6
fruits and flowers	6
in the book	6
and draw the	6
the bishop of	6
worn by the	6
left of the	6
they are in	6
side of a	6
in the decoration	6
of which were	6
be obtained in	6
of sampler by	6
with gold thread	6
gold or silver	6
characteristic of the	6
and i have	6
the requirements of	6
in all ages	6
the cartoons are	6
to the church	6
next process is	6
even the most	6
a glimpse of	6
well as of	6
may be made	6
there were no	6
the labours of	6
arthur astor carey	6
it is used	6
property of the	6
for tapestry weaving	6
the first row	6
is of the	6
and eighteenth centuries	6
in silk and	6
by the help	6
but they are	6
costume of the	6
to the ground	6
sack of jerusalem	6
of the weavers	6
entirely covered with	6
of the colour	6
there are some	6
of this is	6
will be found	6
had not yet	6
of the apartments	6
of the field	6
a time of	6
of the century	6
out of place	6
and of a	6
out in the	6
and many a	6
as many as	6
the reason for	6
much of the	6
interest in the	6
in the latter	6
it is sometimes	6
of a very	6
set of tapestries	6
she had been	6
embroidery reproduced in	6
the weavers of	6
border to sampler	6
of colour and	6
same kind of	6
the province of	6
the side pieces	6
with regard to	6
so much to	6
is not to	6
of the required	6
of the use	6
the care of	6
will probably be	6
king of france	6
the royal residences	6
at this period	6
not only the	6
it is probable	6
and the elders	6
can hardly be	6
the sack of	6
of the italian	6
jean de rome	6
industry of the	6
we see the	6
the space of	6
of the vatican	6
one for the	6
be done in	6
roman de la	6
in the reproduction	6
of the city	6
was worked by	6
the figures in	6
various kinds of	6
this is to	6
the next process	6
of henry viii	6
edges of the	6
a source of	6
bernard van orley	6
de la rose	6
years of age	6
for this reason	6
life and death	6
but we have	6
there is any	6
it is one	6
the working of	6
of gold thread	6
of the left	6
of the traced	6
gobelins under louis	6
other of the	6
the background is	6
to those of	6
it was made	6
to make them	6
that is the	6
to the eye	6
placed in the	6
susannah and the	6
of the xviiith	6
hangings of the	6
to be in	6
a copy of	6
all the world	6
appear to have	6
figure in the	6
not in the	6
the quality of	6
the tree of	6
of tapestry in	6
and as a	6
in the gobelins	6
cut and drawn	6
dress of the	6
is quite easy	6
years of his	6
is a great	6
the low countries	6
and silver thread	6
tapestry boston museum	6
queen of france	6
for some of	6
even though the	6
way to the	6
imitation of the	6
for the sake	6
may be a	6
might be seen	6
which had been	6
for his own	6
to keep it	6
of the queen	6
except in the	6
shown at fig	6
is made in	6
of cloth of	6
alphabets and numerals	6
might be a	6
the last row	6
the preparation of	6
degree of a	6
of fine linen	6
in this piece	6
of many a	6
is shown at	6
this piece is	6
of the industry	6
jacques seligmann company	6
the same as	6
to which he	6
and short stitch	6
part in the	6
a white linen	6
he could not	6
judging from the	6
and this was	6
as the work	6
is seen to	6
that there is	6
the material is	6
which he had	6
was a man	6
in all its	6
fruit and flowers	6
connected with the	6
examination of the	6
the high loom	6
we have not	6
it is difficult	6
were to be	6
the marriage of	6
is covered with	6
manner of the	6
to keep the	6
through the centre	6
stitch is a	6
of his life	6
sides of the	6
of philip hiss	6
it would seem	6
on the opposite	6
the gothic tapestries	6
away from the	6
the title of	6
be taken in	6
the products of	6
the mark of	6
was a time	6
there can be	6
as in fig	6
up on the	6
as to form	6
in the land	6
the ravages of	6
would be a	6
the tapestry factory	6
wars of troy	6
at the centre	6
philip the good	6
of the right	6
was bound to	6
wilhelm de pannemaker	6
is a useful	6
in no way	6
it may have	6
of the stitches	6
of the passion	6
out of his	6
the sampler was	6
there is in	6
fact that the	6
the threads that	6
