This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
what do you | 274 |
do you mean | 213 |
do you think | 157 |
to the right | 138 |
out to the | 121 |
i am not | 103 |
to the left | 100 |
what is it | 98 |
in the world | 97 |
on the left | 94 |
i do not | 91 |
do you know | 91 |
it is not | 89 |
all the same | 88 |
it is a | 87 |
i want to | 86 |
out of the | 85 |
that i have | 84 |
looks at him | 83 |
i have been | 81 |
there is no | 78 |
for a moment | 78 |
i tell you | 77 |
in a low | 76 |
i am sure | 76 |
it would be | 74 |
i have no | 74 |
on the table | 73 |
be able to | 71 |
the hall door | 70 |
on the right | 68 |
looking at him | 67 |
how can you | 66 |
seems to me | 66 |
such a thing | 64 |
that is what | 64 |
it is the | 63 |
goes to the | 62 |
door on the | 62 |
it seems to | 62 |
a low voice | 61 |
at any rate | 61 |
to think of | 61 |
that it is | 60 |
that is the | 58 |
looks at her | 58 |
i did not | 58 |
what are you | 58 |
one of the | 58 |
you are not | 58 |
it will be | 57 |
do you say | 57 |
it must be | 56 |
that you have | 55 |
in from the | 55 |
you want to | 55 |
i will not | 55 |
from the right | 55 |
i had to | 55 |
i have never | 54 |
and that is | 54 |
that is just | 54 |
what is the | 54 |
do you want | 53 |
it was a | 53 |
john gabriel borkman | 53 |
you are right | 52 |
you are a | 52 |
to do with | 51 |
that is why | 51 |
out through the | 51 |
i suppose you | 50 |
in front of | 50 |
there is a | 50 |
i could not | 50 |
you must not | 49 |
in the doorway | 49 |
for me to | 49 |
the door on | 49 |
that i am | 48 |
into the room | 48 |
out by the | 48 |
a short pause | 48 |
a sort of | 48 |
to be a | 48 |
i should have | 47 |
goes into the | 47 |
are you going | 47 |
at the back | 47 |
but it is | 46 |
you mean by | 46 |
as long as | 46 |
if i had | 46 |
at the door | 46 |
it is true | 45 |
up and down | 45 |
as i am | 45 |
up to the | 45 |
i am going | 44 |
looking at her | 44 |
on the sofa | 43 |
at that time | 43 |
goes out to | 43 |
you think so | 43 |
as soon as | 43 |
you do not | 43 |
shuts the door | 43 |
after a short | 43 |
i have not | 43 |
as far as | 42 |
down to the | 42 |
you may be | 42 |
and then i | 42 |
here in the | 42 |
and i have | 41 |
i can tell | 41 |
think of it | 41 |
at all events | 41 |
that you are | 41 |
i wanted to | 41 |
you think i | 41 |
let me tell | 41 |
the whole thing | 41 |
she goes out | 40 |
that it was | 40 |
is to be | 40 |
why do you | 40 |
is it you | 40 |
away from me | 40 |
me tell you | 40 |
not at all | 40 |
comes in from | 39 |
what it is | 39 |
i can see | 39 |
how do you | 39 |
what is that | 39 |
mean by that | 39 |
there is something | 39 |
at the same | 39 |
now and then | 38 |
i shall be | 38 |
sort of thing | 38 |
i am a | 38 |
you ought to | 38 |
can tell you | 37 |
the master builder | 37 |
goes out by | 37 |
go to the | 37 |
i know that | 37 |
goes up to | 37 |
let me go | 37 |
it is so | 37 |
and goes out | 37 |
out into the | 36 |
the indian girl | 36 |
you are going | 36 |
there is nothing | 36 |
through the garden | 36 |
how could you | 36 |
you must be | 36 |
in his hand | 36 |
that is a | 36 |
i assure you | 36 |
in the meantime | 36 |
what is this | 35 |
that you were | 35 |
as well as | 35 |
i will go | 35 |
that sort of | 35 |
of that sort | 35 |
after a pause | 35 |
tell you that | 35 |
but now i | 35 |
in the background | 35 |
do you hear | 35 |
of course i | 35 |
you think that | 35 |
the first time | 35 |
and looks at | 35 |
may be sure | 34 |
a little while | 34 |
to tell you | 34 |
i think i | 34 |
when we dead | 34 |
are going to | 34 |
it is impossible | 34 |
now i am | 34 |
must have been | 34 |
i shall never | 34 |
shaking his head | 34 |
at him with | 34 |
you will see | 33 |
i shall not | 33 |
i think it | 33 |
as you please | 33 |
and i am | 33 |
it is all | 33 |
do you suppose | 33 |
i must go | 33 |
i should like | 33 |
what sort of | 33 |
and it is | 33 |
by the hall | 33 |
to think that | 33 |
i have done | 33 |
and then you | 32 |
down on the | 32 |
into the garden | 32 |
ought to have | 32 |
you know what | 32 |
side of the | 32 |
i am afraid | 32 |
enters from the | 32 |
if only i | 32 |
if it were | 32 |
that i should | 32 |
i will tell | 32 |
that i was | 32 |
to the door | 32 |
is just what | 31 |
in the garden | 31 |
that is not | 31 |
but i am | 31 |
of the house | 31 |
but i have | 31 |
the joy of | 31 |
i have a | 31 |
to have a | 31 |
will tell you | 31 |
it is to | 31 |
sure of that | 31 |
not to be | 31 |
the same time | 31 |
in the least | 31 |
what have you | 31 |
to do it | 31 |
when i was | 31 |
that is true | 30 |
would have been | 30 |
to say that | 30 |
but tell me | 30 |
a matter of | 30 |
of the play | 30 |
if i could | 30 |
i see it | 30 |
of the world | 30 |
pillars of society | 30 |
to the table | 30 |
not in the | 30 |
why did you | 30 |
you mean that | 30 |
of henrik ibsen | 30 |
first of all | 29 |
i ought to | 29 |
listen to me | 29 |
i am in | 29 |
down at the | 29 |
the inner room | 29 |
a great deal | 29 |
you think of | 29 |
it was the | 29 |
did you not | 29 |
you and i | 29 |
in the air | 29 |
do you not | 29 |
one or two | 29 |
you think it | 29 |
by the door | 29 |
he goes out | 29 |
goes out through | 28 |
on a chair | 28 |
am going to | 28 |
in the bank | 28 |
it was i | 28 |
and i will | 28 |
the sake of | 28 |
of all the | 28 |
for the sake | 28 |
i have heard | 28 |
is the matter | 28 |
in any case | 28 |
in this house | 28 |
i have had | 28 |
and all the | 28 |
you have been | 28 |
part of the | 28 |
that would be | 28 |
i should be | 28 |
it is my | 28 |
should like to | 27 |
for the present | 27 |
to me that | 27 |
you have done | 27 |
from the sea | 27 |
not going to | 27 |
we dead awaken | 27 |
for the first | 27 |
i shall have | 27 |
i must tell | 27 |
but there is | 27 |
this is the | 27 |
is not the | 27 |
you did not | 27 |
the back of | 27 |
on the other | 27 |
is why i | 27 |
when i am | 27 |
all the world | 27 |
do you see | 27 |
up from the | 26 |
no one else | 26 |