on the same	6
at the sides	6
the first time	6
arts and crafts	6
people of the	6
in a way	6
the border is	6
and that of	6
it had been	6
study of the	6
the remainder of	6
the children of	6
to do with	6
first part of	6
hold of the	6
point of interest	6
in the drawing	6
of these pieces	6
that the work	6
for carrying out	6
to give the	6
of design and	6
of the lady	6
and also in	6
of it is	6
the needle was	6
again and again	6
art of embroidery	6
was at the	6
indebted to the	6
and which was	6
in the frame	6
collection of arthur	6
the fair sex	6
the sake of	6
on the wrong	6
in the weaving	6
care must be	6
to the highest	6
must be done	6
and the pattern	6
to form the	6
on the left	6
is known to	6
the left of	6
that is not	6
tapisseries de la	6
way as to	6
in the days	6
wife of the	6
the mistress of	6
return to the	6
the works of	6
to do it	6
so to speak	6
the ladies of	6
in he was	6
say that the	6
and thread through	6
the new world	6
to work with	6
be applied to	6
worked into the	6
all in the	6
to give it	6
to the people	6
it must not	6
or of the	6
of the later	6
is composed of	6
the finished work	6
the work was	6
the most exquisite	6
i do not	5
is attached to	5
prior to the	5
it is carried	5
of the principal	5
itself in the	5
of them was	5
it is no	5
of the earth	5
be inferred from	5
by way of	5
to the number	5
of a later	5
the limit of	5
but at the	5
the next stitch	5
richness of the	5
in this set	5
the rigaut family	5
tapestries of this	5
the development of	5
new york illustration	5
from the back	5
they are a	5
and on his	5
that the art	5
about this time	5
him in the	5
of which we	5
stitches can be	5
it to be	5
the example of	5
the edges of	5
which are now	5
made to the	5
the flower of	5
at that period	5
of the designs	5
of this volume	5
addition to the	5
work is the	5
the delight of	5
for the same	5
were obliged to	5
not for the	5
the gobelins in	5
are the most	5
to draw the	5
of the rigaut	5
the bands of	5
philip de maecht	5
are at the	5
variety in the	5
of the rollers	5
the occasion of	5
must be made	5
be filled in	5
the following is	5
productions of the	5
the embroidery of	5
of the piece	5
of the few	5
of francis i	5
the cross stave	5
composed of a	5
in the east	5
up by the	5
for by the	5
if it be	5
and must be	5
great deal of	5
some kind of	5
in the right	5
especially in the	5
in a new	5
the habit of	5
triumph of the	5
up in the	5
at the close	5
here is a	5
and the king	5
have been done	5
the part of	5
it was so	5
is obtained by	5
it is most	5
of both sexes	5
fixed in place	5
whether it was	5
the laws of	5
that the great	5
mind of the	5
the luxury of	5
in the two	5
scenes of the	5
the loves of	5
in the embroidery	5
or open work	5
advantage of the	5
face of the	5
to those in	5
it cannot be	5
the guild of	5
the designs of	5
the construction of	5
a couple of	5
referred to in	5
threads that are	5
of the fine	5
of fruit and	5
contrast to the	5
which in the	5
the doors of	5
the months of	5
them in the	5
in the chapter	5
of the patterns	5
reign of james	5
thread can be	5
it became the	5
white linen ground	5
be described as	5
be seen on	5
through over the	5
the texture of	5
paris xviith century	5
of old tapestries	5
with the other	5
and when he	5
the raw edges	5
of the nineteenth	5
and that this	5
the end that	5
of the south	5
his own hands	5
time it was	5
of the poor	5
intervals over the	5
the sistine chapel	5
adapted to the	5
the years of	5
are apt to	5
it came that	5
needlework in the	5
it was this	5
who had been	5
the roman de	5
the time that	5
has ever been	5
a detail of	5
it is often	5
of this period	5
the old chronicler	5
a very usual	5
were for the	5
the high altar	5
with the same	5
this has been	5
sampler in the	5
set of five	5
inscriptions des tapisseries	5
so great was	5
quarter of the	5
on which is	5
with all the	5
the earl of	5
it was at	5
kinds of work	5
the brussels city	5
as may be	5
there are many	5
of antony and	5
that could be	5
and bring the	5
of silver and	5
a row of	5
appears to be	5
then insert the	5
are taken from	5
the world of	5
to the proper	5
san francisco museum	5
in this book	5
probably due to	5
two pairs of	5
and which is	5
of their art	5
in some way	5
picking up the	5
gold and precious	5
work is done	5
left to right	5
in place of	5
of the people	5
under the heading	5
pattern upon the	5
of that age	5
ladies of the	5
they were woven	5
added to the	5
in modern times	5
palace of westminster	5
had to be	5
has been found	5
from left to	5
no more than	5
is inclined to	5
gave to the	5
composition of the	5
such men as	5
one of which	5
a gothic tapestry	5
of those whose	5
they are all	5
to such an	5
record of the	5
the outline of	5
necessary for the	5
the demand for	5
from a series	5
the sacraments arras	5
is by no	5
xivth century english	5
all of which	5
of a hundred	5
the director of	5
worked on it	5
death of the	5
of the apocalypse	5
the third piece	5
the medium of	5
upon the right	5
within the last	5
kingdom of heaven	5
work to be	5
with the art	5
all the time	5
of her life	5
to the whole	5
so that they	5
is always the	5
a line of	5
line at the	5
well have been	5
apartments of the	5
of the arts	5
late xvii century	5
the faubourg st	5
laid upon the	5
are full of	5
early fifteenth century	5
which were the	5
with the king	5
wrought with gold	5
our own day	5
to be met	5
the prosperity of	5
work may be	5
and with a	5
the expulsion of	5
of which is	5
is worked over	5
ancient method of	5
part of it	5
that we are	5
cut or open	5
of his reign	5
and hold it	5
on his shoulders	5
of the moment	5
in honour of	5
bring the needle	5
persons of the	5
it seems to	5
related to the	5
of collotype reproductions	5
pages of collotype	5
illustrations of the	5
to make us	5
repeated many times	5
of the leaf	5
of the metal	5
and can be	5
the midst of	5
there is not	5
on the side	5
of tapestries in	5
occupation of the	5
the looms are	5
on the border	5
de jean van	5
that when the	5
a change of	5
diane de poitiers	5
is quite simple	5
of the small	5
is an excellent	5
we have before	5
is surrounded by	5
the sister of	5
to them in	5
of these days	5
confined to the	5
the same thing	5
that the very	5
not only in	5
fact that it	5
mark and the	5
in the past	5
a tapestry factory	5
hagar and ishmael	5
lent by jacques	5
of divers colours	5
facing pages and	5
mary in the	5
of them being	5
to the fair	5
in the main	5
is called the	5
easy to see	5
this makes it	5
state of preservation	5
the burgundian dukes	5
all over the	5
in france and	5
is the only	5
a single thread	5
may well have	5
gobelins factory in	5
this work was	5
of the curious	5
of them were	5
so much for	5
luxury of the	5
one with a	5
is reproduced in	5
stretched in the	5
this would be	5
that in a	5
this was not	5
with the exception	5
in process in	5
our own country	5
les inscriptions des	5
to be carried	5
they began to	5
or other of	5
the support of	5
the back is	5
was woven by	5
it not that	5
emperor charles v	5
execution of the	5
painter to the	5
not only to	5
the choice of	5
of the three	5
and of his	5
for the next	5
the spanish armada	5
which he was	5
in front of	5
we are not	5
and this has	5
it is now	5
and how the	5
brussels in the	5
brussels city mark	5
of the magi	5
in the presence	5
be seen that	5
to give a	5
have been used	5
of the realm	5
with silver or	5
be arranged in	5
is known that	5
the arrangement of	5
small portion of	5
on the occasion	5
the cathedral at	5
the period of	5
the excellence of	5
in the field	5
in that country	5
to the gobelins	5
variety of stitches	5
of our saviour	5
of the town	5
the line of	5
de la manufacture	5
there are various	5
arms of france	5
samplers in the	5
in some of	5
is illustrated in	5
this must be	5
a family of	5
of many of	5
this piece was	5
the opposite side	5
thread must be	5
in the xviith	5
of the primitive	5