to go to | 26 |
have you been | 26 |
in spite of | 26 |
you have never | 26 |
to look at | 26 |
what i have | 26 |
seemed to me | 26 |
in such a | 26 |
i know it | 26 |
must tell you | 26 |
it was not | 26 |
you know that | 26 |
i would have | 26 |
the matter with | 26 |
you say that | 26 |
am i to | 26 |
to see you | 26 |
it is you | 26 |
i should think | 26 |
it was you | 26 |
ought to be | 26 |
and so i | 26 |
up to her | 25 |
to speak to | 25 |
of course you | 25 |
a short silence | 25 |
for a little | 25 |
of the sort | 25 |
it has been | 25 |
to be so | 25 |
joy of life | 25 |
at the table | 25 |
and shuts the | 25 |
have been a | 25 |
you going to | 25 |
have come to | 25 |
you mean to | 25 |
what you are | 25 |
to be sure | 25 |
the last time | 25 |
in the town | 25 |
in the house | 25 |
for my sake | 25 |
as if i | 25 |
do not think | 24 |
it was only | 24 |
on the verandah | 24 |
is going to | 24 |
the end of | 24 |
you in the | 24 |
if you had | 24 |
you will be | 24 |
it shall be | 24 |
you know it | 24 |
that was why | 24 |
i used to | 24 |
it is only | 24 |
it is i | 24 |
i am so | 24 |
been able to | 24 |
in this world | 24 |
the fact that | 24 |
i mean to | 24 |
do not understand | 24 |
then it is | 24 |
from the hall | 24 |
all about it | 24 |
just what i | 24 |
going up to | 23 |
the old days | 23 |
as i can | 23 |
into the hall | 23 |
is it that | 23 |
it may be | 23 |
is it not | 23 |
go into the | 23 |
to do that | 23 |
i told you | 23 |
the rest of | 23 |
ought not to | 23 |
if i were | 23 |
lady from the | 23 |
are you saying | 23 |
i dare not | 23 |
i should not | 23 |
ibsen als prophet | 23 |
to make a | 23 |
in the hall | 23 |
with an outburst | 23 |
you are quite | 23 |
do you really | 23 |
feast at solhoug | 23 |
a good thing | 23 |
he is a | 23 |
that i had | 23 |
in the middle | 23 |
and now you | 23 |
know all about | 23 |
and it was | 23 |
go down to | 23 |
down into the | 23 |
sort of a | 23 |
you shall not | 23 |
the feast at | 23 |
the door and | 23 |
is in the | 22 |
both of us | 22 |
will be a | 22 |
now i have | 22 |
i am quite | 22 |
goes towards the | 22 |
i must have | 22 |
the point of | 22 |
in order to | 22 |
what you have | 22 |
i have got | 22 |
tell you what | 22 |
but do you | 22 |
and do you | 22 |
i know you | 22 |
it is just | 22 |
of course he | 22 |
but it was | 22 |
to the hall | 22 |
from the left | 22 |
what did you | 22 |
to be the | 22 |
at the time | 22 |
you know the | 22 |
my dear fellow | 22 |
of course it | 22 |
go with you | 22 |
to be able | 21 |
is what i | 21 |
if it is | 21 |
have you never | 21 |
in the same | 21 |
but you must | 21 |
long as i | 21 |
i am free | 21 |
me in the | 21 |
that is quite | 21 |
in that way | 21 |
that he was | 21 |
you have a | 21 |
tell me what | 21 |
think of that | 21 |
was to be | 21 |
i have to | 21 |
something of the | 21 |
into the house | 21 |
of it all | 21 |
all that is | 21 |
that is to | 21 |
part of it | 21 |
of such a | 21 |
in the matter | 21 |
am not going | 21 |
then i will | 21 |
the door of | 21 |
now you know | 21 |
now you have | 21 |
opens the door | 21 |
you shall have | 21 |
i should say | 21 |
the middle of | 21 |
in the first | 21 |
from the garden | 21 |
quintessence of ibsenism | 20 |
my dear boy | 20 |
through the hall | 20 |
that is so | 20 |
table on the | 20 |
out of it | 20 |
that you can | 20 |
to see me | 20 |
the sort of | 20 |
a long time | 20 |
know what i | 20 |
i seem to | 20 |
it is too | 20 |
you have no | 20 |
in the room | 20 |
of my life | 20 |
that you would | 20 |
there was no | 20 |
can you say | 20 |
think that i | 20 |
ibsen als idealist | 20 |
in all the | 20 |
has been a | 20 |
to the window | 20 |
there in the | 20 |
out of my | 20 |
but all the | 20 |
there will be | 20 |
and yet you | 20 |
and now i | 20 |
he is not | 20 |
have you not | 20 |
no right to | 20 |
going to the | 20 |
for you to | 20 |
and in the | 20 |
that you will | 20 |
but i cannot | 20 |
now it is | 20 |
you will never | 20 |
it is no | 19 |
it is that | 19 |
look at me | 19 |
him with a | 19 |
i almost think | 19 |
down by the | 19 |
the whole of | 19 |
away from here | 19 |
it must have | 19 |
that was the | 19 |
i knew it | 19 |
out of his | 19 |
do not know | 19 |
that he is | 19 |
i suppose i | 19 |
come to the | 19 |
works of henrik | 19 |
middle of the | 19 |
am sure you | 19 |
you should have | 19 |
the table on | 19 |
it was to | 19 |
i was to | 19 |
up to him | 19 |
a bit of | 19 |
and looks out | 19 |
of my own | 19 |
go out to | 19 |
there is one | 19 |
an end of | 19 |
ibsen og hans | 19 |
what would you | 19 |
think it is | 19 |
you are the | 19 |
of that kind | 19 |
you have come | 19 |
the bottom of | 19 |
the name of | 19 |
as a matter | 19 |
thank you for | 19 |
i beg you | 19 |
many a time | 19 |
there must be | 19 |
he had to | 19 |
that you should | 19 |
the door after | 19 |
om udviklingsgangen i | 19 |
but that is | 18 |
shaking her head | 18 |
all sorts of | 18 |
let us have | 18 |
it would have | 18 |
soon as i | 18 |
he has a | 18 |
that we have | 18 |
i have often | 18 |
be allowed to | 18 |
you have not | 18 |
no one to | 18 |
it was that | 18 |
i have seen | 18 |
in his arms | 18 |
all the rest | 18 |
back to the | 18 |
the courage to | 18 |
do you believe | 18 |
that i can | 18 |
i had been | 18 |
i had a | 18 |
out on the | 18 |
and i must | 18 |
i thought i | 18 |
at him in | 18 |
now that i | 18 |
know anything about | 18 |
then you will | 18 |
i shall go | 18 |
that was what | 18 |
with a cry | 18 |
commentary on the | 18 |
in a way | 18 |
for your sake | 18 |
know very well | 18 |
i would not | 18 |
as it were | 18 |
that i would | 18 |
and then he | 18 |
you must have | 18 |
is not so | 18 |
him in the | 18 |
and i shall | 18 |
a man of | 18 |
he did not | 18 |
it seemed to | 18 |
to each other | 18 |
now i will | 18 |
i must say | 18 |
has come to | 18 |
to come to | 18 |
in the old | 18 |
just as i | 17 |
what i mean | 17 |
you are thinking | 17 |
you suppose i | 17 |
when it is | 17 |
i must be | 17 |
not a single | 17 |
is no one | 17 |
out of your | 17 |
anything about it | 17 |
you are so | 17 |
is too late | 17 |
with a smile | 17 |
you shall be | 17 |
would be a | 17 |
the works of | 17 |
the glass door | 17 |
do you remember | 17 |
at him and | 17 |
to me to | 17 |
it in the | 17 |
go in to | 17 |
you can see | 17 |
and when i | 17 |
is that you | 17 |
now you must | 17 |
just as you | 17 |
in the mountain | 17 |
she is a | 17 |
go away from | 17 |
then i shall | 17 |
of your own | 17 |
by henrik ibsen | 17 |
the man to | 17 |
now i see | 17 |
what makes you | 17 |
if you can | 17 |
was going to | 17 |
have told you | 17 |
of course not | 17 |
think it would | 17 |
far as i | 17 |
the thought of | 17 |
look at the | 17 |
he has been | 17 |
are thinking of | 17 |
towards the door | 17 |
is about to | 17 |
there is not | 17 |
nothing but a | 17 |
henrik ibsens dramen | 17 |
by the table | 17 |
who is it | 17 |
in her hand | 17 |
the other side | 17 |
for your own | 17 |
more about it | 16 |
i ibsens digtning | 16 |
about the room | 16 |
they go out | 16 |
out in the | 16 |
here i am | 16 |
i could have | 16 |
to take the | 16 |
must be a | 16 |
i have the | 16 |
for the last | 16 |
on the point | 16 |
as in the | 16 |
on the works | 16 |
the christmas tree | 16 |
in the foreground | 16 |
is just the | 16 |
wait a moment | 16 |
have nothing to | 16 |
you have got | 16 |
beg your pardon | 16 |
and that was | 16 |
i have told | 16 |
i suppose it | 16 |
you must tell | 16 |
we shall see | 16 |
mean to say | 16 |
matter with you | 16 |
i think you | 16 |
that i will | 16 |
out her hand | 16 |
i must try | 16 |
front of her | 16 |
i know what | 16 |
to the church | 16 |
look at him | 16 |
to say to | 16 |
i will take | 16 |
i was a | 16 |
the only one | 16 |
i was so | 16 |
is no longer | 16 |
that there is | 16 |
i have come | 16 |
with a slight | 16 |
and you have | 16 |
up in the | 16 |
it is quite | 16 |
have a little | 16 |
nothing of the | 16 |
and says in | 16 |
are right there | 16 |
you have the | 16 |
i thought you | 16 |
look at it | 16 |
think i have | 16 |
the room and | 16 |
you say to | 16 |
not a word | 16 |
know quite well | 16 |
must try and | 16 |
so long as | 16 |
down in the | 16 |
it should be | 16 |
as much as | 16 |
over to the | 16 |
what i wanted | 16 |
both you and | 16 |
only i could | 15 |
all that you | 15 |
a kind of | 15 |
to you that | 15 |
during the following | 15 |
you were a | 15 |
i am to | 15 |
you ought not | 15 |
down on a | 15 |
from the back | 15 |
let it be | 15 |
have had to | 15 |
is a good | 15 |
if you could | 15 |
and down the | 15 |
there was nothing | 15 |
men and women | 15 |
how can i | 15 |
would never have | 15 |
over her head | 15 |
that he has | 15 |
is such a | 15 |
let us talk | 15 |
says in a | 15 |
was i who | 15 |
we have been | 15 |
udviklingsgangen i ibsens | 15 |
you think he | 15 |
the other hand | 15 |
but i must | 15 |
and sits down | 15 |
across the room | 15 |
back of the | 15 |
of the kind | 15 |
will be no | 15 |
do not believe | 15 |
alone in the | 15 |
there on the | 15 |
in the way | 15 |
know how to | 15 |
what i am | 15 |
alles oder nichts | 15 |
it to me | 15 |
of hedda gabler | 15 |
you like to | 15 |
it might be | 15 |
walking up and | 15 |
be sure of | 15 |
i have made | 15 |
i will come | 15 |
impossible for me | 15 |
the garden door | 15 |
i have taken | 15 |
he will be | 15 |
to go out | 15 |
it cannot be | 15 |
of the table | 15 |
for a long | 15 |
a little bit | 15 |
now i can | 15 |
you used to | 15 |
of you to | 15 |
may as well | 15 |
shall not be | 15 |
it on the | 15 |
all these years | 15 |
with a glance | 15 |
to me as | 15 |
on the contrary | 15 |
nothing in the | 15 |
is to say | 15 |
you that i | 15 |
you must know | 15 |
go with me | 15 |
but in the | 15 |
come to town | 15 |
you tell me | 15 |
you would have | 15 |
then you must | 15 |
to come up | 15 |
a good deal | 15 |
with all the | 15 |
now i understand | 15 |
of the same | 15 |
with a start | 15 |
wringing her hands | 14 |
to talk about | 14 |
you to come | 14 |
you may well | 14 |
to the bottom | 14 |
can you think | 14 |
it is for | 14 |
your mind to | 14 |
say that i | 14 |
are quite right | 14 |
you are my | 14 |
should have been | 14 |
i can quite | 14 |
by all means | 14 |
now i must | 14 |
as it is | 14 |
as i have | 14 |
you believe that | 14 |
i thought it | 14 |
by all the | 14 |
told me that | 14 |
here is the | 14 |
to help me | 14 |
and if you | 14 |
and with a | 14 |
at the window | 14 |
was why i | 14 |
end of it | 14 |
not a bit | 14 |
do with the | 14 |
see that you | 14 |
an end to | 14 |
you think you | 14 |
what i want | 14 |
door to the | 14 |
shall have to | 14 |
and then she | 14 |
but when i | 14 |
arne of guldvik | 14 |
enters by the | 14 |
to the verandah | 14 |
that they are | 14 |
on the bench | 14 |
have you forgotten | 14 |
so far as | 14 |
i should never | 14 |
and that sort | 14 |
this very night | 14 |
what was it | 14 |
at the hall | 14 |
did you say | 14 |
none the less | 14 |
you gave me | 14 |
you know very | 14 |
will never be | 14 |
it is here | 14 |
that it would | 14 |
is all over | 14 |
why have you | 14 |
i will be | 14 |
the palm tree | 14 |
on the same | 14 |
at home here | 14 |
it is as | 14 |
my dear nora | 14 |
as you are | 14 |
you see that | 14 |
when i had | 14 |
would not have | 14 |
to look after | 14 |
but what is | 14 |
let me see | 14 |
a man like | 14 |
all the time | 14 |
of the people | 14 |
but now you | 14 |
can see that | 14 |
is not a | 14 |
in the original | 14 |
they are not | 14 |
was one of | 14 |
and you are | 14 |
is it possible | 14 |
but you have | 14 |
suppose you have | 14 |
to live for | 14 |
with all my | 14 |
but i can | 14 |
to have been | 14 |
a little more | 14 |
room on the | 14 |
give me your | 14 |
as i say | 14 |
in the distance | 14 |
where are you | 14 |
other side of | 14 |
i dare say | 14 |
going to be | 14 |
shakes his head | 14 |
makes you think | 14 |
now you are | 14 |
now that you | 14 |
feel as if | 14 |