the houses of	5
in the more	5
the triumphs of	5
be out of	5
good example of	5
known to be	5
two pieces of	5
series illustrating the	5
same way as	5
and the like	5
the change in	5
and to have	5
we are in	5
the exception of	5
order of the	5
in colour and	5
half a century	5
in the sampler	5
the old testament	5
the fashion for	5
in the weave	5
in the various	5
stitch is shown	5
laid on the	5
are found to	5
is recorded that	5
piece of the	5
set up a	5
of the simplest	5
front of the	5
the desire to	5
other parts of	5
the king was	5
and they are	5
visit to the	5
fine examples of	5
is as though	5
the lower portion	5
was under the	5
francisco museum of	5
were woven in	5
duke of burgundy	5
for all the	5
early in the	5
dedicated to the	5
the body of	5
to the most	5
in the great	5
is quite possible	5
upon the threads	5
as it may	5
as in all	5
a robe of	5
david and bathsheba	5
it was worked	5
there was an	5
of this type	5
brought to the	5
the xivth century	5
through the material	5
when the work	5
the royal palaces	5
birds and beasts	5
the second row	5
silver and gold	5
as it were	5
fashion of the	5
of the style	5
size of the	5
the way to	5
was supposed to	5
the pleasure of	5
the collotype plates	5
and of which	5
manufacture of tapestry	5
out in a	5
the first piece	5
in the distance	5
great was the	5
and from the	5
la manufacture des	5
the remains of	5
another way of	5
of the type	5
design and the	5
the year of	5
the difficulties of	5
patterns of the	5
there are several	5
owing to its	5
by far the	5
the skill and	5
looms of the	5
there is nothing	5
a xivth century	5
he was in	5
yet it is	5
process is to	5
with that of	5
are left to	5
of which a	5
quite easy to	5
of the weft	5
for working upon	5
the pattern upon	5
to see a	5
in this volume	5
gold thread is	5
shown by the	5
was covered with	5
they were at	5
the thread to	5
over the held	5
that he had	5
it is this	5
from a piece	5
the industry of	5
with one of	5
a representation of	5
in that the	5
the pointed end	5
at the bottom	5
in the costume	5
of the throne	5
millefleurs with animals	5
the thumb and	5
closely related to	5
up with a	5
to be used	5
of carrying out	5
is not the	5
there are no	5
but if the	5
with an overcast	5
cut out and	5
in a blue	5
whom it was	5
threads to the	5
could not have	5
the daughter of	5
from the old	5
madame de maintenon	5
on the canvas	5
by jacques seligmann	5
the left thumb	5
la tapisserie de	5
left in the	5
and thus it	5
of them to	5
romances of the	5
towards the end	5
embroideries in the	5
of the crown	5
the needle as	5
in a good	5
pearls and precious	5
of this tapestry	5
with his own	5
by those who	5
there is the	5
and to make	5
nothing could be	5
done in a	5
to produce the	5
as he was	5
of the kingdom	5
of the very	5
top and base	5
we find that	5
down with the	5
and the first	5
a record of	5
the merton abbey	5
of the ground	5
great variety of	5
method of filling	5
to the weavers	5
be met with	5
sacraments arras tapestry	5
an age of	5
in some instances	5
to see that	5
as the history	5
of the egyptian	5
of the materials	5
the drawing is	5
for want of	5
suit of hangings	5
dukes of burgundy	5
top and bottom	5
to make all	5
material of the	5
and on this	5
the same series	5
explains the working	5
pieces of work	5
a series illustrating	5
borders of the	5
of tapestry pictures	5
it is evident	5
which was not	5
up and down	5
this makes the	5
he had a	5
the execution of	5
in gold and	5
more than one	5
by which the	5
the spitzer collection	5
lent by demotte	5
and the third	5
none of the	5
features of the	5
conquest of tunis	5
of cut work	5
of the conqueror	5
and so it	5
testimony to the	5
hangings for the	5
only for the	5
matter of course	5
remainder of the	5
city mark and	5
of silk or	5
the crown of	5
as the most	5
so it is	5
is necessary to	5
small pieces of	5
tapisseries de jean	5
times round the	5
the early renaissance	5
of flowers and	5
at least it	5