will not be | 14 |
sits down on | 14 |
comes from the | 14 |
a glance at | 14 |
if you were | 14 |
i only know | 13 |
comes out of | 13 |
when he was | 13 |
but of course | 13 |
that is my | 13 |
the outer door | 13 |
as i did | 13 |
had to go | 13 |
you were to | 13 |
then i should | 13 |
to get away | 13 |
is what you | 13 |
i gave you | 13 |
give me a | 13 |
you will find | 13 |
make an end | 13 |
away from him | 13 |
shrugging his shoulders | 13 |
promise me that | 13 |
and you can | 13 |
i beg your | 13 |
you need not | 13 |
have had a | 13 |
the glory of | 13 |
in my power | 13 |
in the arm | 13 |
with a little | 13 |
what will you | 13 |
you say so | 13 |
to go into | 13 |
but this is | 13 |
how could i | 13 |
that must be | 13 |
it was your | 13 |
so you are | 13 |
to believe that | 13 |
i was in | 13 |
in my mind | 13 |
pointing to the | 13 |
we two have | 13 |
perhaps you are | 13 |
for the future | 13 |
of the whole | 13 |
i would rather | 13 |
want to go | 13 |
will you be | 13 |
we are going | 13 |
among the trees | 13 |
is the way | 13 |
in the morning | 13 |
at an end | 13 |
away from you | 13 |
hat in his | 13 |
into his room | 13 |
to go away | 13 |
so to speak | 13 |
me to the | 13 |
for all the | 13 |
it in your | 13 |
ibsen and the | 13 |
into the dining | 13 |
if you are | 13 |
of the room | 13 |
at the bottom | 13 |
and then the | 13 |
know that i | 13 |
my dear oswald | 13 |
think it was | 13 |
that may be | 13 |
to the garden | 13 |
the law of | 13 |
without looking at | 13 |
you must go | 13 |
should never have | 13 |
more than that | 13 |
to be in | 13 |
her for a | 13 |
to the end | 13 |
at her in | 13 |
i believe you | 13 |
there was a | 13 |
for now i | 13 |
we shall have | 13 |
but you are | 13 |
to ask you | 13 |
me all the | 13 |
that will be | 13 |
that he should | 13 |
she goes to | 13 |
a talk with | 13 |
no one can | 13 |
you will not | 13 |
for all that | 13 |
come with me | 13 |
i cannot bear | 13 |
it was my | 13 |
by the arm | 13 |
we ought to | 13 |
can never be | 13 |
not think of | 13 |
of the community | 13 |
i have found | 13 |
the farther door | 13 |
some of the | 13 |
that what you | 13 |
i am no | 13 |
front of him | 13 |
night and day | 13 |
he told me | 13 |
as i was | 13 |
know what to | 13 |
think i am | 12 |
what you mean | 12 |
the course of | 12 |
am i not | 12 |
have been able | 12 |
i may as | 12 |
so it was | 12 |
you must remember | 12 |
one of those | 12 |
little by little | 12 |
end of the | 12 |
but what do | 12 |
i am thinking | 12 |
of all that | 12 |
my dear judge | 12 |
you want with | 12 |
give you a | 12 |
that time i | 12 |
that she is | 12 |
in through the | 12 |
the lady from | 12 |
the room on | 12 |
me to come | 12 |
henrik ibsen og | 12 |
to see the | 12 |
up into the | 12 |
des deux mondes | 12 |
come to you | 12 |
behind his back | 12 |
for a time | 12 |
one of them | 12 |
he does not | 12 |
was in the | 12 |
i went to | 12 |
do not let | 12 |
those who are | 12 |
up at him | 12 |
who has been | 12 |
that i must | 12 |
i thought so | 12 |
the habit of | 12 |
why should i | 12 |
looks up at | 12 |
to the others | 12 |
wife and children | 12 |
if you have | 12 |
own free will | 12 |
is there anything | 12 |
just think of | 12 |
the heart to | 12 |
the result of | 12 |
for i am | 12 |
thinking of the | 12 |
as if it | 12 |
there you are | 12 |
it had been | 12 |
would you have | 12 |
up your mind | 12 |
to the sea | 12 |
going to do | 12 |
have done with | 12 |
off to the | 12 |
me that i | 12 |
have no right | 12 |
can you not | 12 |
the work of | 12 |
that is how | 12 |
his hat and | 12 |
i daresay you | 12 |
is quite true | 12 |
tell you this | 12 |
door after him | 12 |
i am the | 12 |
to the ladies | 12 |
in the right | 12 |
you have had | 12 |
he was a | 12 |
when i have | 12 |
and if i | 12 |
to tell me | 12 |
in the dark | 12 |
what does he | 12 |
was you that | 12 |
have you done | 12 |
she is in | 12 |
crosses the room | 12 |
he was in | 12 |
as well tell | 12 |
towards the back | 12 |
that in the | 12 |
you shall see | 12 |
one thing i | 12 |
i will try | 12 |
in that case | 12 |
heard in the | 12 |
sits down at | 12 |
in your hand | 12 |
is true that | 12 |
the best of | 12 |
a word of | 12 |
is the most | 12 |
ibsen as a | 12 |
it is in | 12 |
on my own | 12 |
the sooner the | 12 |
are you not | 12 |
used to be | 12 |
talk about it | 12 |
i had never | 12 |
must be so | 12 |
anything to do | 12 |
kind to me | 12 |
the only thing | 12 |
as i said | 12 |
that i could | 12 |
and no one | 12 |
but i shall | 12 |
great deal of | 12 |
must tell me | 12 |
in by the | 12 |
year after year | 12 |
the table and | 12 |
that he had | 12 |
the younger generation | 12 |
out over the | 12 |
at home with | 12 |
in the habit | 12 |
of no use | 12 |
nothing to do | 12 |
sooner the better | 12 |
i will do | 12 |
i can do | 12 |
no more than | 12 |
in your own | 12 |
that she has | 12 |
in my heart | 12 |
so i have | 12 |
want to speak | 12 |
with a sudden | 12 |
if i am | 12 |
here on the | 12 |
will you not | 12 |
it was just | 12 |
for such a | 12 |
by no means | 12 |
into the world | 12 |
me like that | 12 |
nothing at all | 12 |
enter from the | 12 |
that she was | 11 |
is it really | 11 |
is just it | 11 |
to have done | 11 |
and you will | 11 |
speak to you | 11 |
i come to | 11 |
you were not | 11 |
in my soul | 11 |
because it is | 11 |
that we are | 11 |
in the night | 11 |
be so good | 11 |
you to be | 11 |
between you and | 11 |
in my own | 11 |
of the stage | 11 |
now let us | 11 |
there is the | 11 |
i asked you | 11 |
you can do | 11 |
you know how | 11 |
i quite understand | 11 |
may i ask | 11 |
have forgiven you | 11 |
is how it | 11 |
you that you | 11 |
it would not | 11 |
to give me | 11 |
kare the peasant | 11 |
you seem to | 11 |
want to be | 11 |
what does this | 11 |
give me the | 11 |
you see how | 11 |
i have loved | 11 |
was it not | 11 |
i came to | 11 |
the life of | 11 |
is one of | 11 |
would not be | 11 |
thing in the | 11 |
i have forgiven | 11 |
door into the | 11 |
have to be | 11 |
but if you | 11 |
of the great | 11 |
is it true | 11 |
the same moment | 11 |
changing the subject | 11 |
away from the | 11 |
it at once | 11 |
for my part | 11 |
to the altar | 11 |
i had not | 11 |
if i should | 11 |
be sure you | 11 |
me that you | 11 |
my heart is | 11 |
you told me | 11 |
a man who | 11 |
to come and | 11 |
she goes into | 11 |
i thought that | 11 |
straight in front | 11 |
not be so | 11 |
it is he | 11 |
have no idea | 11 |
her hat and | 11 |
to the house | 11 |
a gesture of | 11 |
the edge of | 11 |
now he is | 11 |
to me a | 11 |
the right to | 11 |
you are mistaken | 11 |
the garden and | 11 |
look at her | 11 |
let us hope | 11 |
i had no | 11 |
is to have | 11 |
only know that | 11 |
as you have | 11 |
to the whole | 11 |
i believe i | 11 |
any one else | 11 |
standing by the | 11 |
beside the table | 11 |
matter of fact | 11 |
free from care | 11 |
go with him | 11 |
go to him | 11 |
you not see | 11 |
that i know | 11 |
you call it | 11 |
door of the | 11 |
in the master | 11 |
in her eyes | 11 |
most of all | 11 |
in the end | 11 |
i say that | 11 |
want to see | 11 |
i can assure | 11 |
you can say | 11 |
to go on | 11 |
want with me | 11 |
when you were | 11 |
not want to | 11 |
my dear mr | 11 |
let us go | 11 |
in my life | 11 |
now we can | 11 |
more than i | 11 |
all the glory | 11 |
have anything to | 11 |
i think so | 11 |
farther door on | 11 |
never be able | 11 |
the matter of | 11 |
help me to | 11 |
when you have | 11 |
to you about | 11 |
the day after | 11 |
with his hands | 11 |
to live in | 11 |
us have a | 11 |
me to be | 11 |
up at the | 11 |
in those days | 11 |
more and more | 11 |
with a half | 11 |
do you do | 11 |
that is very | 11 |
be afraid of | 11 |
would have to | 11 |
he has to | 11 |
action takes place | 11 |
his hat in | 11 |
whom i have | 11 |
and what is | 11 |
had to be | 11 |
in an undertone | 11 |
but if i | 11 |
do as you | 11 |
and yet i | 11 |
it is almost | 11 |
let me be | 11 |
for that reason | 11 |
it can be | 11 |
i have nothing | 11 |
at last i | 11 |
you wanted to | 11 |
it does not | 11 |
have you noticed | 11 |
towards the right | 11 |
i am here | 11 |
i had the | 11 |
you shall hear | 11 |
there are many | 11 |
did you notice | 11 |
think of my | 11 |
is a very | 11 |
do as i | 11 |
i must make | 11 |
make use of | 11 |
your own sake | 11 |
that no one | 11 |
of the question | 11 |
come to me | 11 |
all of us | 11 |
chair by the | 11 |
in the back | 11 |
speak of it | 11 |
is a little | 11 |
is one thing | 11 |
if that is | 11 |
in the country | 11 |
time i have | 11 |
all that i | 11 |
the action takes | 11 |
able to work | 11 |
my dear mrs | 11 |
do you understand | 11 |
out with it | 11 |
the play was | 11 |
say such things | 11 |
with her hands | 11 |
like to know | 11 |
i am certain | 11 |
revue des deux | 11 |
and i can | 11 |
but how can | 11 |
have something to | 11 |
where is he | 11 |
course it is | 11 |
has never been | 11 |
and there is | 11 |
the house of | 11 |
is not true | 11 |
in love with | 11 |
the cause of | 11 |
well and good | 11 |
you remember that | 11 |
of what i | 11 |
if only it | 11 |
he had been | 11 |
can assure you | 11 |
is the only | 11 |
speak to him | 11 |
does this mean | 11 |
have you to | 11 |
the same thing | 11 |
i had better | 11 |
come in here | 11 |
front of the | 11 |
i will have | 11 |
when we were | 10 |
most of the | 10 |
at her watch | 10 |
you think we | 10 |
for some time | 10 |
in his hands | 10 |
can do that | 10 |
it is your | 10 |
let him go | 10 |
come into the | 10 |
what did i | 10 |
had been a | 10 |
i was the | 10 |
very well that | 10 |
in the forest | 10 |
so much as | 10 |
nothing more than | 10 |
have done it | 10 |
i want you | 10 |
ibsen in england | 10 |
as i had | 10 |
am sure i | 10 |
what is to | 10 |
you know quite | 10 |
three years ago | 10 |
to become of | 10 |
i have lost | 10 |
the sound of | 10 |
post in the | 10 |
and so it | 10 |
well tell you | 10 |
indeed it is | 10 |
the window and | 10 |
you it is | 10 |
and he is | 10 |
a lot of | 10 |
on the spot | 10 |
vikings of helgeland | 10 |
is no need | 10 |
and then it | 10 |
in the north | 10 |
as i could | 10 |
and let us | 10 |
to have the | 10 |
but i think | 10 |
here with you | 10 |
just as well | 10 |
it was in | 10 |
now and again | 10 |
we shall be | 10 |
appears in the | 10 |
comes to the | 10 |
there is some | 10 |
it is now | 10 |
and you too | 10 |
and that he | 10 |
it is such | 10 |
his wife and | 10 |
looks out to | 10 |
have you the | 10 |
with a sigh | 10 |
him to the | 10 |
in his own | 10 |
was what i | 10 |
if i may | 10 |
from the dining | 10 |
speak to me | 10 |
might have been | 10 |
i think that | 10 |
am sure it | 10 |
you and your | 10 |
there is an | 10 |
turning over the | 10 |
have done that | 10 |
i could only | 10 |
in the course | 10 |
so as to | 10 |
mean that you | 10 |
but i will | 10 |
then you have | 10 |
i know the | 10 |
every one of | 10 |
there may be | 10 |
when i came | 10 |
a tone of | 10 |
and the other | 10 |
think of me | 10 |
with me in | 10 |
put an end | 10 |
the fact is | 10 |
i see you | 10 |
so that was | 10 |
little bit of | 10 |
have you ever | 10 |
you know you | 10 |
that if i | 10 |
what i was | 10 |
and that i | 10 |
i saw it | 10 |
not think i | 10 |
seem to be | 10 |
here and there | 10 |
i thank you | 10 |
frame of mind | 10 |
it was so | 10 |
goes over to | 10 |
you have heard | 10 |
a wonderful thing | 10 |
there he is | 10 |
steadily at him | 10 |
to be found | 10 |
want to have | 10 |
it is an | 10 |
you must come | 10 |
there has been | 10 |
so good as | 10 |
have been in | 10 |
herself in the | 10 |
it is best | 10 |
to come in | 10 |
stands for a | 10 |
and goes into | 10 |
in your heart | 10 |
walks up and | 10 |
the way of | 10 |
to such a | 10 |
to work for | 10 |
can say that | 10 |
am not so | 10 |
come back to | 10 |
the power of | 10 |
to come home | 10 |
what has happened | 10 |
i shall take | 10 |
of the window | 10 |