cut out of	5
the lover of	5
and the great	5
a small portion	5
piece was woven	5
in the exhibition	5
fixed in the	5
the taste of	5
the same set	5
a mark of	5
which were of	5
and we are	5
piece of needlework	5
also in the	4
hand end of	4
when they are	4
down of the	4
of the chief	4
the memory of	4
order that the	4
given by the	4
case of the	4
ann maria wiggins	4
they must have	4
at the lower	4
the same piece	4
from embroidery reproduced	4
have the same	4
which she had	4
the round table	4
attention of the	4
of the value	4
out of a	4
the finding of	4
of which only	4
or in a	4
but with a	4
it in a	4
the xiiith and	4
though they were	4
so much as	4
the scarcity of	4
use of these	4
has been the	4
to be considered	4
which the name	4
in coloured silks	4
it could not	4
the height of	4
mark of the	4
right to left	4
in plate iii	4
i have never	4
of a factory	4
and the shield	4
for the present	4
into the world	4
a narrow border	4
of a more	4
the same direction	4
petals of the	4
in which a	4
and such like	4
as an artist	4
tapisserie de beauvais	4
the frame and	4
is closely related	4
other side of	4
the metal pin	4
with which to	4
of the third	4
design of the	4
from the history	4
first of these	4
were made to	4
the museum of	4
louis the great	4
wound upon the	4
of the person	4
but as it	4
as part of	4
in the pattern	4
work is to	4
that the king	4
shape of the	4
gardening after charles	4
over and under	4
appears to have	4
the nature of	4
both background and	4
of the craftsman	4
body of the	4
of a good	4
left to us	4
of the public	4
a combination of	4
is often used	4
worked over the	4
two scenes from	4
the kingdom of	4
was executed in	4
of which he	4
described in the	4
as i have	4
the advent of	4
rebecca brussels tapestry	4
from the beginning	4
almost entirely in	4
the descent of	4
a present of	4
which the work	4
crossed the atlantic	4
a portrait of	4
such as is	4
it is embroidered	4
as the tapestry	4
interest and value	4
part of a	4
nature of the	4
and is the	4
such as that	4
which she was	4
from foreign sources	4
in old work	4
order to be	4
the morgan collection	4
appearance of a	4
or at least	4
in the morning	4
from one of	4
the treatment of	4
petit point pictures	4
of high estate	4
his prime minister	4
from that of	4
of the cathedral	4
in the matter	4
is like a	4
came in for	4
other than the	4
that a great	4
appropriate to the	4
of hagar and	4
technique of weaving	4
the needs of	4
of the palace	4
of the square	4
the centre is	4
by those of	4
the skin of	4
the front and	4
of the bible	4
robe of the	4
early th century	4
of which there	4
i have been	4
he was the	4
process in the	4
up at the	4
is probably the	4
place of origin	4
on a single	4
creation of the	4
have met with	4
along the line	4
feeling of the	4
the most costly	4
of the composition	4
work might be	4
perhaps the most	4
worked in split	4
outside of the	4
of interest to	4
upper part of	4
tapestries have been	4
at least the	4
of christ and	4
that shown in	4
of the weaving	4
work in which	4
in one hand	4
of embroidery was	4
all but the	4
the minor arts	4
as specimens of	4
millefleurs with shepherds	4
the display of	4
of the trade	4
the romances of	4
a multitude of	4
chain stitch in	4
out with a	4
in plate ii	4
for the weaver	4
by their own	4
the water in	4
tree of life	4
the fine arts	4
life of louis	4
was probably woven	4
the piece of	4
the factory at	4
the letters are	4
arrangement of the	4
it is very	4
there were also	4
lives of the	4
was the fashion	4
of the exhibition	4
then came the	4
border of the	4
was of the	4
on an enlarged	4
packing down of	4
of the newly	4
in any other	4
in the plain	4
to complete the	4
each succeeding row	4
lady jane grey	4
one to the	4
similar to those	4
more than a	4
to be had	4
embroidery and tapestry	4
the thread down	4
then it was	4
these days of	4
in consequence of	4
of in the	4
it would have	4
a sign of	4
find a place	4