i have given | 10 |
has not been | 10 |
see you again | 10 |
how am i | 10 |
sit down here | 10 |
by the window | 10 |
i cannot help | 10 |
by william archer | 10 |
anything of the | 10 |
i was going | 10 |
we used to | 10 |
sister of mercy | 10 |
them in the | 10 |
you are to | 10 |
bit of a | 10 |
closes the door | 10 |
we are not | 10 |
may well say | 10 |
here it is | 10 |
i cannot understand | 10 |
the door into | 10 |
with a gesture | 10 |
out at the | 10 |
the same way | 10 |
in a lower | 10 |
did he not | 10 |
as you can | 10 |
tell you something | 10 |
but what i | 10 |
is my hand | 10 |
can see you | 10 |
had to come | 10 |
now i shall | 10 |
have not been | 10 |
what is your | 10 |
he is coming | 10 |
is at an | 10 |
what you say | 10 |
and that you | 10 |
have no doubt | 10 |
you have told | 10 |
that you did | 10 |
suppose you are | 10 |
many years ago | 10 |
in my way | 10 |
that of the | 10 |
i was at | 10 |
to go and | 10 |
burning on the | 10 |
to help you | 10 |
must not think | 10 |
you said you | 10 |
i was thinking | 10 |
in any way | 10 |
make up your | 10 |
going away from | 10 |
and your husband | 10 |
a number of | 10 |
have you come | 10 |
if he had | 10 |
on your side | 10 |
go back to | 10 |
that you must | 10 |
the right and | 10 |
perhaps a little | 10 |
goes into his | 10 |
henrik ibsen und | 10 |
what you will | 10 |
of the sea | 10 |
more than a | 10 |
going to happen | 10 |
want to get | 10 |
so that i | 10 |
was only a | 10 |
he had no | 10 |
looks searchingly at | 10 |
comes into the | 10 |
you were so | 10 |
let me have | 10 |
to talk to | 10 |
you must excuse | 10 |
would have done | 10 |
this is a | 10 |
stops at the | 10 |
to the other | 10 |
long as you | 10 |
is heard from | 10 |
emperor and galilean | 10 |
just a little | 10 |
come here to | 10 |
to be allowed | 10 |
her arms round | 10 |
under his arm | 10 |
that was how | 10 |
by the way | 10 |
have never been | 10 |
good as to | 10 |
to him and | 10 |
if you would | 9 |
am thinking of | 9 |
i may have | 9 |
have a talk | 9 |
i wish i | 9 |
goes out with | 9 |
if you want | 9 |
i swear it | 9 |
with me to | 9 |
a few words | 9 |
what am i | 9 |
as if to | 9 |
place at the | 9 |
that has been | 9 |
hall door and | 9 |
the eyes of | 9 |
and this is | 9 |
when i went | 9 |
this is how | 9 |
did not think | 9 |
if i can | 9 |
of all this | 9 |
of the name | 9 |
towards the house | 9 |
in your face | 9 |
silent for a | 9 |
and then to | 9 |
is no use | 9 |
in the south | 9 |
i have only | 9 |
i do that | 9 |
say no more | 9 |
i think we | 9 |
now tell me | 9 |
i am concerned | 9 |
into your head | 9 |
to tell him | 9 |
there we have | 9 |
you about it | 9 |
turns to go | 9 |
i see the | 9 |
but i do | 9 |
he is in | 9 |
what does it | 9 |
for the time | 9 |
take care of | 9 |
she has been | 9 |
at me like | 9 |
i were to | 9 |
they are all | 9 |
every now and | 9 |
anything of that | 9 |
no one will | 9 |
could not have | 9 |
say to him | 9 |
a piece of | 9 |
occurred to me | 9 |
you could not | 9 |
back in the | 9 |
and the children | 9 |
to have to | 9 |
to be at | 9 |
and is it | 9 |
what say you | 9 |
used to sit | 9 |
when i look | 9 |
will be the | 9 |
shakes her head | 9 |
looks inquiringly at | 9 |
back into the | 9 |
deep in the | 9 |
what is in | 9 |
to one another | 9 |
henrik ibsen translated | 9 |
for i have | 9 |
want to know | 9 |
on the couch | 9 |
it is really | 9 |
that there are | 9 |
is there any | 9 |
for him to | 9 |
well as i | 9 |
in a tone | 9 |
in the eyes | 9 |
come up from | 9 |
see you are | 9 |
on your own | 9 |
the good of | 9 |
at her for | 9 |
but what about | 9 |
as if he | 9 |
i will say | 9 |
if you please | 9 |
have heard that | 9 |
i cannot do | 9 |
as you used | 9 |
shall never be | 9 |
get rid of | 9 |
it seemed as | 9 |
we can never | 9 |
when you came | 9 |
no more about | 9 |
lowering his voice | 9 |
what i had | 9 |
when he has | 9 |
understand what you | 9 |
sit here and | 9 |
is heard in | 9 |
enemy of the | 9 |
beg you to | 9 |
they are so | 9 |
not think that | 9 |
to keep the | 9 |
it could be | 9 |
let us sit | 9 |
you come to | 9 |
the first place | 9 |
that was really | 9 |
on the back | 9 |
have told me | 9 |
i must see | 9 |
from the house | 9 |
that i might | 9 |
you know all | 9 |
should not have | 9 |
will have to | 9 |
you really mean | 9 |
at one time | 9 |
do with you | 9 |
of the old | 9 |
is that what | 9 |
seem to have | 9 |
we will have | 9 |
has always been | 9 |
was a child | 9 |
heard at the | 9 |
to take a | 9 |
is my duty | 9 |
that your father | 9 |
you speak of | 9 |
of your mind | 9 |
gesture of repulsion | 9 |
have you seen | 9 |
sinks down on | 9 |
if it be | 9 |
i told him | 9 |
not have been | 9 |
to the ground | 9 |
will always be | 9 |
the whole world | 9 |
with his eyes | 9 |
so anxious to | 9 |
in his letters | 9 |
he will never | 9 |
to make the | 9 |
is that i | 9 |
he said that | 9 |
once in a | 9 |
the lake of | 9 |
sooner or later | 9 |
seemed to be | 9 |
of his own | 9 |
out of her | 9 |
in new york | 9 |
to think it | 9 |
then i suppose | 9 |
as he was | 9 |
out for a | 9 |
no one who | 9 |
me to do | 9 |
how did you | 9 |
do not see | 9 |
he must have | 9 |
come here and | 9 |
could you think | 9 |
in my breast | 9 |
come in from | 9 |
that was a | 9 |
to be with | 9 |
it possible that | 9 |
any more about | 9 |
my duty to | 9 |
i may say | 9 |
get out of | 9 |
and on the | 9 |
we have had | 9 |
you with me | 9 |
help you to | 9 |
on his shoulders | 9 |
no doubt you | 9 |
what i cannot | 9 |
that you could | 9 |
am no longer | 9 |
i happened to | 9 |
on one of | 9 |
and seats herself | 9 |
you know i | 9 |
me if i | 9 |
mean that i | 9 |
only wanted to | 9 |
tosses her head | 9 |
you really must | 9 |
then it was | 9 |
all over the | 9 |
where is the | 9 |
in your mind | 9 |
as i do | 9 |
who are you | 9 |
and i had | 9 |
too late now | 9 |
about such things | 9 |
will be so | 9 |
you will have | 9 |
to come back | 9 |
go in and | 9 |
here is my | 9 |
then i must | 9 |
putting on her | 9 |
beside the stove | 9 |
get away from | 9 |
told you so | 9 |
standing at the | 9 |
if you will | 9 |
henrik ibsens kvindeskikkelser | 9 |
by the stove | 9 |
i understand you | 9 |
to know that | 9 |
you have always | 9 |
a chair by | 9 |
you must let | 9 |
it comes to | 9 |
for then i | 9 |
we are all | 9 |
as if you | 9 |
it was no | 9 |
the middle doorway | 9 |
in this way | 9 |
you sit down | 9 |
that you know | 9 |
is not in | 9 |
we two will | 9 |
i think of | 9 |
and i do | 9 |
i shall look | 9 |
the spirit of | 9 |
would like to | 9 |
are you sure | 9 |
what about the | 9 |
as you say | 9 |
you are in | 9 |
the chance of | 9 |
seems to be | 9 |
i know all | 9 |
not believe that | 9 |
i can speak | 9 |
come out of | 9 |
hair and beard | 9 |
get hold of | 9 |
thought of that | 9 |
say to you | 9 |
have been my | 9 |
to be done | 9 |
and when we | 9 |
and have a | 9 |
you for that | 9 |
an expression of | 9 |
i did it | 9 |
for both of | 9 |
no one has | 9 |
is heard at | 9 |
i feel that | 9 |
me your hand | 9 |
so much to | 9 |
can you guess | 9 |
me any more | 9 |
as the saying | 9 |
law of change | 9 |
be obliged to | 9 |
stands in the | 9 |
to see him | 9 |
are you thinking | 9 |
glory of the | 9 |
i will sit | 9 |
is true enough | 9 |
any sort of | 9 |
would you like | 9 |
will soon be | 9 |
on board the | 9 |
must come to | 9 |
and that it | 9 |
tell me this | 9 |
i see that | 9 |
of your life | 9 |
had come to | 9 |
have you got | 9 |
you wish to | 9 |
asked me to | 9 |
i have thought | 9 |
you look at | 9 |
a time i | 9 |
so much the | 9 |
say you are | 9 |
be best for | 9 |
on his arm | 9 |
edge of the | 9 |
must have a | 9 |
would be best | 9 |
will come to | 9 |
a young girl | 9 |
i shall come | 9 |
and now we | 9 |
so be it | 9 |
has in the | 9 |
you might have | 9 |
you a little | 9 |
as you think | 9 |
in a moment | 9 |
wanted to say | 9 |
nothing more to | 9 |
can it be | 8 |
a little in | 8 |
but you will | 8 |
you came to | 8 |
day before yesterday | 8 |
of all i | 8 |
for human beings | 8 |
to you i | 8 |
will come in | 8 |
it to the | 8 |
the verandah door | 8 |
think i can | 8 |
make your mind | 8 |
seems to have | 8 |
would be quite | 8 |
to look in | 8 |
you had been | 8 |
the doorway on | 8 |
the world to | 8 |
because of that | 8 |
out here in | 8 |
miss jay to | 8 |
the new year | 8 |
father and mother | 8 |
and what do | 8 |
shall be able | 8 |
come and see | 8 |
hundred and fifty | 8 |
did not know | 8 |
the opposite side | 8 |
any use for | 8 |
you really think | 8 |
on all sides | 8 |
to say so | 8 |
get to know | 8 |
at the very | 8 |
sake of the | 8 |
i mean that | 8 |
and therefore i | 8 |
think you are | 8 |
one of these | 8 |
is this true | 8 |
the corner of | 8 |
of the money | 8 |
matter of course | 8 |
his hands behind | 8 |
down the street | 8 |
you do it | 8 |
you were in | 8 |
he has gone | 8 |
is quite a | 8 |
and can you | 8 |
tell you it | 8 |
have it so | 8 |
i feel as | 8 |
and for that | 8 |
else for it | 8 |
two hundred and | 8 |
but this i | 8 |
you say such | 8 |
certain of that | 8 |
dramas of ibsen | 8 |
one who has | 8 |
in the evening | 8 |
down from the | 8 |
am in the | 8 |
well as the | 8 |
now i know | 8 |
arms round her | 8 |
look into the | 8 |
is going on | 8 |
going to have | 8 |
my days and | 8 |
what you did | 8 |
should have thought | 8 |
am afraid i | 8 |
i begin to | 8 |
think you can | 8 |
here is a | 8 |
once or twice | 8 |
are we to | 8 |
of a man | 8 |
i have in | 8 |
to write to | 8 |
there is only | 8 |
in the last | 8 |
your husband and | 8 |
to and fro | 8 |
one thing and | 8 |
as ever you | 8 |
dressed in a | 8 |
you on the | 8 |
and where is | 8 |
talk to you | 8 |
thing to do | 8 |
on a stone | 8 |
that she had | 8 |
it will not | 8 |
us sit down | 8 |
knock at the | 8 |
it would never | 8 |
you thinking of | 8 |
seats herself on | 8 |
corner of the | 8 |
the light of | 8 |
must remember that | 8 |
of the fiords | 8 |
you think they | 8 |
the resurrection day | 8 |
some one else | 8 |
and you did | 8 |
we were to | 8 |
what do i | 8 |
can be no | 8 |
is impossible for | 8 |
over the fiord | 8 |
i look back | 8 |
hands behind his | 8 |
suppose it is | 8 |
came to me | 8 |
for us both | 8 |
i know how | 8 |
flight of steps | 8 |
me not to | 8 |
you to do | 8 |
have been the | 8 |
me of the | 8 |
to try and | 8 |
did you see | 8 |
we had to | 8 |
up on the | 8 |
but i know | 8 |
my faith in | 8 |
catches sight of | 8 |
in a subdued | 8 |
stay at home | 8 |
in three acts | 8 |
the first performance | 8 |
to the town | 8 |
and to think | 8 |
her in astonishment | 8 |
want to do | 8 |
far and wide | 8 |
to live with | 8 |
not let us | 8 |
it has not | 8 |
it is something | 8 |
you at all | 8 |
it was this | 8 |
to see it | 8 |
about these things | 8 |
me that he | 8 |
makes a movement | 8 |
is that it | 8 |
have always been | 8 |
i believe it | 8 |
you have to | 8 |
the same side | 8 |
when they are | 8 |
for a while | 8 |
have you any | 8 |
have done for | 8 |
will try to | 8 |
tell you how | 8 |
i only wanted | 8 |
day after tomorrow | 8 |
that is going | 8 |
to thank you | 8 |
looks steadily at | 8 |
i saw her | 8 |
quite a different | 8 |
holds out her | 8 |
to go down | 8 |
he can do | 8 |
i could be | 8 |
and when the | 8 |
write to you | 8 |
comes up from | 8 |
and so forth | 8 |
of the town | 8 |
mercure de france | 8 |
be willing to | 8 |
did i say | 8 |
to do so | 8 |
to do here | 8 |
sure to be | 8 |
it you want | 8 |
in the case | 8 |
away from her | 8 |
i had had | 8 |
time he was | 8 |
points to the | 8 |
then i have | 8 |
tell me all | 8 |
and your children | 8 |
was on the | 8 |
let us not | 8 |
it that you | 8 |
myself in the | 8 |
there they are | 8 |
in the letter | 8 |
from the first | 8 |
me as you | 8 |
i have ever | 8 |
you have made | 8 |
to all the | 8 |
from the day | 8 |
me at once | 8 |
of the night | 8 |
from the very | 8 |
surely you can | 8 |
of the master | 8 |
close up to | 8 |
have made a | 8 |
be angry with | 8 |
any of the | 8 |
arm in arm | 8 |
certain that the | 8 |
him to come | 8 |
i know him | 8 |
me like a | 8 |
which is a | 8 |
where you are | 8 |
you see it | 8 |
the character of | 8 |
to the maid | 8 |
you are an | 8 |
the very first | 8 |
you said that | 8 |
you if you | 8 |
of it is | 8 |
you mean it | 8 |
you forgotten that | 8 |
the man who | 8 |
then you are | 8 |
i am very | 8 |
tell you i | 8 |
see it in | 8 |
and you were | 8 |
to be alone | 8 |
have been so | 8 |
i must speak | 8 |
to the writing | 8 |
doorway on the | 8 |
i felt i | 8 |
i know well | 8 |
the worst of | 8 |
of a sudden | 8 |
i could almost | 8 |
the people who | 8 |
that it will | 8 |
in the light | 8 |
been in the | 8 |
give up the | 8 |
know what you | 8 |
if you wish | 8 |
and is about | 8 |
you know anything | 8 |
i wish you | 8 |
home in the | 8 |
up my mind | 8 |
of the garden | 8 |
you any longer | 8 |
i can be | 8 |
to meet him | 8 |
to you for | 8 |
it is very | 8 |
such a good | 8 |
for you have | 8 |
can see it | 8 |
i knew you | 8 |
in the papers | 8 |
must know that | 8 |
to call it | 8 |
not to have | 8 |
her hand to | 8 |
the sister of | 8 |
and fifty pounds | 8 |
little while ago | 8 |
you are ill | 8 |
i may be | 8 |
will do it | 8 |
is in a | 8 |
the presence of | 8 |
not the least | 8 |
i could never | 8 |
as if in | 8 |
must excuse me | 8 |
i am weary | 8 |
i am your | 8 |
we have the | 8 |
only for the | 8 |
too much for | 8 |
be with you | 8 |
think that is | 8 |
just look at | 8 |
a subdued voice | 8 |
so i had | 8 |
of the way | 8 |
at the feast | 8 |
happened to be | 8 |
if he were | 8 |
it all the | 8 |
that was not | 8 |
for her to | 8 |
in the long | 8 |
for it is | 8 |
there can be | 8 |
he will not | 8 |
where he is | 8 |
and so you | 8 |
she must have | 8 |
it was as | 8 |
and i cannot | 8 |
to give you | 8 |
at her and | 8 |
you see the | 8 |
he will do | 8 |
he had not | 8 |
he is gone | 8 |
i have my | 8 |
think i was | 8 |
gazing straight before | 8 |
look at that | 8 |
to see if | 8 |
a little of | 8 |
you to the | 8 |
thing and another | 8 |
the wild duck | 8 |
it was very | 8 |
the sofa and | 8 |
up to me | 8 |
you are very | 8 |
is not that | 8 |
far as the | 8 |
his hand on | 8 |
time i was | 8 |
from time to | 8 |
now am i | 8 |
rest of us | 8 |
time to time | 8 |
think of the | 8 |
know nothing about | 8 |
your own heart | 8 |
holds out his | 8 |
he wears a | 8 |
through the forest | 8 |
round the room | 8 |
will you go | 8 |
i am only | 8 |
in a little | 8 |
with a bitter | 8 |
run away from | 8 |
taken up with | 8 |
to let me | 8 |
what i think | 8 |
it no longer | 8 |
who have been | 8 |
you noticed that | 8 |
to get the | 8 |
it to be | 8 |
is the first | 8 |
it not so | 8 |
spite of everything | 8 |
the door is | 8 |
putting her hands | 8 |
league of youth | 8 |
should not be | 8 |
that he will | 8 |
i am glad | 8 |
he has had | 8 |
through the door | 8 |
not do it | 8 |
exactly what i | 8 |
an outburst of | 8 |
fixedly at him | 8 |
what i say | 8 |
know the whole | 8 |
you really want | 8 |
ornulf of the | 8 |
not so very | 8 |
so that you | 8 |
the day before | 8 |
he must be | 8 |
that he might | 8 |
i almost believe | 8 |
have to pay | 8 |
shall have a | 8 |
stops and looks | 8 |
you want me | 8 |
on in the | 8 |
to know anything | 8 |
to think about | 8 |
say it is | 8 |
let me take | 8 |
and all that | 8 |
have nothing more | 8 |
are to be | 8 |
at this time | 8 |
all my life | 8 |
the garden gate | 8 |
and let me | 8 |
she is so | 8 |
clear and certain | 8 |
in the face | 8 |
all the more | 8 |
whole thing is | 8 |
not the man | 8 |
i have just | 8 |
when i come | 8 |
the whole town | 8 |
in the summer | 8 |
nearer to her | 8 |
that there was | 8 |
have not the | 8 |
so it seems | 8 |
the saying goes | 7 |
as clear as | 7 |
life will be | 7 |
he goes into | 7 |
far as you | 7 |
her in his | 7 |
his hands to | 7 |
what on earth | 7 |
i should hope | 7 |
you are still | 7 |
suppose i must | 7 |
you and me | 7 |
have to thank | 7 |
have you really | 7 |
such a man | 7 |
from the room | 7 |
and of course | 7 |
one who is | 7 |
is it to | 7 |
are my days | 7 |
of the country | 7 |
we should not | 7 |
i shall make | 7 |
has been here | 7 |
shall have the | 7 |
when i think | 7 |
talk any more | 7 |
he was not | 7 |
in the breast | 7 |
as you see | 7 |
with you to | 7 |
waiting for thee | 7 |
do with it | 7 |
i am waiting | 7 |
as they call | 7 |
as she is | 7 |
you can be | 7 |
account of the | 7 |
you had not | 7 |
to come here | 7 |
as if a | 7 |
are you really | 7 |
he will come | 7 |
i went away | 7 |
it at the | 7 |
sit down and | 7 |
suppose you mean | 7 |
to get on | 7 |
of the time | 7 |
out here to | 7 |
no more of | 7 |
chair beside the | 7 |
seem to me | 7 |
so that is | 7 |
you think the | 7 |
it had to | 7 |
in front on | 7 |
a good many | 7 |
in the stove | 7 |
made up my | 7 |
you can understand | 7 |
better than i | 7 |
you had better | 7 |
can quite understand | 7 |
arms on the | 7 |
and you shall | 7 |
what i thought | 7 |
i could do | 7 |
and then we | 7 |
will you come | 7 |
the hands of | 7 |
me to take | 7 |
front on the | 7 |
at such a | 7 |
would it be | 7 |
to the mountains | 7 |
how i have | 7 |
and you had | 7 |
table in front | 7 |
to the back | 7 |
all the gods | 7 |
fact that the | 7 |
days and dreary | 7 |
straight before her | 7 |
is i who | 7 |
i will never | 7 |
with a large | 7 |
but he is | 7 |
absolutely necessary that | 7 |
to some extent | 7 |
and thank you | 7 |
i shall do | 7 |
the first act | 7 |
no thank you | 7 |
the pleasure of | 7 |
life of the | 7 |
a lower voice | 7 |
had better go | 7 |
think he is | 7 |
half an hour | 7 |
but it will | 7 |
can you suppose | 7 |
and the whole | 7 |
a touch of | 7 |
wall of the | 7 |
him by the | 7 |
take it in | 7 |
nice of you | 7 |
is it so | 7 |
a work of | 7 |
to see how | 7 |
to do something | 7 |
am waiting for | 7 |
on your part | 7 |
a man can | 7 |
the truth is | 7 |
i knew that | 7 |
all about that | 7 |
quite certain that | 7 |
did not love | 7 |